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artsekey · 5 months

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Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”). She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too! Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

#wish #disney #review #magnifico

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comradekatara · 1 month

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Your atla analysis is the best so I wanted to ask your opinion on something I've found the fandom fairly divided on - what did you think of Azula's ending within the show proper? Unnecessarily cruel or a necessary tragedy? Would you say that her mental breakdown was too conveniently brought about in order to 'nerf' her for the final agni kai? Also, do you think it was 'right' for Zuko to have fought with his sister at all or would it have been better for him to seek a more humane way to end the cycle of violence?

okay so im saying this as someone who loves azula to death like she has always been one of my absolute favorite characters ever since i was a kid and i’ve always vastly preferred her to zuko and found her to be extremely compelling and eminently sympathetic. i am saying this now before the azula stans come for me. i believe in their beliefs. but i also think her downfall is perfectly executed, and putting aside all the bullshit with the comics and whatever else, it’s a really powerful conclusion to her arc. obviously that isn’t to say that she wouldn’t continue to grow and develop in a postcanon scenario (i have a whole recovery arc for her mapped out in my head, like i do believe in her Healing Journey) but from a narrative perspective, her telos is in fact very thematically satisfying.

no, she wasn’t nerfed so that they could beat her in a fight. the fact that she falls apart is what makes them feel that they can confidently take her on (although i do think in a fair fight katara could win anyway), but the whole point is that it’s not about winning or losing in combat. the whole point is that zuko and azula being pitted against each other in this gratuitous ritual of violence as the culmination of their arcs is fundamentally tragic. yes it’s a bad decision to fight her, and zuko should have chosen another path, but the whole point is that he’s flawed and can only subscribe to the logic he has spent his whole life internalizing through violence and abuse.

that’s why aang’s fight against ozai, while tragic in its own way, is also a triumph for the way in which his ideals prevail in the face of genocide, while zuko and azula’s fight is very patently tragic. there is no moment of victory or triumph. even as zuko sacrifices himself in a beautiful mirroring of “the crossroads of destiny” and as katara uses the element of her people combined with techniques across other cultures to use azula’s hubris and ideology of domination against her, it’s presented as moments of personal growth occurring within a very tragic yet inevitable situation. it was inevitable because azula had always been positioned as an extension of her father, and thus to disempower ozai also means disempowering azula, his favorite site of projection, his favorite weapon.

yeah, it does rub me the wrong way when zuko asks katara whether she’d like to help him “put azula in her place.” it’s not a kind way to talk about your abused younger sister. but it’s also important to understand that zuko doesn’t really recognize his sister’s pain, despite the fact that they obviously share a father, because he’s always assumed that she was untouchable as their perfect golden child and thus never a victim. and he’s wrong. zuko and katara expect a battle of triumph and glory, noble heroes fighting valiantly so that good may prevail over evil. but as they discover here, even more so than their previous discovery two episodes prior, a battle is not a legendary event filled with bombast and beauty until after it has been historicized. often a war is simply fought between pathetic, desperate people who see no other option but to fight.

aang’s ultimate refusal to fight despite having all the power in the world is what makes him so important as the protagonist. but katara and zuko both share a more simplistic view of morality and what it means to be good. and zuko assumes that by fighting azula, he can only be punching up, because she has always been positioned as his superior, and she (in her own words!) is a “monster.” and then azula loses, and his entire worldview shatters. joking about putting her in her place makes way for the realization that behind all her posturing and lying (to herself more than anyone) and performance and cognitive dissonance, azula has always been broken, perhaps even more than he is.

azula says “im sorry it has to end this way, brother,” to which zuko replies “no you’re not.” but i think azula is truly sorry, because in her ideal world, she wouldn’t be fighting zuko. she doesn’t actually want to kill him, as much as she claims to. she’s already reached the conclusion that zuko will only truly reach once their fight is over. she lacks a support system, and she needs one, desperately. if she could somehow get her family back, do everything differently, less afraid of the consequences, she would. she’s smirking, she sounds almost facetious, but really, she is sorry. as of this moment, she really doesn’t want it to end this way. but zuko cannot accept that, because in his mind, azula is evil. azula has no soul nor feeling. azula always lies.

her breakdown doesn’t come out of nowhere, either. it’s precipitated by everyone she has ever cared about betraying her. first zuko betrays her, then mai, then ty lee, and then ozai — the person she has staked her entire identity to and to whom she has pledged her undying loyalty and obedience, become nothing more than a vessel for his whims — discards her because she had the audacity to care about someone other than him. what i don’t think zuko realizes, and perhaps will never realize, is that azula betrayed ozai by bringing zuko back home. he was not supposed to be brought back with honor and with glory. azula specifically orchestrated the fight in the catacombs to motivate him to join her, and it’s not because she’s some cruel sadistic monster who wanted to separate a poor innocent soft uwu bean from his loving uncle, it’s because she genuinely believes that she’s doing what’s best for him. she believes that their uncle is a traitor and a bad influence, and she believes that bringing zuko home with his honor “restored” is an act of love. to her it is.

yes, she claims that she was actually just manipulating him so that she wouldn’t have to take the fall if the avatar was actually alive, but also, she’s clearly just covering her own ass. she didn’t know about the spirit water, and only started improvising when zuko started showing hesitation. but even if she was only using zuko, then that was an insane risk to take, because either way she was lying directly to ozai’s face. and zuko admits it to ozai while simultaneously committing treason, so of course ozai would blame azula, his perfect golden child who tried to violate his decree by bringing zuko back home a prisoner at best and dead at worst, and instead found a way to restore his princehood with glory.

we only see ozai dismissing and discarding azula in the finale, but it’s clearly a tension that’s been bubbling since the day of black sun. and we know this because we do see azula falling apart before the finale. in “the boiling rock” she is betrayed by her only friends. in “the southern raiders” we see that this has taken a toll on her, that she is already somewhat unhinged. she and zuko tie in a one on one fight for the first time. and she takes down her hair as she uses her hairpin to secure herself against the edge of a cliff. unlike zuko, who is helped by his friends and allies, who has a support system. it’s a very precarious position; she’s literally on a cliff’s edge, alone, her hair down signifying her unraveling mental state. azula having her hair down signals to us an audience that she is in a position of vulnerability. she is able to mask this terrifying moment wherein she nearly plummets to her death with a triumphant smirk, but it should be evident to us all that her security is fragile here.

and the thing is, even though she’s always masked it with a smirk and perfect poise, her security has always been fragile. azula has never been safe. azula’s breakdown is simply the culmination of her realization that no matter how hard she tries, she will never be ozai’s perfect weapon, because she is a human being. she is a child, no less. and there is no one in her entire life who loves her for nothing. zuko has iroh, who affirms to him that he could never be angry with zuko, that all he wants is simply what is best for zuko. but azula doesn’t have unconditional support in her life. she doesn’t even have support.

everyone she ever thought she could trust has betrayed her, and so she yells that trust is for fools. because she feels like a fool. of course fear is the only way; it’s what kept her in line all these years. azula is someone who is ruled by fear, and who is broken by the recognition that fear isn’t enough. her downfall is necessarily tragic because her worldview is wrong. the imperialist logic of terror as a tool for domination is her own undoing, just as ozai’s undoing is losing the weapon he has staked his national identity to. it’s a battle of ideals. aang v ozai: pacifism v imperialism. katara and zuko v azula: love and support v fear and isolation.

zuko is unfair to azula, it’s true. he tries to fight her even as he can clearly recognize that “she’s slipping.” instead of trying to help his little sister, he uses that weakness to his advantage, tries to exploit her pain so that he can finally, for the first time ever, beat her in a fight. it’s cruel, but it’s also how siblings act. especially considering the conditions under which they were raised, and how zuko has always viewed her. and in zuko’s defense, she has tried to kill him multiple times lately, both in “the boiling rock” and in “the southern raiders.” zuko is someone who gets fixated on a goal and blocks out everything else, including recognition of his surroundings or empathy for others. so of course when he’s promised to put azula in her place he’s going to exploit her weaknesses to do so. after all, isn’t exploiting his weaknesses exactly what azula does best? so he allows himself to stoop to her level, and in fact only redeems himself through his sacrifice for katara. but it is when azula is chained to the grate and zuko and katara, leaning on each other, look down and observe the sheer extent on her pain, that zuko realizes that “putting azula in her place” isn’t actually a victory. it feels really, really bad, actually.

they’re in a similar position as they were when they faced yon rha. and now it is zuko’s turn to understand that he is not a storybook hero triumphing over evil, but rather a human being, facing another human being, in a conflict that is larger than themselves. to “put someone in their place” is to imply a logic of domination, of inherent superiority, that someone has stepped out of line and must be reordered neatly into the hierarchy. but aang disputes the notion, ozai’s notion, that humanity can be classified along these lines, that there exists an ontological superiority among some and not others. so operation: putting azula in her place was always going to be flawed, even if she was performing competency the way she always does, because they’re nonetheless subscribing to her logic.

of course they should be helping azula, of course they should be reaching out to abuse victims through support instead of more violence. but first they must recognize her victimhood. first they must come to understand that they didn’t get lucky, and they didn’t dominate her because they are more “powerful,” that they weren’t “putting her in her place.” they must understand that they are not heroes fighting villains in a glorious trial by combat. that the logic of the agni kai is flawed. that they are all victims. that they are all just scared, hurt children who are still grieving their mothers.

#update: ok i readmored it 👍🏼#azula #analysis #zuko #katara #ozai #azula&zuko #azula&ozai #asks #malatilata #ugh azula is such a beautiful character….. i love her sm #her arc is so beautifully perfectly tragic #just thinking abt the mirror scene gets me sooo . distraught #this was supposed to be like 2 paragraphs lol #as is always the way . with me..

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thisiswhereikeepdcthings · 7 months

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Fic things I will never have enough of/get over:

“Oh no, they’re hot.”

“Great, now there’s two of them.”

See above but with more swearing and feelings of dread and impending doom

BAMFs with swords

Old wise person causing 90% of the chaos

“They’ve never met in canon.” “Actually, they’re dating.”

“They’re mortal enemies.” “Actually, they’re married.”

The keeper of the braincell

Sharing one braincell but they lost it

The cinnamon roll goes feral

Tiny feral child and their supportive, enabling, non-parental background adults

“I’m your problem now”

“Welp, guess I’m a parent now”

Accidental world domination

Competence

Competence kink

Calmly sipping tea while everything behind them is on fire

Trying to be a good, supportive adult but you have no point of reference so you end up giving a sword to a ten-year-old

Time travel

Person A and person B start dating and when they tell everyone persons C-Q are confused because haven’t they been dating for like three years now and persons R-Z thought they were already married

*does something previously thought to be impossible* “What, like it’s hard?”

Platonic besties that will help hide the bodies

Fake dating

Accidental baby acquisition

Accidental baby acquisition but they’re a middle-aged to senior adult with like five thirty-something-year-olds that are now their children

Crossovers that shouldn’t work but do

“I need help” “I’ll grab the shovel” “Not that kind of help”

“I didn’t know where else to go.”

Well-written non-canon pairings for characters that have other firmly established canon pairings. Like, fully alters the entire story line non-canon pairings. But done in a way that feels like a reasonable possible outcome.

