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lizzobetumblin · 24 days

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Melissa hated her feelings.

She buried them in a chest in the 5th grade (along with her ability to express them). Other peoples' feelings on the other hand was her forte. She could process, decipher and regurgitate other peoples emotions effortlessly. This gift could’ve taken her through college, all the way to a degree in psychology. Distinguished Dr. Jefferson with a PhD and a cozy office and impressive roster of high-profile, weallthy clients was a shiny idea. Fate would have a different hand for Melissa her talents were exhausted on mediating family fights, friend group drama, and charming her way out of confronting her own feelings.

“Feelings.” Even saying it out loud to herself seemed silly. Something reserved for ‘cry babies’ and water signs. Typical Sunday nights started tame, reading or writing fan-fiction and drinking cranapple juice. And then like clock work her father would yell her name,

‘MELISSA!!!’ Emotionless, she’d get up dust off her Winnie the Pooh shorts and make her way downstairs. On the long walk down the hall to the stairs leading to the living room brawl, she’d go through her check list:

1.) Don’t cry.

2.) Stay neutral; Deescalate

3.)Don’t take anything personal. This isn’t about you

She padded down the carpeted stairs in her old soft socks to see her mother tightlipped and tear streaked thinking,

‘she broke rule number 1’. Her father, Michael was proud and angry, his big belly filled with self righteousness. She knew he would be unyielding in his resolve and at this point her only option was to deescalate.

‘Rule number 2’. Then her sister the water sign and calamity for the evening sat on the floor nearly fetal, face red and raw with emotion.

‘Its not your fault’ Melissa wanted to say ‘You just didn’t follow the rules… you’re loved.’ But she couldn’t say that because she’d be breaking rule number 3. It wasn’t about how Melissa felt. Even though she felt like screaming,

“VANESSA, YOU DIDN’T DO ANYTHING WRONG. DAD—YOU JUST HAVE PENT UP ANGER BECAUSE YOU GREW UP IN THE HOOD OF DETROIT AS A BLACK MAN IN THE 60s AND 70s. YOU NEED A HEALTHY OUTLET LIKE.. I DONT KNOW… THERAPY?!?!?! THIS IS A WASTE OF ALL OF OUR TIME. I LITERALLY JUST WROTE THE BEST SAILOR SATURN x CHIBI USA FANFICTION EVER AND THIS IS KILLING MY VIBE!”

Instead, she decide to hear every one out. She decided to help. To calm her dragon of a father down. To be a translator for her emotional sister. To not take it personal. To stay neutral. To not cry.

9 years later, at her fathers funeral she still never broke the rules. She played her flute and spoke at his memorial. She was present for her mother because it wasn’t about her. When other peoples' emotions bubbled up she stayed neutral. She sat through both services and she did not cry. It wasn’t until she excused herself to make a phone call outside did she collapse onto the stairs of the funeral home and weep alone in the cold Detroit snow.

It’s okay to break the rules sometimes, she reminded herself. As long as no one else sees it.

Traumas began to compact on Melissa, as they do. Humans tend to collect traumas like pebbles on a long hike. We toss them into our backpacks and keep moving forward. Some hikers would falter, but Melissa was built for this. She’d carried the stones of her family’s traumas uphill for years. She was strong.

When men began to befriend and reject her, saying ‘you’re too good for me’ but not too good to make them feel good. She carried that.

When childhood friends began to cut off the strings of her heart, saying ‘We can’t be friends anymore’. She carried that.

When her family separated like dandelion seeds, it seemed like they’d never be together again. Melissa slept on so many couches, floors and car seats sometimes she didn’t know if she’d see them again.

She carried that.

Dying was never an option though sometimes she didn’t mind the thought of it. Peace and warmth were two things she’d desperately yearned and hadn’t felt fully since the womb. Then one night in the pitch black of the hot, sweaty, roach-infested studio in southeast Houston she slept in she wondered:

‘Why can’t I break the rules?’ She’d seen everyone else in her life break them like popsicle sticks. And she didn’t just want to break the rules, she wanted to break them boldly and loudly and annoyingly and honestly and sloppily like every one else gets to do. It was in that moment, tucked in a thin jacket inside of an 8-foot high instrument cubby in the inky darkness—it hit her.

‘Is my suffering for a high purpose? Or is my suffering trying to kill me?’

She cried.

She escalated.

She took it personal.

But it wasn’t enough. She wanted to scream in a microphone in a sea of shadowy faces. She drank whiskey and wove her pain into rock music.

‘Music is my boyfriend’ she declared. The only man that kept his baggage to hisself. And it healed her. It gave her voice reason and purpose.

The pebble-laden hike became lighter with time. The incline eventually evened out to flat, beautiful landscapes where the breeze finally met her back. She knew it wasn’t gonna be easy or sunshine but even the rain cleansed her and it was beautiful too.

Somewhere in the rain she decided rules were meant to be built and broken. Like trust and love and friendships and families. Because every thing deserves the opportunity to change and grow.

So... She broke rule number 1 on stage while singing a beautiful song. Dr. Jefferson (PhD) screamed for her to stop but she didn’t listen and the tears flowed like rivers of emotion down her cheeks.

Rule number 2 was broken when she grew older and saw the injustices of the world. Marching with hundreds in protest she realized not everything needs to be pacified.

And one day when she finally fell in love, she broke rule number 3. No matter how much training she’d done she couldn't help but take every thing her lover said and did personal. But it was ok. Because in all her resistance she realized breaking rules was her power.

Melissa began to fall for her feelings. Her feelings gave life purpose. They weren’t always logical, as feelings seldom are. They were sloppy and embarrassing and rude and so fucking uncomfortable. But they were hers. And they were real. And when she sat alone sipping wine, staring at the moon…They were the only ones still by her side. Ready to break the rules for her because they loved her.

And she finally loved them back.

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angeygirl · 4 months

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I love the fnaf fandom. You go to read one fic and Purple Guy is actually the worst person ever, how did he get married? idk his wife left him and he hates his kids for no reason at all. Go to a different fic and he's just a silly little guy who was perfectly normal until everyone around him died. Try a third fic? Well who knows? Maybe he's just jaded and trying, maybe he's just looking for a chance to go off the deep end, maybe he's a scientist, maybe he's a theater kid maybe he's suspiciously flirty and flamboyant

What about Michael? Is he jaded? A goofy goober? Totally traumatized? Coping with sarcasm? Just kinda chill? Who knows! I doubt Scott does

Maybe teen Mike is trying to be a good brother because his dad won't, maybe he's full of sibling jealousy, maybe he's acting out to cope, maybe he's not acting out at all, maybe he needs to be slapped my consequences to not end up just as evil as his father, maybe it was a genuine mistake

Uhh when did these kids die? idk. That just means motives change based on what happened :D

Did C.C. See Elizabeth get taken by Baby? did he see a spring-lock failure? the MCI? Up to you! Did Elizabeth hate Michael after getting their brother killed? Was she the only one to comfort him? Was she too young to understand? Did William kill Charlie first to get back at Henry and developed a taste for blood as a result? Was Charlie the final nail in the proverbial coffin? I dunno, who cares!

