for the past 4 days, i've descended into madness over the anon getting turned into an animatronic. behold. 2.6k words
@get-rammed i've gone insane
as always, i spew BTS lore in the tags
“Alright, that’s everything,” his Handler announces, finishing the paint on his last claw. They give his hand a satisfied pat. Monty watches as they turn away and begin packing up their things, making idle chatter as they do, offhandedly mentioning that they hope it isn’t too late by the time they actually get to head home. They told him earlier that they’ve got a meeting with the higher-ups once they’re done tonight, and it’s been weighing on him all day.
“I don’t think you should go to that meeting,” he says because he can’t take it any longer.
They pause. “What do you mean?”
“I just… I don’t think you should go.” Monty clenches his fists in his lap. It doesn’t feel right. If it was any other lame meeting announced in a staff email, sure, but this isn’t one of those. They were approached in person. No documents, nothing written; just pulled them aside this morning and told them something about enhancing the Handler experience. All of the other Handlers have gone home already, too, and there’s nothing that they could want just his for that meant anything good.
They huff fondly. “I don’t really have a choice, Monty.”
They keep getting ready, a sinking feeling forming in Monty. He tries again to explain that it’s a bad idea again but is gently shut down. His Handler hugs his head on their way out, an act he’d usually eat up and crave more of, but tonight, he feels like rejecting it. It just feels so wrong.
“Sweets, please, don’t go.” He grabs onto their sleeve. “I got a bad feeling about this.”
Their face softens. “I hear you, Monty, but I have to. I’ll probably get fired if I don’t.” They laugh a little. “I’m sure everything will be fine. Worst-case scenario, they dump a mountain of work on me. Everything’ll be okay. I’ll see you tomorrow, big guy.”
—
They announced a new animatronic the very next day.
The announcement made Monty raise a brow because even with his debut as a Glamrock, as rushed as it was, Fazzbear Entertainment still took their time to milk it for all its worth. Surely, with a brand-new animatronic, they’d pull out all of the theatrics. But, no, management had just called everyone backstage (Monty was grabbed by Chica’s Handler because his still wasn’t here, and it worried him. They always tell him if they’re going to be late) and spilled the news.
It’s another gator, which, geez, thanks, corporate. It’s dressed in actual clothes, unlike the rest of them. It’s a little smaller than Monty, with a sleeker design. Monty eyes the new thing up and down. There’s something… wrong with it. Monty feels it. So does the rest of the band. It stands across from them, eyes too wide, taking in too much yet too little information at the same time. Its hands are clutched together, held tightly to its chest. It’s a shambling mess, really. Barely finished and definitely not ready for crowds. The thing really needs a Handler, which only reminds Monty of the empty space by his side.
It’s different from them. It doesn’t fill its body like it’s supposed to. A feeling of uneasiness washes over the room. Even the other Handlers look a little disturbed.
After the incredibly lackluster introduction, dampened by the uneasiness of everyone in the room, management gives up on pleasantries and snaps at everyone to prepare for opening time. They leave without further explanation, not even telling everyone what the newcomer is supposed to be doing. Everyone takes the chance to leave as fast as possible, abandoning the barely functional animatronic where it stands.
Something in Monty tells him to linger, as disturbed as he is. The sinking feeling he had last night returns tenfold.
It looks too familiar. Cautiously, Monty approaches the thing, eyeing the uniform it wears. He dares not to peek at the nametag displayed proudly on its chest. The animatronic tilts its head up at him slightly, or at least it tries. Monty can hear the inner mechanics going, but it remains frozen. He stands uncomfortably in front of it, unsure of what to do. Everything about it feels wrong. Everything about this feels wrong.
He peeks at the nametag, and his world comes crashing down. Surely not. They couldn’t have shoved a whole person, a full consciousness, inside of an animatronic, could they? That technology doesn’t exist, right? Right?
Monty reaches out a shaking hand, staring into the bot’s blank, red eyes. It can’t be. Fazzbear has done some fucked up, shady stuff, but they wouldn’t do this, would they? This has to be too far. It has to. His hand touches their forearm, feeling the all-too-familiar fabric of the Handler uniforms under his finger pads. He meets their eyes, registering the terror behind their blank stare.
“Hey,” he says softly. “Hey, it’s... I, uh-”
“M-” Their voice fries out, and their jaw moves unnaturally. But it’s enough for Monty. That’s their voice. That’s their voice. Monty feels something vile fester inside of him. If he could get sick, he would. That’s them. That’s them in there. They’re in there. That’s his Handler, who he saw just last night, in there.
