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#YES COME ON JUDGES
witchwhaat · 4 months
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CLEAN BOYANG CLEAN BOYANG CLEAN BOYANG
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oh-katsuki · 9 months
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the modern age is very scary to me because of the internet. employers go through your personal accounts and form some of their opinions based on your outside of work life on whether or not you're a viable candidate. they look through your personal profiles unrelated to work and use it to determine part of your viability based on that. that is very scary to me, not because i've done anything bad, but because i keep work and play very separate and i think they should remain separate.
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thaliasthunder · 1 year
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dissapointing percy and calypso never got to talk about this in person
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dykealloy · 18 days
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Rec list please ✍️🏻
(with tropes and just a smidge of reason why the media is recommended <- both very optional of course)
oh boy. okay. Confession time, I've watched a ridiculous number of shows out of east Asia so this is a good opportunity to share some faves from recent memory. If there's going to be one running through-line with these recs it's that I love character-driven narratives which explore interesting interpersonal relationships (socio-cultural commentary is a plus).
In no ranked order, here's my top ten:
Hamster running the emotional gamut wheel (well-written stories about grief, closure and family)
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Move to Heaven (2021) Korea, 10 episodes, Netflix Summary: Han Geu-ru is an autistic 20-year-old who works for his father’s business “Move To Heaven”, a company that specializes in crime scene cleanup, where they collect and arrange items left by the deceased and deliver them to the bereaved family. When Geu-ru's father dies, his guardianship passes to his uncle, ex-convict and underground MMA fighter Cho Sang-gu. Per the father's will, Sang-gu must care for and work with Geu-ru for three months to gain full guardianship and claim the inheritance. Eying money, Sang-gu agrees to the conditions and moves in.
This show knows exactly what it is and executes with excellent writing and characterisation. While it does have an overarching narrative, Move to Heaven is structured so that you're exploring a different person's story each episode, so it has a lot of flexibility to explore themes of grief and closure through different lives and relationships, and when I tell you this show can hit emotional beats... (<- may or may not have cried through most episodes on my first watch-through. Emotional terrorism). These stories are really beautifully portrayed and though there are effective comedic beats, there's this clear authenticity in not needing to undercut or distance oneself from the vulnerability of the subject matter.
Geu-ru and his uncle (Sang-gu) add a lot of needed levity, with Geu-ru's need for consistent, structured, methodical routines constantly clashing with Sang-gu's chaotic and combative approach to life. Sang-gu's character arc (though predictable) is just so satisfying. It's kinda hilarious seeing Geu-ru (and his father by extension) inadvertently poke more and more holes in Sang-gu's initial plan of "take the money and run" the deeper he incorporates himself into the space and purpose that his brother once took up, and it's very heartwarming to see these polar opposites slowly develop a respect and appreciation for one another.
Tropes: reluctant to responsible parental figure, tear-jerker
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Oh No! Here Comes Trouble (2023) Taiwan, 12 episodes, GTV and iQIYI Summary: Pu Yi-yong was a typical 17-year-old student with a passion for drawing and a hereditary talent for calligraphy. After he wakes up from a bus accident that claimed his father's life and left him in a coma for two years, a 19-year-old Yi-yong must now find his place in the world again. This becomes more complicated when spirits begin approaching him and asking for his help.
This show actually has a lot of similarities to Move to Heaven e.g. exploring different side-stories each episode, focus on victims forgotten by society (the lonely, the homeless, the outcasts and the minorities), themes of grief and closure, polar opposite characters learning to work together, breaking me emotionally at some point. But Oh No! Here Comes Trouble differs in tone (distinct directing style), quirky humour (Taiwanese comedic style is just different and I love it in this show) and presentation (urban fantasy/mystery).
Yi-yong might be one of my all time favourite characters in media. From the outset he presents as this classic, one-dimensional, grumpy delinquent teen (e.g. resting-bitch-face syndrome, scrappy mullet, academically behind, no social grace and a tendency to accidentally hit people in the face with softballs). As fun as that is, the more you watch, the more this show challenges these assumptions. Yi-yong's mum (also an A+ character, god I love her) is a hairdresser, and often uses Yi-yong as her stylistic guinea pig. Yi-yong's not super intelligent, but he's compassionate (albeit at times reluctantly so). He really listens when people talk to him, whether they're trying to comfort him, give him advice, or asking him for assistance (though he often questions and expresses frustrations about his own ability to help other people). There's a humble gentleness to him.