It's all for fun anyway and that makes me happy

#not a sleep deprived ramble for once

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rabbitblackx · 10 months

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I really love your works!! Could i please request our quiet boys (Jason and Michael) getting scared by reader not waking up in the morning, think this way, reader loves to make breakfeast for them, or even wake them up with kisses, and even when they wake up before reader, they are too easy to wake, but age comes for everyone, and one day they just wake up before reader and they just wont budge, what would they do? ((reader is alive!!! they were just having a good sleep 😉))

Ahh thank u!!! :’)💞

Michael and Jason when Reader won’t wake up

Michael Myers💖

Michael was very much used to waking up to the smell of you making breakfast. That, or having to shove you off him from kissing him. So this morning, you could’ve imagined his displeasure to find you still asleep

Michael slowly rose from bed, beady eyes locked on your sleeping form. He lost internet in you quickly though, throwing his legs over the bed and getting up. Usually, this was when you would stir awake. He was aware that he was warm and… cuddly. The instant lack of this next you should’ve done the trick, but you still slept

Michael decided that he was not starting his morning without you. He was not making his own breakfast. He walked over to your side of the bed, looming over you menacingly. Instead of stabbing the shit out of you, he rose his hands and shook you. You did not budge. Michael shook you harder, harder, rougher—but still nothing. He tilted his head. You weren’t…? Dead, were you…?

You laid before the killer dead still, draped in blankets with a relaxed face. Michael lifted his pointer finger, and jabbed it roughly into your cheek. No reaction

In a fit of panic, Michael grabbed the sheet itself from under the mattress and yanked it up. He threw it to the floor, with you, the pillows and blankets all inside

“MICHAEL, WHAT THE HELL?” You screeched from under the pile of bedding

Michael stared down at the mess he made, feeling a little silly… okay, you were clearly not dead. Now what? You struggled to get out of your bedsheet cocoon, not really understanding what was happening. When you finally broke free, you looked at the bare mattress on your bed, then at Michael

“What the hell happened?” You demanded

Michael obviously didn’t reply. He was just relieved you were alive, and a little embarrassed. He simply left the room, to the kitchen and set his butt down at the table. Okay, you were awake. It was Michael’s breakfast time now :)

Jason Voorhees💖

Jason was always lovingly stirred from sleep by the smell of hot breakfast on the table. That, or you attacking his unmasked face in kisses. It didn’t matter which. He was happy with either. But this morning, Jason woke up before you

You laid there next to him, stiff as a board and draped in blankets. He stared down at you for a few moments, before rising from the bed. Usually, the loss of warmth and weight from Jason woke you up. But you still slept…

Jason stood there awkwardly, waiting for you to stir. He didn’t care for starting his morning without you. He had grown too attached. When you still wouldn’t budge, he shuffled over to your side of the bed and shook you. Still nothing

Jason tore the blankets off your body, shaking you rougher than before. He was starting to get a little worried now. He grabbed your face in his big hand, shaking your head too. He hadn’t felt panic in so long, and didn’t know what to do. Jason grabbed you by your ankle, and tugged you off the bed with a mighty pull

“Ow!”

You hit the floor face first, your limbs all jumbled up. You turned on your side, an unimpressed frown on your lips as your stared up at the culprit. Jason’s eyes widened in surprise, tense shoulders slowing relaxing

“Jason…? Why am I on the floor?”

Jason bent over slightly to carefully pull you back up, perching your bum on the bed. He stared down at you for a few long moments, looking like a guilty dog. You were too tired and grumpy to break the silence, your arms crossed over your chest

Jason was overcome with an alien joy that you weren’t dead. He didn’t know what he’d do without you. He slowly sat down next to you, shakily wrapping his strong arms around you. It was hard to stay mad at him. You leaned your head against him, offering a sleepy hum

#slasher x reader #slashers x reader #slashers #michael myers #michael myers x reader #michael myers 1978 #rz michael myers #rz halloween #halloween #jason voorhees #jason voorhees x reader #friday the 13th #rab.reads

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souliebird · 9 months

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[[and then i met you || ch.1]]

Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit

Summary: A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s.

a/n: Reader is an extremely anxious person. That’s the note.

words: 5.6k

You hope Matthew Michael Murdock is a good man.

You tried to research him online, but you didn't find anything that could sway you one way or another.

The news articles say he's some sort of local hero - not only for being a lawyer who does a lot of pro-bono work but for saving a man from being hit by a truck when he was a kid. They all give his tragic backstory before praising him and his law partner for helping the underprivileged and going after some big shot corrupt businessman - twice. The comments are mostly from people he's helped, singing about how Nelson and Murdock saved them in their times of crisis.

You want to trust them, but you can't.

The news also claimed Hitler was Person of the Year and deserved praise, too, and you know how that turned out. Not that you think a blind lawyer from Hell's Kitchen can be compared to a genocidal leader, but your mental point to yourself still stands.

You know nothing about Matthew Murdock except he's blind, he's a lawyer, and his dick changed your life.

You doubt he even remembers you - a one-night stand from years ago, before his name even started appearing in the news again, and to be fair, you didn't remember him at first, either. Not until four months later when you went in to get your anxiety medication adjusted and the doctor made you take a routine pregnancy test. Then you remembered the handsome blind lawyer who flirted with you at a friend's holiday party you had gone to. You could remember the silly conversation you had about white elephant, that he had the most charming smile, and he could do things with his tongue that made you moan just thinking about, but you could not remember his name.

You had tried to find him, you really did, but your energy and attention was quickly needed elsewhere and the search for your daughter's father lost steam.

Until you saw him on the television while at the local diner, giving an interview with his law partner.

That was yesterday and now you are standing outside the door of his firm, trying to work up the courage to go in.

There's too many scenarios in your head, all of them bad- he's not going to want anything to do with you and your daughter, which you can deal with, or maybe, just maybe, he'll try to take her away from you. He's a lawyer and you work in billing for a transportation company. There's no doubt who the courts would choose and it wouldn't be you.

The thought makes you want to turn and run but you know your daughter deserves the chance to know her father - and he deserves to know she exists. It's his choice, once he knows, if he wants to be in her life or not, not yours.

It scares you so much it's not your choice.

You scrub at your face, trying to work up the courage to actually open the door in front of you when it does just that.

A kind looking woman with strawberry blonde hair is standing in the doorway and you recognize her from the firm's website - Karen Page. She's the third partner in the firm and you didn't really look into her in your hunt for information.

She offers you a smile before speaking, "You look like you're debating coming in." You shrug, unsure what to say because that is exactly what you were doing but don't want to admit it. She looks you over without it feeling judgmental before focusing on the manila envelope in your hand. She steps back slightly and gestures for you to come into the office. "You made it this far. Whatever it is, we'll do our best to help you."

The sentiment is so kind and you know she means well, thinking you are a potential client, but it just causes your throat to get even tighter.

It has been you and your daughter for so long, is this really the right path to take?

You hug your file to your chest and take a hesitant step forward. Then another and another until you are in the office. It's not big or fancy and you didn't expect it to be. There's a little waiting area in front of the reception desk, with another desk shoved against a wall, and on either side of the room, doors leading to what you suspect are the private offices.

Karen goes around to the back of the reception desk and picks up a clipboard holding some paperwork and offers it out to you.

