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umabloomer · 6 months

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I got a job at a Ukrainian museum.

On the first day someone asks me if I have any Ukrainian heritage. I say I had ancestors from Odesa, but they were Jewish, so they weren’t considered Ukrainian, and they wouldn’t have considered themselves Ukrainian. My job is every day I go through boxes of Ukrainian textiles and I write a physical description, take measurements, take photographs, and upload everything into the database. I look up “Jewish” in the database and there is no result.

Some objects have no context at all, some come with handwritten notes or related documents. I look at thick hand-spun, hand-woven linen heavy with embroidery. Embroidery they say can take a year or more. I think of someone dressed for a wedding in their best clothes they made with their own hands. Some shirts were donated with photographs of the original owners dressed in them, for a dance at the Ukrainian Labour Temple, in 1935. I handle the pieces carefully, looking at how they fit the men in the photos, and how they look almost a hundred years later packed in acid-free tissue. One of the men died a few years later, in the war. He was younger than I am now. The military archive has more photographs of him with his mother, his father, his fiancé. I take care in writing the catalogue entry, breathing in the history, getting tearful.

I imagine people dressed in their best shirts at Easter, going around town in their best shirts burning the houses of Jews, in their best shirts, killing Jews. A shirt with dense embroidery all over the sleeves and chest has a note that says it is from Husiatyn. I look it up and find that it was largely a Jewish town, and Ukrainians lived in the outskirts. There is a fortress synagogue from the Renaissance period, now abandoned.

When my partner Aaron visits I take him to an event at the museum where a man shows his collection of over fifty musical instruments from Ukraine, and he plays each one. Children are seated on the floor at the front. We’re standing in a corner, the room full of Ukrainians, very aware that we look like Jews, but not sure if anyone recognizes what that looks like anymore. Aaron gets emotional over a song played on the bandura.

A note with a dress says it came from the Buchach region. I find a story of Jewish life in Buchach in the early twentieth century, preparing to flee as the Nazis take over. I cry over this.

I’m cataloguing a set of commemorative ribbons that were placed on the grave of a Ukrainian Nationalist leader, Yevhen Konovalets, after he was assassinated. The ribbons were collected and stored by another Nationalist, Andriy Melnyk, who took over leadership after Konovalets’ death. The ribbons are painted or embroidered with messages honouring the dead politician. I start to recognize the word for “leader”, the Cyrillic letters which make up the name of the colonel, the letters “OYH” which stand for Organization of Ukrainian Nationalists (OUN in English). The OUN played a big part in the Lviv pogroms in 1941, I learn. The Wikipedia article has a black and white image of a woman in her underwear, running in terror from a man and a young boy carrying a stick of wood. The woman’s face is dark, her nose may be bleeding. Her underwear is torn, her breast exposed. I’m measuring, photographing, recording the stains and loose threads in the banners that honour men who would have done this to me.

Every day I can’t stop looking at my phone, looking up the news from Gaza, tapping through Instagram stories that show what the news won’t. Half my family won’t talk to the other half, after I share an article by a scholar of Holocaust and genocide studies, who says Israel is committing a genocide. My dad makes a comment that compares Gaza to the Warsaw Ghetto. This gets him in trouble. My aunt says I must have learned this antisemitism at university, but there is no excuse for my dad.

This morning I see images from Israeli attacks in the West Bank, where they are not at war. There are naked bodies on the dusty ground. I’m not sure if they are alive. This is what I think of when I see the image from the Lviv pogrom. If what it means for Jews to be safe from oppression is to become the oppressor, I don’t want safety. I don’t want to speak about Jews as if we are one People, because I have so little in common with those in green uniforms and tanks. I am called a self-hating Jew but I think I am a self-reflecting Jew.

I don’t know how to articulate how it feels to be handling objects which remind me of Jewish traumas I inherited only from history classes and books. Textiles hold evidence of the bodies that made them and used them. I measure the waist of a skirt and notice that it is the same as my waist size. I think of clothing and textiles that were looted from Jewish homes during pogroms. I think of clothing and textiles that were looted from Palestinian homes during the ongoing Nakba. Clothes hold the shape of the body that once dressed in them. Sometimes there are tears, mends, stains. I am rummaging through personal belongings in my nitrile gloves.

I am hands-on learning about the violence caused by Ukrainian Nationalism while more than nine thousand Palestinians have been killed by the State of Israel in three weeks, not to mention all those who have been killed in the last seventy-five years of occupation, in the name of the Jewish Nation, the Jewish People — me? If we (and I am hesitant to say “we”) learned anything from the centuries of being killed, it was how to kill. This should not have been the lesson learned. Zionism wants us to feel constantly like the victims, like we need to defend ourself, like violence is necessary, inevitable. I need community that believes in freedom for all, not just our own People. I need the half of my family who believes in this necessary “self-defence” to remember our history, and not just the one that ends happily ever after with the creation of the State of Israel. Genocide should not be this controversial. We should not be okay with this.

Tomorrow I will go to work and keep cataloguing banners that honour the leader of an organization which led pogroms. I will keep checking the news, crying into my phone, coordinating with organizers about our next actions, grappling with how we can be a tiny part in ending this genocide that the world won’t acknowledge, out of guilt over the ones it ignored long ago.

#palestine #jewish #museums #history #ukraine

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pazzesco · 7 months

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📷 Lewis Hine 📷

Lewis Hine - Newsies, 1910 - Newsies: Newsies at Skeeter's Branch, Jefferson near Franklin. They were all smoking. St. Louis, Missouri.

Lewis Hine, Photographer of the American Working Class

Few American photographers have captured the misery, dignity, and occasional bursts of solidarity within US working-class life as compellingly as Lewis Hine did in the early twentieth century.

Lewis Hine - Breaker boys, 1910 - Child workers who broke down coal at a mine in South Pittston, Pennsylvania.

