౨ৎ⋆ ˚。⋆ lover, please stay . . . gojo satoru x gn reader
⊹ ⠀⠀ how do you move on, when he never said goodbye? (0.3k)
there's a concept that isn't talked about enough.
the concept of desperately missing someone who likely hasn't thought about you in days...weeks...maybe even months.
it seems silly to miss this kind of person— who disappeared and left you alone to contemplate everything you ever did during your relationship, and let you believe that you were the reason why they walked away. the easiest thing in the world, is to blame yourself for the desolation of love. the easiest thing in the world, is to revisit the good times and analyze every single second. the easiest thing in the world, is to feel your heart reach out for him whilst knowing his arms will never try to hold yours again.
the easiest thing in the world, is to fall in love with satoru gojo...
...and the hardest thing to do, is to let him go.
'i made it into my program!'
the message sits in the text bar. you can't seem to let yourself press that tiny little arrow button, perhaps out of embarrassment or perhaps out of pride. satoru never even replied to your last text. it'd be pathetic to send another, right? desperate. clingy. psychotic. obsessive. no. you won't send it.
you can't.
satoru doesn't want to hear from you. he doesn't want to talk to you. he doesn't want to acknowledge your existence; so why would he want to receive another notification from a phone number that he likely deleted the contact of? stop humiliating yourself.
you wish you could. you really wish you could; but there's no way to erase the memories of him from that deep corner of your heart whose grip is so strong, you can't rip him out. you can't burn the itch in your brain that goes off every afternoon at one o'clock, urging you to dial his number and greet him with a smile. you can't demolish the attachment in your fingertips that wish they could type at a record speed to tell him the smallest details of your day. you can't erase the longing in your body to feel his touch. to hold him. to hug him. to kiss him. to tell him just how much he means to you— even though you mean absolutely nothing to him...
...because if you had meant something...
...he wouldn't have left.
⋆⋆⋆⠀ ⠀thank you for reading, reblogs are greatly appreciated
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something something, rich son soap getting kidnapped by a group who want money, ghost is part of that group and got tricked by an old acquaintance into helping, didn’t realize who the target was and ends up being subjected to a soap who’s not scared at all and keeps flirting w him despite the danger he’s in
cut to price and gaz, soap’s bodyguards, busting in and saving their boss by killing everyone else in the room. before price gets a chance to fire a shot at ghost, soap yells at him to stop
“not him, he’s coming home with me”
“you sure about that, sir? what about-“
“they didn’t tell him shit, so he’s innocent anyway”
before ghost has a chance to make a quick getaway, gaz knocks him out and ghost wakes up hours later in a room w the tables turned. he’s tied to a chair with soap sitting directly across from him, legs crossed and looking at ghost w a friendly smile despite their positions
“welcome back, simon. i have a proposition for you”
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there’s a horrible sickness in me that makes me want to stop and replay da:i whenever i start a different game. how am i supposed to resist the story of my own unwilling apotheosis? especially as lavellan, who doesn’t believe in the maker and who has every right to hate and mistrust the chantry but chooses to use what power they have to try save people, to fix what’s broken, no matter how afraid they are or how careful they have to be. walking side by side with the great trickster god/adversary of your people without knowing, befriending him, changing his mind about this world but ultimately not his choice. he understands what’s happening to you because it happened to him once and he gives you his castle, built over the place where he sundered the world, and paints your story there in frescos that will last long after you’re gone and after the story has been retold and reshaped so many times that the truth of who you are and what you did is lost—just as he did his own story, which was lost and perverted by war and propaganda, and he shows all of this to you knowing you’ll understand because you’ve lived through something similar, grown into something larger than yourself and your true name, and it doesn’t change anything but. he wanted you to see him just for a moment, even if he can’t tell you everything (or almost anything) and you can’t save him—because he owes it to you as a someone who is a friend, almost an equal, and because there’s no one else left who knows: a direct result of what he did to your people and which he now seeks to undo at the cost of this world.
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You think part of the reason why Phoenix didn't contest the whole forged evidence fiasco that got him disbarred was because he still hadn't reconciled his feelings about what he did during BttT? This bit:
Phoenix: (So I guess it's all over... The way everything ended... Was justice really served...? The man who risked his life to save Maya is being sent to prison by my own hand...)
Like, maybe the idea that he was "as good out there as any defense lawyer could ever hope to be", as Mia puts it, but it only left him feeling hollow sprung a sort of disillusionment with the courts that culminated in him being framed and just... accepting it. Because if justice meant letting a good man be jailed (or executed if you want the awful version of events), if he couldn't even trust in his own hand to bring justice to his clients and cases, then what's the point of it?
I don't know. I think it would have been nice to see him figure this one out.
