oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-
oh. I made a blog for that exact purpose ! OKAY—!
fuck. fuck me, dude holy-
FUCK.
the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,
ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.
the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.
The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.
Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->
POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).
I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-
I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—
BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)
Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father
holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.
HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."
LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.
YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:
the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care of something else immediately after dealing with that guy (perhaps smth related to the children Snezhevna wanted to save). But regardless, it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god
it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.
and ofc it acts as a representation of Snezhevna dying...
because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.
And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.
"Once I'm better I'll start my next mission.."
THIS. THIS!! IN SO MANY WAYS THIS!
OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:
There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trained to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???
So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..
and ofc the funeral scene. I can't say much more than what's already shown right on the screen.
and am I bugging? Or is the location of the grave....
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do you ever think about how will probably wishes he was braver?
that he could tell mike the truth about himself without having to speak in code. that he could stick to his guns when he's been wronged and stand up for himself rather than tucking tail and turning the other cheek. that he could be less shy, less sensitive, less cowardly, and maybe then his loved ones wouldn't forget about him as often as they do.
maybe then they would pick him first, rather than leaving him for last. maybe then they would want to hang out with him and hear what he has to say. maybe then they would treat him like they used to, like he can still take care of himself just like they can, instead of like a fragile little thing that they pick up only when they need him. maybe then they would care about him as much as he cares about them. maybe then he wouldn't doubt that it could all come crashing down once they know who he really is, and always has been, because the rest of him would've been enough.
like, maybe he wishes he didn't freeze or run away so much. maybe he wishes he wasn't so afraid all the time, of every little thing. that he could be brave like mike, el, or his mom. i mean, el's been through so much, too. why can't he be more like her? why does he have to hide behind her? he hides behind her when the monsters come crawling back, and he hides behind her when he can't bring himself to say what he really means—even after getting on her case about it.
he spent so much time on that painting. he didn't let anyone see it—it was that special to him. why couldn't he own up to that? there's no monster in the van with him; it's just him and mike and this painting of the party, nothing inherently incriminating or romantic, and still—he can't help himself. he retreats back into the shadow, shrinks into himself, and tells lie after lie to the person that he never lies to, that he knows doesn't fucking deserve that, just because he's too scared.
of course he'd feel like a mistake sometimes. of course he'd hate who he is (if That script is to be believed), when he can't even talk to the one person that would understand without lying straight to his face, over and over again, like a fucking hypocrite. of course he'd feel so lost without the person that tells him it's okay to be this way and shows him that there is indeed strength in it. of course he'd hate who he is when he's encouraging someone to be true and speaking about their courage, all while being incapable of taking his own advice, and giving the credit for all of his love and efforts and emotions to someone else.
so many people died to bring him back, so many people died just because he didn't stay dead when maybe he should have, and for what? so that he can continue to hide rather than live his life? so that he can turn into a "worse" version of himself? so that he can live in fear? so that he can continue to ache for a past that he can never return to, while everyone else moves forward and berates him for not doing the same? time stopped in the upside down when will went missing, and he's been stuck there ever since, too. too much has happened for him to move on from. too much has changed—he's changed. he's too different now, in every way, and the older he gets the more clear it becomes.
of course he'd feel like a mistake. of course he'd hate who he is. he's the common denominator here: in his loneliness and in this war. the boy who came back to life when others didn't. the boy that got possessed and couldn't fight it. the boy that turned into a liar and a coward and must learn to live with it, even if it's at his own expense. the boy that can't let go of the past and whom the past won't let go of either, because even after everything, he's still connected to this great evil that won't let him go. they got it out of him, and yet the tether remains, because of-fucking-course it would.
just—why? why him? why can't anything ever go right with him? why is he always the outlier? i think that overwhelming amount of fear, shame, grief, guilt, exhaustion, and loneliness would wear anyone down, let alone a teenager that never asked for any of it and has experiences so unfathomably unique that the only other people that could have possibly understood are literally dead.
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There are four main types of Batfam fans in regard to how people interpret Bruce Wayne as a dad (/Joking. This is mostly satire and should not be taken seriously):
Fans that think Bruce is emotionally constipated and isn't the best at being a parent but still tries (Differs per person). Don't necessarily think he's absuive but thinks he can be toxic or have unhealthy expectations for the Robins. Can smell the Oldest Daughter Syndrome coming from Dick and have Family Line (By Conan Gray) as their top song on their Dick inspired playlist and Daddy Issues (By The Neighbourhood) for Jason.
Fans that choose to believe Bruce goes to therapy in their own canon. Love B:WFA. Thinks the comic can be cheesy at times and so find a balance between B:WFA Bruce and Please Go To Therapy BruceTM as their middle ground. He struggles. They advocate that Bruce is not a bad parent, he just has bad writers that seem to forget Bruce wouldn't hurt kids, especially not his own. Love the humane moments and scenes he has in BTAS and the early JL cartoons. He may not be perfect but he's not literally abusive. Whores for Bruce being able to admit when he is wrong and for Jason and Bruce reconciling. I recommend Grow As We Go by Ben Platt for this one.
