Nanami ver of bsf upstaging bf?? ❤️
listen… i meant what i said when nanami is just as bad, if not worse when it comes to driving your boyfriend away/upstaging him... maybe his tact makes him a better man than satoru, but you could also argue that it doesn’t; you could argue that kento is is only as respectful as necessary and consciously pushes boundaries, whereas satoru just does!! he just IS!! satoru IS overbearing and knows no consequence, but kento is not and he is very aware that evert action has a consequence, but he weighs it, determines it’s worth it, or—arguably worse—determines that the threat of your boyfriend getting mad or figuring him out isn’t high enough. kento is premeditated murder, he is going to drive your boyfriend so insane, to a place where he fully believes he cannot compete where he cannot compares, and kento will not feel bad about it. so, i rest my case, vice president of the not shit club, and their children are NO better!!
also, having been friends with kento sets a bar that your past and/or current boyfriend must quickly learn to meet, and more often than not, they don’t even come close. why go on random dating-app dates when kento sends food to your house just because he had an inkling you were sad (you texted him in a certain way that tipped him off). dates meeting you halfway at a restaurant/bar isn’t nearly as flattering when kento drives an hour in heavy rain and traffic after work to pick you up, just to make good on seeing a movie you told him you were excited about. expensive dinner dates and bar hopping becomes mundane when that’s the normal for you and kento, when he regularly takes you out to dinner, if not weekly, then at least bi-weekly, because he’s intentional about your friendship and having time to spend and catch-up with each other in between busy work days. it’s hard to be impressed with a boyfriend when your best-friend takes you on his twice-yearly vacations and pays for everything, citing that even though getting a proper vacation is hard, he loves the time spent with you, so it’s all worth it. kento doesn’t even have to wait for some guy to become your boyfriend, he puts any potential partners out of the running by the standards he’s already set for you.
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To add to the discussion about plagiarization and misinformation, one thing I know that can contribute to complacency is how much time and effort it can take to fact check everything you watch. That's daunting for most people, let alone people who don't have as much experience with it or who deal with disabilities and executive dysfunction.
But there are some things you can do to minimize damages that are easier to manage on a more individual basis.
You don't have to necessarily fact check every single thing every creator says in every video in order to make sure they're 100% legit every time. I know not everyone has the mental bandwidth to do that sort of thing constantly. Generally it's okay to just practice some mindfulness and not blindly trust someone if you haven't vetted their claims personally.
What you can do is fact check yourself. Don't repeat stuff you hear from a video as if it is a fact unless you have looked into it yourself first to confirm that what the video said about it is true and that their sources are good. And if you source someone make sure you've vetted them specifically and checked their own sources on that particular topic or bit of information (and check that they even HAVE sources to begin with and aren't just copying their sources verbatim). You can't source every video essay you ever watch or check every single one for plagiarism, but you can source yourself and what you say, and make sure you're not spreading bullshit or citing the wrong person. If you find that you don't have the energy to do even that much in a given moment, then just keep the information in question to yourself for the time being until you do have the energy to verify it.
And some stuff that's generally just good practice: if it's a topic that you're particularly interested in, it's a good idea to seek out more than one video about it from more than one creator. The more diverse your sources of info on the topic the better, especially if you seek out more than just the popular stuff. Get a broader picture of it from a wide variety of people from a wide variety of demographics. It's a lot easier to spot stuff like plagiarism if you're looking at more than just one or two channels, and even if you don't spot it, because they're often good at hiding it, you at least can make sure that you're giving more obscure creators the same attention as well instead of only defaulting to the most popular wide-spread creators and content.
Seeking out more than one type of medium is usually a good idea as well. I know reading stuff like written papers or essays or books on a topic can be difficult for some people, but if you can manage it even just occasionally then branching out every once in a while is still worth doing because it gets you out of one particular information sphere and into another, reducing the chances of an echo chamber effect. If you can't bring yourself to do that much homework on a topic, then again remember to keep in mind that your knowledge about it is limited and could be wrong, and don't spread that info without doing your own research first. Videos are not inherently a bad way to learn about stuff, papers or books can be wrong, and plagiarized, and badly sourced, and can spread misinformation too, my main point is that it's good to avoid having your information come to you through a single choke point if you can help it.