Yi-yong was already struggling to juggle his dreams of becoming a comic artist with the practicalities of his life before he fell into a coma, then he woke up two years later, having completely missed the perceived "pivotal juncture" associated with the transition from youth to adulthood. Time moved on, and so have his peers, leaving an almost 20-year-old Yi-yong lost at sea with no paddle, no map and grieving the loss of his father. And now he has supernatural beings approaching him and insisting that he is the key to settling their unfinished business. To Yi-yong (and to popular east-asian social standards), Yi-yong is a loser. He's academically unintelligent, has no clear aspirations or discipline or future prospects, his family is far from wealthy, he's got zero social status, smarts or rank. Yi-yong is just as much of a forgotten outcast to society as these spirits are.
He does eventually get assistance in the form of Chen Chuying - a junior police officer (helping substantially with the mystery investigation side of things) and Cao Guangyan - former one-sided rival schoolmate and current med student who coincidentally moves next door (initially maintains the outsider perspective of Yi-yong as a hooligan until they get to know each other a little better, by which point Guangyan is already helping Yi-yong get back on his feet) who form a very well-rounded, loveable cast.
I wish I could talk more about this show, I am very fond of it. Please do watch it and if anyone wants to discuss it my dms are open.
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Tropes: ragtag trio of idiots, urban fantasy, mystery, tear-jerker, reluctant hero
Get your pussy up get your money up (life is giving lemons and survival is the name of the game)
Honourable mentions here: Yeon Sang-ho popped off with Train to Busan in 2016 and South Korea has been throwing bangers into one of my favourite genre pools ever since. If you're interested in more zombie series I would strongly recommend checking out All of Us are Dead (2022), Happiness (2021), Sweet Home (2020) and Kingdom (2019).
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A Shop for Killers (2024) Korea, 8 episodes, Netflix Summary: Jeong Ji-An tragically loses her parents as a young girl. Her reserved and mysterious estranged uncle, Jeong Jinman, acts as her sole guardian and care-taker, raising her with tough love and a survivalist mindset until she leaves for university. One day, Jung Ji-An hears that her uncle has suddenly passed away, and returns home, where she learns the truth behind her uncle's business and by extension, her past.
Ji-An is locked inside a building with no communication with the outside world, nowhere to go, and with assassins after her head (not ideal). Unbeknownst to Ji-An though, her late uncle Jinman prepared a thorough defense system for this very event, setting her up with home-terf advantage and a very dangerous fortress against this army.
Ji-An and Jinman's story is told mainly through flashbacks as Ji-An attempts to survive the raid on their home. Their dynamic is definitely a repeat of the stoic, initially cold father-figure type "I am neither your mum or your dad, and I can never be" to the orphan child that we've been seeing more recently of late. I'm not mad about it. It's a good formula. I won't go into the type of person Jinman is, or the nature of his work/business. Going in blind and slowly figuring this out with Ji-An was a big plus in terms of the viewing experience for me.
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Tropes: reluctant parental figure, home alone antics
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D.P. (2021) Korea, 12 episodes, Netflix Summary: Ahn Junho is enlisted to serve in the South Korean Army as part of his national service obligations. He eventually goes to the Army's Military Police. While getting used to life in the MP, Junho's street smarts lands him in the D.P. (Deserter Pursuit) unit. Junho is assigned with Corporeal Han Hoyeol to capture deserters, revealing the painful reality endured by each enlistee during their compulsory duty.
imo D.P.'s is at its most enjoyable when Junho and Hoyeol are working as detectives with limited time and resources. Hoyeol's presence especially adds needed levity. He's like the show's own eccentric little court jester (at least until season 2, where he becomes the show's own tortured little court jester). You don't know how much you're missing Hanyeol until he shows up and you're finally given some space to breathe.
This show's gotten a lot of praise for its realistic social commentary around the vicious cycle of bullying, hazing practices, corruption and abuse within the South Korean military. It's well written and fast-paced, and it definitely doesn't pull its punches. I probably wouldn't recommend this show were it not for the quality of its writing, its ability to balance the depressing subject matter with pockets of dark comedy and everyone's favourite dynamic duo Junho and Han Hoyeol. All the content warnings for this one.
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Tropes: ptsd, abuse, brotherhood, idk man straight up not having a good time
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Weak Hero Class (2022) Korea, 8 episodes, Viki Summary: Straight-A student and loner Yoon Sieun utilizes his wits and tools to defend himself from a boys school full of shit-heads. He slowly warms up to Ahn Sooho, the school's strongest fighter, and Oh Beomseuk, the new transfer Student.
Sieun is here to answer the age-old philosophical question: "Aren't you tired of being nice? Don't you just want to go apeshit?" Even though Sieun is physically lacking, he's very capable of baring his teeth and using his smarts to fight like hell. It's so cathartic to finally see a short, weak, bullied protagonist willing to go violently feral upon provocation.
