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pomefioredove · 2 days

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summary: vil falling in love with you type of post: short fic characters: vil schoenheit additional info: romantic, FLUFF, reader is yuu, reader is gender neutral, takes place during/after book 6 author's note: vilyuu is such a good and underrated dynamic I'm never not obsessed with it. always thinking about him. holding them like dolls making them kiss mwah mwah

One might be bold enough to assume that actor and model Vil Schoenheit had been a victim of Eros before.

With the world under his thumb and millions of adoring fans at his beck and call, it was easy to fantasize about the image of a shining star that had left a string of broken hearts behind him. His persona of perfection gave off such a dazzling impression that any other truth is simply unimaginable. Beautiful, talented, devoted...

...Untouchable to such a degree that the very truth of the matter was that Vil Schoenheit had never been in love. He had no use, let alone time, to indulge himself in something that he found distracting at best and frustrating at worst. For most of his life, romance was nothing but another part to play, a frustrating rumor to dispel, a disaster to witness, something that nagged at him from the outside yet never made itself a home within him.

This idea of the confident heartbreaker Vil Schoenheit was nothing but a reflection of the image he put out, shone back at him by tabloids and fan accounts. It was a hollow interpretation, fueled by fantasies of a Vil that didn't exist in flesh and blood. And so, every time an invasive interviewer or pesky reporter inquired about the state of his personal affairs, he answered truthfully: Vil Schoenheit could easily go throughout life focusing solely on his career, on improving himself, and not miss out on anything at all.

There have been very, very few things that Vil has called himself an idiot over. That answer was one of them.

Because the very second he saw you again after being separated by Styx, the want to smack you for being so reckless in coming after him was only secondary to his want to hold you and cry until his water-proof mascara was running.

Love is such a strange emotion. Vil could never understand why Rook was so obsessed with it, how the vice housewarden fell in love with every beautiful person he saw. For his whole life Vil thought it to be painful, to be distracting, to be finite and often times nothing but a shallow reflection of all of one's ugliest traits.

And now, it made him feel weak and messy. He hated feeling messy.

...And yet, what he wouldn't do to have his lipstick smeared over your mouths. To have you see him with his hair undone and eyes bleary with sleep, and to see you in that state as well. It was not the time, nor the place, but he wanted to cradle you in his arms until this terrible, sickly feeling of longing you'd left him with went away.

For the first time in his life, Vil was suddenly terrified of being alone.

No, not alone- he was terrified of being without you.

To never see your smile again would be a fate worse than death, worse than growing old and haggard. How terrible to think that just one simple person could so easily undo everything about him, and yet, he wanted more of that very feeling. He would unwrap himself layer by layer for you if you asked, taking off all of the years of discipline and poise, and lay vulnerable before you so that you could be soft and simple together. Vil had always regarded romance as difficult, but falling in love with you was surprisingly easy.

He did not have to save Grim from the Underworld, despite what he claimed. Such a risky move cost him everything he loved, everything beautiful about him, everything except for you. And as much as he mourned for himself, he knew he would do it again and again if it meant saving the smile on your face.

And perhaps he was too wishful with his thinking, but he could have sworn he saw that same familiar glimmer of affection and admiration in your eyes when you met his gaze. As if you couldn't even see the pasty, wrinkled mess he'd turned into, and were peering at something behind it.

It made him feel utterly exposed and offered him no comfort, but the thought that you were looking at something not even he could see lingered in the back of his mind, even after his magical energy was rejuvenated.

He had become so familiar with everyone around him being a mirror, reflecting his carefully crafted image right back at him, showering him with two-dimensional praises, that being seen as an object of flesh and blood and tears was a strange notion. To behold his presence and see a person with wants and needs and flaws rather than a flat surface, a decorative magazine atop a coffee table, left him with a strange feeling in his chest. The thought both bothered and warmed him.

Vil Schoenheit was so hopelessly in love with you, and it didn't hurt. It wasn't difficult or ugly or forced, it took not even the least bit of effort. He sunk into the feeling like a warm bath which never grew colder, and he let that be his new reality. It felt strange to imagine that there was a time where he didn't love you, where he didn't look at you as if you were the moon itself, where you weren't such a part of his being that he couldn't imagine life without you.

And he never expressed these feelings in words. They existed inside of him, running through his veins like the very blood that kept him alive and warm, and they weren't distracting, just another part of him that he kept tucked away to occupy his thoughts on rainy days.

...But the best part of it was that he didn't need words. Because when you looked at him, when you saw the Vil the not even he could see, you could already tell they were there. The mirror, the pane of glass that had always existed between himself and others, was non-existent for you.

Vil thought that someday he might be able to see himself through that glass the way you did, but he was perfectly content with simply looking at you instead for the time being.

#twisted wonderland x reader #twst x reader #vil schoenheit x reader

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satorusugurugurl · 2 days

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Never got a request for them you say…

I know i request way to fucking much but I can’t help myself I love ur writing🫶

Butttt hear me out adult trio gojo geto shoko with fem reader. I’m thinking professional reader, who has an exhausting but rewarding job comes home exhausted, but her 3 lovers cheer her right up <333

Could be fluff or smut, I just need them in my life Fr

-🍭

Welcome Home!

Character: Gojo Satoru, Geto Suguru, Shoko Ieiri, FAB!Reader

Word Count; 2,853

Warning: overworked reader, nipple play, oral sex, praising, making out, achohol consumption, Geto in a fucking apron has me FERAL

A/N: Thank you so much for the request! I had lots of fun with this one 🥵🌶 Spicy loved it 1000000/10 would recommend.

Everything hurt, from your feet to your back, as you exited your car, the garage shutting behind you. You had been gone for twelve hours, leaving at six and getting home when you'd left this morning. But you couldn't complain. Your business had taken off, and as CEO, you had responsibilities to take care of, which tended to keep you away from home longer than you'd like, but the paycheck was worth it.

You had started your own candle company in college. Book tropes, characters, and television series inspired the candles you made. Your shop had been small, and you were content with that. Until your partners suggested advertising on social media, reaching out to authors, broadening your horizons. You hadn't expected much, maybe a couple of dozen more orders, a few rejection letters from said authors. What you hadn't been expecting was for your products to go viral, and several authors jumped at the opportunity to commission you for custom character candles.

Your tiny little shop became a big-time shop so fast it had your head spinning. You shipped orders worldwide, made custom customer orders, and were featured on several podcasts. Your company was close to being a multimillion-dollar company with several locations. While exciting, and you didn't need to worry about money, it was exhausting. Long hours, dozens of meetings, and business trips were your new norm; it came with the title CEO. You loved your job! There was, however, one downside.

You missed the fuck out of your partners.