You take it and stare down at it, unsure if you would fill it out or not. When you look back up, Karen is still smiling at you and you don't want to come off as a problem, so you take a seat in the waiting area and start filling out the requested information. As you write out your address, it finally occurs to you that you have no idea how to have the conversation you need to have.

Do you ease into it or drop it on him like a bomb? You had only ever thought about finding him and never about what you would say when you did.

You should have taken more time to plan this out. You're such an idiot - you just jumped right into running towards him like you might lose track of him if you took so much as a second to think. You know his name now, who he is, you can take time to get things sorted out properly.

Would it be weird to leave in the middle of filling out paperwork you shouldn't even be bothering with?

Probably not, but you're already here. There is no point in running.

This is for your daughter, not you. You have to keep telling yourself that.

You don't fill out the information asking about your 'case'. It honestly makes you panic a bit if you start thinking about it all in a legal sense - you know nothing about law and the man you're meeting with graduated at the top of his class from a top law school. Your hand is shaking as you add your signature to the bottom of the page and date it. Reviewing everything takes just a moment, since there's barely anything written to begin with, and your eyes drift up to the logo at the top of the page.

Nelson, Murdock, and Page.

You trace it with your finger.

Matthew Murdock has to be a good man. This firm helps people and he wouldn't be here if he didn't want to help people. He graduated top of his class; he could work anywhere he wanted to. The papers said he is good, too - they win most of their cases.

Unless it's all a weird front to hide something like money laundering.

But if they were money launders wouldn't they have enough money to afford an air conditioner?

"All done?"

Karen is in front of you, smiling politely. You are surprised by her appearance, but you don't feel pressured. It's like she's checking in so that she can break you out of your thoughts and you appreciate that. You nod and hand her the clipboard. She takes it, giving it a once over.

"Foggy will be out in just a minute."

Your head jerks up at that.

"No, I need to see Mr. Murdock."

You can tell Karen is surprised by that and her eyes narrow just a fraction. She searches your face, then she looks towards the door on the left.

You turn your head to follow her gaze.

"Matt!" Karen calls out.

A few moments pass before the door opens and you feel like you're going to throw up.

The cameras don't do him justice.

Matthew Murdock is gorgeous. He was handsome before and somehow, he just got hotter. He's a little taller than you, still as lean as you remember, and looking crisp in a gray suit - like some model walked off the catwalk and into a sweltering office. His hair is shorter than you remember it being. You have the distinct memory of being able to grab onto it, but it's too cropped to do that now.

But the thing that catches your attention the most is that in person and in the light, you can see Matthew's hair has an auburn tint to it.

Just like Minnie's.

The realization shakes your entire world.

This man is the father of your child. He's real. He's no longer a concept of a person, who you knew nothing about, who just existed somewhere in the world.

You have to look away before you start to cry. You don't know where this surge of emotion is coming from - it feels like this wave of relief. This question you have always had finally has an answer.

You tell yourself to take a breath, you know getting overly emotional isn't going to help anything. It might actually make things worse and spiraling into a meltdown is not a good first impression.

You can see Karen in your peripheral vision, and you look up to her, trying to regain your focus.

It's Matthew who speaks first, "Yes, Karen?"

"We have a walk-in who is hoping she can speak with you."

You introduce yourself, standing up as you do. You know he is blind, so you don't offer your hand. Instead you clutch your folder to your chest.

He doesn't seem to remember your name. He turns towards you and gives a polite smile. "It's nice to meet you, I'm Matthew Murdock, but you seem to know that. I have some time right now, please come in. Karen, can you grab us some water before you join us?"

"Yeah, sure," Karen says as she turns to do just that.

Your throat gets tight again.

You don't want to have this conversation with someone else there. It's already going to be hard enough. You'll definitely start crying if Karen is in the room. You cannot deal with two people's reactions. The mere thought of you having to do that is making you sweat.

Matthew's voice breaks you out of your panic. "If that is okay?"

You rush out your response, "I would prefer to speak alone, please." You're too panicked to feel embarrassment.

Karen doesn't seem phased by this. She is still grabbing a couple of bottles of water from the fridge and offering one out to you. You take it.

"Not a problem, let me know if you need anything."

"Thanks, Kare. Please, come this way," Matthew motions for you to follow him into the office.

This is it.

Once you go through that door, you aren't leaving that room without telling Matthew Murdock he is a father.

You surprise yourself by not hesitating and just charging forward into the office.

This isn't about you or your fears.

This is for Minnie.

You keep your gaze forward because you can't bring yourself to look at him. If you stop and look at him before you tell him why you are here, you will just start over analyzing everything once again. You silently beg to whatever gods will listen that everything will be okay, and this man won't destroy you.

He doesn't look like he is going to break your heart.

But you know that looks mean nothing when it comes to pain.

He closes the door behind you with an audible click and the weight of the moment starts to come down on your shoulders.

You take the seat in front of the desk quickly, worried your nerves might catch up with you, placing the water on the ground beside you with your purse when you sit. Matthew doesn't rush, he walks to his desk with an air of quiet confidence and if you were a client, it would be comforting, but you aren't and all it does is remind you why you fell into bed with him.

"What brings you in today, Miss..?" He trails off, prompting you to say your name again. As he reaches his desk you watch as he trails his fingers along the edge, using it as a guide, before moving his hand to brush over the back of his seat before sitting in it.

You chew your bottom lip, wishing you had taken a second to actually plan what you would say instead of jumping in. As far as you know, there isn't a step-by-step guide on how to tell a one-night stand that he's the father of your child - not that you actually looked into that in your desperate research the night before.

Matthew doesn't push as you gather your thoughts. He moves some paperwork away from the center of his desk, then folds his hands there, waiting. You keep your gaze on his hands, needing something to focus your eyes on while you force the truth out.

"I saw your interview last night," you say, deciding to start there, as it seems the most relatable.

Matthew's brows knit together and he tilts his head to the side and you are one again reminded of Minnie. It's a gesture she does often, tilting her little head left and right as she tries to understand something. It always reminded you of a dog and now you wonder if it's not a learned behavior, but genetic.

His lips turn down into a frown and his head stays cocked as he asks, "Do you have information about the Lynch case?"

Heat rushes to your cheeks - of course that would be the question to ask after bringing up the interview. The whole piece was about a specific case they were working on and how it would affect Hell's Kitchen and you hadn't paid any attention to what was said - not after you realized who was on the screen.

You shake your head, resisting the urge to look away and you curl your fingers tighter around the manila folder in your lap. "No, I'm sorry. I saw you and…recognized you."

He straightens up and his demeanor shifts to something less…friendly. It's minute but your messed-up brain screams at you about body language - his shoulders have squared up and you can see where he's clenching his back teeth. You quickly continue on, wanting to get through with your explanation before your anxiety makes you clam up.

"We met nearly five years ago," your voice is firm and factual and you're proud of yourself for that, "at a holiday party."

The words leave your mouth and you know he knows. Every part of him seems to go still - even his breathing seems to stop. The crease between his brow smoothes out, like he's gone from squinting to wide eyes behind his dark glasses. Your heart is pounding in your ears and your throat is getting stiff, but your voice remains steady as you push the words out.

"I think you are the father of my child."

All the color seems to leave Matthew's face and he looks nearly as gray as his suit. The reaction makes your stomach turn. He looks like he is going to throw up.