This show's tone can get pretty dark and surprisingly violent. The true core behind why a lot of people love this show is Sieun and Sooho's friendship. Sieun starts off as a grumpy, glaring, withdrawn hermit with no interest in anything that isn't studying (honestly idk how Sieun keeps finding himself in these situations like. All the kid ever wanted was to hit the books). I won't spoil too much, but watching as Sooho slowly peels away that protective shell Sieun encases around himself is a thing of beauty. I strongly recommend you give the first episode a go (free on youtube).
Tropes: angst, bromance, badass bookworm, adults are useless, abusive parents
Detectives smashing you over the head repeatedly with gay subtext (not explicitly gay but if you have a brain and any semblance of a gaydar that thing is going to be going off like a geiger counter next to the elephant foot)
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The Devil judge (2021) Korea, 16 episodes, Netflix and Viki Summary: Set in a dystopian version of present-day South Korea, the world is bereft of law and order and the court justice process has become like a reality tv show. Head Trial Judge Kang Yohan mercilessly punishes the guilty and corrupt, earning him the "Devil Judge" monicker. As bitter rivalry takes shape between Yohan and the highly ambitious Jung Sun-ah, who has risen from poverty to become a corporate social responsibility foundation director. Into this turbulent world enter two childhood friends on a mission for true justice and determined to discover the secret Yohan is hiding: rookie judge Kim Gaon and detective Yoon Su-hyun.
The Devil Judge tackles the concept of the anti-hero (battling evil with evil) and questions why these figures are idolized by the public. It also challenges the naive faith in the rule of law and whether or not the established systems should be upheld or not. The screenwriter has however made it very clear that he focused way more on the relationship between the characters than conveying his own message and boy oh boy is that reflected in whatever Yohan and Gaon have got going on (serious come-hither eyes, gratuitous physical touch, themes of power, justice and corruption, Yohan pressing Gaon up against the nearest hard surface on at least four separate occasions, etc.).
Kang Yohan, the titular anti-hero/main protagonist operates within a failed state and a corrupted judiciary. To a certain extent he knows the self-destructive path he walks is doomed to fail, but to right the system and take revenge, he's on the lookout for a someone that can out him as the Devil and become the messiah that Yohan himself cannot be. It does come off as very "anime" at times (theatrical presentation, tragic backstories, bad writing when it comes to women, naive characters and overly dramatic tone) but hey, if you have very few qualms with that, chances are you're going to have a blast.
Also the OST for this show absolutely fucks. It has no right being this good. Jung Se Rin really popped off. I have Enemy of Truth as a staple in a lot of my playlists.
Tropes: idealist vs jerkass pragmatist, anti-hero/vigilante, whump
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The Worst of Evil (2023) Korea, 12 episodes Summary: Set in the 1990s, a former DJ starts selling a new powerful drug. Since the police know little about its origin, rural police officer Park Junmo is assigned to go undercover and infiltrate the criminal empire responsible for the drug trade between Korea, Japan, and China. Junmo later discovers that his wife, Yoo Euijung, also a detective, has volunteered to participate in this dangerous mission and seems to have a past with the underground drug king (and Junmo's boss), Jung Gicheul. The deeper Junmo entrenches himself as Gicheul's subordinate, the more unrecognisable he becomes to those closest to him.
Junmo could have let Gicheul die or slip away like several times in a row, indicates he has zero idea why he does this, then says the line verbatim "I look up to him and I like him and my body follows my heart". What am I supposed to take away from this. This show has everything. Early 90s homoerotic cigarette lighting, sodomy, incredible cinematography, betrayal, close-ups of Junmo's bloody face squished up against Gicheul's thigh. There's some scenes where Junmo is looking at both his wife and Gicheul framed in the same shot like the goddamn camera is daring you to question who he is more jealous of. My biggest complaint is that there was quite literally no need for a wife-stealing plot - the most compelling, messiest gay situationship was right there for the taking.
In episode 9 post-gang war hallway-slaughter, a blood-soaked Junmo hops up onto a table on all fours with a knife between his teeth, locks eyes with Gicheul then proceeds to slash a man's achilles tendon and if you listen closely enough you'll hear me in the background screaming YOU HAVE BECOME HIS DOG. 10/10 watch this show.
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Tropes: mafia, undercover, bodyguard, make him worse, devotion and loyalty gone bad gone nuclear, maybe if they fucked nasty about it we wouldnt be in this mess
Beyond evil (2021) would also go here and has similar vibes to the above two, but I personally don't have much to say about it. Unhinged slutty old man, gay stuff going on over there, etc, etc. Citrinekay sums it up nicely here. Guardian (2018) would probably also go here. Definitely check these out if you enjoy/like the sound of these shows.
