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#John Greenfield
jdunlevy · 1 year
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Los Angeles is one of 88 separate but overlapping municipalities in L.A. County. Places we think of as towns (Hollywood) are actually just neighborhoods, while places that sound like neighborhoods are cities (West Hollywood). This is not to be confused with Greater Los Angeles, often called the Southland, five far-flung counties in Southern California jury-rigged into a single cultural unit. Here, the very idea of “place” feels abstract. It may explain why L.A. attracts so many clichés: In a place so immeasurable, so mega, stereotypes are an easy way for people to get a grasp on it, especially if they live somewhere else.
One of those zombie tropes is that Los Angeles isn’t a walking city. Actually, Los Angeles is a fantastic walking city. Exploring it on foot is how I started to make sense of things.
This, about walking the 27 miles of Rosecrans Avenue, reminded me of John Greenfield’s account of walking the approximately 24 miles of Western Avenue in Chicago.
I’m not able to find that Chicago story online now and I don't remember for sure where it was published, but I did find it mentioned in his account of walking Halsted Street. In my search, I also found Greenfield’s accounts of walking Cermak Road and walking Madison Street as well as more of his accounts of walks.
I also rediscovered Christopher Silber’s 2020 account of walking Western Avenue in four segments over four days and the 2016 story of Steve Mosqueda and Sean Benjamin doing the walk over three days and having “at least one pint at every single bar”—64 of them!—along the way. There’s a documentary of this noble quest:
vimeo
These longest streets, apparently Western Avenue in particular, hold some special allure. Just last year, Edward McClelland wrote about traveling Western Avenue from north to south by Divvy e-bike for Chicago Magazine.
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camyfilms · 10 months
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THE BIG SHORT 2015
Truth is like poetry. And most people fucking hate poetry.
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The Stranglers live in 1980. Photo by John De Cesare.
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bikerpoliticalreport · 10 months
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Ben & Jerry’s July 4 Memo: ‘US on Stolen Land’
 In a brash July 4 message, Ben & Jerry’s is calling on America to return its “stolen Indigenous land,” tweeting the message and emblazoning it on its website.
   July 4 celebrations “distract from an essential truth about this nation’s birth,” the ice cream maker asserts. “The United States was founded on stolen Indigenous land. This Fourth of July, let’s commit to returning it.”
   “Start with Mount Rushmore,” the company, headquartered in Burlington, Vt., says. “That is the meaning of Independence Day for those whose land this country stole, those who were murdered and forced with brutal violence onto reservations, those who were pushed from their holy places and denied their freedom.
   “The faces on Mount Rushmore are the faces of men who actively worked to destroy Indigenous cultures and ways of life, to deny Indigenous people their basic rights,” the invective concludes.
   Ben & Jerry’s July 4 proclamation provoked immediate response and boycott demands on social media, the New York Post reports, with country singer John Rich—who has been outspokenly opposed to Bud Light’s transgender tie-up—tweeting back: “Make @benandjerrys Bud Light again.”
   Another challenger wrote, “Just when you think @benandjerrys couldn’t go any lower—they pull this stunt. Boycott Ben and Jerry’s.”
   One Twitter user called Ben & Jerry’s founders Ben Cohen and Jerry Greenfield out for their hypocrisy, writing to the “the Bud Light of ice cream”:
   “Seriously now, close shop—or better yet, donate your business and everything you own in these lands that rightfully belong to the Indigenous people—apologize to them, and return to the continent your ancestors came from. Now.”
   Ben & Jerry’s says on its website that its social mission is to “eliminate injustices in our communities by integrating these concerns into our day-to-day business activities.”
   Ben & Jerry’s has previously supported the Black Lives Matter movement and LGBTQ+ actions, and its founders Cohen and Greenfield have demonstrated in Washington, D.C., alongside actor and social activist Jane Fonda, against fossil fuels.
   In 1985, the company founded the Ben & Jerry’s Foundation to fund community-oriented projects, funding it with 7.5% of Ben & Jerry’s annual pre-tax profits.
© 2023 Newsmax Finance. All rights reserved.