You bite into your lip, waiting for Matthew to do or say something. All you can do is mentally chant to yourself: he's a good man, he won't take her away.

You know it's probably just seconds, but it feels like hours pass before Matthew moves.

He leans slowly back in his chair, reaching up with one hand to rub at his mouth.

"Are you sure?"

He doesn't sound upset, at least to your ears. His words are cautious - tentative - and it makes your heart go tight in your chest. You don't know if it's fear or hope or everything crashing into you at once now that he knows.

You force out a nod before you remember that the man in front of you is blind. You find your voice and words creep out.

"I'm pretty sure," you start. Your eyes drop away from his hands back down to your lap and you have to lick at your lips to wet them before continuing, "I didn't go out much after that party, I got so busy with work. I didn't…find out until the first trimester was over. By then, I couldn't remember your name. My friends who I went to the party with didn't know you either. I tried to Google you with what information I had, but 'blind lawyer' just got me a lot of disability lawyers." You take a shaky breath, "I understand if you want a paternity test."

You know Matthew is probably taking everything in, but now that you've started talking, it's like you've lifted the dam on your anxiety. You squeeze the file in your lap - just because you hadn't known how you were going to tell Matthew the truth did not mean you hadn't extensively thought about the consequences. Words start to spill out of you.

"I also understand if you don't want anything to do with us, I get it's a big shock. I'm not looking for anything from you." Matthew drops his hand to the desk and if you didn't know better, it would look like he was staring at you. "I just wanted you to know and I thought it would be good for her to know you, but if you don't want that, I get it. All I ask is you fill out some paperwork, medical history mostly so I know if there's anything I need to look out for. I printed it out for you, it's all in braille."

You get up just enough so that you can place the manila envelope on the desk, then sit back down. Your throat is getting so tight and stiff you feel like you're struggling to breathe.

Matthew runs his hand over his desk until he can feel the envelope. His fingers move along the edge and you stare at them, like they are going to be the one to reveal what Matthew is thinking instead of his mouth. He finds the lip but doesn't open, instead flattening his palm against it.

"...her?"

His voice is so quiet you barely hear it. You lift your head to finally look at him and your heart skips a beat.

Matthew looks so soft. The corners of his lips twitch a few times before a smile slowly spreads across his face.

And you know.

You know without a doubt he is your daughter's father. They have the exact same smile. You can't help but to grin as well.

This is good, isn't it? He looks Happy.

"I have a daughter.."

"Winifred.. Winifred Love," you offer. Matthew lifts his head and tilts it towards you, brow wrinkling slightly.

"Love…?" He asks, no judgment in his voice, only curiosity.

You close your eyes in a bit of embarrassment, as you always do during the story, "I meant to put Grace, but I was out of it. I even put a big heart next to it on the paperwork." You aren't ashamed of the story and you love your daughter's name, but it's always a 'oops I was high' moment, even if it was done with the purest intention.

If possible, Matthew's smile gets even bigger.

"Winifred Love," he says, his voice dropping back down to the barely there whisper.

"She goes by Minnie. Like, um.. Like Minnie Mouse," you say. That gets an amused yet fond chuckle. You find yourself relaxing at the noise - like some of the pressure squeezing on your lungs has been lifted and you can finally breathe.

He repeats her nickname and you feel your lips start to turn up.

"How old..?" His voice cracks with emotion and Matthew has to clear his throat before continuing, "how old is she?"

"Three and a half," you answer quickly, "her birthday is a few months away." You bite your lip then hesitantly add, "She wants to go to the zoo. It's all she talks about."

"Yeah?" Matthew prompts. His smile is so so soft and it makes your stomach turn in this pleasant way. However, you were expecting him to act, this is not it. In your heart, you think the best you were going for was acceptance, but this seems much more than that. There is a stinging in the corner of your eyes and you have to take your own steadying breath continuing on.

"Yeah, um.. She…likes maps right now. I got her a map to the zoo and she's got the whole day planned." Which is very much true - your coffee table has been the home of a makeshift zoo diorama for a little over a week now and the itinerary has changed about twenty times.

Matthew ducks his head and nods a little, taking all the information in. You squeeze your fingers in your lap, needing a way to release the nerves still buzzing inside you.

A few moments pass before Matthew clears his throat again, "What else does she like..?"

The question makes you chuckle just a little bit, only because gushing about your daughter is something you're very good at. Since you work at home, it is just the two of you ninety percent of the time, you don't get to coo over her very often.

"She loves arts and crafts - anything she can get her little hands on. Right now she loves pipe cleaners and paper, things she can bend and fold, you know? I set her next to me while working and she'll just fold paper into little shapes. Not origami or anything, just abstract things, she doesn't plan it. She always wants to help, too, whatever I'm doing. Cooking and cleaning. She is the best helper for grocery shopping." You pause, looking over Matthew's smile for a moment before continuing on, tears starting to gather in your eyes.

"She looks just like you," you admit, fondness clear in your voice because it is so so true. Now that you are properly looking at him, Minnie looks just like Matthew, and telling him that makes him light up even more. "You've got the same smile. The same hair. Hers is a little more red, but it's definitely from you."

You watch Matthew lick at his lips and you want to know what is going on in his head. You think everything is going well, even if you are on the verge of crying. They are tears of relief - relief you weren't told to fuck off or to go get your own lawyer. You don't fully know if Matthew Murdock is a good man, but you're over the first hurdle and the prospects are looking good.

Matthew leans back into his chair, inhaling deeply, as if centering himself, then asks, "Why now? Why find me now?"

"Like I said, I couldn't find you, I didn't know anything about you, really, except what you looked like and you were a lawyer. I did try, I really did, but…" you trail off with a shrug, "I had a newborn."

Matthew seems to accept that answer - it is the truth after all - and continues on, "But you saw the interview... Last night?"

You nod, "I was picking up some dinner and they were playing the news at the diner. I saw it and looked you up and now…now you know."

"Now I know…" Matthew repeats slowly, his smile dropping a little and you wonder if is hitting him in different waves, like it did you - the realization he is a father. You know it is an intense roller coaster and you are not going to try to guide his ride, especially after just kind of dropping it on him.

He taps the manila folder in front of him, the crease returning to his brow, "What is this?"

Your cheeks get hot again and you turn your gaze away from him and back to your lap, "Requests for family medical history and information about how to establish paternity, if that's what you want."

"It is," Matthew rushes out. Your head jerks up and his expression looks serious, "I want that. I want to be in her life."

He sounds so sure of himself that it makes your head spin a little. You built up in your mind he either wouldn't want anything to do with you and Minnie or he was going to try to take her away - you hadn't really considered the obvious option that Matthew would just want to be involved. At least, that is what you are hoping he is implying.

"I won't abandon my daughter," the conviction in his voice startles you, but it also makes your heart twist but in a good way because in that moment, you believe him. "And I won't abandon you. I used to question if I had the right to bring a child into my life, but this isn't a hypothetical anymore…. And I can't.." he trails off and leans back into his chair, rubbing at his mouth again. You don't press, you have no right to when you've come out of the blue and changed his entire world. He takes off his glasses and pinches the bridge of his nose. "I can't step away now that I know she is out there."