Lighthearted fun romance (I am not escaping the lesbian fujoshi accusations)
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Cherry Magic (2020) Japan, 12 episodes Summary: Adachi is a salaryman with low confidence and a tendency for self-deprecation, resulting in him often acting awkward around others, not being sure how to assert himself in the workplace, and constantly comparing himself to the company's golden boy - Kurosawa. Things become further complicated when Adachi finds out after his thirtieth birthday that he has suddenly gained the magical power to hear people's thoughts if he touches them. Adachi struggles with his newfound touch telepathy when he accidentally discovers Kurosawa is in love with him.
Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? (Yes that is the full title, Japan you are killing me) is very sweet and wholesome and the humour hits and I believe in Kurosawa Yuichi supremacy. I know self-deprecating characters can be a downer for some people but Adachi comes off as very relatable and seeing him slowly gain more confidence in himself and his abilities is heartwarming. Great serotonin-booster. If you find this show's premise interesting there's a high likelihood you will enjoy it.
I didn't care so much for the second couple but if you're like me it's easy to skip through these scenes (you won't be missing anything).
Tropes: office romance, telepathy, pining
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Semantic Error (2022) Korea, 8 episodes, Viki and Netflix (region-dependent) Summary: Cho Sangwoo is the epitome of an inflexible and strict rule-abiding person. When talented graphic design major Jaeyoung discovers Sangwoo is the cause for his delayed university graduation, he sets out to take revenge (by becoming Sangwoo's biggest, brightest daily annoyance). Jaeyoung finds himself in hot water when he inadvertently develops a crush, and junior computer science major Sangwoo is about to encounter some serious errors in his usual programming.
This is a classic polar opposites attract story, with Jaeyoung the loud, extroverted, brash foil to Sangwoo's reserved, withdrawn, morally black-and-white, logic-first persona. As much fun as it is to see Sangwoo's ordered world thrown into chaos, it's equally enjoyable to witness Jaeyoung jump from being obsessively committed to annoying Sangwoo, to being whipped for him (and the subsequent difficulties this causes for Jaeyoung - a popular, attractive, talented, bi artist used to getting his way - in trying to pursue a highly irritated and emotionally closed-off Sangwoo, who is being challenged with a side of himself he hasn't had to grapple with up until now). Also Jaeyoung has an incredibly hot lesbian best friend which was great. for me specifically.
An entertaining, cohesive story with great actors who have fantastic chemistry. What more can you ask for?
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Tropes: enemies to lovers, opposites attract, university, pulling pigtails
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Old Fashion Cupcake (2022) Japan, 5 episodes Summary: At the critical juncture of a mid-life crisis, Nozue, a 39-year-old office worker, is stuck in the dull, mundane grind of wake, work, sleep. But due to his age, he's convinced he's well past the point he can take risks by trying something new. As such, he continues to decline promotions at his job and romantic advances from potential partners. He confides one day in his 29-year-old subordinate, Togawa, making an off-hand comment about a desire to be like a young girl - capable of feeling excitement and joy in life again. In an attempt to inspire him to move forward, Togawa suggests an "anti-aging experiment" and the two of them go on a journey together to help Nozue feel young again.
First things first - a large portion of Togawa's proposed "ant-aging technique" involves frequenting dessert cafes and restaurants that are catered towards a younger female demographic and fuck me the food in this show always looks so goddamn good.
The boss/employee thing might turn people away from giving this a shot but what I really love about this show is that despite being Nozue's subordinate (and younger than him - which is a bigger deal in Japan), Togawa is extremely blunt and unafraid to tell Nozue exactly what he thinks (so long as Togawa believes it will ultimately benefit Nozue in the long run), and it's very clear that he does this because he has a strong sense of respect for Nozue (and because spoilers - Togawa is so down bad for his boss like okay boy DAMN. Go get your esoteric old man). This show is also great at conveying emotion and inner conflict without dialogue (I've enjoyed coming back for a re-watch and picking up on little nuisances in Togawa and Nozue's behaviour that I missed the first time around).
Overall this is a very cute, very wholesome coming of age/queerness story that reminds you that it's never too late to pursue what interests you, try something new, and enjoy life while you're at it.
Tropes: fingers in his mouth friday, pining, age gap, office romance, food as a love language
That's it! If you want more recs from a genre hit up my inbox, I had a fun time pulling this together and have many more in the chamber where that came from.
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kennahjune · 6 months
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An Idea That’s Been Brewing Around My Head For A While Now
Stepbrothers Steve Harrington and Gareth Emerson. Steve’s mom finally realizing how much of a dick her husband is and finally divorcing him. Steve being very happy about it but also not knowing what to really do now because he was their main source of income.
Or maybe there’s some real shit there and Steve’s dad dies somehow. Maybe to something upside down related. Idk. Either way— Steve and Cynthia move to the trailer park because Richard is gone.
And Cynthia picks up a new job at the bank and meets Craig Emerson— Gareth’s dad. And they hit off really nicely and Steve is honestly just happy that his moms finally able to be happy again.