A protagonist with a million problems to solve still taking the time to be kind

Forehead kisses

Time traveller going apeshit and fixing everything preferably in as Mary-Sue a way as possible

OP character who is oblivious to the fact that they are indeed OP

Character who spouts off increasingly concerning details of their life while not realizing everyone else’s growing concern or the fact that they’re probably about to be mother-henned for the next decade

Character who chooses a parental figure and informs said parental figure of this new development with little to no forewarning

Strong, stoic character is actually the most chaotic one there

Everything in the chaotic portion of the alignment chart

Getting back at a bad guy in as petty a way as possible

Time travel with two or more time travellers who don’t realize they’re not the only time traveller

The guy everyone thinks is going to beat up all the bad guys sitting back and watching the person previously believed to be as strong as an uncooked noodle absolutely demolish them

Any situation where characters play hot potato with a position of great power. “Congrats, you’re king now.” “Not if you can’t catch me, I’m not.”

Unexpected language skills

Unexpected skills in general, particularly if they’re as niche as hell

Two extremely competent individuals who lose all brain cells when within a close proximity of each other

Fixing problems on accident

Fixing problems on accident while actively trying to cause problems on purpose

Surviving primarily due to spite

#a non comprehensive list #fics #fanfic tropes #ao3 #batman #batfam #and all the other fandoms I end up in #several of which I wake up in not sure how I got there #but then I stay for a little while #and then suddenly I’m invested #I think there are only two or three fandoms I’ve ever purposefully sought out #the other couple dozen just kinda happened

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whetstonefires · 1 year

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I am a bit surprised at your tags saying you like jar jar, I don't really know anybody who's a fan in 2023. What's the appeal there, would you say?

Did people like JarJar more in the past? I remember when the prequels were new, his poor actor almost died from the harassment. Surely the venom against JarJar has only weakened.

But mmmmm...I guess what I enjoy about JarJar is he just. He sucks so bad. Nobody has any use for him. He's not just bad at emergencies and space and knowing you have to pay for food, he's not even good at Gungan-ing.

But he's just kinda allowed to be like that. He's there. The other protagonists are varying levels of Ugh Why but they don't try to solve him. He gets Recognition From His People at the end of TPM and fails his way upward in galactic politics and has good intentions and tries sincerely and fucks up so so bad, and is dumb as hell.

He doesn't get punished by the story for being a loser. He's allowed.

That's what made so many people so mad at him back when, and I do get it because any scene he's in is hard to take seriously, he's walking bathos, he's like Original Swamp Yoda without the redeeming kung fu drama. But also wow yikes no.

Let me sit with this a bit and let me see if I can turn this vibe into words better.

Like @husborth was totally correct in saying the whole Gungan plotline was a waste of screentime, a fun little excuse plot allowed to run riot due to unchecked directorial hubris, and contributed to the prequel films being atrociously paced pieces of cinema. But (somewhat consequently) there's something luxurious about JarJar Binks being allowed to go around existing so much, something I think is prototypical of the whole prequel tone and its contrast to the snappy war-film energy of the original trilogy in a way that...really works to create the atmospheric contrast between life in the Republic and life under the Empire.

The Republic was a bloated ancient mess of a government riddled with corruptions, and badly out-of-whack power balances and decayed support nets that weren't technically corruption but weren't working well either, and inefficiency.

And also what the fascists like to call decadence. You know?

Like one of the consequences of having a tolerant diverse society is that even when poorly run and afflicted with capitalism it is going to be full of fantastically annoying weirdos who don't have anything better to do than embarrass people by talking, and there's nothing to be done about that that morally can be. You can't Force Choke people for annoying and have a free society. We all gotta make our peace with the fact that JarJar Binks has every right to exist.

Not that JarJar Binks is necessary to any specific piece of media. I am not advocating for annoying gag sidekicks in general. But I am saying that JarJar Binks is metaphorically inevitable, whenever people are allowed to just kinda be.

So his presence on some level feels political to me, inasmuch as Star Wars are actually political films at all, which isn't very much. But definitely not none either!

Also I am old enough to have grown less susceptible to secondhand embarrassment so I am able to forgive JarJar his cringe. He can still be a little painful to watch! But I do like that he's there.

#ask #hoc est meum #Anonymous #Star Wars #jar jar binks #star wars prequels

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stardustizuku · 2 months

Text

Unfortunately I came across a very strange and misinformed video about Black Butler.

It’s not good. Don’t watch it. Unless you wanna ruin your day, in which case have fun.

Despite it all, I watched it. What left me wondering, however, was how off the mark the person who made the video was on, well, everything.

From their insistence that the Book of Circus Arc theme or point is non existent, to reading Ciel’s character so badly they genuinely thought the Green Witch Arc did nothing for his character development.

While baffled, it also made me think on how someone could read Black Butler so badly.

Sure, you can say that there’s no real way to read or interpret something “in the wrong way” but interpreting The Hunger Games as a pure battle-royale action story would make you believe it’s bad.

“Why are we focusing so much on how the capitol preps them?” Or “Why isn’t Katniss winning everything?” Or “I wanna know more about the rebellion” All questions that miss the actual point of the story - which is criticizing (not solving or ignoring) the way that media distracts us from violence via spectacle.

The same thing applies here. While there is no “right” way to consume media, there’s things that the author makes clear they wanna focus when creating a story. Things that, if you understand, make the story you’re reading actually make sense.

And in Black Butler there’s three things that you have to understand to properly get what Yana is saying.

Sebastian is the protagonist

Ciel and Sebastian’s relationship IS the story.

And that relationship is, fundamentally, a positive one.

A quicker version of it would be:

Black Butler is a love story from the POV of Sebastian, and you have to ship it to get it

- but that’s not entirely true.

You can still look at it as a complex but ultimately positive rship and get in broad strokes of what it’s conveying. It doesn’t have to be romantic. Although, it helps much more than a platonic framing.

(That said, interpreting their rship as father and son, still isn’t the best way to go about it. Mostly because by its very nature of “soul consuming” their relationship is extremely sexually charged. And hey, if you’re into that I don’t judge. However, if you’re desperately trying to interpret their rship as NOT romantic to the point you fall back on heteronormative patriarchal ideals of nuclear familiar as framing device, I don’t think this interpretation bodes with you)

Now, having all that ground work:

Why do I say these are the key components to understand BB?

Okay so, first,

1. Sebastian is the Main Character. The protagonist.

There’s a lot of people who wanna argue against it, claiming he’s either the villain or the antagonist. Both wrong.

He does not function as an antagonist. Even if, and an emphasis on if, you consider Ciel to the protagonist, Sebastian isn’t a narrative antagonist.

If you wanna go back to Creative Writing 101, be my guest. An antagonist is directly defined by the protagonist. It’s the opposing force. If the protagonist wants A, the antagonist wants to stop them from getting A.

Sebastian’s catchphrase is “Yes, my Lord”. He never opposes Ciel, in fact quite the contrary. By the mere fact they’ve created contract, it means that they’ve both agreed in the inevitable outcome.

People want to frame Sebastian as the villain, because Ciel having his soul taken by a demon, would be a BAD END in the context of their moral compass. They see Ciel as a frail victim of abuse, who’s being tricked by Sebastian, who wants Ciel’s soul.

Which is an. Interpretation. A bad one. But still one.

The narrative (and whether the narrative fits your personal moral compass and lack of critical thinking is irrelevant) treats Ciel as an agent in his own destiny. The abuse he suffered was the moment in which he had no control. It’s only after he meets Sebastian that he can rid of both his guilt and his despair, and do what he wants.

In this case though, it’s revenge.

The famous “Asthma” scene shows this. If Ciel is taken back to his past, he becomes helpless. Swarmed with pain and memories that make it so that he can’t even react. Sebastian is his saving grace. If Ciel didn’t have him, and the power he wields to rebuilt what’s broken, he would crumble once more.

If Ciel has a panic attack, because of all the pain he has, Sebastian picks him up and says “you are not a helpless child anymore, you are not a victim anymore, you have the power to do anything. So, what do you wanna do?”

Ciel’s answer is to kill them.

A proper analogy would be to say that, if Sebastian offers a gun, Ciel pulls the trigger. They are both at fault. Sebastian, strictly speaking, is not here to directly cause Ciel’s downfall, but as a tool Ciel uses to plunge into the abyss.

If, again if, you were to frame Ciel as a protagonist, Sebastian falls closer to the “Voice of reason” character. Not a literal voice of reason, but a literary one. If you have a protagonist and an antagonist exchanging ideals, the Voice of Reason serves to engage with the protagonist on their own ideals.

That said, Ciel isn’t the protagonist. The story quickly falls apart if you interpret it as such.

Things such as Ciel’s character arc being…shall I say odd?

It’s not that his character arc isn’t there, but it’s never lineal. His goals stay the same, the only thing that happens is that we start to peel back the “why”s of his goals. Throughout the series it’s never about Ciel understanding himself better, he knows who he is, he knows what he wants, he knows why he wants it. He doesn’t ever need to uncover these, but simply remember them. Because it’s always about the audience understanding Ciel.

He knows he wants revenge.

In the Circus Arc: He knows that he needs Sebastian because without him, the pain of the abuse he suffered would be too much to bear. But WE are introduced to it.

In the Book of Atlantis: He knows that with this new lease he does not want happiness and peace, he wants revenge. The one being told this is the audience.

In Green Witch Arc: He knows that their revenge isn’t for his family, the real Ciel or guilt. It’s because he wants it. He’s angry, he’s upset, and this is entirely for him. The one being told this is the audience.

Except. Not really. The one either discovering or remembering these key moments - is always Sebastian.

Sebastian is the one who reassures him that he now holds the power of a demon to override the pain. Sebastian is the one who remembers that to override that pain, Ciel wants revenge. And Sebastian is the one who discovers that that revenge isn’t built out of grief or guilt, but for himself.

We are witnessing it all, through the eyes of Sebastian.

This is why we have an extremely vague idea of who Ciel is, Sebastian does not have the whole picture.

If you haven’t been reading this manga with your eyes closed, you’ll realize we have a better grasp at Sebastian’s character than that of Ciel. We get a lot of insight on how he thinks and what he values through light hearted dialogue he has with the servants. You even see the character development in these little interactions.

Think about how when he first arrived to the mansion he magically created food with no regards to taste, but when he meets Bard he states that food is created to see whoever will eat it, smile.

That is character development, more than you will be able to see from Ciel.

Because Ciel’s character, while not static, doesn’t go from point A to point B. Mostly, cause it doesn’t need to. He went through that when he lost the real Ciel and got Sebastian. Everything we are watching is the falling out.

Now, given the fact that I’ve told you that it makes more sense for Sebastian to be the protagonist/main character, and that he 100% isn’t either a villain or antagonist in ANY of the interpretations you can get:

Do you believe me?

If you don’t, you’ll probably believe Yana herself.

This is from the first Volume, where Yana herself describes the process of making Black Butler. The primary idea behind the creation of BB was a butler as a “hero”.

If you go back to the introductory chapter, you notice that Ciel is barely mentioned. He’s simply the one to give Sebastian impossible tasks and standards that Sebastian must find how to overcome.

Ciel is properly introduced until the NEXT chapter. The second chapter has this formula too, introducing Lizzie as a problem to overcome. Although, to Sebastian the best way to “get rid of the problem” is simply to indulge her.