You quickly shake your head at his words, "You don't need to rush into anything, I mean it, I don't want anything from you but for you to have the chance to know her. We can go slow, she's still little, you know? She can't handle a big change. Start small?"

You're more worried about how he is feeling versus what you are. You have at least prepared yourself to have a reaction - he thought he would be having a normal work day and you've given him a lot to process in the last five minutes.

"We can go at your pace, Matthew."

He drops his hand from his face, a smile coming back to his face, "You can call me Matt."

You repeat your preferred name, then apologize, "I'm sorry for coming out of nowhere. I didn't want to lose track of you again, but I could have scheduled an appointment."

Matt shakes his head a little, "No, I get it." His hand goes back to the envelope, like touching it is grounding him like squeezing your fingers is grounding you. "I'm glad you came…I'm glad…thank you. Thank you for telling me."

Part of you wants to reach across the desk and squeeze his hand, to give him comfort and let him know everything will be okay, but you don't dare. He's still a stranger, despite everything. You decide pushing past the emotional to the practical might be the best approach for now. You need to get your anxiety to settle now that you know your world isn't going to end and the best thing for that, in your mind, is getting an action plan.

"I don't know what the steps are for doing this," you start, trying to think up ideas as you talk, "but I think maybe we could…get together again and plan things out? Give you time to adjust to the idea and let you think about how you want to move forward?"

Matt nods along with your words, "That sounds like a good idea."

You bend down to grab your phone out of your purse, "I put my contact information in the packet, but could I get yours?"

He waits until you are ready, then gives you his personal number then the office number. You do the quick song and dance of calling his phone, so that he has your number and you wait patiently as he adds you as a contact. Hearing the voice commands to navigate a phone is new to you and once he is done putting in your information, you let your curiosity get the better of you.

"Do you prefer texting or phone calls?"

"Phone calls would be preferable," Matt says as he sets his phone on his desk, having held it up to speak clearly into it, "I have text to speech but it's not always the easiest for texting."

You nod in understanding, "Got it." You squirm in your seat, unsure of what comes next, so you say the very first thing that comes to mind. "You can call anytime. I work from home so you don't have to worry about interrupting anything…like I'm doing with you."

He hums, then asks, "What does Minnie do during the day?"

"She stays with me, mostly. There's a daycare down the block she goes to if I need someone to watch her. That's where she is now."

That makes Matt frown just slightly and part of you panics that he disapproves. "Is it just the two of you…?"

"Yes."

You say it with confidence. You've worked hard to get where you are alone and despite all you've been through, you are proud of that. "My parents passed when I was in college and I don't have any siblings. We've managed to do pretty well on our own. It's not the biggest, but we have a little place in Chelsea."

The little frown stays and you don't know what it means - you hope it's over you not having a big support system and not something else. Matt looks like he is going to respond but a knock at the door cuts him off. You jump at the noise, having totally forgotten there were other people in the office.

Matt looks slightly annoyed when he calls out, "Yes?"

The door opens and the final partner for the law is there. "Pardon the intrusion," he says to you with a nod before addressing Matt, "They've got that guy from last week at the 15th. He's asking for us specifically."

Matt openly scowls before running a hand over his face, "Okay. Give me a few minutes."

Foggy nods before stepping back out and closing the door.

"I'm sorry," Matt says sheepishly.

You cut him off before he can say more, standing as you do, "Please don't be, I really did just barge in on you at work. I can call you later? Or you can call me?"

Matt gets up as well, starting to come around the desk, "I can call you." He hesitates just a second, then ducks his chin, that little smile reappearing and your heart does that funny flip again. "Maybe we can get lunch?"

You smile back, "I would like that. We can start planning." You bite your bottom lip, then add, "I can bring Minnie…?"

Matt's entire face lights up and the awkwardness of trying to end your talk evaporates. "I would like that. A lot." He motions to his desk, "I'll work on getting that back to you. I want to…I want to do this right."

"I do, too."

It feels like a promise. You want to believe Matt - that he wants this and won't disappear at the first minor inconvenience. You've read so many horror stories about bad parents and you don't want any of that for Minnie.

You grab your purse and the water Karen gave you, then finally give Matt a proper look over.

You enjoyed your night together with him. Not only had he been a phenomenal lover, but he had made you smile and laugh. You weren't nearly as anxious then as you are now, but you had been rather nervous being flirted with by a handsome lawyer and he had made you feel at ease. Bringing him home with you had been an easy choice.

He must sense you smiling somehow, maybe you giggled or something, but his smile, which had started to fall, brightens back up.

"Can I ask you something before you go?"

You nod to his question, catch yourself and reply, "Of course."

"Can you tell me what she looks like?"

Guilt courses through you and biting your lip turns painful, "I'm so sorry, of course. Um, I included pictures in the packet with descriptions but, of course." His face drops into something a little nervous so you launch into the description of your daughter, emphasizing how they have the same smile because you can’t get over that. You can't help yourself and start describing some of the pictures you included.

"She has this big noise canceling headband so she can sleep comfortably - she doesn't like loud noises - but because she is three, she refuses to wear it unless it's cute. So we crochet little sleeves for it. One of the pictures is her asleep on our couch, face down, because that's how she sleeps, wearing her favorite sleeve. It's Spider-Man the-"

There's a quick series of taps on the door before it opens again.

"Buddy, we gotta go."

You start to apologize, but Matt speaks over you, his voice a little firm as his expression drops, "I'll be right there, Foggy."

A silent conversation seems to go through them, as Foggy raises his eyebrows at Matt and Matt does the same right back. Foggy steps out of the office, closing the door behind him.

"Let me walk you out?" Matt asks, motioning to the door.

"Thank you."

You let him open the door and you follow him into the reception office. Foggy is looking at his phone while waiting by Karen's desk as she finishes packing her laptop. You cross the room in silence as Matt leads you from the office. Once you are in the hallway, he speaks to you in a soft voice.

"Can I call you tonight?"

"Yes, please."

"Does eight work?"

"That's perfect."

"I'll talk to you then."

You force yourself to be the one to turn away and start walking towards the stairs. As you get to them, you pull your bottom lip between your teeth to try to suppress your smile.

Maybe the papers are right and Matthew Murdock is a good man.

You really hope he's a good father too.

#matt murdock x reader #daredevil #matt murdock #fanfiction #soulie writes

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variousqueerthings · 8 months

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okay I watched good omens s2 yesterday with my partner, and I was genuinely very surprised -- I think if you've grown up through superwholock/merlin/the 100/teen wolf type shows where (with the exception periodically of doctor who) you kind of had to make up the good show that something could have been in your head, that colours a lot of your viewing, and to be honest I thought season 1 of good omens was a fine little piece, honoured the book while modernising it somewhat, it was a nice, fun, low stakes time, with a couple of things I might have wanted a tad different but nothing overall awful.

so I was seeing all this meta and gifsets and discussion, while I was waiting to give s2 a watch with my partner and thought "ah, people have made up the good show in their heads again" not that I assumed s2 was going to be a bad show, but that people were taking extra deep plunges into possibilities, the way fandom does, and that was fine. I knew there was a big ol kiss, I had a sense of some kind of argument at the end, and that it was setting up a s3

I also knew that mainstream reviews were calling it (politely) self-indulgent and dependent on whether or not you enjoy david tennant and michael sheen having a good time for just under 6 hours

all in all, expectations of a somewhat mainstream show without too much to think about, a nice, fun low stakes time, moving on...

