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#I also have one without a background color if anyone wants it
plaidpyjamas · 11 months
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Don't think I've made one of these before and I'm tech illiterate so sorry it's so wonky lmao
Feel free to use them! Might make more, who knows
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m-aximumjoy · 1 year
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in celebration of my/our love Angel being introduced this past week I’ve been working on a re-paint of the Handkerchief Moment and not to toot my own horn, but I’m really proud of how the background came out and particularly of these two
Ignore the big ol’ hole it’s for Aki (heh)
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stellarfalls · 3 months
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hi, your posts are stunning im literally always blown away by how beautiful they are! i’m sorry if you’ve already answered this in the past but do you have any tips / advice on how to edit? thank you <3
Tysm butter 🫶🏽🫶🏽 here’s a few editing tricks I use in every single photo :)
First, the overlay blend mode. It’s a must in my editing process, it helps u enhance/manipulate lightning depending on the environment! It also works as highlighting things which is great if u want to give something a more stereoscopic effect (in this case sims, because lighting does not reflect on them unless u use relight) U can see in the photo below, same lighting, but enhanced with overlay.
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Second, vignette. I personally draw the vignette myself especially when the lightning is coming from one way and it’s dark on the other side, but using the Vignette feature in photo editing apps makes u focus on the character and less on the background.
Third, shadows. This applies to both sims and objects. Grab a blue/brown color + multiply blend mode, or a pitch black color and contour your sims’ face and clothes. It doesn’t have to be overly complicated, even a little nose shadow is fine.
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Lastly, curves. This is a feature that exists in every editing apps. I never not use this, it gives a nice finishing touch to my posts as it is used for correcting colors, controlling contrast & brighten/darken photos without deep frying them.
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These four steps might seem simple but it can drastically change your photo 😃 I also saw a good advice post from @acuar-io so I’ll link it here just in case anyone is interested for more.
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lemonlover1110 · 5 months
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𝐂𝐡𝐚𝐧𝐠𝐞𝐬
Satoru Gojo
[Chapter 17] Father and Son
← Previous Chapter - Story Masterlist - Next Chapter →
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Pairing: Satoru Gojo x f!Reader
Discord +18 - Twitter - Ko-Fi
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Satoru tries to make up for the past four years of Ren’s life in a matter of weeks. His focus drastically changes, from his work to his son. He ignores the matter of so many people knowing before him, he avoids his mother and his so-called friends. His main and only priority is his son.
You both wish you could say that your relationship has gotten better, but you don’t really speak to each other unless it’s about the son you share. You’re hopeless that it’ll progress past what you have. Neither of you have the courage to bring up the situation, either way, your attention should be on Ren. 
Ren is finally meeting the man that he’s been dreaming of, and he’s getting to know his father after four years. You’re mostly excited for your son, while also regretting hiding it when you had the chance to tell him. Your relationship is the last thing on your mind– It’s certainly the last thing in Satoru’s mind.
He visits daily, bearing many gifts for his son. Satoru has become a regular at the toy store, buying something each day for his son, something that he thinks Ren would like. He hopes that material stuff will make up for the time wasted. Sometimes he brings some candy, but he doesn’t do it often. Satoru is still his father, he can’t just spoil him rotten, he also has to care for Ren’s wellbeing. He’s slowly growing accustomed to becoming a parent.
“What’s this, Ren?” Satoru holds up a cute white cat plush, one that Satoru always finds on the bed. He wonders if that’s the toy his son has had ever since he was a baby, he guesses it is since Satoru feels like he’s seen it in the background of a picture before.
“It’s whiskers.” Ren answers, taking the plush from his father and putting it back on the bed. That’s before he turns to other matters. Ren doesn’t mind sharing his toys (because you’ve been the one raising him), but whiskers is someone that Ren doesn’t like anyone touching. Anyone and anything can get the toy dirty, and when that happens, you refuse to let the toy on the bed, at least not before you wash it and get it clean again.
Satoru doesn’t bother to ask if that’s the plush that he sleeps with, because that’s most certainly a yes. Ren wants to talk about other important matters though so Satoru gives his undivided attention to his son. Ren then asks, “Are you sleeping over?”
“Uhm… No.” Satoru answers. You most certainly wouldn’t want that. Plus, Satoru has a wife at home who has her suspicions that something is going on. He doubts that she’ll care too much, but he wants to keep Ren protected from the world. If Sayo finds out, so does her family, and if her family knows, the whole world will know. “But I’ll stay until you fall asleep, Ren.”
“I want you to stay.” Ren sticks out his bottom lip, obviously disappointed that his father isn’t staying for the night. You let him on your bed all the time and you sleep together, why can’t he do the same thing with his father? Satoru can’t help but feel bad, so he thinks of how to respond to cheer him up.
You commented how you had plans of going on a small trip with Ren before summer ended, but summer evidently has come to an end. It’s colder now and the leaves are changing color. Satoru finally decides, “We can go on a trip soon, and we’ll be together all day every day.”
“Really?” The little boy’s eyes light up, making the biggest smile come to Satoru’s lips. Satoru now wonders how he was ever happy without him– Well, with you… But that memory slowly fades away since your relationship is now filled with awkwardness. Satoru nods his head in response. He can lie and make it a business trip, it’s not an issue for him really.
“We’ll have to talk to your mommy first, honey. Then we can plan it all.” Satoru answers, and Ren turns around to go look for you. Satoru feels awkward sitting alone on a bed that’s far too low and small for him. He stands up and follows Ren. They both look for you around the apartment until they land in your bedroom. The bathroom door is closed, and Ren immediately knows what to do.
Ren opens the door to the bathroom, and you immediately make eye contact with Satoru. Your face grows hot of embarrassment, and obviously Ren doesn’t see an issue with it. Ren’s issue is when he actually steps into the bathroom, and he just has to comment, “It stinks.”
“Yeah, I wonder why. Get out, Ren, and close the door!” You raise your voice, your embarrassment getting the best of you. Ren closes the door, leaving you to it, and Satoru chuckles. He ruffles Ren’s hair as both walk out of your bedroom.
“You gotta learn how to knock, baby. Give your mommy some privacy.” Satoru says, but it goes one ear out the other. Ren isn’t going to knock, you’re his mommy. If you want your privacy you better lock the door. They take a seat in the living room, where Ren grabs the remote to put on a movie. He knows how to get the movie he wants, even when he’s just learning how to read and spell.
