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zahri-melitor · 7 months

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Newish Comics, Regular Edition (thank you extremely early spoilers meaning I spent yesterday on the Gotham War stuff, this is a big edition and I’ve been holding myself back from touching these for FOUR WHOLE WEEKS):

Birds of Prey #1: Righto so as I read this my levels of trust are building just slightly. There is at least reasoning being built into this scenario. Also I note the note that this is post Green Arrow #6

The list!!! I’ve already ranted about this but I want to note how IMMACULATE the order of “Shiva, Selina, Talia?, Cheshire?” is. Shiva’s the obvious starting point. She’s heavily associated with Sin, she’s an actual Bird of Prey from several team lineups, there’s the whole Dinah and Shiva relationship… Dinah would consider this. Jumping to Selina next, as someone who again has had multiple BoP appearances, is known to ally up if asked, exists in the antihero spectrum, Dinah’s probably also now aware she’s been looking after Lian. Then Talia. I am unaware of Talia being associated with any BoP team lineup ever but she’s an obvious next place for thoughts to go. Talia has Views and if you’re looking at dangerous people who can help with an extraction rescue she’s an option. Then finally, Cheshire. Who Dinah full well knows would cause ALL LEVELS of drama if Dinah asked her to go after Sin given everything around Lian, but is willing to consider it anyway for a moment there.

I do adore the art style in this, DC’s really putting out some stunning LOOKING books at the moment, also the old fashioned comics style and colour here are giving me vibes of the Black Canary 1991 run.

“What’s more important than a sister” remains excellent, Barda and Cass together is just amazing, and I’m interested in what happens with Zealot and Meridian. I understand why Harley’s there even if I don’t like it, and it’s largely approached better than I expected (I just can’t summon the energy to care about that fight scene, it’s establishing stuff to jury rig a reason for Harley to be here at all, I just don’t care about Harley enough, though does Harley have a secret past with the Dava Sborsc ‘collect all the single punches’ form of martial arts?)

My actual big question is: Sin is SIXTEEN? I mean I know we’ve had 2.5 reboots since the last time she was on page in comics, but she was approximately 10 years old after One Year Later. She was in PRIMARY SCHOOL. That’s even faster aging than Damian! (I guess we could stretch the point to her being 11-12, but it feels older than she was depicted)

Blue Beetle #1: The thing I MOST adore about using that JLI picture for Ted is that even with this comic set in the current present, Ted was on the team with a proper USSR Red Rocket. Ted you were a superhero 32 years ago?

Also amused we got a zany Charlton Comics era villain back.

RED BEETLE IS BACK!!! Oh no. Also almost impossible for it to be Paco given various reboots, so… (I’m sure Ted is fine. They’re not killing him off permanently in the first issue of this)

Fire & Ice: Welcome to Smallville #1: BEA! TORA! “Each day is a gift, and I get to share it with my best friend!” (Howling. I’m howling. They’re going to spend this entire mini baiting us all aren’t they)

…Martha immediately starts comparing Fire & Ice to her and Jonathan. “Gorilla Grodd’s little sister” (whose name appears to be Linka Grodd? And who is queer).

NOOOO THEY’RE BREAKING UP! AND THEY WEREN’T EVEN TOGETHER! YOU TWO JUST LESBIANED YOURSELVES INTO A BUSINESS TOGETHER! AND A TWELVE MONTH LEASE!

“Abandoned by my best friend, maybe the only true friend I’ve known.” (Get a room together)

AWW YEAH AMBUSH BUG!!

I am going to thoroughly enjoy this BECAUSE the entire run will be queerbait and hopefully Bea and Tora might finally get to kiss or something in issue 6. I am ready for this. Just gals being pals.

City Boy #4: this remains outstanding in my opinion. I really like what they’re doing with Cameron, and they’re making using Darkseid actually make sense. Also Chemo blowing up Bludhaven has been recanonised!

Shazam! #3: “Dan Mora an alien?” bookmark ahhahahaha. The background details are where Mora really has fun.

NOT THE AUDITORS.

This just remains silly fun (the Moon Emperor?) so I’m enjoying it.

Warlord #18: this week in the land of Skartaris we apparently DID manage to get out of 500km of desert in a single issue. Amazing work, Grell.

Travis once again using his gun. How many bullets left, Travis, how many. Can you make more?

Then they get attacked by the BLOODMOON and kidnapped by space aliens for breeding purposes. After running away from a T-rex.

And then…TRAVIS MORGAN BONDAGE SCENE. I’ve missed these, Grell, how have you been coping?

Travis gets transmuted into a minotaur. This will clearly only go well. (Sadly it gets fixed like three pages later)

Tara saves the day twice because Tara’s actually more competent than Travis.

#z canon read throughs #newish comics

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dyonoi · 1 year

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I'm not sure if you even look at this blog anymore, but I just wanted to say I MISS YOU!! I still look through your old meta posts and art every few months and while I know you prob won't come back to the fandom, a part of me still hopes it! I guess I was curious to know how you're doing, and whether you've gotten into any other fandoms and ships? You were really fun and if there's something else you're into and writing for I would love to follow you into it!! <3

god this feels like the worst anime timeskip episode. hey there, its been a while. surprised theres people still around who remember. in the past 4??? years i guess ive done some shit, yeah. cliffnotes: finally closed the long distance and moved in with my SO, became a stoner, found the perfect physical art medium for me and have been busy becoming IG famous 💅 and actually making a living off it, and most importantly i have a cat now. he's a manx cat with a little bunny tail and he is so unlike any other cat ive interacted with. he has absolutely no style, no grace. he constantly trips over nothing. cannot jump higher than 2 feet, will gently catch bugs and then lets them fly away, is literally incapable of feeling anger (the sole exception is if you blow air on his feet. this makes him so angry so fast for whatever reason and its hilarious to witness) ive only heard him hiss twice in the past 4 years. anyway things could always be better but lifes pretty good.

as for other media ive gotten into? uh, the truth is i have a VERY muted relationship with media at this point. i dont run any secret fandom blogs. to be honest, i probably will never allow myself to become even nearly as entangled with a fandom ever again as much as i did with homestuck. for all the fun i had, i was WAY too active in it to the point where it was frankly unhealthy and being candid, it played a big role in me stagnating as a human being for a good year or two. the amount of opinionated bullshit i was spewing 24/7 for years predictably made me a target for people who disagreed and wanted to bring me down a peg, warranted or not, and as thick skinned as i am it did eventually start stressing me out and making me act like a loon. thankfully most of this was in private but it still happened, if you know you know. ive alluded to the reason why i got like that, but putting that much energy and faith into a single author to the extent i did is a recipe for ruin on multiple fronts.

hs was a painful lesson in that most shit just…sucks, and even if something starts out great, the chances that the author will stop giving a shit, fuck it up for the ending or even just straight up die is decently high lol and its something you should always have in the back of your mind. (guess which dumbass started reading berserk in late 2020) this was made way worse by hussie just… being an unrepentant fucking asshole. in hindsight this wasnt a shocking reveal but the hopium that theyd make it right in the end was too strong for all of us. i could have forgiven them losing interest as an artist due to general life hardships, but in the end they ditched it after pissing on it and then setting it on fire. so much of hs's success was on the back of fan media and when your finale in return is to salt the earth to the point where no one gives a fuck about it anymore, even the people who liked the tail end petered out pretty quickly too on that. just….eugh. i have permanent media trust issues.

even in the rare instances where something good ends up canon, even if the premise and buildup is great, the fandom surrounding it will pontificate a combined million hours and 9 times out of 10 will write them better than the author ever will. its sad in a way, but its the truth.

i still think davekat is great, once in a while ill look over my folder of it and my art and smile like an old lady looking over a dusty family photo album. the dynamic is rock solid, and if you agree my advice is to steal them. just steal them. call them doug and kevin and export them into your original story. they deserved better, and you will probably do a better job anyway.

media i AM interacting with (lightly) is one piece again. NONE of you bitches that read the entirety of homestuck have any room to complain about how long it is. i have a lot of problems with it (read: sanji) but in general its pretty fun and enough to sink your teeth into. sidenote i have been shipping luffy/zoro since two thousand fucking six and its a testament to my unending great taste that it was and still is an excellent ship. though i have a curse of somehow always ending up in fandom c-tier ships in terms of popularity like that LOL i got memed into watching bnha (DONT LAUGH) and my ship of choice, todobaku? an absolutely hilarious dynamic and a total banger. but yet another c-tier. after being spoiled with davekat content domination for years this sucks haha

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everythingsinred · 3 years

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Let's Talk About NatsuMikan: The Anime (pt. 1)

I could go on and on about these two and I think I will, just because I don’t often see people talk about the analysis behind them. The meta I have seen about them has included a perspective that equaled the anime and the manga and I don’t think that’s an accurate way of viewing their relationship.

The anime is a different species than the manga, something that frequently happens during the adaptation from page to screen. Since they’re so different, I’ll analyze them separately.

There's going to be many parts to this so I'll keep a table of contents right here so people can more easily navigate (though you can also read through the "let's talk about natsumikan: the anime" tag on my blog):

Anime Analysis

Part 1: Exposition & Episode 7

Part 2: Episodes 8, 9, 10, & 11

Part 3: Episodes 12, 13, 14, 15, 16, & 17

Part 4: Episodes 18 & 19

Part 5: Episodes 20, 21, & 22

Part 6: Episodes 23, 24, 25, & 26 & Conclusion

The anime makes changes, as anime adaptations often do. The most outstanding changes are appearance related, as Natsume now has brown eyes instead of red, in addition to other characters who have hue-shifted eyes and hair. But there are also story changes, and I’ll be focusing on the changes that occur, specifically in regards to Natsume and Mikan and their relationship.

For one, their relationship starts evolving much earlier in the anime. I think it’s pretty undeniable that in the anime, Natsume started liking Mikan at the end of the dodgeball game. That scene never happened in the manga, but in the anime, it’s a crucial step in making sure nothing seems too sudden or forced.

The anime is 26 episodes long. If Natsume only starts liking Mikan after she saves him during the Reo Arc, then we’re already halfway through the show when positive feelings between the two appear. On the other hand, the feelings develop more slowly in the manga because there’s more time to properly develop the relationship in a more drawn out way.

My analysis will start with the anime, because it’s shorter and easier to discuss.

Exposition

It’s impossible to say that the anime was completely loyal to the manga. It very frequently couldn’t be, because it needed to fill in time in episodes or give closure early before the manga even addressed it (Natsume’s backstory in the anime, for instance, is vaguely referred to and implies deviation from the manga).

The most obvious difference between the manga and the anime from the get-go is visual. Not only do they have differing art styles (I don’t dislike the anime style but Higuchi Tachibana’s art style is so distinct and unmistakable while the anime’s isn’t so unique), but the setting is also different.

While the manga started in the depth of winter, the anime starts off in summer/fall. It always struck me as odd that while the first page of the manga has Mikan running after Hotaru in full winter-wear, the anime starts off warm and idyllic. You could almost think of that as a general warning for the difference between the anime and the manga. After all, while the anime has a reputation for being a cutesy and upbeat story about friendship and magical powers, the manga is much darker and discusses many morbid and depressing themes that can and WILL fuck you up. Warm vs. cold seems like an accurate difference, though I don’t think that was intentional.

We see way more of the village life in the anime, including Mikan’s efforts to keep the school from closing. This is a welcome change because Mikan’s passion to keep the school open is nothing compared to her friendship with Hotaru, and even after the school is saved, she runs away to see her friend, even if it means she goes to another school. The manga doesn’t imply that Mikan knew already about the school’s fate, and since she is always so preoccupied with Hotaru anyway, we don’t really get the impression that she cares very much. To Anime!Mikan, Hotaru is more important than saving the school, something she was so passionate about she rallied to get signatures. It’s an extra scene to prove just how much Hotaru matters to Mikan, and to show even more how selfless Hotaru was to go to Alice Academy, since she knew how much the school mattered to Mikan.

“Sign my petition to get a Gakuen Alice anime reboot!!!”

My boy Natsume is only introduced properly in the second episode, when we actually see his face and he speaks. His appearance is different from the manga’s too. I’m not sure if this was to appeal to a younger audience or what, but Natsume’s eyes are changed to brown instead of their iconic red, something that was always my biggest peeve about the anime adaptation. His hair is also somewhat purplish instead of entirely grey/black and, although this does bother me a lot less than the eyes, I wonder why they made this change when other characters have black hair. It might have been to differentiate him from Hotaru, another main character with black hair, though I’ve never had issue in the manga telling them apart.

His first interaction with Mikan is a lot more pleasant in the anime than in the manga, although that’s not really saying anything. Mikan’s skirt simply falls off and Natsume draws attention to it, rather than the unpleasant events that took place in the manga. This different event makes it a lot easier to support a relationship between the two of them right off the bat. They are still antagonistic but it’s not as terrible as it is in the manga. This makes it easier to establish romantic feelings earlier on, and might have been changed in order to achieve just that, or possibly also to appeal to a younger audience. Maybe both? Who knows.

