I love the comic book writing sensibility that Frequency has, like how Three and Five's ending is great for the story being told but if it were a published comic it would still leave them on the table for if a future writer wanted to use them.
whats funny is that despite doing my best to keep in line with dc comics/comic writing sensibilities throughout the fic (staying as comics-accurate as possible in terms of continuity/tone/characterization/story elements etc) that particular comic writing reality was one that was like. kind of a genuine anxiety that i didn't know i had until i started writing this thing.
ive said before that in the original concept for Frequency all of the clones (besides Thad) were going to end up dead. whether it was via killing each other or unintentionally being the instrument of their own demise (disney villain style). obviously it changed because creating an entire narrative about this one character's redemption arc and then not allowing any of the other villains to have a shot at redemption felt hypocritical and like. mean. not to mention antithetical to the whole ethos of the story.
but the reason why killing off all the other clones was my first instinct is partially because i had this kinda subconscious recoil to the idea that any of them would actually continue on after the story was over.
like, because i was trying to stick to canon so much, while figuring out the story a thought came up a couple times that basically went like, "okay, well, if this was a real comic, then...". and inevitably i had a realization that if this WAS a real comic, my original clone characters would be canonized, and therefore available to any future writer who wanted to yank them out of their respective endgames and inject them into other stories. which i Did Not Like the Idea Of.
classic "making up a guy to get mad at" except it was more "making up a reality to get anxious about". because obviously no matter how much it sticks to canon, Frequency still exists in a fan-created space.
but! i'd never made up original characters to put in my own fanmade stuff before and was definitely feeling protective. because all those original clones i made had yknow: a story purpose and narrative function to facilitate the actual key characters, Thad and Bart. the idea of them being removed from that context in any capacity, even if it was in the hands of a good writer, made me have this gut "no STOP you're ruining it!!!!" reaction.
they were all made for Frequency, and to foil Thad as a character, i didnt like the idea of Three being brought back as a one-note villain or Jude and Nathaniel getting folded into the wider Flash cast of allies. and none of them were made to be main character material. plus the character roster at DC is already uhh Extremely Stacked i genuinely did not want the takeaway to be "and here's the nEW ADDITIONS TO THE FLASH FAMILY!" because that wasnt the intention
anyway i got over it lol. i still did my best not to leave any loose ends, and have each ending be wholly satisfying on its own, and ideally the oc clones basically continue on offscreen while the true adventures are based around Thad and Bart. but yeah it felt right to leave off on that note (and served the story much better than killing everybody off)
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The thing about Dick Grayson is that he is the one who's there. Whenever anyone has a problem, they go to him. Whenever they need to talk about those feelings (those rare, rare occasions), they talk to him. Which is why it always cuts deepest when his tongue turns onto them. He knows them, and he knows their deepest insecurities that they never admitted to anyone, and he knows exactly how to make it hurt the worst. Because he's the one who was there for it all. He's the one they went to. He's the one who held them and told them it wasn't true. He's the only one they ever admitted it to. And it hurts so much worse coming from him, even though they know on some level that he doesn't truly believe that. Or maybe it's especially because of that that it hurts so much. Idk.
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when i needed to go to the walk-in clinic the other day because i have a (fucking painful) ear infection, the wait time was 2-3 hours. which was frustrating but they were very short staffed, understandable. after 2ish hours in the waiting room, i was finally taken back and wasnt seen for another TWO HOURS. when my doctor came in she was like "sorry, i know the wait times are long!" and i was like "yeah about four hours haha." she apologized and i told her that it was okay because i knew it wasnt her fault and.
the RELIEF on her face. she told me "thank you, you dont know how nice it is to hear that."
we need to start being more understanding and stop being assholes to workers of every kind, especially when it's obvious that they're not having fun either.
i was so so so frustrated that it was taking so long, especially because i started to have a migraine from the lighting, but i didn't take it out on her. stop taking out your frustrations on people who don't deserve it.
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I was wondering... if David didn't know that Kirk was his father then it'd have to mean that he wasn't even written in the birth certificate. There would have to be no records of David Marcus being James Kirk's son. Especially in a society Star Trek presents where you can literally find information about anyone (no privacy at all; unless something is deliberately erased or put under "no authorization").
So I wonder if Carol decided to tell Kirk to stay away even before David was born... (and if that's something I should maybe do when it comes to my fic...)
OR
maybe David knew. He looked it up and that's why he hated James Kirk in particular...
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