“Where do you want to go?” Satoru asks, wondering where his son wants to go. Ren drops the remote on the couch, putting his tiny index finger on his chin, humming and tilting his head to the side as he thinks of the answer. 
“The beach.” Ren answers, but it’s cold. They can go out of the country though, go somewhere warm. He needs to talk to you first, of course. When you finally walk out of your bedroom (after mentally cursing your son for not having any manners when others are around), you go to the living room to see what they needed.
“What did you need, Ren?” You ask, and he looks excitedly at you. Satoru is the one that speaks up for him though,
“We want to go on a trip, can we?” You almost laugh since Satoru sounds like a hopeful child.
“Where are you two going?” You respond. You can’t really say no because Satoru is supposed to have equal authority as Ren’s father.
“Ren wants to go to the beach.” Satoru answers, Ren nodding in agreement. You cross your arms, your brows furrowing.
“It’s too cold to go to the beach, do you not have any other place in mind?” You point out, making Ren pout. The pout doesn’t last long though since Satoru says,
“We can go to another country. Somewhere warm with better beaches.” You’re certainly not convinced since you doubt you’re part of the plan. You’re not letting your baby boy in another country without you– Well, technically he’d be with his father, but you’re still not convinced. Until Satoru says, “Of course, you’re included! I doubt Ren would go anywhere without you.”
“I wouldn’t.” Ren affirms, and you laugh. 
“If you plan everything, then sure. We can go on a trip. You need to give me time off though– Paid time.” You say, and Satoru nods in response. He does pretty much everything you ask of him, and you certainly can’t complain about it. Ren focuses on putting on one of his favorite movies, and you begin to walk to the kitchen, asking, “Are you staying for dinner, Satoru?”
“Yeah.” Satoru answers. He’d definitely rather eat here with his son and you than dine alone at home. He helps Ren put the movie on, and they both begin to watch the movie. He’s watched this movie around five times the past week, and to be honest, Satoru is sick of it. But he’ll watch it because Ren loves it. 
He’s grateful when you call his name, and he has to tell Ren that you need him, so he can’t stay to watch the movie. Satoru walks to the kitchen, and he finds you trying to reach something that’s far too high for you. Satoru’s eyes land on the white bowl and he reaches for it before handing it to you. You mutter a thank you, and you expect him to go back to Ren, but he doesn’t. You then tell him, “That’s all I need from you, you can go.”
“Do you need help with anything else? You know I love Ren but… I’m sick of that movie.” Satoru answers, earning a chuckle from you. You think about what he can do for a moment, and he patiently waits for you to answer.
“You can make the salad, and then set the table.” You respond, and you think you’ll regret it for a moment. Satoru has had everything done for him, he probably doesn’t know how to cut a cucumber; but then you remember that he lived alone for some time, he had to cook for himself for a while. Satoru immediately gets to work, opening the fridge to get all the vegetables that he needs. He looks around the cabinets and drawers for the cutting board and knife, and he quietly begins to cut the vegetables.
“Have you talked to Shoko?” Satoru asks, washing the lettuce throughout. Pretty much everything is wrong between the two of you, but you can’t just stand in awkward silence every single day. You have to talk to each other, after all, you doubt you’ll stop seeing each other.
“I haven’t. I’m not going to for a while.” You reply. In Satoru’s eyes, she did nothing wrong. He’s glad that Shoko told him, otherwise, he probably wouldn’t be with Ren. But in a sense, he understands why you don’t want to talk to her. “Tell her to stop calling my phone because I’m not going to answer. I’ll call her when I’m ready.”
“I’m not really talking to her either.” He responds.
“Is it because she has the hots for your wife?” You blurt out, and you bite your tongue the moment the words leave your lips. Satoru’s brows raise, definitely surprised by your words. You can’t be serious, can you? Before he can ask more questions about it, you change the topic, “Speaking of… When are you going to tell Sayo about Ren? She’s your wife, she has to find out eventually.”
“Maybe after our trip… I’m not sure how to tell her.” Satoru shares, and you understand that it’s a tough situation. He has to figure out a way to tell his wife of almost five years that he had a kid that’s almost five– And he never cheated, he just found out about him. This was all before their marriage. It’s definitely hard. Satoru clears his throat, mustering up the courage to ask about Suguru, someone else that he has been ignoring. “So… How are you and Suguru? Are you still seeing each other?”
“We’ve been busy, but we’re still… Talking.” You answer. You won’t lie and say that you don’t feel nauseous every time you talk to him, your heart nearly beating out of your chest for the simple fact that you lied to him. He has to find out that you lied eventually. “Have you talked to him?”
“I’m not talking to him. I’ve been ignoring him. I’ve been ignoring everyone.” Satoru responds. He puts the knife down, watching you as you begin to cook. He bites down his lip, holding back on saying a couple of things that are on his mind. About this situation, about you and Suguru, maybe an apology. Satoru has been a complete mess with so many things going in his mind, but not voicing any of them. He does have to ask one question though, “Is Ren the reason why you quit school?”
“Yeah…” You feel embarrassed to say it. “I couldn’t afford both. It was either my baby or school, and that was an easy choice.”
“Sorry…” He mutters, and it’s barely audible but you hear it. You don’t really pay attention to it, in the end it was your decision. Given the option, you’d do it all over again. 
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terrythemerry · 6 months
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I just watched Wish (2023) and it made me realize something kind of sad about Disney’s treatment of villains.
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So Disney has a long history of villainy from the OG Evil Queen who is willing to murder a girl just for being pretty to the misguided like Auto thinking he’s protecting humanity in Wall-E. They are mean, jealous, prideful, vain, and many relish in just being the worst of the worst. However every now and then we get a glimpse of more complexity. Zootopia’s Bellwether dealing with years of racism and mistreatment, Gantu trying to stop what he thinks is a monster in Lilo and Stitch, Up’s Muntz being a heroic explorer before paranoia consumed him, etc. The thing that makes me sad about these villains is that not one of them has ever had a chance at redemption or change in Disney’s eyes and nowhere is that sadder to me than their latest villain, King Magnifico.
(Spoilers below)
King Magnifico is the magical founder of a utopian society that accepts people of all races, religions, and backgrounds. Who created this wonderful place after what is heavily implied to be a violent invasion destroyed his homeland when he was but a child. This past trauma led him to study magic and become a powerful sorcerer so that nothing could hurt him or the people he cared about ever again. His magic is a protection that he extends to all who choose to live in the city. The city is vibrant with a colorful community full of artisans, musicians, and dancers. He takes no taxes from them, but does take their one true wish upon joining this society.
