NGL the problem I have in searching for fic is that all the best AUs that I want to see with my OTPs are rarely used outside of The Fandom Dreadnought and I just sit here like. Yes I recognize this trope has been fantastically played out with The Popular Gay Ship, but hear me out: it would be really funny with my top ships.

i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good

It’s become really apparent to me how TV has changed based on the shorter seasons.

I feel like so many TV shows want to tell really in-depth complicated plots, but they’re only given eight episodes (sometimes less). And this can work if you have a smaller cast, or you are very strict about who the core cast is, for example in succession, the core characters are the family unit and the secondary characters—the people who work at the company— are not given a similar level of focus, the actors do a really great job of conveying who those characters and what their motivations are, but they still leave you wanting more because ultimately, you know, you might get a hint of something in the script that you can’t go into in depth.

I think the problem is trying to fit a really complicated plot(s) in an eight episode season that also has an extremely large cast of characters that they want to focus on. I see this in Wheel of Time, I saw it in The Gilded Age too.

And one of the main ways I feel like the stories really suffer is that you don’t really get to sit with a story or the implication of things that happen like you do if there is a longer season. For example, there’s a lot of cutaways right after dramatic event instead of seeing peoples’ reactions and afterwards reactions are implied, or perhaps you skip an important scene altogether, and then just tell people that it happened. 

And I think there’s choices that you can maybe make as a writer or a director once or twice for a meaningful reason, but sometimes it happens so often it really feels like it’s only to save time. You didn’t want to see the character having in that emotional reaction for more than two seconds because you don’t have enough time the episode to focus on them, now you have to go to someone else’s plot. Or you skipped over that explanation/event to just have the character have already found out in the next scene because you know if they were to have that scene, it would take up at least a couple minutes because of course they would react to strongly to that news. But now they have known for hours/days etc so their reaction is stale and can be implied with a withering look or a long sigh and a quick mention to let the audience know that something happened.

When you have a large ensemble cast in a short season, there simply isn’t time to give everyone a meaningful plot all the time or there isn’t time to examine everyone’s deeper characterization as a result of their plot; this often ends up with audiences wanting more and writers relying slightly on stereotypes or character tropes to help round out the character in audiences minds.

I really hope the strike helps reverse the trend of shorter and shorter seasons for television shows, because while not every show needs to be more than eight episodes, many shows would benefit from the ability to have more time to tell their story. It is wild to me that a 12 or 13 episode season for a drama series is now a long season to me.

whenever i read fics i always end up thinkin of a song for the fic or like, th chapter and then i canr stop associating the fic w/ those songs

every time i make a post that is kind of specific i get so happy when the target audience finds it. yes, i made this especially for you, the 3 people that have gone insane in the tags

i think the best way i can articulate why this episode is my favorite of the whole show so far is that it was so emotionally gratifying i don't even care about the pacing issues

helloooo!!! your art is GORGEOUS and i'm always so impressed with your clothing designs, especially for the gaang! how do you find references and/or implement cultural elements into your designs so nicely? thank you!!

First off I recommend this blog> @atlaculture

It's the base basically, it has different clothes, accessories, hairstyles etc from the show and links it to the culture they seem to be inspired of!

Then I spend hours on pinterest and I try to search websites on Google where they explain like..that specific different culture. For example the last thing I checked was the chuba and there are various websites (Wikipedia included) where they explain in details how it is made and how it is worn or like, maybe i go on clothes websites of that specific culture (for the fire nation belts i go to thai clothing stores online most of the time)

Hope this helped! Fashion is a big passion for me and getting to learn about different clothes from different cultures is such a beautiful thing! I love learning more

Au where Damian is closer in age to Tim and joins the batfam after Jason dies

bruce has to make himself functional with a new kid dropped in his lap and then has to cut back on the violent outbursts because Damian WILL take it as permission to kill and they're trying to teach him not to do that

tim keeps his stalker tendencies and grows to like Damian's robin just as much as Dick and Jason's, even if this new robin is a bit stabby around the edges

damian is the first robin to notice Tim tho and confronts him on his own without telling Bruce

timmy is like heyyy don't stab me I swear I wouldn't endanger the bats ever & also I can maybe give you info I find sneaking around & also hey wouldn't it be cool to have a secret from bats? You could have your own personal informant wouldn't that be so cool you could impress Batman and everything

dami: fine but you don't have any more secrets right

tim, knows their secret identities: and I said no, y'know, like a liar

so they make a truce that turns into a friendship that turns into Damian hiding the fact that he has adopted a brother, shut up Batman you picked up random children from the street so can damian

bruce and dick: wow it's so nice that Damian has started listening to us about not killing or using excessive violence on people. We're glad he understands now

Damian, who got a 72 slide PowerPoint lecture from Tim about the practicality of not killing as a vigilante in Gotham: yes, that is what happened. I have accepted your perspectives on morality. No other reason

tim’s powerpoint has a lot of graphs and venn diagrams measuring different kinds of criminal activity vs public cooperation vs batman's violence levels vs police cooperation vs rogue activity. The gotham ecosystem is delicate

when jason comes back tim throws a fit because he has to REMAKE his powerpoint and all the graphs to add red hood’s vigilante-slash-rogue effect

Tim at some point: batman is fragile if you kill people it will make his traumatized brain explode

Dami: trauma?