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vintagewarhol · 2 years
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plitnick · 6 months
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Biden has no endgame in Gaza
What is Joe Biden’s endgame in Gaza? I’ve been asked that question repeatedly in recent days. The simple answer is he doesn’t have one. Mouthing some nonsense about a two-state solution that hasn’t been feasible for at least a decade and installing the Palestinian Authority in Gaza only shows how utterly lost Biden is. In this piece at Mondoweiss, I look at Biden’s complete lack of any policy…
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dlyarchitecture · 1 year
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milliondollarbaby87 · 2 years
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The Valet (2022) Review
The Valet (2022) Review
Movie star Olivia Allan must get the help of parking valet Antonio Flores to pose as her boyfriend in an attempt to cover up her relationship with married Vincent Royce. ⭐️⭐️⭐️ (more…)
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abandoned-mars · 1 year
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humanstuck names + more ! :]
john - ivan greenfield; korean/english; comic book store employee + shifty mom & pop restaurant waiter/support staff
rose - lavender buchanan; vietnamese/dominican?; sells custom clothes on depop + nsfw tumblr writer/artist
dave - dominic santiago; puerto rican/dominican; audio tech store employee + local club dj + aspiring rapper
jade - dahlia flores; pacific islander; unemployed, works for family farm
aradia - gabriella diamanté; japanese/mexican; texas road house type restaurant kitchen expo/dishwasher
tavros - antonio ‘tony’ noquez; spanish; works at dad’s animal shelter
sollux - niko park; korean; probably unemployed or sells nfts or some shit
karkat - donnie santos; black/colombian; mexican restaurant busboy + movie theatre employee
nepeta - june bernard; french/irish (white); dairy queen employee lol + volunteers @ pet shelter
kanaya - harper norris; african; sells custom clothes
terezi - quinn nephus; greek/italian (white); unemployed
vriska - viktoria ‘vikki’ huffman; russian (white); rue 21 cashier (is about to be fired)
equius - sterling rudd; black/native american?; training to be a mechanic at dad’s auto shop
gamzee - jordan scott; black/mixed; little caesar’s cook
eridan - cory reynolds; russian/scottish (white); unemployed
feferi - josephine galette; black/indian?; diner waitress + volunteers @ pet shelter
jane - janet greenfield; korean/english; pastry shop employee
roxy - macy buchanan; vietnamese/black; shitty dive bar bartender
dirk - diego santiago; puerto rican/dominican; burger king window worker/cook
jake - fletcher flores; pacific islander; texas roadhouse waiter + works on family farm
hal - alex santiago; puerto rican/dominican; thrift store cashier + furry tumblr artist
damara - anastasia ‘ana’ hoshi; japanese/mexican/filipino; hotel maid + fancy-ish restaurant waitress
rufioh - richard ‘richie’ noquez jr.; spanish; works at dad’s pet shelter + grocery store bagger
mituna - tatum ‘tate’ park; korean/welsh?; pizza delivery boy + aspiring twitch streamer
kankri - marcus santos; colombian/egyptian; diner waiter
meulin - lauren ‘laurie’ bernard; french/irish (white); coffee shop barista + tumblr writer/artist
porrim - elle norris; african; high end fashion store employee
latula - presley nephus; greek/italian (white); bowling alley attendant + dive bar bar back
aranea - leah huffman; white; restaurant hostess + interning at mom’s job
horuss - kade rudd; black/native american; dad’s auto shop mechanic + welder
kurloz - jesse scott; mixed; mexican restaurant dishwasher/cook + drug dealer
cronus - trent reynolds; white; works at dad’s company
meenah - natasha galette; black; new wave fashion store + aspiring hair braider
handmaid - hanna hoshi; japanese; house cleaner
summoner - richard ‘rich’ noquez sr.; spanish; owns the local pet shelter + personal trainer
psiioniic - jonathon park; korean; data entry manager + fixes computers for extra money
signless - derrick santos; colombian; preacher/missionary?
disciple - lizette bernard; irish; elementary school teacher
dolorosa - rosa norris; african; interior decorator?
redglare - monroe nephus; greek; lawyer
mindfang - marina huffman; russian; runs her own business (it’s a cover up for some illegal shit)
darkleer - darius rudd; native american, owns an auto shop + army weapons coordinator
ghb - grant scott; black; club bouncer
dualscar - dylan reynolds; russian; chief of surgery at hospital?