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When given these wishes it is understood that he will ensure their safety and possibly grant them one day. Something important to note about the physical manifestations of the wishes is that they give off a warm and comforting aura as they represent some of the purest parts of a person’s soul. Magnifico has been surrounding himself with this magical comfort for a very very long time by himself and I don’t think it’s unfair to say he has become addicted to their presence. The wishes are giving him a magical comfort through the kind souls within them, a feeling he could’ve probably also gotten if he had spent more time with his people.
It doesn’t look like he ever really got the chance to commune with his people properly because somehow the society kicked off on his wish granting abilities. People had to give him their wishes if they wanted them granted and eventually the ones that he couldn’t grant in good conscience or out of fear started adding up so he began locking them away. Keeping them safe so no harm came to the people. The rare occasions that anyone else interacts with these wishes is during wish granting ceremonies that the people are borderline rabid for. With good reason, it is their souls they’re thirsting for after all even if they don’t really know it.
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However, Magnifico clearly doesn’t see it that way. He sees it as he’s given these people a wonderful safe haven from the horrors of the outside world where they can be whoever they want to be, do what they want to do, make what they want to make, and still all they see in him is a tool to fastpass to something else they want even more than the peace he’s given them.
This is clearly shown early on, before any of his evil behavior starts to take root, in relation to his assistants. We get a expo dump after the first song telling us that Asha wants to become one of his assistant to increase the odds of her grandfather’s wish being granted as there is a correlation between past assistants and having wishes granted. Something important here is that there have clearly been many assistants, suggesting that it’s a revolving door position without really explaining why. Who would want to keep finding assistants over and over again, when really you should find someone who could do the job long term right? Well we get to find out the likely reason when Asha steps up for the role.
When Asha comes to interview for his assistant position he sees she is nervous, he tries to calm her down, and he even manages to relate to her through fond memories of her kindly father who he clearly knew. After seeing her true resolve to do good he decides to trust her with something few people in the entire kingdom get to see, the vault of wishes. To which Asha doesn’t even hesitate to ask, after politely being told not to prior, if he’ll grant her grandfather’s wish.
Magnifico is blatantly stricken by her request, sadly remarking that most people at least wait a few months before doing so a.k.a pretend to be interested in helping him rather than trying to use him to grant a wish. This is likely why the assistant job is a revolving door. Magnifico tries to find someone who he thinks will truly and selflessly fulfill the role only to discover time and again that people are just using it to get direct access to him to ask for a wish. Then he can’t trust their true intentions anymore and moves them along.
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After Asha makes her request he does take the time to look at her grandfather’s wish but dismisses it as too dangerous because it is the vague desire to inspire the next generation. Clearly we as the audience know that her grandfather means to inspire them to do good, but we have to remember Magnifico has seen the worst of society. He has seen the darkest wishes and desires of mankind and survived them. He brushes Asha off telling her she’s too young to understand, which is honestly true. She’s lived her entire life cloistered in peace and comfort thanks to him and the rules he has made. She has never had to know war, strife, or hardship thanks to him, yet she doubts his decision without understanding the trauma that guides it. This is what I believe pushes Magnifico into his villain arc, something that I don’t think we’ve ever really witnessed in a Disney movie.
Usually a villain already is the villain by the time the film rolls around, even the twist villains. Lotso had already been deliberately sentencing other toys to torture. Prince Hans was already planning to murder his way to a throne. Evelyn was already plotting her revenge. Magnifico wasn’t though. He was the hero. He had saved his wife and a whole city’s worth of people from whatever drove them from the mainlands. He wasn’t physically abusing/mistreating people like Gaston even if he was vainly basking in their adoration.
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When Asha pushes him on the wishes he pulls back from her, identifying her in his mind as a threat and treats her as one. He dismisses her and tells her that her family’s wishes will never be granted by him, but he will still keep them safe as he has been doing. Essentially meaning nothing will change for her from what it has been. You know a happy loving existence of complete acceptance and wholesome family life or as Asha interprets it, a fate worse than death.
His interaction with Asha triggers him, as she’s pushed at the flaws in his reasoning for holding onto the wishes. The flaws are true, but his mind is clouded by fear of a lack of control, likely stemming from the horrors he witnessed in his childhood when he had no control. He also likely has a bit of an addiction to the warm fuzzies that the wishes give on top of his fears. While he’s ruminating on that some massive wave of magic blows through the kingdom and messes with the thing he’s already stressed beyond reason about, the wishes.
Magnifico frantically searches for any answer, even considering a dangerous tome of forbidden magic that he knows is trouble before his wife manages to talk him down.
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The fact that he could even be talked down rather than ignoring her outright shows that Magnifico does have good in him. He’s just reacting out of a genuine panic. His panic is only worsened by huge mob continuing to beg him for wishes in exchange for doing what should be the selfless act of defending their kingdom from what is essentially perceived as an attack. Not having any faith left in his people he turns back to the evil book to give him the key to stopping this perceived attack.
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Just to be clear King Magnifico goes to the big bad evil book not to gain more power for funsies, but to try to find a way to stop a perceived threat. Everything he does from this point on, such as threatening his wife, can no longer be fairly tied to him, because as the movie repeatedly tells us he is under the EVIL book’s influence. His wife even looks through the same book to try and see if there is a way to break the sway she knows it has over him, but says she can’t because the EVIL book said no.
Yada yada yada and Magnifico is sealed inside a magic mirror and smugly told to rot in the dungeon by his previously loving wife.
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Seriously?! What the heck?! This guy was the perfect candidate for rehabilitation. He wasn’t flawless, but he wasn’t a murderous psycho like most of the other Disney villains. Disney loves to preach kindness, acceptance, and good will with their heroes, but never does it allow the message of change.
I was shocked going back through the catalogue and slowly realizing none of their villains, regardless of how tragic their origins are, are ever truly allowed a second chance. The hero may offer it, but the baddy never is truly expected to change or reform. Which is honestly super messed up to me. People make mistakes. Some can be small/insignificant, but some are big and do hurt people sometimes. That doesn’t mean they can’t change for the better.