The issue here being that the problem isn’t as simple as a business meeting but something directly tied to Ciel and Ciel’s past. Each time that Sebastian has to solve a problem, it chips away at Ciel. While with Lizzie he shows a persona, once he’s alone with Sebastian he acknowledges the toll it took on him. It serves to build Ciel as Sebastian’s master, and how some problems aren’t as simple as discarding a tablecloth.

The third and the fourth, are a unified narrative, with a similar premise to the first chapter. Ciel gets kidnapped and Sebastian must find a way to retrieve him without raising suspicions.

If the first chapter is to set up what Sebastian must do as a butler, the third and the fourth serve to set up what he must do as a demon.

The entirety of the volume, and up to Book of Circus Arc, is about how Sebastian tries to follow the increasingly absurd orders that Ciel has - it is not about Ciel trying to solve them.

That’s how they work, we follow Sebastian for the most part, because he’s the one having to come up with the solutions.

If anything, in early Kuro, where the emphasis was more on a slice of life conflict, Ciel is the antagonist. He’s the one creating problems for Sebastian to solve.

What’s more, in the second volume, the very first chapter is one from Sebastian’s POV. So far, we hadn’t gotten an entire chapter from Ciel’s POV. In fact, I would find it hard to point to a single chapter where Ciel is the POV throughout. The reveal of real Ciel and the flashback is the closest contender.

But once we move past early Kuro, and into Book of Circus, this set up changes.

It’s fairly easy to assume that Ciel is the main character, because from this point on the conflict of the plot sorta surrounded him. We spend a lot of time with him and with his story. The enemies start being people directly tied to Ciel and Ciel’s trauma. Rarely, if at all, we get to see Sebastian before he met Ciel.The framing device for the story, is Ciel.

This is where point 2 gets intertwined.

2.- Sebastian and Ciel’s relationship IS the story.

The story begins at the point where Sebastian and Ciel met. Who Ciel was before he met Sebastian, informs why he’s the way he is when he does. You have to know all he went through to understand why he’s a brat, why he lashes out. However Sebastian’s past doesn’t matter…because Sebastian himself doesn’t care much for who he was, before he was “Sebastian”. That’s also part of the narrative.

Unlike Ciel, he doesn’t seem opposed to revealing information from before the contract. He talks about how pets from where he is from are gross, he talks about how he knows how to dance because of other places he’s been to, and alludes to the life he's lived before.

Just that, to him, they're footnotes.

He makes allusions to a very bland, uninteresting life, up to the point he meets Ciel.

That’s why we don’t know more about his past.

As for why we focus on Ciel’s story…okay maybe we need Creative Writing lessons 102

I studied Dramaturgy for about 3 to 4 years. And something you notice is how play-writing is the quintessential story telling. It’s making it work with the bare bones of a story.

Some other mediums have more finesse, more depth, or more spectacle - all amazing things that work for whatever they’re created for. But understanding a play, how and why it works, helps understand the fundamentals of any derivative story telling medium.

Particularly, conflict.

Conflict is dialogue and dialogue can take many forms. A story, in its essence, is a dialogue between two opposing ideas.

Take Batman, for example, who embodies the ideas of justice and order. On his own, he’s not a well rounded character.

If you ONLY present him, in a vaccum with nothing else, you don’t have a character. You have a list of characteristics that you’re supposed to know.

You only know who he is when you have dialogue with another character.

I say Dialogue, but it doesn’t necessarily mean spoken language at one another. Dialogue can mean fist fighting, playing tabletop games, talking to other people about the other, or even just a competition. The idea is to simply to compare and contrast both ideas.

If you want an example on how tabletop games serve as dialogue, watch the video “Well, Someone Had to Explain the Liar’s Dice Scene” by Lord Ravecraft

Another example, were we to retake Batman, you have him fight Joker. Who’s the embodiment of chaos and randomness.

In the following picture, you get far more information than the one previously shown. While the Joke fights with daggers and fake guns, Batman only uses his fists. He doesn’t use the tricks that Joker does. His serious demeanor, contrasted with Joker’s glee at the dangerous situation. The fact that Batman has a deathly grip on Joker’s shirt, while the Joker doesn’t, which shows a desperation to catch him.

You are being shown, through a dialogue, who Batman is.

It’s so much easier and much more effective to explore a character through another character.

This is the reason why Shonen has a tendency to make incredibly good gay ships. If you want to explore Naruto’s personality, and his feelings of inferiority, you HAVE to have him interact with Sasuke.

If you wanna understand Hinata’s passion for volleyball, you have him enjoy himself the most with the only other crazy motherfucker who’s as obsessed with volleyball - Kageyama.

And I think that originally, Yana had this problem.

Sebastian was the protagonist, but she had little room to develop him as a character in the confines of the manor, dealing with random enemies.

She likely tried to create Grell as someone of the same stature as Sebastian. Someone who could be this other person to engage dialogue with and show or allude to his past a bit more.

The problem being that Sebastian didn’t care for his past. Or really, engaging with anyone. He sees everyone as below him, but when confronted with Grell who isn’t below him, he doesn’t wanna talk to her.

So you’re stuck in conundrum.

How do you have dialogue with a character, that as a character trait, doesn’t really wanna have dialogue?

Well, Grell also solves the problem. Because only the moment she gets him to start any semblance of a dialogue - is questioning why he’s serving Ciel.

And this is the moment when it’s perfectly cemented that the focus of the story is their relationship.

Why is Sebastian here? Why does he stay? What did he see in Ciel that made him want this extremely convoluted contract?

THATS the dialogue.

THATS the conversation we’re having in Black Butler.

We need to know Ciel because understanding who he is, let’s us know WHY /Sebastian/ is here.

Then slowly, with the introduction with the Undertaker, we find out Sebastian’s conflict.

Which is…

He’s scared of losing Ciel. It becomes apparent with the constant imagery of the Undertaker taking away Ciel and at some point even obtaining r!Ciel’s body, that he’s worried it might happen.

But he can only be worried that Ciel might be taken away if he wants to stay near Ciel.

And that’s his character arc.

Realizing that he actually likes Ciel, cares for him and the role he plays a butler that he doesn’t want this to end.

In the first chapters, he doesn’t feel a need to protect Ciel anymore than what’s strictly necessary. Just don’t die, that’s about as deep as his involvement in chapter 4 gets.

But by the Green Witch Arc, he feels a need to protect Ciel from ANY harm.

This is why I also said

3.- Their relationship is fundamentally a positive one.

In broad strokes, Sebastian to Ciel is the person who allows him to survive. He’s not worried about giving up his soul since he’s already dead. While Ciel to Sebastian, is someone who’s making him have fun. He’s slowly becoming more and more attached to Ciel and the life he has with Ciel.

Their relationship is not that of just a predator and prey, but also of master and pet.

In the terms that Black Butler itself would call: Sebastian is a wild wolf acting like a collared dog.

Ciel is aware that the wild beast will eat him at the end of the day, but if he clings hard to leash for now, he might just be able to have Sebastian maul his abusers.

Sebastian as a dog, currently finds that he enjoys being a chained dog.

(This is demonstrated in the Green Witch arc where he quite literally says, he doesn’t wanna be a wild beast and prefers to be a butler)

And much like the actual DOG Sebastian, Ciel constantly interprets his attempts to get close and protect him, as an act of aggression.

This push and pull of Ciel’s perception of Sebastian and Sebastian’s true motives is what feeds the story.

And the briefs interludes were that isn’t the case (what other people call the “plot”, but I would refer to as the connective tissue) such as Sullivan and Wolfram, the other servant’s past, the grim reapers and the like, serve as a parallel to Ciel and Sebastian relationship. Either to signify how they care for each other, highlight their weaknesses or fears, or explore how they feel.

It’s no surprise that Sullivan and Wolfram are parallels to Ciel and Sebastian. A sheltered sickly child who seeks the protection of a cold hearted machine that only knew how to kill, but who eventually found he cared for her genuinely.

Undertaker and Claudia’s relationship being heavily paralleled with them, even though we aren’t 109% sure what they had but heavily implied it was a romantic attraction from the undead supernatural creature and a Phantomhive.

Everything is a parallel.

That’s why, like the approach of the terrible original video, is flawed.

Trying to interpret Black Butler as action scene after action scene, with mystery after mystery with the only connective tissue being the mystery of who burned down the mansion - is missing the trees for the forest.

That’s not the point.

And if you’re too much of a prude to engage with gothic horror in its gothic horror game, I see little point as to why you even bother to engage with it at all.

A lot of people, including the person who create the video, simply refuse to acknowledge Black Butler IS the story of Sebastian and Ciel as a close and positive relationship, romantically and sexually charged. The reason for it being that they’re “put off” by it.

Part of me wonders how much that is genuinely true, and how much is just performative outrage. It’s like ignoring the fact that Cersei and Jami are in an incestous relationship and try to frame it as “platonic love”, because the idea of it is THAT off putting.

But regardless of that, if you don’t like the fact that it’s as canon as canon can get, I would reccomend you don’t engage with the story at all.

As I’ve explained, the entirety of the series is about them. If you refuse to see Sebastian and Ciel as, at the very least, a duo that cares deeply for the other - you aren’t reading Black Butler.

I have no idea what you’re reading.Perhaps your own biases and subconscious stigma with British aesthetic. At that point, watch the fucking British Royalty Gossip Magazine. You’d find more substance there.

Just don’t be like the person in the video, please? Don’t play dumb. Don’t ignore the fact that Yana is a Shotacon, don’t ignore the fact Sebastian is a hero, don’t ignore the fact that the entirety of the story is based on Sebastian and Ciel’s dynamic.

Because if you do, you are ashamed. You are ashamed of what this story is about. You don’t wanna engage with the text, you want to engage with yourself. You wanna project into Ciel whatever traumas and experiences you have, for the sake a vanity project, where you come out as the morally superior.

You don’t wanna talk about Black Butler, you wanna talk about how good YOU are. How you “don’t sin” by watching it “without all the gross unholy stuff”.

Which is the exact opposite of what BB is about.

So, if you don’t want to, save us all the humiliation fetish and leave.

#Kuroshitsuji #black butler #sebaciel #essay #loli speaks

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incorrectly-quoting-mxtx · 5 months

Text

So I have theory about Luo Binghe’s fake jade pendant.

(Major spoilers if you haven’t finished the book btw)

I was just reading a fic and author pointed out something about Luo Binghe’s pendant and how it’s a metaphor for Shen Yuan.

Looking back at the book, there are a lot of parallels between Shen Yuan and the necklace.

The pendant is a counterfeit jade carving of the god Guanyin.

Shen Yuan is a counterfeit of Shen Qingqiu, a powerful Peak Lord who dresses in jade colored robes.

Guanyin is noted to be associated with compassion, and Shen Yuan changes the entire fate of the world of Proud Immortal Demon Way by being compassionate.

Luo Bingmei ends his story with his one fake jade pendant while the extras specifically note that Luo Bingge has several real jade necklaces in his possession. Those necklaces are even called out to be fine grade and best money can buy.

Obviously the real jades are a metaphor for Bingge’s harem of peerlessly beautiful women while the fake jade, which has infinitely more value to him, represents Shen Yuan, aka Luo Bingmei’s one and only true love.