hic - cora galette; black; ceo of large cooperation (somewhat in cohorts with marina + dylan)
dad - david greenfield; white; 9-5 sales businessman
mom - lorelei buchanan; vietnamese; retired (used to be a scientist but found the cure to something and retired at like 35)
bro - drew santiago; dominican; club bouncer/dj/bartender + drug dealer + probably has an only fans
grandpa - jake flores; pacific islander; retired air force
calliope - caroline ‘callie’ umbridge; mixed; librarian assistant + stage manager at local theatre
caliborn - caleb umbridge; mixed; unemployed (reddit sub moderator)
i might go back and edit some of these bcus im not in love w all of them but i also don’t give a fuck abt most of them
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bumblebeeappletree · 1 year
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Today I'm walking you through some simple tips on how to turn your lawn or backyard into a productive vegetable garden to grow your own food!
Gardening Guide for Beginners:
http://robgreenfield.org/freeseedproj...
Robin Greenfield’s Guide to Gardening for Beginners in Orlando, Florida:
http://robgreenfield.org/grow/
Thank you to Live Like Ally Foundation for their partnership in making this video. To learn more about Like Like Ally Foundation visit: https://www.llafoundation.com/
"Like" Live Like Ally on Facebook: https://www.facebook.com/livelikeally...
Follow @live_like_ally on Instagram: https://www.instagram.com/live_like_ally
Meet Ally: • Positively Impact...
Filmed and edited by John VonMutius http://johnvonmutius.com
Robin Greenfield’s work is Creative Commons and this content is free to be republished and redistributed, following the terms of the creative commons Attribution-NonCommercial 4.0 license. Learn about Creative Commons and see the guidelines here: http://www.creativecommons.org/licens...
Robin Greenfield is an activist and humanitarian dedicated to leading the way to a more sustainable and just world. He embarks on extreme projects to bring attention to important global issues and inspire positive change. 100% of his media income is donated to grassroots nonprofits.
His YouTube channel is a source to educate, inspire and help others to live more sustainable, equal and just lives. Videos frequently cover sustainable living, simple living, growing your own food, gardening, self-sufficiency, minimalism, off the grid living, zero waste, living in a tiny house and permaculture.
Find Robin Greenfield on:
Website: https://www.RobGreenfield.org
Instagram: https://www.instagram.com/RobJGreenfield @RobJGreenfield
Facebook: https://www.facebook.com/RobGreenfield
YouTube: / robgreenfield
Twitter: https://twitter.com/RobJGreenfield @RobJGreenfield
Help us caption & translate this video!
https://amara.org/v/C0JNV/
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benandstevesposts · 1 year
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Federal Agency Rejects Developer’s Report That Massive Grain Elevator Won’t Harm Black Heritage Sites
For the second time in six months, a federal agency reprimanded a Louisiana developer for failing to adequately assess the harm that its proposed $400 million agricultural development would cause to neighboring Black communities and historic sites.
In a forceful letter dated Dec. 23, the U.S. Army Corps of Engineers rejected claims by the developer, Greenfield LLC, that its massive grain transfer facility in St. John the Baptist Parish upriver from New Orleans will have “no adverse effects.” The Corps is considering a permit application by Greenfield to build on federally protected waters and has the power to halt the project.
That new report, which the Corps received in November, did not address the agency’s demand that the developer conducts a more complete assessment of how the project could damage historic sites and harm residents of nearby towns, according to the Corps’ December letter.
“The report,” the letter reads, “just doesn’t demonstrate adequate engagement, and that must be rectified.”
A Greenfield spokesperson said our team of respected expert consultants and have done thorough evaluations to consider any and all potential impacts. The statement said Greenfield takes seriously its responsibility to provide regulatory agencies with accurate and complete information consistent with the regulatory requirements.
The Corps’ letter criticizes Greenfield and its contractors for failing to meaningfully consult with people whose lives would be impacted by the dozens of looming grain silos, new rail, truck, and shipping traffic, and pollutants from the facility. It says Greenfield and its consultants have not done enough to account for how the development project might harm communities of color, a requirement under federal environmental justice standards.