With your position, you could take care of the house payment and utilities. Allowing your partners to do whatever they want without worry. Shoko was studying to become a surgeon, Geto was working on a novel, and Satoru was your biggest investor; seeing as he was from a wealthy family, he could do what he wanted. And what he wanted was to help your company grow. Things were perfect; it justified you working so hard all the time. Some days were more exhausting than others, but it was also gratifying. Your partners could pursue their dreams, and as long as they were happy, so were you.

”I’m home.” You announced mid-yawn, removing your heels and setting them to the side. You ventured into the living room. The condo was clean and tidy, as per usual, thanks to your amazing partners. They took such good care of the house when you were gone.

“Welcome home.” Suguru greeted you from the kitchen. Both the mouth-watering aroma of prepared food and the sexy man stopped you in your tracks. “Thank you for all of your hard work today, Princess.” He wore gray sweatpants, his hair pulled into his signature half up half down style.

The best part of his whole outfit was the apron. Good god, it was illegal! The black apron went around his neck and tied firmly around his waist. It read, ‘My meat is 100% Going In Your Mouth’. It was a gag gift, one you’d need to thank Satoru for purchasing. Suguru was wiping his damp hands on it as he made his way around the island, wrapping his arms around you in a tight hug.

You melted in his embrace, your arms snaking around him as he kissed the top of your head. “Thank you. It’s good to be back.” You sniffed at the air, happily groaning at the scent of food. “That smells absolutely amazing, Sugu!”

“You had a long day, so I made one of your favorites.” You followed him into the kitchen, staring at the four neatly prepared plates of perfectly prepared katsudon and fluffy white rice. ”I was finishing up the salad. It should be done in a few minutes.”

A warm body pressed against your back; the smell of clean linen and musk followed the body's movements behind you as Satoru rested his chin on your shoulder. “I hope so, I’m starving.” The whiny tone that resonated from Satoru had Suguru rolling his eyes at his antics as he chopped up lettuce. “But not as hungry as you probably are. You busted your ass today, as usual.” Soft lips peppered your cheek with kisses.

“It was a very long day.” You reached forward, grabbing a slice of cucumber off the cutting board and popping it in your mouth. “But it’s well worth it.”

“Long day; I guess this calls for some sake,” Shoko added, handing you a glass of chilled peach sake.

You took a long sip, humming at the sweet taste that danced over your tastebuds. “Shoko, what would I do without you?” Your exhausted-looking girlfriend took a long sip of her drink before pressing a kiss against your lips.

”You would be stuck with these two idiots.”

“Hey!”

Satoru pouted, while Suguru just shook his head with an unbothered chuckle. The carefree atmosphere and warm aura had you relaxing, the tension leaving your shoulders as the four of you sat down for dinner. While you ate and conversed with them, your partners looked you over while you weren’t paying them attention. Suguru took note of the dark circles under your eyes before looking at Satoru from his peripheral vision. He had noticed the circles along with how your skin appeared paler tonight. Dark and blue-hued eyes focused on Shoko. Her dark brown eyes examined you as she would a patient.

The three of them reached the same conclusion: you were exhausted, burning the candle at both ends. They knew very well how seriously you took your job; your work ethic was nothing to be sneezed at. No matter how sick or tired you were, you constantly pushed yourself to do more, to provide for them. Your motivation was fueled by positive forces, and there was nothing wrong with being driven by a goal.

However, the moment your goal began to run you down, that’s when you had a problem. You needed a break—some time to rest properly and recuperate. The three of them set their plan into action just with mirror eye contact.

“All right,” Suguru stood, collecting the dishes off the table, “Satoru and I will clean the kitchen. Shoko, why don't you take our sweet girl and get her relaxed?”

“Oh, don't be silly, I can help.” You followed them, collecting dishes that were snatched away from you by Satoru. “Hey, I can help!”

Shoko gently grabbed your hand, her slender, delicate fingers interlacing with yours, pulling you towards the bedroom. “It’s not a matter of you being able to help or not; we all know you’re perfectly capable of that.” Shoko gently squeezed your hand before pushing you back against the bed. “It’s more of a matter that we want to take care of you.” Those same soft fingers that had gently held your hand began working at the buttons of your blouse. “So please don’t fight us on this. You’re exhausted.” Your chest moved up and down, your steady breathing quickening as she exposed your torso. “Just lay back and relax.”

A breathless sigh escaped you as her soft hands groped your breasts in both hands, squeezing the soft mounds. “A-alright, then, let me touch you too.” You reached for her breasts, her nipples erect, peeking through the thin fabric of her white t-shirt. Your fingers just grazed over the fabric, straining against her hardening buds, when she pulled back, out of your reach. “Shoko, why are—” Her lips met yours in a soft, delicate kiss, one that emanated her true intent and desires.

”Have you been hanging out with those two morons too much?” Soft fingers, unclasp the hook in the front of your bra. “What part of ‘lay back and relax’ did you not understand?” Warm caresses of your girlfriend's skin felt like a burning fire over your tingling nipples.

“But I hate not making you feel good.”

“Baby,” Shoko chastised, leaning down, gently flicking her tongue over one of your nipples. “You make our lives comfortable; you do so much for us.” She kitten-licked one of the buds, nearly sending you off the bed. “There will be plenty of other times for you to join in. For tonight, relax and enjoy being a pillow princess.”

You were hesitant to listen to her, but as you relaxed against the bed, you realized just how tired you were. Laying back, your head cradled by the pillow alleviated some of the throbbing pain in your upper back. Plus, you weren’t often told to be a pillow princess, to lose yourself in the pleasure. This might be precisely what you needed tonight.

Without any further protest, you melted against the bed, your hand gently running through Shoko’s long, silky hair as she suckled and nibbled at your nipples while her hands massaged your breasts. I felt so good to be touched so gently. It was a drastic contrast to the boys, who roughly groped and nipped at your sensitive breasts. No matter how many times they saw your breasts, they were still the teenage boys you met nearly a decade ago. Breasts were, and always would be, some of their favorite things. Shoko, on the other hand, knew what felt good, how to get those little moans and whimpers to escape your mouth. If the woman was given the chance, she very well could make you orgasm from your nipples alone one day.

”Oooh my god, S-Sho—” That day was today, “Shoko, f-feels so good, really good.” Your nails gently grazed her scalp before you tugged on the strands of her hair. “H-Holy shit.”

Your girlfriend giggled, sending vibrations to stimulate your already sensitive nipples. “Yeah? Feel good—“ her pink tongue swirling tantalizingly slow around them, “so good you’re going to cum like this?” A tiny whimper was the only response she received. “Such a good girl for me. Go ahead, baby.” She groped both your breasts, pushing them together, allowing her to suck and nibble at both your nipples at once. “Cum for me.”