However I think there’s more to it than that.

If you track the pendant throughout the book, you’ll notice that Luo Binghe is only ever in possession of the pendant when Shen Yuan isn’t there. In fact, he actually loses the pendant shortly after Shen Yuan transmigrates into Shen Qingqiu. For the rest of the book, the pendant is in Shen Yuan’s possession, only returning to Luo Binghe at the climax.

But here’s the thing that’s strange about that scene: for whatever reason the System could not load the pendant when SQQ tried to summon it. At no other point in the book has the System have a problem loading things in.

So why is it when it does load in, it’s right as Shen Yuan dies for the third time?

My theory is that Shen Yuan is the pendant itself.

Now obviously Shen Yuan comes back and Binghe still has the pendant, but in the last couple scenes of the book, Shen Yuan is always right by Luo Binghe’s side.

Now I know that Shen Yuan was an actual person before dying and becoming Shen Qingqiu, so therefore he isn’t the necklace given human form. So how can Shen Yuan and the pendant be one and the same?

Well let’s go back to the aforementioned climax scene where the System cannot physically summon the pendant until Shen Yuan dies.

Seeing as how the System is essentially an AI and/or a computer program, this kind of issue reminds me of how a computer cannot open a file if another of the exact same file is already running.

I think, that when inserting Shen Yuan into PIDW, the System needed a way to tie his soul into its program and Shen Yuan’s fate to the protagonist. The System needed a physical entity to tie him down so it linked his code/soul to the fake jade pendant. That’s why Luo Binghe loses the pendant so soon after Shen Yuan transmigrates and why the System couldn’t load it in until Shen Yuan’s soul left his body because they’re part of the same file.

This is also evidenced by how when Shen Yuan dies the second time, out of all of his items, only the Jade pendant is kept in his inventory when he wakes up in the Sun and Dew Mushroom body.

Not to mention that Shen Yuan and the pendant have the same effect on Luo Binghe! The pendant has the ability to essientially shock Luo Binghe out of a qi deviation, but is only a one time use. But during Luo Binghe’s first qi deviation, Shen Yuan is able to do the exact same thing but doing so kills him. The pendant reduces Luo Binghe’s anger, and Shen Yuan is the only person in the world Luo Binghe will ever be soft and submittable to.

Tl’dr; The System tied Shen Yuan’s soul to the fake Guanyin pendant.

#I can’t write I’m so sorry #but hey thats just a theory #A SCUM VILLIAN THEORY #thanks for reading #svsss #sorry had to get the Game Theory reference out it was scratching at my brain #Luo binghe #Shen Qingqiu #bingqiu #scum villian’s self saving system #theory #Long post

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wakeup01 · 4 months

Text

Two Twinks, One Wish

“So Charlie, what did you wish for Christmas?”

“Really? Can we just watch the movie?” I say, annoyed.

Daniel had been my boyfriend for about a month now and had recently moved into my flat, just in time for Christmas. Since then things had been a struggle, he would continually whine about my inadequacies - how I didn’t tidy enough, didn’t appreciate him and most of all how I was a terrible top.

See, the problem was, we were both twinks. We had the same skinny body type, with barely any muscle definition. The only real difference being he had the better ass. Admittedly, I had a severe lack of confidence in the bedroom, frequently failing to get in the mood. Daniel on the other hand was very particular about what he liked and what he expected.

“Come on! You must be able to think of something. God knows there’s enough things you can be better at…” Daniel chastised.

Even now he had turned a harmless movie night into another chance to take petty digs. We were on the couch watching some cheesy xmas film, where the protagonist makes wishes that magically come true. Now he was insisting for me to make some stupid wish.

“Why don’t you go first? You seem to have a lot of ideas in mind.” I shoot back, not taking my eyes off the screen.

“Hmm, I got the perfect one! Charlie, I wish… you were a better top!” He laughs and nudges into my shoulder.

I roll my eyes, of course, I should of guessed this is where things were heading. Ugh. Out of nowhere I feel a chill wash over my whole body and a tightness take hold in my chest. After a moment the feeling subsides.

“Very funny. Have you been thinking that one up all night.” My voice dripping in sarcasm.

I shift in my seat slightly, a dull warmth emanating from my crotch. I must be feeling unwell, I’m definitely not being turned on by his degrading remarks. But the heat doesn’t fade, in fact it only grows in intensity. I get the impulse to grope at my growing bulge, the tightness straining against my jeans. Daniel would never live it down If I did, but it was becoming rather uncomfortable.

“You look a little flustered there… ah. I see. Are you really getting horny from this? Christ, you’re pathetic.” Daniel scolds, reaching his hand down.

Before I can object he unzips my trousers and pulls down the waistband of my briefs. My cock bursts forth and slaps against my chest, pre already leaking from it’s tip. Except it’s not my cock, this monster is almost twice my normal size. And my balls are inflating in front of my very eyes.

“What the hell?” I shout.

“Woah, oh shit, it’s working. It’s a Christmas miracle!” He exclaims in barely contained glee.

“Daniel, what did you do!” My voice cracks.

My dick continues to snake up my torso, going from 5 inches, to 7 then to 8. As it grows, so does my hornyness, overpowering my head as I fall into a drunken stupor. This is the most intense erection I’ve ever felt. My hand rubs up and down the entire length and I attempt to wrap my fingers around it, before discovering its girth is now thicker than my hand.

“Nice cock ‘bro’. Good tops are well equipped downstairs. And now, you are too. Hahaha” I look over and see him smirk at me.

He’s enjoying this far too much for my liking, but I’m in no position to fight back. Why did he make that stupid wish, I better not be stuck with this forever. At this point I don’t think my cock would even fit into any underwear I own. How exactly can I walk around with this thing swinging between my legs.

“You know who makes good tops? Jocks. That cocky attitude and carefree nature, coasting through life without thinking.” Daniel suggests, wistfully.

Jocks are also narcissistic morons. And I’m certainly not going to be one just to be a better ‘top’. I’m suddenly distracted by a chafing from my rear, a pair of straps seem to be cupping the cheeks of my tight butt. Below my balls now sits a stained pouch, the smell of musk rising from it hits my nose and I recoil.

“I think it’s jockstraps only from now on Charlie. And woof, sweaty ones at that.”

All of my senses are being overpowered, it’s like my head is in a vice that keeps on tightening. The film in front of me becomes a blur, my focus shattered by the intense pleasure from my new cock.

“Cock.” I blurt out.

I hear Daniel laughing from out of view.

My head is starved of oxygen as all the blood rushes to my groin, I’ve never been this horny before. I feel the strangest sensation as my brain thickens, filling up with throbbing meat. All the space padded out until I’m holding up a heavy dumbbell on the end of my neck. My thoughts were still there, somewhere, but it took so long to find them. It was quicker and easier to just embrace jockdom, stop worrying so much and just go along with the flow. If I was unsure of what to say then bro, I’d just say ‘bro’! A bro can fill in sentences with ‘bro’ and everyone will know what a bro they are. And bro? Being labeled as a dumb bro means no one expects anything meaningful from me. Brawn over brains is the mantra of my life dude.

“Jock’s also like to wear their bro-hood on their sleeves, and in your case, quite literally.”

As soon as the words leave his mouth I feel a sharp pain, as if a hundred needles are stabbing down my arm. I brace myself before glancing down. And there it was, 🍖 the meat emoji tattooed on my left hand. Huhhuh, awesome bro. Branded a meathead for life.

“Bro?” I ask slowly, my voice now considerably deeper.

“Yeah ‘Chad?’” Daniel emphasises.

The name immediately sticks to me like glue. Chad. I am such a Chad. I have some distant recollection of being someone else, but I can’t be bothered to search my brain for it. There’s a more pressing concern.

“Bruh, I need to empty my balls.” I grunt. The pressure from my engorged member becoming unbearable.

“Then you know what to do. Good muscle tops have their cocks milked every day.”

I grip my cock and begin pumping in earnest, my jaw hanging open. As I masturbate, my hands and arms bulk up with muscle. I see my veins very noticeably pop out. I feel a desperate urge to flex, letting one hand go from my dick. I ball it into a fist and raise it to the side of my head, squeezing my biceps. My arm pulses with meat, sending a vain satisfaction to my pleasure center.

“Good dumb tops spend all their time in the gym or on the field. Sculpting their body into the perfect chiselled shape.” His nasally voice instructs.

Muscle continues to form all over my lithe frame; my shoulders broaden and my chest ripples into a tight 6 pack. My clothes are loudly ripped to shreds. Memories enter my head of spending hours working out, of hanging with the other jocks and forming a vacant facade of a personality. Sweat drips from my hairy armpits, staining the couch under me. The room quickly starts smelling like a gym, my rank feet tearing free from my socks. My face cracks as it squares out into a more defined outline, brow growing heavy above my distant eyes. My body is now taking up most of the couch as Daniel budges over to the side. I quicken my pace, pumping now with both hands. My balls tighten.

“Fuck yeah brah.” I roar, reaching climax.

My cock spurts rope after rope of musky cum directly at my face, I’m left covered in my own seed. Daniel leans over to me and begins to eagerly lick at my face. He savours my taste on his tongue before swallowing. The sign of an expert bottom, huhuhu.

“Mmm. Great Tops know how to take control. And you’re a great top Chad.” Daniel moans in lust.

He’s right.

“Dude, this film is fucking dull. I’m changing to the sports channel bro. There’s a sick game playing today.” My hands take the remote and switch to a noisy football game.

I grab Daniels’s tiny little body and force him onto my lap. I flex again and push his face into my armpit. His tongue drags along my wiry dank hair. He moves his hand between my legs and starts passionately fingering his hungry ass hole, using my cum as lube. I hear him panting heavily like a dog. Man, my boyfriend is such a whiny brat…

“Bro, it’s my turn.” My cocky voice booms.

“What?” I hear his muffled voice cry out.

“Uhh… I wish… I wish you were a Bro like me, Bro.” I smirk.

“Wait, noooo!” He screams.

His body shudders and contorts as I hold his face to my pits with my newfound strength. He packs on pounds of muscle in a matter of seconds. Dan’s moaning turns to grunts. He’s going to make for such a Good. Arrogant. Dumb. Bro.

I watch his dong stretch down his leg, his balls sagging between his thickening thighs. The head of Dan’s veiny cock leaking like a faucet. A pair of juicy pecs push out from his chest and his adam apple swells. I pull away the remains of his clothes, letting them fall to the ground.

Dan’s dainty feet beef up to a size 12, sweat gathering between his toes - smelling like a real man should. I feel his previously fat bubble butt tense with lean muscle on my lap. With a squeak, his thoroughly abused fuck hole tightens shut, never to be stretched open again. He only tops after all, like me.

I release my grip on him and he pulls away, my sweat covering his square jawed face. He stuffs his junk into a jockstrap, looking barely concealed as it throbs with need. His messy hair has receded into a clean as fuck buzzcut. We now look almost identical, except that his meat emoji 🍖 tattoo is engraved on his right hand.

“Bro!” Dan’s voice deepens.

“Let’s go find some sluts to breed, bro.” We both smirk at each other and flex.