Lewis Hine - Little Spinner 1909, Globe Cotton Mill. Overseer said she was regularly employed. Augusta, Georgia. Library of Congress

Lewis Hine - Ten Year Old Spinner, North Carolina Cotton Mill, 1908

Lewis Hine - Little Lottie 1911. She was a regular oyster shucker in Alabama Canning Co. (Bayou La Batre, Alabama)

Lewis Hine -Little Rosie 1913. She was a regular oyster shucker. She was just 7 years old and in her second year at Varn & Platt Canning Co. Bluffton, South Carolina

As an investigative photographer, Hine chronicled the normalized labor abuses in US factories leading up to the Great Depression. Not only did he help introduce some of the country’s first child labor laws, he also revolutionized photography’s artistic use value.

Lewis Hine - Child laborers in glasswork. Indiana, 1908

Lewis Hine -Baseball team composed mostly of child laborers from a glassmaking factory. Indiana, 1908

Lewis Hine - Factory Boy, Glassworks, Alexandria, Virginia, 1909

Lewis Hine - One Of The Loading Boys In J. S. Farrand Packing Co. Baltimore, Maryland, 1909

Lewis Hine - Newsboys, Bridgeport Conn., 1909

Hine once argued that a good picture is “a reproduction of impressions made upon the photographer which he desires to repeat to others.” For him, an organized workforce was the epitome of empathy and mutual benefit, which he hoped to convey to the greater American public.

Lewis Hine - Empire State Building worker in 1931

Lewis Hine - Power house mechanic working on steam pump, 1920.

Lewis Wickes Hine (1874-1940)

��If I could tell the story in words, I wouldn’t need to lug around a camera.” -Lewis Hine

#photography #vintage photography #lewis hine #historical photos #child labor #labor laws #investigative photographer

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moonstruckme · 2 months

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spencer reid holding hands 4 the first time : ( 've been rewatching cm and i miss my boy sm : (( you're most recent peter fic is so sweet btw im absolutely obssessed!!!!! love you bunches

Thank you sweetheart <3

Spencer Reid x fem!reader ♡ 665 words

You and Spencer have had a very…tentative beginning to your relationship. Normally, when you think of a first date, you’re worried about how much the other person expects. (Will they want to kiss you? Will they want more? What if you don’t want to? How do you say no without making it awkward?) With Spencer, there’s been none of that. You’re on date three, and he’s kept completely to himself the entire time. When you met up earlier in the week he’d let a hand hover near your elbow when you nearly tripped over a curb, but you’d barely felt the whisper of his skin against yours before he was putting it back in his pocket, the danger having passed.

You’ve always thought that you’d prefer to take things slow, and Spencer seems that way too, but now you’re itching for something more. Just something tangible to show that you like him, that he likes you too, that you’re not just going on these dates for no reason at all.

So, bold thing that you are, you let your hand hang in the empty space between you as you walk. An offering.

The first time Spencer’s knuckles brush across yours, knobby and skimming, he almost stops talking. He’s been saying something about Alexander Pope and Eliza Haywood (and you’re doing your best to follow along, honest), but he falters mid-sentence, his hand stuttering in its movement.

“And, uh, actually,” Spencer goes on, getting his verbal feet back under him, “it was only in the late twentieth century that her works started surfacing in academia…”

You nod along but don’t move your hand, letting Spencer’s graze past it again. This time, you lean into the touch, pushing your knuckles into his almost imperceptibly. And this time, Spencer’s hand doesn’t continue along its trajectory. He lets it rest alongside yours, your skin brushing up against each other’s with the movement of your walking. After a few seconds, his pinkie teases yours.

You bite back a smile, crooking your pinkie so it hooks around his. Spencer moves his hand, and for a second your heart drops, but he’s only bringing it to the inside of yours, interlacing your fingers loosely.

“Is this okay with you?” he asks, careful and to-the-point.

“Yeah.” You look up at him sheepishly, wriggling your fingers in his to get them closer. “I’ve been wanting to do this.”

“Me too,” Spencer says quietly. Your heart balloons until you’re sure it’s about to float off and take you with it.

His palm is rougher than you’d expected. Spencer comes off as such an academic, sometimes you can forget that he’s in the literal FBI. He handles guns and had to go through training, and you can feel it in the light scratch of his calluses against your palm. Slender fingers stretch over your knuckles, deft and capable. His touch sends a pleasant tingling all the way up from your hand into your buzzing brain.

“Sorry,” you say softly.

Spencer looks confused. His thumb runs the length of yours, a thoughtless movement or a soothing touch, it doesn’t matter. If he does it again, you’ll puddle down onto the pavement for sure.

“What are you sorry for?” he asks.

“I sort of interrupted you.”

A little smile teases the dimple in his cheek. “I don’t mind.”

You give his hand a gentle tug, feeling brazen. It cracks something open in him, and his smile comes out for real, the familiarity between you suddenly so natural.

“Tell me about Eliza Haywood,” you urge. “Did Pope just hate her because she was a woman?”

“That was definitely a big part of it,” Spencer allows, and his voice seems to go back into the conversation while his face stays somewhere else. He’s still wearing that smile, eyes squinted just slightly like he’s having some trouble figuring you out and it might be his new favorite game. “But also it had a lot to do with the perception of novels…”

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ventique18 · 4 months

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Even back when Sebek and Silver were kids, their teacher Lilia was not merciful. At all. On their first week of joint training, they were told to do a hundred crunches and not a number less.

🦇: "I'll be fishing for dinner, alright? You boys do a hundred and report back to me."

It was Sebek who went in first with Silver holding his legs and counting. He tried his best; he really did, but the world seemed to go so slowly and his body started to give up on him on the twentieth crunch.

⚔️: "Twenty-one, twenty-nine, thirty-eight..."

🐊: "WHAT SORT OF! SLOPPY COUNTING!! IS THAT?!!"

⚔️: "Forty-seven, sixty-five..."

🐊: "WE ARE IN GRADE FIVE! WE'RE STARTING ALGEBRA SOON!!"

⚔️: "Eighty-eight... Ninety-six... One hundred. You're done Sebek, good work."