Shoko pressed her knee against your clothed center, and that was all you needed to cum. “N-Nggh! C-cumming~ S-Sho! Fuck!” you withered and squirmed, your hips rocking g against her knee, extending the sweet pleasurable waves that rocked you to your core.

She was watching you get off from just the brush of her knee, and her mouth on your tits had Shoko giggling softly. Your face was twisted with pleasure, slowly shifting into a more lax face as you finished riding the waves. Once your heavy breathing turned into soft, content sighs, she pulled back with a grin. She’d like to see the boys try and get you off solely from your tits. Because she knew neither had the patience or skills for that.

“Good job, Shoko.” Your eyes fluttered open as the bed shifted. “Got her nice and relaxed for us.” Shoko sat back, watching as Suguru and Satoru crawled up the bed. “How are you feeling, sweetheart, better?” Satoru hummed as he unzipped your skirt, tugging it down.

“Mhmm, a lot better.” You lifted your ass off the bed. Allowing Suguru to tug your thigh-high stockings down. “Sho always takes good care of us.”

“Mmm,” larger hands forced your legs apart, “I can see that.” Suguru hummed, trailing a finger up and down over the wet spot on your panties. “She made you cum, and you did such a good job.” His fingers hooked under the lace hem and tugged them down, throwing them somewhere across the room.

Suguru’s fingers pulled your wet folds apart, admiring the slick coating of your lips and how your arousal seeped out of your tight entrance. His thumb pulled the hood over your clit back just enough, allowing him to rub sweet, gentle circles around the bundle of nerves. While he teased your clit Satoru nestled himself between your legs, kissing and nipping at your inner thighs up to your dripping sex.

“Mmm, I was wanting dessert.” His hot breath teased your twitching cunt. “Thanks for the meal, sweetheart.” His tongue dipped out, tracing teasing circles of your entrance. His wet tongue and Suguru’s thumb had you gasping, arching off the sheets. Your hips jolted forward, silently begging for more. “So fuckin’ needy~” Satoru growled into your pussy. “Normally, I’d make you beg, but you’ve been working so hard you deserve a reward.” His tongue dipped past your tight entrance, gently swirling it as he licked at your inner walls.

With Satoru’s tongue spearing you, working the muscle inside your pussy, Suguru takes the chance to lean down, kissing and sucking at your swollen nipples. “Fuck, you sound so pretty; make more sounds.” His teeth gently graze over the bud. The sudden sensation made your body jerk forward, here widening as his skilled mouth wrapped around your nipple, sucking on it hard.

“Suguru,” Shoko sits on your other side, “try swirling it gently~ like this.” A raspy sigh shakes through your entire body as Shoko demonstrates her technique on your other nipple. “This gets her going.”

“Oooh~ I see now.” The dark-haired man watched Shoko closely, nodding as he observed her momentum. “So I need to do—“ his eyes meet yours as he flattens his tongue, “—this?” His tongue matches Shoko’s face as pressure, sending tingles coursing straight to your pussy, where you clench around Satoru’s skillful tongue.

Blue eyes widen as feeling the gentle spasms of your cunt on his tongue. Your wetness seeped out, coating his tongue, mouth, and chin. “Mmmphmm~ yeah.” His voice is hoarse with unfiltered, pure need. “She fucking likes it~ her cunts hugging my tongue, keep it going.”

Hearing the filthy words, Satoru spoke motivated his best friend. Suguru kept his ministrations up, his eyes darting between Shoko and back to you, doing his best to keep up with her pace, mirroring her movements to the exact inch. In turn, Shoko’s hand dipped down, pressing gently on your lower abdomen.

“S-Shiiit!” You hissed, lifting your head an inch, watching as your three beautiful partners worshiped you. “Ooooh haaah!” You arched, squirmed, and twitched on Satoru’s tongue. Your partner's fingers, tongues, and lips moved faster as you screamed, one hand gripping the sheet as your other hand thrust into Satoru’s hair, tugging and pulling at the strands as you rocked against his face.

“Good girl~” Suguru growled against your nipple. “Goood fuckin’ girl~ cum all over Satoru’s face.”

Shoko nodded her head in agreement, her hand pressing harder against you. In doing so, she put pressure on the coil that was twisting and twisting inside you. Satoru groaned loudly inside of your pussy, feeling your walls twitch slightly around him; the tiny movements had his tongue lapping faster and harder, rubbing against your g-spot with every flick.

The combination of all three of their efforts made you scream and squirt. Coating Satoru’s tongue and face. Watching the stream of clear liquid coat, Satoru’s face had Suguru rubbing your clit faster. Extending your orgasm, making you squirt again again.

“Oooh, that’s it! Good fucking girl!” Suguru praised while Satoru glowered at you. Not in anger or disgust, but in feral fucking need. His mouth and tongue didn’t stop moving as he drank all of you in, working you over the dips and rises of the orgasm that nearly took your life. He only pulled away when you grimaced, shaking at the overstimulation of his mouth, and that only happened because you yanked him out of your pussy.

“Mmm~ such a good girl~” your slack mouth was suddenly being kissed by Shoko before Satoru crawled up, slotting his mouth against yours, allowing you to taste the sticky, tangy essence of your cum. “She was the best, wasn’t she, Satoru.”

The white-haired man pulled back, collecting the remaining traces of your cum with his pointer finger. “She’s the fucking best. No questions asked.” You lazily watched as he offered his finger to Suguru.

“Oooh, thank you.” Dark eyes trailed over you before he smirked, gently wrapping his hand around Satoru’s wrist and leading his finger into his open mouth. You choked on a breath as you watched Suguru bob his head up and down Satoru’s finger, ensuring all of your juices were clean. “Mhmm, so sweet. Shoko, have a taste.” Your girlfriend grinned slowly, leaning over your spent body, kissing Suguru with full tongue to get a taste of you. Their tongues swirled and massaged the other for what seemed like an eternity before they broke the kiss with a string of saliva and your cum connecting their tongues. “Isn’t she delicious?”

“She’s sweeter than the peach sake from dinner.”

With a gargled moan, your head fell back against the pillows as your lovers all leaned over to examine your face. Your pale skin from earlier was flushed a darker shade, your eyes were hazy and distant, and if this were an anime, they were sure you’d be spurting a nosebleed right about now. The trio exchanged knowing glances and gentle smiles. You did so much for them. The least they could do was give you a proper welcome home.

