One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
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I feel like the funniest interactions Din and Han could possibly have are Han being able to perfectly read what Din is thinking without him taking his armour off.
Like, Han is best friends with Chewbacca. Han has hung around aliens for the entirety of his adult life. Han has around bounty hunters for the entirety of his adult life. Han definitely knows what Din is thinking.
Anyway it’s really funny because I imagine it like:
Han: “Don’t look at me like that! It isn’t my fault!”
Din:
Han: “Don’t go trying to guilt trip me, it won’t work.”
Din:
Han: “Gah! Fine! It’s my fault. Happy now?”
Din:
Han: “I swear, you’ve got a kicked loth cat face that rivals the kid’s…”
Literally everyone else: “What just happened?”
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Holy forking shirtballs
I'm choosing violence today. I started this on Twitter, but I'm going to finish my thoughts here like I always do.
But what really blows my mind the most is the way that people look at Aziraphale's "choice" at the end, as if he had one to fucking begin with.
I'm sorry, but Aziraphale knows how messed up Heaven is. He told The Metatron, more than once, that he did not want to go back to Heaven! We can debate what each of us means by "choice" all night because my "choice" and your "choice" might be two different concepts. He could have been strong armed by The Metatron or he could have looked at where things were headed and realized he had no choice but to intervene himself.
You need to ask yourself what Aziraphale has a moral imperative to do.
What do we owe to each other?
Seriously, if you have not watched The Good Place, I recommend you go and watch it, because it absolutely shaped how I've viewed Good Omens 2 since its release.
My levels of frustration with the bad faith mischaracterizations of Aziraphale are off the charts. If you are blaming him for everything, implying that he should have to grovel and that Crowley has a right to hurt him back, you have missed the point of Good Omens entirely.
I defend Aziraphale, but I don't think one of them is more right or wrong than the other. They're equals. They're a group of the two of them, acting and reacting to each other throughout history. They're Alpha Centauri.
I cannot even begin to explain how fucking devastated I felt when Crowley said these words, knowing he was fighting a losing battle. What he said took a lot of courage because he's finally admitting something they've both been too scared to publicly define for 6,000 years. Crowley has had to spend so long with a rough outer shell because he fell and had to hide all of his softness.
The look on his face was one of pure joy when he created that nebula, but I think the fact that he got to share that moment with Aziraphale is what has always stuck with him.
So yeah, seeing Crowley with a broken heart at the end of "Every Day" was sad for me as well.
My brain still lives here!!
But Neil has said that Good Omens 3 is not quiet, gentle, or romantic. I imagine it's going to be more like the the first season in which they are not central to the plot. GO2 will help us make sense of how they ended up where they are when we see the bigger picture with all the other major players involved with GO3.
Aziraphale was still a soldier and accidentally got himself discorporated in his own magic circle in season one. He had a platoon waiting on him to start Armageddon, and he deserted them to go save the world with Crowley instead. Aziraphale is a deserter. I need everyone to remember that. He yeeted himself out of Heaven and sought out Crowley before even locating a body just to warn him about what was happening so they could try to save the world together.
I can't help but think of 1941 and that magician who had been arrested for being a deserter.
Aziraphale disobeyed orders. That took courage but it branded him as a traitor against Heaven. They tried to destroy him for it the same way Hell tried to destroy Crowley for his part in stopping the war.
Aziraphale and Job are the only characters we have seen interacting with God directly. Aziraphale has spoken to God before and he is determined to do so again.
Aziraphale knows Heaven is flawed, but he also knows it's supposed to be good. He wants it to be good. He does not like the way the system works and he wants to make a difference. (And I'm pretty sure he's also determined to talk to God without being intercepted by The Metatron.)
Since when is that a bad thing? I don't get it. And I've had this discussion before.
If you need to change the system by burning the old one to the ground, it's still change, and we don't know what Aziraphale has planned.
It seems to me that people just want to see Aziraphale fail because it would punish him for returning to Heaven instead of running off with Crowley.
Some of y'all take everything Aziraphale says or does and twist those things into malicious anti-Crowley actions because you think the only reason Aziraphale exists is to make Crowley happy, and if he isn't thinking only about Crowley then he's doing something wrong.
Aziraphale does not exist as a plot device to further Crowley's character. They come as a pair. They've been learning from each other for 6,000 years. Crowley challenges Aziraphale just as much as Aziraphale challenges him.