Sebek was going to argue, but as soon as he heard one hundred, he slumped back to the ground as he felt every tendril of muscle in his body sigh in relief.

Silver was either so stupid, or he was a liar. How abominable either way! A knight must be intelligent and honest, or they do not deserve to stand behind the future king of kings Malleus Draconia! He swore he was not going to be like Silver. He was going to be the strongest, most reliable knight. He was--

... Though when Silver started gritting his teeth and shaking as he went for thirty four, Sebek closed his eyes and

🐊: "Thirty-five... Sixty-seven!! EIGHTY-FIVE!! NINETY-FOUR! ONE HUNDRED!!! GOOD WORK SILVER!!!"

It was a secret they were going to keep to their graves.

When they reported back to Lilia, he saw their shifting feet and darting eyes and almost laughed. Not for their bad attempt at hiding lies, no, but from how much these two kids resembled himself and his good friend from centuries ago, when they themselves were covering for each other during each of the late princess' tyrannical, impossible demands.

They may obviously not have fulfilled the task assigned to them, but the spirit of brotherhood and trust was alive and well. And for that, they got full marks.

🦇: "Good job, my fledgling knights! Now just sit back while I prepare this beautiful tuna I caught--"

🐊⚔️: "No need, sir! We'll do it ourselves!"

🦇: "Are you sure? You just did a hundred crunches. Your bodies must be aching."

🐊⚔️: "We're sure! This is nothing for a knight, sir!"

Goodness, what sweet boys he was raising.

#twisted wonderland #ventique rambles #twst silver #sebek zigvolt #lilia vanrouge

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thenightling · 7 months

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I didn't know Guillermo del Toro was a fan of Over The Garden Wall. I'm not that surprised. It's beautiful, surreal, Gothic, and fairy tale-like. He's one of the only people I'd trust if they ever did it in live action (which I really don't think they should as the artwork was meant to resemble vintage New England postcards.) If you've never seen it, Over the Garden Wall is a mini-series that when spliced together is roughly movie length. It's about two boys lost in a strange and surreal forest. It's sort of an autumn themed Alice's Adventures in Wonderland or The Wizard of Oz. All the visuals are based on late nineteenth century and early twentieth century Hallowe'en, Thanksgiving, and Christmas New England postcards. It features the voices of Elijah Wood, Tim Curry, Christopher Lloyd, John Cleese, and several others. Though most people now associate it with Hallowe'en it actually originally aired in November of 2014, meant to bridge between Halloween and Thanksgiving. It's sweet and it's wholesome. The mini-series is like chicken soup for the soul. I highly recommend it.

#Over the Garden Wall #OTGW #Guillermo del Toro #GDT

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majordemonblockparty · 12 days

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also, on the subject of sam winchester's two canonical obsessions (serial killers and esoteric podcasts):

wouldn't it be funny if sam and jess met at like. true crime trivia night at their local dive bar. and they get put on the singles team with other people who came without an established trivia team, but it becomes pretty clear pretty quick that they're gonna be the stars of this show.

jess raised on a steady diet of pulp crime paperbacks and crime reporting television, who has all kinds of gory shit rattling around in her head, who can identify what hideous once-in-a-century murder is depicted in grainy grayscale crime scene photos in under thirty seconds, who can quote verbatim from over two dozen ransom notes, who's obsessed with people who disappeared mysteriously, never to be seen or heard from again. and sam, who's been raised... well, who's been raised the way he's been raised.

they get on like a house on fire. (the irony of that is lost on both of them.)

finally, somebody who doesn't think it's weird to have real theory about what happened to the sodder children, none of that sicilian mafia nonsense. someone who can speak intelligently about the prevalence of killings in national parks and protected forests. someone whose eye will snag on headlines like "couple found slain; county sheriff to hold conference today" and "charred corpse still unidentified" and flip through to find whatever column inches have been allotted to the day's worst happenings. someone who can name drop cold cases and milk carton kids like a memorized major league roster -- the boy in the box, the babes in the woods, the lyon girls, the des moines register newspaper boys; angie samota, bobby dunbar, alfred beilhartz, charley ross, dorothy ann distelhurst, everett ruess, glen and bessie hyde, marjorie west.

(jess who's so hyped to show sam an article she found about the twentieth anniversary of a mysterious fire where a young mother died and her two young children vanished, presumably with her husband in the aftermath. "isn't that crazy?" she tells him, brandishing a xerox, all cheshire-cat meet-in-the-back-of-her-head grin. "they had the same last name as you!"

"crazy," sam echos and stares down at the blurry black-and-white photo of a house he barely remembers.)

lifelong true crime junkie jessica moore and lifelong true crime victim sam winchester.

#sam winchester #jessica moore #supernatural headcanon #headcanons & other nonsense #she speaks

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marssmanga · 1 year

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Twentieth century boys by Naoki Urasawa.

#manga #anime #manga cap #manga caps #daily anime #daily manga #manga edit #aesthetic #black and white #twentieth century boys #naoki urasawa #manga scans

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plumbob-pudding · 7 months

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During the 1890s and the early twentieth century, infants, no matter their sex, were dressed in long white gowns that could be bleached cleaned. This fashion remained the same until WW1 as rationing meant that hemlines shortened. Bonnets remained common accessories though the hair bow gained popularity for baby girls in the 1910s.

By the 1920s, baby fashion in line with adult clothing, was sailor inspired and hemlines crept higher up. This trend continued to the 1930s as the great depression meant fabric was scarce and expensive. In fact, for poorer families, infant clothing was handmade with whatever was available, including flour sacks and old curtains.

The 1940s meant WW2 and any sort of elaborateness was very frowned upon. Fabrics were cheap cottons and almost always recycled and knit clothing rose in popularity.

Prosperity and affluence defined the 1950s and this was reflected in baby clothing. Baby boys were dressed similar to older men in little suits with shorts instead of long pants and little girls in full, babydoll dresses. This era also established the stereotypical blue for boys;pink for girls that remains till today.