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baldval · 23 hours

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idk if u like writing him so if u don’t feel free to ignore!! but picture this, adam with a higher up reader with high authority that kinda acts like beelzebub?? like adam sees them for the first time and expects them to be all wholesome and kind but she’s actually just a hardcore party gal! which kinda matches his frat boy persona too🌚 and maybe she even resembles bee a bit? UP TO U! i just love ur writing and thought of this

-🎞️ anon

ALTITUDE!₊˚⊹♡

characters: adam x gn!reader

wc: 1.9k

warnings: cursing, mentions of one night stands

A/N: i'm sorry if i failed you in the whole party-fun!reader aspect i just went on a different direction and when i realised i like this a bit too much. hope you like it too anon!!!!! 🫶

You weren’t ever too sure about Adam. He just seemed a bit problematic, loud, interruptive, and he never took things seriously. Not that you were the chillest person on heaven, quite the opposite, but still, there was something about Adam that threw you off. You felt like that was all a faced. You knew that, when he wanted to, he could be kind, and was actually very enthusiastic regarding his job at heaven. Not that he would ever knowingly admit it. So when Sera partnered you two for a, quite important job, you didn’t know what to expect, or how to feel. At first you thought he might try to run the shop by not letting you contribute any of your ideas. He thought you were a tightass that would try to make everything boring (exactly what he said to Lute).

However, both of you were surprised once time went on, and you got to know each-other better. He realised you were actually quite fun, he might even say careless. He found himself in shock, and partially offended, when he realised you actually hosted parties every few weeks. You found out that he was deeply misunderstood. And actually really cute and charming. And you also promised to invite him to your next party, once you had finished the long task Sera had appointed you.

"Adam? Will you read that to me again?" You sat cross legged on the carpeted floor of Adam’s basement, chewing on the end of your click pen. Adam was too busy trying (and failing) to get basketballs on a net at the top of his wall to notice you’d called out to him. Dropping the pencil down on your notebook, you let out a frustrated sigh, standing to get his attention.

"Adam!"

Startled, he stopped short, turning towards you with his eyes wide in surprise.

"Yeah? You alright?" He asked, putting down the basketball and appearing in front of you.

"Yes Adam, I just wanted to get this part done," you explained, rolling your eyes in annoyance. “Besides, why do I have to work? I would also love to be able to play with that fucking basketball." It wasn't that Adam didn't work, he just got distracted easily.

"Ha! As if you could play." You felt deeply offended even though you knew you did NOT know how to play basketball.

"Wow. Just wow. I thought you would've known about my years in the angel's basketball team. I used to be one of the bests." You lied, trying to defend your dignity.

"As if! I was on the angel's basketball team. Never saw you there." "It must've been waaaay before you got in. I've been here for longer, you know."

"Alright then, prove it."

"Prove what?"

"Prove you can play." He handed you the ball and you held it.

"I'm a bit rusty." You smiled at him as you saw him grin. He could see right through you and your lies, what he didn't figure out was that you could also see right through him. So instead of shooting towards the net, you hit Adam with the basketball right on top of his head. Watching it bounce on it only to later hit the floor.

"Ouch! What the fuck was that for?" he ran his hand through his hair.

"Get to work or I'll hit you again."

"Hey! That's toxic workplace behaviour, I'm gonna have to report you now." You groaned in annoyance. "What will it take for you to work on this with me for an hour? Do we have to make a deal?" You joke with a light chuckle. Adam jumped at the opportunity to compromise, knowing that he could work if he really wanted to, and that the deal would then be in his favour.

"A deal hey?" He asks, resting his chin in his hands, looking up at you with sparkling eyes.

"Yes, whatever you want for 1 hour of your precious time," you scoff, picking up your pen again to work. As a higher ranking angel, you knew better than to be stubborn. You didn't mind having to sacrifice a little something. Besides, the end was in sight, meaning you wouldn’t have to deal with him for much longer - however, you struggled to admit to yourself that it would actually make you sad not hanging out with Adam as much as you were right now, worrying you would go back to the stranger treatment you had with each other before.

"I’m not gonna tell you until the hour is up," Adam teases, retrieving a book full of sinners' names for your work from the couch and opening it to a dog-eared page.

"Okay read it again for me, and this time slowly," you emphasise on the word “slowly”, watching him let out a small laugh, shifting on the floor to get comfortable.

"Okay, ready?"

"Yes, Adam."

"Okay," Adam takes a deep breath before beginning, you’re skimming over your notes, making sure all of them make sense. Adam tries to memorise some of the names before you write them, wanting rather to watch you work than have his eyes glued to the book.

Adam rests his hands in his lap, noticing the way your lips part and your tongue juts out only slightly when you concentrate. He notices you fiddling with the edge of your notebook, your fingertips grazing the spiral as it winds to bound the book. He notices how effortlessly pretty you are, and how committed you’ve been to this assignment. He thought it was so funny that you were so oblivious to his blatant staring. He suddenly lets out the breath he didn’t notice he was holding in.

"Adam?" You ask, the same annoyance bubbling inside you from when he didn’t pay attention before.

"Right," Adam shakes his head from his thoughts and returns to reciting the book.

You hadn’t noticed you’d leaned slightly into Adam, your shoulders brushing. Adam suddenly feels warm, his shoulder tingling where you were touching him. His heartbeat hammered in his ears as he licked his lips, readying himself to read the next part.

He thought of how cunning his side of the deal was, and how much more tempting it got the longer you touched him. It was a gamble, but it was one he was willing to take.

Adam rested his hand on his thigh, inching his fingers closer to your joined knees.

You look up at him, finally noticing how close the two of you had gotten, but doing nothing about the close proximity. Something felt different, the air was harder to breathe, and your stomach felt like it was housed by a million butterflies. His eyes shun as they looked into yours, your faces inching closer and closer.

Adam finished reading and silence filled the room, accompanied by the small pants of your breathing, you pulled your body away, sitting up straighter and looking more alert.

"Good reading Adam," you let out a small cough to cover the awkwardness that had just washed over you. Fuck, you were so close to kissing him, and you didn’t know why. You scowled at yourself for being so cliche, and put down your notebook. Adam bit his lip in a smile as your cheeks blushed red because he knew you’d felt that too.

"Okay, deal time?"

You know you asked for an hour, but a break right now didn’t seem so bad.

"Okay," you say, as he scoots his bottom across the floor to face you.

"One kiss," he says finally, your jaw swinging open in shock. A kiss? Was he serious? Did you hear that right?

"A kiss?" You repeat, chuckling. At first you thought it was a prank - classic Adam. However, his face was dead serious, as serious as you had ever seen him. You hadn’t read that Adam felt anything for you, the same way you hid having a big fat crush on him by being sort of mean.

"Come on, you know you want to." He teases suddenly changing his behaviour and body language as he realised he had been perhaps a bit too vulnerable for his liking. But you has already seen him. You knew his true intentions when he asked that and you knew they matched what you wantes, so why weren't you kissing him?

