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badnewswhatsleft · 2 months

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2023 september - rock sound #300 (fall out boy cover) scans

transcript below cut!

WHAT A TIME TO BE ALIVE

With the triumphant ‘So Much (For) Stardust’ capturing a whole new generation of fans, Fall Out Boy are riding high, celebrating their past while looking towards a bright future. Pete Wentz and Patrick Stump reflect on recent successes and the lessons learned from two decades of writing and performing together.

WORDS: James Wilson-Taylor PHOTOS: Elliot Ingham

You have just completed a US summer tour that included stadium shows and some of your most ambitious production to date. What were your aims going into this particular show?

PETE: Playing stadiums is a funny thing. I pushed pretty hard to do a couple this time because I think that the record Patrick came up with musically lends itself to that feeling of being part of something larger than yourself. When we were designing the cover to the album, it was meant to be all tangible, which was a reaction to tokens and skins that you can buy and avatars. The title is made out of clay, and the painting is an actual painting. We wanted to approach the show in that way as well. We’ve been playing in front of a gigantic video wall for the past eight years. Now, we wanted a stage show where you could actually walk inside it.

Did adding the new songs from ‘So Much (For) Stardust’ into the setlist change the way you felt about them?

PATRICK: One of the things that was interesting about the record was that we took a lot of time figuring out what it was going to be, what it was going to sound like. We experimented with so many different things. I was instantly really proud. I felt really good about this record but it wasn’t until we got on stage and you’re playing the songs in between our catalogue that I really felt that. It was really noticeable from the first day on this tour - we felt like a different band. There’s a new energy to it. There was something that I could hear live that I couldn’t hear before.

You also revisited a lot of older tracks and b-sides on this tour, including many from the ‘Folie à Deux’-era. What prompted those choices?

PETE: There were some lean years where there weren’t a lot of rock bands being played on pop radio or playing award shows so we tried to play the biggest songs, the biggest versions of them. We tried to make our thing really airtight, bulletproof so that when we played next to whoever the top artist was, people were like, ‘oh yeah, they should be here.’ The culture shift in the world is so interesting because now, maybe rather than going wider, it makes more sense to go deeper with people. We thought about that in the way that we listen to music and the way we watch films. Playing a song that is a b-side or barely made a record but is someone’s favourite song makes a lot of sense in this era. PATRICK: I think there also was a period there where, to Pete’s point, it was a weird time to be a rock band. We had this very strange thing that happened to us, and not a lot of our friends for some reason, where we had a bunch of hits, right? And it didn’t make any sense to me. It still doesn’t make sense to me. But there was a kind of novelty, where we could play a whole set of songs that a lot of people know. It was fun and rewarding for us to do that. But then you run the risk of playing the same set forever. I want to love the songs that we play. I want to care about it and put passion into what we do. And there’s no sustainable way to just do the same thing every night and not get jaded. We weren’t getting there but I really wanted to make sure that we don’t ever get there. PETE: In the origin of Fall Out Boy, what happened at our concerts was we knew how to play five songs really fast and jumped off walls and the fire marshal would shut it down. It was what made the show memorable, but we wanted to be able to last and so we tried to perfect our show and the songs and the stage show and make it flawless. Then you don’t really know how much spontaneity you want to include, because something could go wrong. When we started this tour, and we did a couple of spontaneous things, it opened us up to more. Because things did go wrong and that’s what made the show special. We’re doing what is the most punk rock version of what we could be doing right now.

You seem generally a lot more comfortable celebrating your past success at this point in your career.

PETE: I think it’s actually not a change from our past. I love those records, but I never want to treat them in a cynical way. I never want there to be a wink and a smile where we’re just doing this because it’s the anniversary. This was us celebrating these random songs and we hope people celebrate them with us. There was a purity to it that felt in line with how we’ve always felt about it. I love ‘Folie à Deux’ - out of any Fall Out Boy record that’s probably the one I would listen to. But I just never want it to be done in a cynical way, where we feel like we have to. But celebrating it in a way where there’s the purity of how we felt when we wrote the song originally, I think that’s fucking awesome. PATRICK: Music is a weird art form. Because when you’re an actor and you play a character, that is a specific thing. James Bond always wears a suit and has a gun and is a secret agent. If you change one thing, that’s fine, but you can’t really change all of it. But bands are just people. You are yourself. People get attached to it like it’s a story but it’s not. That was always something that I found difficult. For the story, it’s always good to say, ‘it’s the 20th anniversary, let’s go do the 20th anniversary tour’, that’s a good story thing. But it’s not always honest. We never stopped playing a lot of the songs from ‘Take This To Your Grave’, right? So why would I need to do a 20-year anniversary and perform all the songs back to back? The only reason would be because it would probably sell a lot of tickets and I don’t really ever want to be motivated by that, frankly. One of the things that’s been amazing is that now as the band has been around for a while, we have different layers of audience. I love ‘Folie à Deux’, I do. I love that record. But I had a really personally negative experience of touring on it. So that’s what I think of when I think of that record initially. It had to be brought back to me for me to appreciate it, for me to go, ‘oh, this record is really great. I should be happy with this. I should want to play this.’ So that’s why we got into a lot of the b-sides because we realised that our perspectives on a lot of these songs were based in our feelings and experiences from when we were making them. But you can find new experiences if you play those songs. You can make new memories with them.

You alluded there to the 20th anniversary of ‘Take This To Your Grave’. Obviously you have changed and developed as a band hugely since then. But is there anything you can point to about making that debut record that has remained a part of your process since then?

PETE: We have a language, the band, and it’s definitely a language of cinema and film. That’s maintained through time. We had very disparate music tastes and influences but I think film was a place we really aligned. You could have a deep discussion because none of us were filmmakers. You could say which part was good and which part sucked and not hurt anybody’s feelings, because you weren’t going out to make a film the next day. Whereas with music, I think if we’d only had that to talk about, we would have turned out a different band. PATRICK: ‘Take This To Your Grave’, even though it’s absolutely our first record, there’s an element of it that’s still a work in progress. It is still a band figuring itself out. Andy wasn’t even officially in the band for half of the recording, right? I wasn’t even officially the guitar player for half of the recording. We were still bumbling through it. There was something that popped up a couple times throughout that record where you got these little inklings of who the band really was. We really explored that on ‘From Under The Cork Tree’. So when we talk about what has remained the same… I didn’t want to be a singer, I didn’t know anything about singing, I wasn’t planning on that. I didn’t even plan to really be in this band for that long because Pete had a real band that really toured so I thought this was gonna be a side project. So there’s always been this element within the band where I don’t put too many expectations on things and then Pete has this really big ambition, creatively. There’s this great interplay between the two of us where I’m kind of oblivious, and I don’t know when I’m putting out a big idea and Pete has this amazing vision to find what goes where. There’s something really magical about that because I never could have done a band like this without it. We needed everybody, we needed all four of us. And I think that’s the thing that hasn’t changed - the four of us just being ourselves and trying to figure things out. Listening back to ‘Folie’ or ‘Infinity On High’ or ‘American Beauty’, I’m always amazed at how much better they are than I remember. I listened to ‘MANIA’ the other day, and I have a lot of misgivings about that record, a lot of things I’m frustrated about. But then I’m listening to it and I’m like ‘this is pretty good.’ There’s a lot of good things in there. I don’t know why, it’s kind of like you can’t see those things. It’s kind of amazing to have Pete be able to see those things. And likewise, sometimes Pete has no idea when he writes something brilliant, as a lyricist, and I have to go, ‘No, I’m gonna keep that one, I’m gonna use that.’