“You can’t sit with us!”

With Natsume presented the way he is in the anime, it’s easier to make the claim that he’s simply a good guy who acts the way he does to protect people. And it’s true! He is! But he is also so much more. In the manga, he’s a more complicated character. Although he is a good person, he still requires character development, which is something he does go through, and something I’ll talk about more in his meta analysis later.

Most of the events at the beginning of the anime parallel the events of the manga. Mikan goes to Alice Academy at the same time of year, Natsume shows up with an explosion, Mikan has to go through the Northern Woods, she discovers her powers in her fight with Natsume, etc. Some of the continuation from episode to episode is different than the transitions between chapter to chapter, there’s extra scenes inserted to fill up time, and some of the exposition seems strangely presented (in the anime, Mikan finds out more about the school when she finds Narumi and Iinchou waiting for her at a tea party, which is…. Super weird…), but all in all the information and events are mainly the same. The big differences start with the dodgeball episode.

“Look how happy she is. Makes me wanna barf.”

Episode 7 vs. Chapter 9

I love the dodgeball episode. I feel like for the most part, the anime does deviation from the manga pretty well. With the last arc as an exception, I generally enjoy their changes and additions to the plot. The anime has to be different, has to progress at a different pace, has to introduce topics at different times. They have an episode to fill, and less time to build relationships. Natsume and Mikan are both different characters in the anime but it’s very subtle and has to happen due to the fact that the anime is shorter and seems more designed for younger audiences, in addition to wrapping up before the manga could explore more of the story.

Anyway, let’s talk about the dodgeball episode. AGAIN THIS DOES NOT HAPPEN IN THE MANGA THE SAME WAY so when discussing NatsuMikan as a concept, the anime events cannot be treated the same as the manga events. A lot of people maybe forget that the manga is very different than the anime when it comes to this episode. I see the two media conflated in plenty of fanfics, where seventeen year old NatsuMikan reflect on the dodgeball game from their youth that changed everything, and I get it because the anime version of the dodgeball game is cute! It's shippy! It's fun! But it doesn't happen in the manga the same way.

There's a similar trope with the sakura tree, which I can only remember from the anime, and yet it's such a fundamental aspect of NM fanfic it might as well have played a vital role in both anime and manga. Nothing wrong with any of this, of course. I'm just making it clear that my analysis will cover the two media as separate for the sake of a cohesive essay. Separating them in fanfic is far less important.

This look could probably kill someone. I’m surprised Mikan is still alive, TBH.

The chapter’s focus is Mikan starting to feel more at home in Class B, making friends with her once-hostile classmates, but the episode is more preoccupied with Natsume and Mikan’s perspectives on each other. While in the manga, the game ends with a tie and Mikan accidentally hits Hotaru in the face with the ball, the anime draws out the game to fill an episode and to introduce an evolution in the way Natsume sees Mikan. The first part of the anime episode is Mikan introducing her friends to her new senpai, Tsubasa. After she invites her friends, we see Natsume glowering at her and promptly ditching the next class, saying to Ruka that he can’t stand being in the same class as her. This addition to the plot already foreshadows that their relationship will change in some way by the end of the episode.

Tsubasa tells a frustrated Mikan that if she wants Natsume to be less unpleasant, he’d need to release some of his toxic energy. Thus, the sporty Mikan introduces the concept of dodgeball to the unwelcoming class. When they finally agree, Natsume gives one condition: that they play with the notorious Alice Ball, which is powered by the thrower’s alice (a detail absent from the manga). This Alice Ball is particularly terrifying with the threat of Natsume’s dangerous fire alice. Mikan also needs to get more people on her team, another aspect absent from the manga. While in the manga, Mikan only had her few friends on her team (including a wandering Ruka) and this ended up playing to her advantage, the anime has a humorous plot of Mikan tracking players down for her team, including a fake mustache she makes with her pigtails (she’s so cute, I love her), paying Hotaru to be on her team, and blackmailing Ruka to participate. This was mainly to fill time, but it makes the dodgeball game more important as well.

In the manga, we don’t see how the game ends, just that the teams tied and that everyone in class is having fun and bonding. In the anime, more emphasis is put on the “Mikan vs. Natsume” aspect, so a tie like the manga’s would be anticlimactic. Thus, the anime concludes the dodgeball game with Mikan and Natsume being the only kids left on the court, and Natsume not using his alice when he throws the Alice Ball. Even Hotaru leaving the game is something she does out of boredom instead of injury, further separating the other characters from the plot. It’s about Natsume and Mikan, and everyone else is mostly a side character. (Though Ruka also plays a vital role to this episode AND chapter, and it’s at this point that I think he started developing real feelings for Mikan as well. So when it comes to the anime, he and Natsume fall for Mikan around the same time, but in the manga, Ruka likes her first and the “he liked her first” argument for Natsume vanishes, though he never had that “advantage” to begin with.)

“Thank you!”

Natsume wins (something that shocked me at twelve years old) and is ready to walk away with his handy “tch” and all but Mikan thanks him for not using his alice and he goes off on her, demanding to know why she’s still smiling despite her loss. She says she’s happy that he had fun and was involved with the rest of class for once, and that in a way that means she wins. For Anime!Natsumikan, this is it. This is the turning point. “I just wanted you to be happy and have fun,” is what Mikan might as well be saying. “Really, this was all for you!” It’s sweet and it’s thoughtful and I don’t think Natsume ever imagined he’d be on the receiving end of her kindness, especially after all their beef. Manga!Mikan would probably not say these things to him, even if she meant them, for the sole reason that Mikan is stubborn and holds onto her pride, especially when it comes to her early relationship with Natsume, but Anime!Mikan is much more forgiving and much more willing to extend an olive branch, like in the dance episode. In any case, Natsume starts falling right then, and it’s obvious too, because he is pissed, and even more angry because he’s not even mad at her. He’s angry with himself for his change of opinion. This is the girl he was fully content to hate forever and yet here he was, starting to like her. Not ideal.

This scene, something so crucial to the development of Anime!Natsumikan, is completely absent from the manga. In the manga, Natsume still dislikes her by the end of the game although he does have fun.

He's not angry, just disappointed. In himself.

I’m not going to say one is better when it comes to starting up NatsuMikan because they’re very different creatures and I actually thoroughly enjoy both.

Anyway, the NatsuMikan after episode 7 is almost the same as in the manga, but the events carry a different weight since we know Natsume likes Mikan now (even if he would never admit it).

Summary

I hope this first part was interesting, and that it introduced the idea of Anime!NatsuMikan as being a little different from the manga's version. Yes, it is more or less the same story, but with so many thematic and plot changes, they take a different form as well, in a perhaps more subtle way, kind of like a slightly canon divergent fanfic. Fanfic where Natsume starts liking Mikan a bit earlier on in the story.

Next Part ->

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paranaturalpop · 3 years

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I rate your pnat ships by how well they work as foils

I’m Professor Pops, welcome to Literature 405: comparing and contrasting in pnat ships. Love is in the air but all that really matters is narrative symmetry!

Mina and Agent Day (submitted by @anxanhh)

two women on missions who need a confidante.

Mina is a calculating woman of science with a tender, vulnerable heart deep down that she guards. Day is a fun, giggly love goddess but beneath the surface she is just as calculating.

They are both focused on their prospective goals to the point of subterfuge.

They have similar missions, to solve the many mysteries of Mayview, but they’re at odds instead of working together. Will these lone wolves learn to let their walls down and work towards a common goal?

Their spectral energies are complementary colors!!!!!!!!!!!!

9/10 so different yet so alike. They should kiss and also develop as people.

Spendcia

Where's that post about paranatural having what my hero academia wants?

These two had interacted in cannon only once before we found out they were dating, power move on Zack’s part

The cousinhood and the consortium seem to have bad blood…. Enemies to lovers????

As teachers, Garcia is tired and phoning it in while spender is energetic and committed. But when it comes to mystery solving Spender is burning himself out while Garcia keeps him grounded.

Garcia does things like pack spender lunches with little hearts drawn on the bag but was surprised to be called his boyfriend. He acts chill but inside he is deeply invested in spender but also knows about spender’s isolating tendencies.

8/10 there's a reason these two have been off and on again for 6ish years, they’re walking a tightrope of vulnerability.

Imaax (submitted by Rubyya)

The Destiel of Paranatural. No I will not elaborate.

Here’s a pnat history lesson, the original ship name was Maxaac, but Zack weighed in on twitter with a much better alternative: Imaax. Also sometimes called Team Lightning Rod.

Black and blue colors, just like the emotional bruises they leave on the people around them.

Isaac wants to be seen as heroic and Max wants to be seen as aloof. It presents in different ways but deep down they both really care what other people think.

They both fear sincerity. Isaac protects himself with theatrics and Max with sarcasm.

Isaac puts on a big show of having strong ethics but he’s a little mean on instinct. Max puts on a big show of cutting people down with his snark and devil-may-care attitude, but when push comes to shove he’s kind and cares how other people feel.

Max immediately insults every person he meets and they still want to be best friends with him, while Issac tries so hard to be cool and nice but people just can’t stand him.

The meta tension between Isaac, who wants so badly to be the protagonist, and Max “magnetic personally” Puckett who is exhausted with being the protagonist, is delicious.

There’s a reason official art tends to portray them together. They bring out the best in each other. Isaac brakes through Max’s performative pessimism and Max brings Isaac down to earth.

10/10 these two were written as a pair and it shows.

Suzabel (submitted by Rubyya)

One of my fav tropes is ‘enemies to friends’ where the enemy part is completely one-sided. Isabel probably thinks she and Suzy get along great.

Both the heads of their respective clubs, but with very different leadership styles.

Isabel only studies her grandfather's spectral style to please him and is a near master of it, while Suzy is incredibly self-motivated even though her actual skills are lacking.

Isabel is at a crucial time in her life where she’s learning to distance herself from adult authority figures in order to take on more personal responsibility. Suzy is already blazing with independence and could help her adjust.

Inversely, Isabel could teach Suzy a thing or two about treating your club members with respect and doing the emotional labor necessary to prevent future conflict.

Red and pink! Valentines colors!

Isabel could kill you but would never, Suzy would actually try to kill you.

Investigative reporter/person living mysterious double life is a great dynamic.

Back when Izzy had Eightfold they had the ship name ‘Paper Girls’ which is awesome

7/10 Don’t ask me how I know this but they would kill at karaoke together. And they’re ok foils.

Bullymagnet

Max ‘too cool for clubs’ vs a boy who defines himself by his tight knit group.

Max is learning to be less passive aggressive and johnny is learning to be less aggressive aggressive.

Max’s entry to spectral life was when he injured Johnny and saw a shade of a doctopi on him, and Johnny's first shade was Max's doctopi after the hit ball game.

Johnny refuses to commit to not bullying max anymore even though he really likes him, and max is working on being nicer but he’s still gonna be snarky with people even though they’re his friends. Old habits die hard.

If he hadn't seen that shade, Max might have joined Johnny's gang. He has the style, the stunts, the snark.

8/10 Just two bros whose lives are changing forever.

Isaac and Dimitri (submitted by Rubyya)

Here’s my pitch for a ship name: Brainstorm

Orange and blue are complementary colors.

Isaac hurt Dimitri accidentally somehow. Hurting others accidentally is the central theme of chapter 5.

Idealist/pragmatist is a classic dynamic

They both have relationships with their spirit partners that are rooted in fear.

Dimitri’s self concept is overly dependent on his sense of intellectual superiority, and Isaac’s on ethical superiority.

7/10 have not directly interacted in the comic yet but the narrative symmetry is there

Johnny and Isabel (submitted by Rubyya)

Burnhound Vs Shockadile

These two are natural leaders who know how to treat their friends with respect.

These jocks are both lethal weapons, but while Isabel is a master martial artist, Johnny is a passionate but blunt instrument.

They’re both going through similar identity crises.

Isabel is struggling to reconcile her violent and disciplined upbringing with a good, gentle heart and Johnny is trying to reconcile his violent and self-centered lifestyle with a developing respect and empathy for other people.

Johnny dies his hair red, so he would think it’s cool how Izzy emits a fiery red aura when excited.

8/10 there's a reason these two were the team leaders in the hit ball arch.

Violet and Lisa (submitted by Rubyya)

People have been theorizing about what kind of cryptid Lisa is since day one meanwhile Violet gives off big normie energy.

Lisa is very plugged into all the Mayview weirdness as the queen of the school underground, while Violet was the only person who thought to go get a teacher during the hit ball arch. Lisa was also the only one who really spoke openly about how something was clearly very wrong with Jeff, everyone else talked around it and played by the so called ‘rules’. Lisa’s secret brokering Vs. Violet’s ‘sunlight is the best disinfectant’ attitude presents two different approaches to trying to survive in a school run by a mysterious shadow organization within a town that contains several other mysterious shadow organizations.