Now I’m not saying every villain is redeemable or good, it’s just a bit surprising that for all the messages of kindness and acceptance we haven’t really gotten forgiveness in 100 years. Seeing the “bad guy’s punishment” just deeply bothered me this time. Probably because so much of the bad that Magnifico does is clearly a trauma response and as a punishment for not acting appropriately to said response he gets sentenced to eternity is magical cell.
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greenglowinspooks · 16 days
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Every Scarecrow needs a flock
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yayyyyy Mentor!Scarecrow Danny villain design!!
Since, yknow, he can’t exactly show his face in public without the threat of disembowelment. (Also, Jonathan wants him to be able to go back to a “normal” civilian life afterwards, untarnished by the reputation of having relied on and teamed up with the Scarecrow. Not that he’d ever tell him, of course. Can’t let anyone know he cares and all that)
Most of the costume is custom-made, while the scarf is one of Jon’s old ones that he gave to Danny during a particularly cold night
Also, Danny’s villain name is Grackle :)
Can you tell that I hate doing backgrounds lol
Unshaded vers. below cut, so you can see the original coloring
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(I put him on a dark lavender background because I heard from a friend that white backgrounds can be hard to look at?)
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that-sweet-jester · 2 years
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Just a bunch of bad guys
A little background below ⬇⬇⬇
HA I TRICKED YOU, it's not little, it's a lot!
Alright, this was just supposed to be an attempt at character design of my own after I read bunch of Superhero AUs, but I got carried away and created some lore :')
-WILBUR-
Full Name: Both him and Techno had been adopted by Philza at young age and took up his last name, but wanted to keep something of their own. Hence, both have their nicknames "Soot" and "Blade" (not last names, they don't know what they were).
Alias: I wanted to base all names of the Syndicate on Greek mythology, however I had hard time finding something for Wilbur. I came close to calling him Apollo, but most of the things attributed to this god, aside being the patron of music, just didn't align with what I had in mind for him. Thus, ta da, "very original" Siren. Even tho, it's not really a name name - "lured sailors to their death with a bewitching song" just fits too well.
Powers: Hypnotic voice was an obvious choice, but I wanted all of them to have two main abilities. Thus, after long search I stumbled upon enhanced hearing, and hear me out. Wilbur wears mask over his eyes (he can see through it) but it gives the illusion that one of his senses is gone, and what they say when one sense is taken away? Another one amplifies >:D And I just think that someone whose powers are based on sound would be more sensitive to it. It's not like he has super hearing for miles away, he can just hear well what someone is whispering like few meters away form him :p
OK THAT'S IT. I think that's the most I've ever written on this site. To anyone who've read the whole thing: ily <333 thank for reading my rambling and sorry for any grammatical errors, English is not my first language and I was too lazy to do a spell check.
-TECHNO-
Full name: Explained before. I'm sorry, but I just can't separate those names from them, there is no Techno without Blade.
Alias: Now I spent a lot of time on this one, bc I just couldn't settle on anything. First I thought about Ares, for being the patron of blood lust and warfare, but just, it didn't work that much for me, I just think there should be more meaning behind the name. Then I searched more, I stumbled on Polemos and some other I can't remember and finally settled on Perses.
PERSES was the Titan god of destruction. He was the father of Hekate, goddess of witchcraft, by the Titanis Asteria ("Starry One"). Perses' name means "the Destroyer" or "the Ravager" from the Greek words persô and perthô. Hesiod inexplicably describes him as "preeminent among all men in wisdom"
And I just think this one's perfect. God of destruction? nice. "The Ravager"? Techno loved mc ravagers and I just can't pass this coincidence. "Preeminent among all men in wisdom"? Man's crazy smart, also as I'll explain more in a moment, Techno knows things he shouldn't really know, and he's almost always ahead of everyone, so, check. Also, my fav goddess aside form Persephone is Hecate so, additional point.
Powers: Enhanced durability is pretty explanatory. Mans could be thrown through a building and only his hair would get messy, maybe a bruise here and there and a lot of complaining, but that's it. You need someone equally powerful to bring him down. NOW, hyper awarness, man oh man, so I NEEDED to include the voices somehow. And I never saw them as something negative in his case. Of course, during combat, they start to demand bloodshed and make him sometimes loose control or result in sensory overload. BUT most of all, thanks to them he knows things - names of people or locations he never seen before, where the punch is coming at him from, answers to weird questions, who stole his food, and why is it always Wilbur, etc etc. So, yeah I thought that writing it down as hyper awarness, might work.
Additional info: His eyes are always red, but his sclera changes color to black when he's out on a mission or fighting, basically when the voices become louder the eyes become more intense in color. As civilian he wears red glasses most of the time to somehow mask the real color.
-PHILZA-
Full Name: You have no idea how much I wanted to write him down as Philza Mine Craft.
Alias: So, I also struggled to find a name for him. I was battling between Thanatos or simply calling him The Angel of Death. But then I was struck and everything became clear. I love fanfics where Phil was a hero before he saw how bad the system is and decides to become the "bad guy" who's actually kinda good, but does bad things sometimes. So, why not use it. In my version, before he became a villain, he was known as Angel, the Hero Committee wasn't as fully developed, so the heros still could stay anonymous, that's why even now they don't know his real identity. After he left he decided to take up new alias and therefore Thanatos was born. Person with black wings associated with Death, also now has a scythe??? Fits perfectly. And that's how people from calling him Angel started calling him The Angel of Death.
Powers: He has the ability to hide his wings and manifest them whenever he wants. I thought about making them just permanent, but I think it's just cooler when suddenly you see a character spring out a pair of big wings out of their back out of nowhere for the shock effect. (no i wasn't just too lazy to draw them, what are you talking about)
Avian telephaty - I also just couldn't not include the Chat. Wherever you see a cloud of crows you know the Angel of Death is nearby. He can communicate with any bird that is a raven, crow or rook. They're his eyes and ears.
Now, I can't leave without giving some credit to the writers that inspired me:
The Oath of Hippocrates by Melatonin_High
tommyinnit's clinic for supervillains by bonesandthebees (bonesandcacti)
Welcome Home Theseus by SoulfirePhoenix
All of them are on Ao3 and are super cool, so give them a read <3
Also, I'm planning on drawing Vigilante Benchtrio but we'll see how much that'll take me xd
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lxkeee · 24 days
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I want to know more about Azrael Hfvbafhvbaefhjv 💗
I don't have any art of him (unfortunately, because I cannot draw)
Manifesting that someone will draw him omg 👀
APPEARANCE:
Azrael is a throne angel, his angel form consists of four golden rings that are filled by countless dark black eyes, his angel form is also accompanied by two pairs of black angel wings.