On ‘So Much (For) Stardust’, you teamed up with producer Neal Avron again for the first time since 2008. Given how much time has passed, did it take a minute to reestablish that connection or did you pick up where you left off?

PATRICK: It really didn’t feel like any time had passed between us and Neal. It was pretty seamless in terms of working with him. But then there was also the weird aspect where the last time we worked with him was kind of contentious. Interpersonally, the four of us were kind of fighting with each other… as much as we do anyway. We say that and then that myth gets built bigger than it was. We were always pretty cool with each other. It’s just that the least cool was making ‘Folie’. So then getting into it again for this record, it was like no time has passed as people but the four of us got on better so we had more to bring to Neal. PETE: It’s a little bit like when you return to your parents’ house for a holiday break when you’re in college. It’s the same house but now I can drink with my parents. We’d grown up and the first times we worked with Neal, he had to do so much more boy scout leadership, ‘you guys are all gonna be okay, we’re gonna do this activity to earn this badge so you guys don’t fucking murder each other.’ This time, we probably got a different version of Neal that was even more creative, because he had to do less psychotherapy. He went deep too. Sometimes when you’re in a session with somebody, and they’re like, ‘what are we singing about?’, I’ll just be like, ‘stuff’. He was not cool with ‘stuff’. I would get up and go into the bathroom outside the studio and look in the mirror, and think ‘what is it about? How deep are we gonna go?’ That’s a little but scarier to ask yourself. If last time Neal was like a boy scout leader, this time, it was more like a Sherpa. He was helping us get to the summit.

The title track of the album also finds you in a very reflective mood, even bringing back lyrics from ‘Love From The Other Side’. How would you describe the meaning behind that title and the song itself?

PETE: The record title has a couple of different meanings, I guess. The biggest one to me is that we basically all are former stars. That’s what we’re made of, those pieces of carbon. It still feels like the world’s gonna blow and it’s all moving too fast and the wrong things are moving too slow. That track in particular looks back at where you sometimes wish things had gone differently. But this is more from the perspective of when you’re watching a space movie, and they’re too far away and they can’t quite make it back. It doesn’t matter what they do and at some point, the astronaut accepts that. But they’re close enough that you can see the look on their face. I feel like there’s moments like that in the title track. I wish some things were different. But, as an adult going through this, you are too far away from the tether, and you’re just floating into space. It is sad and lonely but in some ways, it’s kind of freeing, because there’s other aspects of our world and my life that I love and that I want to keep shaping and changing. PATRICK: I’ll open up Pete’s lyrics and I just start hearing things. It almost feels effortless in a lot of ways. I just read his lyrics and something starts happening in my head. The first line, ‘I’m in a winter mood, dreaming of spring now’, instantly the piano started to form to me. That was a song that I came close to not sending to the band. When I make demos, I’ll usually wait until I have five or six to send to everybody. I didn’t know if anyone was gonna like this. It’s too moody or it’s not very us. But it was pretty unanimous. Everyone liked that one. I knew this had to end the record. It took on a different life in the context of the whole album. Then on the bridge section, I knew it was going to be the lyrics from ‘Love From The Other Side’. It’s got to come back here. It’s the bookends, but I also love lyrically what it does, you know, ‘in another life, you were my babe’, going back to that kind of regret, which feels different in ‘Love From The Other Side’ than it does here. When the whole song came together, it was the statement of the record.

Aside from the album, you have released a few more recent tracks that have opened you up to a whole new audience, most notably the collaboration with Taylor Swift on ‘Electric Touch’.

PETE: Taylor is the only artist that I’ve met or interacted with in recent times who creates exactly the art of who she is, but does it on such a mass level. So that’s breathtaking to watch from the sidelines. The way fans traded friendship bracelets, I don’t know what the beginning of it was, but you felt that everywhere. We felt that, I saw that in the crowd on our tour. I don’t know Taylor well, but I think she’s doing exactly what she wants and creating exactly the art that she wants to create. And doing that, on such a level, is really awe-inspiring to watch. It makes you want to make the biggest, weirdest version of our thing and put that out there.

Then there was the cover of Billy Joel’s ‘We Didn’t Start The Fire’, which has had some big chart success for you. That must have taken you slightly by surprise.

PATRICK: It’s pretty unexpected. Pete and I were going back and forth about songs we should cover and that was an idea that I had. This is so silly but there was a song a bunch of years ago I had written called ‘Dark Horse’ and then there was a Katy Perry song called ‘Dark Horse’ and I was like, ‘damn it’, you know, I missed the boat on that one. So I thought if we don’t do this cover, somebody else is gonna do it. Let’s just get in the studio and just do it. We spent way more time on those lyrics than you would think because we really wanted to get a specific feel. It was really fun and kind of loose, we just came together in Neal’s house and recorded it in a day. PETE: There’s irreverence to it. I thought the coolest thing was when Billy Joel got asked about it, and he was like, ‘I’m not updating it, that’s fine, go for it.’ I hope if somebody ever chose to update one of ours, we’d be like that. Let them do their thing, they’ll have that version. I thought that was so fucking cool.

It’s also no secret that the sound you became most known for in the mid-2000s is having something of a commercial revival right now. But what is interesting is seeing how bands are building on that sound and changing it.