Gareth isn’t as open for a while but as he finally meet Cynthia he starts to warm up and is happy that his dads happy.
Until Cynthia and Craig get serious about each other and Steve and Gareth have to meet each other. Then it’s only a matter of minutes until they hate each other.
Well— Steve’s more than ok with Gareth. He’d seen him quite a few times over the summer whenever Eddie Munson would stop by Scoops. But Gareth has a problem with Steve from high school.
But obviously they end up warming up to each other in the end. And it’s a delight to Gareth to find out that Steve carts around 5 kids and keeps in touch with 2 others. He’s like the Ultimate Mom (TM) and Gareth finds absolute joy in teasing him.
And maybe Gareth is dragged into the Upside down with Steve and Eddie and we get a side of Steddie.
Idk. Steve and Gareth being related has me in a chokehold lol
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blood-orange-juice · 7 months
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I promised a "Furina is Jesus" post. It's kind of a shitpost but also it's not.
The theatre of the courtroom
I'll first have to note that law is a peculiar thing. It is created through practicing it.
It's not just the written rules, it's how we apply them, and who gets to write and rewrite them, and there's no solid foundation underneath.
It's supposed to be treated as immutable until it's suddenly not. Until an insurgence turns into a revolution or the divine right of kings becomes a symbolic relic of the past. In the mildest scenario a bunch of old farts just gather and vote for new rules. Sometimes the very same rules that give those old farts the right to decide rules.
A law remains a law as long as enough people agree to believe and enforce it. How much is "enough" is also debatable (often depends on the size of your army).
It is very much like theatre. Humans like it when the world is molded into coherent stories so they happily participate.
Furina making a show out of trials is not a perversion of law, it shows she understands its very nature.
Transgression and transcendence
Now back to Christianity. The essense of Christianity is transgression. No, seriously.
It's as punk as a religion can get. A god hanging out with publicans and harlots? Killing a god in the most humiliating way possible and being forgiven for it? Symbolically eating a god?
It's insane.
Such practices are usually reserved for small communities of a very special sort (*ahem* left-hand path tantrics*ahem*). It's the only religion I know that gleefully and unashamedly incorporates such things into rituals meant for the lay public.
(this is probably a good time to mention that I'm not Christian and it's a look of an outsider fascinated with philosophy of religion in general)
It's actually one of the real reasons a lot of pagans rejected Christianity so fiercely: it's spectacularly nonchalant in dealing with things that would be considered "unclean" by most archaic cultures.
Now this is important.
As post-structuralist theories state, any attempt to establish a power structure, to set rules or to define self will also produce things that would seem unclean. Impure. Things that should be cast off. It's in the nature of our psyche. The concept of uncleanliness is one of the core mechanisms that allow our mind to function.
(I'll redirect you to Julia Kristeva and the concept she names abjection if you want to dive into it.
I also want to note that abjection and horror go side by side and it makes a lot of sense that Fontaine is also the Lovecraftian expansion)
And what did Christianity do? It subtly removed the importance of "cleanliness". The gravity of it. It established as the norm that norms can be redefined and transcended. That the outcasts and the sinners are not to be forgotten.
It fucking changed the rules of how human psyche and society function. Added an extra possible move.
A sin can be forgiven. A criminal executed in the most ignominious way can turn out to be a god. You never truly know. And also anything can be made clean. Go wash it kitten.
(yay)
(and yes, I know a lot of modern Christians practice the opposite of what I describe. I'm not a fan of these folks too. doesn't matter. the possibility is there. it's glorious. also horrifying and a bit disgusting)
That dude from two thousand years ago
What about him.
I often see people calling a "Jesus figure" anyone who is sacrificed to save others. Or anyone who is reborn. The thing is, this is not how it works.
A god dying and being reborn is the oldest myth on this planet. Last time I checked it was connected to the sun worship, day/night cycle and winter solstice rituals (although it could have changed and also I didn't check very thoroughly). In any way, it predates Christianity by millennia.
Sacrificing all kinds of things and beings to get something in return or to offer gods something else in your stead is also pretty old and very much not Christian.
The unique beauty of that story is that a supreme being, ultimately more worthy than any human, wilfully chose to sacrifice himself for lowly mortals. Actually, allowed them to betray and kill him. And then forgave them.
Do you see how it ties to the previous section? It defied the previoisly established world order (where gods were incomparably more important than humans). It created a paradox. It broke the rules, or rather it destroyed the rules.
Theological debates aside, on a symbolic level it pretty much destroyed the old concept of sin and the idea of a fundamental difference between a god and a human. Everything a paradox touches stops being fully real and needs to be redefined (ceci n'est pas une pipe).