It can be exhausting trying to hold every online creator accountable on an individual basis, I get that, so I don't expect everyone to extensively peer review every channel they ever watch, but at the end of the day you can at least make sure to try and hold yourself accountable first and foremost.
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(Crossposted to Dreamwidth)
The thing that makes me the most "run around in circles" crazy about Initiation is that Alan wrote the Casey of the Dark Place into the story to help him, and then made it so that Casey knows even less about what is going on than Alan does.
Alan never gives Casey the opportunity to get past step fucking one to help him, explains nothing to him, and Casey ends up with no idea what he's even doing here, no idea what his assigned purpose is, no idea what his narrative goals are. He's an actor given no script, no stage direction, to the point that Casey doesn't even know they're in a story, and it makes him sink deeper into depression with every passing loop with no knowledge to ground him.
And it's impossible to tell if this is because Alan didn't realise that he had the perfect opportunity to write Casey like the Diver, a living repository of Alan's accumulating knowledge about the Dark Place, a seeing-eye dog to guide him through the dark -- or if Alan did try that, and it somehow went so horribly wrong that now he and Casey can't both survive in the same narrative line without trying to kill each other -- or if Alan did try that, and it went horribly right, and now the Dark Presence can't let Casey live because Alan's bespoke perfect little detective is too good at finding out useful things.
And instead, in the story we currently have, Alan made up a guy for a specific purpose of helping him, but because Alan is the protagonist, because it's his story, his fault, his duty and his job to get himself out of it, he doesn't even let Casey fulfil his narrative purpose. What the hell else is Casey supposed to do, Alan, other than the thing you literally made him for? He's the detective -- he's supposed to solve things.
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hi. i saw your post. i'm sorry for your loss. i honestly don't have any answer to your question because like you, i also don't know how to handle grief, especially a grief like that. but as what they all say, let yourself grieve. if you want to cry, don't hold it in. and if you want to talk about that person to others and reminisce, don't hold back, too.
if i find some helpful answer somewhere, i'll come back here to help even a little.
all i can offer for now is a virtual hug. condolences, friend. 🫂
Thank you so much for this, I appreciate it so much :,)
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I made a Vocaloid channel but I'm having trouble getting views. I like making covers for fun but I wish I could get more than a handful of views, especially since I haven't even gotten 5 on my latest ones. I use Vocaloid 6, which may be the problem since not many people talk much about it as much as the older versions
Would you have any advice as to what I can do?
m m m m m , , , , , , i feel like it's hard to say—back in the day when i was doing UTAU work, most of the interaction i got with my work was from my friends from UTAForum. we all sort of just shared our work with each other and supported one another doing our fun little hobby. though the sort of forum culture that spawned that sort of friend circle has kind of disappeared by this point , , , , ,
but honestly, even still—find folks whose work you like and get involved!! share your work on other sites and shout out people you like!! support the folks around you and establish yourself as part of a community
(of course like. don't treat it as a transactional thing. if there's one way to ensure No One interacts with your work it's to. comment on people's things or shout people out and then get passive aggressive expecting a response back. doesn't work like that. you support people because you love them and their work—not because you want something in return.)
but even more than that, honestly just keep doing what you do and the love in your work will come across in heaps and bounds, and someone will be bound to listen. people also tend to get interested the more you put your own spin on something, whether it's creating your own PVs, adding your own harmonies, sharing some of your files, or linking multiple covers together as part of a kind of overarching story. if you make it yours, it'll be yours for good.
like, at the end of the day we can all agree that views are just a number on a screen and are kind of meaningless and no one should base their worth on them, but also yeah it kind of wears you down after a while to keep sharing things you've put a lot of love and effort into with no response.
i'd just like to encourage you not to lose your passion for it—views or not, there's a lot to be gain by pursuing something you love. your VOCALOID endeavors are only just beginning, and who knows where you'll end up ! ! ! ! take the journey as far as it'll take you, and have fun all the while ! ! ! ! ! ! !
also send me your work i want to listen 👁 ����
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Hey Crabs! I have a small question! 🦀
How do you make the pictures of your traditional art look so good!?