PATRICK: I love when anybody does anything that feels honest to them. Touring with Bring Me The Horizon, it was really cool seeing what’s natural to them. It makes sense. We changed our sound over time but we were always going to do that. It wasn’t a premeditated thing but for the four of us, it would have been impossible to maintain making the same kind of music forever. Whereas you’ll play with some other bands and they live that one sound. You meet up with them for dinner or something and they’re wearing the shirt of the band that sounds just like their band. You go to their house and they’re playing other bands that sound like them because they live in that thing. Whereas with the four of us and bands like Bring Me The Horizon, we change our sounds over time. And there’s nothing wrong with either. The only thing that’s wrong is if it’s unnatural to you. If you’re AC/DC and all of a sudden power ballads are in and you’re like, ‘Okay, we’ve got to do a power ballad’, that’s when it sucks. But if you’re a thrash metal guy who likes Celine Dion then yeah, do a power ballad. Emo as a word doesn’t mean anything anymore. But if people want to call it that, if the emo thing is back or having another life again, if that’s what’s natural to an artist, I think the world needs more earnest art. If that’s who you are, then do it. PETE: It would be super egotistical to think that the wave that started with us and My Chemical Romance and Panic! At The Disco has just been circling and cycling back. I remember seeing Nikki Sixx at the airport and he was like, ‘Oh, you’re doing a flaming bass? Mine came from a backpack.’ It keeps coming back but it looks different. Talking to Lil Uzi Vert and Juice WRLD when he was around, it’s so interesting, because it’s so much bigger than just emo or whatever. It’s this whole big pop music thing that’s spinning and churning, and then it moves on, and then it comes back with different aspects and some of the other stuff combined. When you’re a fan of music and art and film, you take different stuff, you add different ingredients, because that’s your taste. Seeing the bands that are up and coming to me, it’s so exciting, because the rules are just different, right? It’s really cool to see artists that lean into the weirdness and lean into a left turn when everyone’s telling you to make a right. That’s so refreshing. PATRICK: It’s really important as an artist gets older to not put too much stock in your own influence. The moment right now that we’re in is bigger than emo and bigger than whatever was happening in 2005. There’s a great line in ‘Downton Abbey’ where someone was asking the Lord about owning this manor and he’s like, ‘well, you don’t really own it, there have been hundreds of owners and you are the custodian of it for a brief time.’ That’s what pop music is like. You just have the ball for a minute and you’re gonna pass it on to somebody else.

We will soon see you in the UK for your arena tour. How do you reflect on your relationship with the fans over here?

PETE: I remember the first time we went to the UK, I wasn’t prepared for how culturally different it was. When we played Reading & Leeds and the summer festivals, it was so different, and so much deeper within the culture. It was a little bit of a shock. The first couple of times we played, I was like, ‘Oh, my God, are we gonna die?’ because the crowd was so crazy, and there was bottles. Then when we came back, we thought maybe this is a beast to be tamed. Finally, you realise it’s a trading of energy. That made the last couple of festivals we played so fucking awesome. When you really realise that the fans over there are real fans of music. It’s really awesome and pretty beautiful. PATRICK: We’ve played the UK now more than a lot of regions of the states. Pretty early on, I just clicked with it. There were differences, cultural things and things that you didn’t expect. But it never felt that different or foreign to me, just a different flavour… PETE: This is why me and Patrick work so well together (laughs). PATRICK: Well, listen; I’m a rainy weather guy. There is just things that I get there. I don’t really drink anymore all that much. But I totally will have a beer in the UK, there’s something different about every aspect of it, about the ordering of it, about the flavour of it, everything, it’s like a different vibe. The UK audience seemed to click with us too. There have been plenty of times where we felt almost more like a UK band than an American one. There have been years where you go there and almost get a more familial reaction than you would at home. Rock Sound has always been a part of that for us. It was one of the first magazines to care about us and the first magazine to do real interviews. That’s the thing, you would do all these interviews and a lot of them would be like ‘so where did the band’s name come from?’ But Rock Sound took us seriously as artists, maybe before some of us did. That actually made us think about who we are and that was a really cool experience. I think in a lot of ways, we wouldn’t be the band we are without the UK, because I think it taught us a lot about what it is to be yourself.

Fall Out Boy’s ‘So Much (For) Stardust’ is out now via Fueled By Ramen.

#the cover is so funny. like theyre cute but that is genuinely bug angle. that is bugs under a rock angle. THEYRE ALREADY SHORT KINGS #fall out boy #pete wentz #patrick stump #andy hurley #joe trohman #time capsule #read the charts #ANYWAY GO HERE. GO READ HERE. BECAUSE I SPENT A LONG TIME TRANSCRIBING EVEN THO TRNASNCRIBING SUCKKSSS #i looped the spell soundtrack like 5 times and got jusmpscared by track9 every time. and then i put on smfs<3 #patrick's comments about the mythologising of fob lore is so interesting #listen baby i know ur fed up and it's not ur fault but u have to understand. the story of ur band is on some genuine fanfic ass other level #the way they talk about neal avron is sooo funny #imagine being producer for this young band. and theyre brilliant but theyre also twentysomethings(derogatory)#also the way pete talks abt swift. lol. also why does he answer the q when patrick was the one in the studio lol???#ALSO also. pete being afraid of british ppl (valid and true)#and patrick pretty much taking to the uk like a duck to water (also valid and tru) is sooo funny #i rlly liked this interview i wiiiiish i got the bundle w the photobook and whatever but i was way too late :(((((((((

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radioactivepeasant · 4 months

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Snippets: Free Day Thursday PART TWO!

Surprise, now you get Baby Croc stuff that needs no trigger warnings! Still borrowing Star Wars "swears", still not sorry.

Part One Here:

The Slam Dozer rolled to a stop in the midst of the Strider Range. Three Wastelanders stepped out, looking around them for what should have been a missing warrior. There was nothing. No vehicle, no sign of the Wastelander who had activated their beacon.

"Eyes open," their leader grunted, "Could be a trap."

Something moved among the boulders, and the men raised their rifles instantly. In response the pale something shrieked and dropped out of sight. Long ears were still visible from the sides of the rock it had chosen as its hiding place, trembling. Then, as if gathering its courage, it raised its head above the boulder.

The men recoiled.

It looked almost like a human child, but...but not quite. A leathery hide the color of a bloodless corpse, pupils so dilated that no sclera were even visible, horns poking out of wiry gray hair. This was not a human. But it didn't look like an animal, either.

"What the kriff!"

The largest of their number raised his gun, sighting down the barrel onto the creature's forehead.

The leader grabbed the barrel and forced it down.

"Hold your fire!" he snapped.

"But sire, look! The rottin' thing's gotta be a metalhead!"

The third man wrinkled his nose incredulously. "You see any gems on that thing? Strewth, man, I think that's a bloody spirit!"

Their leader eased closer to the rocks, noting with some disquiet that the beacon they'd picked up was in the same direction.

"Who are you?" he demanded, as if the creature could understand him, "Are you friend or foe?"

To the surprise of all three, the creature responded.

In the broken SparSign of an extremely young child, it signed, "I Croc! Help Croc? Help big brother! Help! Help!"

On legs shaped more like a Leaper's than a human's, "Croc" bounded away to crouch over a crumpled form in the sand. This time, it was clearly human.

"Eeeeg. Ep!" The spirit thing made a pitiful squeal and patted the boy’s face.

"Big brothers not get up! Too tired! You help? No hurt!" Suddenly he bared sharp fangs, revealing how he'd gotten his name. "No hurt my brothers! You not Red Armor Crunchies? I eat Red Armor Crunchies."

The men wondered whether they really wanted to find out what a "red armor crunchy" was. Slowly, one hand out in a placating gesture, the leader of the band began to move closer. He kept his eyes on the spirit-child and its human "sibling", ready to halt if they made any sudden moves.

"We will not attack you if you do not attack us," he said to the creature. "Where are your people, little traveler? How have you come to this place?"

The spirit-child nestled closer to the motionless boy and uttered a distressed chittering. "I no know. Fancy bad man say us are monsters and taked us here so us would get dead. I no wanna get dead!"