'Sin' doesn't mean the same thing anymore, and 'god' doesn't mean the same thing anymore, even 'death' means a different thing now. The world just starts to function differently after a story like that happens or is told.
(since it only needs to mess up the symbolic order it doesn't even need to happen, only to be told and believed)
And there we have it. A Jesus figure should establish new rules. Preferably better ones. It's someone who fundamentally changes the world with their sacrifice.
That's also where we get back to "law is established by practice". That was the process of establishing a new law.
(this is also why I dislike the idea of Childe as a Jesus figure. he is not a supreme being, he's not the type to sacrifice himself for people he perceives as lower than him, and he is not integrated into society enough for his death to establish new rules. he can still die and be reborn in a new quality, he can even change the world in some way but that would be a different type of story)
Our precious girlfailure
So. Furina.
Fontaine's prophecy speaks of all Fontainians being born with some kind of 'sin'. And the way Neuvilette is talking to the pool of primordial water in 4.1 implies that its ability to dissolve Fontainians is not some kind of natural law but an intentional wrathful act.
And Varunada Lazurite (we know that ascension materials contain the final lines of the archon quest) says this:
"My ideals have no stains. I must correct you. People here bear no sins in the eyes of the gods... Only laws and the Tribunal can judge someone. They can judge even me. So praise my magnificence and purity."
I assume the solution will not be simply killing the eldritch whale or "cleansing" the sin or locking the sea away.
I think Furina will in some way redefine what is considered a sin, or how it should be judged, or who gets to administer judgement. She will create new rules for the world. Probably by dying in some way (temporarily or symbolically) to create a paradox.
(maybe we'll also get to learn that death in Teyvat is not true death)
As I said at the beginning, she understands the law and the very nature of law very well, probably better than Neuvilette. Who else would be better suited for this task.
And no one will notice the beauty and insanity of her gesture, like no one really noticed with that guy two thousand years ago. They'll just think things got fixed because they sacrificed Someone Important.
But that's all right. She'll forgive them.
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kusuokisser · 8 months
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terusai go on a date and the whole time in saikis head hes monologing a bunch of excuses about how he doesnt want to be there and theyre obviously excuses but. teruhashi cant hear what hes thinking. to her he just looks uncomfortable and avoidant, not saying a word to her. obviously the "date" started with her wanting to spend time with (and, if all goes right, woo) saiki, but now? now what? when he wont so much as glance her way?
Segway for lazily made comic from 1am Eastern Standard Time
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correct-gaang · 4 months
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araneitela · 1 month
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Seeing Kafka in overtly revealing ("sexy") dresses in fan arts: I just... don't see why? Me over here: The most 'revealing' thing that I can imagine her in, if I envision her without a coat draped over her shoulders, is something like this. Am I just weird; where am I supposed to see this 'overtly revealing' nature of hers that oozes 'sexy'? That woman has class, and in that, I think she's sexy (f I have to use the word). And where do I get that impression from? Her entire default attire screams it at me from the rooftops.
#[ mini study. ] she must have sought something extraordinary. everything she does comes at a great cost.#[ class. class. /class/. ]#[ she's refined. everything from how she walks; to her mannerisms; to how she phrases her sentences. all of it plays into it. ]#[ that's also /why/ she's so good at unnerving everyone in my opinion; it's because she has a certain stature to her. ]#[ i swear. she wears high-waist shorts. yes. but can we remember that the /high waist/ element is very important? ]#[ that was literally an element in the 1960s when these shorts became more mainstream to counteract the concept... ]#[ of bare legs. ensuring the waist was covered. even if with high-waist; the waist gets cinched which is inherently an 'attractive' thing.#[ yes. ]#[ but still; that keeps her shorts also within a realm of some semblance of attire conservatism/classiness. ]#[ and then out of everything she could 'collect'-- it's COATS. ]#[ an item of clothing that is often the first thing we judge a person by; and often is tied to perception/judgement of elegance. ]#[ sophistication and even a level of... professionalism. and if we look at public figures-- we often account status by their presentation.#[ or hell; their sense of style. and the first element of someone's presentation is often derived from their coat. ]#[ i feel like i need to stuff this post into the longer meta tag as well for sheer reference for myself. but i just!!! ]#[ i hate the super overtly fan arts of her. i don't understand where this perception comes from. ]#[ meta. ] the mara's tether is firmly in her grasp. she will not pull upon it before the designated time; nor shall she relinquish it.