#transformation #gay #jock #brainwashing

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filmbyjy · 2 months

Text

MISUNDERSTANDING

— the mafia series

PAIRING: nishimura riki x fem!reader

SUMMARY: you were never curious about people's lives but ni-ki's one has you intrigued. why weren't the teachers scolding him? getting mad at him for leaving in the middle class. it was just weird. that is until you find the very reason as to why the teachers were not doing anything. one thing led to another and somehow, you were roped into this mess.

WARNING: blood mentioned, fights and mafia, stabbing. if you remember the dark blood fight scene with sunghoon and ni-ki, you can imagine that but way more gory and also actually stabbing the person with an actual katana (not to sunghoon though, but to an actual bad guy)

WORD COUNT: 9.3K (I BEAT JAKE'S ONE?? WTH)

NOTE: lord have mercy, this took too much procrastination, sweat and tears to do finish this. like no joke. plus with the edition of me either forgetting to do it or me just having no mood to write. I FUCKING FINISHED IT!!! BE PROUD OF ME 🫵🏼🫵🏼🫵🏼🫵🏼

ONE

being a kid exposed to crimes at a young age wasn’t a peculiar thing. however, it was the life of a young boy who went by ni-ki. you see, ni-ki was one of the seven successful young billionaires in the world. his family name was already plastered to every billboard. the Nishimura Cooperation, they were one of the pillars to korea’s and japan’s success. any normal person would just look at them and acknowledge their power but what they didn’t know was…how did they get their power?

the nishimura family built their entire empire by doing dirty work which led to a huge money income. they bought their way up to the top and managed to gain countless of loyal followers. Eventually collaborating with the Park Corp. which was jay’s family company. Many were surprised to see that ni-ki was dabbling in a little of his family business because at the age of 18, nobody would willingly want to participate in business. The Nishimura Corp was mainly stationed in Japan so ni-ki handled the work done in Korea since he was already here.

as usual, as a teenager, ni-ki would be in school. however, he never studied nor did he care about his scores. why should he when is already a millionaire/billionaire at 18? he could easily buy his way through the system but his parents didn’t allow him. they wanted their son to get his certificate the right way. the same way his 2 other sisters were going through in Japan. ni-ki could only obey his parents’ words, they knew what was best for him. which leads into the female protagonist of his life story, you being his classmate.

ni-ki was like any normal teen boy. angsty, hates school and a little jokester who is always on the verge of getting detention. you had never understood why the teachers never actually sent the boy to detention, it was…weird.

“(name) and ni-ki.” the teacher announces. there was this project that you had for an English class, something about literature and poetry. you had to find some classical romance novel that fits the criteria. which you didn’t fully understand. honestly, you never even liked English class, the teacher just rubs you the wrong way. either way, ni-ki was now your project partner. you were already plotting different ways to approach him and actually get him to do his work. you weren’t oblivious to the fact that ni-ki rarely ever participates in school work.

“hi, we have to do a project together.” you timidly say after you approached him. The boy before you looked bored, seems like he doesn’t fancy English class too.

ni-ki sighs, “yeah, listen. I don’t really like English class so we should get this stupid project done and over with. i also have other important things to do.”

well, at least he was honest. you hummed at his words, “seems like we have something in common. let’s get this project done quickly then let’s meet in the library at 3pm?”

ni-ki shrugs, “alright then. if i’m late, don’t bother waiting for me. I have a pretty busy schedule and life so school and this project is the least of my worries.”

“no problem, just let me know if you can participate in this project. If you can't, I'll just do it by myself and slap your name somewhere on the paper.” you say. ni-ki tilts his head but he didn’t protest your suggestion.

“that will be great. Now, I need to run some errands.” he leaves the classroom, the teacher not even bothering to even ask where he was going. clearly, they were too used to him leaving the class in the middle of nowhere or maybe they knew something you didn’t.

“he is weird…” you mutter under your breath.

as expected, ni-ki did not show up at the library. you sighed and just continued working on the project. you weren’t exactly surprised he wouldn’t show up but you still hope he’d at least have some manners and actually show up. It was 5pm, you were finishing up on your part of the project. You still had to do his part and then come up with a short little poem because your teacher wanted to make it more sentimental or whatever she wanted.

ni-ki shows up, busted and bruised up. his hair was dishevelled, blood at the corner of his lips, he looked rough. something an 18 year old boy shouldn’t be having, you confused. just as he draws nearer, you notice there was a cut on his cheeks, small drips of blood slowly falling down. you gasp.

“sorry, had some business to attend to.” he says sheepishly.

“this is your business to attend to? why are you so bloodied and bruised up? who did you have a fight with?”

“just some group.” he shrugs. “don’t worry, my older friends were there to help me out. well, it’s not like they really helped.” he mutters the last part.

“uh, well this can’t be some sort of tiny thing. you’re bleeding.”

he reaches to touch his cheek and swipes the blood away. he winces a little and shrugs, “nothing too bad. been through worse. anyways, what’s the part I have to do? feeling a little bad if I don’t help you out a little at least.” you sighed when you noticed the blood he swiped away continued to flow.

“come here.” he tilts his head at your words but still goes over to you.

you made him sit next to you and you took out some antiseptic from your bag. you had one because you usually volunteered at the orphanage and the kids there played quite rough.

“this might sting a little.” you told ni-ki. he sighs and just lets you do whatever it is. you wiped the blood with a wet tissue and then placed the antiseptic on the cut. ni-ki winces.

“while i am curious as to how you got this since it looks like you had a huge fight, I’ll keep my mouth shut.” you placed a bandage on the cut. “there it’s better now. here take this and wipe the other blood that’s dried up on your face.”

ni-ki thanked you quietly. he quickly wipes the blood that you had previously pointed at. “so which part am I supposed to do? also, didn’t the teacher say we have to do a romance novel?” he grimaces at the thought of having to read a romance novel. he was never a fan of romantic things. Sure, he liked cheesy things like matching clothes or matching items but he was too single for that (and still young).

“yeah, it’s some romance novel. from the synopsis, i can tell it’s really similar to ‘Twilight’.” you could hear ni-ki sighing.

“so some vampire romantic novel thing?”

“basically. have you watched ‘Twilight’?”

“no. i don’t have time for movies or series or dramas. i have a busy schedule.”

“sounds…boring but i understand if you have a job and it’s more important than watching a basic show.”

“i-” ni-ki sighs. “we can watch it. well, i can watch it on my own and then read the novel the teacher suggested us to read.”

“alright, we can split it and then summarise the novel with our own thoughts. makes it more sentimental.”

ni-ki nods, “uhh send me a link to the ‘Twilight’ story or something.”

“i don’t have your number.”

ni-ki holds his hand out and you gave him your phone. he quickly types in his number and sends a text.

“there, now i need to go. i have work.” ni-ki doesn’t even bother to wait until you uttered a word, he just leaves. you huffed and looked down at your laptop. maybe you should just stay and complete some work.

TWO

ni-ki entered the Decelis Resort and clicked on the elevator button to the top floor. he was met with his 6 other older friends. each of them huffing and sighing, it seems like they found out something.

“uh, what’s wrong?”

“this.” jungwon shows off the screen on their database. a warning which was basically telling jake about his brother. ni-ki tilts his head.

“isn’t your brother dead a long time ago, hyung?” ni-ki asks jake.

“yeah.” nabi says. her arms were wrapped around jake as she comforts him. right, he forgot they got together already and they aren’t blindly being stupid and not confessing to each other (read: please save ni-ki, he already witnessed two of his hyungs kissing their girlfriend/wife).

ni-ki scrunches his face at the affection that jake’s girlfriend was giving him. just as he looks to look over in the other direction, he witnesses heeseung giving his wife heart eyes. ni-ki has had enough of it, he rolls his eyes.

“why did you call me in, i had a project to do with my partner.” he says.

“oooo project with a partner, who is this partner. is it a girl~” sunghoon teases. ah, the ever so annoying thing sunghoon loved to do with ni-ki, tease him. sunghoon should be thankful that ni-ki could hold back his anger. or else, ni-ki would’ve initiated a war crime on him.

“none.” ni-ki simply says. he folds his arm.

“none what?” sunghoon tilts his head, slightly confused at the short answer.

“none of your business.” ni-ki fires back. sunghoon clenches his jaw and gets ready to swing when jay holds him back. sunghoon practically hisses like a cat as he scrambles to get out of jay’s grip.

“okay okay. calm down.” heeseung claps his hand to get their attention. “we called you back here because while jungwon and jake fix the database, you, sunghoon, jay and sunoo are going out to find the target.”

“old school style?” sunoo asks.

“yeah. since our database is fucked up right now.”

“so…how are we going to do that without the database?” sunghoon asks.

“stakeout. you guys should know what he looks like after i send the photo of him. sunoo and jay will be in charge of ground level. ni-ki and sunghoon take high ground.” heeseung explains.

“what about you, hyung?” jay says.

heeseung turns to look over at his wife and the older boys instantly knew. ni-ki was still clueless until he realised…

“OH MY GOD EWWWW. can’t you leave the baby making for another time? we are literally on a mission.” ni-ki fake gags.

“you guys are on a mission. i can stay back.” heeseung reasons.

“you can fight too, hyung??”

“yeah, no. I wanna stick with my wife, thank you very much.”

“whatever, let’s just start this mission. I’ll just take charge as usual.” jungwon says.

THREE

ni-ki and sunghoon stayed up above while jay and sunoo stuck below. each of them had their own disguises since they were going in old school style. even if it sounded ridiculous but at least nobody would know it’s them.

“you guys going in now?” sunghoon asks.

“yeah, me and sunoo are going in separately to avoid any suspicions.”

“jake hyung says that they are working on getting the app online. if we find the guy without the app then we just strike and kidnap.” sunoo says.

“hyungs, you two are the only ones who have eyes inside. let us know if you need more help, me and sunghoon hyung will come down and help you.” ni-ki says.

“mmm, will do. you guys watch out from upstairs if the client left the building.” jay says.

“got it.”

both ni-ki and sunghoon watched from above the building. what they didn’t expect was for someone to come up behind them and shove them off the side. ni-ki grabbed sunghoon and pushed him closer towards the side of the building’s wall so that sunghoon could catch himself. ni-ki grabs his grappling hook and throws it so sunghoon can catch it. Both of them were eventually ‘safe’ on the side of the building.

“shit, they’re onto us.” sunghoon curses. “you good, ni-ki?”

“yeah, sure. dangling about 656 ft above the ground is totally fine, hyung.” ni-ki sarcastically says. sunghoon rolls his eyes.

“i can just let go of the rope and let you fall, you know?”

“you wouldn’t, hyung. you love me too much in a brotherly way.” ni-ki says.

sunghoon sighs, “yeah whatever.”

“we should find a way back up. those assholes decided to shove us off.” ni-ki says.

“yeah, we should.”

sunghoon taps on his spy earpiece, “heads up guys, I think they’re onto to us. Me and ni-ki just got shoved off the rooftop.”

“so you guys are just dangling at the side of the building?” jay asks.

“yeah, we need to clear the way. sunoo, could you find a way to floor 76? we’re currently dangling beside one of those hotel rooms on that floor. i think someone is occupying this room though.” sunghoon says.

“don’t worry, i’m on my way right now. they don’t call me sneaky sunoo for no reason.”

