Demystifying Brokerage Accounts: A Comprehensive Guide for Beginners
Written by Delvin
Have you ever found yourself intrigued by the world of investing but unsure of where to start? Look no further! In this comprehensive guide, we will demystify brokerage accounts and provide beginner-friendly insights to help you embark on your investment journey with confidence. Whether you’re a complete novice or have dabbled in investing before, let’s dive into the…
View On WordPress
1 note
·
View note
I’m not actually that invested in green-blooded Shadow, however, wouldn’t it be fucked up if on the ARK the only blood Shadow has seen is his own.
Wouldn’t it be fucked up if after a normal day of being tested on, after lying down on a cold metal table being poked and prodded with needles and scalpels and machines that do who knows what once he gives the OK (because I do think if Shadow was tested on he had a choice. I think Gerald would always ask for Shadow’s consent before experimenting on him. I just think Shadow would never say no. This is for Maria, after all, and Shadow would always agree to something that’s for Maria), after seeing his neon green blood drain into bags above him for what feels like the millionth time, the raid happens.
The raid happens and now Shadow is made aware that blood is red. Humans bleed red.
He then has all the time it takes for an escape pod hurtling through space to reach earth to try and reconcile this fact.
213 notes
·
View notes
to me the hes alien 2 thing has never felt like a lie, moreso an honesty in the moment that changes and gerard never corrects which is much more how gerard operates than outright being a liar. like gerard almost certainly was planning on another album but, after looking at the poor warner support/understanding of hes alien (esp refusing to emphasize its britpopian nature to a british audience) he very specifically switched to singles (rolling stone article around germs/baby your a haunted house heavily alludes to warner being the reason for the shift in music format) and then outright pivoted to comics -> the plan changed/gerard is too willing to voice a thought or future that is not set in stone
32 notes
·
View notes
A thing I find interesting about the forced politicization of detransition is the idea that now a person has transitioned, they must "live with the agonizing depression as a result of their body" - as though trans people (many of whom do have dysphoria) can relate with. But that brings up a point - the pain of people presumed not to be trans is seen as legitimate, while pain stemming from transness is seen as a failing, or righteous justice for... the crime of having discomfort.
I am very empathetic with the narrative of living in a body which makes you uncomfortable. That was my reality for around eighteen years. But why did I deserve that? And what about a detransitioner and me, a transitioner, makes us different? We have a shared interest, and it's very telling as to the reason there is a forced political divide.
91 notes
·
View notes
ngl, one of the other reasons I get a kick out of Tolkien saying that Númenóreans became barely distinguishable from Elves “in appearance, and even in powers of mind” is because a lot of the fandom is extremely committed to all Men being strikingly inferior dissimilar to Elves in both appearance and abilities, and their arguments against Tolkien’s characterization can be very funny.
ROP has made this even funnier because the casting has re-activated a lot of people’s investment in sharp, visible differentiation between Elves and Númenóreans in ~canon~. Whenever someone brings Tolkien’s quote up to them (not me, since I don’t respond directly most of the time, but other people do), they’ll be like, “oh it is you who misunderstands! when he says they became barely distinguishable in appearance he means in fashion choices not actual physical appearance! and by powers of mind, he of course only means that they’re strong-willed and perceptive not literal powers, and the stories of them mentally communicating with their horses must be mistaken, and the most mundane possible interpretation of them in LOTR is the only plausible explanation—”
73 notes
·
View notes
Sometimes I think about my ideal Batman story, in which the Joker is killed by some nameless random Gothamite in the middle of a scheme with no build-up whatsoever, no mystique, just some henchman who he's turning on just saying "fuck it" and shooting him or some hostage managing to get free and then hit him repeatedly with their own chair until he doesn't get back up. It's quick. No one stops them. They're all too shocked it's working to stop them, and at the end of the day, EVERYONE wants that clown gone. That's the first action sequence and it's done by the end of issue one, preferably even at the three-quarters mark. (As far as I can tell he is considered dead at the moment, but it was climactic and showy and while he presumably exploded we all know he'll be back and probably be revealed to have never died at all somehow, and I want him dying in the most anticlimactic way possible.)