#sims 4 decades challenge #sims 4 lookbook #infant lookbook #sims 4 cc finds #sims 4 historical #infant cc finds #ts4 decades challenge #resources #i cba to include all the links so please send a wcif if you can't find smth<3 #it's not the most accurate but i tried :3

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calaisreno · 5 months

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Yes and No

“Do you love her?”

It had taken them less than thirty minutes to go from the Rizla game to just asking each other random questions. The only celebrities that Sherlock knew were nineteenth-century chemists and twentieth-century criminals, which had more or less spoiled the game, and Sherlock had declared it pointless.

Then he suggested Yes or No, which at least required some deductive reasoning, and John agreed. But Sherlock was very good at this game, having deduced nearly everything about John in the first days of their acquaintance. Without asking any question, he deduced that John would choose violin, a human liver, Mrs Hudson’s nephew, and Sherlock’s old mouse-coloured dressing gown.

John gives up. “Fine. What don’t you know about me?”

Do you love her is a real question, he gathers— from the look on Sherlock’s face, which is serious and a bit sad.

The answer, which should be yes, of course I love her, instead comes out, “I’m marrying her.”

“People marry for reasons other than—“ Sherlock stops, appearing to realise he is going in a direction that can only lead to bad feelings. “Sorry, not a fair question. Better: When did you know that you loved her?”

He remembers grief. The intense pain of the days after he saw Sherlock die on the sidewalk in front of Barts. There are few details he can recall after that moment. It was as if the pain had receded just enough to let him breathe, and a kind of grey fog had descended. Pain, then sorrow.

Somewhere during the sorrow part, Mary had appeared. She may have been there sooner, but he hadn’t noticed. At some point he became aware of her bringing him coffee, talking to him, urging him to come out for lunch. Always there, cheerfully bullying him back into life. Eventually he noticed that he wasn’t quite as sad, and that she was rather pretty.

But the pain was still there, a tender spot in his memory, and most days he still felt defeated. Mary helped, though, and he thought that if she stayed, everything would be easier. He didn’t need to explain; she understood. He could keep the memories at bay when she was around.

By then he was having sex with her. He didn’t remember exactly how that had begun. Maybe it was a pity fuck one night when he’d had too much to drink. He woke up in her bed hungover, waiting for the darkness to descend like a weight on his chest, and she was there, making him a cup of tea, urging him to have some toast, sweetly solicitous and not accepting any excuses.

Does he love her?

Sherlock is still looking at him, the question in his eyes.

“She was there when I needed someone,” he says. “I just knew.”

He’d known that morning that he needed to move on, to leave what had happened in the past and live his life. And there she was.

“Your turn,” Sherlock says.

John thinks of all the things he’s ever wanted to know about Sherlock, but has never asked because it has never seemed a good time. Sherlock has a way of warding off questions with just a look. An armour that does not allow anyone in, not even John. He’s wondered about a lot of things, but asking has never been an option. Sherlock never has to ask; he simply deduces. John is terrible at deductions, as Sherlock often reminds him.

“Have you ever been in love?”

Sherlock doesn’t hesitate. “Yes. Twice.”

“That was a yes-no question, so I get follow-up. So, the first. Who was he?”

Sherlock smiles. “You’re assuming it was a man.”

“Wasn’t it? I thought… you’re… erm…”

“Gay? Yes, I am.”

“You loved a man,” John says. Obviously.

“Well, a boy. I was twelve. I suppose it wasn’t love so much as infatuation and hormones. His name was Victor. I never told him until I met him again at uni.” He gives John one of those looks that makes him feel like he is being x-rayed. “Have you ever kissed a man?”

“I’m not gay,” he says at once. “I mean, why would I kiss a man if I knew I wasn’t gay?”

“Follow-up question, then. When did you know you were not gay?”

John’s mouth may have been open for a bit. It’s an odd question. Everybody knows they’re straight until something happens and they know they’re not. Isn’t that the way it works? “I just knew. When did you know you were gay?”

“When I was twelve. I was at a stupid birthday party my mother made me attend, and we were playing Forfeit. I was asked a question I didn’t like to answer and took the forfeit. Up until then the penalties were stupid things like singing a song or doing a dance, but this time it was kissing a girl. The girl was willing, and I was curious, so I agreed. That was when I realised girls weren’t my cup of tea, so to speak. I wanted to kiss Victor.”

John says nothing, though it’s his turn. He remembers a similar party, a boy who wanted to kiss him, and feeling terrified that his parents would find out if he did. Harry had just come out, and he was trying very hard to make up for all of her shortcomings.

Sherlock asks, “How do you know you’re not gay if you’ve never kissed a man?”

“I’ve kissed lots of women,” he replies. “I don’t need to kiss a man to know I’m not gay.”

Sherlock shrugs. “I assumed that I was like everyone else, that some day I would meet the right girl, get married, and have children. That was how it was supposed to work, and I thought there was something wrong with me because I didn’t like girls that way. All my fantasies were about boys, but I thought I would eventually be attracted to girls as I got older. That kiss told me I would never love a woman.”

“You think I should kiss a man just to see if I’m a bit gay?” He laughs.

“It’s your forfeit, for not having an answer.”

“I’m not going to kiss some random bloke just because you—“

“Not a random bloke. Me. Kiss me.”

This is dangerous ground. Somewhere in his libido lies something that he’s thought about. Maybe he’s even fantasised about kissing a man. Having sex with a man. Just a lark, maybe. Don’t lots of men go through that? It doesn’t mean anything.

But, Sherlock. He lived with him for a year and a half, and they’d been friends. And he grieved when Sherlock died. Not grieved like a friend. He’d lost friends before, and this was nothing like those losses. Pain, darkness, unending regret. Even after Mary, some of that darkness remained. Moments when he remembered something Sherlock had said or done, a stab of pain. If it hadn’t been for Mary—

And it came to him. Mary was balm for his wounds. She brought him back from the edge. He is grateful to her. But gratitude isn’t love. Being in such pain for so long, and then a bit of light— that isn’t love, it’s relief. He’s seen patients in physical pain become almost giddy when given a dose of something that takes their agony away, not even enough to make them high. Relief feels like intoxication when pain has gone on so long.