You can be mad at Aziraphale all you want, but villainizing him is gross. Defending Crowley does not mean you have to tear down and mischaracterize Aziraphale anymore than defending Aziraphale means you have to tear down Crowley (but I don't see that happen on nearly the same level it happens to Aziraphale). Stop painting Aziraphale as an abusive partner, for fuck sake.
Aziraphale knows there are flaws in the system. He wants to make a difference, and since he has seen that Gabriel can change, then maybe the whole system can. He has to at least try, and if he can succeed then maybe he and Crowley can stop hiding and finally be together without having to look over their shoulders all the time.
Why is that a bad thing? He's just as protective of Crowley as Crowley is of him!
But don't forget that Aziraphale's wing was covering Adam and Eve too. As much as a wants to protect Crowley, he has a moral imperative to keep humanity safe as well.
He sent Adam and Eve into the unknown with a flaming sword so they could protect themselves.
As much as he wants to be with Crowley, there are 8 billion people on Earth heading toward the Second Coming and Judgment Day. They'll work together to fight alongside humanity in the end. Aziraphale should not have to humiliate himself just to earn Crowley's forgiveness. That's a rancid notion.
The Resurrectionist was a whole ass moral dilemma for Aziraphale, which is why I brought up The Good Place earlier, but that's a post for a different time.
Aziraphale has his own motivations and they're just as important as Crowley's, and they don't have to be chalked up to Aziraphale being the bad guy. Weird, I know, but shades of grey.
"To the world."
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[pouring myself a drink from a fancy pitcher] so like it’s simplifying to the point of uselessness to say ‘reading comprehension’ is why people say shit like ‘lolita is problematic!’ because clearly the salient points to consider what aren’t they comprehending and why? and i think it probably lies in an unwillingness to approach critically the cultural understanding of ‘the child predator’ as someone that exists wholly outside society, someone who is an obviously deviant Other that enters from the fringes in order to commit terrible crimes--and so when nabokov puts those crimes into the person of a well-spoken, well-read, ‘respectable’ family man, they respond by saying ’well, this must be a favorable portrayal of child abuse, putting its justifications in the mouth of someone so authoritative and respectable is obviously apologetics’--because they’re unable or unwilling to critically confront the actual idea presented here, that ‘the child predator’ exists within society and is in fact often enabled and abetted by society.
humbert anchoring his attraction to children in the mythology and literature of the Western Canon says, ‘this is embedded in our culture, these are not the acts of an Otherized interloper’--but if you cannot put yourself at a critical distance and dispel the myth of that interloper of course you will read that and say ‘well since all these things are self-evidently good and cannot be the sites of violence, tying humbert to them is nabokov inviting this deviant external evil into the fold of what’s good and accepted’. when of course the call has been coming from inside the house! the entire time!
[i take a sip of my drink--fruity, airy, with hints of earth] so yeah ig to talk seriously about the dynamics of abuse we need to divorce ourselves entirely from the discursive fiction of the ‘child abuser’ as a marginal figure so that we can honestly assess how abuse can be reproduced in the key pillars of our culture and society. but that’s hard so let’s all keep arguing about a vague notion of ‘reading comprehension’ until the earth explodes amen brother [i pour you a drikn from my pitcher and it’s just room temperature coca cola]
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DC x DP prompt #5
This is so dumb but Danny is Bruce's uncle.
And not in the Danny is old or whatever, no, my dude is 15 looks like he's 13 and when he was running away from home, he met this really really old lady which looked at him, looked at his wounds and went "aight I'm adopting u"
Danny thought she was a ghost and this was her obsession, so imagine his surprise when it turned out that not only this lady was alive, but also supposedly from very influential family??? Danny wasn't sure Abt that one, bc he himself never heard abt these "Waynes" like that just sounds weird, but hey. It made the lady happy so.
Anyway they part ways, bc the lady only wanted to adopt not care, and Danny decides, hey now that I have a new fam, maybe i should get to know them or something?
Well imagine his surprise when he found out some guy in his fifties is supposedly his nephew and has like bazillion kids.
Idk what happens next yada yada sheniganas happen and than Danny ends up in Gotham. And meets Bruce Wayne. Who obviously sees young child w si gns of abuse, black hair, blue eyes and is immidietly like "aight I'm adopting u" (like grandma like grandson huh)
Only this time, Danny is sure he isn't a ghost, and has a counter argument "u can't adopt me I'm ur uncle" and immidietly flees bc dealing w his problems isn't something he does.
Cue confused batfam or stuff idk, I'm so tired and this is just an excuse for crack
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