“It’s very disappointing that they would continue to double down on the report, that they are still saying there will not be any detrimental effects,” Erin Edwards, who blew the whistle on the earlier report, told ProPublica in a recent interview.
“It’s very disappointing that they would continue to double down on the report, that they are still saying there will not be any detrimental effects,” Erin Edwards, who blew the whistle on the earlier report, told ProPublica in a recent interview. Edwards co-authored the first version of the information when she worked as an architectural historian for Gulf South Research Corporation, the for-profit cultural resources, and archaeological consulting firm hired by another of Greenfield’s consultants to conduct a federally required assessment of historical sites.
Edwards resigned in late 2021 after her report was stripped of every mention of possible harm to communities or cultural properties, including her conclusion that the area surrounding the development should be listed as a historic district because of its connection to histories of slavery. In internal Gulf South emails obtained by ProPublica, a company manager wrote that it would lose its contract for the report — and could lose future work — if it didn't change the findings.
“Gulf South knew all along that the project would harm the historic plantations there, and they knew that it would hurt the area as a whole,” Edwards said. “There’s no way to look at the evidence and not see that it’s going to be detrimental.”
The Greenfield grain facility has been the target of sustained pushback from nearby communities, civil and human rights groups, and historic preservation organizations, as well as from other federal agencies, including the Advisory Council on Historic Preservation, which oversees national preservation policy. The land where the development is planned sits beside the Whitney Plantation Museum, which serves as a memorial to enslaved people in Louisiana. One plot of land down the river is another unusually well preserved plantation designated as a National Historic Landmark.
To read the ProPublica Report, you can find the complete publication by clicking here and going directly to the information by visiting their site.
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i watched 120 new-to-me films this year; here are the posters from a few of my favorites in no particular order!!
faults (riley stearns, 2014) out of the blue (dennis hopper, 1980) wake in fright (ted kotcheff, 1971) entergalactic (fletcher moules, 2022) histoires d'amérique: food, family and philosophy (chantal akerman, 1989) the woman king (gina prince-bythewood, 2022) waking life (richard linklater, 2001) on the count of three (jerrod carmichael, 2021)  thank you and good night (jan oxenberg, 1991)
i’ll tag @lesbiancolumbo / @draftdodgerag / @localpubliclibrary / @calicoskiesacoustic / @jerrylandis / @columbosunday / @harrierdoobie  / @sightofsea and anyone else who’d like to do this!! 🌟
entire watchlist from 2022 is below the cut:
the world to come (mona fastvold, 2020)
nancy (christina choe, 2018)
la bouche de jean-pierre (lucile hadžihalilović, 1996)
run (aneesh chaganty, 2020)
the mosquito coast (peter weir, 1986)
mass (fran kanz, 2021) 
a field in england (ben wheatley, 2014) 
angels wear white (vivian qu, 2017)
a cape cod christmas (john stimpson, 2021) 
shook (jennifer harrington, 2021)
outing riley (pete jones, 2004)
love & mercy (bill pohlad, 2014) 
small engine repair (john pollono, 2021) 
the fallout (megan park, 2021) 
clemency (chinonye chukwu, 2019)
red elvis (thomas latter, 2022) 
calendar girls (nigel cole, 2003) 
the little hours (jeff baena, 2017)
out of the blue (dennis hopper, 1980) 
aya of yop city (marguerite abouet and clement oubrerie, 2013) 
fresh (mimi cave, 2022)
jesus camp (rachel grady, 2006) 
bamboozled (spike lee, 2000)
master (mariama diallo, 2022)
the world of us (yoon ga-eun, 2016) 
jezebel (numa perrier, 2019)
the cat, the reverend and the slave (alain della negra and kaori kinoshita, 2009)