“nobody calls you that, hyung.”

“shut up, ni-ki.”

“i’ll keep a look out for the mafia leader. he’s probably in the party they have in the small casino of the hotel.” jay says.

“alright, seems like this is the plan we have for now. we’ll meet up after sunoo saves us.” sunghoon adds.

“roger.”

the wind blew onto their hair, ni-ki sighs.

“is it too late to tell my project partner that i won’t be coming to school tomorrow.” ni-ki asks.

“you’re still worried about your project?! we’re dangling off the side of like one of the tallest skyscrapers right now and you’re worried about that?!” sunghoon says as he is bewildered by ni-ki’s words.

“well, i’m still a high school student. i don’t want to fail my classes.”

“when have you ever cared about school.” sunghoon deadpans. ni-ki was about to counter but ultimately shut his mouth.

“you’re right. i hate school.” ni-ki huffs.

“no no wait. we’re not stopping there, tell me why are you suddenly thinking about this? is this about your project partner? because this is my first time hearing you actually want to go to school.”

“no.” ni-ki simply replies.

“don’t just say ‘no’. there is something more to that. are you falling for your project partner?”

“you’re crazy, why would i fall for my project partner. i’m only a high school senior, i’m too young to be falling in love. i’d rather focus on our mission than her.”

“ah, so it’s a her.” sunghoon egged further. though ni-ki couldn’t see sunghoon face, he knew the older was smirking at him, seemingly amused that ni-ki was actually showing some slight unknown feelings.

“the teacher assigned us together, we’re forced to do it. it’s not like i wanted to do this project with her.”

“okay but is this girl at least cute to you?”

“hyung, can we not talk about this?”

“no no. we have time. there are at least 10 rooms on this floor, sunoo will take a long time. tell me if this girl is your type.”

“i am not telling you and also, i don’t have a type.” ni-ki grumbles.

“so, it’s a yes?”

“i’m just talking to her because i am forced to.”

“does she intrigue you in any way?”

“hyung-”

“yo, i am here to save the day.” sunoo opens up the window just enough so that sunghoon and ni-ki could slid through.

both sunghoon and ni-ki climbed through the window quietly.

“how did you get inside the room?” sunghoon whispers.

“simple, the room was occupied by some girls so i just used my sunoo charms and boom they let me in. i told them i’ll be back soon but i’m gonna bolt out of this room after grabbing you guys.”

“the girls don’t appeal to you?”

“oh no, they are just…how do i put this in a nicer term?” sunoo thinks for a split second, “they are way older than me, about 40 years old?”

“ayo?” ni-ki says.

“anyways, we need to get out of here chop chop. i was informed that the system and database is back so we don’t need to stakeout. we can just find and capture the guy with a simple call for backup.” sunoo says.

“great. now, let’s get out of here.”

sunghoon, sunoo and ni-ki snuck out of the hotel room and went to find jay. jay gestures for them to come closer and they went over to him.

he nudges his head to point where the guy stood, “our target is being surrounded by some other innocent people and his bodyguards. we need to find a way to bring them around and away from these people.”

“did you call for backup?” sunghoon asks.

“yeah, they are on the way now. they’ll just clean up whatever mess we’ve done.” jay explains.

“hey umm, guys.” jake says.

“what’s wrong?” sunghoon asks.

“we can see from the security cameras some bodyguards walking to the casino hall. jungwon had eavesdropped into their convo from their walkie talkie. it seems like they’re going to report about sunghoon and ni-ki.”

“shit, we really need to take them down. jay, how about you proceed with sunoo and play a round with our target while me and ni-ki take down those guards.”

“yeah, that works.” jay says.

“perfect, we’ll watch over the security cameras. we’ll report if there is anything else. jay, your men are about 10 minutes away from the location, they’ll come closer after the deal is done.” jake says.

“got it.”

“so? can we go now?” ni-ki asks.

“yeah, let’s go.” sunghoon says.

about 1 hour later, they managed to kick down their bodyguards with no suspicions from other bypassers. both ni-ki and sunghoon locked their unconscious bodies inside the bathroom stall and went to find jay and sunoo. jay flips the coin and it lands on heads, he smirks. he cracks his knuckles and neck.

“showtime.” he mutters.

chaos quickly ensues. everyone was running out of the casino, jay flips his gun and shoots. sunoo slides towards the entrance of the casino and allows all the innocent people out before cooly shutting the doors for all the bad guys. he puts his hands up once he turns around when the henchmen were holding up their guns at him.

“ehem, i suppose you guys have me cornered.” he innocently says. “i suggest you turn around though.” he smirks.

before the henchmen could even turn around, their necks were snapped and they fell to the ground. sunghoon and ni-ki managed to run in time just to help them fight off with jay’s men. ni-ki corners their target in one spot.

“hand over what we want and we’ll let you free.”

the guy laughs maniacally and ni-ki laughs along with him, “no.”

ni-ki stops laughing, “okay then.” with one simple shot, the guy falls to the ground, blood surrounding him. sunghoon winces.

“i can never get over this scene. you’re so brutal and direct with it like no hesitation. at least jay waits for the guy to say something.”

“we don’t wait for people like him and besides, what good is he going to bring us when all he has done is sell personal information, drugs and solicit women.” ni-ki says.

“ni-ki is right though.” jay shrugs. he turns to his men, “anyways, let’s clean this up before police get here. which should be in 15 minutes.”

“10 minutes.” jake corrects them.

“okay thanks.” jay says.

jay pats one of his men's backs, “there isn’t much people this time so it should be easier.”

“there are a few unconscious people in the bathroom. maybe we can use them and turn them into our men.” sunghoon suggests.

“good idea, you heard sunghoon.” jay says. jay’s men nod, they get to work and went to clean up everything while sunghoon, jay, sunoo and ni-ki went back to the Decelis Resort.

FOUR

ni-ki went to school the next day after not getting much sleep. he was barely awake during the whole class, almost dozing off. it’s not like the teachers cared anyways. well, except for you. you had whacked the table to get ni-ki to wake up. he groans and wakes up.

“nishimura, we need to finish up the last bit of the project.”

“do we have to? i’m tired.”

“yes, we do.”

he sighs, “fine but can we do it after school?”

“we have consultations with the teacher right now and we barely have any work done other than my part.” you told ni-ki.

ni-ki deadpans. “and? look, i barely got any sleep last night due to some things in my life and i want to sleep right now.”

ni-ki almost looked too pitiful, you could see the dark circles under his eyes. the way his eyes were slowly about to shut. the slow blinking. which made you feel bad and so you sighed.

“fine, just sleep. i’ll find a way to cover you from the teacher if he asks.” you say.

ni-ki tilts his head. he was surprised to even hear that you’d cover for him. it’s not like the teacher cared so why did you care? either ways, at least he could sleep so he lays his head onto the desk and falls asleep. you sighed and turned away from looking at him. you still had to do something with the project hence you just continued to work on it without him.

about 2 hours later, the class ends. something was off, really eerie. you had went to the bathroom because you know, you had some business to attend to. you were about to turn the corner to the classroom when all of a sudden, someone bumped into you. you apologise but something was weird about them. they didn’t look like a high school student so why were they here?

ni-ki spots this and so he runs over and grabs your wrist. he doesn’t even mention anything, just grabs your wrist and walks. it leaves you confused as to who that guy was. ni-ki turns the corner and stops.

“get to class,” he says.

“umm, who was that?”

“just get to class. i need to settle something. don’t leave and make sure everyone stays inside.” he warns.

“okay?” you say a little confused. ni-ki grabs your shoulder and turns you around before pushing you a little to direct you to go inside the class. he runs off after. you were still confused.

after school, you still hadn’t seen ni-ki and so you were a little worried. of course, any sane person would be worried for their classmate after they disappeared without a trace. which led to you looking for him. not a very smart idea but what could an 18 year old boy do? he may or not be strong enough to fight some people.

there was an alleyway behind the school. dark and scary. you had to pass by it every time you went home. maybe, they were hurting him behind there. it was possible. you had turned to the corner and ducked behind the wall. there ni-ki was with a foot on top of the guy, it seemed like he was on the phone with someone.

“hyung, can you get here quick? this guy called for some backup.” ni-ki sighs. “you want me to settle with possibly 10 more men coming over? wow, for once you aren’t doubting my skills? i’m surprised.”

“no seriously though, find out why they went to find me at my school. this place is filled with innocent people and it would not be great for them to be caught in the middle.”

“no, the guy is knocked out. may want to interview him or something. he seems like he knows some useful info.” he pauses. “i am not carrying him, i’ll look too suspicious and besides, i have a project to work on with my partner.”

your heart races as you hear his words. wait. that makes no sense, you can’t like ni-ki. you shook your head. it was probably just the adrenaline, there were other things that were more important. who was ni-ki calling and why did he sound like he was on some creepy team. what do they call those people.

“what? obviously! we’re the mafia!” ni-ki says.

ah, right. the mafia. that thought flies over your head until you kept repeating it, you froze. ni-ki was part of the mafia? that explains the cuts and bruises he constantly has. why he rarely gets any sleep. why the teacher does not care. he was part of the mafia and the teachers knew about it. this new found knowledge changes your whole perspective of ni-ki. he was not weird, he was in fact a dangerous person who was living a very wild life.

“okay, get here quick.” ni-ki says before ending the call. you had ran away from there. your legs were dragging you somewhere where you had to process everything and maybe get your mind off it. how do you continue working on your project knowing your partner was part of the mafia?

you had finally sat down in the school library. you were trying to comprehend everything. all you knew was that you can’t let anyone know about this and ni-ki can’t know that you know about him. what if you get hunted down? or what if ni-ki tries to hurt you? you could feel a cold shiver run down your spine, your life may be mundane but there was no way this was real. it felt surreal, this was real life and not a spy movie.

there were footsteps approaching you, a deep voice followed by it.

“hey, we still have to complete our project. we should get it done and over with. i have about.” he checks his watch. “30 minutes or so to spend.”

“we don’t have to do it. if you’re busy, we can just text.” you say. ni-ki tilts his head, he grabs the chair in front of you and sits.

“why do you look so scared to talk to me?” his eyes narrowed. you visibly gulped.

“what do you mean? why would i be scared to talk to you.”

ni-ki didn’t believe you, he leans forward. your breath hitches. his face up close, a strand of his brown hair falling right on his face. he once again tilts his head. “tell me.”

you felt the air being knocked out of you. you can’t look at him in the eyes. your face was heating up, this wasn’t good. “no. i’m really fine.”

ni-ki cocks his eyebrows and clicks his tongue, “then you should have time to do this project. we wasted too much time already.” he finally sits back in his seat, leaving you to able to breathe. his phone rings and rolls his eyes, he doesn’t pick it up.

“so what do we have so far?” ni-ki says.

30 minutes turned into 4 hours where you were working on the project with ni-ki. he cooperated really easily. he does the research and everything you ask him to do with ease.

“nishimura riki.” an unfamiliar voice says. you had looked up a guy with silver hair was standing there.

“hyung, what are you doing here?” ni-ki says not bothering to look behind him as he continues to work on the project.

“we called you hundreds of times and you’re here in the fucking library doing school work?”

“it’s a project. it’s due soon.”

“last i heard, it was due in a week.”