Their stare is so blank. Their hands are clutched together so tightly. That’s them.
“Oh, sweets…”
His hands slide down their arms to take their hands, snagging his thumb on the cuff of their uniform as he goes. Something there catches his eyes, though, something a human eye would miss, but something he’s been trained to notice. A tiny speckle of blood stained into the fabric. Their blood.
Monty sucks in a breath, his grip on their hands tightening. They were hurt when this was done to them. They bled.
“Let’s go to my green room,” he says. He keeps his voice gentle, but there’s also no room to argue. He doesn’t think they could, anyway. They don’t respond to him or make any kind of movement, so Monty moves for them. Slowly, painfully, he guides them up to his green room, keeping a gentle set of hands on them the entire way. They stumble and would’ve fallen without Monty to catch them. Their tail drags limply behind them. They probably don’t know how to use it for balance yet. The word yet makes Monty’s heart hurt.
He ensures the door stays open as they shuffle into his room, hovering over them until they’ve been cautiously guided to sit on the couch. They don’t need to struggle to stand anymore. Monty doesn’t think he could handle seeing it.
“Everything’s gonna be okay,” he says. It’s a lie. It’s an awful, horrible lie, but what else is he supposed to say?
They try to speak again, but their voice fries into something that sounds like a quiet cry. Their body begins to tremble, their hands clenching around each other even harder. All tell-tale signs that they’re crying, but they don’t have tears anymore. Instead, their eyes just stare into the wall, unresponsive.
“I’m so sorry, sweets,” he says as they weep. He sits beside them on the couch, cautiously wrapping his body around theirs. He doesn’t know if the different sensations will upset them even further, but he also doesn’t know what else to do.
“H-” A billow of steam rolls out of their jaw, rattling their whole system. The sudden movement startles Monty, making him pull away.
“Hey, sweets, you-” Monty glances into their eyes, wide, sightless, terrified, with a slack jaw pouring steam, “you need to calm down. I know it seems like I’m askin’ the impossible of ya, but you’ll overheat yourself, and I dunno how to fix that.”
Their body shudders, unresponsive to their mind. Monty doesn’t know what to do. He doesn’t know how to help. He remembers what they did when he first came online and when he was given his new body. They surrounded him with familiar, comforting things, but his Handler doesn’t live here like he does. At least they didn’t. Their greatest comforts are probably far out of Monty’s reach. He searches around his green room, trying to find anything he knows helps them relax.
He spots a fidget they used to love playing with during his noon charging sessions. It should be simple enough; it just needs a pushing and pulling motion. Nothing complicated. But his Handler’s hands don’t react, even as he pries them apart and presses the fidget into their palm. Their fingers remain tense, not even twitching.
“Okay, something easier. I got it. I’ve got you.”
Monty reaches and grabs one of the oversized plushies lying beside the two of them on the couch. It’s big enough for him to comfortably interact with, so it should be good enough for them, too, right? He places the weighted plush in their lap, tucking its arms in so his Handler doesn’t have to do it themself. It looks like they try to wrap their arms around the plush, but the thing just ends up getting knocked to the floor. The failure to get their arms to work only serves to upset his Handler more as their hands begin trembling, the metal of the digits clinking together.
Monty looks up at them, scared for them. Scared with them. If they can’t function, they’re going to be decommissioned– not fired, not still alive, decommissioned and dead. Gone forever. Their head has turned slightly, staring intensely at something, so Monty follows their line of sight. His gaze lands on their jacket that they accidentally left last night, draped across a chair. Now a little shaky himself, Monty gets up and retrieves it for them.
He realizes once he gets back that it doesn’t fit them anymore. It used to be so big on them, but it doesn’t fit now. Their favorite jacket, the one they wore every day, doesn’t fit anymore. He drapes it over their shoulders, bringing it around them tightly. Their shoulders are bigger under his hands. Wider. Their body is like his own now and so very, very different from what it used to be.
He retakes their hands, kneeling in front of them. He meets their eyes, which stare deep into whatever kind of soul he has.
“Look at me, Chere,” he says, squeezing their hands, trying to ground them. He’d tell them to breathe with him, but they can’t anymore, and he doesn’t know if that’ll help or upset them. “I’ve got you. I promise. I won’t ever, ever let anything else happen to you. I promise.”
