Why do i have to read this shit omg help

I think a lot of discussions would be made better by recognizing that masculinity and femininity aren't inherently preferred, but adherence to cishet standards is, which is slightly different.

This is why a masculine trans man* or a feminine trans woman* often still face stigma - it isn't that they aren't gender conforming to the gender they are. It is that cishetero standards do not want trans people to exist at all, in any capacity.

Kingdom Hearts 0.2 Birth by Sleep - A Fragmentary Passage - Depths of Darkness

I become 300% more of both a lover and a hater when I'm on my period. just a time of the month when I have strong opinions I would say

can the mediator of vengeanceclan really fall in love with a kittypet?...

one other thing that really makes me roll my eyes in dc fics is the insistence that the bats can take down anyone, even their most op teammates. like... you guys know a character doesn't have to be the most physically capable one in the room in order to be interesting or strong in their own right, right? look me in the eye. cass had to save tim from shrike. bane broke bruce's back. mind-controlled kon snapped tim's arm like a twig. trying to make them ~always~ able to counter even the most powerful opponents is so boring im sorry like they can and do lose fights sometimes, and that's interesting actually. they are all incredibly competent martial artists, yes! that doesn't mean they can win every single matchup. that's simply neither the point of nor the strength in their characters.

Reading the Sabbat: The Black Hand v5 book, and it is apparently impossible for me not to see the Sabbat through a Queering Vampirism lense with some of the ways they're describing it. It's very obviously not what they're Trying to do, but that's the impression I'm getting anyway.

Like they start by saying the Purpose of the Sabbat is fundamentally to challenge the status quo, right before calling them fundamentally evil/monstrous antagonists and right after describing how scared all the other kindred are of them and how inscrutible they find their motivations. And then they go right into talking about the philosophy of embracing the Beast and fundamentally Cainite traits and inhumanity/monstrosity (what they are and what seperates them from the rest of society, the Other, which in this reading is also Queerness), to the horror of everyone else, and it's considered fundamentally an aspect of self destruction (see: how people act about trans surgeries). Also, treating something otherwise extremely taboo (ex. diablerie) as a "sacrament", like treating what is normally taboo/reviled as divine isn't also incredibly queer. Also alienation from society and difficulty forming connections.

You couldn't create a queer allegory more like catnip to me if you tried, is what I'm saying

there’s also just Something About female characters who are jealous of the men around them for getting to behave in certain ways that they just can’t. like you can just act like that? you don’t have to maintain a carefully curated and constructed image of yourself to present to the world so people don’t treat you like shit? i’m not gonna universalize but i do believe most women feel this way at least at some point in their lives, i feel it all of the time and it drives me fucking insane

Help me decide what episode to show my sci-fi gf as the ultimate test of her interest in Merlin.

What is an engaging episode that serves a 'if you dont like this episode you wont enjoy the show' role?!

HYDRA kidnaps Loki but all the goons look up to him and think he’s the coolest guy and keep kissing up to him because they really really want him to join their ranks

drew a loth wolf the other day :3 ( two colour variations )

Chat is this real

lying here in bed and thinking abt how alienated out i feel in the cookie run fandom. and then theres a polish sitcom playing in the background from a different room.

misc greaser backstory headcanons because i'm bored and it's time for this fandom to hear my lukewarm hot takes <ब₍₍( ˃̗εू˂ )₎₎<ब

johnny and lola's fatal relationship flaws are learned from their respective sets of parents.

johnny grew up witnessing his parents' tumultuous marriage and often felt like he was walking on eggshells due to his father's possessiveness and short fuse. mrs. vincent stayed, no matter how much her husband's fits of rage scared her because she felt she had a duty to her family. her one silver lining was that at least he never laid a hand on her (no, he'd only punch the walls near her or throw dinnerware– that's not abuse, is it? was just one of the numerous feeble defenses johnny would hear from his mom.) (the one time she DID defend herself, the situation escalated and eventually landed both of johnny's parents in prison. because he was already 18 when this happened, social services did not get involved.)

lola's father cheated on her mom and as a result, she's never had any stable relationships beyond short-lived flings. ms. lombardi consequently passed her bitterness about the affair and the divorce onto her daughter; it didn't help that lola's father stopped giving a shit about her after he married his affair partner and started a family with her. witnessing her family breaking apart, her mother wrecking her life with numerous toxic flings, and the father she used to love so dearly doting on his son with his new wife had not only resulted in non-committal tendencies, but also a dislike of men that borders on misandry.