cohabitation (lauren barker, 2022)
the queen of versailles (lauren greenfield, 2012)
secret ceremony (joseph losey, 1968)
the northman (robert eggers, 2022)
the silent partner (daryl duke, 1978)
in secret (charlie stratton, 2013)
the ground beneath my feet (marie kreutzer, 2019)
the man who haunted himself (basil dearden, 1970)
woodlands dark and days bewitched: a history of folk horror (kier-la janisse, 2021)
the miseducation of cameron post (desiree akhavan, 2018)
roadrunner: a film about anthony bourdain (morgan neville, 2021) 
karen dalton: in my own time (richard peete and robert yapkowitz, 2020) 
fire music (tom surgal, 2018)
histoires d'amérique: food, family and philosophy (chantal akerman, 1989)
fruit of paradise (věra chytilová, 1969)
a different image (alile sharon larkin, 1982)
preparations to be together for an unknown period of time (lili horvát, 2020) 
candyman (nia dacosta, 2021)
fan girl (antoinette jadaone, 2020)
chicago 10 (brett morgen, 2007)
pray away (kristine stolakis, 2021)
mavis! (jessica edwards, 2015)
M (yolande zauberman, 2018)
wake in fright (ted kotcheff, 1971)
thomasine & bushrod (gordon parks, 1974)
desire me (released uncredited; jack conway, george cukor, mervyn le roy, and victor saville, 1947)
faults (riley stearns, 2014)
premature (rashaad ernesto green, 2019) 
mother joan of the angels (jerzy kawalerowicz, 1961) 
the loft (erik van looy, 2014)
the black phone (scott derrickson, 2022) 
no exit (damien power, 2022)
nope (jordan peele, 2022)
paprika (satoshi kon, 2006)
our eternal summer (émilie aussel, 2021)
playground (laura wandel, 2021) 
not okay (quinn shephard, 2022) 
everything everywhere all at once (daniel kwan and daniel scheinert, 2022)
pressure point (hubert cornfield, 1962)
sharp stick (lena dunham, 2022) 
on the count of three (jerrod carmichael, 2021) 
martha marcy may marlene (sean durkin, 2011)
waking life (richard linklater, 2001)
sicaro (denis villeneuve, 2015)
arrival (denis villeneuve, 2016)
this magnificent cake! (emma de swaef and marc james roels, 2018) 
chevalier (athina rachel tsangari, 2015)
young and wild (marialy rivas, 2012)
alice (krystin ver linden, 2022)
shame (steve mcqueen, 2011)
good madam (jenna cato bass, 2022) 
black bear (lawrence michael levine, 2020)
speak no evil (christian tafdrup, 2022)
wet sand (elene naveriani, 2021)
the catholic school (stefano mordini, 2021)
poly styrene: i am a cliché (celeste bell and paul sng, 2021)
the violators (helen walsh, 2015)
the woman king (gina prince-bythewood, 2022)
the killing kind (curtis harrington, 1973)
oleanna (david mamet, 1994)
entergalactic (fletcher moules, 2022)
the more the merrier (george stevens, 1943)
primrose path (gregory la cava, 1940)
watcher (chloe okuno, 2022)
enemy (dennis villenueve, 2013)
darlin' (pollyanna mcintosh, 2019)
sissy (kane senes and hannah barlow, 2022)
till (chinonye chukwu, 2022)
black panther: wakanda forever (ryan coogler, 2022)
the hunt (thomas vinterberg, 2012)
the other side of the underneath (jane arden, 1972)
barbarian (zach cregger, 2022) 
the intervention (clea duvall, 2016)
sorry to bother you (boots riley, 2018)
the silent twins (agnieszka smoczyńska, 2022)
tahara (olivia peace, 2020)
arranged (diane crespo and stefan schaefer, 2007)
swimming (luzie loose, 2018)
#like (sarah pirozek, 2019)
babysitter (monia chokri, 2022)
chico and rita (tono errando, fernando trueba, and javier mariscal, 2010)
pleasure (ninja thyberg, 2021)
john the violent (tonia marketaki, 1967)
fat girl (catherine breillat, 2001)
lemon (janicza bravo, 2017)
thank you and good night (jan oxenberg, 1991)
what about me (rachel amodeo, 1993)
the KKK boutique ain’t just rednecks (camille billops and james hatch, 1994)
sun don’t shine (amy seimetz, 2012)
zero fucks given (emmanuel marre and julie lecoustre, 2021)
piggy (carlota pereda, 2022)
ladyworld (amanda kramer, 2018)
wolf's hole (věra chytilová, 1987)
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psalm22-6 · 2 months
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The Exhibitors Herald, June 1926