Your lips form a tight straight line as you contemplate your choices. Give up the tough guy act now and cave to your feelings, or don’t. It was like Adam was giving you the perfect opportunity to do what you always thought of doing.

"Okay, only one," you narrow your eyes at him as he gives you a curt nod.

“Of course, whatever the lady wants,” he sends a wink on your direction and you can't help blushing as you try to hide the redness with a laugh.

You lean forward, securing a small kiss on his cheek, almost too close to the corner of his mouth as it curled into a small smile. Your lips linger there for a moment, before you pull away, just slightly, your face still so close to Adam’s. You contemplate whether you should just go for it. But before you could decide what you wanted to do, Adam does it for you, connecting your lips in a soft, passionate kiss.

It takes you aback, but you compose yourself quickly, cupping his cheeks in your hands, as his secure to your hips. He pulls you closer, until you’re practically in his lap, straddling his hips with your thighs. His tongue prods at your lower lip, and without another thought, you open your mouth, letting his tongue explore where no one else has. The feeling was magical, and after all those nights you lay awake thinking of this moment, it finally came in full force.

You had to pull away with a gasp when Adam’s hand started to cup your bare ass under your shorts, your hands resting comfortably on his shoulders as you stared at each other.

"Fuck I’m sorry- I shouldn’t have-"

"No! It’s fine, I just, I... I kinda like you? Adam... And I mean, I don't care if you want to just fuck or whatever. But... I guess I just don't want that." you let out a nervous laugh, wanting so badly to crawl into a hole and die from your confession. "It's not you! Well, I guess it is you? I don't mind one-night stands, I just..." Adam interrupts you by letting a small laugh, the back of his hand coming up to caress your cheek.

"I get why you assumed that. I mean, I am THE Adam, THE original dick, why would I settle down?" You roll your eyes at his cockiness and his expression softens. "But I do like you. I like you just in the way that you said it, truly."

"Really?" You ask him, your voice only just louder than a whisper.

"Yeah! I mean- you’re so smart and pretty, and we’ve spent a lot of time together, I’ve enjoyed getting to know you, wouldn't mind getting to know you better. The whole of you" he moves his hand towards your waist.

“I’ve felt the same way,” you reply, pulling Adam in for a hug, resting your head in the crook of his neck. He holds you close, before you sit back down on the floor across from him.

“So… you think I’m pretty?” He asks, shooting you a cheeky wink. You roll your eyes again, letting out a small laugh.

#hazbin hotel x reader #hazbin hotel imagine #hazbin hotel headcanon #hazbin hotel #hazbin hotel adam #adam x reader #adam x you #cursed cat alastor #adam hazbin hotel #adam hazbin hotel headcanons #hazbin adam

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sideprince · 3 days

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I've seen the same post a hundred times now. Sometimes it's a few days old, sometimes it's from years ago, but it's always the same. Some anti posts about how they don't understand how anyone can like Snape because he was so awful, and then there's a long reply that goes something like, "imagine this happens to you, and then this, and then this" to describe Snape's experience. Sometimes there's some James Potter hate thrown in.

Look. You can go through describing a character's entire experience but you don't really need to. Here's the thing that antis don't understand:

For all her faults (and they're big, bigoted ones) Rowling understood a really integral part of the human experience and conveyed it through Snape. Everyone needs love and to feel accepted. It's that simple. Snape became a Death Eater to seek acceptance (Rowling has confirmed this, though I can't remember the source - whoever wants to add it please do), because it was the only way he could find any.

Snape's understanding of morality, like everyone's, is subjective. Some readers understand this and some don't. When faced against a morality that says there is good and bad in the world, everyone makes choices based on their personal experience. Context is everything. Someone who experiences pain and suffering will not see the person inflicting it on them as moral. That's it. 'How can this person be good when they caused me so much suffering?' = human psychology. Most of the people who think 'I'm a bad person and deserve this' have been gaslit and abused into thinking so, because it's not a natural reaction - it's one that has to often be socialized into someone at a young age, exactly because it's not natural. Everyone is the hero of their own story; no one sees themselves as a villain, because they see the valid aspects of their own perspective.

You can write essays on how vulnerable people needing acceptance is what cults and fascists exploit to recruit vulnerable people, or on how the standard anti's un-nuanced reading of Snape both ignores canon and displays a disturbing lack of empathy or compassion, but at its core it just boils down to context. From Snape's perspective he experienced cruelty, therefore the people inflicting it must be cruel. Again, it's that simple. He was a person, like any other, except he was fictional so he wasn't even real. On the flip side is James Potter, who, for all his faults, didn't get to live long enough to get a chance to change and grow unlike Snape, and I think the Snapedom also needs to acknowledge that.

They're fictional characters representing things an author wants to say, not sports teams, not martyrs, and not all good or all bad emblems that define your identity depending on how you feel about them. It's depressing how much time is wasted arguing with bullies and trolls whether from the Marauders fandom or just random antis. I literally can't find more than three blogs to follow without this argument coming across my feed daily. I know the Snapedom is Not OK™ and that's kind why we're all here, and I know that my take is super unpopular but like Snape, I don't care what others think: this fandom has been having the exact same argument for years and nothing has changed. There's fanart and meta and fic and so much content out there appreciating this character, you're not going to change an anti's mind who's deliberately trolling in the tags, so why are you trying? What are you getting out of it? What does it give you? It's exhausting just scrolling past it.

#The thing about morality is that it's subjective #the religious leader who's a beacon of moral purity to their congregation #is a source of selfishness and pain to someone they abuse in secret #is that abuse victim immoral for rejecting the values the religious leader represents?#the congregation might think so because their definition of morality relies on the religious leader being a moral guide #the victim might not think so though because how can something be righteous if it causes suffering #look this is just an example of how perspectives can vary and I know there are more possible takes on that example #my point is that the idea that there's no clear 'good' and 'evil' there's only power/what you do with it is actually how psychology works #'good' to one person can be pain to another #'scourgify' is an innocuous household spell that cleans stains until it's used to waterboard someone #context matters more than labels like 'light' and 'dark' magic

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ofbreathandflame · 14 hours

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Well, again, the issue is not that Rhys has done bad things, it’s how those actions are framed in the story. Let’s think about this – if Rhysand’s actions UTM were framed as negative then perhaps we would not be having this conversation.