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showtoonzfan · 1 year
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Reminder to all the Helluva fans who think that we’re being “impatient” and that Millie will get her big epic moment to shine, just know that from what we’ve seen, all Viv and Adam could come up with regarding her is that she apparently feels like she’s holding Moxxie back. That’s it. So not only is it a character insecurity that makes no sense since she’s done nothing but help Moxxie and be the muscle, but it’s once again….attached to Moxxie, and not her as a character on her own. Bravo Viv. 💀
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sukunasdirtylaugh · 1 year
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A Promised Princess
pairing: toji fushiguro x f!reader (x gojo satoru)
synopsis: after a knowing one another for two years, toji fushiguro (known as toji zenin in this case), must leave for war in the east. a rebel known as ryomen sukuna, plans to terrorize and eliminate the clans that make up the 4 wings (gojo’s, zenin’s, kamos, and the hirata). upon leaving for war, you promise something any powerful man, even the most vengeful of men, would kill for.
a/n: okay hear me out- yes, this is somewhat written in 3rd pov, but I also want to make note that the historical accuracies and etiquette between japanese/anglo-europe will be very mixed. so if this bothers you, you have been warned. I was just dying to write something like this. please let me know in the comments if you would like to be in the tag list if I ever make a part two (which seems probable).
tags: kingdom au, mentions of war, secret romance, indirect mentions of virginity, and established romance
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The carriage rolls around the block twice. No hesitation from the driver, as he exclusively follows his master’s orders: do not stop until the candlelight on the third floor is off.
A young woman, no older than 19, rushes through the gardens into the woods. Her cloak follows her movements with grace so as to not cause commotion and her breathing is but a hitch.
“I came as fast as I could,” he tells her.
“And I read your letter.” Answers she, “What was so urgent you needed to discuss with me at this hour?”
Prince Toji Fushiguro, 21, future heir to the Zenin throne stops in his tracks. His hands, which were on top her shoulders fall to her sides, a formality of which the two of them dropped several months into knowing one another.
He tries to think of something that will relieve the weight on his heart. Her lips, soft as flower buds from her garden, or her hair, as angelic that it frames her face; Toji finds refuge in her eyes.
“A war suddenly erupted in the east.” He says, the script that he had received earlier that morning engraved into his memory, “300 casualties have occurred since, and we worry there may be more.”
He had told her days prior of a rebel named Ryomen Sukuna who had gathered support from locals in a short amount of time. He criticized the regions, the regime, and their incompetence towards the common folk. Something Toji didn’t take lightly.
If he keeps up at this pace, he told her, bodies snug around one another under an oak tree, he could disrupt several cities, trading ports, and harm civilians.
“So you’re leaving.”
“Only for a short time,” he promises, hands wrapped securely around her own before he places a kiss to them. Within the two years of knowing one another, who would have thought that the son of a Zenin could hold so much consideration, devotion to their counterpart.
“If everything goes as planned, I’ll be back in 6 month’s time.”
“Still,” she frowns, “6 months is too long.”
“better that than never.” He closes off the distance between them. “Promise me one thing.” he asks.
“Anything.”
“Promise me that you’ll wait for me,” he whispers against the crown of her head, “that when I return, I will become yours, and you mine.”
“I promise.” she replies.
“Promise me that no man will stand between us. That you will vow your loyalty, your honor to me and only me.”
She holds his hand tighter against her chest. “It’s always been you, Toji.”
Satisfied, the heir to the Zenin clan seals their promise in a deep, prolonged kiss. Hungry, needy, and already missing one another, both pairs of hands run through one another before both clans leave their respective routes.
hopeful for the future.
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kierancaz · 4 months
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I hate people who tell me “if you think you won’t like it just don’t watch it” like WOW you are a GENIUS how would the world go on without you and that glorious big brain of yours ???
Like SHUT THE FUCK UP SHUT UP SHUT UP if you tell me that after you just saw a whole rant I left talking about how live actions make it seem like animation is not a valid medium for telling adult stories and how they usually end up butchering the og material and you tell me “just don’t watch it” I am literally hoping that you burn in hell.
There was vid on tiktok, some guy updating us on the cast and what’s going on with the How To Train Your Dragon live action, so I left a string of comments talking about how I had been really hoping this movie was going to be cancelled because I’m tired of the live action remakes of already beautiful movies and that even with most of the voice acting cast returning to reprise their roles and the director who directed the 3 og films coming back, I still don’t have high hopes for this movie.
I said that I loved the og films since I was literally 5 and that this will never measure up. And with the track record we have for live action remakes I think that’s a valid feeling to have. I said that not everything needs to be live action and I hate that it’s such a big thing in the industry right now because it makes it look like they don’t appreciate animation as a important medium that can tell adult and children’s stories and the live actions are never able to recapture the magic that was the og movie and Disney has proved that to us over and over again.
AND THEN TWO FUCKING DUMBASSES REPLY TO ME TELLING ME TO JUST NOT WATCH IT ????