If it hadn’t been for Mary, he would have understood what he’d only begun to see. She helped him, saved him even. But she was a distraction from the pain, not a cure.

He glances at Sherlock, who is pulling back, looking like he wishes he hadn’t just asked for a kiss. Maybe he’ll make a joke about their game, move them towards goodnight, goodbye, see you at the wedding.

“Yes,” he says. It’s an answer to everything— regret, grief, sorrow, love. It’s an apology for not seeing sooner, for the night at the Landmark, for his anger and cruel rejection of the man he has loved for years. “Kiss me.”

* * * * * * * * * *

Sherlock is right. The kiss tells John things he’s tried hard to forget. It tells him that has loved men before, but called it friendship, that he has wanted to touch men and kiss them, and called it lust, or fantasy, or a phase that all men go through. Women attract him too, and he grabbed onto heterosexuality like a life-raft because he was afraid of the alternative. His sister and his father, yelling. Harry thrown out of the house. His father, looking at him, saying not you too. Never you, my boy.

The kiss tells him that has already met the love of his life.

“I need to call Mary,” he says when they break away.

Sherlock looks sad. He nods. “Of course.”

“One more question,” John says. “Who was the second person you loved?”

“It doesn’t matter.”

“It does,” he says. “I’m about to call my fiancee and break our engagement just days before the wedding because I’m in love with my best friend. So please, answer the question.”

Sherlock’s face does something John has never seen. It crumples and tears fill his eyes, and then he’s laughing and crying and not able to speak.

John kisses him again.

Author note: This is an old ficlet, from Trifles, posted here.

#my fics #johnlock #bbc sherlock #stag night #sign of three #fixit fic

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most-normal-eccles-cake-ignorer · 8 months

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Good Omens: Lockdown, Aziraphale’s SAD-ASS desk, and how they get to 'Our bookshop' in S2

Welcome to part 2 of me reading reeaally far into the Good Omens: Lockdown video! (part 1 from Crowley's POV here) This post assumes the item choices in the Lockdown visuals are intentional. What follows is going to be my headcanon regardless, but if you're into the Word of God, Lockdown is canon 'If you want it to be.' and I want it to be, sooo checkmate! >;D

Also this is something of a long boi (~13 minute read without following the links >.>), so if you're into unhinged analysis of details and literary references that indicate Aziraphale is in his longing era and want to learn more about author and fave-of-Gaiman, G.K. Chesterton, either get comfy or mark this to read later when you have time!

C: What? A: *somehow surprised even though HE CALLED* A-ah, hello. It's me! C: I know it's you, Aziraphale. A: *regaining composure* Yes, well, just calling to see how you were doing in lockdown.

The video starts with shots of Aziraphale and Crowley's da Vinci sketches (and some sushi remnants)... Babygirl is flipping through the time-goes-too-fast-for-me version of a facebook album, thinking about his crush. vERY chill of him. (also the paper looks new and he's eating on top of them, suggesting these are prints and he has multiple copies of them... sooo normal)

If we look closer at the still of Crowley's portrait, we can see part of the spine of a book that reads Kei- Chesterto-. This is, of course, author Gilbert Keith Chesterton, to whom Neil and Terry (and Crowley) dedicated Good Omens:

The authors would like to join the demon Crowley in dedicating this book to the memory of G. K. Chesterton A man who knew what was going on.

In this post by @azfellandco about Chesterton, you can see a photo of the dedication page and also read the book excerpt where Crowley describes Chesterton as 'the only poet in the twentieth century to even come close to the Truth'.

C: I'm bored. I'm so very very bored - transcendentally bored. There's nothing to do here!

As Crowley is explaining his nap contingency plan, we get a shot of Aziraphale picking up his mug of hot chocolate, then the image below of the 2/3rds gone bottle of Courvoisier cognac (i mean maybe he is baking with it let's not jump to conclusions), and then the stack of books beside a framed woodcut print of witches dancing with devils...

...that I used reverse image search to trace back to page 17 of a book from 1720 called The history of witches and wizards: giving a true account of all their tryals in England, Scotland, Swedeland, France, and New England; with their confession and condemnation.

Interestingly, the text above and below the picture reads:

At their Meeting they have usually Wine, or good Beer, Cakes, Meat, or the like; they Eat and Drink really: When they meet in their Bodies, Dance also, and have Musick...

Beside the framed print of Aziraphale's idea of a really great night out is a stack of books that includes (going from top to bottom):

Homer's The Iliad, Book 2

Orthodoxy by G.K. Chesterton

Forbidden Rites: A Necromancer's Manual of the Fifteenth Century by Richard Kieckhefer

a book by Hilaire Belloc with no visible title

The Club of Queer Trades by G.K. Chesterton

The Iliad (according to sparknotes) has the following major themes:

....Interesting, ok. Book 2 in particular starts with a god (Zeus) messing with someone (Agamemnon) via a dream that says he will be successful in taking Troy if he launches a full assault, balls to the (city) wall. Agamemnon, who is supposed to be leading the Achaean army to conquer Troy, believes the dream but then in a weird twist decides to test his army and be like 'jk actually I'm giving up and going home' and then is mad when the soldiers are like 'sick, to the boats!' Then Odysseus, who sparknotes tells me is the most eloquent of the Achaeans, gives an impressive speech to inspire the troops and reminds them that they vowed 'that they would not abandon their struggle until the city fell.' ...No way that could worsen Aziraphale's internal conflict about being a bad Angel who thwarted the Great Plan. >.>; Orthodoxy we'll get to in a second.