Their hands squeeze his own, and Monty lets out his own version of a sigh of relief. The shaking in their limbs begins to die down, the steam eventually coming to an end. He smiles at them, keeping his hold on their hands solid. He praises them softly, rubbing their knuckles.
Their eyes meet his properly, and Monty can see the hurt and the fear in their eyes. They shift, jaw moving experimentally.
“I… can’t breathe,” they say.
Monty’s heart breaks for them. They try to shift, try to grab onto their jacket and pull it tighter around them, but their limbs won’t cooperate, and the metal of their fingers slips against the satin material.
“Here, you gotta… you gotta grip with the pads of your fingers. Like this,” Monty says, taking hold of their hands and guiding their fingers to do so. A shudder runs through their system, getting their hands to tighten and pull, if only slightly.
Monty steps back to take another look at the design of their new body. A gator, like him. Their hair is soft and synthetic, with a little product to keep it sleek, so at least that wasn’t taken from them. In a bitter-sweet kind of way, Monty can imagine helping them style their hair in the morning when the dust settles. But Monty still has trouble adjusting to his mohawk, so he can’t imagine what it’s like for them right now. How long it’ll take for that dust to settle. They’re smaller than him. Sleeker. A little more compact and able to fit into tighter spaces. Probably equipped with the same processing power Monty has, and he prays to whatever is out there, none of the guardrails. Overall, they’re… built to work. They were hurt, maybe even killed, their body broken, disposed of, and shoved into this body to work. To work! They never get to go home again; they never get to have a life outside of the Pizzaplex ever again, all so Fazzbear Entertainment could have another obedient little worker.
Monty shoves down his anger. They don’t need that right now. Instead, he turns his energy to muster up the best smile he can, affirming the correct motions with their hands.
“There you go, you’ve got it.” His smile wavers a little at their silence.
They stare at their hands, their new, robotic, alien hands. Hands that don’t listen when they tell them to move. A body that doesn’t listen. They grip around the fabric of their jacket, feeling, in a way, the mechanics whirr in their arms. But they don’t feel the silky fabric anywhere but their finger pads. They feel the warmth of Monty in front of them, holding onto them, but only in broad strokes. It’s not like skin. It’ll never be like skin. There’s no more blood, only coolant (they feel so cold), no nerves, no organs. No lungs. Those things are still there, in a way, in a robotic sense.
All of the essential bits keeping their body moving are still there. But it’s not their body. Flashes of blood and mutilation streak across their vision the longer they stare. They have claws now. And a snout. And a tail. They always thought it’d be kind of cool to have a tail, who doesn’t, but not like this. They don’t want this. They want to go home and lay in bed and fall asleep and hope that this is some god-awful dream. They want to fight with their ID at the stupid maintenance tunnel exit, and drive home tired, and wake up five hours later to come to work and do it all over again.
“... sweets?”
They look up to Monty, sight still a little unclear. He looks worried. He looks scared. They don’t think they’ve ever seen him scared. He tentatively takes their hands, prying the fabric away before they rip something.
They stay there, Monty kneeling, Handler sitting, staring at each other. Lost, scared, confused. Neither quite sure what to say.
“I wanna go home,” they eventually settle on. They can see the resolve in Monty crack.
“I know, sweets.” He rubs their knuckles again. They’re disturbed by how little they can feel of it. “I’m so sorry they did this to you.”
They want to tell him that it wasn’t his fault, that he has nothing to be sorry for, but the words don’t come to them. So, instead, they sit in silence. Awful, dreadful silence.
Eventually, Monty stands, still holding their hands in his. “You’ve gotta be getting… tired,” he murmurs. “Here, I’ll show you how to get charged.”
His Handler know how. They’ve helped Monty settle in to get charged a million times. But it’s different now. They need to charge. Their battery isn’t running low, they don’t think anyway, but the emotional drain is enough for them to take the carefully offered out. Monty gets them set up, gently explaining things as he goes, like what it’s going to feel like at first and how entering standby will kind of feel like sleeping (at least, what he’s pretty sure sleeping feels like). When everything is said and done, and Monty is sure they’ll be out for a while, he turns to eye the big door that separates his room from the rest of the Pizzaplex.
His curtains are closed, and he’s going to make sure it stays that way. For a long time.