I know, that not everyone is on the same level. People have different interest, not everyone cares about the movies and shows and books they consume. Not everyone cares about whatever is going on in the film industry if it doesn’t pertain to their favorite actors. But how do you read my comments and then just tell me the solution is for me to just not watch the movie ???? Like of FUCKING COURSE I’m going to watch the movie when it comes out. And I’m going to watch it because I care about the series? I’m going to watch it because this series is important to me and even with my low expectations I’m still holding out a little bit hope that this movie will manage to pull a Cinderella and add something to the original that it didn’t have before (even though I think that will be really hard considering the og is amazing and I don’t really think you can add something to make it even better).
So yah. If you read this and decide to tell me “don’t watch the movie” just know I am going to snipe you after you lay down and discover that I put shit in your pillow.
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zukkaoru · 4 months
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i love atsushi in this fic not wanting kunikida to find out he's dating akutagawa, as he's literally giving kunikida a note from port mafia executive nakahara chuuya asking him out on a date
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nellasbookplanet · 10 months
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I'm so sorry but I'm going to talk about supernatural in the year of our lord 2023, because I just finished good omens season 2 and the way these shows occupy a very similar space in fandom attitudes is driving me insane.
In so many ways, good omens feels like what supernatural could have been, had they actually committed and not flailed around with like 15 seasons of queerbaiting and the most unintentionally funny ending imaginable. You have the demons and the angels, armageddon, team free will vs god's master plan, years of pining and repression and no personal space and small declarations of love. But good omens does it with genuine vulnerability and comittment, not as bait or comic relief or last minute bury you gays. But, because it’s big and well-known and allows itself time and nuance to get where it’s going, so many people really treated it horribly before the drop of season 2 for not immediatelyand explicitly giving them what they wanted.
Like, after the end of season 1 you could really feel the way spn damaged viewers treated them as the same thing. It’s like people were so prepared to be tricked that they came in highly on guard and defensive. Thing is, this manifested as taking anything other than the most bland, on the nose and immediate gay rep as the creators queerbaiting and trying to worm their way out of committing to 'real' queer rep. Gaiman refuses to confirm your 'they are gay men' headcanons? Clearly him being a coward and not the characters, explicitly, being neither gay nor men. Characters have a very close relationship but no kiss? Clearly queerbaiting and not an affirmation of ace/aro relationships, queerplatonic relationships, or even plain old platonic relationships.
There is so much hurt from years of stereotypes and queerbaiting and bury your gays that any attempt to tell a complex queer story - one where relationships take time, or where they don’t always happen, or where horror or tragedy strikes, become nigh on impossible. It becomes hard to distinguish subtext used to be genuine and subtle and queer-friendly from subtext used to queerbait and make fun, and rather than making the effort to tell them apart and giving stories a chance (and taking the risk of getting hurt) all rep must be distilled into the epitome of 'gay' before it’s accepted as good, because that way you cannot be tricked. Hell, just the way it’s referred to as 'rep' rather than 'characters' is telling.
This is noticeable in the way spn fan spaces talk about Cas, too; he’s always 'the gay angel', never the bisexual angel (despite having had female love interests) or the asexual angel (despite being largely uninterested in sex) or the nonbinary angel (despite not being human and on occassion using female vessels as well as male). Does Meg Masters mean nothing to you. Just. Please allow stories their nuance and their time and their right to not always cater to your ship in the exact way you want (or at all) without declaring them bait. It makes you look very silly when you come crawling back the moment a kiss happens.
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silvercity-yir · 5 months
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Intoducing my own TMNT iteration: TMNT MONOCHROME
For this AU, it has past events mixed of the 2003 and 2012, and goofy moments from the other iterations. Also for this AU, I wanted to add the dark turtles from fast forward.
As for Splinter, I keep failing i drawing him T^T but still gonna try if I had the chance. I'm still working on April and Casey for this AU, I also want to add my oc, Nur. So, here's my turtle boys, I'll make a proper reference for them when I have the time
Inspiration for my arts above are below:
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diamantdog · 8 months
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10 songs tag game
i was tagged by @realisticintentions + @suchaladyy and @therulerofallpotatos tagged me on my sideblog but i hope it’s alright to do the game here <333
Rules: Put your music on shuffle and share the first ten songs that show up.
Come What May (movie version, from album vol.2) - Nicole Kidman & Ewan McGregor
Night Rather Than Day - EXID
You Can be as Loud as the Hell You Want (When You’re Making Love) - Avenue Q Original Broadway Cast Recording
snowy night - Billlie
Service Bell - Feist & Grizzly Bear
Euphoria - BTS
My Own Soul’s Warning - The Killers
We’ll Rule the World - 硬糖少女303
RBB (Really Bad Boy) [English Version] - Red Velvet
Snow on the Beach - Taylor Swift ft. Lana Del Rey
no-pressure tagging @stickmarionette, @bahoreal, @marvelmarieeee, @smores100, @thelovelybookworm, @laralaralara.
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