Then there's Forbidden Rites which is a medieval necromancy guide translated from Latin with added commentary - Aziraphale is perhaps studying occult topics in an attempt to understand Crowley better? And then there's the Hilaire Belloc book on top of the second Chesterton book, a collection of related stories/episodes?, The Club of Queer Trades. The book's Wikipedia page says:

Each story in the collection is centered on a person who is making his living by some novel and extraordinary means. To gain admittance [to the Club of Queer Trades] one must have invented a unique means of earning a living and the subsequent trade being the main source of income.

Aziraphale and Crowley have rather novel/extraordinary jobs and they're both peculiar-queer and gay-queer. Neat. The narrator in the book is named Charlie "Cherub" Swinburne - also neat. >.> He goes on an adventure with his friend, a retired judge and president of the Club of Queer Trades, Basil Grant, (who Oct 2021 GoodReads reviewer Cecily said is "described as mad, mystical, and a poet, with almost no friends, but who “would talk to any one anywhere”) and Basil's younger brother, a private detective named Inspector Constable Rupert Grant. The last line of the book is:

Thus our epic ended where it had begun, like a true cycle. (something something "It starts, as it will end, with a garden.")

Anyway, the Belloc book and The Club of Queer Trades are placed back to back in such a way that they almost look like they could be one book with two different aesthetics, or... two halves of a pantomime beast?! (stay with me I needed a segue)

Belloc and Chesterton have what is essentially a ship name:

It was coined by George Bernard Shaw (if you are like me and didn't know why you've heard of him: he wrote, among other things, Pygmalion, which was adapted into My Fair Lady). Shaw apparently liked to gossip about Belloc and Chesterton with H.G. Wells (again if you're uncultured like me: he wrote, among other science fiction-y things, The War of the Worlds).

In the Feb 15, 1908 issue of The New Age newspaper, Shaw said:

He continued:

"Chesterton and Belloc are so unlike that they get frightfully into one another’s way. ... They are unlike in everything except the specific literary genius and delight in play-acting that is common to them, and that threw them into one another’s arms.”

Shaw says Belloc is 'a bit of a rowdy', and 'cannot bear isolation'. Hmm. Then he says Chesterton is 'friendly, easy-going, unaffected, gentle, magnanimous, and genuinely democratic'. HMM.

“They share one failing—almost the only specific trait they have in common except their literary talent. That failing is, I grieve to say, addiction to the pleasures of the table.”

Ok ok I think we can see where this is going.

(^ from Staged S3E6)

Now, someone did ask Neil Gaiman about this similarity, and he said the Lockdown video was filmed by Rob Wilkins in Terry Pratchett's library, and that he suspects 'Belloc is there because he was on Terry's shelves beside Chesterton.' And it MAY VERY WELL BE that NONE (0) of the book titles are meant in any way other than 'these are books from Sir Pratchett's library that looked nice on camera and ofc we wanted some Chesterton refs and maybe some demon-y stuff for Crowley' but that is WAY less fun so I am choosing to take them as intentional: these are books Aziraphale is actually reading (along with the sushi and many cakes he is actually eating). Let's put ourselves in Aziraphale's shoes and try to imagine how it would be to read this stuff during lockdown while you pine for a demon with slinky hips after you got in big trouble at work for Armageddoff (and work happens to have defined your worldview and general purpose in life).

C: welll... ngk then people might follow my bad example and get ill. Or even die—

As Crowley acknowledges that he ought to be out making peoples' lives worse, we see Orthodoxy by Chesterton open on the desk.

Orthodoxy is described as a ‘spiritual autobiography’ and is considered a classic of Christian apologetics, i.e. the religious discipline of defending religious doctrines (in this case, Catholic) through systematic argumentation and discourse. Wikipedia also says Chesterton's The Everlasting Man contributed to C.S. Lewis' conversion to Christianity, so overall it sounds like he must've been fairly convincing. (and so maybe reading it also poked at that work-related-but-religious-trauma-adjacent stuff Aziraphale has going on?)

You can read Orthodoxy (and probably any of the books I mention bc theyre all old) on project gutenberg but I will include this part of what is shown on the righthand page bc it just reminds me (and so probably Azirapalala as well) of a certain angel squeaking happily at a nebula:

"I felt economical about the stars as if they were sapphires (they are called so in Milton's Eden): I hoarded the hills. For the universe is a single jewel, and while it is a natural cant to talk of a jewel as peerless and priceless, of this jewel it is literally true. This cosmos is indeed without peer and without price: for there cannot be another one."

Ok great, so Aziraphale is diving into the works of one of Crowley's favorite authors bc he misses him, that's cute. What else? Oh he already wrote him a letter right before calling - THE WICK ON THE WAX STICK FOR THE SEAL IS STILL SMOKING. sO CASUAL asdashgfjds

something something 'either call on the phone and talk, or appear mysteriously; don't do both'

When Aziraphale gets to 'I've never had so few customers, not in two hundred years!' We get a close up of this glass of cognac with droplets still on the side — I take back what I said about baking, Aziraphale is drinking it~

He's not drinking a wine, eg Châteauneuf-du-pape, which would be ~14% alcohol by volume (ABV), or a sherry (15-20% ABV); he is drinking Courvoisier cognac, a hard liquor (40% ABV). Crowley's Talisker whisky is 48.5% while we are on the topic. This is stronger than what Aziraphale usually drinks which means... he could be a bit tipsy.

As Aziraphale starts talking about the would-be cash-box burglary, we get this wide shot of the desk:

In the top left hand corner, we see two stacks of books, most (all?) of which appear to be Chesterton when I zoom in. Some of them have Chesterton's name visible on them, others have the publisher name 'Darwen Finlayson' on them, which according to my googling is a house that published several of Chesterton's works. If Chesterton was truly 'a man who knew what was going on', then perhaps this is Aziraphale seeking not just to feel closer to Crowley, but also to make sense of the warring ideas in his mind. Interestingly, Chesterton has also been described as 'The Eccentric Prince of Paradox'.

C: *clearly amused* Did you smite them with your wroth?

The screen then shows two occult-y books and a flickering candle (lower left image). Then Aziraphale explains about his cake~, and as Crowley cuts him off because he's about to nervously ask to come over bc he is so so lonely & down bad for a certain angelic bookworm, we see a map of Oxfordshire on top of Pilgrim's Progress (lower right image).