The first of the deluxe presentations was at the Forrest theatre, Philadelphia, Thursday evening. The audience was composed largely of members of the Advertising Clubs of the World, which was holding an international convention in the Quaker City, and the members of the Poor Richard Club. There were also present a large turnout of society, official and judicial life of Philadelphia. The other audience, which included Mrs. Coolidge, members of the diplomatic corps and Washington newspapermen, as guests of the National Press club, viewed the picture at a special screening Friday night at Poli’s theatre in Washington. General W. W. Atterbury; Senator-elect [and notorious political boss] Wm. S. Vare; Senator [and law professor] George W. Pepper; Lieut. Commander Geo. B. Wilson, U. S. Navy [not to be confused with the character from the Great Gatsby] ; Mrs. Barclay Warburton [civil rights supporter and journalist] ; Major Norman MacLeod; E. T. Stottsbury; Paul Thompson; Alexander Van Rensselaer; Mrs. Charlemagne Tower; Dr. H. J. Tily [department story owner, mason] ; Mr. and Mrs. Theodore W. Reath; Frank Smith; Mr. and Mrs. Jos. N. Snellenburg [merchant in clothing trade] ; Mr. and Mrs. Arthur Block; Mr. and Mrs. Jules E. Mastbaum [movie theater and department store magnates] ; George Nitsche [possibly an affiliate of U. Penn]; Josiah H. Penniman [Provost of U. Penn] ; J. Willis Martin [a judge]; H. S. McDevitt; John J. Monaghan. Judge Buffington, of Pittsburgh; Thos Finletter [could be one of a a number of lawyers with this name]; Mr. and Mrs. A. L. Einstein; Maurice Paillard, French consul; Robt. Von Moschzisker [justice of the Supreme Court of Pennsylvania]; Mayor W. Freeland Kendrick; Geo. H. Elliott, director of public safety; Chas. B. Hall, president of City Council; Dr. Charles Hart; Rev. Wm. H. Fineschriber; Chas Fox, district attorney [could be a coincidence but Charles Fox III and IV are both currently lawyers in Pennsylvania]; John Fisler, president Manufacturers Club [golf afficianado]; Albert M. Greenfield [real estate broker and developer]; Jos. P. Gaffney; Mr. and Mrs. Ellis Gimbel [department store owner]; Daniel Gimbel [brother and co-owner along with Ellis]; J. D. Lit; Richard Gimbel [son of Ellis Gimble]; Benedict Gimbel [brother of Ellis and Daniel]; Colonel Robert Glendinning [banker]; Benjamin Golder [member of the Pennsylvania State House of Representatives], Agnew T. Dice [President of Reading Railroad]. Dr. Leon Elmaleh [founder of the Levantine Jews Society of Philadelphia]; H. Gilbert Cassidy [a judge]; Utley E. Crane [author of Business Law for Business Men]; Cyrus H. K. Curtis [magazine publisher]; Chas. S. Caldwell; G. W. Cole; Hampton L. Carson [lawyer, professor, state Attorney general]; A. Lincoln Acker [Philidelphia port collector]; Max Aron [lawyer]; Eugene C. Bonniwell [a judge]; Chas. L. Brown; Edward Groome; Chas. L. Bartlett; Edward Bok [editor of the Ladies Home Journal]; Mr. and Mrs. Geo. H. Lorimer [editor of the Saturday Evening Post]; Edw. Bacon; Chas. Curtis Harrison [a judge]; Samuel S. Eels, Rev. J. J. O’Hara [future Archbishop of Philadelphia], and Bishop Thos. J. Garland, D. D. [Episcopalian bishop]
There were a bunch of Universal employees in attendance too but that's less interesting to me. Let's see who went to the Washington show
Both showings were under the auspices of Ambassador Henri Beragner of France and Marcel Knecht, French publisher and trade representative. Dr. Ferdnand Heurteur, leader of the orchestra of the Paris Opera House, came to the United States to conduct the orchestras at these two showings. Among the distinguished guests at the Washington showing were: Don Juan Riano, Spanish ambassador; Senor and Senora de Mathieu, Chilan ambassador; Raoul Tilmont, secretary, Belgium embassy; G. H. Thompson, second secretary, British embassy; A. J. Pack, British embassy; Eduardo Racedo and Madame Racedo, first secretary, Argentine embassy; Conrado Traverso, Argentine embassy; Dr. and Senora Velarde, Peruvian ambassador; Dr. and Madame Santiago F. Bedoya, secretary, Peruvian embassy; Senor and Senora