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I have, a genuine question for you. Do you acknowledge the racism in the original AYTD or at least know about it? Like how MsKingBean uses slurs and racist stereotypes?
hey, so, i'm a bit apprehensive about answering this because...it doesn't feel like a very geniune question to me, if i'm being honest. "do you acknowledge x thing" is a question that is inherently set up so that i'm meant to answer "yes, i acknowledge that x thing is true," because the alternative is saying "no, i don't acknowledge that x thing is true," which is already framing this interaction as if to disagree with you would be a kind of failure on my part to do some due diligence of engaging critically with a text. and the fact that you say mskingbean89 used slurs in atyd shows me that you haven't even engaged with the text, because that simply...isn't true.
if what you're referring to when you say "slurs" is the anti-romani stereotypes--this is coming from an extra chapter in the bootleg tapes focusing on greyback, where there is a slur used to describe his living situation + he + his family were portrayed as nomadic irish people in a way that was insensitive. people who read that chapter and then went back to the canon story with that characterization in mind rightfully pointed out that it was fucked-up. mskingbean89 addressed those criticisms by adding this note to the beginning of that bootleg chapter:
personally, i think this was a good way to take accountability + acknowledge the mistakes she made with that portrayal. she was a human being who made an ignorant mistake, which then just happened to get absolutely blasted to millions of people--she did not have sensitivity readers or editors looking over her fanfiction, because she did not write it expecting it to reach the level of popularity that it has. to be honest, i am not really sure how she could have better acknowledged her mistake, aside from just....not having made it in the first place. she explains her intentions without acting as though that intent cancels out harm, owns up to the fact that the stereotyping was harmful regardless of intention, and provides resources to learn while also committing to be more mindful + educate herself moving forward. honestly, that's exactly the response i would hope to see from someone who makes a mistake like this one.
i agree with you that people reading atyd should acknowledge + understand the racism regarding romani stereotypes stemming from that bootleg chapter, which is why i think it's great that there is a note literally built into the beginning of that chapter acknowledging it! but i feel as though there's been this like...game of telephone happening online when it comes to atyd, where there are now people who have never even read the story talking about things that quite literally do not appear in the base text itself. i've also seen people acting as though mkb herself did not address these issues when they were raised to her, which is just...patently false.
and so what i'm wondering here is what you're looking for from me when you ask a question like "do you acknowledge the racism in atyd." anyone who actually reads the texts has to acknowledge the racism in that bootleg chapter, because mkb puts that acknowledgment front and center at the beginning. and also like...in the part of the fandom i'm in, in the conversations i've listened to or taken part of regarding atyd, people have acknowledged the issues with that bootleg chapter and the ways it reflects back on the main story. so what do you mean by "acknowledge" when so many people, including mkb herself, have already... acknowledged it? what action are you calling for, and who are you calling for it from?
because like. if what u actually want to say here is that atyd is Irredeemably Problematic and we should all like....shun it? universally agree that it's Bad? then it's just like. it is up to each individual reading the story to decide whether that specific portrayal of greyback in the bootleg chapters is something that ruins the story completely for them or whether they still think the story as a whole holds worth. personally, i feel like i can acknowledge that there are issues with mkb's portrayal of greyback and i need to be mindful of that when reading the story so as not to internalize harmful stereotypes while still finding atyd to be a masterpiece that really beautifully deals with a lot of nuanced issues regarding class and disability and systems of power. this is just part of thinking critically when you read; many famous and beloved works of fiction contain the biases of their authors or have mistakes or issues in the way they portray things that are a product of ignorance. and i know everyone reading marauders fanfiction should understand this, because if u genuinely think that a character being negatively stereotyped means u should throw the entire work in the trash, then none of u would be touching harry potter fanfiction with a five foot pole in the first place.
so, anon - if you have actually read atyd, and there are issues with racism that you have found that i am unaware of, and not just telephone-game twitter posts of people taking shit out of context that you're accepting as truth without bothering to engage with the work yourself--if you want to have a real conversation about it, i would invite you to come to me as an actual person and not an anonymous ghost in my inbox. my dms are open, but when it comes to talking about serious issues, i tend to find it more genuine if the person coming to me actually cares enough and believes in what they're saying enough to say it as themself. and if you haven't read atyd and are just parroting things you've heard other people say online then i would invite you to actually sit down and read the work and form your own opinions on it before getting back to me. i know that might sound harsh, but honestly i'm just completely fed-up at this point with all the bad-faith takes and misinformation that i've seen people spreading about atyd just because they think it's cool to dislike a popular thing.
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