“If you were, I’d have to be jealous too.” just two middle schoolers pinning over their crushes.

7/10 two girls against the world.

Isaac and Johnny

ship name: Firestorm?

Just 2 fiery redheaded mediums with anger management issues that command primal forces and wanna be best friends with max

Johnny chooses to have red spiky hair, Issac has had red spiky hair thrust upon him.

Both met Maxwell Pucket and decided they needed to change for the better.

I’ve said this before but Johnny and Issac have equal and opposite philosophies. Johnny doesn't care about the greater good, he just cares about a small group of people who he loves. Issac cares about the greater good, but can’t connect with individuals and ends up hurting them. Together they form one GoodTM boy.

Both their spirit partners want revenge on Spender. This spells trouble.

If there’s anyone to teach Isaac about unconditional friendship, it’s Johnny

Isaac has sworn off violence and Johnny worships at the altar of it.

9/10 they’ve only interacted in canon once so far but I’ve think we’ve got a big storm coming.

Suzy and Collin (submitted by Rubyya)

The Bakudeku of pnat. I will continue to not elaborate.

Suzy once stole Collin's phone which prompted Collin to try to cut her hair which prompted Suzy to stab Collin and at no point did either of them think to move to a different bus seat. As different as they are they are also very much the same.

Collin is the definition of mouth service (constantly disapproving of suzy’s antics but going along with it anyway.) while suzy is all action.

Despite their different attitudes they both seem genuinely passionate about the journalism club.

Fashion icons. Suzy’s sunglasses and legwarmers, Collins sweater vests and wrist bands, this duo could walk for Paris fashion week: middle school edition.

We’ve gotten an indication that Collin cares a lot about what Suzy thinks of him (taking off his wrist bands when she made fun of Max's) but we haven't gotten any sign yet that the feelings are mutual.

5/10 I think their story is yet to be told and we’ll get to know more about how they compare/contrast to each other in the future. Maybe brought on by Dimitri's betrayal?????

Cody and Isabel (Submitted by @a-bitchtm)

Cody is gay by WOG but that doesn't matter here since we are evaluating thematic compatibility, not romantic compatibility.

Red Vs. Blue

Izzy’s arch about stepping into her role as leader through communication and honesty contrasts Cody’s role as the secret class president. Izzy finally told Isaac the truth about the consortium, while Cody blatantly lied to max about being president.

Both seem to have generally good motivations and the skills/talent to back those motivations up.

Isabel is in the process of unlearning the ‘firm hand’ philosophy that she learned from her grandpa and Cody’s dad straight up tried to mind control him into murdering a toddler.

They were both taught to fall back on their capacity for violence and intimidation but those teachings conflict with the people they really want to be.

6/10 just two kids who are being led astray by authority figures trying to learn to be themselves.

Cody and Collin (Submitted by @gatortavern)

They both like vests.

Both beholden to blood thirsty predators

Collin is a journalist, Cody is a vampire/leader of the shadow government. It’s a huge power move on Cody’s part to hang out with Collin.

Cody’s support of his friends is enthusiastic while Collin would have you believe Suzy has kidnapped him.

4/10 they hang out for a reason but those reasons have yet to be fully developed

Isabel and Max (submitted by @Paranatural-goofiness)

They’re both people who have learned to put up walls to keep people out. Isabel through violence and intimidation, max through sarcasm and mockery. T

he other side of this is their mutual journey to let their walls down and connect with other people more genuinely, starting with each other.

Their search for acceptance and identity has led them both to become incredible athletes. Spectral fist martial arts = shred eagle stunts

As we saw in the hit ball game, Izzy faces things head on while Max is all about evasion. However we’ve seen how Izzy has actually learned to be evasive and guarded about her feelings while Max is a little more forthcoming.

8/10 Never has there been faster friends.

Isaac and Cody (submitted by Rubyya)

Drama kings

Isaac wants the likability Cody has.

Parallels of power: Isaac with power he didn't choose and cant control vs. Cody who also didn’t choose to have his power (elected), but wields it like an instrument.

Involuntary anime hair and involuntary glowing monster eyes

These two definitely both fall under the category of “lawful”.

I can see these two ending up on opposite sides of a conflict because they both have such rigid personal codes and an intense sense of duty.

I know I’ve been approaching almost all of these platonically but Isaac probably really wants a cool vampire boyfriend deep down

7/10 Unstoppable force, meet immovable object. You two should watch anime together.

Hijack and PJ (submitted by @gatortavern)

They both wanna join the activity club so bad

Both have immature ideas about heroism and villainy.

Both aspire to heroism while at the same time understanding that they aren't that yet and maybe never will be.

They both, like many people in this comic, wanna be friends with max.

5/10 Two supernatural babies who should play wii sports together

Stephen and Isaac (@Gatortavern)

Two boys who are easily overwhelmed

Lawful vs. chaotic

Isaac has enough secrets to give Stephen his conspiracy fix for a long time.

In their own ways they both just want everything out in the open.

Isaac is Stephen's dream, someone actually living a secret double life, and Stephen is Issac's dream, someone with a cool scar who would think he’s actually very interesting.

5/10 these two are both very intense in their own way.

Johnny and Ed (Submitted by @theevilbrainman)

Two souls lost in the wind

Two people for whom friendship and loyalty is central to their character, and they’re both struggling with personal growth because of it. Johnny is afraid to change because his friends have always liked the person he already is, and Ed is struggling to even define himself outside of Isabel, the person he cares about the most.

Both impulsive and uninhibited.

They both live lives free from expectation. Johnny’s wild bully persona means no one is surprised by his antics or cruelty, while Grandpa Guerra doesn't really care if Ed takes up phantom fist like Isabel. He actually calls him a freeloader. Not having much expected of you can feel free but it’s also lonely and can warp your self-perception.

6/10 these two crossed paths at exactly the right time.

I didn't cover every submission because even though only 9 people submitted you sent in 34 ships between you. Pnat’s fanbase is small but very dedicated.

Honorable mentions:

Johnny and clear sinuses, submitted by @gaul-the-unmitigated

Isaac and therapy, submitted by both @squidgeons and @somethingfishysgoingon

PJ and Johnny, submitted by @gatortavern, who seems to be under the impression that Johnny Would protect PJ and not destroy him just by breathing near him.

Day and Scabs, submitted by @gatortavern, because funny.

Special thanks to everyone who sent in ship between people who have never interacted in cannon, which was a lot of you. My eyes are opened now, so many possibilities.

#paranatural #pnat #q #ships #valentines #dr. zarei/agent day #imaax #spendcia #suzabel #bullymagnet #shipping #pnat spoilers

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so--many-fandoms · 4 years

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I saw a post that got me thinking about Percy being a more constant figure in camp once he’s semi retired from all the prophecy nonsense/world saving drama and like. He’s definitely a big fan of younger kids, he loves helping newcomers get over all the confusion of finding out the gods exist and the often traumatic experience of being brought to camp and missing their family/friends, making them feel at home, basically being what Luke was to him in TLT but without the betrayal. He’s experienced enough not to need any of the basic skills classes newer campers spend all day in and old enough to be trusted to fill his own time and not need constant supervision, so he spends a lot of time hanging out with the newbies to answer their questions & tell really toned down stories about his past experiences (ex: talking about That Time He Was A Literal Guinea Pig but making it sound less scary and more hilarious). (They’re always super shocked when they end up hearing about all the world saving he did and realizing that those little stories were actually dangerous parts of such Deadly & Important quests.)

Also, all the older teens probably trade off watching over the younger kids &leading activities/lessons, but he really enjoys it and so probably spends a lot more time on it than the others. I know it is (or used to be) common fanon that he taught sword fighting, and while I’m sure he sometimes makes guest-lecturer style appearances, I feel like he’d like leading less necessary-for-survival activities; he’s definitely got some lasting trauma from Tartarus and all the other shit he went through as a Literal Child, he probably doesn’t really like the thought that he’s helping prepare other kids that age to go through the same stuff. So, what does he teach instead? Horse/Pegasus riding! Especially for the really young kids, he’s able to talk to the horses so he can explain “hey this kid’s never seen a horse before so they might be a bit rough, no need to panic just let me know if they’re holding the reins too tight or anything and I can get them to fix it”, which I feel like would make the whole thing a lot easier and less stressful for everyone involved. If there’s a kid in class who’s really upset about something, he’ll put them on Blackjack or another horse/Pegasi he has a particularly good relationship with and ask them to take the kid flying/running around camp to help distract him. He’s definitely 100% willing to supervise and play translator for any kid that particularly enjoys riding and wants to build a relationship with their horse, so he spends several hours a week hanging out with little 10 year olds translating anything from questions about ribbon color preference to angsty tween monologues to “oooh the new brush feels nice, wait, my shoulder itches, a little to the left...” and becomes a confident for half of the camp because they can pretend they’re just talking to the horse but sometimes he’ll cut in with his own advice or commentary on the horse’s, and everyone knows he’ll never gossip about it; it also helps that he’s easy going and funny and never afraid to offer an embarrassing story about himself to distract a kid from something or offer solidarity (yeah, I might be good at the lava wall now, but I too was terrible at it at first, here’s this hilarious story of the time I accidentally got my shirt burned off while trying to show off for my crush, etc.) and just. Everyone loves him. He doesn’t have a cabin full of siblings like most campers so he adopted ALL the campers and now he’s everyone’s big brother.

Naturally, he also supervises recreational swim time (he’s the best lifeguard and he can make sure the ocean stays calm and dangerous/painful creatures stay away) and leads pretty much all of the water-based activities like sailing and canoeing and anything like that. He teaches swim lessons for anyone who comes to camp not knowing how, and pretends not to notice the small group of campers in the class who pretend not to be capable swimmers to spend more time around him in a swimsuit (listen, they know he’s taken, but he’s also extremely hot and they know how to appreciate art when they see it, okay?). Sometimes he’ll take some of the youngest campers to the lake when they have free time and spend a few hours ‘practicing his powers’ by taking them all down in bubbles, letting them walk on water or lifting them into the air, and basically going along with any game or trick they can think of. (One time they got him to make a literal waterslide that was so y’all they could see all of camp and beyond it in several directions. It took a lot of his energy to hold it but he managed for long enough that practically every camper got a turn.)

I also imagine that he’d be totally down to help any camper get over any kind of ocean/water related phobia. No need to fear drowning when you’re swimming with a guy who can literally control the water and let you breathe under it! Scared of sharks? He’ll let you hang out with him in the water with a promise that he’ll keep all the sharks away, let you know if anything bigger than a sardine is nearby, tell them they’re not allowed to bite you, and/or he can even introduce you to one if you want! He notices a kid sitting on the sand while the rest of their cabin/friends are splashing around in the waves and learns that they’re afraid of riptides? Don’t worry, he’ll make sure the only riptide at this beach is his pen-sword!

Basically Percy was made to be the perfect cross between Chill Counselor and Protective Older Brother and also never do anything stressful ever again because he’s Done Enough and he deserves better, godsdammit.

#percy jackson #pjo #Percy: meets a new demigod #Percy: youre my child now

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kingstylesdaily · 3 years

Text

Paul Roberts: How he taught Harry Styles his gloom-busting Kindness moves

When the Harry Styles video for Treat People With Kindness was released it became an immediate hit. Its choreographer Paul Roberts had created dances for One Direction - though with 1D there was no Phoebe Waller-Bridge to consider. So how did Roberts combine the two stars' talents to create the energy-lift which people have been craving in the Covid gloom?

Styles' video for Treat People with Kindness came out on New Year's Day - though it was shot in London in February 2020.

Choreographer Roberts had worked often with Styles in the One Direction years. Roberts says the timing of the shoot, at the art deco Troxy in Stepney, east London, turned out to be fortuitous.

"We had a great time but we didn't know how lucky we were. Looking back it was about three weeks before the world started to burn. Maybe that's partly why people are loving it now - the video has such a carefree sense to it."

Roberts has had 20 years as one of the UK's most in-demand commercial choreographers. He created dances for the 2019 Spice World tour and has worked with everyone from Katy Perry to Sir Paul McCartney.

He devised work for the dance group BalletBoyz and, as well as stage work, he choreographed One Direction in videos such as Kiss You, Steal My Girl and Best Song Ever.

"So when Harry got in touch to say he wanted me for a new video it was a thrill. The only definite thing was it would be a song from the album Fine Line - but we didn't even know which song would be chosen."

With One Direction, Roberts spent six years working with a hugely successful boy band whose members insisted dance would never become a major part of the act.

'Waiting for 10 years'

Wasn't that a choreographer's nightmare?

"It was always really interesting working with One Direction. I knew very early on that there was a magic about them and I could see they had other skill-sets aside from being this very good-looking five-piece - and then four-piece - band.