"Exiles?" The big man murmured to the man with the eyepatch.

"Haven's really gone to the crocadogs," Eyepatch muttered back. "I thought their nature spirits had already abandoned them. Didn't think they were killin' em."

"It ain't a spirit, Drake. Nature spirits don't wear clothes."

"Then what is it? Sure ain't a metalhead, tell you that much."

"Enough," their leader interrupted sternly.

He continued to approach the exiles, one foot in front of the other, and pointed his staff behind him.

"There are others here. Animals. At least one is a species capable of speech -- they may shed some light on this. Drake, get the animals and give them some water. Kleiver, put the boy in the truck. He's still breathing."

The child brightened, losing all trace of his former ferocity as if a switch had been flipped off. "You help? You good guys?"

"We try to be," the man with the staff answered, a little dryly.

As he came to a stop by the bodies, he knelt. The human "big brother" was painfully thin, cheekbones sharp against a face that looked younger than anticipated. He had the same matted hair "Croc" did, as if no one took care of him at all. The refuse of Haven: it was not an uncommon condition for exiles to be found in. But most were older, and either coherent or already dead. This boy was somewhere in between.

"He an' Daxter no answerin' me!" Croc fretted. "Not Bad Guy, you wake him up, okay?"

"Damas. Not "not bad guy"," the man grunted as he took a waterskin from his belt. It was half empty, but it would have to suffice. "If I'm to call you by your name, I request that you do me the same courtesy."

"I no can curtsy, Damas man," Croc answered solemnly, "Tail too heavy."

"I said courtesy, not- nevermind." Damas lifted the human boy's head and poured water into his mouth. "Where did you learn our sign language, little traveler?"

Immediately, the child pointed to the unconscious boy.

More mysteries.

🐊🐊🐊🐊🐊🐊🐊🐊🐊🐊🐊🐊🐊🐊🐊🐊🐊

"Yrrp!"

Jak was rudely reintroduced to consciousness by the full weight of his half-brother...clone...person...slamming into his stomach. His eyes flew open as the breath was driven from him in a pained wheeze. Instinctively, he shoved the scaly child off and rolled to his side, gasping for air. The kid was no lightweight.

"Jak!" Daxter's worried voice cut in over his wheezing, "Are- are you okay?! I tried to keep the menace distracted, but he was going crazy while they took the IV out!"

The what?

Jak slowly opened his eyes and blinked until his vision cleared. They were in a room made of metal and some kind of reddish brown stone, radiating a comforting heat -- nothing like the murderous sun in the desert. Jak made a face.

"Wh- rr?" he rasped, unable to say much more until he'd swallowed several times.

"Off. You could have hurt him," a new voice interrupted, deeper and sterner. It wasn't anyone Jak knew.

Croc chirped indignantly, and then the surface Jak lay on rose slightly as if a weight had been removed. Was he on a mattress? Oh. Yes, he was on a remarkably clean mattress. And for that matter, he seemed to be remarkably clean.

That was...a little disturbing. A lot disturbing, actually. Because Jak knew he hadn't washed himself.

"Cr-oc?" he croaked, and finally rolled back onto his back.

An unnecessarily spiky man stood at the end of the bed holding Croc, bundled up in his arms like a particularly naughty puppy. Croc didn't seem to be too upset about it, which was unusual, seeing as Croc bit anyone who wasn't Jak or Daxter. Even Tess had gotten nipped once.

Jak stared at the weathered warrior at the foot of the bed, and the warrior stared back.

"If this is another mirage, I'm going back to sleep," Jak muttered in a creaking voice.

The man laughed.

It was a crackling, raspy sound, as if he were unused to it.

"If this were a mirage, I wouldn't have to make sure the young goblin here did not undo the monks' hard work to repair your ribs."

"My ribs?"*Jak’s face twisted in confusion. "Nothing was wrong with my ribs."

The stranger fixed him with a measured stare that left him feeling oddly defensive.

"Young man, you had two cracked ribs and three that had healed improperly from past breaks. Surely you noticed that kind of pain!"

The boy's blank stare was dismally telling.

"Nobody cares about cracked ribs as long as you can still fight," Jak grumbled. "I've had worse."

Daxter cringed beside Jak. "He's not wrong. Jak here's been through stuff that would give a metalhead nightmares. Don't uh, don't take it personal, y'know? Him and me, we got raised to think pain only mattered when it happened to someone else."

"Why isn't Croc biting you?" Jak interrupted. "He hates strangers."

"Because biting one's host is not an acceptable way to treat the laws of hospitality," the man answered, then bounced Croc a little higher in his arms. "Is that not so, little one?"

"I not bite the Damas man, that's rude," Croc confirmed. "But I maybe bite the stinky man a little bit."

"No, we don't bite Kleiver either," the man -- Damas? -- corrected firmly. "You don't know where he's been."

"I bite only a little bit!"

"No."

"A just a little bit!"

The man adjusted his hold on Croc, shifting him to his hip as though a half-metalhead baby was a perfectly normal thing to encounter.

"You are not biting Kleiver and that is final."

Then he turned his attention back to Jak.

"This one led me to you and your friend in the desert. I brought you to my city. In return, I expect you to be honest when I ask you some questions."

Jak pushed himself up into a sitting position and grimaced at a faint wave of dizziness. "That's it? Just answer some questions? I don't buy it."

Damas looked annoyed. His lips flattened into a thin line for a moment, and his eyes grew calculating. Then he seemed to come to a decision.

"Answer questions for now. Should you choose to remain in my city, you will be expected to prove that you will contribute to the good of the community and not sit idly while others do the lion's share of the work. It is so for all newcomers, although dispensation can be made for your age."

Jak bristled. "What about my age?"

Their rescuer -- and host, apparently -- raised an eyebrow and Jak found himself quieting unexpectedly.

"Exiles as young as the three of you are rarely found alive. Most of our laws apply to older survivors."

Daxter blinked. "Huh. Well. Nice of someone to notice for once."

Damas barely nodded. "The monks will inform me when you are considered recovered enough to be moved. In the meantime-"

He bent and set Croc down on the floor.

"Go, amuse yourself, little one. No biting."

Then he reached into an open bag sitting on the table at the foot of the bed and held up the beacon.

"Let's discuss this."