“and? me and my partner haven’t done much.”

“oh my god, this is the first time you’re acting like this. is it because you like her?” the silver haired guy points over at you. you blushed. ni-ki looks up at you and then behind him.

“no. sunghoon hyung, you always assume it’s something else.”

“yeah but you hate school.”

“i’ll go back in a bit. just leave.”

the man named sunghoon glares at ni-ki and then looks over at you.

“you have to be careful, remember. they watch our every move.” sunghoon warns.

“yes, i know hyung.”

“i’ll wait in the parking lot. finish this up because we have somewhere to be.” sunghoon says before he walks away. ni-ki sighs.

“is he your guardian?”

“one of them. my parents live abroad, i have 6 other ‘brothers’ who take care of me.” ni-ki nonchalantly says.

“oh.” you would’ve said more but you didn’t want to mention ni-ki's secret life. it was scary.

“i’ll just complete this last part and then we’re done. i believe that’s what we have to do for the project.” you hummed at his words.

ni-ki does as he said he would, finish up the last part and then packs his stuff. he gets up and pauses. “get home safe.” he says before quickly leaving. your heart races.

FIVE

2 weeks passed by quickly. it was just like any typical day at school, lessons for the day and then walking back home. you had walked past that dark creepy alleyway when suddenly, a few people had grabbed you. you were struggling in their grasp, fighting your way out of their arms. you kicked and bit their hands, finally they let go and so you did what was best, you had bolted away from them.

you grabbed your phone and dialed for ni-ki. the phone rings and rings as you ran but he wasn’t picking up. frustrated tears fell down your face. you hated feeling helpless, you weren’t strong enough and these people were fully grown adults. you needed help. out of nowhere, someone grabs your wrist. it was sunghoon, he pulls you over to one of the stores at the side of the road and then went through the staff room before going through the back door.

a van was waiting there. sunghoon opens the door and pushes you inside, he shuts the door and the driver starts driving away. you were panting heavily, you were also sure you’d get a bruise on your legs from being pushed into the van. ni-ki pulls you up so you could sit down properly. he places a jacket on your lap to cover your legs since you were wearing your school skirt. he also unintentionally brings your face closer so he could further inspect you for any bruises on your face.

“are you really sure you don’t have feelings for her?” sunghoon says. ni-ki rolls his eyes before dropping his hands to his side.

“can’t i just be concerned for a classmate who literally got chased by some bad guys? any normal person wouldn’t have to go through this if they didn’t interact with us.”

“yeah, whatever but there is something laced under your actions. what normal guy will hold her face like that? you look like you’re going to kiss her.” sunghoon mentions.

ni-ki’s face was stone cold, he definitely did not like that statement.

“do you really have to say that? I’m seriously just showing concern for a classmate.” ni-ki deadpans. you were staring in between both sunghoon and ni-ki, you didn’t even notice the other guys that were staring at you in confusion.

“so, what are going to do now? it seems like those guys think ni-ki has a love interest which means it’s only going to get worse from here on out.” a blond hair guy comments.

ni-ki sighs, “we need a way to distract them, i am sure her parents are going to be targeted next.”

“my parents…they umm aren’t present in my life…” it went dead silent.

“well, that’s good at least. we don’t have to worry about more people getting hurt-” sunghoon gets whacked by a guy with blond streaks in his hair.

“do you have any sense of awareness? she’s only 18 with no parents and you are thankful we don’t have extra people to get hurt??” the guy with blond streaks in his hair comments.

“it’s alright. i don’t exactly remember my parents much. i was really young.”

“so you’ve been living with your grandparents or something?” the guy blond hair adds.

“yeah. pretty much my whole life- hey, wait how did you know?” you had pointed out.

“idiots.” the guy with blond streak mutters under his breath. he holds out his hand for you to shake. “i’m jay. that idiot over there is jake.” he points to sunghoon, “the other idiot is sunghoon. i’m sorry for their stupidity. they clearly don’t know how to empathise with people.”

“it’s alright.”

“we’re here.”

“oh, right. that’s sunoo.” jay pats sunoo’s shoulder. sunoo playfully rolls his eyes before turning to look at you.

he gives you a smile, “nice to meet you, ni-ki’s girlfriend.”

his words fluster you, you didn’t expect to be addressed like that.

ni-ki shoves sunoo. “could you not call her that? she could be uncomfortable for all you know.”

“she isn’t saying anything or looking too disgusted so it is true. she’s your girlfriend.” sunoo shrugs. ni-ki rolls his eyes as he finds sunoo’s judgement of yours and his relationship to be something completely untrue. sunoo snickers before putting up a straight face.

“annoying fucks.” the one with the cat-like eyes sighs. he holds out his hand for you to shake and you took it. “i’m jungwon. the leader of this little…” he looks towards the others and then back at you, “boy group.” he says, dragging out the last part.

“BOY GROUP!?! we aren’t those pretty fuckers who dance and sing.” sunghoon rolls his eyes. “if anything, i’m stronger than them. they probably can’t lift up a gun if they wanted to. scaredy cats.”

“jeez, what’s gotten you so spicy with the topic of ‘boy groups’.” jay says.

“probably cause they get more bitches screaming their names than he ever has.” jake shrugs.

“damn.” heeseung adds.

sunghoon could only sit there and huff.

“okay, that’s enough.” jungwon pinches the bridge of his nose. “sunghoon, you know how to make plans last minute, what should we do?”

“can’t think of anything right now. all the plans i have in my head involve abandoning her.” sunghoon points to you. ni-ki smacks his hand.

“we can’t leave her.”

“and why?”

“because there could be other ways.”

“like what?” sunghoon folds his arms. “how about you suggest other ways, nishimura.”

all eyes were on ni-ki before he sighs, “since they already think, (name) is my girlfriend. we can take advantage of that and find a way to actually infiltrate their base or at least find out who is responsible for all of this.”

“so…you wanna fake date…her.” jay points to you.

“i-” ni-ki could feel his face heat up. “if you put it that way, sure. i guess.” he looks away so you and the other boys don’t notice the colour of his face change.

“i thought you were the one who said that you didn’t want to you call her your girlfriend? what happened to that?” sunoo deadpans.

“it’s just for the mission.”

“uh huh, the mission…ni-ki you like her don’t you?”

“no. i don’t, i just-” he groans. “i’m only 18, i have never fallen for anyone. why are you expecting me to know what feelings are?”

“he is definitely in love.” jake declares.

“uh, guys…i’m still here.” you say.

just as you opened your mouth to utter another word, the driver stops and announces that they had arrived their destination. you had zero clue where they had brought you to. however, the exterior of the place amazes you. it was huge, beautiful chandeliers hanging from the ceiling. there were greenery all over the place.

“welcome to our hotel.” jay says.

“woah. you guys built this place?”

“instructed and led the project. we obviously aren’t made to construct the place because that isn’t our job but yeah, for the most part.”

“it’s pretty.” your eyes trailed around the exterior and beauty of the decor. ni-ki stares at you, you truly looked pretty whenever your eyes twinkled at things you really liked looking at. a smile creeps up but he holds himself back. he couldn’t let anyone see him like this.

“anyways, here are the card to your room.” jay hands you a card. “since the mobsters seem to think ni-ki is your boyfriend, you won’t be able to get home.”

“right but what do i do? i don’t have any of my clothes and other stuff. most of my textbooks are still at home.”

“oh don’t worry about that. i’ll get some people to grab your stuff and we’ll clear it so that you can stay in this hotel safely with our men around.” jay smiles.

you turned to look at the other boys and they didn’t make a single face.

“i get to stay here for free? that’s not possible right? i mean, staying at this luxurious hotel for free doesn’t seem exactly right.”

“you’re right. there is a catch.” jay gets close. ni-ki nearly reaches out to stop him but he stops himself. “help us out.”

“oh, umm. look, i don’t know much about your little scheme. i just know these people you work with just do shady stuff.”

“you’re right, we do shady stuff but it’s not all legal. just…maybe illegal to a certain extent. after all, we do help good people. we don’t kill people unless they’re bad. which is why, you’re safest in our hands.” jay explains.

“alright. what do i have to do?” jay points to ni-ki as soon as you’re done speaking.

“be his girlfriend.” jay simply says.

“WHAT?”

“HYUNG!” ni-ki says. he could feel his ears heating up.

“don’t pretend i didn’t see how jealous you got when i got close to her. plus, it’s for a greater cause. we can use her and bait out those people and then find their boss.”

“but jay hyung.”

“do the others agree with me?” jay asks. the others nodded.

“sorry ni-ki, we just have to use this method. for some odd reason, they wanna use this ‘weakness’ of you having a girlfriend so we can take advantage of that and find out who is behind this.” jungwon says.

ni-ki’s eyes met with yours before he turn to the other boys, “fine but (name) has to also agree. this plan won’t work if she disagrees, i am not forcing her.”

“wow, the ever so gentleman.” sunghoon rolls his eyes. “(name), what do you say?”

you looked in between the boys and ni-ki. there was honestly no other choice, you were already roped into their life and it would only be harder for you if you just disagree. “yeah, i’ll do it. i’ll be…ni-ki’s girlfriend.” you could feel the heat rush to your cheeks as quickly as possible after those words left your mouth.

“ayyy.” jake smacks ni-ki. “ni-ki’s first girlfriend. now lead her to her room, she doesn’t know the place as great as you.” he shoves ni-ki to you.

“you guys know the place as well as me, why do i have to do it?”

“because she’s your girlfriend now, so be a gentleman and do it. besides, you’ll get jealous if we send her to her room.” jake continues to tease ni-ki.

“very funny. i am not jealous.” ni-ki deadpans.

“yeah and i’m ugly.” jake says.

“you are.” ni-ki yells as he grabs your hand and brings you over to the elevator. you could hear jake yelling a string of curses to ni-ki but he only ignores it. he taps the card on the elevator and clicks on the floor. the elevator closes and you were now in a confined space with just ni-ki.

“we have to make our relationship believable to those bad guys.” he turns to meet your eyes. “any suggestions?”

“uh, why are you asking me? I don’t know anything about dating.”

“considering we worked together during the past project, I think you should know more about love than I do. you did finish your part quicker than me.” ni-ki explains.

“yeah but that doesn’t mean I know much about datin-”

“romance is part of dating so, you should know.”

“well, too bad I don’t.” you say. ni-ki sighs.

“fine, I guess I have to follow my hyungs method.” ni-ki walks closer to you and you can’t help but step back. he corners you in the elevator. “we have to make it believable so you better play your role well or else, we won’t be able to get information we need.”

you meekly nodded. ni-ki was towering over you and it couldn’t help but feel small and helpless. after all, who's to say ni-ki couldn’t just i don’t know take out a knife and stab you. then leave you dead in the elevator. finally, the elevator reaches the floor. ni-ki steps back and grabs onto your hand. he easily interlaces it and drags you over to your hotel room.

it was one of the executive lounges so there were only 2 per floor. Hence, ni-ki was assigned to the room that was nearby yours. he stops in front of the large double door.