"In personal moments you got to see them flourish. They'd mess around doing silly dance moves but I'd think, 'Actually if you wanted to dance really well you sure as hell could do it.'

"So when Harry contacted me and we spoke about doing a video with a lot of dance I was like, 'Well I've been waiting 10 years for this.'" Styles knew he wanted Phoebe Waller-Bridge to have an equal presence.

"I believe Harry went to see Phoebe in the West End when she had her success with Fleabag. They went out to dinner and got on really well. That's when Harry started to think how they could work together in some way."

Before shooting began there was a five-week rehearsal period - far more generous than most projects ever get. But a lot of the time Styles and Waller-Bridge weren't in the same room or indeed country.

"I was with Harry in a dance studio in London and we had all kinds of music to try out from modern alternative stuff to old school big band and Glenn Miller. We were exploring. Only on the third day did we begin to apply what we'd done specifically to the Treat People With Kindness track.

"Meanwhile Phoebe was in Canada working on the James Bond script. But fortunately I had a brilliant assistant on the project called Jared Hageman so Jared flew out to work with Phoebe. And eventually Harry needed to be in LA so I went there.

"He was amazingly devoted to the whole thing. He'd be shooting the Watermelon Sugar promo in Malibu and they'd wrap at 8pm but he'd get in a car and come to the studio and we'd rehearse moves until gone midnight."

Roberts says by then it was clear the choreography would at least nod to the Hollywood of an earlier age.

'Dance language'

"The directors Ben and Gabe Turner sent me a link to a black and white movie from 1943 called Stormy Weather. There is a justly famous sequence in it with the Nicholas Brothers, Fayard and Harold, called Jumpin' Jive.

"I think it's the greatest dance-sequence ever filmed and Gabe and Ben and Harry all wanted our video to have some of the same feel.

"I think in Harry's head he wanted to push himself to the absolute limit of what he was capable of. We were never talking about just an average soft-shoe shuffle.

"So the reality was that I and Jared would talk constantly and exchange material from thousands of miles part. And of course Phoebe and Harry would also pitch in ideas.

"We wanted to find a dance language that would take things as far as we could possibly go with Phoebe and Harry, without it becoming comedic.

"Actually my big worry was practical - that they'd both start out with massive energy but that as the weeks progressed you'd have these two incredibly busy people with no time for everything needed to make the project special. But neither would give up, not for a moment."

Nostalgia for better times

He says it was important the dancing had a contemporary edge as well. "Harry and Phoebe are modern artists and very intelligent. They're fashion forward-thinking.

"I find that once you've stopped giving artists their steps it's often quite nice to step back and just watch how they interpret the music. Sometimes little gems can be grabbed and put into the mix.

"It was discovered very early on that both Harry and Phoebe had huge potential. The delight came from their energy combined with the talent of the film-makers plus the extended period of time we had to rehearse.

"I work in a world where budgets have shrunk considerably so it was a big investment for managements and Harry's label."

Roberts remembers the two stars finally came together for little more than the last week of the project, including the shoot. But there was still time to bring in a ballet dancer to give guidance on "port de bras" - how to hold your shoulders or extend an arm gracefully.

"Harry and Phoebe are both decent and generous beings. So we all kept it fun, despite the blood, sweat and tears which had gone into the preparation.

"When finally we were together they could layer on little side-eyed glances or maybe some tiny movement of the face which the camera would pick up. Above all we wanted a sense of style [no pun intended] and panache."

He says the fact most of us feel a real lack of either style or panache in our lives has given Treat People With Kindness an impact as a video it might not otherwise have had.

"The whole thing has a nostalgia for a time where you could be in a club and socialise with friends with no social distancing. I think the chemistry Harry and Phoebe have together just oozes joy. And for most people joy is in short supply."

via BBC.com

#kingstylesdaily #Harry Styles #hs: mention #hs: news #hs: tpwk #January 2021

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no-brand-gays · 3 years

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okay here are my thoughts on and a very loose rating of the discographies of the major idol anime franchises (disclaimer that i haven’t listened to Every Single Song of any of these series and i’m

-love live: i think...i’d be biased in saying ll has the best idol franchise discography...but i don’t think it’d be a stretch to say that they pour a LOT into their music production. i do think there’s a lot of ll stuf that sounds the same and none of the full groups have a sound that differentiates them from each other but ll’s also good at mixing up sounds and concepts, so there’s no character or unit that’s really locked into just one style. i feel like ll prioritizes catchiness and energy a lot of the time so there aren’t many songs that aren’t fun to listen to, which i definitely think is one of the most important things in idol music. there aren’t even that many bombs which you’d think would mean they play it safe but i don’t think you can talk down the variety in the discography. aki hata is also a lyric writing god and i do think it’s saying something that even 10 years into the run as a series we’re still getting songs that sound new. you can tell when they’re being lazy but that’s a pretty uncommon situation and you’d be damned to find a ll song that isn’t at least fun to listen to. favs: mermaid festa vol 2, blueberry train, angelic angel, snow halation, ps no mukougawa, shoujo ijou, doki pipo emotion

-idolm@ster: before you come at me i want you to know that i have felt this way about idolm@ster’s discography for the last 7 years and my opinion Has gotten better over time but wow. so many idolm@ster songs are so boring. i think one thing you can really say abt love live is they’ve mastered the art of making OPs and EDs and group singles that all kinda sound the same but are still fun to listen to. i think what makes im@s discography good is that they’re not afraid to really jump into weird concepts for their more out-there characters. like what other franchise is delivering to us ai like hamburger. nobody. so those more unique songs are almost always hits but a lot of the generic idol pop songs feel pretty watered down and hard to get into. they do get that right pretty often too but bc their discography has gotten so huge over the years there’s a lot of filler. favs: kyun! vampire girl, do dai, s(mile)ing, romantic now (uzuki mix)

-aikatsu: honestly? i would place aikatsu’s discography at LEAST at 2nd place. they’ve gone through a lot of changes in producers in the last few reboots but there are sooooo many consistent hits and i feel like it gets written off for being a kids series when the music is honestly so top tier. aikatsu doesn’t do big group songs all that often and each season only comes w a few one-size-fits-all generic songs so most of the discography is tailored to one or two characters in particular which makes for some amazing variety. the fact that it’s for kids even means the songs are more catchy and energetic so even the ones that are kinda dumb stick in your head. i don’t know how much i can speak for these past few seasons but you can really feel the passion that went into most of the songs. the general sounds of aikatsu are clean and bright pop and emotional pop rock and theatrical ballads and genuinely i have no clue why the music alone hasn’t made it mega popular. there are definitely duds though, especially when it comes to songs that weren’t made to be performed. favs: diamond happy, koisuru mitai na caramelize, summer tears diary, hello new world, heart skip, dramatic girl

-pretty rhythm: kinda similar to im@s in that a lot of their music is kinda boring in its early 2000s idol sound but i’d honestly argue that pririzu does that sound better. like it all sounds very nostalgic and classic and gets this quality of timelessness from that. this is probably the franchise i’ve listened to the least though so i’m not the best authority on this. favs: you may dream, cherry picking days

-pripara: pripara is definitely an acquired taste and the franchise i’d be least likely to listen to with my friends in the room but the one thing you can’t deny is that the production is so crazy tight. pripara definitely gets most of its fame for how off the walls crazy it is and since that’s such a part of its identity i can’t fault it for how many songs are similarly whole hog wild but even though i never want to hear the omurice song again in my life pripara has continuously delivered hit after hit. their generic idol songs (like make it and dream parade) are some of the best in the genre and whatever subgenre they’re pursuing they never fail to bring the energy. i do think a lot of their out of the box songs (like the ones that are made for visual-based performances that aren’t really meant to be cohesive songs) are flops but the entire first season is made of 10/10s which is so crazy. the crazy concept songs usually hit too. favs: marble makeup a ha ha, zero week old, suki suki sensor, realize

-bandori: hot take but bandori has some stinkers. i don’t know why the first few months of bandori songs had so many flops (tokimeki experience...yes bang dream...that’s how i roll...) but i do think they’ve stepped up their game since then!! i think...as time has gone by bandori has become a franchise people really care abt and with it the content has gotten better too. like holy shit. NOW you can see how much the producers are putting their hearts into the music but it definitely took a little while (not that there weren’t good songs at the start too, shuwarin dreamin is one of my absolute favorites). i think it’s really impressive how much they’re found their footing w each band’s sound, they all really feel believable as artists, and it’s blown up so clearly they’re hitting it out of the park these days. favs: hidamari rhodonite, kimi ga inakucha, shuwarin dreamin

-bonus shoutout to zombieland saga bc the production is so all over the place. when they wanna write a good song holy shit do they write a good song but sometimes you get To My Dearest. which im still sort of baffled by. could the writers not figure out how to rewrite those 20-syllable lines to sound even half singable or

#i make fun of aikatsu's aurora princess for trying to cram 'omatase' into like a 1 second space #and to my dearest is like 'hold my beer (20 syllables in 3 seconds)'#also i didn't include wug bc i've only heard what's in the anime and every single song in the anime is an absolute 10/10 hit #but i didn't think it'd be fair to say '7 senses is the best idol song i've heard in a while and i know nothing else'#personal #that's all i have

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s-fellows-art · 3 years

Text

Simplified tips on how to improve your art.

.putting under cut because its long but thats cause i explain these and not just list stuff.

1) Flip/mirror your canvas when working. - it allows you see anatomy and other errors you may overlook.

2) before uploading look at the image on a different screen or the next day. - this give you time away from it, and as tempting as it is to upload as soon as your done, if you wait you will see stuff you can improve on and be able to look at it with “ fresh” eyes.

3) Stop shading with black or grey scale colors- shading with inly these colors make the imAge look muddy, if you shade with a color that is a darker hue of the same color your adding shading to it one in the same tempters ( warm= R Y O cool = B G I V on the Rainbow ) you get more vibrant art and you don’t muddy what your working on.

4) Learn to grey scale BEFORE coloring as a draft p2- learning how to shade in black and white can help you identify lighting points and details. When digital painting simplifying something out to a grey scale can help you keep track of what your doing.

5) Use the tools you have access too- References to learn anatomy , taking time to learn amniotomy will help you a lot in the long term, but doing everything off the top of your head your bond to get something wrong early on, or even later on in art. Use the sharpen tool around highlights if your program offers it. It saves time. Also play with your filters and line art colors. These will ad detail to your work and takes less time. If you mess around with the brushes in your program and stuff before starting it will help you later on. Its not cheating professionals use it all the time.

6) practice drawing random stuff- it teaches you the shapes and trains your hand ti make the strokes/motions needed for basically everything. Art studies can be very helpful. Even if it feels stupid drawing 500 eyes on a note pad, it helps.

7) Simple is good, complex is chaos- over complex art is hard to look at because your not sure what to focus on so the areas you want the eye to go to is where you should focus your details rather then make every single little thing detailed. Another way to do this is to brighten the colors where you want the eye to go at first glance in an image, but make the other areas muted in color, or blurred slightly.

8) Don’t be afraid to look up tutorials and take breaks if you get stuck - I personally only learned how to shade faces from watching makeup tutorials. And there is nothing shameful in not knowing how to do something and needing to look it up or ask, its how you learn you can just power you way through it all the time, and somethings your wasting your time if you do for something not worth it in the end run. Also the act if stepping back and away to go do something else is sometimes all you need, sometimes looking at the same file over and over again can be mentally exhausting. Take a break. Drink some water. Stretch your wrists. Look away from it for a while then come back.

9) Stretch your wrists before working- save your self years if pain trust me. I regret not doing this. Also draw from your shoulder not your wrist unless detailing, less stress on your arm and more precision.

10) Use different line thicknesses - i find using thicker lines for areas that touch the outer parts of your drawing or more important areas, and using thinner for detailing adds a bit of detail and quality to your work even if the line art isn’t clean. Inner face parts (other then the top bracket of the eyes), lines between fingers, lines marking clothing folds, and things like that should be done in thinner lines then eyebrows and what not.

Next two some will role your eyes at but honestly makes a huge difference, even if you got to force it at first. Its hard to break a bad habit.

11) don’t look for flaws in your work, look for what you like about it,- if your constantly pointing out what is wring with what you are doing your not gonna go any where, bare minimum go “ okay im not too happy about this, lets see how we can improve it” instead if “ this looks like garbage I hate it”. If you stay in the mentality of I don’t like this , your never gonna be happy with what your making or improve because subconsciously your telling you self you can’t. This slight change in mind set of trying to find at least one thing you like will make a big difference in the long run because slowly you will be moving towards finding a style your comfortable with and going from there, you will be finding things you

12) don’t compare you self to other artist- its one thing to want to take influence in your fave artist, its another to constantly out yourself down because your not like them. Everyone art started as shit. Everyone. We all were that crappy 1 year old can barely hold a pen person at one point. like learning how to read and write or ride a bike.... No one starts as a perfect artists, its something you learn, so comparing your self to people around you is not gonna help you improve and putting yourself down just because your not perfect yet. Even if its something as little as “im happy I finally finished this” is better then “I wish i was like _”. You are slowly moving towards a goal, some people just move quicker then others because they learn different techniques, instead if putting energy into hating everything you do why not try to learn how the people you like the art of got there by learning some techniques your self?