The rest of the arc's just dealing with the fallout. We see his body at the coroner's and confirm it is disposed of (thoroughly and in secret, so there's nowhere for assholes to visit or necromancers to try and resurrect.) People across Gotham throw parties. Some people OUTSIDE Gotham throw parties. Batman is in the cave making sure literally every means of resurrection is NOT available to the Joker, thank you VERY much, because he gets to be JUST shy of fourth wall-aware and therefore recognizes this is never going to stick and he'll be back as soon as the next writer comes on. No alternate universe versions are able to come through. There is no DNA from which to clone him. It wasn't a body double, a Doombot, or an elaborate illusion. He has been 100% confirmed to be 100% dead like three times in this issue alone. No time traveling Jokers to account for. Everyone else thinks Bruce is overreacting but when the Joker does inevitably come back ideally Bruce does get a scene being utterly unsurprised because on some level he understands that he is stuck with this fucking clown forever no matter what he does.
We get a mention that the random Gothamite IS put on trial for murder but it's unanimously ruled self-defense. This is the one circumstance where I'm willing to give this Gothamite a name. It is important to me they never appear again after this. They are here to kill the Joker and then recede back into the crowd.
Because the point is that the Joker dies like a fucking loser, because he's not some unkillable mastermind force of chaos, he's just a clown whose biggest win was killing a twelve-year-old, a feat he only got away with at the time because of an incredibly convoluted and even MORE incredibly racist plot point about him somehow getting named an Iranian ambassador. (No, seriously. That happened. It is every bit as terrible as you're thinking. There's a reason why adaptations cut it, but it's TELLING that the writers felt the need to come up with this contrived reason for why the Joker could kill Robin and live to tell the tale so they wouldn't have to utterly BREAK Batman as a character whether he breaks the rule or not.) Jason Todd is alive again. His second biggest win was shooting someone I'm pretty sure he didn't know was a superheroine, which was entirely incidental to his desire to torture her father which was ITSELF incidental to his desire to prove a point to Batman. And I have the DEEPLY mixed feelings of a disabled person who thinks Barbara Gordon's treatment in TKJ and especially editorial's approach to it was atrocious but who still deeply appreciates Oracle as a wheelchair user and such a nontraditional superhero, but ultimately: Yeah that's no longer a win for him, either.
So the Joker dies, it's made entirely clear that he is dead, he dies in a way that underlines how fundamentally pathetic he is and how fundamentally RIDICULOUS it is no one in Gotham did it before that point (because if you're going to die either way, why not go down swinging?), everyone celebrates, eventually even Batman's hypervigilance is appeased enough to eat some cake, and we get a good few years without that fucking clown everywhere until he inevitably returns. Hopefully by that point, everyone in reality considers how absolutely BORED they are of the Joker as some Ultimate Evil Super Successful Murder Clown of Doom, and when he does come back it's a version who's much more funny than scary.
Yes, my favorite episode of BTAS is Joker's Favor, but I don't think that changes the fact that the clown is overplayed and that having villains around who routinely kill is just narratively and objectively a bad choice to put with a character who you're defining by "does not kill". Like, you as the writer are weakening your own central thesis and then you have to come up with elaborate justifications why Batman Not Killing is right (because these comics are nominally still being sold to children, and also editorial will never let you ACTUALLY do it) when you could just solve the problem by not having the villains Batman fights routinely kill people. Knock it off. Yeah it's unrealistic but superheroes are inherently unrealistic, and yes, I'm including Batman, do you KNOW how much any given injury writers consider routine ACTUALLY fucks you up long-term?
Don't even get me started on Victor Zsasz.
Anyway I saw DC's doing a Joker Year One next year and just wanted to get that off my chest. Carry on.
5 notes
·
View notes