#Roméo et Juliette de la Haine a L'amour | Explore Tumblr Posts and Blogs

dum-spiro-spero99 · 5 days

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MY ROMAN EMPIRE: 2010S "HISTORICAL" MEDIA

#mlor #mozart l'opera rock #mozalieri #will #kit marlowe #jamie campbell bower #da vinci's demons #leario #romeo e giuleitta ama e cambia il mondo #mercutio #romeo #musical #french musical #romeo and juliet #Roméo et Juliette: de la Haine à l'Amour #Roméo et Juliette

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none-ofthisnonsense · 8 months

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Roméo et Juliette : de la haine à l'amour is so so so so so so so so so so so good

It's Elisabeth level. Maybe better.

#roméo et juliette de la haine à l'amour

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libertastandem · 2 years

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French musicals >

#dracula l'amour plus fort que la mort #dracula #notre dame de paris #roméo et juliette de la haine à l'amour #roméo et juliette

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prizzi-la · 3 months

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Malleus & La Mort

Here is the finished drawing; I enjoyed making it<3.

Just as I mentioned, I was going to explain something about this OC that appears behind Malleus. This female character doesn't have a specific name; she is simply the representation of "Death" ("La Mort" in French) in this alternate universe based of Twisted Wonderland.

While she doesn't interact directly with the characters, she does engage with some of them in a way that shows her interest, but it's more about guiding them to the afterlife.

To make things more interesting, she is intrigued by Malleus, but it's always challenging for "La Mort" to take those of Malleus's species. However, her interest extends beyond Malleus; "Mort" shows interest in other characters to guide them, including Yuude (My Yuu). However, no one can see her... at least until the moment she completes her work.

A way to better understand the interaction of this OC is to give you an example from a beautiful French musical, "Roméo et Juliette: de la Haine à l'Amour" from 2001.

Postscript, if you enjoy musicals, I recommend "Roméo et Juliette"; it's very beautiful<3 Besides, I'll be incorporating some references from that musical into my Twisted Wonderland fanfic.

In the following days, I might upload some attempts at manga/comics.

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bestmusicalworldcup · 1 year

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A previous version of this poll had an error and will not be counted.

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theghostparty · 4 months

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Roméo et Juliette: de la Haine à l'Amour - Redesign - 2024

To understand my completely unnecessary desire to redesign a musical that is over twenty years old, you have to understand that Romeo et Juliette is my Roman Empire. Long explanation under the break.

I wanted this design to be an homage in the silliest way possible.

I really leant into the sensibilities of original costume designer Dominique Borg, who used contemporary colour and technique and applied it to historical (or pseudo-historical) silhouettes.

Broadly, I wanted the Montagues to feel English in their shapes--Elizabethan doublets, high necklines, and ruffs, in homage to Shakespeare and the source text. They're all leather, denim, silver hardware--a little bit punk with status.

The Capulets would be deeply Italian Renaissance in their silhouettes, in reference to the setting of the play. They're all velvets, lace, chiffon, satins, and gold hardware--giving them an airiness of the Mediterranean while still allowing some drape here and there.

I wanted each family to have a slightly more broad palette than most versions afford them--which is why the Montagues have a smattering of green and magenta while the Capulets play with some soft yellows and lavenders.

The ball scene is largely Arthurian in inspiration--just because I took the idea of "what would the 1500s consider vintage and costume-y in the same way we think of the Victorian era" and ran away with it. There's also some silly Y2K nonsense because I rewatched the "On dit dans la rue" music video and thought "What if the Capulets threw this big Arthurian affair with full elegance and the Montagues cobbled together some gay club outfits circa 1998 fits out of a suit of armour."

FINALLY, I wanted Roméo and Juliette to take on elements of each other's family's style and colours for the end of the play--because to be loved is to be changed.

So here is a breakdown of my choices for each of the looks.

Un Jour: Here we see Roméo in his base look. It's a two-tone patent leather double with multiple zipper details. The peplum is criss-crossed zippers. The wings over the shoulder seams are edged with zipper teeth. The ruff detail at the neckline is also edged with zipper teeth. He has along zipper across the front of his boot like he's trying to be the next Sailor Moon. I don't know y'all. I went a little feral with trying to figure out all the places I could put zippers in.

Juliette is the most juvenile looking in Un Jour. I imagine that in this scene, she's being dressed by her family instead of her own volition.

She's in an asymmetrical, empire-waisted gown that is likely a brocaded or printed silk. Her chemise is a sheer lavender georgette or chiffon that peaks through the lacing at the shoulders and along the upper arms. She has a velvet choker and velvet belt and a heavily stoned velvet headband. Her hairstyling (it would have to be a wig, it would be NUTS to not make this a wig) is an homage to the open-weave Juliet caps that were similar to nets worn in the period on hair. Italy was, fun fact, one of the few countries where women didn't cover their hair during the renaissance.

L'amour heureux: As I explained above, Roméo's outfit is so silly. The wrap around glasses. The one arm of armour. The sheer, stoned period shirt. The gold brocade on the trousers. The pearl earring. The many, unnecessary belts. Bless this mess. It's also a cheeky little nod to Baz Lurhmann's Romeo + Juliet.

Juliette is, ostensibly, cosplaying as Guinevere or Lady Macbeth or Ophelia or any number of Middle Ages women. The ball is the Capulet's opportunity to really sell their daughter as marriage material so I wanted the look to feel bridal, hence the veil. I wanted to give reference to exaggerated surcote sleeves without actually doing them, hence the sleeve-into-glove and bow detailing with trails down to the floor. There is also a hint of yellow chemise underneath, which is actually just her Le balcon look underdressed for ease of the quick change (yes, I did think about this.) The dress is velvet with one panel of lace in-set into the underskirt. The bows are satin-face organza.