Of course, we can argue that Rhysand (1) has developed negative coping mechanisms / perspective (2) Rhysand’s trauma informs the things that he does (both pre, during, and after UTM), and (3) Rhysand’s position was uniquely isolating because of the nature of the role he was forced to play. These are points that I believe can be argued and offer an interesting view; but for any of that to happen, we have to acknowledge that the behaviors are negative. That’s often the problem with the arguments that begin to arise – no one wants to admit that Rhysand has developed (or just has) negative qualities and behaviors. No one wants to contend with the reality of consequences. “Rhysand has always admitted that he would be willing to do terrible things for his family” – and yet there’s no elaboration on those “terrible things.” No one wants to talk about those proposed negative qualities. The story (and the audience) don’t want to admit that Rhys doesn’t really have a solid moral high ground over Tamlin, or admittedly other villains. Just because Rhysand “admits” he’s prone to basically being abusive doesn’t…make it any less abusive.

My proposed argument about Rhysand’s actions UTM are this: he chose to sexually assault Feyre, he chose to “protect” Feyre in ways that were extremely sexually explicit. I believe these are choices that Rhys chooses to make – and I believe they say something about him. It’s noted, to me, that Amarantha scarcely makes Rhys do anything that he does to Feyre. I also believe that his actions regarding Feyre were done with an air of autonomy; as in, I believe Rhysand takes these measures into his own hands. Ultimately, I believe that while Rhysand has to contend with the horrors, he himself becomes beholden to them at some point and ends up perpetrating the same behaviors.

We cannot argue that Rhysand sexually assaulted Feyre, and then argue that it doesn’t say something about him. It does. In the realm of the story – from a writing standpoint – I think a good author can still make a character like that sympathetic and understandable (see: Nahadoth and Itempas from N.K. Jemisin’s Hundred Thousand Kingdom). If I were analyzing Rhysand’s actions, I would simply make the argument that perhaps Rhysand’s abuse of Feyre mirror’s his own abuse by Amarantha hands, and he potentially sees Feyre (and her hope) as something to be threatened – or even shamed by. If Rhysand’s actions were written in a way that clearly exemplified that his actions are not meant to be praised (and are NOT are reflection of love) then he could be salvaged. I actually believe a lot of the abusive things Rhysand does makes sense given the environment and if the story leaned into this from a storytelling perspective and did away with needing to moralize, then this would all be fine. Framing Rhysand’s abuse of Feyre as something to be praised, admired, and loved for is actually quite insane. If we frame his actions as purely preservational and self-serving, that would make so much sense. Imagine being in Rhysand’s position; I guarantee everyone would do whatever they could to stop such extreme amounts of abuse and sexual violence. And even then, the story could still create a narrative that warns of the danger of sexual violence and consent, it would just be subtextual and more allegorical than concretely written in the text. Starting Feyre and Rhysand off in such a tragic place, having Feyre and Rhysand acknowledged truly what happened, having them discuss ways for both of them to move forward while building up the mating bond in the background. Have Feyre acknowledge this untrusting, sly, slick part of Rhysand and have her not assume her mate does everything out of the kindness of his heart. Build their romance out of a place of mutual atonement – play on the theme of guilt Feyre feels and the whole premise of the court. Let the connection between Feyre and Rhys be that they truly acknowledge each others darkness (and also let Feyre do selfish things – maybe she knew damn well Clare Beddor’s family might suffer a bad fate but its not her family and Feyre would do anything for them; Let Feyre kill those fairies with ease because she cares about her life. Let her contend with reality that she would actually do anything for her family and then have that be a connection between Rhys and Feyre.

Something that has always bothered me about the “we don’t talk enough about Rhysand’s trauma” argument that gets thrown around when we earnestly discuss the validity of his actions is the presumption of innocence in that statement. The unwritten statement is that the trauma somehow explains and simultaneously absolves him of the implications of his actions. I objectively agree with the sentiment – Rhysand’s trauma is not talked about enough and it should be. The argument dancing in the corner is the fact that people believe that Rhysand’s extreme amount of trauma absolves him – even going as far as essentially say that Rhysand’s abuse operates out of fear (or because of fear) which is essentially the exact same ideology the book bashed Tamlin for. In the end, the cycle just comes back around and the abuse gets pushed into the backdrop.

#anti sjm #anti rhysand #anti feysand #anti feyre #anti acosf #anti acomaf #this is more of an analysis of character than anti character rant #I’m just tired of people trying to essentially disregard that rhysand has done bad things #while simultaneously trying to make justification for it

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brujahinaskirt · 2 days

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I will never shut up about how Kingdom Come: Deliverance is the most tenderly written game served to the most loutish horde of jackasses. I think it is possibly one of the greatest pieces of popular fiction made about feudalism in recent history, even if it's not always the most historically accurate.

And that's because the whole damn thing is about the profound, authority-enforced inhumanity that self-propels feudal order... but this time, it's written from the perspective of, for lack of better word, "humanity undermines, and humanity wins."

Love wins, if you want to be cheeky.

This was originally meant to be a reply to @feelinungry's excellent post on the subject, but it outgrew itself and got super bloated, so I'm plopping it in its own post to not be obnoxious...

KINGDOM COME: DELIVERANCE MAJOR SPOILERS BELOW

And the reason all this about humanity and love is so important to the core of the story, to the very backbone of the narrative (even beyond the plot), is that it exists in opposition and to the impairment of the feudal system. Kingdom Come: Deliverance means to teach us, by way of deeply dramatic plots following individuals, how feudalism works and why it worked the way it did. And why and how that system fails.

The vehicle by which the game does this is by showing us, over and over, how the stratification of feudal class is eroded and sometimes outright dissolved (either in general, as with Henry and Hans, or when it matters most, as with Radzig and Henry) by plain and simple love.

Feudalism, like most class-stratified systems, relies upon 1. dehumanization of those beneath one's appointed status; 2. fealty (mock-love) to those above one's status, their title-appointer class; and 3. the maintenance of a deep separation between these artificially bestowed statuses, as enforced by church (as in word of clergy, not word of god) & state (legal rules and law). Those words and laws existed to propel the system by divide-and-maintain (of the workforce populace, placing it firmly below the next class in line, etc.) in the service of unify-and-profit (for the ruling class).

Sigismund & his invading army are wholly separated and adherent to the feudal theory, even if they have flouted codes of warfare & inheritance; they are presented to us as the main dehumanizing force of the story world, a wave of Order that indiscriminately burns opposition flat rather than an individual leading a royal coup, a cyclical destruction that paves the way for the next flavor of rule to continue the feudal system ad infinitum. They're thoroughly separated from the story even when they are burning down a village in front of our eyes and generally move as one, with Markvart occasionally stepping out of that mass of Feudalism and its antihuman nature to give it a face. They're more a force of nature than an individual as far as the narrative goes.