Tim: y'know from martha and thomas being murdered in front of him

Damian, eyes narrowed:

Tim: I mean… that's just a game theory?

but just like generally Tim and Damian being each other's support systems

they bond over having parents who are absent?? Like, damian missing his mom and tim immediately empathizing on how its hard when you love someone who is away a lot or for a long time

they talk about missing them and damian is able to open up about feeling out of place and how difficult it is to adjust or know how he's supposed to act

I love the brand of neurodivergent that’s like “I have very specific ways of doing things and if I don’t do these things in those specific ways I will no longer be able to function in any way and I will have a mental breakdown. But I am horrible at planning and sticking to schedules or anything. So I’m random and sporadic, but there’s my specific things that have to be done specific ways or I’ll cry”

Just had a dream and all i heard on repeat was: how am i gonna question myself when i saw it and know i saw it?

having a hyperspecific special interest is the fucking worst actually because i know for a FACT nobody will ever share this deep enthusiasm for an anthropomorphic flower species . but it's also kind of the best because i am the friend who prattles on about utterly meaningless shit and you are forced to listen . i feel powerful .

That level disingenuous that several posts on here had, I wanna say back in 2013-15ish, in which they'd recommend a piece of media on the basis that it had ''canon gay characters'' but what it actually had was shit like... a character on their death bed telling their childhood friend they loved them and the post counted both characters as canonically gay even though the other one didn't even respond.

Since I already pissed off enough people, I would also like to add that using Anne Rice's reason for writing Interview With The Vampire as a way to process her grief over her deceased daughter isn't a solid argument to make for even book!Louis' position as a mother when within the book itself, Louis highlights having had romantic feelings for Claudia. The book specifies them kissing on the lips multiple times, some very weird descriptions whenever they both hold each other near, and even Louis repeatedly lamenting on whether or not Claudia is his child given his own complicated feelings towards her in the second half of the book. Louis' feelings for Claudia never start off or develop as maternal, either. He's honest in saying how he and Lestat treated her like a doll to dress up and play with for their own entertainment.

Interview With The Vampire is a Gothic novel, with all the weirdness that comes with it. The show itself takes to blurring the lines between Claudia, Louis and Lestat: Claudia insists on being referred to as their sister once she matures mentally past her young age, despite the other two still having a responsibility to her as her parents and failing at that. Louis refers to Lestat as "the father" and he and Claudia as his children. Louis and Claudia have practically no boundaries with each other despite being parent and child. Louis enters her mind and talks to her repeatedly despite never asking for permission to even do that, to the point where Claudia has to block him out. Claudia listens in on him and Lestat having sex. In the early years when she was with them it's even hinted at her having slept in the same room with them for several years before getting her own room, despite the two being so comfortable to sneak into each other's coffins and canoodle while Claudia listens in on them.

oh yeah i’ve got a bunch of loz aus that i haven’t really talked about. a few of them are listed and slightly explained in this poll and explanation reblog but i haven’t gone out of my way to actually list the aus i have and really explain them. so that’s what this post is for. here are some... decently simple explanations of my major aus and what they're generally about

i have two kinds of aus: original aus (loz aus that are set in their own kinds of worlds with their own stories and twists on character roles) and then crossover aus (we all know how this works i just mash loz and a thing i like together)

original aus: (many currently dont have actual titles, so the titles will often just be concept shorthand)

in the court of the crimson king/crimson king au: probably the most developed and closest to being written out. it's got one of the longer premises; set in a industrial-esque hyrule city, following linebeck as the main character, as the adoptive older brother of link and aryll, living with them and their grandmother as the only one able to reliably make money to pay for rent and food, leaving every other work to do jobs, but he moonlights as the 'demon of the gray moon', a masked persona he'd created as a child that had long since become a city-wide urban legend, anonymously taking unsavory jobs from whomever can contact him and offer pay, often working directly for bellum, a childhood friend, the one who enabled and trained him to become the demon, and one of five anonymous leaders of the city. linebeck effectively lives a double life, and tries to stay out of too much trouble to avoid drawing attention to himself or making his adoptive family worry, but he gets dragged into more and more danger as bellum becomes curious about the identities of the city's other leaders, and linebeck falls in love with a man named ganondorf, suspected to be one of those other city leaders. ive got a few posts related to it already: this one being another vague concept descriptor, this one being an actual scene i have written out.