#writing prompts #fic prompts #jak and daxter #dadmas #king damas #jak and daxter au #free day thursday #my art #baby croc au #Croc is two and he likes to Chomp #Damas is about to have his hands full with these three #unfortunately for Croc Damas has toddler clothes from Mar and he WILL make him wear the footie pajamas with the ducks on them #Daxter starts getting dadded within two weeks #jak is the stubborn one but Damas is more stubborn #Croc can smell Jak's blood running through Damas’s veins and vice versa and he doesn't understand why they don't smell it too #jnd croc

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oxnardsart · 4 months

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Owliversary Year 2

Hoo-ray! Well, it's a month late, but this is what I wanted to draw for my second Owliversary - and this is why this year I want to focus on my own work, since this should have been in December. nvn I've really enjoyed being into birdies ever since running into Berdly, and I really appreciate tons of birds now! 2023 had a lot - from Tulin and Penn in Zelda, pokemon with the Quaxly line, and Hoothoot and Ducklett added to the DLC (I want to make a group pokemon picture too but that's separate.) Pip and Freddy from T.O.T.S. is still a big thing I'm into - and Flamigo and Eiscue in pokemon reminded me of them! Kazooie got me into CBT, Kuru Kuru Kururin was a fun game I've always been into - and shortly after buying it, it came to NSO and I beat it. nvn My Bird-Day cake and sticking candles in everyone's tasty butts was a treat - Daddy Ducky, who stemmed from my obsession with Yosh-E-O's nakie dad duck, had a bunch of fun stories and art I made and stuff. :3 Baby Huey was a funny weird bird to get into with a fun cartoon and movie. Oh yeah and the King Penuin from the Mario Movie was a new fun surprise character. :3 There are others not mention - Mario Wonder had cool birds in it too! But, I'm blathering. nvo Thank hoo-ever in feathers I've had fun with this last year too. nvn And maybe a NSFW version added to the proper places later. My other birdy collage from last year was meant to have my actual bird friends in it so - maybe next time~!

Posted using PostyBirb

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taxi-davis · 4 months

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White Swan Paper Towel Commercial 1991

#by Betamax King #cute #ugly duckling #cartoon #swan #ducking #cygnet #flapper #baby birds #kidcore #tv #90s

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escherbug · 1 year

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Just thinkin’ about the gay crossover comic I started with Atomic Robo and Professor Layton... I miss them

#maybe someday i wont be so fucking busy!!!#escherbug art #fun fact: long after drawing these I learned that robo is actually taller than professor layton because his canon height is 5'9" W/ THE HAT?#Robo is out here average height and Hersh is a short king my trans ass imprinted on like a baby duck

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b3crew · 4 months

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REVIEW | "Spy × Family CODE: White" | B3 - Boston Bastard Brigade

Spy × Family CODE: White may not move Operation Strix forward, but it’s a hell of a good time for moviegoers of all ages. Read our review before it arrives in American theaters this Spring!

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whencartoonsruletheworld · 1 year

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funniest disney history facts i can think of atm

literally EVERYBODY thought the lion king was gonna flop and pocahontas would be their greatest movie ever made. people begged to ditch lion king and work on pocahontas.

the reason robin hood ends so abruptly is that there was an actual ending planned and storyboarded but the crew spent too long arguing about everyone’s fursonas to finish animating it

madam mim was way less comedic in the original book but because her character was too similar to maleficent (who was in their latest film at the time), the sword and the stone crew decided to differentiate her by making her fucking hilarious

when making a goofy movie, jeffrey katzenberg (studio chairman at the time) told bill farmer to give goofy “a normal voice.” farmer, who had been voicing goofy for eight years at that point, including in the goof troop show that a goofy movie was a sequel to, was very confused. after making an attempt they decided to scrap that note completely.

as of march 2023, farmer is still voicing goofy, and tony anselmo has been voicing donald since 1986. the 2017 reboot of ducktales, which was slated as “wanting to do for donald what goofy movie did for goofy,” featured both actors as those characters; they had also been doing the voices for the original ducktales and goof troop/goofy movie. all the times goofy and donald interact in the 2017 ducktales however, donald was voiced by guest star don cheadle as a joke

current voice of mickey mouse bret iwan has stated that he has attempted to play kingdom hearts and did not do well

disneyland’s current world of color halloween overlay features a plot that is basically “the disney villains simultaneously adopt a goth kid” and i love it

people will make jokes about “well math says that the beast would’ve been 11 when he was cursed” well that was actually the original intent, but a flashback scene of baby beast was scrapped because he looked “too much like eddie munster”

when disney sent a representative to pixar to check on toy story production, she was like “this is all great! what style of music are you thinking” and they were like “for what” “for the songs” “we uh. we weren’t gonna have. any songs” and she went dead silent and then went “i have to make a call” and left the room

saludos amigos and the three caballeros were made as ww2 propaganda. the government commissioned disney to make movies to make latin america like them so that they wouldnt side with the nazis and provide them an in to invade, and latin america really liked donald duck so

saludos amigos was apparently the first time many usamericans realized that latin american people were like. people. film historian alfred charles richard jr said that the film “did more to cement a community of interest between peoples of the americas in a few months than the state department had in fifty years”

while latin america generally liked both films, chilean cartoonist rené rios boettiger fucking hated the chilean segment of saludos amigos, seeing the main character of pedro the plane as a weakass bitch, so in response he created condorito, the most popular comic character in all of latin america

disney wanted to adapt ts eliot’s old possum’s book of practical cats. his widow adamantly refused, and then sold the rights to andrew lloyd webber bc he wanted to make it sexy and she said “tom would’ve liked that”

in case you haven’t seen the defunctland, walt disney wanted epcot to be a futuristic utopia where he was basically the dictator. then he died so they just made it another theme park

speaking of defunctland the first defunctland video was on disneyworld’s alien attraction and please watch it. please it’s so funny

after the huge failure of the black cauldron disney was going to shut down its animation department. the department tried to convince them to keep them alive by showing them the one scene they had finished for the next movie– the mouse burlesque from the great mouse detective. it worked

the only attraction the black cauldron ever got was in tokyo disneyland where they put a tour under cinderella’s castle where everyone had to escape the disney villains trying to kill them, only to end at the horned king and the cauldron, who would try to sacrifice them to satan. this tour was popular but was closed in the early 2000s as the tunnels didn’t fit earthquake regulations and i want it in disneyworld so bad

walt disney once referred to his unionizing workers, led by goofy’s creator art babbitt, as “commie sons of bitches,” and i want a mickey build-a-bear that calls me a commie son-of-a-bitch whenever i squeeze its paw

#disney #disney history #mine

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ittybittyluci · 29 days

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Bro How’d I Do This?