And we are meant to understand that in sharp contrast to the "close" story, the cast we get to know and watch as they attempt to answer this force of nature. And the second we see these characters get close enough to each other, by raw proximity, to poke a pin into the wineskin of feudal order as dictated to them by authority, it bleeds--everywhere. Not in the sense of ruination but in the sense that a tiny wedge of empathy cracks open the dam and leads, yep, to rehumanization--and love, the most human driving force there is.

And that changes everything, for everyone. Not just internally, as with a character's personal development arc (i.e., Hans learning why his duties, which he resented and viewed as an impingement on his freedom when dictated to him by authority, are incredibly important for real people who experience pain) but externally as well (as @feelinungry so elegantly points out in the original post).

Over and over, at every stage of the story, it's the rehumanization of and by these decision-makers (at a family level, at a community level, at a regional level, at a national level) that cracks the feudal cycle, even if in very small ways. Hans really brings this back home in a petri dish in late game, after the siege, when he complains to Henry about the noble's code (letting Istvan go) potentially leading to pain and disaster for the common people Istvan's machinations are likely to harm in the future. He chafes--and we chafe, and so does Radzig, and so does Divish--against feudal stratification because he has learned a general empathy through loving an individual, and that has in turn reshaped the way he sees the world.

And that's exactly why and when feudalism begins to fail, and why it thrashed itself the way it did, from the enforcement of sexual mores (though this wasn't exactly like it is in movies) and gender law to terror upon its own populations.

And it's the crucial understanding I think we begin to forget after being exposed to so much Hollywoodification of history, where the oppression always exists for cruelty's sake alone rather than in active and deliberate service to a political construct.

And I think it's why we've "lost the plot" so horribly when it comes to understanding that people in history were still people, not monolithic one-mind entities (as the feudal system demanded they be). And why we somehow forgot that such people fall in love, in all kinds of love, in a way that has never given a damn about authority. And that this in turn undermines supposedly supreme authority, even divine authority, and will always continue to do so, as long as people are people.

This is what it always comes back to. Always. From Henry's parents and their mysterious bond with Radzig informing the protagonist's journey from "the past"--to Henry & Hans falling into stupidly fierce soulmatehood with each other in the present--from Istvan & Erik's destructive fuck-the-world romantic love on the "enemy" side--to Divish's humbling, humanizing realization that he loves Stephanie in some way, he really does, despite the chasm of age/gender enforced upon them by their adherence to feudal order that doomed their romantic love to failure.

People will always love each other, even when the world orders them not to, even when faced with death and worse. People will always, given proximity and shared experiences, learn to see each other as human again. KCD reminds us of that. It's why the "slow" storyline exists and why it works.

And that is why this game is so fucking fantastic, and why the genpop fandom has utterly failed it.

#kingdom come deliverance #kcd #kcd2 #henry of skalitz #hans capon #radzig kobyla #divish of talmberg #stephanie of talmberg #redmeta

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catboygretzky · 1 day

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can you pls explain what aftg is? 😭 everything i've heard makes it seem like a fever dream wattpad fic (affectionate)

i mean. yeah fever dream wattpad fic (affectionate) is a good way to describe it.

you got these books. you got a made up sport that doesn't really make sense. the first 3 books are from the pov of an 18 year old runaway orphan boy who lies as easy as he breathes. also his father is a literal serial killer (he is who this 18 year old orphan boy is running from)

runaway orphan boy signs with a college team that is pretty much a home for fucked up college kids. the foxes. they're bad but they just got this new kid who was the best exy (aforementioned made up sport) player in the world before he broke his hand. how did he break his hand? well, glad you asked.

you got this cult (sports team) that is run by the literal yakuza. new kid, who i will call prodigal son bc his mom invented the sport and he is referred to as the son of exy, was part of this cult run by the literal yakuza. they broke his hand so he couldn't play. UNTIL HE DID! :o

BUT WAIT! prodigal son and orphan boy have MET! they met when runaway orphan boy's dad cut a man to pieces in front of them (they were tweens at this time). apparently runaway's serial killer father WORKED for the yakuza the whole time!!!!!

(you'll read prodigal son and runaway's interactions the whole sreies and go 'huh this is very homoerotic do they fall in love?')

then u got this psychotic 5 foot nothing goalie (who has a twin also on the team)(they've both killed someone)(btw)(also he's blond)(and gay) who literally could stop the yakuza if need be and WAIT! does runaway orphan boy only know how to have homoerotic interactions with other men? the answer is probably yes.* blond goalie and runaway actually gay tho and make out a lot

also runaway gets tortured (twice) but he's fine or whatever. more murder. violence violence. some great side characters.

i'd say 'did that make sense' but i *know* it didn't bc even with my knowledge of the books it doesn't make sense.

so just like. an underdog sports story but the yakuza is there is how i'd jokingly describe it but it is in fact,,,,so much more than that.

if u are not enticed by my description and are not able to suspend all belief and accept there will be loose ends bc runaway is a TERRIBLY unreliable narrator with trauma up the wazoo, you will never understand. but if u ARE enticed, welcome to brain rot central. here are the trigger warnings.

there's also a fourth book that just came out but that's from a completely different pov that i am holding so deeply to my heart right now, cannot make fun of it

(*runaway, blond goalie, and prodigal son were originally a throuple and the author took it out but did nothing to erase how gay they all are)

#ur welcome for this #aftg #long post

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kyouka-supremacy · 4 months

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Again the sickness speaking but here's something that has been going through my mind since forever:

I feel like a good way to mitigate a lot of discontent with the doa arc ending and in general the whole Dazai-being-flawless issue bsd has going on is by comparing bsd to Sherlock Holmes by Arthur Conan Doyle. Please bear with me for two minutes.

When Sherlock Holmes was being published, people were intrigued and enamoured by Holmes' brilliant and charming, crimes-solving figure. People read the stories for the pure joy of being left gaping at his superhuman wits again and again; they didn't want to see him fail, they wanted to be shocked and amazed by his genius. When Holmes died and then came back, nobody lamented it being unrealistic, because realism was not what people were reading the books for! They were reading to be impressed, to cheer for the hero and then take satisfaction in seeing him turn out victorious. That's the author-reader deal that was made there: to impress and to enjoy being impressed.

As of recently I feel like we've been asking from bsd something it never promised us in the first place. Maybe it's just not that kind of series! Maybe it's more about surprising the reader with how the hero is going to make it and less about highlighting his flaws and insecurities. And like, that's okay! That's why Dazai getting away with it isn't it him getting away with it “again”, it's just how bsd is; in a way, it's what makes bsd bsd.

I think it really clicked with me like it never did before when I watched the last episode of season 5; because the arc ending felt so shocking and unpredictable, very deus-ex-machina trope, a little underwhelming in its lowering the stakes that were there the whole time, and yet so extremely on brand with bsd, I didn't even have it in me to be disappointed. It was so similar to the Guild's arc ending and even more to the Cannibalism arc ending, and maybe it really is just a pattern, maybe it really is what bsd aspires to be, and that's okay too.