Le balcon: Romeo would change into his base again (during Le Poète). Juliette is in a simple yet totally impractical sheer chemise + slip combo. I wanted this soft yellow for this sequence because I always think about the lines "O she doth teach the torches to burn bright!" and "But soft! What light through yonder window breaks?/It is the east and Juliet is the sun" when it comes to describing her. The chemise would likely be a chiffon, while the slip would be silk.

Aimer: I say this with my whole chest--I hate how they changed the palette for Aimer in the 2010 production. I want my lovers soft and angelic and matching in this moment of union. Here we see a bit more of Romeo's lace shirt--his sleeves are laced like Juliette's in the first look. His doublet, trouser, boot combo are off-white leather in homage to the original production. Juliette's dress has a similar train length to her ball look (again, bridal) and we see the neckline creep up into a ruff (Elizabethan, rather than Italian). Lots of sheer net and lace with cream bridal satin as a skirt. Tiered sleeves. A little circlet on her head.

Le poison: Honestly? Just wanted her to have another outfit change before her death dress as a transitional choice. There's so much more of the purple in this look because it's going to take us into the blue elements of the final dress.

La mort de Roméo/Juliette: Again. To be loved is to be changed. Juliette has a dropped waistline, a high neckline and ruff, and a heart shaped cut-out detail (see: boob window). She's straight up in blue, and all the sweet and soft pinks of her youth are gone. Romeo has lost his high neckline, ruff, wins, and peplum in favour of a shorter Italian silhouette. He's asymmetrical (a call-back to Juliette's asymmetry) and all the edging detail is done in red. Mantua as a setting is patchworked, torn, and dirty, so I imagine the doublet is pieced together from scraps of jersey (so it's drippy and sad and hangs off him in a lovely manner).

#romeo et juliette #damien sargue #cecilia cara #joyce draws #retj redesign 2024 #retj #this is the most unhinged thing I have ever dreamed up #anyways more to come soon #will probably do mercutio and the prince and benvolio and tybalt together as one post #did little 14 year old joyce think this is what she would STILL be talking about? nO #also if you've ever wondered what my costume design process looks like it's this

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calimera62 · 10 months

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#upthebaguette #la face française de tumblr #comédie musicale #tumblr polls #musical #n'hésitez pas à rt pour partager au plus grand nombre #je suis sincèrement curieuse du résultat

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damerkulova · 2 months

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Blue dawn

( the song is completely random, I just associate it with the dawn time 👉👈 )

#aesthetic #nature #dawn #blue #Spotify

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doitinanotherlanguage · 2 years

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Week 2 | Day 5 | Langblr Reactivation Challenge

Here are two songs in all of my languages - enjoy! 🎵

Finnish

Antti Tuisku - Valittu kansa (”The Chosen People”)

Maustetytöt - Ne tulivat isäni maalle (”They Came to My Father’s Lands”)

English

Sam Fender - Seventeen Going Under

Hotel Mira - Speaking Off The Record

Spanish

Residente ft. Ibeyi - This Is Not America

Miss Caffeina - Otoño y mariposas (”Autumn and Butterflies”)

Swedish

Laleh - Vatten (”Water”)

Myra Granberg - HFK (Håll käften & försvinn) (”Shut Up And Disappear”)

Korean

송지은 (Song Jieun) - 쳐다보지마 (Don’t Look At Me Like That)

이하이 (Lee Hi) - 한숨 (Breathe)

French

Sidoine - On ne vit qu'une fois (”You Only Live Once”)

Les Rois du monde (”The Kings of the World”) from Roméo et Juliette de la Haine à l'Amour

Chinese

鄭興 (Xing Zheng) - 過於喧囂的孤獨 (Too Loud a Solitude)

痛仰樂隊 (Miserable Faith) - 冲锋队 (”Stormtroopers”)

#thank you eraandlanguages for reccing Myra Granberg!#langblr reactivation challenge

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mostly-mundane-atla · 2 years

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If you still need convincing that a version of Roméo et Juliette: de la Haine à l'Amour about Oma and Shu would slap, consider Le Poison, the song where Juliette takes the death-faking potion, worried it might kill her for real, but putting her faith in it as her last option.

Original French production version with English subtitles embedded below:

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And a multi-language edit

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#other interests #roméo et juliette #suicide mention #tho tbh i feel like it should go without saying when talking about an adaptaion of a story that famously ends in a double suicide #i've always loved singing this one #something about the overlapping *où vont les / où vont les / rêves des amants*#i ended up watching a behind the scenes video and saw footage them recording the album version of the song #it struck me as so sad that Tybalt and Mercutio were part of the chorus #and i imagined a staging where they show up after their deaths as ghosts and extensions of la mort #Youtube

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karaoketracks · 2 months

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On dit dans la rue by Roméo et Juliette, de la haine à l'amour Custom Mix Backing Track

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verychaotictired · 2 months

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Rewatched Roméo et Juliette: de la haine à l'amour (the French musical from 2001) and I HAD to make a gif of Roméo and Juliette's hand when first meeting at the dannnnnnnce aaaaaaaaahhh.

#!!vamaer!!#!!zellica!!

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none-ofthisnonsense · 2 months

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Je regarde (enfin) Roméo et Juliette de la haine à l'amour and all the time it's just. Benvolio mon amour

#roméo il est trop dramatique je peux pas #roméo et juliette #roméo et juliette de la haine à l'amour

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kit-kat-24601 · 4 years

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