If I had a nickel for everyone my favourite character in a Hellaverse show:

- Was played by an actor I previously knew about and adored

- Had white skin with red facial markings

- Had like black/dark grey arms and legs (Luci’s are accessories I’m pretty sure, but still the black limbs on white body base is like MMM)

- Became increasingly hotter the more clothing they removed (I’m a simp for jacketless Luci and ripped shirt Fizz)

- Sang my favourite songs of said show

- Was famous in said show but didn’t really enjoy it

- Had a tragic backstory

- Was not mentally doing okay

- Had really cute shortened nicknames

- Was expected by the entire fandom to be an asshole but ended up being just the most adorable little guy

- Completely stole the show for the little amount of screen time they have gotten so far in their respective shows

- Had fun powers/abilities that tickle my brain fantastically (Luci’s pretty golden magic and wings and demon form, and Fizz being like ultra-stretchy 1000. You can’t tell me both of those aren’t completely enjoyable)

I’d have two motherfucking nickels, which isn’t a lot, but HOW THE FUCK DID THAT ALL HAPPEN TWICE?! (And all of that is just canon shit! There are so many more ways they connect in my headcanons)

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sardonic-the-writer · 3 months

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𝐁𝐞𝐜𝐨𝐦𝐢𝐧𝐠 𝐅𝐫𝐢𝐞𝐧𝐝𝐬 𝐖𝐢𝐭𝐡 𝐋𝐮𝐜𝐢𝐟𝐞𝐫 𝐀𝐧𝐝 𝐀𝐥𝐚𝐬𝐭𝐨𝐫 𝐈𝐧𝐜𝐥𝐮𝐝𝐞𝐬

↳ warnings: none

↳ song: hells greatest dad—various artists

↳ notes: this turned out way longer than expected. reblogs are appreciated

masterlist | commissions | carrd

• What you did with your spare time outside the hotel had never been a problem

• Everyone blew off steam in different ways. Husk gambled is days away at dinghy bars, Vaggie practiced sparing, and Sir Pentious dreamed up designs for his retired war machines. The important thing was that everyone knew better than to ask the other about it

• So your friendship with Lucifer never come up. At least, not until Charlie decided to invite her dad over one day

• You were well aware of the strange relationship you had with the king of hell. He was all powerful ,and technically your ruler, sure, but it was hard to view him that way after you caught him babying a small army of rubber ducks

• It had been such a long time since you’d first met him, honestly you were still surprised you’d remembered it

• Back when you still worked as a part time package deliverer for the UPS equivalent of hell, you’d been tasked with handing off a rather heavy, and rather odd shaped box. The label didn’t give an address, rather a small drawing of an apple with a snake curled around it

• It took you a while, and way too many u-turns, to arrive at a pair of tall metal gates

• An uncertain push of a button had been delivered to a nearby buzzer, and you briefly wondered if you had been sent on a dead end errand. Your boss liked to do that; said it kept his employees on their toes. You just thought that he enjoyed seeing the pissed off looks of returnees

• Nothing longer than a minute passed before you were answered with an overjoyed voice, sounding rushed and getting father away from the mic as he proclaimed ‘I’ll be right down Terrance!!’

• It was only when Lucifer himself had opened the gates to allow you in, that his face fell from an excited grin into one of confusion

• “Oh. You’re not my normal guy.” He frowned, looking up at you slightly. “Are you sure you have my package.”

• You simply showed him the address label’s drawing, and he nodded

• “Yeah that’s it alright.” A little bit of the enthusiasm he had shown at the sight of his delivery reappeared before you. It didn’t take long after that before he remembered that you were both still standing outside the towering stature of his house, and quickly invited you inside so you could help him move the package where he wanted it

• “So! Is Terrance sick or something? I could have sworn it was just yesterday that he was where you are now. Or a few days. Maybe a few weeks. Alright it’s been a while, but can you blame me. Do you know who I’m talking about? Long horns, red splotches, and a weird amount of hands. He always had the funniest jokes to tell though— “

• The first impression of him you got was weird. For the ruler of hell at least. But as time went on, and you kept delivering packages to his house with each passing month, he just struck you as lonely. His house, while big, was always empty. You would go as far as to say that you were the only steady interaction he had. Even if you were technically required to visit him

• Eventually, you quit your job. It had been a long time coming, and you were looking forward to a different take on life away from packing peanuts and scotch tape. Yet, for some reason, you didn’t stop showing up at Lucifers place. And he didn’t stop letting you in

• “You know—“ The devil approached you one hot afternoon in his work room. It was actually quite cold outside, but the fire breathing duck in his hands had heated up the room something fierce upon demonstration. “If you ever need someplace to stay, my daughter has a passion project that she wont stop talking about. It’s pretty sparse in souls, and I’m sure she’d let you stay there as long as you went along with her plan that she has!”

• You tilted your head with a small hum that day, choosing not to mention the far away look in Lucifers eyes as he talked about his daughter

• “Sounds better than where I’m currently living.” You shrugged, handing him a spare bolt off of the floor when it rolled off his work desk. “Where is the place?”

• So you’d shown up on the Hazbin Hotel’s doorstep, then still known as the Happy Hotel, with a bag or two in had and asking for a room

• You hadn’t told Charlie that Lucifer had mentioned it to you. You didn’t want her to feel like you were only there because he dad had named dropped it, but you guessed that she had her suspicions. You didn’t seem very taken with her title as princess of hell after all

• You were there nearly as long as Angel Dust; the likes of which showed up in the room next to yours a week after the move

• That means you were present for the embarrassing news interview, and in turn, the introduction of Alastor as a new patron

• He had been annoyed by you at first. Unlike Charlie’s slight nervousness at his appearance, or Vaggie’s outright aggression, you practically ignored his spectacular entrance, save for a few quick comments

• That had bugged Alastor. You’d hardly reacted when he’d shown just a sliver of his powers. Your lackluster once over as he pulled the darling Nifty from a fireplace had given him nothing to go on. Nothing!

• “Now what’s your role here, my friend!” The Radio Demon practically sang to you on that same afternoon. He waltzed over to your position in a corner, and his smile thinned slightly as you barely spared a glance at him. You found yourself much more enthralled with the sight of Husk fending off Angel’s advances over at the bar

• “I’m a tenant.” You mumbled, looking right through him. You didn’t miss the way his eyes narrowed down at you in an unreadable emotion that day

• He took to annoying you for the remainder of his stay following his debut. With every day, he increased his pestering, and you continued to remain the same

• Neither of you made a breakthrough with the other for quite a while. Months passed, and he found you looking as disinterested as ever with his display of powers. At this point he was sure you were purposely giving him nothing just to see his smile crack at the edges. And he was getting frustrated, for a lack of better words

• It wasn’t until you’d wandered into his recording studio by mistake that something changed

• Alastor felt a disturbance in the air the moment you stepped foot in his little alcove. Territorial demons such as himself could always tell when somebody was trespassing on their land, especially when having as much power as he did, and you were no exception to this rule

• He materialized behind you almost instantly. His limbs were already beginning to crack and stretch in size, a glowing smile casting wild shadows all throughout the room as he searched for what was sure to be your cowering form as you dropped whatever item you were attempting to steal

• Instead, he found you kneeling to the side of his polished desk, blinking up at him as your hands sat frozen in the motion of flipping through a record basket. His record basket

• “And what, pray tell—” Alastor’s distorted voice sounded like an screeching echo. He wouldn’t be surprised if the rest of the hotel could hear it from downstairs “—are you doing here my dear?”