His semi-angel form is a male gendered body, except his head is a mini version of his actual angel form just floating above his neck.
Now to his humanoid or human body,
Azrael is tall, is 243.84 centimeters tall, has very long and slender legs and arms, skinny and slender body build (yes, he has a slutty waist), pale skin, dark black monolid eyes, long eyelashes, sharp jawline, pretty face (ethereal and out of this world, his facial features differ to the souls he's guiding. Terrifying to sinners, angelic to winners), clean and trimmed fingernails (sometimes he wears a black or gold nail polish), and his halo as dark as the abyss floats stop hiss head.
I don't know what hairstyle this is called but his hair is like this(https://pin.it/5WZCzuwcU) but his hair color is black.
He has the touch of death and he can activate and deactivate it at will. When activated, darkness crawls up from his fingertips up to his elbow, creating an ombre color of light and darkness.
Azrael Pinterest board (https://pin.it/L5weDj6X9)
PERSONALITY & BACKGROUND:
Azrael is a mystery amongst the three triads of heaven, doesn't make an appearance often amongst his kind.
Azrael has a laid back yet teasing personality; teases anyone if he has the chance to, he finds it amusing to see the person's reaction.
He always has a smirk on his face.
He has a bit of a flirty personality, he knows he has the looks and won't hesitate to use it to his advantage.
Especially asking the angels underneath his leadership to do favors for him, such as doing paperwork or doing boring tasks that he doesn't feel like doing.
Due to his laid-back personality, he sometimes doesn't take serious situations seriously and often cracks a joke during it.
He usually skips meetings unless it's a meeting that is held at the First Triad Embassy.
The First Triad Embassy is where angels who commit serious crimes are to be judged.
As the angel of death, he couldn't possibly roam the mortal realm on his own.
That is where the angels underneath his leadership come in.
Each virtue oversees their assigned angel types
He watches over the thrones and dominion angels, giving them lists of souls they needed to reap, usually souls of winners.
He wants to personally reap the souls of sinners, he wants to scare them.
When guiding a winner he just summons a portal that leads to heaven's gates.
When guiding a sinner, he just opens a portal underneath the soul's feet and drops them to hell without notice.
Azrael was born into existence when earthly creatures were created, no, humans aren't the first creatures on earth.
He was created because mortal creatures existed.
He is death, he is what awaits them after their time ends.
Yes, he also sends animal souls to heaven.
Azrael is currently seventh in rank among the seven main virtues, embodying the virtue of humility.
MISCELLANEOUS FUN FACTS:
• His favorite flower is a red spider lily.
• He is a cat person, he loves cats. His favorite are the orange ones.
• His bird form is a black swan.
• He doesn't like doing paperwork.
• He likes drinking black coffee with two cubes of sugar.
• His favorite colors are black, white, and gold.
• He wields a black scythe with golden edges.
• He gets distracted easily.
• Slightly narcissistic.
• Amongst Luke's ocs he is the favorite child.
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brain-rot-central · 4 months
Note
ok so has anyone made a list of things that Astarion said that had a different meaning than first thought?
For example, if you tell Astarion when you first meet that you’re Baldurian as well, he says they must not be in the same social circle. With the way he talks and dresses it seems like he’s implying you’re lower class, but later it becomes clear you’re not those petty criminals or brothel goers that he targets. (And there’s the separate “of course it’ll turn me into a monster” line that becomes obvious later.)
He reveals he fears breaking his nail to the dryad, and it seems shallow but we learn he’s traumatized by digging himself out of his coffin, and the year he endured being trapped inside a coffin and desperately scratching and breaking his nails off as punishment, which is also why he refuses to dig anyone out like Nere.
Also, he mentioned he targeted brothel visitors, and at first it sounds like he just waited outside those establishments for victims, but then if you visit the drow twins he mentions he never thought he’d be on the paying end, plus if you choose one of the twins then Astarion says you have a type for elven prostitutes. And if you really think about it, considering how Petras’ lines are similar to Astarion’s, it wouldn’t be weird to imagine Cazador forcing them to work at a brothel for a few years as training…
Some of Astarion’s lines have a lot to unpack
Many things Astarion says are doublespeak. It's a common coping mechanism used by trauma survivors to "make peace," in a way with what they went through. It's not until you've played through his whole story that you understand that, and honestly it breaks my heart. He has a lot of self-depreciating language. Little quips here and there where you realize he's not only commenting on the current situation but himself, as well.
The monster line in the beginning gets me the most, because he follows it up with, "What did I expect?" For the first time in 200 years, he's able to stand in the sun without burning. He's grappling with that entire realization while also readjusting to there being light and color in the world, and probably was looking at the whole Nautiloid experience as something slightly positive... only to learn that no, this is not something positive. In fact, it's horrendous, because if it's not rectified, he'll become a grotesque monster, worse than he already is. And idk, that guts me. He has this small glimmer of hope for the first time in two centuries, all to realize that it's a giant farce.
But, Astarion is also stubborn, so he holds onto this small glimmer of hope to see if there's a way he can work the tadpole to his advantage. So that he can continue to walk in the sun. Once he realizes that Cazador's compulsion has been interrupted due to the tadpole, he doubles down on wanting to keep the tadpole and control it.
Astarion's story is such a beautiful portrayal of what being in survival mode feels and is like. You're so entirely desperate to make it out of your current situation that you would quite literally give anything and everything to obtain it, even if it means burning the entire world down around you.
The elven prostitute line made me laugh when I first heard it; I knew he was referring to himself and trying to make some light humor about his past, but it's also heartbreaking to realize he sees himself as one. He hasn't yet taken the grace with himself to distinguish between being forced into that line of work vs who he actually is. The lines are still blurred.
I can't think about the intricacies of his background/personality too long, because it all feels way too familiar to me. To know even a smidge of the despair he probably felt for years and the constant mental and physical struggle he endured (there's even disordered eating/food insecurity in his back story too and no one really talks much about it; Cazador purposely kept all the spawn near-starving as a form of control).
Our boy was severely abused and neglected and I really just want to give him a fucking hug.
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bobacupcake · 10 months
Note
We got the earth and the sky, but has anyone asked about what you think of Abzu?