13) Ignore the notes enjoy the journey- Regardless , you making art is amazing in itself . Its something only you have made. There may be other things like it but its not like how you did. Your unique and honestly ignore the notes, if your constantly pushing yourself based off of numbers, your gonna burn your self out and give your self impossible expectations to try to complete. Everyone has different tasted and are not always gonna like what you do the same way, if at all, there is nothing wrong with what you made you simply just can’ please everyone and its not your job to. The notes are a bonus, not a goal, you don’t have to try to compete for them the only person you have to create for for is you. Do what ever the hell you want and if people like it, great, if they don’, then they like a different cup of tea then yours, don’s make it bad tea. Edit 1 as i thought of more : also the reason your sketch looks better then your line art is because your line art is too neet. If you use difrent thicknesses in lines (thicker for outter areas and important areas) and thinner for areas with more movment (bottom crese of eyes or outline of area around puple inner part of mouth clothing inner parts or what ever u feelis needed) it will look better because it will show your brush strokes which is what makes your sketch look good. -You can also add a 3d effect woth the red and blue outlines on areas that are not the central focus of the peice. Blurring has the same sort of effect to where it forces the eye onto the clearer area if the photo and makes it more visually intresting. Having this effect everywhere however can make stuff hard to focus on and diffcult to look at so only keep it on non focus points (most common focus point is the face so wouldnt put it there) .

Idk how helpful these will be but they made a big diff in my progress over the past year. The last bunch made a significant difference for me, though it was really hard to force myself into that mentality. And i still skip doing some of these in occasion ill admit but i hope this helps none the less.

#art tutorials #4 am sorry if theres typos #S.fellowsart #long post

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hlupdate · 3 years

Link

Styles' video for Treat People with Kindness came out on New Year's Day - though it was shot in London in February 2020.

Choreographer Roberts had worked often with Styles in the One Direction years. Roberts says the timing of the shoot, at the art deco Troxy in Stepney, east London, turned out to be fortuitous.

He devised work for the dance group BalletBoyz and, as well as stage work, he choreographed One Direction in videos such as Kiss You, Steal My Girl and Best Song Ever.

With One Direction, Roberts spent six years working with a hugely successful boy band whose members insisted dance would never become a major part of the act.

'Waiting for 10 years'

Wasn't that a choreographer's nightmare?

"In personal moments you got to see them flourish. They'd mess around doing silly dance moves but I'd think, 'Actually if you wanted to dance really well you sure as hell could do it.'

Roberts says by then it was clear the choreography would at least nod to the Hollywood of an earlier age.

'Dance language'

"I think it's the greatest dance-sequence ever filmed and Gabe and Ben and Harry all wanted our video to have some of the same feel.

"I think in Harry's head he wanted to push himself to the absolute limit of what he was capable of. We were never talking about just an average soft-shoe shuffle.

"So the reality was that I and Jared would talk constantly and exchange material from thousands of miles part. And of course Phoebe and Harry would also pitch in ideas.

"We wanted to find a dance language that would take things as far as we could possibly go with Phoebe and Harry, without it becoming comedic.

Nostalgia for better times

He says it was important the dancing had a contemporary edge as well. "Harry and Phoebe are modern artists and very intelligent. They're fashion forward-thinking.

"I find that once you've stopped giving artists their steps it's often quite nice to step back and just watch how they interpret the music. Sometimes little gems can be grabbed and put into the mix.

"I work in a world where budgets have shrunk considerably so it was a big investment for managements and Harry's label."

"Harry and Phoebe are both decent and generous beings. So we all kept it fun, despite the blood, sweat and tears which had gone into the preparation.

He says the fact most of us feel a real lack of either style or panache in our lives has given Treat People With Kindness an impact as a video it might not otherwise have had.

#harry styles #tpwk #articles #210121

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kishimoto-did-us-dirty · 4 years

Text

Naruto Arts School AU

Reposting bc I love this post and bc I can lol

Character

- major

description

Naruto

-Drums

okie nobody can deny that our main boy over here is a loud soul, however, he can also carry a damn good beat that compliments his band mates’ music really well. Tbh, he sucked at music to begin with and had trouble matching rhythms and listening to his band mates when they played, however he eventually became a really good rhythm maker.

Sasuke

-Guitar (lead)

He’d be assigned to the same band as Naruto, and that’s how they met. This boy is a damn good guitarist y’all, but has attitude problems™, and used to not be able to deal with Naruto’s haphazard beat making, thus perpetuating a rivalry between the two. He constantly feels overshadowed by his elder brother Itachi, a piano major.

Sakura

- Dance

Ya girl fucking demolishes every single dance routine. Initially starting out with a focus on ballet (pre-shippuden in canon), our pink headed queen soon realized that she wasn’t getting the full experience of what it meant to dance. Her point shoes were her loves, however they hurt and nipped in places not just physical. She realized that she didn’t want to be pigeonholed into a genre of which she would be inhibited by standard, and rather to dance so as to forget technical perfection. Thus, what would partner with post-shippuden Sakura in canon, Art School AU Sakura got into hip-hop. And bitch, she goes hard. A lot of the other girls who she used to dance ballet with admire her for her absolutely BODYING her dance routines, but also for never sacrificing her femininity to dance and not taking BS for being a girl who goes so hard in a male-dominated genre. (Some people believe that hip-hop is heavy hitting and a little metaphorically “dark” so to speak, which Sakura is not. So obviously I expect a little disagreement regarding this, however if you look at people like Delaney Glazer or Kaycee Rice, that is how Sakura would dance).

Hinata

- Creative Writing

Shy and bookworm-like, Hinata can write the best poetry, romance and adventure pieces out of all the creative-writing majors. She’s especially good at writing character relationships and development, and has such a subtle sense of intelligent wit in her writing, that if you blinked you would miss it. However should you catch it, you’re sure to chuckle. Her only struggle is that she tends to drag on in important scenes, stretching them against the regular flow of the rest of her writing. Needs validation for her writing through an IV drip.

Kiba

- Drums OR Photography

Drums for obvious reasons (loud and obnoxious), although ruff boi looks good with a camera, too. Great at landscapes and street photography.

Shino

- Creative Writing OR Photography

I could definitely see Shino having fucking beautiful handwriting, and being a beast at writing anything within the sci-fi realm. I could also see him doing some journalism, and writing for the school paper. He’s very good at the logic of his sci-fi books and coming up with logical but enrapturing stories, that intermingle knowledge and mystery. He’s a very specific type of read, however, and may not appeal to all, however if you enjoy anything similar to Star Wars or Hitchhikers guide to the galaxy, then Shino is your author. If this doesn’t float your boat, though, try photography-major Shino. He can get the best angles of bugs he sees, and has an extensive portfolio with entomology-related snapshots.

Ino

- Dance

Like Sakura, she, too, began with a focus on ballet, however began to branch out into contemporary ballet a little later than Sakura. This is another reason why Sakura switched her focuses, as she and Ino had always had a fierce rivalry for dieting (ballet dancers are pressured to be as thin as possible) as well as battling for technical perfection when they were ballet focused. As the two grew, Ino focused more so on contemporary, but can certainly do some hip-hop with Sakura every now and then, just as Sakura occasionally takes a contemporary class with her. The two still have a rivalry, however, just not to the previous extent as when they were actively competing against each other. They’re more like sisters.

Shikamaru

- Guitar (bass) OR Creative Writing OR Architecture

Smart boy’s a tricky one. He would either be a bassist, a mystery and historical fiction writer, or, of his school offers it, be great at architecture. Idrk.

Choji

- ermmmmm….. maybe graphic design? Tech theatre (props)? Vocal???

Choji is hARD dwnccnpc (that’s what she said). I could see him behind a computer screen, animating and designing games/covers/posters or whatever. He could also do something in theatre, but I don’t think he would do anything up on stage. Something like props would suit him. He might do something in music, tho???? Can he sing???? Help???

UPDATE: Choji is a band kid. He plays tuba or some shit. Big boy got big lungs.

Tenten

- Dance

Always has been, and always will be a hip-hop dancer. She wanted to be like Tsunade, a legendary dancer and followed in her footsteps, taking up hip-hop. (that’s why Sakura focused on hip-hop, too, because Tsunade mentored her and taught a few of her classes, too). Tenten is fast and can keep up with any beat. Not only is she a great dancer, but she’s also athletic, and does track and field (cross country), football, and softball at another school too, since the arts schools doesn’t offer it. Overall great dancer with styl. She’s really looked up to by some of her underclassmen for her cheery, but badass style and skill.

Lee

- DANCE (hip-hop, too)

It’s sweat. It’s burn. It’s energy. It’s Lee.

Neji

- Violin

First chair violinist in his freshman year for the school’s philharmonic orchestra. He be extra like that.

Gaara

- Guitar (bass)

He had a lonely childhood with neglectful/abusive parents, and rock music really helped him with that. Emo music is emo and often made fun of, but the songs have messages and Gaara related, so self-taught himself the bass guitar to help cope, and bring him closer to the music that salvaged him.

Kankuro

-Art

Specifically sculpting. For obvious reasons.

Temari

- Acting

Girl can make you cry with some of her monologues. Total lead. Has a seriousness in her acting that makes her believable, however can falter on the less-serious roles. She may also double-major in whatever Shikamaru does. And she’s better at it than him.

Itachi

-Piano

Boy could play any etude at age 7. Performed at Carnegie Hall when he was 10. And no, he didn’t pay to play there. The hall invited him. Began composing at 9. Has perfect pitch. Owns international awards. If he’s not at school it’s because he’s traveling to play for crowds. He excels at classical and baroque, however has an ear for romantic, and enjoys playing/composing pieces either written or inspired by romantic pieces. Enjoys Schumann, Debussy, and Tchaikovsky. Hates modern classical music, though. Can only take cinematic pieces composed by people like Williams, however can’t stand Prokofiev at all. He does like modern music, though, so long as it’s outside of the orchestral/classical music realm. He likes R&B. He would have liked to do film with Shisui, particularly producing, however his parents pressure him with piano, so he helps Shisui with student films and projects outside of school (will probably pursue film after graduating, tho).

Shisui

- FILM / VIDEO PRODUCTION

Fight me on this!!! THIS BOY IS SO GOOD AT CINEMATOGRAPHY MY FILMMAKING ASS CAN’T EVEN. AS SOMEONE WHO IS IN LOVE WITH FILMOGRAPHY, TRUST ME, SHISUI HAS IT™. THE IT™. HE’S GOOD AT EVERYTHING. CINEMATOGRAPHY. DIRECTING. SCREENWRITING. GRIP-WORK. EDITING. PRODUCING. HE’S SUCH A FILM NERD TOO, AND WATCHES OLD FILMS ALL THE TIME. HE’S JUST TOO GOOD AT IT. DOES STREET PHOTOGRAPHY TOO. HE’S OVERALL A GENIUS WITH CAMERAS. Does film with Itachi outside of school and teaches him, and the two are overall geniuses at filmography. They want to start their own studio together (they do, and it becomes huge). He becomes a leading director, while Itachi becomes a producer and directs sometimes too.

Sasori, Deidara, and Sai

Guess.

Kakashi

- Saxophone

It’s the only thing that suits him and it suits him so well. Has suave.

Obito (omfg his arms y'all)

- Not to say drums or anything, but…. drums.

Narutard 2.0. But he also dabbles in other areas of music. Like, he can also play guitar and sing. He’s also pretty good at music production. Makes R&B sometimes. He wasn’t always the best musician but proved to be a late bloomer, and really harnessed his potential. Tries to be as suave as Kakashi and his saxophone. He isn’t.

Hashirama

- Vocal

OkaYYYYYY. VOCAL GOD. CAN DO RIFFS AND RUNS AND HAS PERFECT PITCH. ALSO THE SWEETEST GUY??? WAS A CHAMBER SINGER AS A FRESHMAN. EVERYONE LOVES HIM, GOOD BOY ENERGY.

Likes to belt.

Madara

- Piano

Total prodigy, but hates classical music. Once was accompanist to Hashirama for a solo vocal performance and hasn’t been left alone since.

Tobirama

- Viola or Cello

Some sort of string instrument and takes it very seriously. Probably plays cello because violas are violas and that’s lame (if you know, you know). Has almost as many awards as Itachi and Madara, but hates his usual piano accompanist, Izuna.

Izuna

- Piano

Also a piano god. The uchihas breed them. Hates being accompanist for Tobirama. They’re secretly best friends though, don’t tell anyone.