• You didn’t say anything for a moment. He watched as your eyes flickered to this symbols floating around him, then back down to his face

• “I was looking for some good music. Sorry to intrude” You eventually pull out of your weird staring match with him. Dusting the seat of your pants off, you rise to walk past him and towards the door

• Alastor’s mouth opens to say something, but stops when you pause in the doorframe

• “Nice antlers by the way.” You shrug. He doesn’t have to look up to know your talking about the honey structures protruding from his forehead. They really only come out when he starts to take on his true demonic form, and never before has he had someone compliment them

• Before he can get a better read on you, you’re gone

• Turns out, you weren’t exactly unimpressed with him. Just wary in your own way. It was a slight hit to the overlords ego that he hadn’t been able to pick up on that so quick, but he’d never admit it. Instead he took to your new attitude with rigorous mischief

• Music and murder had been the thing to bridge the gap between the two of you. When Alastor discovered you were particularly fascinated by his time period, he laughed heartily

• “Why my dear, you should have told me you had such good taste!” He wrapped a tight arm around your shoulders. “What is it you wish to know about the darling 1920’s?”

• “Did you really feed your victims to alligators?”

• “Hah! That’s for me to know, and you to find out,” He said while flicking your nose. You just hummed with a scrunch of your eyebrows and wriggled out of his grip. Alastor laughed at that

• You wouldn’t classify the two of you as friends necessarily, but Husk did mention one day that the fact he didn’t kill you that day in his recording studio stood for something

• “He’s murdered demons for less.” The grumpy cat told you. You chose not to respond

• Everything came to a head the day Lucifer showed up at the request of his daughter

• He didn’t notice you right away, instead doing a little dance with Razzle and Dazzle as the rest of the hotel watched on confused. Angel tossed you a look and you just shrugged

• Lucifer eventually spotted you standing by the scrappy welcome table. With the same exuberance that you'd seen time and time again before, he hugged you almost immediately

• “Good to see you again too, Luce. Heard you were coming over.” You exhaled after he set you down. You chose to ignore Alastor as he stepped out of his shadows and stood behind you ominously. You could almost feel his gaze burning a hole in the back of your head

• “Ah so this is his majesty! You’re a bit shorter than I expected.” Alastor’s voice was a bit more grating than you recalled. His grip on his cane tightened as you raised your eyebrow at him

• “Uh, excuse me. Exactly who are you? Lucifer gave the overlord a once over, looking very bored as he did so

• An eye twitch

• “Why the Radio Demon of course! Manager to this very fine establishment, and a—!”

• “Nope. Never heard of you. Sorry.” Lucifer cut Alastor off and smiled tensely from next to you, not sounding sorry at all

• It became apparent very quickly that the two of them didn’t mix. If a competitive musical number didn’t convince you of that, the way the both of them wouldn’t let go of your arms sure did. By the end point of Lucifer’s visit, you were sure a bruise or two had formed on your forearms

• “You know you should really come visit me more!” Lucifer adjusted his hat as he spoke, sending you a sharp toothed smile as he prepared to step out the door. “I’m sure you get tired of this hotel sometimes. Or at least the people—“

• “I’m sure you’ll find they are perfectly happy with their arrangement!” Alastor didn’t let Lucifer finish his thought. His shadows were getting restless at this point, stretching in the three of yours direction as if attempting to push Lucifer out. At this point Charlie and Vaggie had stopped paying attention to the weird power play between the two of them, instead talking about their upcoming trip to heaven together, so you were all alone. Save for two of your friends that were acting really weird

• "You know maybe the two of you shouldn't hang out."

• "Agreed."

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nicoliine · 3 months

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When Charlie found out that she is now a big sister.

☆彡 Your lover is an idiot; he can be a cute one or an annoying one, never in between, and right now you wonder which one he is as you are in the middle of one of their idiocies.

☆ Reader is g/n.

☆ Warnings: mild swearing? just Angel being Angel. Kinda crack, Charlie cries and it's all your fault.

No proofread.

You could ask anyone in and out of the hotel and get the same answer. Every. Single. Time.

Who is the biggest supporter of you and Lucifer's relationship? Charlie Morningstar.

Not that there was much competition; truth be told, she was the only one who cared enough about your relationship, always asking how your dates were going and if her father was treating you right.

And of course, Angel, who was suspiciously very interested in your partner, but you weren't planning on answering his questions, you prefer to keep his dick size to yourself.

That is why you find it unnecessary, so weird, to have the whole hotel's residents in the lobby waiting for the so-important announcement that Lucifer wanted to make; you love him? Yes, you will always be by his side? Definitely. Now, does that mean you want to? Right now, you are not sure.

Right before everyone's eyes, you stand beside your lover, who looked so excited and you could swear was about to jump in joy. Your energy doesn't match his, and you only give Charlie a small smile every now and then to let her know everything is alright.

He cleared his throat. "Now, you may wonder why we reunited you here today," he said, his voice denoting mistery. That made you chuckle. He is such a showman. "My love and I have big news!"

"We're having a baby!" He said it with one of the biggest smiles you had seen on his face.

"What!?"

"I'm having A BABY BROTHER!?"

"Well, not exactly," you interrupted before anyone else could speak or Lucifer started his theatrics again. "I think the appropriate word is "babies." The comments started again.

"Damn, I knew that dick was good," Angel said.

☆◦ •◦☆

For someone who loves you so much and could kiss the ground you walk on, Lucifer was hard to convince to go on a walk with you. He surrenders the moment you say you are, in fact, going on with or without him, following after you.

You could see in his face that he was not having the time of his life. You remember the first time he stepped on the hotel, doing his best to not call it shit right there, and the streets in Pentagram City were not different from that; in fact, it was worse.

You just couldn't help it. It was nice to go on a walk around the streets; it was something you always enjoyed. Your lover's presence scaring away every soul who looked in your direction was just a treat.

When you suddenly stopped, Lucifer, who was following a step behind you, called your name with curiosity.

You couldn't find many animals in hell—well, not in the pride ring—but when a hellborn brings an animal, it is common for it to be the pet of someone. That's why you're now standing there, surprised to see at least five baby ducks on the side of the walk, running around.

"Look at those cute ones!" Your lover exclaims besides you with a babyish voice, as he kneels to take one of the ducks on his hand. "Darling, look! Is so precious!" You smiled, the image before you so breathtaking; you followed his actions, now rubbing one of the little ones head with your finger.

You counted six ducks; they seemed to be no more than three days old. Looking around, you tried to get a glimpse of the ducks mother, but it seemed like they were all by themselves; it nearly broke your heart.

"Darling! We can't just leave them here!" You turn your head to look at Lucifer, who was trying to hold all of the ducks in his arms; it was actually cute.

☆◦ •◦☆

To see the King of Hell walking around the hotel with six ducks and one Niffty following him as if he were a mama duck was something nobody expected, but they seemed to be getting used to the idea.

Husk mentioned he is, in fact, the mama duck, and you were the father.

What really took you off guard was to see Charlie resting her head on Vaggie's shoulder, crying over the baby brother you guys allegedly made her think of.

Likes and reblogs are appreciated 💞

#hazbin hotel x reader #lucifer morningstar x reader #lucifer x reader #hazbin hotel #Lucifer is a mama duck #someone give my charlie gurl a baby bro #nicolines

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multi-fandom-imagine · 3 months

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[Key]

-💕means it has sexual content/Implied sexual content..