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i love abzu!!! another one i have watched the gdc talk for which you can watch here!!
the two big things in abzu are the fish animations and the overall environment lighting - lets start with fish!! there are a lot of them. and when you want to animate a lot of things, your computer will explode. this is specifically when you animate things with bones, how a lot of computer things are animated
luckily one thing that gpus can be really good at is drawing a tonnnn of the same object really fast, using something called instancing. as long as its the same mesh and material, it can be rendered a ton with just a single draw call (like i am talking hundreds of thousands). so lets make 10 thousand fish. unluckily this doesnt work with skeleton animations. luckily you dont need them! especially with fish
even though all the objects need to be the same mesh and material, doesnt mean they cant have different input. not only that but shaders let you modify individual vertexes, so, what if you just take all 10000 fish and wiggle them along an axis, like this
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and give them all slightly different inputs so they arent all doing the exact same animation, maybe by giving them each their own unique number. now you have 10 thousand fish swimming around, wiggling, at almost zero rendering cost
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these are all individual 3d models and all their animations are running in the shader !
the other way they animated fish without giving them bones was through something called blendshapes - these are usually used for stuff like facial animations, where you move vertices around to your desired "shape" (so like maybe your default face is :| but you edit the vertices so your character goes :> etc), and keep track of the difference between each vertex's position and its original position so you can move it whenever you want
that doesnt need any bones so they used this for things like fish going CHOMP and fish making sharp turns
for the actual environment, they experimented with a bunch of things like using actual volumetric lighting, but in the end they found that just using fog worked best!! they did tweak it a bit though - they had a "zone" between where the fog started to get thick and when the fog just ended up being a solid color where they dimmed any lighting - this really helped the background geometry stick out and give that underwater feel (left is without dimming the lights, right is with dimming the lights!! fun to think about how firewatch did something similar but changing the fog color based on depth rather than literally dimming the lighting)
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they also let different volumes have their own fog value, so if there was say a cave off in the distance, it could have less fog than the surrounding area for clarity & also made the fog look a bit more volumetric
and the other huge thing that helped was "portal cards" - not an official term but its what they called them, basically just quads they could stick in any place where they needed to make something "stick out", like a cave, or a hilltop that blended with the background too much. the card sampled the depth of objects behind it, and used that 0 to 1 value to map a color to it. and then the closer youd get to these cards, the more transparent theyd get, until youre right on top of it and you dont need the objects to stick out of the background anymore!! here you can see a Me, but very dark, and then i slide the card over it. the black and white is the camera depth of all objects behind the card, minus the depth of the card. and mapping that to a color makes me stick out way more than i was initially!! then as you swim closer to me, the card fades away, until you pass the card completely
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these portal cards were also used to make the light beams poking out from the surface, theyre just animated a bit!! you can see how the portal cards affect the look of things in this frame breakdown
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and one other thing thats pretty prominent that wasnt touched on in the talk is all the caustics on the ground, those little wobbly light things you see underwater. but those were probably? just added to every shader as a "add this caustics texture on top based on the with the texture mapped to the world x and z position and only if the object is facing up"
like this !
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anyways thats all from me on abzu..!! really pretty game
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keykittygirl · 2 months
Text
TW : Blood Ketchup + Traumatized Expression
I won't tell you guys the context of this yet
:3
Anyway Wu Ming belongs to @itsalice3940 (you guys should check out her blog, she's awesome!)
And honestly idk why I having fun drawings some angst :3
And you guys don't want to know what I wrote when I was bored-
Anyway aside from that here's the drawing version ^^
- one with some blood ketchup
- one without the blood ketchup
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And anyway I kinda made three kind of background that the same yet also different while making this, if you want to used it please and you should tag me properly in it okay
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I'm also having fun drawing the background, the color are so fun to play with when y know what color you will used for it ^^
(Anyway please tell me if I need to put a warning and hide this with the gore warning above, I don't want to make anyone uncomfortable)
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jazeswhbhaven · 23 days
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He Never Misses! (Leraye Limited Event React I)
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Okay so, here's the damn thing about this event.
I loved the amount of peeking into each noble's dynamic with each other so much and I love the fact that this is pretty much a slice-of-life approach to how a "normal" day in Gehenna was and is.
In an overall sense we get a good dose of Sitri, interesting pop-ins from Astaroth and Paimon, and a little surprise visit that had me squealing later.
This, my lovelies is 6 part reaction because I took that many damn screenshots and I honestly wish there was a better way to upload them all on one or two posts without a photo limit. BUT alas...
Make sure to grab a snacky snack, and let's dive in...to the life of long-haired Leraye~ ┬─┬(◕‿◕♡)
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So we enter with Astraoth just minding his business and cruising around the palace and Sitri just comes up and starts getting onto him about not being at the palace lol
Turns out he was gone for a while because he was tending to his hobbies which is corrupting...
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You hear that everyone? He corrupts anyone so keep your windows open (ʘ‿ʘ✿)
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I'm really crying right now, so basically he's telling why it took particularly long this time around because he was dealing with someone who hated their dead-end job. (sounds fucking familiar right?)
nah now think about it, imagine wildly that someone at pb put that in the event as a joke when in reality somebody either once quit before or secretly a current employee can't stand work and low key just slid that idea in....buttt let's get back to the event lmao
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Sitri hit 'em with the "Sorry I'll you finish but-" treatment. Though it's for good reason..
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Awhhhh Roro...(yes my nickname for him leave me be) LET HIM FINISH
So basically what happened is that Sitri lost his favorite pen (rly?) it's the color of Solomon's hair and he put some of this man's hair in the ink and now he's lost it and he can't find it.
It's funny because Astaroth said the same thing as me "Why would you do that?" but he understood the sentiment behind it and was willing to give Sitri some insight on who to ask to find something like that.
LERAYE!
So our boy has crazy good eyesight. Like dangerously good to the point where I want to swap my eyes out with his because good lord I'd love a reason to not spend money on glasses with these expensive ass lenses.
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So fun side note here that everyone leaves their door open except for Sitri, who most likely just likes his privacy or is used to having his door closed because perhaps the room he stayed in during Hades always had the door closed? Something along those lines I would like to think.
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So now here are some nice Leraye and Paimon dynamics <3 our poor fave femboy lost his piercing recently and was asking Leraye to help find it. So it appears that either the piercing is shaped like Ppyong like the barette on his hair, or it's as big as he is, which last time I checked isn't Ppyong technically the largest red lump? (idk everyone else is pretty tiny when compared to him in the red lump family)
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Okay nvm my previous thing it's shaped like Ppyong (LMAO) and this sounds cute actually, beside the fact that it becomes a fucking bomb all of the sudden (ʘ‿ʘ✿)
like imagine the TSA having a field day finding one of those...
