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#Look psychology
drulalovescas · 2 months
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that's it. that's the whole show
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AND BONUS
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being nonbinary in a world that refuses to acknowledge more than 2 genders is weird bc like. i've literally found myself thinking "what if i go on hormones so my parents misgender me but in a different way"
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goryhorroor · 2 months
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horror sub-genres: psychological
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kimwexlersponytail · 5 months
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No. No. Just tell me what I need to do to change, okay? Just tell me what it is and i'll do it. Jimmy. No, Kim. You make me happy. We make each other happy. How can that be bad? Hey... I love you. I love you, too. But so what?
McWexler in Every Season
SEASON SIX
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mitskiluvr · 4 months
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sorry i’m a megumi apologist because i, too, would lay on the floor crying and throwing up if i was just forced to watch my own hands tear apart my sister and the man who raised me
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hypewinter · 7 months
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Jazz wasn't crazy. People might argue that burning her childhood home to the ground with her parents still inside would be an indicator of insanity. But how else was she supposed to react after coming back home from college to find out her parents had brutally killed her brother via vivisection?
Dying her hair blonde wasn't crazy either before anyone asked. Plenty of girls dyed their hair when they needed a change. Besides, she could never live with herself if she kept the same hair color as that vile woman.
Admittedly Jazz would have to secede moving to Gotham had been a little crazy but it was the perfect place to start fresh and blend in despite her "quirks". She had even picked out a nice new identity for herself.
Clearly Jazz was not crazy as she had managed to land a job at Arkham Asylum as a psychiatrist. If she were really insane would they have ever hired her? No they wouldn't have.
Jazz was not crazy. She was very much sane. Just like her precious Mr. J.
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waywardstation · 8 months
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we know akari like to pull physical pranks on ingo but when are we getting akari going up go ingo and saying something like “did you know 100% of pokemon-related accidents happen because of a pokemon” and then just walking away. psychologically torture that old man
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When the two are first introduced to each other by Irida, Akari is understandably a little standoffish with him, and really says nothing to him. He’s a stranger, she may be shy, and Ingo’s aware he can seem a little unapproachable. So he tries to do what he can to seem less so whenever she’s stuck around him.
But after getting to a certain point of comfortability around him, Akari just started saying stuff like this to him all the time with no warning. Ingo realizes she was not shy, she just had a very strong social filter that she now decided to drop around him.
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equill · 1 month
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Another Otsutsuki?!
we’re messing up the timeline for this one. (I lost this crack idea but then it came back… the abyss stare back and I jumped in.)
anyways, now some kids meeting the new kid
Panel 1: There’s something wrong here.
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Comic 1: Attention.
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they’re both in the same boat
Comic 2: Day Off (with confusion.)
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he just a little insecure,, (kakashi still told him to get it together)
back to the future now
Comic 3: What. (huh?)
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Panel 2: very tiny.
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stuckinapril · 7 days
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Just a girl who wants to be her mother’s daughter in the ways that matter
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pratchettquotes · 9 months
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That was the thing about witches. They were, according to Granny Weatherwax, "people what looks up." She didn't explain. She seldom explained. She didn't mean people who looked at the sky; everyone did that. She probably meant that they looked up above the everyday chores and wondered, "What's all this about? How does it work? What should I do? What am I for?" And possibly even: "Is there anything worn under the kilt?"
Terry Pratchett, Wintersmith
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whetstonefires · 10 months
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Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?
I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.
So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.
What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.
Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!
But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.
There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.
The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.
Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.
Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.
The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.
Incels, basically.
It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?
So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.
He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.
So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.
But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.
And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.
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Talented but arrogant,
perfect and a show-off,
dominates the stage every time they show up.
is one my favorite kind of whumpees ever; when something went wrong a long, long time ago and they've been trying to hide it.
All the subtle cues that something is wrong - disappearing randomly for a few minutes, strange responses to everyday things, bruises appearing out of nowhere, >>>>things they always did that looked like childish swagger but actually it was for different reasons<<<<
There whumpee stays nonchalant and sticks their chin high up in the air while important things are given up, they're worn and tired, and the insides of their life turns into an absolute mess, yet things just keep getting worse and worse
And everything slowly swings out of control and whumpee is desperately trying to pull themselves back together and despite caretaker begging them to let it go - arrogant, stubborn whumpee refuses
So when everything finally falls apart in the worst way possible - when they faint in the middle of their job performance, when they crack and start shouting, when they're caught coughing blood on national TV, when voice recordings of their torment get sent to their family and friends
my god it's perfect
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syn0vial · 3 months
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funniest part about the bounty hunter wars by K.W jeter is how palpatine thinks he's screwing boba fett over by hiring him to take down the bounty hunters' guild, completely ignorant to the fact that boba is a sicko who thinks making himself public enemy #1 of every bounty hunter in the galaxy sounds like the most fun he's had in ages.
it's literally like,
palpatine: that fool boba fett doesn't know that he is but a pawn in my nefarious plot to sow desperation and discord among the bounty hunters of the galaxy. he will be completely unprepared for the torrent of violence and retribution he is about to unleash upon himself. how wonderful it is to make a creature complicit in the workings of its own destruction! >:) boba, like 2 pages later: i can't wait to sow desperation and discord among the bounty hunters of the galaxy 😊 it's going to be sooo fun when my actions unleash a torrent of violence and retribution against me 😃 can't wait!
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bdoubleowo · 9 months
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Got super bored in a college lecture and suddenly treebark had possessed me
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squidkidnerd · 3 months
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man, the concept of grayscaling is So Interesting. like... it's depression? but it's also Not. you're trapped, you're complacent, you're safe. you hallucinate a colorless simulation half the time you're awake. you walk through the world like it's fine, and it's normal, and you're fine but everything isn't fine and maybe your friends know or maybe they don't but either way it's not like they can do anything... do you even want them to? is it a bad thing, really, to be like this? to be protected from everything and everyone that could hurt you? there's no joy in it, but no pain, either. the only constant is constancy, and that means you're safe. safe. safe from everything.
is it really worth it?
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rooolt · 1 year
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Nice to see that tonight’s game changer will be more psychological torture of brennan lee mulligan
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