Also, I can't stretch this enough: if it's not your cup of tea, that's fine. I can't say it's mine either. But I feel like criticizing bsd now for how it's always been falls quite short, because it really feels like demanding from it what it never promised to deliver in the first place. That's just as far as my current perception of the series goes, though, so feel free to disagree with me on this.

#Btw this is not me comparing Holmes character with Dazai character.#Holmes character is something Dazai character will never be (respectful of women)#The also real difference between Holmes and Dazai is that one author loathes the character with everything that's in them–#and the other author loves the character with everything that's in them #I've also briefly mentioned before that Atsushi is a very Watson-like figure in the way it uses as someone deeply human‚#sympathetic to the reader and that the reader can see themselves in‚#plot device so that Holmes has someone he can explain his deduction to and with his awe further underlines and uplifts Holmes' genius #Also sassy #osamu dazai #bsd #bungou stray dogs #bsd s5 #Wow and here's me putting my season 5 thoughts down after three months. Took a raging fever for me to do so #To be fair when the episode dropped everyone was a bit crazy over the ending for one reason or the other #So back then I felt like waiting things to chill out first #mine #I often find superfluous to end posts with “feel free to disagree with me on this” because it's so obvious and expected it goes unsaid #But I suppose sometimes it bears repeating...

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pastafossa · 10 months

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Hey I just wanted to ask a writer question. I really admire your writing and the amount of work and dedication you put into your stories and characters. You are one of my favourite authors ever. I have been wanting to get into writing and I was wondering how you flesh out your characters? For example you have a character that you’ve thought out, do you have a template that you fill in? Or just write a whole bunch of points about the character in a Google doc? I know that question might not make the most sense but I have a few characters that I’ve given quirks and backstories in my mind but I have no idea how to transfer them onto paper? Like Jane from TRT, is there just a big template or doc where you randomly put points into or some other type of organization? I know it’s not an easy thing to answer on text or even something you might not want to answer but even one sentence of advice is much appreciated :) Thank you so much for everything! I appreciate you. I will also put this into the ask thingy if you want to answer on there instead of PM 😁

I've managed to hammer this out in bits and pieces over the moments I've been more coherent so I think I'll make sense. First, thank you so, so, so much! I honestly love these characters so I'm always happy to hear someone likes it, even if I enjoy the work! 😭

Second - I do in fact have a template in doc form that I use to keep things organized! It's one I've been using since I took a novel writing course years ago by a published author, and in one particular class we went over character development, which is where I learned the template. The way I was taught (and the way I develop major characters) - first, even before filling in the template, I figure out their archetype(s). What story role are they filling? Who will they be a foil for? I like to think of those as your foundation, because every character is an archetype of some kind, and you can use that to build them up. To use Jane as an example, she's an antihero archetype, yes, but I've also pulled elements from: the Unscrupulous Hero, the Sympathetic Murderer, the Combat Pragmatist, and the Ineffectual Loner. Compared to Matt's hero archetype, she's the Lancer. Archetypes can help you if you're struggling to build up from the bottom.

Once I have the archetype, I start filling in the Major Character/Hero template, which roughly looks like this (if you don't fill it all right away, that's fine, because there's a step after this to fill it in the rest of the way). I like this one because I feel like it covers VERY important things that a lot of online character profiles skip, and has much less of a focus on looks (which I find way less important from a writing perspective):

Name: Age: Family History: Career: Physical Description: (include things like scars, notable or unusual features) Preferred Style of Clothing: (instead of listing brands, try to instead describe their style of clothing as it relates to their character - ex: Jane wears upper-end pantsuits in muted colors when meeting clients, because they carry a strong emphasis on professionalism; when hunting things down, she wears what is practical over anything to do with aesthetic) Goal: (every character should have one; what are they trying to do?) Motivation: (WHY do they want that goal?) Big Secret: (if it were Jane, it'd be what happened in Los Angeles; so what are they hiding? Keeping to themselves?) Self-image: (How do they see themselves? Are they confident and secure? Insecure and depressed?) Internal Conflict: (what are they struggling with?) Game: (What's some little game they enjoy?) Pet: (if applicable) Temptation: (what's aaaalways going to lure them in?) Vehicle: (if applicable; alternatively, how do they prefer to get around?) What makes them unique: (our fake post-apocalyptic character we made as a class had his teeth sharpened into points to scare people; Jane is often fidgeting with threads; just anything that stands out) How do they speak: (do they speak very precisely? Use lots of slang? Do they have an accent?) Quote: (What quote sums them up, or what quote do they relate to most? I have an entire folder of these for Jane tbh, and some for Ciro as well) Lesson Learned: (All characters should grow in some way, rather than stagnating. So how do they grow? What do they learn through the story?)

Now, this is something I was encouraged to do after the template, and also something I was already doing on my own. Once you have the template as finished as you feel comfortable with, you might feel like you need to develop the character a little further to fill in the rest, or solidify what you already have. The way you can do that? Write something short with this character. It doesn't have to be anything you need to post; it can be based on a short scene, based on a prompt, things like that. I like dumping them into: humorous scenarios, angsty scenarios, and Action Oriented (TM) scenes. Those really help you get into the meat of the character (aka: how they react to teasing/flirting/jokes; how they react to strong emotion; how they react in situations that might cause panic). Basically, it's your way of introducing yourself to them and becoming more comfortable writing them, because often a character might act a certain way in a cold, rigid template, but behave entirely differently once you drop them into a scene. Alternatively, you might get to writing and realize you need to make an adjustment so that they have better chemistry with the other characters. Writing a new character's a dance, and you're both going to step on each other's toes in the beginning, but once you learn how they move, it gets easier. And it helps them develop and grow as you learn about them!

#writing advice #writing #character templates #this is the template i've used for most of my major characters and i love it tbh #i've tried some other ones and they just don't work for me #i feel like they focus WAY too much on appearance which is fairly minor in the scheme of writing #and not enough on things like goals and motivations and who the character *is*#because that's our job as authors #we're here to show you who these characters are at their base level so you can watch them grow #we are here to dissect them so readers can see their squishy insides #or as the author who led the class said: 'your job as a writer is to cause pain and suffering'#and you can't DO that if you don't know the inner workings #so i've used her template constantly since then because it makes that easier #it also emphasises growth which is something i LOVE #because i hate when everyone just stays the same in a story #ok i think that's everything #been writing this up in bits and pieces over the past two week and was finally coherent for long enough to clean it up a bit #now to keep seeing if i can start write writing again

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