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I love how Paimon is like "Someone might die but most importantly my piercing is going to be destroyed :("
Amazing priorities bby, I support you.
Also, Astaroth is interested in how the piercing works and its explosive properties so he wants to tag along (he's so weird i love him) And Leraye with his cheery self is happy to help. So he goes to the window to start his search with those amazing eyeballs of his and his hair is blowing in the wind (imagine bouncy music in the background, his hair flowing and him humming while trying to find it)
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Paimon is over here thirsting over watching him and it really fuels my "Paimon probably flirts with the nobles from time to time but he's never serious about it"
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So within moments, he says he has a lead but hasn't really found it yet so the three go out looking around and well, so far not so good. This is pretty much the third time Leraye had moved positions and and updated on the status of finding the piercing and Paimon is getting a bit impatient.
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You see that little pouty angry face? This event isn't voiced but I can hear him now getting all upset. But tbh I get upset too when I'm trying to find something and it's always "almost, maybe the next place it will be there"
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Thanks Astaroth, really helping out here lmao
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So it appears that even though he was circliing around alot he finally appears to have a lock in on the piercing's whereabouts which excites Paimon. Astraoth starts being poetic about Leraye's rooftop running and Paimon is just like-
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You heard him! Stfu and get your ass movin' Roro!!! (I love how Paimon is super agitated easily when it comes to something he cares about lol)
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I threw this scene in here because I was like "ah yes the devil with the good eyes I wish that were me lmao"
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okay so pitt stop...because even though he's not known for his endurance he surely wasn't having a problem during his h-scene so....( ͡° ͜ʖ├┬┴┬┴
So when he's catching his breath Paimon and Astaroth catch up whose pretty much questioning how Leraye can even see this far ahead and it sounds like they traveled pretty damn far. (remember it's a flashback so Astaroth didn't know about his abilities yet)
And then out of fucking nowhere Leraye just goes to this random hole in the alleyway and throws something at Astaroth while Paimon is like omfg watch out???!!!
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So we find out that it was Astaroth's snake that was in that hole just hiding out. So i noticed his name is Apophis and the described him as white but he's clearly black .-. ANYWAY.
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(don't worry everyone he was just coming back from filming his role in Meg the Stallion's music video /j lol) So apparently Apophis was lost and Roro was looking for him but weren't they looking for Paimon's piercing?
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Lol Apophis bites Leraye and possibly others when Astaroth isn't around and that's cute. Ofc he'd only trust his owner.
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And ofc we find out that the snake has swallowed Paimon's piercing...and I'm just like. Oh yikes...so how are we getting this out? lol
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So for this little scene Leraye explains plainly that he can see the shape of the piercing inside Apophis' stomach and yet the other two can't and that Leraye just assumes they can because he's naive in his thinking just like most devils, a childlike wonder and view.
And while Astaroth is reflecting on that Paimon asks for him to get the earring out which again I'm like how is he even going to do that???
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┬┴┬┴┤•ᴥ•ʔ├┬┴┬┴ oh.....
he can make his voice deeper?
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Me too Apophis...me too. I'm shaking, crying and throwing up.
Because think about that shit...Astaroth coming into your room to just randomly corrupt and fuck with you and even if you are corrupt he has a thing for making it even worse...and then he pulls this poetic, deep-voiced nsfw audio shit on you and now you're committing crimes you never even knew you could because of it.
BUT that stops for now with part 1, phew...only 5 more to go...! (i'm really sleepy rn so I'm going to get a couple hours of sleep and then get up and start back up again lol)
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cloveroctobers · 8 months
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OCTOBER PROMPTS 🎃 — 1. Luca
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PROMPTS from here + here and I’m using: “I really appreciate that you’re getting into the Halloween spirit, but it’s ten in the morning, please turn off the slasher films so I can eat my breakfast in peace.” + “Pumpkin spiced latte, please.”
A/N: so glad Luca was voted for the most on the poll lol because he’s the only one out of the options I started writing for in the drafts! let’s see if I can keep up with making these short this year 🤭! This is nothing but fluff and a smidge of annoyance — reader on Luca’s nerves just a bit really. Mentions of a classic horror film, that I actually need to go back and watch! I think I watched it once before since I won’t lie I usually watch the more updated versions when it comes to that franchise more so,, although I’m not the biggest fan of the series anyways like dear Luca…don’t drag us too much ⚔️!!!
WARNINGS: Reader being a bum for the day? Luca just wants to eat without background noise? + slight language, oh and pumpkin slander!
*GIF BELONGS TO: @wiha-jun !
⛧°。 ⋆༺♱༻⋆。 °⛧ ⛧°。 ⋆༺♱༻⋆。 °⛧ ⛧°。
Luca prefers his mornings to be soothing, not filled with screams that can make anyone’s ear drums bleed or have the neighbors in the cul- de-sac sending the coppers right over. He had just gotten back from his morning run around the city, finding you sleeping down on the couch now compared to your shared bed. Which was humorous that you had the energy to climb out of the bed wrapped in mountains of blankets that you kept stored in a woven basket tucked away in the living space; during his absence just to continue your rest on the pale gray sofa.
You barely budged when he announced he was heading out into the damp morning and also repeated the same motion when he’s back, gently bending down to press a kiss to your edges before disappearing upstairs to shower. You’re awake with lidded eyes once he’s arrived downstairs, smelling of fresh mint soap and Olibanum as you’re messing around with the flatscreen on the entertainment center.
“Are you truly awake for the day darling or is it going to be another two to three business days?” Luca jokes on his way by, not expecting what you were going to set the television on.
You’re mocking him, voice still full of sleep, leaving the taller man to chuckle to himself as he heads into the kitchen, searching the fridge around the corner to ponder over what he can whip up. There’s plenty of possibilities as Luca’s eyes scan over what’s stocked in the fridge, finding that’s something he had to do now that you both shared a home together.
He could do cold smoked salmon…putting the protein to good use along with the radish and watercress…yet you were out of cream cheese. He could always ask his favorite critic, brace yourselves, it’s not Luca himself but rather you, what you were feeling like for breakfast but he knew regardless what he prepared you’d probably eat.