“this is your room and since you have no clothes. I’ll just lend you some of mine until the hyungs grab your stuff from your house.” he points to the other door on the other side of the hallway. “that is my room. considering I stay here most of the times, that room is off-limits to other people from booking it. if you need anything, just go over. for now, go in and just rest up. i’ll bring my clothes to you so you change into them and not wear our school uniform.”

you nodded. ni-ki hands you the card to your room and he keeps the other card so he could go in easily and possibly protect you if anything happens. he quickly goes to his room to grab a shirt and sweatpants before coming back and handing them to you.

“we have some ball, party thing tomorrow night and so you’ll be going as my plus one. there are a bunch of big media people going there to create a publicity stunt. it will make this whole thing even more believable since you’re with me.”

“okay, what am i supposed to do in the day though.”

“as it’s the weekends, you can just stay here or around the hotel until the party. there is room service just make your order, you won’t need to pay for it.”

“oh-” you hesitated, “but like isn’t it too much…this hotel is fancy looking and high-end…i am sure the food is expensive too.”

he leans down to your height, “it’s free since you are my girlfriend. the staff at the front desk know you’re my girl. you don’t have to worry.”

you felt your face heat up. his girl. a sentence you thought you’d never hear ni-ki say to you. it almost sounded too real, however you knew this wasn’t real. you were only a victim and ni-ki was your protector.

“r-right, it’s late. have a goodnight!” you quickly swiped the card and bolted into your room. leaving the door to shut quite hard. ni-ki snickers.

‘how cute’ he thought. he catches himself and so he shakes off the thought. it was only for a little while, he can’t fall for you. after all, he was a dangerous guy. it would put your life at risk if there was ever anything going on between you and him. that thought kinda made him sad, he frowns before turning around and walking over to his own room.

SIX

at around, 6pm someone comes knocking at your door. you went to peek through the peephole and realised that it was just a hotel staff. you opened the door and they entered with a rack of clothing and a present.

“these are the clothes that Mr.Nishimura hand picked for you.” the staff points to the rack. they hand you the present. “Mr.Nishimura also prepared this for you and told you to wear it for tonight. We will have a makeup artist coming soon to help with the makeup and hair.”

you nodded and the staff left the room. you had opened up the box and pulled out the dress from inside. it falls down perfectly as you hold it up, a beautiful long black dress with ruffles that cuffs around your arm until it reaches just below your shoulder. it was beautiful and it was also paired with a masquerade mask to hide your identity at the ball. the makeup and hairstylist arrives and quickly does your hair and makeup. just as they spun you around to let you look at yourself in the mirror, you were in shock. that was not you. they had tied your hair up in a half up and half down, along with curling the ends in loose curls and even making your curtain bangs look nice.

the doorbell rings, the staff letting ni-ki in. he walks over to you and he pauses in his step when he sees you. you looked beautiful. his heart races, was this love? the boy was completely speechless.

“umm, how do i look?” you had asked ni-ki. his eyes scanned you from head to toe and you blushed under his gaze.

“beautiful. you look beautiful.” he mutters. “let’s go. the older guys are waiting for us. they’re also looking out for the bad guys. security is tight today so you don’t have to worry about getting harmed.”

you nod. “that’s good.” ni-ki holds out his hand for you to take and you do so. he intertwines your hand with his and brings you over to the ball.

just as you entered, cameras start flashing. most likely capturing every part of yours and ni-ki’s arrival because it was it big thing. another member of the Decelis Boys was taken. there were whispers, mumbles and gossips all over the ballroom but ni-ki paid no attention to it as you leads you to where the other boys were.

“nice, the media is going crazy ni-ki. you’ve done it.” jake says.

“now, they’ll probably attack later on so make sure to bring (name) somewhere safe.” jay adds. ni-ki nods.

“you can enjoy your little couple time now. just keep a watch out.” sunoo teases.

“hyung.” ni-ki says. sunoo laughs, he pats ni-ki’s back and the other went their separate way as they split up to cover the ballroom. ni-ki turns to you, “want something to eat? or drink?”

“umm, is there only wine here?”

“i suppose so. hmm, maybe we can eat some nacho chips. i’ll request the waiters to prepare some for us and of course some plain water.” you nod at ni-ki’s words. “I’ll be back in a short while. you’re okay with being alone for a bit right? i need to find the waiter.”

“i don’t mind.”

“that’s good. wait here.” you hummed once more at his words.

right as ni-ki left, someone comes up to you and strikes a conversation. it felt off though, definitely not right like something was about to happen. the guy smirks and hands you a drink that he apparently grabbed from the waiter that had passed by previously. you shook your head and politely rejected it since it was wine and you were still technically a minor here in Korea.

the rejection doesn’t sit well with this guy, he frowns and shoves the glass into your hands and tells you to drink it. thankfully, ni-ki came back on time and shoves the guy away.

“what are you doing to my girlfriend?” ni-ki’s deep voice resonates. the guy wasn’t fazed by it and so ni-ki grabs the glass in your hands before splashing it on the guy’s face. he turns to you and whispers, “run. get to the elevator and click on the penthouse button.” he hands you a card.

you do as he says and left the ballroom. ni-ki taps the bracelet on his wrist. it sends notifications to the other boys. jake and heeseung’s significant other quickly left the place too. jungwon smacks the button on the wall for emergencies. a siren blasts the whole room and it sends everyone in a frenzy. everyone except for the bad guys, ran towards the exit. they stayed and took out their guns, aiming at the boys.

jay and sunoo pulled out their guns and so the battle begins. the bad guys ran towards each of them, but the two boys ducked and shot twice without looking back. jay eyebrows furrowed, this certainly wasn’t going to be a simple fight like back at the hotel.

“they’re stronger now, it seems like whoever is behind this has finally start to slowly show their power and skills.” jay says. sunoo looks down at the weapons and outfit that the guys they shot wore.

“this person is definitely smart.”

“but not smart enough.”

“he could be toying with us, hyung. we need to watch out.” just as sunoo says so, someone tries to attack him. ni-ki slashes his katana right on the guy’s back, saving sunoo and jay. the body falls right beside them.

“i think they’re going to get up to the penthouse. me, sunghoon and jake are going up there. jay hyung, we need more people to get up here.”

“on it. i’ll get some backup.” jay runs off. sunoo nods at ni-ki before he goes to shoot more people. sunghoon, jake and ni-ki went up to the penthouse by a different and secret entrance. once they arrived, it was eerily quiet.

“this definitely does not feel right.” sunghoon says. suddenly, a loud shriek was heard. the 3 of them ran over, only to see you, nabi and eun crouched on the ground with 3 guys cornering the 3 of you.

you had made eye contact with ni-ki, fear evident in your eyes and it makes ni-ki mad. something switched inside him and all that was left was anger. the red vision covering his eyes. he spins his 2 katanas and charges forward easily slashing two of the people. the last guy tries to fight him but couldn’t as ni-ki easily stabs the guy right in the middle. the guy falls to the ground. jake and sunghoon the whole thing with their jaw dropped.

ni-ki turns back to them, the blood right all over his shirt and some on his face.

“guard the elevators and get more people here. check up with the others downstairs. we may need to move. they found our little hiding spot here. i’ll move the girls to the garage since they have no idea where it is.”

with not a single word uttered, jake and sunghoon quickly left. they’ve never seen this side of ni-ki before and honestly, it scared them quite a bit. after they left, ni-ki checks up on you. his eyes softened.

“are you okay?” he asks.

“yeah, just startled. i didn’t expect this to happen. i thought, i was going to die.” ni-ki pulls you into a hug.

“don’t worry, you have me. i’ll protect you…always.”

it was quite a romantic moment, even nabi and eun were shocked to hear this come out from ni-ki. they didn’t expect him to be so kind-hearted towards a girl. after pulling back from the hug, “we should get going.we don’t have much time before they send more people up here.”

ni-ki leads you, nabi and eun to the secret elevator which led to the garage. it was definitely safer around here and there even was backup. there was a loud slam to the door after the rest of the boys poured in. jake and heeseung ran up to their significant other and hugged them. there were small whispers of sorry’s amongst the both of them as they tried to calm down their girls.

“well, this resort is fucked. we have to move somewhere else.” jay says.

“we could move to this resort near the airport. whoever is charge most probably won’t know that we own it.” sunoo suggests.

“we should move there. if don’t move there now, the innocent people staying here will be hurt.” heeseung adds.

“that means we need to divert the attention of the reporters right now.”

“but what could we possibly use to divert their attention from?”

“i think we could use a distraction of love. like ni-ki and (name).” nabi says.

“but everyone already knows (name) is my girlfriend.”

“oh, no hesitation-” jay whacks sunghoon.

ni-ki wraps his arm around your waist, “yeah, no hesitation because she is my girlfriend.”

“holy shit.” jungwon’s jaw drops.

“i’ll give the reporters some scoop about mine and (name)’s relationship details.” ni-ki says.

“but we- aren’t we fake dating?” you looked up at him.

“not anymore.” he simply says.

you could feel your face warm up at ni-ki’s words.

“i’ll tell them that you’re mine and i like you a lot.” ni-ki says.

“damn, ni-ki with the rizz?” jake says.

jake and jungwon gets notified of the police cars and reporters driving to the resort.

“you have to get ready quickly, ni-ki change your clothes and then we need to delete their memories of the fight that happen and organise the place quickly. hurry!”

all of them had quickly done their parts. with one large bright flash of light in the resort, everyone forgets the fight that happened. jay’s men quickly cleans up the place and pretends to escort the affluent towards the hall as if nothing happened before. the place was lively again.

when the police and reporters arrived, it was strange. someone filed a report that there had been a gang trying to tear Decelis Resort apart but the police didn’t see anyone fleeing in terror. they tried to look for the very person who filed the report but when they did, the person seemed confused and didn’t know what they were talking about. they simply just brushed it off and left. of course, the reporters were more nosy then the police they had to figure out what was going on.

that is exactly when ni-ki and you walked towards them, giving them free information about your newfound relationship. the reporters left happily as they could use this huge scoop for their headlines. just as ni-ki got ready to leave with you to meet up with the others. someone taps his shoulder and hands him something.

“this fell out from somewhere i think that waiter over there dropped it. you should really discipline your staff from throwing litter on the ground.”

it was a strange object, something a waiter should not be harbouring.

“thank you for the feedback but mind your language when you’re speaking to one of the founders and this resort.” ni-ki’s tone was laced with venom. the guy nods.

he carefully makes his way to the garage again and hands the item to jake. it cracks open the moment jake touches it.

‘kinda pathetic to wipe their memories don’t you think? it’s a one in a lifetime for those elites to experience such a scare. they should think twice when pushing around people who aren’t rich.’ - a voice recorded message.

“whoever this is definitely doesn’t like rich people.”

“and they used a voice modulator. it’s not their voice. we should run a test at the other resort.” jungwon says.

“yeah, whoever this is…we have to find them. our families are in danger.” sunghoon says.

ni-ki turns to look at you, “are you coming with us?”

“of course, i have to but you have to teach me how to fight. i want to help you guys out. this person will probably take more precautions now.” ni-ki holds your hand and squeezes it.

“that means we will have to miss some of school.”

“is school really our priorities right now when we are being chased by some evil dude?”

“she makes it a point there.” jungwon says.

“alright, we’ll be a team. my girlfriend.” ni-ki shyly says.

this emits groans from the rest of them with how cheesy it was.

“we will, boyfriend.” you could only smile up at him.

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