The two books beside the candle are Satanism and Witchcraft (presumably the 1862 book by Jules Michelet that comes up when I search the title), and another called Magic: An Occult Primer.

Satanism and Witchcraft is described on Wikipedia as 'notable for being one of the first sympathetic histories of witchcraft' and says 'Michelet was one of the first few people to attempt to show the sociological explanation of the Witch Trials.’ Sympathy for people who like to eat/drink/dance with demons, if you will?

Magic: An Occult Primer is a 1972 book by David Conway, a Welsh (CACHU HWCH!) magus and is described as 'a seminal work that brought magical training to the every-magician'. It also includes an appendix called The Occult Who's Who, which is somewhat reminiscent of Hastur's Furfur's book about angels. In Chapter 11: A Word About Demons, it says in regard to summoning them:

"Assuming that the form has turned up in the right place, it will soon begin to act and talk in a very friendly manner; do not forget, however, that its winning ways conceal a sinister intention-- namely, to get the adept out of the circle, and into its clutches.”

...okay?? Aziraphale's desk has a flickering candle on it throughout the video, and we get a close up of the flame when Crowley offers to slither over:

and just like that, Aziraphale has summoned a demon~~

Naturally, he freaks out:

A: *panicking*Oh I— I— I— I— I'm afraid that would be Breaking All The Rules! *nervous breathing* Out of the question! I'll see you… when this is over.

But why? Isn't this what he wanted? Let's go back to the Pilgrim's Progress shot from right before the successful demon summoning and zoom in:

In a similar vein to Orthodoxy, Pilgrim's Progress, by John Bunyan, is an allegorical Puritan conversion narrative. Christian is the main character / stand in for anyone who wants to be in the allegory and Hopeful is well, hopeful, from what I gather. A slightly larger continuous excerpt is here for the curious, but here are some bits I thought were especially interesting in the part of the book shown above:

Christian: Why, what was it that brought your sins to mind again? Hopeful: Many things; as, If I did but meet a good man in the streets; or, If I have heard any read in the Bible; or, If mine head did begin to ache; or, If I were told that some of my neighbors were sick; or, If I heard the bell toll for some that were dead; or, If I thought of dying myself; or, If I heard that sudden death happened to others; But especially when I thought of myself that I must quickly come to judgment.

Perhaps the pandemic is bringing Aziraphale's "sins" to mind again, on top of the whole choosing faces thing to avoid 'quickly coming to judgment'. And then:

Hopeful: I thought I must endeavor to mend my life; for else, thought I, I am sure to be lost forever. Christian: And did you endeavor to mend? Hopeful: Yes, and fled from not only my sins, but sinful company too, and betook me to religious duties, as praying, reading, weeping for sin, speaking truth to my neighbors, etc.

UM??? While I can't say about the praying or weeping for sin, he has definitely been reading and the whole 'giving a good talking to' the burglars could be 'speaking truth to [the] neighbors'...?

Anyway to recap:

Aziraphale has been poring over books about dark magic and demons as well as a ton of books by an author that Crowley loves and who formed a partnership w a very different person in a sort of yin-yang, pantomime beast situation

He has been looking at pictures that remind him of their fun times w Leo in Florence and eating sushi and cake cake cake (and forgiving sinners) and drinking hot chocolate and cognac trying to fill a void but now he's tipsy so he wrote Crowley a letter, stamped it with a wax seal and then thought 'I should call her' BUT

His recent brush with attempted death penalties, the death toll of the pandemic, and some of the religious books he was reading have also filled him with guilt/fear over disobeying Heaven, who he knows could still be watching him and Crowley, so he feels much more conflicted than usual AND

He probably has some inkling that he wants to go ape shit on that ox rib if it comes over to hang out (lol editing to add bc i remembered ox rib discourse: ape shit in an emotional way! whether you hc them as ace or not I just think he really likes him and I’m using ox ribs as a stand in for general forbidden joy/love, not specifically sexy stuff)

So he has to say no.

Anything else might cause him to spontaneously discorporate into a plume of pining and cognitively dissonant gay smoke, which may be all well and good if you only think there's a God, but if you KNOW it and the angels are absolutely recording you and Heaven just tried to kill you and your wife colleague, it's... kind of a big deal.

C: Right. gnnehh. I'm setting the alarm clock for July. Good night, angel. *dial tone*

We don't get to hear Aziraphale's response, but besties you and I both know he is not feeling tickety-boo. He spent like a month putting off calling Crowley (UK lockdowns started end of March, the call is at the beginning of May), finally got drunk and said what the Hell, it'll just be a fun flirty chat in between his temptations, and then it turned out Crowley was depressed and not going anywhere and Aziraphale made him even sadder. And then it got worse because it wasn't all over in July, or in October, even.

I think Aziraphale ends up with a lot of time and brain space in which to think about how Orthodoxy and Pilgrim's Progress were only written to guide *mortals* and how it really wouldn't be so bad if he spent more time with Crowley, would it? Heaven hasn't reached out in actual years again, things feel safer. Crowley is essentially Good and spending time with him would be sort of ministering to the downtrodden and afflicted, and Aziraphale does miss reporting his good deeds (lol you know, whatever rationalizations you need to get you there).

More than anything, he thinks about how hollow everything feels without Crowley; how no mouthful of food or drink tastes as satisfying in his absence because it wasn't ever just about the 'gross matter'...

So when lockdowns end, Aziraphale begins to summon his demon again, but this time with much less inner struggling. It all comes so naturally, when you let it. By the beginning of Season 2 in 2023, they seem delightfully comfortable with their shared routines and places (see also this lovely post by @nightgoodomens). Our car. Our bookshop.

Aziraphale might take longer to catch up, but he does get there.

(SHHH DON'T THINK ABOUT EPISODE 6! STOP! I'M HANGING UP!)