'gimmick' au: i cannot explain the gimmick without spoiling the au. put simply, in this au, hyrule as a whole has been at war for ten years, every race and kingdom taking sides in a conflict that seems to be going nowhere. link joined the hylian army young, and has made his way up the ranks to become trusted by queen zelda herself, and things in the war take an interesting turn as he and zelda discover a new faction, unaligned with any particular kingdom and with unknown motives, and zelda decides to set out to the different parts of hyrule, link and a chosen group of trusted allies in tow, intending to try negotiation one more time before things take a turn for the worse.

sci-fi/space au: the fun one that probably would need to be done in a visual medium. it takes place in a solar system of a few planets, link growing up on the planet hyrule and occasionally traveling to the others as a knight specializing in investigating and taking down dangerous bounty hunters, working for zelda as a friend. he and zelda uncover a plot by the yiga clan to accumulate a number of highly dangerous research and weapons held by each species as they aim to resurrect a demon to wreck havoc on the solar system- the b plot being about the top bounty hunters in the solar system screwing around, eventually colliding with link and zelda's a plot as it begins to involve them.

murder mystery(?) au: one of the older ones, maybe one of the oldest that i still stick with. this might actually be one of the first ones i tried writing. the plot begins when zelda returns to hyrule city years after her father- the former mayor- was murdered, finding that he has been replaced by ganondorf and that while things seem fine enough on the surface, random and organized crime run the show, and she begins a private detective agency as 'sheik', a masked young man, and with the help of impa, and old friend and confidant, she moonlights as sheik and uses her daytime identity as zelda to help chip away at some of the city's biggest problems and finds herself drawn into a long string of murders that appear to be anything but random violence.

ruined hyrule 1: i have two au’s with the premise of hyrule being ruined. neither of them have more specific names yet. this one begins with the majority of greater hyrule's population having long since locked themselves in hyrule castle town in order to escape the increasingly dangerous wildlife. zelda, a young girl at the beginning, becomes curious about what lies beyond the city walls, and makes friends with many other children within this sheltered hyrule, and as they grow up together, aim to eventually venture out into the wilderness to see what may have caused the outside world to become so incredibly hostile.

ruined hyrule 2: the other ruined hyrule. set in a devastated hyrule, roughly ten years after the royal family was killed, link failing to save them or hyrule in the time since. he now resolves to set out and indiscriminately destroy every demon that plagues the ruined hyrule, meeting and bringing along various allies, each of which has been uniquely affected by and have different lived in this altered, dangerous shell of hyrule.

modern (school): i also have two modern aus. this one isn’t plot driven, just a concept i have, would work best as little vignettes or something. essentially just the idea of a group of loz characters hanging out together in a modern high school (or college?) setting.

modern: this is the one with an actual plot. follows the general idea of zelda characters living in a modern world only for the typical legends to begin resurfacing and heralding dark events. plot specifics are murky, but that's the general idea.

dark mage: this is the au that where the seas meet the sands takes place in. basically just ganondorf x linebeck shenanigans in this alternate hyrule while actual plot sneaks up on them. named 'dark mage' mostly because the initial idea behind this au was that linebeck would learn magic.

horror au: doesn't have the best name, and it's ended up just being a personal sandbox for me. constantly changing, with the cast and setting often altering if i find that something isn't working or sticking. it's an au i've considered (and even briefly tried) writing in the past, but it's still too fluid, and writing horror effectively is difficult. it's a fun au, though.

mecha au: spawned because i watched neon genesis evangelion. a lot of this au's basic concepts can be found here: x but the short version is that hyrule is being besiged by massive monsters, but each race has created their own mechs to combat them. link is just a farmer who happens to have a strange knack for being a mech user, so is brought in by zelda as a gamble to bolster their chances, and he is tasked with working with a new and less-than-trustworthy crew to help fight those monsters.

'amnesia link' au: an au that sprang up in about a day and hasn't gotten too far since. basic premise being that three years prior to the story, link and a group of allies has faced off against ganondorf and, despite their best efforts, lost, with link being presumed dead by their enemies. now, link has woken up from his coma, his memories gone and hyrule taken over, and, with guidance, must once again travel across hyrule, aiming to rediscover his allies and try to face ganondorf once more.

A quick list of crossovers: I won't explain these in length, since they can range from having their own plot to just being a fun mental concept. So, the things I have made crossover aus with are:

Warrior Cats

Batman

Jojo's Bizarre Adventure

Persona 5

Pokemon

(there are other, smaller ones, these are just the ones i consistently pay attention to)

So! These are the majority of my legend of zelda aus, some of which I may write, some of which just exist in my mind for fun, all of which I wouldn't mind talking more about if anyone is curious!

there's something specifically inside my head that is closing up that makes trusting anything so hard. i have to manually keep my mind open to the potential of anything being significant. i am so used to things being bad and things hurting and things not working and being powerless that it takes an exorbitant amount of mental energy to make sure I don't let myself shut down possibility. and I do it because I never want a certainty inside of me besides love to rule anything. but I want my brain elastic again. i want it open like breathing. it doesn't erase the unfairness or the critique or any of the bitter-built philosophy.

I just completed Pokemon Scarlet 😭❤️

Although the Canon ending would take place within Violet as in Reestalverse