Karin

- Tech Theatre.

Idk why. Probably started out with props and made her way up to TD (technical director) in senior year.

Suigetsu

- Tech Theatre

Fucking hates theatre kids. Assistant TD. Karin hates him.

Jugo

- Visual Art

Paints landscapes and nature. Really good with oils and gouache respectively.

Yamato

- lmao Trumpet.

Met Kakashi since they both play brass, but boy he ain’t got that suave. That’s why he plays trumpet. Lmao he plays the fucking trumpet anjdwcnojdnn.

Rin

- Vocal

Sweetest voice and could also play the acoustic guitar when she sang. Died in a car accident junior year. Kakashi was at the wheel when they got hit by a drunk driver. Obito saw the whole thing.

Kurenai

- Visual Art

Can create dream like paintings that almost seem like illusions.

Asuma

- Cello / guitar

Used to play cello because of his parents, but loves to play guitar. Can sing but his voice is raspy from smoking.

Gai

Who the fuck do you think teaches dance?

Jiraiya

- Guitar (lead)

Used to major in lead guitar. Sucked at first. Probably has a couple, casual Grammy Awards (they’re actually not that hard to be awarded with, The Recording Academy award many people outside of mainstream media. My school has a few). Now teachers as head of the Band department at this school.

Tsunade

-Dance

Legendary dancer. Probably toured with a few famous people. Now teaches. Mentored Sakura, and mentored Ino but for a shorter time.

Orochimaru

- Idk, didgeridoo, or some shit

Definitely a wood wind. Flute maybe??? Teaches now but no one knows what he does. Pedophile. Has a thing for Sasuke.

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qianoir · 3 years

Text

After Midnight 3 - Stars

𝐏𝐚𝐢𝐫𝐢𝐧𝐠: college dropout!Ten (WayV) x fem!reader

𝐆𝐞𝐧𝐫𝐞: non-idol au, angst with fluff on top

𝐑𝐚𝐭𝐢𝐧𝐠: 13+

𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬: cursing (censored), lying, family problems, mentions death of reader's father, romance

♡ 𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭: 1.9K

𝐓𝐚𝐠 𝐋𝐢𝐬𝐭: @staysstrays

Preview < 1 < 2 < 3

Your head was pounding from your ears drinking in the tantrum of a 3 year old boy, the cries diving straight into your ringing eardrums. A young couple showed up with their child who started offing himself about your café not having some made up hybrid cake he wanted for the last 10 minutes.

The boy started flailing around and knocked his mother's iced Americano out of her hand in the process, landing the freezing and pungent liquid all over you.

The LED clock above you flickered with a new hour, freeing you from the café’s dark roasted chains. You ripped the soaked apron over your head and stuffed it into the back room’s washing machine before taking hold of your belongings and rushing out of the building after saying a quick “good-bye” to your mother- who was not about to deal with the coddled boy and you leaving all at once, so she kicked the spoiled family out, them following your irritated trail on the way through the doors.

You were walking fast to have a little costume change before meeting up with Ten and his friends, 5 o’clock coming within the next 20 minutes.

Y/N

Heyyo I had a little accident at work so I'm going to stop by my place to clean up before heading over to yours.

Once you were in your own space, you peeled the rest of the coffee soaked clothing off of your body, sticking the wet collection into the washer to cold soak after dressing up nicely.

TEN

d.amn it y/n you are too old to be soiling yourself

???

Y/N

That’s not what I meant!

TEN

Whatever ;p

Stepping out into the bright evening air, you realized you don't even know where the hell to go. The napkin with the address was in the pocket of your apron washing back at the café.

You recognized the street that leads to Décalcomanie, the street that leads to Myeongdong, and one leading to a duck shop.

Admitting defeat, you texted Ten.

Y/N

hey so I left the napkin with your address in my apron.. which I don't have would you mind sending it to me?

TEN

such a handful~

You followed the GPS to his address. His apartment building was on the other side of your school you usually metro to, so it was a pretty tiring walk. Arriving fashionably late, you knocked on door number 117.

There was a lot of commotion and screaming, as you were previously informed. Finally, Ten opened the door and waved for you to come in.

Taking your shoes off at the entrance, you saw three guys tackling each other, two others playing video games, and one really fine looking man behind an island in the kitchen.

"Hello!!" One of the guys being tackled shouted and waved at you which got him punched in the back by the guy orchestrating the tackling. You hesitantly waved back "Hi Y/N!!" The boy in the kitchen said with a charming smile.

"Lovely place." You said to Ten with a giggle as he closed the door with an annoyed look on his face. "Y/N, these are my friends,"

He took you over to the couch where the two players were. "This is Sicheng and Xuxi," The two boys playing Mario Kart threw a glance your way and waved with a smile. "these fools are Hendery, Xiaojun, and Yangyang.."

Hendery strained to wave again under the two boys with a big smile on his face, as did the two others. Ten swayed you into the kitchen and introduced you to the last man. This guy was so handsome, like the Asian bachelor. "I'm Kun." The man greeted, kindly.

"It's nice to finally meet you, Y/N. Our Ten always talks about you." Yangyang says walking towards you two. Ten sent him a glare. "Is that so?"

"At least I'm not blind from having my head up my ass all day, Yangyang shut up!" His voice cracked, making you and Yangyang erupt in laughter.

"Anyways, if you'll excuse us- I invited Y/N here for us to be alone." He took your wrist in his grasp and led you to a room.

Ten pet a space on the bed for you to sit down while he leaned over his desk, searching on his laptop. A slow beat filled the room. You recognized this song- the song your dad would play for your mom in the car on long road trips: Something by The Beatles.

Something in the way she moves

attracts me like no other lover

Something in her style that shows me

I don’t want to leave her now

you know I believe and how.

Your parents were so in love. When your father first heard this song, he had made it their special theme to portray their love. They had both become big fans of The Beatles and always had this song pop up at least once in every holiday or event playlist or could be caught quoting it occasionally when the timing was right. Your heart sank in your chest at the memory.

You hadn't realized that the song had ended or that Ten was at your side watching you intently. You looked up at him and he offered a small smile.

"My parents used to listen to this song all the time."

"Really? Are you guys close?"

Your mouth felt sour hearing the inevitable question. “My dad died from pneumonia when I was younger. My mom tries to be present for me, but I know she misses him.” Tears puddled at your waterline as you forced yourself not to cry. “Sometimes I think she only keeps trying because she thinks I’m studying premed when I really hide pointe shoes in my closet. I don’t have the heart to tell her what I’m really majoring in.. because I’m terrified of us losing each other completely and frankly, she would never forgive me of my dishonesty if she would stay.”

"It's not wrong.. following your passion" Ten announced after a whole note of silence, "I'm sorry for making you bring up such a past, but I’m happy I can at least sympathize with you..” He looked away from you to recall his memories clearly.

“My parents didn't agree with me wanting to study dance either. And they certainly did not agree with me leaving my hometown in Thailand and dropping out of college to come here for the best art opportunities. Mine and the rest of the guys outside; all of us are a little more distant from our family than usual just because we are passionate." Ten confessed.

"I'm sorry." You weakly rasped.

"I'm not." Ten smiled at you.

"My friends and I are doing what we love without anyone holding us back and one day it's going to all pay off.. I know it will.. If it wouldn't I would have never dropped out."

You could understand where he was coming from. He is really passionate and faithful to his dreams, it is a little inspiring.

"And you seem to be doing good on your own, too. You're studying dance, which I'm sure you're amazing at, and working at the café to help your mom, letting people make a mess of you that you always undoubtedly pick yourself up from." You laughed, the sad tears rolling down your cheeks and turning to bittersweet tears of joy.

"Thank you, Ten."

"Anytime, Y/N." He handed you a napkin for your eyes.

A cough was heard outside the closed door, along with faint whispers.

"Lucas, shut the HELL up!"

Ten got up and opened the door, making four boys come tumbling inside the room.

All rushing to get up, Lucas stayed laying on the floor, "Uh, hi guys." he offered a charming smile. "We were just coming to tell you that dinner is ready?" Yangyang shrugged obviously.

Ten snickered.

"Nice try, guys-"

"Dinner is ready!" Kun yelled from the kitchen.

"What did I tell you?" Yangyang stuck out his tongue, cockily. Ten rolled his eyes and looked over at you,

"Would you like to stay for dinner?"

"Uhm-"

"She is staying, I already made her a plate!" Kun yelled once again from the kitchen. The other boys ran out of the doorway to the kitchen.

"I guess it's settled then..." Ten sighed and reached his hand out to you, which you took. You were led into the dining room where the other boys sat. Ten placed you in a chair next to his and Kun’s.

Kun had made zhajiangmian, a Chinese traditional celebration/comfort food aka Chinese spaghetti. It tasted so much better than the bread pastries and milk teas you had been living off of in the past year.

Everyone was very talkative during dinner, you even found out that Ten choreographs his own dances for himself and the others to perform and learned that Kun has a degree in music from a prestigious university in Beijing. The boys you had dinner with were really fun to be around and gave you lots of energy after the intricate start to the new semester.

You didn't realize how lonely your little apartment was until now, even when sharing it with your mother most nights. They made you feel so comfortable and content after lacking companionship since your high school days. Also the food was really good, thanks to Kun.

Everybody finished their food but still continued the little chat at the dinner table "And this one time, Ten ate butter thinking it was ice cream! Who does that!?" Yangyang finished off his story punching the table with laughter.

You glanced at the time on your phone. It was almost 10 o'clock and you had to get to sleep early for your new 8 AM class.

Ten turned to you when he felt short tugs at his hoodie. "Cinderella has to get home?"

The room got quiet with Ten’s words, but quickly exploded in a swarm of whines and begs for you to stay. You gave them an apologetic smile.

Ten stood up, pulling me with him, "I'll walk you home." He was already at the door, kicking on his shoes. Everyone bid you good-bye as you waved to all of them before you and Ten were out the door.

"It's this way." You motioned in the direction of your apartments. Ten nodded and followed your path. It was silent the whole way, but it was a nice silence. It was peaceful with just you two. Arriving soon, you stopped in front of the entrance and turned around to look at Ten.

"Thank you for having me over, I really enjoyed it. Your friends are really nice."

"Of course. I’m really glad you came. I like spending time with you and I think my friends do as well."

Smiles were exchanged and hearts skipped, both of your breathing patterns were evident in each other’s dialogue. "Do you have any last lyrics before we end the night?"

Your building never shines like the others in its distance. The only light around you is the one that blooms in space and allows the stars to twinkle down to where you stand. Ten took your chin is his hand and created perfect eye contact:

"Look at the stars. Look how they shine for you. And all the things that you do.”

He tossed your chin up before walking off into the night.

To Be Continued…

Something by The Beatles

Yellow by Coldplay

𝘲𝘪𝘢𝘯𝘰𝘪𝘳

#wayv x reader #nct x reader #ten x reader #wayv imagines #wayv fluff #wayv angst #nct imagines #nct fluff #nct angst #ten imagines #ten fluff #ten angst #qianoir

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simptasia · 3 years

Note

Cats 2019 😌

Oh, thank you, I’m gonna gush about this movie without even a DROP of that “i knoooow it’s bad” stuff, y’all know that I know. Okay maybe a few drops sneak in, in a back handed way, but MOSTLY this is me gushing and fawning

For context, since i’m putting this in the tag, the prompt was this was somebody gives me a topic and I respond with what i like about it. Like, the opposite of that “send me a thing and i’ll tell you what i hate about it” one

sometimes, like half the time, the CGI actually slaps. like, the close ups are amazing. proper look at some of these cats and it’s like, wow

mr. mistoffelees is precious. he’s my favourite and he’s adorable and his song makes me cry! specifically the bit where old deut is back and it cuts to his happy “oh my gosh i did it” face. triumphant! heck, i just like that whole song, as like the character thing that it is. and yeah anyways, misto is a cutie pie, he’s so shy and awkward and nervous, i wuv him uwuwu

misto is my fave but munkustrap is actually the best character in this movie. i cannot gush enough about robbie fairchild’s acting, singing and dancing in this. he is the backbone of this movie and i adore him! there’s a reason i’ve reblogged a bagillion gifsets of him being so expressionate, he’s so good! you can tell robbie loves being a part of this. and like, very often munku will absolutely be the best aspect of a scene

plus he’s beautiful too. munku, misto, victoria. beautiful kitties

now that i’ve adjusted to the art style, i find these kitties adorable. i love the ears and tails, they make me happy. i like how misto’s tail curls and the movement of everybody’s ears

i really like the music, shoulda mentioned that first. like, when its good, its really good. memory is of course a powerhouse. skimbleshanks is the movie’s highlight, so fucking good. i like mr. misto’s song, fight me. jellicle cats is a fucking bop. rumpleteazer & mungojerrie, I Just Like It. robbie’s performance in... well the whole movie... but also in old deuteronomy is beautiful and soothing. i’ve actually gotten every song in this stuck in my head.... SKIIIIIMBLEEEESHAAAANKS THE RAAAAILWAAAY CAT

legit, making that number include tap dancing was an actual stroke of genius and i cannot praise steven mcrae enough. whomst is also australian, im so proud. i also like skimble’s pants