(EDIT: AND THEN I WROTE A LOT OF WORDS SO YOU CAN IMAGINE THAT MY REACTION WAS QUITE DIFFERENT)

as it turns out it seems these things that were being written on tumblr were discussing the actual text of the show and not things you could extrapolate if you squinted and tilted your head a little to the left as I'm so used to doing, so in fact there is much to think about!

and my first thought was "this is like when you read early discworld books that ask a question like a joke, only to find that over time the answer to that question becomes very serious (and also can be funny at times of course)." how terry pratchett would pick and pick at tropes and notions and social ideas and go "oh now hold on, this seems strange..." starting way back when he thought it was odd that women warriors always seemed to be dressed in metal bikinis and then realising he hadn't done a good enough job of subverting the trope, simply by depicting it and calling it a bit silly

why do goblins always get treated as the villains? what's with this divine succession of kings business? where are the female dwarfs? who do we treat as disposable?

good omens season one went: "haha what if heaven and hell were intensely incapable, bureaucratic, corrupt, and uncaring of the work they did, and we took an angel and a demon and had them actually care? wouldn't that be... a bit silly?" (and it was)

good omens season two went: "what are the consequences for caring when the people who have power over you are incapable, bureaucratic, corrupt, and uncaring? what are the forces that supersede systems built on fear, ignorance, and violent conformity? can people change and break out of/challenge/break down these structures by caring?"

and this was set up with a neat little sleight of hand (to reference aziraphale's switch-and-bait in the episode with the nazi zombies), because the majority of season 2 does feel a bit indulgent: hey, remember those two wacky angel-and-demon characters? watch some more wacky things they did through the ages, watch them take a sojourn through 1827 Edinburgh and do a magic show during the Blitz, and... stop the death of Job's and Sitis' children (actually maybe that whole segment ought to have been what they call "A Clue")

see them try to figure out a kooky mystery, all the while setting up a cute little same-gender romance on their street. watch as everything points towards a happy ending that's all about the two of them realising what they've been to one another all these thousands and thousands (and thousands and thousands) of years- but hold on. lest we forget - and the show has made this point over and over - there are powerful people who control them, who hurt them, and who plan on hurting others, throughout the whole season, and as it turns out they know what they've been to one another for far far longer, and know how to pull their strings...

season 2 then, has to show us these things, not because they're indulgent (well, maybe occasionally, but the apology dance is still important), but because in order to make the ending a tragedy, we first need to understand, properly, the impact that they have had on each other. we need to understand that Aziraphale relied heavily on Crowley to be his moral compass and leaned on black-and-white thinking in order to deal with things, because if it's all grey then where does he fit and what has it all meant and heaven has to be the good guys, even as Job's and Sitis' children are ordered to be killed, it's all he ever had...

and Crowley was always an anchor, needed to trust that Aziraphale was different, needed to bend to every whim that Aziraphale has, because otherwise what's his worth in all this? After having been already deemed worthless by the heaven that Aziraphale needs to believe in?

and that, simplistically described, is the narrative that we're seeing in s2, and alongside that the ways that the changes they have upon each other are noticed, and monitored, and placed under suspicion, and finally... broken up, not by the clumsy, brute force that's been attempted over and over again, but by a promise to return into a violent, controlling system and to "make it better from within"

and all of this is wrapped up in two queer relationships + a third queered-within-the-text relationship that creates the inverse of how it ends for Aziraphale and Crowley (so far). queer love -- whatever shape that has -- is explicitly the shape of non-conformity within this narrative, including within the symbolism of angel-and-demon love of Gabriel and Beelzebub, which in the context of the systems created is considered queer (and one can argue till the cats come home about casting cis actors, about angel-and-demon notions of gender/romance/sexuality, but the "queerness" comes from building something non-conforming to the systems they exist in), and enforced by the explicitly our-world-definition-of queer romance that Nina and Maggie have going on (which, while less high stakes, still contains the background controlling relationship that Nina initially is in)

all of this to say, that I disagree that s2 meanders, or that plotlines happen for the sake of showcasing Aziraphale and Crowley without purpose, or that characters get sidelined (I'd say it sets up a whole host of interesting characters to further get into actually), or that it's strictly mainstream easy-access narrative that's just an excuse for the main creators and actors to get back together.

the love is the point, and this show takes its time to show the love (and the unequal boundary-setting, and the fact that one of them has an undiscussed tragic backstory, and the desperation to belong again, and the fear instilled by oppressive systems, and and and), so that we understand why those last 15 minutes happen the way that they do

it's sleight of hand, and like all good magic, you don't notice until it's happened

#good omens #go2 #good omens season 2 #neil gaiman #david tennant #michael sheen

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zeijia · 8 months

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currently thinking about....

ness sharing his girl with his beloved kaiser because a certain someone has been eyeing her (who is DEFINITELYYYY NOT KAISER) bc ofc kaiser is his emperor and alexis just wants his validation :(((

yours truly, 🪼 anon.

jelly anon ily thank u for this ong ... !!

Ness would honestly let Kaiser fuck you dumb infront of him as he jerks off to the sight of your pussy taking in Kaiser soooo well.

Honestly, ever since you started dating Ness, you never expected that you'd also catch his Emperor Kaiser's eye. You have always thought that your presence would not be acknowledged, you heard from many that Kaiser's a self-centered and someone with a high pride. So, it came to your surprise that he had been eyeing you.

It's not that you were entirely oblivious, you felt his gaze on you. Certainly, anyone in the room could also see how his cat-like eyes would often glance at your figure from time to time. And they could also see that his eyebrows would slightly furrow whenever you'd become touchy with your boyfriend, Ness.

Alexis himself had also noticed that you seem to get a hold of Kaiser's attention, and he also took note that he always had that burning gaze whenever he'd stare at you. So, as the fateful and devoted follower he is, he gave you to him. He decided to share you with him.

When Alexis first brought it up to you, you were actually quite embarrassed. Kaiser's certainly an attractive man - but wouldn't it be slightly embarrassing to have you be fucked on by him while your boyfriend just watches you get ruined by another guy? When you declined that at first, he respected it for a few weeks, but oh boy did he start begging again. He persevered on asking you and begging you to let Kaiser have a taste of you, and so, you couldn't possibly say no now, can you? Not with your boyfriend being like this.

Which brings you here, in you and Ness's shared bedroom, being fucked silly by Kaiser. Your legs both being held down by Kaiser, giving ness the perfect view of your sweet cunt being pounded on by Michael. This was embarrassing- to be fucked dumb in this position where Ness got the perfect view of your soaking pussy.

Kaiser's muscular arms held your legs up, to the point your knees are aligned beside your ears, while Kaiser blabbered on, teasing you and saying degrading statements about you. Which you definitely should not turn you on, but it did.

“I never knew you had such a slutty girlfriend, Ness.” he teased, his pace going faster and faster. This made you moan, loud. Your head throwing back, resting on Kaiser's shoulder. “t-too.. ah! fast, slow, haah, slow dow- ngh down!” you cried out, the intense feeling of another guy's cock mercilessly thrusting on your pussy made you go insane. Ness, on the other hand, had a contented smile, yet a flustered look on his face.