A mix between the first two. Was fine-ish when Dick was younger. Didn't help him in the healthiest way but eh. Still emotionally constipated but that happened more so after Dick left and Jason died. Started getting better when Tim came back but was still closed off. Should probably go to therapy with the kids so they can drag his ass about all the things he's done that have actually affected them negatively. Understands his mistakes and is also able to admit when he's wrong, eventually. It's not easy but he starts to do better and learns to be more emotionally available. Still has to get chewed out by Alfred sometimes but definitely better than he used to be and it shows. Reconciliation is slow and gradual but progress is made for everyone involved.
The one's I personally avoid for my own sanity and wellbeing:
Think Bruce is a complete bastard and abuser. Want him to choke. Hate any and all interpretations of him. Some of which will refuse to understand how anyone could have a different interpretation. Will point out comics where, in all fairness, he is a dick but forget that characterisation can significantly differ from one series to the next, as comic characters are constantly passed around to different writers and have been for decades. Not to mention movies, shows, etc.
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Trying to figure out why the fandom meme that Tim is misogynistic bothers me so much, beyond my usual kneejerk response to perceived inaccuracy, and I think the key is that it feels like fandom is lying to me.
Specifically, lying about nearly all the other characters.
That I am being taunted with some theoretical Less Sexist 90′s Comics that don’t actually exist.
Sexism is one of the reasons that I never bothered to seek out superhero comics when younger. Our town didn’t have a comics shop, which sure put a damper on it, but I didn’t bother looking for collected volumes when venturing into regular bookstores, or the occasional trip out of town to places with huge bookstores. I flipped through enough and heard enough chatter to know I didn’t want to put up with the sexism. Scans Daily on Livejournal sure had plenty of supporting examples.
Reading 1990′s & early 2000′s comics now, I can confirm this was the right choice on younger me’s part. There is a lot of sexism in that era, and unlike with prose books by a singular author, it’s much harder to ditch wholesale. I’ve got a lot more analytical reading under my belt now, so it’s easier to roll my eyes at the bullshit and focus on what is enjoyable than it used to be. From the later 2010′s comics I found at the library, things are improving, though still stumbling.
So yeah, Tim does sometimes say sexist crap. But as I devour comic after comic, so far, he isn’t saying or doing anything more sexist, more frequently, than any other character, including the gals. It’s almost like it’s a writing problem, not a character problem.
As far as I can tell, from what I’ve read, which includes all of Batgirl 2000, Young Justice 1998, and nearly half of Robin 1993, Tim is less sexist than the adult men he’s surrounded by, and no few of his fellow teenage boy heroes.
Maybe I’m missing something! But gender doesn’t seem to come into his treatment of Gotham vigilantes and YJ teammates? The most it comes up with his civilian peers is that, typical for the time period, girls are treated by the narrative & characters as potential romantic options and boys aren’t? Tim talks to Callie the same way he talks to Ives & Hudman? He and Ariana both make relationship mistakes, but in ways that are pretty normal for a 13-14 year old’s first romance?
So when the fandom keeps making ‘misogyny’ Tim’s distinguishing traits from the other Bats, or other YJ members or Titans, it implies that reading comics focused on other characters would have less sexism, but when I do read other comics, that’s not fucking TRUE.
Where are these magical less sexist Bat comics?
Who are these heroes fandom claims are less misogynistic?
Because it’s not Nightwing. It’s not anything Bruce takes center stage in. Barbara is fine in Batgirl 2000, but in other comics she’s written as cattily jealous and tears into other women. It’s not Stephanie, as we saw with Batgirl 2009′s treatment of Jordanna Spence.
Batgirl 2000 does pretty good, but that’s the only one I can think of, and fandom singling out Tim makes it sound like it should be all of the others.
Fandom likes to say Jason drinks his Respect Women Juice, but when I read Under the Red Hood and Lost Days, they felt about the same level as Tim’s comics. And I keep seeing examples from Jason’s Robin days of him admiring women or learning from them or teaming up, but I also get that from Tim’s comics.
Before he even had a long running solo, Tim’s Robin mini’s got a crossover with Huntress, in which he respects both her skills and her secrets, and argues with her about as much as he does with Bruce. Tim supports Cassie winning leadership of Young Justice, he supports Cissie’s decision to do what she felt was most responsible. He apologizes for avoiding Cass after finding her intimidating and goes on to work well with her.
I like Tim. I’m mostly enjoying his comics. They’ve got less sexism than I expected of the era they’re written in.
And I hate that fandom’s running meme about him makes it feel like everyone else is making a joke at my expense.
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