“The way to love anything is to realize that it may be lost.” ― G.K. Chesterton

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kitchenisking · 5 months

Text

Seires Fic Rec Part 13

Eighth Night of Chunnuka

Hot Nerd Alert by alisvolatpropiis - (Hot Nerd Alert) - (Rating: Not Rated, Words: 4,537, sterek)

Derek can't believe he's actually doing this: taking a selfie snap of the guy he’s been crushing on for weeks to prove to Danny that one, yes, he really does exist, and two, he really is that hot and thus he is totally justified in being too scared to make a move.

Or you know, even talk to the guy outside of the class they share.

In his defense, this isn’t just any guy. This THE guy. Hot Nerd. The utterly adorable but still somehow insanely sexy freshman in his twentieth century American Lit class who he’s been lusting over since the first day of the semester. If there were ever a time for him to be that person who tries to be subtle while taking snaps of other people, this is it.

Inspired by this super cute fanart by prettiestalpha.

This is Home by JoMouse - (This is Home) - (Rating: T, Words: 3,451, sterek)

Derek gets a letter carrying a familiar scent from an unknown person. He drops everything and returns to Beacon Hills for the first time in fifteen years.

Written for A Very Sterek Summer. Day 5, Theme: Reunion.

If the ley lines you should follow by forestofbabel - ( Ley Lines ) - (Rating: T, Words: 52,111, sterek)

And Derek just stood there, staring at Stiles like he was a ghost.

“Dude, I know it’s been a while but you don’t have to look at me like you’re that surprised I’m hung over in the woods. It’s practically a tradition at this point.”

“Stiles?” Derek whispered, the name falling from his lips like a punch to the gut. Stiles watched, confused, as Derek took a deep breath in and took a shaky step forward then back again. “You’re not- you can’t be. Who are you?”

All I Ever Wanted by gabby227 - (Presidential Stiles and First Husband Derek) - (Rating: Explicit, Words: 24,297, sterek)

Based on a request on tumblr:

In the midst of all of the Election 2016 craziness, I have discovered that I need President & First Husband Sterek. Either could have either position, but I’m really desperate for the ‘First Husband’ to be more interested in continuing their current career than getting involved in anything political. They show up for the really important stuff, but they don’t put much stock in the whole the ‘President’s spouse must do a political song and dance for the masses’.

Or, rather, the first of several stories surrounding presidential!Stiles and first husband!Derek.

Reunion by Rising_Phoenix - (The New Hale Pack) - (Rating: G, Words: 5,221, sterek)

Stiles is in Beacon Hills, just in time for his ten-year high school reunion. Having been convinced to show up there, he meets the last person he wants to me, one Scott McCall, the werewolf who once had been his best friend, his brother, before he had told him that humans can not be part of a pack and abandoned him after graduation. But it's Scott who will be surprised by not only Stiles being there, but also by the backup that has decided to show up supporting him...

Pretty Little Wolf by ItsMe_Basil - ( Pretty Little Wolf) - (Rating: Explicit, Words: 82,164, sterek)

Derek has heard stories about the Spark -the kind of stories that would have his younger self cowering under the blankets. The kind of stories that had Derek stick close to the pack. But when Derek is in trouble, and the pack isnt around, Derek finds himself in the care of said Spark, and he finds out fairly quickly that he's not all he seems to be. Stiles, he finds out, isn't a villain at all. Derek's only heard one side of the story for four years, and now it's time for him to hear the other side from his mate. *-* "Pretty little wolf," he hummed, stepping closer and kneeling beside Derek. Even in his death fogged brain, he recognized the words spoken. The words that were tattooed along his hip bone. The man reached a hand out, long bony fingers brushing against Derek's jaw. That's when recognition dawned on him. He knew this boy -not personally, but he'd seen pictures. This was the Spark. The one Scott had warned him about since Derek had returned to Beacon Hills four years ago. His mate. "Fuck me," Derek gasped out, dropping his head on the step. "Let's get you better, first, shall we, Puppy?" The Spark hummed.

Not Quite According to Plan by Phlinting - (A Spark of Hope and the Butterfly Effect ) - (Rating: Mature, Words: 23,261, sterek)

It's been eleven years since Scott was bitten by a feral werewolf and, despite his pack's many victories along the way, Gerard Argent's influence lives on. As the knowledge of the supernatural spread to the general population so did the hatred and fear of the unknown. The McCall pack has been picked off one by one and Stiles, Sheriff Stilinski, and Peter Hale are the only three left, on the run and barely surviving.

But Stiles has found a spell. He has the magic, the spark, and his belief. He has his dad and Peter to help power it and he has the will and desperation to succeed.

He's going back to the Hale fire and this time he's going to stop it ALL before it starts.

It's the perfect solution. Too bad things never go quite according to plan...

Another Alpha by ThePornFairy - (Wash your hands) - (Rating: Explicit, Words: 1,147, sterek)

When Stiles comes home with news, things don't exactly go as planned.

Wash your hands as thoroughly as Derek scrubs another alpha's scent off of Stiles skin

Blue Light (i'm waiting for it, that) by zanni_1 (zanni_scaramouche) - (In Your Eyes (the light, the heat) - (Rating: Explicit, Words: 19,743, sterek)

Derek pays him to dance, Stiles enjoys the sex on the side, and that’s all that ties them together. Whatever else the enigmatic man does is none of Stiles’ fucking business.

Stiles works at a club owned by infamous Derek Hale, leader of the largest criminal organization this side of the country. As they twirl closer together police and rival gangs start to gain the upper hand, forcing everyone's loyalty to be questioned.

Body On My by nymphe - (Losin’ All My Innocence) - (Rating: Explicit, Words: 2,333, sterek)

“I’m serious, Derek. Like really sensitive,” Stiles says, a little muffled by where he’s shoving his face into Derek’s shirt.

Stiles’ neck is sensitive. Derek takes advantage of it.

#sterek #derek hale #fanfiction #stiles stilinski #stiles x derek #kitcheniskingficrecs #seriesficrec

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