He was happy to see Kaiser being content and pleased with your cunt, while he was also delighted to see you go dumb on Kaiser's cock. It turned him on, really. He didn't want to ruin Kaiser's fun with you, so he ended up having the perfect seat, watching you get slutted out by his emperor, and touching himself while watching.

The way your cunt sucked Michael's cock in, the sloppy noises, your moans and whimpers saying that “it feels so good..!” or “too big!”, and your pleas for him to slow down but deep down you were enjoying going dumb on Kaiser's cock, those got Ness hard.

He jerked himself off while watching the both of you, his hand giving his own cock slight squeezes just like how your pussy would squeeze onto his cock whenever he'd enter in, edging himself to cum the same time with you. He was just as messy as you two, honestly.

So when you finally came down on Michael's cock, that was Ness's que to let himself release his high, too. White spurts of semen coming out of his tip, and his hand being a mess and having his cum all over it. You felt Kaiser soon follow inside you, your warm and gooey walls clenching on his cock so tight, as if it never wants to let go. Kaiser won't lie, he quite liked the feeling of your cute pussy clenching on him soooo tight.

“ah- shit, you're so fucking tight, liebchen, maybe you don't want to let go of my cock.. hmm.. seems like I'm right, you dont.” Kaiser judges as he saw the look on your face, your eyes all hazy and teary from pleasure, a drool pooling out of the side of your mouth, and a cocky smile was then plastered on his face once he sees.

Ness quickly cleaned himself up, and went at you two, as he saw your expression. “hehe, I suppose that expression does suit her.” Ness commented, before Kaiser sat you two up, you on his lap as he finally freed your legs.

“this is far from over, why not join in the fun, Alexis?”

#blue lock #bllk #blue lock smut #bllk smut #bllk x you #blue lock x reader #bllk x reader #blue lock x you #michael kaiser smut #michael kaiser x you #michael kaiser x reader #michael kaiser #alexis ness #alexis ness x reader #alexis ness x you #alexis ness smut

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bowtiepastabitch · 5 months

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Historical Analysis: class and injustice in 'The Ressurrectionists' minisode

Alternate title: why we're tempted to be upset with Aziraphale and why that's only halfway fair

Okay so first off huge thanks to @makewayforbigcrossducks for asking the question (and follow-up questions lol) that brought me to put these thoughts all together into a little history nerd ramble. That question being, Why is Aziraphale so clueless? Obviously, from a plot perspective, we know we need to learn some lessons about human moral dilemmas and injustices. But from a character perspective? A lot of this minisode is about Aziraphale being forced to confront the flaws of heavenly logic. This whole idea that "poverty is ineffable" basically boils down to 'yeah some people are poor, but their souls can be saved just as if not more easily that way, so it's not our problem and they probably deserve it anyway for not working hard enough,' a perspective that persists in many modern religious circles. Aziraphale isn't looking at the human factor here, he's pretty much purely concerned about the dichotomy of good and wicked human behavior and the spiritual consequences thereof, because that's what he's been told to believe. His whole goal is to "show her the error of her ways." He believes, quite wholeheartedly, that he's helping her in the long run.

"the lower you start, the more opportunities you have"

So here's what we're asking ourselves: Why did it take him so bloody long to realize how stupid that is? Sure, he's willing to excuse all kinds of things in the name of ineffability, but if someone in the year of our lord 2023 told me he was just now realizing that homelessness was bad after experiencing the past two centuries, I'd be resisting the urge to get violent even if he WAS played by Michael Sheen.

Historical context: a new type of poverty

Prior to the 19th century (1800s), poverty was a very different animal from what we deal with now. The lowest classes went through a dynamic change leading up to the industrial revolution, with proto-industrialization already moving people into more manufacture-focused tasks and rapid urbanization as a result of increasingly unlivable conditions for rural peasantry. The enclosure of common lands and tennancies by wealthy landowners for the more profitable sheep raising displaced lots of families, and in combination with poor harvests and rising rents, many people were driven to cities to seek out new ways of eeking out a living.

Before this, your ability to eat largely would have depended on the harvest in your local area. This can, for our purposes, be read as: you're really only a miracle away from being able to survive the winter. Juxtapose this, then, with the relatively new conundrum of an unhoused urban poor population. Now if you want to eat, you need money itself, no exceptions, unless you want to steal food. Charity at the time was often just as much harm as good, nearly always tied deeply up in religious attitudes and a stronger desire to proselytize than improve quality of lie. As a young woman, finding work in a city is going to be incredibly difficult, especially if you're not clean and proper enough to present as a housemaid or other service laborer. As such, Elspeth turns to body snatching to try to make a better life for herself and Wee Morag. She's out of options and she knows it.

You know who doesn't know that? Aziraphale.

The rise of capitalism

The biggest piece of the puzzle which Aziraphale is missing here is that he hasn't quite caught onto the concept of capitalism yet. To him, human professions are just silly little tasks, and she should be able to support herself if she just tried. Bookselling, weaving, farming, these are all just things humans do, in his mind. He suggests these things as options because it hasn't occurred to him yet that Elspeth is doing this out of desperation, but he also just doesn't grasp the concept of capital. Crowley does, he thinks it's hilarious, but Aziraphale is just confused as to why these occupations aren't genuine options. Farming in particular, as briefly touched on above, was formerly carried out largely on common land, tennancies, or on family plots, and land-as-capital is an emerging concept in this period of time (previously, landowners acted more like local lords than modern landlords). Aziraphale just isn't picking up on the fact that money itself is the root issue.

Even when he realizes that he fucked up by soup-ifying the corpse, he doesn't offer to give them money but rather to help dig up another body. He still isn't processing the systemic issues at play (poverty) merely what's been immediately presented to him (corpses), and this is, from my perspective, half a result of his tunnel-vision on morality and half of his inability to process this new mode of human suffering.

Half a conclusion and other thoughts

So we bring ourselves back around to the question of Aziraphale's cluelessness. Aziraphale is, as an individual, consistently behind on the times. He likes doing things a certain way and rarely changes his methodology unless someone forces his hand. Even with the best intentions, his ability to help in this minisode is hindered by two points: 1)his continued adherance to heavenly dogma 2)his inability to process the changing nature of human society. His strongest desire at any point is to ensure that good is carried out, an objective good as defined by heavenly values, and while I think it's one of his biggest character hangups, I also can't totally blame him for clinging to the only identity given to him or for worrying about something that is, as an ethereal being, a very real concern. Unfortunately, he also lacks an understanding of the actual human needs that present themselves. Where Elspeth knows that what she needs is money, Aziraphale doesn't seem to process that money is the only solution to the immediate problem. This is in part probably because a century prior the needs of the poor were much simpler, and thus miraculous assistance would never have interfered with 'the virtues of poverty'. (You can make someone's crops grow, and they'll eat well, but giving someone money actually changes their economic status.) Thus, his actions in this episode illustrate the intersection of heavenly guidelines with a weak understanding of modern structures.