Tellez, Mexican ambassador; Senor and Senora Castro, secretary, Mexican embassy; Ambassador de Martino, Italy; Colonel Augusto Villa, miltary attache, Italian embassy; Count and Countess Sommati di Mombello, Italian embassy; Signor Leonardo Vitetti, Italian embassy. Baron and Baroness Ago Maltzan, German embassy; Mr. and Madame Matsuidaira, Japanese embassy; Mr. and Madame Gurgel de Amaral, Brazilian embassy; Senor and Senora de Sanchez Aballi, Cuban embassy; Senor Don Jose T. Baron, secretary, Cuban embassy; Brigadier General Georges A. L. Dumont, military attache, French embassy; Mr. Jules Henry, first secretary, French embassy; Major and Madame Georges Thenault, French embassy; Captain and Madame Willm, French embassy; Mr. A. Konow Bojsen, secretary, Danish legation; Mr. and Madame Marc Peter, Swiss ambassador; Mr. Andor de Hertelendy, Hungarian embassay; Senor and Senora Ricardo Jaimes Freyre, Bolivian embassy. Mr. and Mrs. Timothy A. Smiddy, minister, Irish Free State; Mr. and Madame Simoposilis, Minister from Greece; Mr. and Madame Prochnik, Austrian ambassador; Mr. and Madame Charles L. Seya, Latvian embassy; Mahmoud Samy Pasha and Madame Samy Pasha, Egyptian embassy; Mr. Zdenek Fierlinger, Minister from Czechoslovakia; Mr. Simeon Radeff, Bulgarian embassy; Mr. and Madame Jan Ciechanowski, Polish minister; Senor don Manuel Zavala, Nicaragua embassy, and Mr. and Madame Bostrom, Swedish ambassador.
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plethoraworldatlas · 1 month
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Biden administration officials attempted Monday to downplay the significance of a newly passed United Nations Security Council resolution, drawing ire from human rights advocates who said the U.S. is undercutting international law and stonewalling attempts to bring Israel's devastating military assault on Gaza to an end.
The resolution "demands an immediate cease-fire for the month of Ramadan respected by all parties, leading to a lasting sustainable cease-fire." The U.S., which previously vetoed several cease-fire resolutions, opted to abstain on Monday, allowing the measure to pass.
Shortly after the resolution's approval, several administration officials—including State Department spokesman Matthew Miller, White House National Security Council spokesman John Kirby, and U.S. Ambassador to the U.N. Linda Thomas-Greenfield—falsely characterized the measure as "nonbinding."
"It's a nonbinding resolution," Kirby told reporters. "So, there's no impact at all on Israel and Israel's ability to continue to go after Hamas."
Josh Ruebner, an adjunct lecturer at Georgetown University and former policy director of the U.S. Campaign for Palestinian Rights, wrote in response that "there is no such thing as a 'nonbinding' Security Council resolution."
"Israel's failure to abide by this resolution must open the door to the immediate imposition of Chapter VII sanctions," Ruebner wrote.
Beatrice Fihn, the director of Lex International and former executive director of the International Campaign to Abolish Nuclear Weapons, condemned what she called the Biden administration's "appalling behavior" in the wake of the resolution's passage. Fihn said the administration's downplaying of the resolution shows how the U.S. works to "openly undermine and sabotage the U.N. Security Council, the 'rules-based order,' and international law."
In a Monday op-ed for Common Dreams, Phyllis Bennis, a senior fellow at the Institute for Policy Studies, warned that administration officials' claim that the resolution was "nonbinding" should be seen as "setting the stage for the U.S. government to violate the U.N. Charter by refusing to be bound by the resolution's terms."
While all U.N. Security Council resolutions are legally binding, they're difficult to enforce and regularly ignored by the Israeli government, which responded with outrage to the latest resolution and canceled an Israeli delegation's planned visit to the U.S.
Israel Katz, Israel's foreign minister, wrote on social media Monday that "Israel will not cease fire."