They are always bright and easy to see! But when I take a photo of my drawings, they always have a blue or yellow tint to them. So how do you make it look the way you do?
(Also, I want to gobble up your art it is so yummy and pretty! Sun and Moon are so precious in your style!) ❤️
Thanks! And I hope you’re having a good day! :D
no prob! there's actually a couple things i do, so here's the tl;dr:
Lighting: i use daylight or light from a neutral white lightbulb
Editing: i use my phone's built-in gallery app to lightly edit the colours so they're clear and as colour-accurate as i can get (from my screens at least)
and i'll go into a little more detail with some examples under the cut
1. Lighting
a habit of mine that i got from my IG days (ugh...) is using daylight whenever possible. daylight just lights up the whole area more evenly and relatively neutrally. this is my set up:
glamourous
basically, i put the artwork near a source of natural light and prop up a reflector (in this case, a blank page from another sketchbook) that helps distribute the light more evenly across the page, so that even the side that is furthest from the light gets some light that bounces off from the reflector. i don't always have a reflector tho, like if i'm only taking a picture of a small drawing and not an entire page, there's no need.
now, if it's dark, then i rely on my desk lamp, which uses a neutral white lightbulb. regular lightbulbs come in different temperatures, from warm to neutral to cool—so that might explain why your photos are coming out with a yellow or blue tint. warm lights are common in houses because they're cozy, while blue lights are common in working areas because, like daylight, they keep us more awake. neutral white is in between the two.
here's an example of my Moon doodle that i did recently under different lights: warm (from my bedside lamp), neutral white (from my work desk), and daylight
(i don't have any cooler lights in the house, so i couldn't quite get the blue tint 😅)
now technically, NONE of these are colour accurate. so i always follow up with some light photo editing
2. Editing
now, i have 2 personal rules when it comes to editing my photos:
1) try to make it as close to the original as possible; and
2) don't spend too long on it
these are just my personal rules because... one) i'm lazy and i don't want to spend too long fixing every thing in my drawings, and two) i feel it is dishonest for me to make dramatic changes to my traditional art and still call it traditional art. whenever i do make digital enhancements (like colouring it digitally) i will tag it so no one would mistake it as purely traditional art. that's just me tho! there are no rules when you're having fun with your art and mixed media art is a thing! so do whatever you find fun and enjoyable.
also, i will try to make it as colour-accurate as possible, but i also recognize that not everyone's screens are calibrated the same way. my phone is set to a "Natural" colour setting, but on my new laptop (which i haven't figured out how to calibrate yet) is vibrant as all heck (like oh my gosh, maybe i need to start tagging everything with bright colours now, because what if someone else's laptop is this insanely vibrant and saturated??) but either way, i try not to spend too long on it because i know i won't be able to accommodate every screen.
anyways, for what i actually DO... i kinda just play around with different settings. if i took the picture under daylight, then there's not too much i adjust, usually it's the warm colours that are desaturated, so i try to make the reds pop more without effecting the blues too much.
or for my doodles, sometimes the doodle on the other side of the page is slightly visible, i'll tweak the lights and shadows and contrast levels until the background is clear enough (as long as it doesn't disturb the doodle i'm taking a photo of)
now, if your photos are coming out too yellow or blue because of your lighting, you can adjust that by tweaking the Temperature setting. here's an example of that warm Moon doodle:
already looking a little better, right? so don't worry if your photos aren't coming out accurate, there are work arounds!
here's the before and after of the Moon doodle by the way:
despite having daylight, i still needed to adjust the colours. specifically i needed to brighten up the reds and yellows, and bring back the page's natural yellowness. i also tweaked the Definition setting to make less hazy (sometimes i like the haziness tho, so i'll leave it as is sometimes).
and one other reminder: it doesn't need to be perfect, it just needs to be. a big reason why i keep coming back to traditional art is the fact that i can't control everything. i can't undo lines. i can't move things around. and i can't take the perfect picture. but it doesn't need to be perfect. drawing and sharing my art is supposed to be fun! and i don't want to put any barriers around that, or else it becomes unnecessarily stressful.
all that is to say, try out these tips if you want to, but don't treat them as hard rules and don't focus on trying to achieve perfection. just go have fun!
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