OH ALSO regarding the music, another thing i love about this movie is that it introduced me to the concept of this musical. i never had any exposure to cats the musical before this movie happened. all i knew before was a couple of references i saw and i had heard memory. but i didn’t know that memory was from cats. and like, think of all the great songs i wouldn’t be aware of if this movie never happened. i’ve also, by extension, become enamoured with the 1998 version of cats too. because of this! i wouldn’t have had a reason to care before! i had no interest! so besides the fact that i actually do like this movie, there’s that

this is true of the stage musical thing, but a lot of cute and fun character moments are gleaned from like background stuff and facial expressions, that sorta thing and i find it really fun to notice stuff (or see somebody else point stuff out). like it’s all very simple but still with some depth, ya know?

the dancing in this is so good. so so good. especially munku because his actor is a magnificent dancer. it’s also funny and cute how misto clearly isn’t as good a dancer as everybody else, so they have him doing clumsy doofy stuff in the background. but im not insulting laurie davidson’s dancing, he’s actually good considering he had to learn for this movie. i just have to praise the dancing in this movie because i’ve seen people say that “the dancing isn’t impressive in this movie because it’s CGI” and i WILL EAT YOU WHOLE. no n no no people HAVE to know that the actors are actually doing that. robbie and francesca are professional ballet dancers, most of the people in this are. the movements are real, they just painstakingly overlayed CGI cat stuff over it. the stuff that isn’t real is like, stuff humans can’t do, like the big fuck off leaps, they used wires for that

Rumpleteazer’s Lesbian Energy Is Palpable

Munkustrap’s Chemistry With Everybody Is Stunning

victoria, misto and munku are OT3 and they’re bicons in my heart

oh i already mentioned the music but i just wanna say i think beautiful ghosts is a lovely song/motif/character thing. i haven’t mentioned victoria much, i think she’s rather sweet in a like endearingly dumb way. and her singing and dancing is, of course, lovely

the sets are practical, they built that! bruh

i have to give my respect to the poor overworked effects artists who worked on this movie. they were pushed so hard and for so long and i think they did a great job and they don’t deserve even a drop of the scorn they have received

i love misto’s jacket, it’s so good. and the pencil as a wand is clever!

the last scene is refered to as a living hell by a lot of people but i love it because just. watch munku’s face the whole time. so good. just watch munkustrap, he makes everything better

ooh on that note, i like how they made it so munk lives in a flat thats literally right by the junkyard. i find that a nice touch and fitting

i like the nuzzles <3 (furthermore i love how misto is so much taller than victoria so he has to bend down so far for a couple of those nuzzles)

i dunno, you can tell most of the people doing this were like really into it, like really loved doing this movie. like these performances are good, y’all! and like, these cats come across as so happy to hanging out and dancing and being together (for the most part, there is bickering and... cattiness too) that it’s like infectious. it makes me smile!

and there’s like a bagillion little things here and there that i like, like my list could go on even more. for example, shout out to that one cat that kept smiling when skimble was spinning upwards into the air (due to being kidnapped) probably under the assumption that skimble can just fucking do that djksakjdsa

so yeah i can’t exactly call this a Good Movie but i can genuinely call it a movie i enjoy, that i adore even, because i’ve never liked anything ironically in my life! also im autistic and this has become my special interest, so choo choo, this trains a chugging. i’m having a lot of fun, and i think that’s good enough

and i feel like it’s already on it’s way to becoming the world’s most expensive cult classic. like, friends getting together and watching it and having a good time, for one reason or another. and i like that. i hope in like 5 to 10 years time, people are gonna be endeared and nostalgic for cats 2019, cuz that’d be neat

#cats 2019 #I like The Parts Where I'm Not In Pain #this praise is in no way an endorsement of tom hooper #who is a genuinely incompetent idiot who should be kept away from musicals #this is all despite the movie's shortcomings #but hey some of the Bad Choices can be a laugh too #i really do think there's more good aspects than bad aspects in this #once you get used to it #like my first viewing felt like a fever dream #it really does take getting used to #but adjusting to this... universe. it's better now #and i think the second half is better than the first half #espech the last ooh half an hour or so? great stuff actually #sunnibits

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woundjob · 3 years

Note

i have an idea for a fic but i have neither the time or the energy to write it so im dying and i must. let it out on the internet.

hear me out: wolfstar military boarding school au

aka fic where walburga sends 11 year old sirius away to teach him “discipline” and remus is there because hes too old to be wanted at the orphanage

aka fic where sirius immediately becomes the target of the Lads because he screams about not wanting to get his hair cut but the next day he breaks someone’s face david and goliath style and everyone falls quiet

aka fic where remus knows hes fucked because his new roommate is the centre of everyone’s attention and also he’s pretty

aka fic where posh gayboy sirius calls angsty remus “twist” because he reminds him of oliver twist and theyre both weird outcasts

aka fic where 17 year old remus is expected to become general but sirius gets him into good music and they start planning a runaway plan

aka fic where remus only followed sirius because sirius’ dreams in music felt so real that it almost felt like he was the one dreaming it but when he finally did he found himself not belonging there

aka fic where remus has a midlife crisis and fucks up and sirius hates him but they cant leave each other because theyre broke

aka fic where they have hate sex

aka fic where theyre friends to awkward classmates to fuckbuddies to enemies to lovers to enemies

along with various greek mythology/canine/moon metaphors

and i have. 10 years worth of wolfstar mapped out in my head but i!!bnanamad

sorry this took so long to answer!

this sounds really cool! honestly i was a little nervous about military au, bc i hate us military industrial complex etc, and also a lot of the time when people write military stuff they do uhhhh a bad job lol but!!! but but but!!! this sounds really good and like you’ve done a lot of research

i totally understand the writers block tho. something this large is bound to feel insurmountable. something that helps me complete a fic or another big art piece is keeping it special just for me as i’m working on it. don’t get people hyped up for it, pretend like you’re writing in a diary. that way you can work at your own pace and not worry about the performance of it all, just creating art that’s for you :)

good luck anon!!!

#im bad at that tho i love applause #like to clarify the social aspect of fanworks is a good chunk. of why i do it #but it shouldn’t be is what i’m saying #if it brings u joy to make it then make it #if it doesn’t then move on

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virtualrenfaire2020 · 4 years

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Virtual Ren Faire 2020 Calendar

We have activities and themed days, plus we’ve compiled a bunch of livestreams from some fantastic performers to enjoy during our Faire. The calendar is updated daily, so stay tuned for more events!

Saturday, March 28

Opening day!

Join us on Opening Day for a day of faire activities. Share photos, videos, and stories relating to your ren faire experience!

Submissions will be open starting today for the Costume Contest!

O.W.L. Fest - 7:30 AM PDT

An all-day series of concerts with a wizardly theme. A new artist is live every half hour until 7:00 PM, so tune in anytime! Don’t forget to refresh the page between concerts to listen to the latest stream. The current lineup is: Tonks and the Aurors, Lauren Fairweather, Ashley Hamel, Hawthorn & Holly, Grace Kendall, Kalysta Flame, Pussycat Dolores, The Purebloods, Flitwick and the Charmers, Losing Lara, Muggle Snuggle, Percy and the Prefects, Ludo Bagman and the Trash, Draco and the Malfoys, The Mudbloods, The Lovegoods, Alas Earwax!, The Blibbering Humdingers, Abby Ritter, The Swedish Shortsnouts, Kirstyn Hippe, POTTÖRHEAD, The Arkadian, Karl-Johan, and Toucan Dubh.

Check out the Facebook livestream concerts here.

Ye Banished Privateers Virtual Release Party - 11:00 AM PDT.

“Let’s party like it’s 1720! Borders are closing, people are being forced to shut their doors. Our global world is growing smaller, but Ye Banished Privateers believes in staying connected through the crisis. On march 28th we were planning to throw a big release party for our new album Hostis Humani Generis in our home town Umeå, Sweden, which naturally had to be cancelled due to the corona pandemic. Instead we’ll be hosting a live streamed event, at 19.00 cet 28/3 that will be worthy of an official release concert. We want to try and make this something special and grand . . . let’s stand together in all safe ways possible.”

Check out the Youtube livestream concert here.

Pub Crawl - 1:30 PM PDT.

We’ll be hosting a BYOB pub crawl. Keep an eye out for the tag vrf2020 pub crawl for more info. Please follow local drinking laws and drink responsibly!

Cyrus Pynn (The Swordsman) - 2:00 PM PDT.

“I am a self taught professional sword swallower who perfected the art at the Coney Island Sideshow School, where I learned to present it in an entertaining and classy manner. Since then I have pushed the limit with this dangerous feat as I have traveled across the United States performing with Carnivals, Festivals and Variety Shows . . . Demonstrating the world's most dangerous stunt in an entertaining, classy manner featuring comedy, audience interaction and, of course, death defiance! ‘Down the Hatch without a Scratch!’“

Check out the Facebook livestream show here.

Andrea Beaton - 4:30 PM PDT.

“Andrea grew up in a musical family in Cape Breton, Nova Scotia. Both the Beaton and MacMaster sides of her family are well known and respected as some of Cape Breton's finest musicians, dancers and composers. She has made 6 solo CDs, a duo album with her father Kinnon, and published 3 books of tunes.”

Check out the Zoom livestream concert here.

The CRAIC Show - 5:00 PM PDT.

“The CRAIC Show is an intense & wildly entertaining act, made up of five international travelers who, in 1541AD, were banded together on an ancient battlefield. This unique merging of music from far away lands brings a sound that is unlike any other . . . Ever-changing and constantly blending styles, The CRAIC Show is always bringing a fresh, high energy blend of World Medieval Music to a modern audience.”

Check out the Facebook livestream concert here.

Erin Rae - 7:00 PM PDT.

“Gifted with a unique ability to fuse musical genres and influences to craft songs that feel fresh and wholly her own, with her new album Putting On Airs, Erin Rae has thrown down a direct challenge to the stereotype of what a Southern singer should be. Both lyrically and sonically, she strikes a fiercely independent chord, proudly releasing a deeply personal record that reflects her own upbringing in Tennessee, including the prejudices and injustices that she witnessed as a child that continue to impact her life to this day. According to Rae, ‘this album was born out of a need to do some healing work in my personal life, in order to address some fears and patterns of mine to allow my true feelings to come to the surface.’”

Check out the Instagram livestream concert here.

Sunday, March 29

Submissions remain open for the Costume Contest!

Alistair McCulloch - 11:30 AM PDT.

“Alistair is one of Scotland's best known fiddle performers and teachers. His trio features Aaron Jones of Old Blind Dogs, and former Capercaillie whistle wizard Marc Duff. Alistair has taught a generation of rising stars at the Royal Conservatoire of Scotland.”

Check out the Zoom livestream concert here.

Linda McRae - 1:00 PM PDT.

“Linda’s love of Canadian, American and British music early on in her career resulted in multiple band configurations from roots-rock to punk to folk . . . When Linda steps onto a concert stage, into a recording studio, workshop or mentoring session, there is an effortless passion, a love of what she does and a connection with fans and friendships built and treasured. A multi-instrumentalist Linda works tirelessly as a touring singing songwriter, performing at premiere venues across Canada, the US and Europe while turning out new works.”

Check out the Facebook livestream concert here.

The Glow Bubble Show (Meadow Perry) - 4:00 PM PDT.

“Meadow Perry is a Philadelphia based Magician, Bubble Artist and Actress. Known for her beloved children's character, Meadowlark the Faerie, Meadow has been performing in various genres from the stage to private events for over 15 years. The Bubble Magic of Meadow Perry is a show that takes the visual art of bubbles, theatrical storytelling, enchanting magic, thrilling music, & a touch of sophistication to create a unique and entertaining show that has been described as ‘A mesmerizing, spellbounding experience! Charming and interesting, Meadow takes the rules of bubbles outside the box!’”

Check out the Instagram livestream show here.

Monday, March 30

Submissions remain open for the Costume Contest!

Merchants’ Monday

Show our wonderful shops some extra love today!

Shannon Lay - 12:00 PM PDT.

“There is an entire sub-genre of poetry devoted to rivers and their persistent, meditative flow . . . For transcendent folk-pop artist Shannon Lay, the river is all of the above: It’s the metaphor driving her latest album, the exquisitely uplifting August (Sub Pop Records, out August, 23rd)—which doubles as an aural baptism renewing her purpose for making music. ‘I always picture music as this river. Everyone’s throwing things into this river, it’s a place you can go to and feed off of that energy,’ she says, ‘and feel nourished by the fact that so many people are feeling what you’re feeling. It’s this beautiful exchange.’”