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Mayu’s ‘invasion’ of Kitauji
Mayu’s addition to season 3’s cast brings with it an incredible sense of tension. Not only does she feel out of place, but there’s almost a sense of imminent disaster.
The way her character is handled in such a way to promote this emotion in the audience so that it meshes with the character’s feelings in general. I’ll mostly be talking about what her presence means for Kumiko as she is certainly the most affected, but I think there’s some interesting stuff with Reina and Kanade as well (especially Kanade with the extreme contrast between Mayu and Natsuki, but I digress)
Kumiko’s third year is a tumultuous time already, with her having to take up the mantle of president, deal with her plans for the future, and their last chance at the competition. Amidst an already fraught atmosphere Mayu arrives, and she poses a *threat*, to the band as a whole, but especially to Kumiko.
Interpersonal struggles in the band have been a looming threat since before Kumiko even began at Kitauji with the lasting conflict of the previous year haunting many of the members. The conflict stirred up by Reina playing the solo first year, Kanade and Natsuki fighting in the second year, and everything with Nozomi and Mizore… Kumiko was largely at the center of all those conflicts and knows well what they entail. In a sense Mayu is the embodiment of Kumiko’s hypothesis of why Asuka didn’t want Nozomi to rejoin the band. She is too good, her presence is bound to throw everything off.
And she does. Although leading up to the auditions there haven’t been any massive incidents her presence clearly doesn’t fit. For many episodes she wears a separate uniform to everyone else, literally standing out, and her skill is evident. But at the same time she is blasé about the competition. Thinking it’s fine to just take it easy, or offering to forfeit her audition. The determination by Kitauji to play their best and win was something built up specifically by Taki-sensei. It is largely what keeps their band together, and especially in her position as an incredibly skilled player Mayu disregarding that is off putting.
And of course for Kumiko, who stands at the greatest risk of losing her spot in the competition, or the solo (that is a trumpet and euphonium solo which especially important to her) that is even more worrisome. Kumiko is also her most determined, each year learning more and more how much the band means to her, and how much she wants to improve. Playing in nationals and winning gold is the most important to her that it’s ever been, and it’s her last shot. Combined with the dilemma of being the president as well, and in charge of the band’s harmony Kumiko is stuck.
When Mayu finally does switch to a Kitauji uniform it is almost even more unsettling. It comes on the heels of her offering to forfeit her audition, and asking Kumiko to go to the Agatha Festival with her. She is trying to fit in, but in the wrong way (see Kanade trying to throw the audition in Kumiko’s 2nd year). While Mayu has clearly made Kumiko uncomfortable at times in the past this time, Kumiko feels uncomfortable enough to lie (though you could say a part of that is her wanting to attend with Reina, I think her reaction as a whole makes it evident there is a dislike of Mayu involved). This moment is really interesting because it is a momentary step back for Kumiko into a version of herself similar to her position at the start of her first year, still hiding her true feelings and very distant from others (which is only intensified by the conversation in her teacher meeting later in the episode).
This moment especially is Mayu almost ‘invading’ Kumiko’s Kitauji. With the auditions coming up, combined with Mayu’s presence being uncomfortable and threatening to Kumiko when Mayu tries to get closer Kumiko just can’t bring herself to accept it. Mayu is encroaching… She is someone who shouldn’t be here, as evidenced by her isolation throughout her time at the festival even after going with other band members (she’s the one taking the photo that everyone else is in). Her finally wearing Kitauji’s uniform doesn’t feel right, it’s just another step too close.
Even back in the ensemble contest Kumiko worried about what would happen if someone more talented than her came to Kitauji? Now now that person is possibly here. And the auditions are just around the corner.
But I think that’s only one side of looking at the issue! The narrative and Kumiko’s role as the protagonist certainly drive the audience to feel (if likely not this intensity) a similar feeling to Kumiko. But in reality Mayu is just another member of the band, and she is clearly still isolated and alone and just trying to fit in. From her point of view something like dropping out of the auditions just seems like best way to be able to fit in, even if she is brewing potential conflict it’s not like that’s her goal.
The Kitauji that Kumiko envisions is one that has everyone in it, as seen by her efforts to ease the 1st year members and include everyone. She’s certainly a bit clumsy at it, but as president Kumiko wants to create a place in the band for everyone. Looking at the flip side of her experience in all the past dramas is her desire to help people resolve their issues. She has grown so much and is far more active than she ever was in the past. But now that same conflict isn’t just those around her, but heading for her directly. And she’ll need to struggle to uphold her ideals for the band, and that’s not the path that she’s on now.
I guess all that is to ultimately say that this season has been so amazing so far and I can’t wait for episode 6 and the rest of the season!
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