(on that, i feel like a case can be made that lola's a closeted lesbian with MAD comphet, but that's a story for another time.)

peanut's home life is nearly similar to johnny's, but what sets them apart is the fact that peanut's father– alongside his verbal abuse– outright beats him; that's where his intense napoleon complex stems from. initially, his mother was the victim of his father's rage, but the older peanut grew, the more he fought back for her. consequently, at some point, he essentially became his father's outlet for his rage. he hates losing fights, being made to feel small and weak, because, well– if he can't fight back, who'll be there to protect his mom?

norton's family is relatively more normal and maybe even more stable than the rest of his clique's, but they're– unsurprisingly– not without their own issues. i feel like most of the conflict within the williams' family stems from the clashing ideals between norton and his dad; norton's a guy who was radicalized at a young age (since he's quite well-read), and his father– a police officer– represents the authority and the system he hates so much. becoming a greaser was not only teenage rebellion, but also a way to show that he outright rejects what his father believes in; he resents him for being a sellout. officer williams is aware of this.

vance is the only son among a brood of daughters. the second eldest child, he shares a close bond with his younger sisters, but a hesitant, nearly strained relationship with his older sister. their father is absent, and their mother overworked, so both of them are parentified– even if ms. medici didn't intend for that to happen. vance's never been shy about his bisexuality, and the unorthodox way he expresses his masculinity is a source of contention for his sister. she resents how carefree he is, how arbitrary his priorities are (like his obsession with his appearance, his social standing amongst the greasers, and his various romances in bullworth). their father couldn't be the man of the house, and now vance can't even fill in that role if he tried.

as implied by some of his voicelines, hal's fatness is (not so) secretly a major source of insecurities for him. his mother truly tries to be as supportive as she can be, but his father– perhaps another alumni of bullworth, maybe even a former jock?– is especially harsh on him, his "tough love" bordering on outright verbal abuse. hal was initially sent to bullworth in order to "whip him into shape" (both figuratively and literally), and his dad hit the roof when he found out that hal decided to join the greasers instead of getting into something "worthwhile". he tries to be as confident as he's making himself seem, though his dad's comments about his body and his hobbies and his friends cut deep.

ricky was essentially raised by his older brother (a former greaser himself). their parents have never been in the picture, and they were initially raised by their hyperreligious, paranoid grandmother before ricky's brother had enough– he moved out at 18 and took ricky with him. he had to take numerous odd jobs just to support them, ultimately dropping out of his last year in bullworth and forgoing college in favor of working. despite their similar personalities and interests, this is why they often clash– ricky's brother had to sacrifice his schooling for him, and he wants nothing more than for ricky to be responsible and successful. to be the opposite of who he was.

on the other hand, lucky essentially raised his younger siblings (a sister and a brother). his mom walked out on his family when he was still a kid; consequently, his dad fell into a deep depression, was laid off from his job, and turned to alcohol and gambling. lucky had to step up to the plate and be the man of the house in his stead. he's not quite sure who he resents more: his mom, for walking out; his dad, for taking away his remaining childhood; or the system, for fucking them all up in the first place.

lefty is a latch-key kid. both of his parents may be present in his life, but it's as if they're not all that interested in their son– he doesn't quite know why, but there's the implication that he's an accident; one that forced them to have a shotgun marriage despite not being in love anymore. they provide the bare minimum for him, but not much beyond that; whether its gifts or affection. he'll claim he's given up on trying to win their love a long time ago, but he can't deny that with every new scar he earns, he wishes they'd notice. at least once. (with concern or anger, it doesn't matter anymore.)

It started with a whisper ♥ (Patreon)

Can someone explain what the narrative stakes are even supposed to be anymore in jjk. All the characters are essentially guaranteed to die, the current cast is comprised almost entirely of characters who showed up 2/3rds into the story and we're supposed to care about them for some reason, and I do not even know what the threat is supposed to be anymore. The apocalypse? Destruction of an amorphous innocent society? Like has ANYTHING been shown of "here's the regular world that apparently needs to be saved" or are we just supposed to assume "this society is just Real Life+, so you're REQUIRED to care if some guy threatens to kill all humanity, because one of those humanities may be... a child" or something. Can you spare two seconds to show anything other than some magic randos fighting, or is it just a superhero story all the time now, minus the fun. Remember when yuuji had friends.