This especially makes sense with his response to being told to give her money. Our angel is many things, but I would never peg him as having any attachment to his money. He's not hesitant because he doesn't want to part with it, he's hesitant because he's still scared it's the wrong thing to do in this scenario. He really is trying to be good and helpful. So yes, we're justifiably pretty miffed to see him so blatantly unaware and damaging. He definitely holds a lot of responsibility for the genuine tragedy of this minisode, and I think Crowley pointing out that it's 'different when you knew them' is an extremely important moment for Aziraphale's relationship with humanity. Up until now, he's done a pretty good job insulating himself from the capacity of humans for nastiness, his seeming naivity at the Bastille being case in point.

In the end, I think Aziraphale's role in this minisode is incredibly complex, especially within its historical context. He's obstinate and clueless but also deeply concerned with spiritual wellbeing (which is, to Aziraphale, simply wellbeing) and doing the right thing to be helpful. While it's easy to allow tiny Crowley (my beloved) to eclipse the tragic nature and moral complexity of this minisode, I think in the end it's just as important to long-term character development as 'A Companion to Owls'. We saw him make the right choice with Job's children, and now we see him make the wrong choice. And that's a thing people do sometimes, a thing humans do.

~~~

also tagging @ineffabildaddy, @kimberellaroo, and @raining-stars-somewhere-else whose comments on the original post were invaluable in helping me organize my thoughts and feelings about this topic. They also provided great insight that, in my opinion, is worth going and reading for yourself, even if it didn't factor into my final analysis/judgement.

If I missed anything or you have additional thoughts, please please share!!! <3

#this was a monster of a post to write #in no small part because I was relying more on my own historical knowledge than usual so I had to double check myself constantly #but I had a lot of fun and I hope you enjoyed it as much as I did #good omens #good omens 2 #neil gaiman #good omens analysis #good omens meta #the resurrectionists #good omens season 2 #good omens minisode #nerd shit #ineffable husbands #aziraphale good omens

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yellowpsyduck · 3 months

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𝐌𝐚𝐤𝐞 𝐚 𝐰𝐨𝐦𝐚𝐧 𝐨𝐮𝐭 𝐨𝐟 𝐲𝐨𝐮

Thomas Shelby x Reader

Warning: Smut

Her dress was white like the Arctic Snow.

Her cheeks were red like the Chrysler Imperial.

A glance was all it took for one to deduce that Y/N Elliot stuck out like a sore thumb amidst the sea of greys in the grimy streets of Birmingham.

With her short tight curls and her eyes that seemed untinged with the horrors that plagued the notorious English town, she was a sight to behold.

Mr. Elliot was the preacher at the local Presbyterian Church, but his daughter evoked the urge to sin in the minds of the lads of the town.

And again, a glance was all it took for one to fixate upon this seemingly other worldly apparition that roamed the streets of Birmingham with her teasing smile and her plump red lips.

And Thomas Michael Shelby was no exception.

Soon the occasional glances that he threw her way should they ever cross paths turned into waiting by the front of her house to escort her to finishing school, much to the dismay of the girl’s father.

The young Elliot girl was infatuated with the older man. The boys that previously courted her couldn’t hold a candle to his suave. With his cigarettes and his well pressed suits, Tommy Shelby was simply a dream come true for the impressionable girl.

She couldn’t care less about her parents’ disapproval of their relation, nor did she care about what the towns folk had to say.

‘He loves me, and I love him and that’s all that matters’ she assured herself each night.

The two soon became inseparable, the leader of the Peaky blinders even barged inside the school and pulled his darling out of the classroom simply because he ‘missed’ her. The teachers and staff knew better than to obstruct the infamous gangster.

The two went to the fair that day. He bought her all the dainty little trinkets that her heart desired. She didn’t go easy on the spending too; she knew his pockets wouldn’t hurt from her silly purchases.

And for his kind generosity, she rewarded him with her first kiss.

A simple kiss on the lips; that’s how it started but it soon turned heated and passionate.

It goes without saying that she lost her purity to him, right in the backseat of the black Ford.

Still clad in her school attire, she sat on his lap with his hands encircling her lithe waist.

He left a trail of kisses down her exposed collarbone, his hands working to unbutton her shirt which her mother had carefully pressed that morning.

The chemise underneath soon found itself discarded on the floor of the vehicle.

Her pink coloured bra was on full display for him. The more conservatively fashioned fabric did little to hide the fullness of the plump breasts underneath.

Her breath was shallow as she looked at him with those beautiful doe eyes of hers.

Her cheeks tinted with arousal and her eyes misty with desire.

She was a sight to behold as she guided his hand to cup her left breast, telling him that she was ready.

Tommy couldn’t contain himself any longer and his fingers found themselves unclasping the fabric that shielded her modesty. He sucked with urgency on her perky nipples while he kneaded the other, giving equal attention to both of those glorious mounds.

Y/N was a squirming mess. She loved the feeling of his hot mouth as he showered her with his touch.

She could feel her panties dampen with each passing second. No boy had ever made her this hot and bothered.

She needed more of him. She needed his touch.

Tommy could feel the wetness on his thighs as the girl began grinding herself on his thighs.

“Eager, aren’t we?” he teased with a raspy drawl.

God! This girl was driving him crazy.

He continued trailing his kisses down her stomach and halted at the waistband of her skirt.

He swiftly tossed the heavy garment aside along with her garter and knickers.

She was on full display for him. For him and his eyes only.

He couldn’t peel his eyes off her body.

She had bewitched him.

Sure, Thomas Shelby had been with his fair share of women before her, but he had never felt so strongly for any woman before, nor did he think he could ever.

Not after this.

Not after her.

His thumb slid across her clit, eliciting a beautiful moan from her.

Gently, he prodded her glistening hole with a finger.

She was too tight.

He thrusted his finger inside her as she coated him in her lewd liquid.

Now two fingers.

He was thrusting her insides with just two fingers, yet it completely filled her up.

She was a panting mess.

She could feel his now bulging erection poking against her bare butt.

Just as she could find her release, he extracted his fingers from the throbbing pussy, making her cry in desperation.

“Tommy please.” she purred as she met his pale blue irises. She was a whimpering, desperate mess.

“Just a minute darling.” he assured her as he hurriedly unbuckled his belt and freed his pulsating swollen cock.

Y/N wasn’t sure how he was going to fit his fat cock inside her tight pussy, but she didn’t care anymore. All she wanted was for him to fill her up and make love to her.

He carefully lined his cock that was leaking with precum to her entrance and gently entered her hole.

Just the tip was in and even then, Y/N was threatening to spill teardrops from her lustful eyes.

“It’ll only hurt for a second, Darling.” he whispered in her ear as he forced himself inside of her virgin cunt.

Y/N was seeing stars.

Oh! The pain and the pleasure; both feelings intertwined as she felt him thrusting inside of her giving rise to this otherworldly feeling of ecstasy.

Tommy couldn’t control himself inside of her as he pounded into her.

Her tight pussy was driving him mad with pleasure.

He could see the scarlet testament of her purity flowing down her thighs as he corrupted her innocence.

She was his.

No one else’s.

The two continued their lovemaking, completely engulfed in the throngs of their union.

That night, as they lay in the meadow on the English countryside, with his hands around her and her head on his chest, they looked up at the sky that bear witness to their passions.

And that faithful day, Thomas Shelby made a woman out of Y/N Elliot.

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