The resolution passed amid growing global alarm over the humanitarian crisis that Israel has inflicted on the Gaza Strip, where most of the population of around 2.2 million is displaced and at increasingly dire risk of starvation.
Amnesty International secretary-general Agnes Callamard said Monday that it was "just plain irresponsible" of U.S. officials to "suggest that a resolution meant to save lives and address massive devastation and suffering can be disregarded."
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kontextmaschine · 10 months
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Like, I'll totally agree that California NIMBYs are ridiculous and have committed the state to a poorly chosen path, but I don't think you guys appreciate how very explicitly central "a civilization where everyone lives in a small-town environment with direct exposure to undeveloped nature" has been to the California Dream
Like before even the postwar Golden Age buildout under Gov. Brown the Elder that really instantiated this suburban paradise, the prewar boom of LA was very commonly framed – embraced by boosters to draw more residents – in terms of a job-rich city that uniquely didn't have "slum" housing.
(You don't even hear about "slum clearance" – the postwar practice of demolishing blocks at a time and giving the former residents intentions of something better that much anymore, but large areas of downtown-adjacent land in American cities was hyper-dense and low quality tenements or often formerly comfortable-class housing that had been subdivided all to hell)
California had an idiom for "life at high residential density" – the crowded, warrenlike Chinatowns of LA and especially SF since the Gold Rush, chaotically full of improvised enterprise, drug addiction, and murderous gang violence!
In the early 1980s, Long Beach – the industrialized working class shore to the south of LA, kind of its Queens, was like "ha-HA, we have filled this wonderful location at low bungalow density, time to upzone so as to keep this a functional area for working-class life!"
Of course the thing is the 1980s in Southern California went on to feature a massive illegal immigration wave (Cheech Marin's 1987 Born in East L.A. is called that because it's about an American-born bilingual Mexican Angelino experiencing this) which often landed in Long Beach AND the crack- and gang- heavy nadir of South LA-area Black communities.
Which is to say, in actual historical precedent that informs cultural sentiment, dense housing in California (let's talk *Oakland*) consistently means "the white average-Joe neighborhood becomes overrun with inscrutable, addiction-riven, gang-murderous Others"
And the whole environmental stuff – there's a clear line from John Muir and the Sierra Club through Paul Erlich and The Population Bomb to the Bay Area types who want to cap tech jobs or the people who worry about water (or road!) use coming from new development that the way to keep properly stewarding the land without exhausting finite resources was to limit population.
You can work racial or wevs angles too, a lot of the West Coast issues with natives and Chinese workers came from the way that the coast's founding culture really came from a "Free Soil" philosophy, common among smallholders and "mechanics" in the (then-"West"), one of the two strains that went into the Republican anti-slavery stance along Boston moralism (New York, as the major port city of an international economy powered by cotton, was fairly pro-Confederate), that this was supposed to be a country to enable white men's ability to establish self-sufficient petty dynasties of their own, and that indulging all this nonwhite work – creating a national economy oriented around slave-produced agricultural exports rather than white artisan industrial development, Pacific landowners recruiting natives or Chinese in a labor shortage rather than letting white wages rise so the workers could establish their pioneer fortunes – were, fundamentally, taking their jerbs.
And the pastoralism! This was the pleasant climate where the ranch house really blew up, integrating the outdoors and living area. Backyards – and home gardens – were key.
(In a LOT of ways Portland as I came to it at the dawn of the 2010s suddenly reminded me of things I had read about midcentury LA far closer than the one I saw in the 2000s)
Pete Seeger in 1963, "little boxes made of ticky tacky", Joni Mitchell in 1970, "paved paradise and put up a parking lot", these were laments for greenfield development coming before the activist-driven 1970s downzonings that saw that greenfield development was the ONLY way for California to add housing.
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theehorsepusssy · 11 months
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I’ve been following you since I was about 14, and I think I’m doing well. You’ve been the constant on here and it brings me comfort. You feel like an old friend to me and I couldn’t be more thankful and happy that you’re still here. PS, your look alike Ted is now dead, so your only other look alike is my friend John. He lives in Ohio. ❤️❤️
Thanks for the check-in. I had a sudden panic of being responsible for who knows what. Happy you are well. :) .......You are referring,of course, to Greenfield, Ohio's Johnny Paycheck
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