Check out the Instagram livestream concert here.

Jesse Linder, Bard - 5:00 PM PDT.

“. . .'Singer of Songs, Teller of Tales.’ Jesse performs as a solo artist and as a member of 3 Pints Gone, and has been a member of Separated at Birth, CrossRogues, and Tippler's Way. Jesse sings at Renaisance faires, American reenactments, Irish pubs, and coffeehouses throughout the Midwest. He currently has three solo CDs and five group CDs in print.”

Check out the Facebook livestream concert here.

Steven Greenman - 6:00 PM PDT.

“Steven has worked with some of the world’s leading klezmer ensembles, is a founding member of Cleveland’s East European ensemble Harmonia, and has been a guest soloist with the Cleveland Pops Orchestra, performing his own arrangements of gypsy and klezmer music.”

Check out the Zoom livestream concert here.

Tuesday, March 31

Submissions remain open for the Costume Contest!

Time Travel Tuesday

Share your favorite photos and costumes from any time period, from Ancient Greece to 2265. After all, in quarantine, time all feels a little wibbly wobbly!

Jonathan Cannon - 5:30 PM PDT.

“Jonathan has studied klezmer, Romanian, Celtic, and American fiddling, performs regularly, with award-winning Boston klezmer band Ezekiel’s Wheels, and for contra dances.”

Check out the Zoom livestream concert here.

Wednesday, April 1

Submissions remain open for the Costume Contest!

Anne-Mari Kivimäki & Palomylly - 10:00 AM PDT.

“Anne-Mari Kivimäki & Palomylly is an impressive sound mix with stories, archive recordings, jouhikko, double bass, vocals and accordion. Kivimäki’s music has a hypnotic pulse and it’s made for the love of old stories. Kivimäki has gathered her Palomylly band from the musicians on her successful Lakkautettu Kylä (A Closed-Down Village) album.”

Check out the Facebook livestream concert here.

Troy MacGillivray with Sabra MacGillivray - 4:30 PM PDT.

“Troy is a brilliant fiddler, pianist and stepdancer from Nova Scotia. He’s been featured at many festivals including Celtic Connections in Scotland, East Coast Music Awards, Celtic Colours Festival in Cape Breton, the Barbados Celtic Festival and the Edinburgh Fiddle Festival.”

Check out the Zoom livestream concert here.

Thursday, April 2

Submissions remain open for the Costume Contest!

Cookie Segelstein with Josh Horowitz - 10:00 AM PDT.

“Founder of Veretski Pass, and fiddler with many other top klezmer bands, Cookie has taught workshops round the world, and has been featured in an ABC documentary and a film starring Robert DeNiro. Josh founded the band Budowitz and has played with Vienna Chamber Orchestra, Theodore Bikel, and accompanied Itzhak Perlman on PBS.”

Check out the Zoom livestream concert here.

Oshima Brothers - 3:00 PM PDT.

“Raised in a musical family in rural Maine, the brothers have honed a harmony-rich blend of contemporary folk and acoustic pop. On stage, Sean and Jamie create a surprisingly full sound with dynamic vocals, electric and acoustic guitars, octave bass, loops, and percussion. The brothers live in Maine but are often on the road performing, producing music videos, and dancing.”

Check out the Facebook livestream concert here.

Friday, April 3

Submissions remain open for the Costume Contest!

Furry Friends Friday

Ever dressed your pet up for the faire? Show us your photos and costume ideas! Or show us your faire-themed fursuit. You do you.

Let’s Get Traditional (The Minstrel Rav’n) - 4:00 PM PDT.

“The Minstrel Rav'n travels the lands Telling Songs and Singing Stories about Taverns, Pirates and Elven Lasses. Songs of Adventure, Drinking... and things a bit on the Naughty Side!”

Check out the Facebook livestream here.

HST (Ed, Lilly & Neil Pearlman) - 4:30 PM PDT.

“HST (Highland Soles Trio) is 3/5 of a family band, with dancer Laura Scott and Jesse on whistle. HST has toured the US and Scotland with new and old tunes in the Scottish tradition.”

Check out the Zoom livestream concert here.

Saturday, April 4

Gráinne Brady - 12:30 PM PDT.

“Gráinne is an Irish fiddle player from County Cavan in Ireland and currently based in Glasgow where she leads sessions and plays with Top Floor Taivers, string group The Routes Quartet, and Gaeilge/Gàidhlig supergroup LAS.”

Check out the Zoom livestream concert here.

Pub Crawl - 1:30 PM PDT.

We’ll be hosting a BYOB pub crawl. Keep an eye out for the tag vrf2020 pub crawl for more info. Please follow local drinking laws and drink responsibly!

Costume Contest Judging - 6:00 PM PDT.

Submissions remain open for the Costume Contest until 6:00. Winners will be chosen between 6:00 and 7:00 PDT.

Sunday, April 5

Jenna Reid - 11:30 AM PDT.

“Jenna is a member of the great fiddle bands Blazin' Fiddles, and RANT. Born & bred in Shetland, she learned fiddle from the late Willie Hunter. Following her music degree, Jenna performed with Dóchas and Deaf Shepherd before joining her current bands.”

Check out the Zoom livestream concert here.

Closing Day

We’re sad to see you go, but we hope to catch you at an IRL faire next season!

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felicia-cat-hardy · 3 years

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Olivia Rodrigo's Music Style: Pop-Punk Rockers Who Influenced Her

Olivia Rodrigo’s debut album Sour comes out on May 21, and by now, you certainly know that the 18-year-old singer-songwriter counts the queen of vulnerable love-lorn melodies, Taylor Swift, as one of her most prominent influences. But after topping the charts for eight weeks with “drivers license,” it looks like Rodrigo is rearing into the rock lane, giving us the teenage angst and pop-punk petulance we deserve with the fiery “good 4 u” and impressive live performances.

Trust us, we know we don’t have to compare and contrast every female singer that’s ever made music that isn’t strictly pop, but why not salute the plaid-wearing, Doc Martens-donning foremothers of pop-punk, because as the Saturday Night Live skit on that very topic clarifies, yes she’s wearing her influences on her sleeve, “but it’s also pure Olivia, man.”

Plus, as Rodrigo shared in an interview with The Face on the sound of her upcoming album, “I feel like music is becoming increasingly genreless. I suppose I’m considered a pop artist, but I’ve never felt like one. This album is full of stuff that I like, which is so diverse. There are elements of alternative rock in there, alt-pop, some country, and definitely a lot of folk. I think anyone can find something they like hidden in one of the songs.”

So if you, like us, need something to hold you over while you wait for Rodrigo’s debut, here are 7 pop-punk rock purveyors to press play on.

1. Hayley Williams

It’s hard to think of anyone more capable of creating pure unadulterated pop-punk ballads with unparalleled vocals than Hayley Williams of Paramore, or as she was referred to by NPR, “The 21st Century's Pop-Punk Prophet.” However, with her latest single “good 4 u” Rodrigo is giving her a run for her money. In the track, Rodrigo shows off her vocal versatility, oscillating from singing to talking over electric guitars and a staccato bass line, much like Williams in Paramore’s “Misery Business.” In fact, this mashup of both tracks makes the reference and reverence to Paramore clear, plus it’s an absolute banger.

Williams put emotional fragility, powerhouse vocals, and punk rock authenticity front and center at a time when female-fronted bands were few and far between, giving a generation of young women, like Rodrigo not only someone to emulate but something to look up to.

2. Avril Lavigne

The week Olivia Rodrigo was born in 2003, Avril Lavigne was in the Top 10 with “I’m With You,” according to Rolling Stone. Coincidence? We think not. If that doesn’t tie the influenced to the influencer, just look at Lavigne’s legacy as one of the first songwriters of complicated relationship-themed pop-punk hits, like in her chant-along track “Girlfriend,” the formidable “Sk8er Boi,” and of course, the direct embodiment of that sentiment, “Complicated.” Rodrigo has not only been embodying Avril’s angsty sing-along-worthy lyrics but also replicating her wardrobe, recently rocking combat boots and a plaid corset with matching wide-leg pants (pictured above) and a chain belt you’d find at the checkout counter of any Hot Topic in the early aughts during her Saturday Night Live debut.

So, would the lyrics “It’s like we never even happened Baby / what the f*ck is up with that” in Rodrigo’s “good 4 u” exist without Lavigne singing “And hell yeah, I’m the motherf*cking princess” in “Girlfriend” first? Lucky for us, we’ll never have to find out.

3. Fefe Dobson

Fefe Dobson, is rarely mentioned in the pop-punk canon, but the singer made her mark as one of the few Black pop-punk singers of the early aughts, creating space for artists like Rodrigo who don’t fit into the predominately white male makeup of the genre.

Dobson was just 17 when she entered the pop-punk scene with tracks like “Everything” and “Take Me Away” on her debut album, one that saw her leaning into the same teenage love sentiments of falling hard and questioning it all we see in tracks like “drivers license.” Speaking to Nylon, Dobson discussed how much the scene has changed and made space for diverse artists: “I definitely think there’s no such thing as genre these days. When I was coming out in 2003, I remember people saying to my manager, like “Do you really think this Black girl’s going to do this rock-pop stuff and this is going to work?” I don‘t think that would be even said today. I think that’s a big difference.”

4. Gwen Stefani

Is it dramatic to say that without the anthemic, feminist, pop-punk rock track “Just A Girl” released way back in 1995, none of the new school punk-pop girls would be making visceral “girls to the front” vulnerable hits right now? Maybe, but it’s hard to say. With her pension for performance, fashion, candid lyricism, and devil-may-care attitude, Gwen Stefani has not only made space for herself but artists who want to replicate that same energy.

Rodrigo has never shied away from her love of No Doubt’s leading lady. On multiple occasions she’s discussed finding Stefani’s fearless ability to share personal stories and details about her innermost thoughts and desires as inspiring (and if that’s not punk rock, what is?). In an interview with Elle, it was even revealed that Stefani’s portrait was tapped to Rodrigo’s bedroom wall in a sort of shrine, dedicated to songwriters she admires. In a full-circle moment, Stefani wrote about Rodrigo for Time magazine’s 2021 TIME100 Next list, sharing, that “by pouring her heart out with so much courage and total command of her talent, Olivia made magic.” We agree.

5. Lindsay Lohan

There can be a lot said about the ins and outs, ups and downs, of Lindsay Lohan’s career. However, the platinum-certified album Speak was unquestionably a success for the then-Disney-star-turned-pop-singer who was one of the first stars of the channel to make that career pivot. She never toured for the Billboard charting album, but she did make the path from Disney star to pop-punk artists seem viable.

Rodrigo, who currently stars in the meta High School Musical: The Musical: The Series, discussed embracing her Disney start with Interview Magazine, sharing, “It’s been something I’ve given a lot of thought to, that Disney-girl archetype. I feel like there’s such a clear trajectory for what that is, and there’s so many amazing artists who have done it before me. I did grow up on Disney Channel. I am sort of this goody two-shoes. And I think shying away from that would do my art an injustice too. I just try to be as real as I possibly can.”

6. Liz Phair

Liz Phair’s fourth studio album was a masterclass in how to write a pop-punk romantic ballad while adding expletives to the climax of the track, like in her hit single “Why Can’t I?” It’s easy to see that same strategy playing out as Rodrigo sings, “I still f*cking love you, baby” in “drivers license.” Phair’s eponymous album also features the self-love ballad “Extraordinary,” which embraces her light and dark sides, something we’ve seen in Rodrigo’s first few singles and are sure to see in her debut. At the time of the album’s release, Phair was critically panned for selling out with Pitchfork claiming she’d reduced herself to “teen-pop.” But, as well all know nearly two decades on, there’s no truth to teen-pop being reductive, and Phair’s self-titled album has stood the test of time.

7. Ashlee Simpson

Back in 2004, Ashlee Simpson released her debut album Autobiography, an intimate pop-punk telling of her life. She also documented the entire process of creating the album on her series The Ashlee Simpson Show, something that was unprecedented at the time, but something current stars like Rodrigo who are used to being on camera and giving fans behind-the-scene looks at their creative process are now used to doing.

Simpson also deserves credit for pushing the boundaries of what was “allowed” for pop stars at the time, going her own way by dying her blonde hair black, and pushing back on her label who wanted her to make bubblegum pop. She ushered in an era of sad girl teen pop ballads with tracks like “Pieces Of Me” that artists like Rodrigo are still emulating today.

Olivia Rodrigo

We’ve got to end this story with Rodrigo herself, setting a bedroom on fire in “good 4 u,” and subsequently igniting another phase of her ever-evolving career. She’s got a sound all her own, and we can’t wait to see where she takes it to next. We know she’s here to stay.

Olivia Rodrigo’s debut album SOUR is due out May 21 via Geffen Records.

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