-💔means it is an angst fic

-😍means it is a family fic

-💘means it is an angst fic with a happy ending.

-🚫means it contains a Trigger Warning.

─ ★

─ ★Lucifer Morningstar.

🪽:Lucifer realizing he's falling in love Headcanon's

🪽:TransMasc reader x Lucifer. Anything would be amazing but if you rather work with a concept, both reader and Lucifer being awkward because they wanna kiss SO BAD but don't think the other does but when they do it goes 0-100 so fast--💕

🪽:[ underside ] sender leans in and places a suggestive kiss just under receiver's jawline.

🪽:Lucifer giving you oral-💕

🪽:Adam, Alastor and Lucifer taking care of a sick reader.

🪽:sub!lucifer with like, whining and begging-💕

🪽:Broken Hallelujah -💘

🪽:Giving Lucifer a Squishmallow

🪽:Lucifer leaving Hickey's all over the reader

🪽:Imagine giving Lucifer a Duck squishmallow

🪽:How about Y/N giving Lucifer a homemade duck plush holding a heart for valentines day?

🪽:Lucifer being fascinated by you

🪽:Adam, Husk, Lucifer and Alastor helping you while you're on your period.

🪽:dying in Lucifers arms-💔 || coming back with no memories

🪽:Lucifer bringing you breakfast in bed

─ ★Dad!cifer Fics n Things.

🪽:Reader going through labor

🪽:Lucifer Morningstar with a breeding kink.-💕

🪽:Lucifer going feral for his pregnant wife.-💕

🪽:Lucifer with lactation kink

🪽:Lucifer and the reader take Edna to the hotel to meet the others, ironically Alastor would become the favorite uncle just to annoy Lucifer.

🪽: Charlie Morningstar meeting her baby sister.

🪽:Imagine if for Lucifer and Reader’s baby, they wear duck onesies

🪽:Baby's first step's

🪽:Edna is like 5 and she met a boy and calls him her boyfriend and luck just looses 100 off his life.

🪽:Edna visiting the hotel with Lucifer.

🪽:valentines blurb of Edna giving Lucifer a card that says favorite daddy on it. Y/N helped her make it but refuses to take credit.

🪽: Edna's looks

🪽:Lucifer finding out he's having another child

🪽:Edna changing into a duck due to Lucifers things.

🪽:Lucifer comforting you during your pregnancy

─ ★Alastor "The Radio Demon."

📻:Alastor fucking you in his studio.-💕

📻:Alastor giving you a piggyback ride.

📻:[BEND] for the shorter muse to tug the taller muse down so they can kiss their forehead.

📻:Adam, Alastor and Lucifer taking care of a sick reader.

📻:Adam, Husk, Lucifer and Alastor helping you while you're on your period.

📻:Alastor comforting you

─ ★Dad!Alastor Fics n Things.

📻: Alastor with a breeding kink.💕

📻:Alastor's twins beefing with Vox

📻:Alastor's twins

📻:Alastor's Twin's names

📻:Alastor & Husk as Father HC's

─ ★Overlord!Husk

🎰:Husk in his suit

🎰:Husk / Overlord!Husk sex hc's

🎰:Husk / Overlord!Husk hc's

🎰:Giving Overlord!Husk a bj under his desk.

🎰:Falling for the nanny || Nanny!reader finding out she is pregnant.

🎰:Kᥲᑲᥱᑯoᥒ

🎰: Overlord!Husk being jealous of Husk

🎰:becoming a father

🎰:Overlord!Husk in a rut.

🎰:overlord!Husk meets a sad reader during a party at the casino and finds out a overlord that owns her soul is treating them bad, so he wins her soul and treats her with the respect she deserves.

🎰:comforting chubby Husk

─ ★Husk

🍻:Helping Husk through his heat-💕

🍻:Husk comforting you.

🍻:imagine Husk having that problem, he has the same "thorns" on his penis, which was a very ugly problem when he had sex for the first time with his wife.-💕

🍻:Reader-chan just surprises him by giving him achubby plush cat that looks similar to him and he tries to hate it but immediately cuddles it when he's alone.

🍻:Husk surprising you with breakfast in bed

🍻:playing with Husk's ears

🍻:Adam, Husk, Lucifer and Alastor helping you while you're on your period.

🍻:Husk trying a cheesy pick up line on you.

🍻:Imagine Husk's s/o saying: "I'm not even playing cards and I still pulled a king~"

🍻:Husk wearing his old suit for you on date night

🍻:Husk / Overlord!Husk sex hc' || Husk / Overlord!Husk hc's

🍻:Imagine if you're just laying on the couc alone, Husk, and the kits in another room playing or whatever. And out of boredom, you just say: pspspspspsps

🍻:cuddles with a chubby Husk

🍻:Husk x Butterfly Demon Reader

🍻:Husk comforting you

─ ★Dad!Husk Fics n Things.

🍻:Husk as a dad

🍻:Husk carrying his kits

🍻:Husk reacting to Alastor owning his children's souls.

🍻:Husk losing his daughter { AU }-💔,-🚫

🍻:Husk dad blurb

🍻:So is Husk daughter Marilyn a pure white cat? I’m asking because if she is then I can see Alastor petting her in his lap while scheming like those James Bond Villains.

🍻:since husk's little girl is like the runt of the litter, maybe some moments where husk is amazed at how small she is.

🍻:Husk's daughter saying papa for the first time.

🍻:Husk bringing his kits to the hotel

🍻:Husk's kit's names. || color of the kits

🍻:Alastor using a laser pointer on Husk and the kits.

🍻:Husk cleaning his children,too relaxed and focused solely on licking his babies while everyone was purring, and he was accidentally discovered by everyone.

🍻:Husk trying to take a nap with his wife, only for his kits to come barging in, demanding to join in on the cuddles.

🍻:four year old Marilyn giving Husk cupcakes on valentines day. "Papa! Me and mommy made these!"

🍻:cuddling with Husk while pregnant.

🍻:Husk & Alastor as Father's Hc's

🍻:Overlord!Husk meeting the triplets.

─ ★Adam

🍎:Adam, Alastor and Lucifer taking care of a sick reader.

🍎:Lazy morning sex with Adam.-💕

🍎:Can we get depressed/sad Adam x y/n?

🍎:which Adam try's a cheesy pick up line on you.

🍎:Adam, Husk, Lucifer and Alastor helping you while you're on your period.

🍎:Fucking Adam in his office.

🍎:Adam with fem!reader who gets off by adams pleasure during sex

─ ★Dad! Adam things

🍎:Adam as a father HC's ||

🍎:Finding out he's gonna be a dad

─ ★Angel Dust { Anthony }

💄: Angel dust with a butterfly demon reader and they have to fly up to kiss him because he's so tall.

💄: comforting Angel Dust after having a bad day or a nightmare

💄: Angel Dust comforting you.

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