Thinking to himself, fingers tapping against the handle of the open fridge, he decides to go for something simple and more festive if you will. So he decides on homemade maple pancakes, without the walnuts since you were allergic and picks the pecans that your grandfather brought over from his pecan tree back in Georgia earlier this year. He’ll fry up some danish bacon with thyme searing the pan—hoping to bring flavor to the pork—or really to basically get rid of it, although it was a kind gesture from a neighbor who learned Luca was in the culinary field—the both of you were not the biggest fans of Denmark’s bacon.
No disrespect of course.
“Hey, want some of this Risalamande?” Luca calls out as you began to get engaged into the film, that’s probably been on for about twenty minutes since Luca takes more time debating on what to eat at home than when he’s out in the city.
Immediately your nose scrunches up as Luca is diving into the colorful rice pudding, leaning against the doorway that leads to the living room and front of the detached home, “Texture, Luca. Come on!”
Luca snorts with a slight roll of his eyes, “Ah, I see I’m getting picky you this morning, yeah?”
A wag of your finger as if it were a wand goes shooting into the air while you respond, “Sssh!”
“Rude.”
Luca spins back into the kitchen with a shake of his head, downing what most would consider a Christmas dessert but he doesn’t care one bit. He’s a man that enjoys eating and Christmas was more of his holiday anyway.
That holds him over long enough and he’s got the comfort of him whisking the dry ingredients together, focus steady on getting just the right mixture before moving onto the wet ingredients. It’s easy work really, which means Luca doesn’t mind making breakfast more than any other meal. It was similar to his own work, yet pastries were more his speed and he often challenged himself to try out new techniques majority of the time, so it wouldn’t always be easy but it was the pleasure in knowing that this is the starting point of your day, which beats a protein bar any way.
Luca uses his hands everyday and yeah it so happened to surprisingly be his weekend off, he didn’t mind keeping his hands busy when it came to breakfast and serving to the person he truly adores.
He’s at the stove, with minutes passing by at ease, his arched brows raising so often when the tempo of the movie begins to picks up. “What are you watching?”
He can’t help but to ask.
“…The Evil Dead, 1981.” He’s shocked he even gets a response from you since you tend to zone out when it comes to media.
Sometimes it was certainly a bad habit. You were an environmental documentary editor so it wasn’t unusual for you to get wrapped up in screens. Yet Luca couldn’t really blame you for that since he got lost in his craft as well; the both of you were working to get better with turning those habits off when together.
…if you don’t count right now that is! There was nothing wrong with being passionate about your interests but it was also always important to prioritize your partner, especially when work was a good chunk of your lives, yet it wasn’t the only thing that mattered. The both of you understood that.
He hums, finding possession films and gory themes weren’t really his thing. He actually has a weak system when it came to those type of horror films or rather blood (passing out from the mere sight fake or not or simply the stench of it is not something Luca was proud to admit) and let’s just say he was glad to not be in the room with you now. Horror really wasn’t your lane either, you were more into sci-fi films whereas Luca loved a good action film or documentary.
You were both each others test subjects, you with his food and him with your edits on your hybrid schedule.
“Come eat,” Luca says after while, the food steaming and filling the house with a sweet, salty and slightly earthy aroma.
He’s wiping his hands off with a rag, which he steps to the center of the kitchen, balling up the used rag to toss with a swift flick of the wrist into the laundry room up ahead. The rag plunks right on the washer and Luca smirks to himself before heading back to the dining table tucked in the corner by the oven. He always sits with his back to the oven because in a sense it’s brings him placidness. It didn’t make much sense to you since you originally thought Luca just wanted the view of the screened in conservatory all to himself but he flirted that you were enough of a view for him. Nonetheless he didn’t really need to explain it to you, if that’s the spot Luca wanted then so be it. You rarely argued about it simply because you could eat out there if you really wanted. He could keep the meaning of sitting with his back to the oven to himself. Perhaps it was his way of putting it behind him for awhile when engaged with you? Who truly knows but you did think about it a bit once you settled into the shared home.
Luca’s pulling himself up to the table, picking up a fork to start plating and clenched his eyes as more screams fill the home.
“I really appreciate that you’re getting into the Halloween spirit, but it’s ten in the morning, please turn off the slasher film so I can eat my breakfast in peace.” Luca calls out to you, after picking up that you were in a lazy mood and not ready to join him at the table.
The film actually gets lower as Luca shoves the pancake into his mouth, beginning to chew the meal as you say back, “pumpkin spiced latte, please.”
Luca questions with his mouth full, “what was that?”
“I’ll join you if there’s a pumpkin spiced latte waiting for me.”
Luca sits back in his chair and swallows, “you don’t even enjoy pumpkin so what are you on about?”
“But it’s fall, Luca.”
Luca pinches the space in between his skinny brows, “…for fucks sake, you’re quite spoiled you know that?”
“I love you.” You sing out while Luca scoffs.
He comments, “You better.”
So now he’s up on his feet again, messing with the olive espresso machine that you still won’t tell him how much you paid for last Christmas, he’ll use the last bit of maple syrup that he had leftover from the pancakes, there’s no pumpkin spice in the flat since he isn’t a big fan of pumpkin flavor either so he uses: 2 teaspoons cinnamon, 1/8 teaspoon nutmeg, 1/8 teaspoon ginger, and 1/8 teaspoon of ground cloves, yet he brought home some pumpkin purée that one of his fall-loving co-workers gave to him; homemade from her mini pumpkin patch in her backyard, he steams the oat milk, mixes the espresso, puree, syrup, spices, and vanilla all together before combining it with the milk. From there he frothed it just for a few seconds to get some foam and finally tops it off with whipped cream and more cinnamon.
Sitting back down, he slides the drink over to your side of the table and before he can call out to you to inform it’s ready, he’s hearing the shuffle of your feet in those ridiculous hot pink fluffy slippers. Luca glances at you and finds you rather cute still in your cozy pj’s and hair a complete mess.
“Your royalty,” Luca bows towards your drink, making you gasp playfully as you approach him, placing a hand on his shoulder to get his attention, “it’s still hot,” he warns as you reach over for the handle of the mug at the same time but you pick it up with ease.
You peek at the latte and then back at him saying, “Shoo,” you wave your hand making Luca frown up at you.
You and these damn hand movements, you should be a conductor like your older sibling instead.
He soon picks up on what else you want, making yourself comfortable right in his lap, making Luca shake his head at you, tangling around you now so he can finish the breakfast but with you in his lap.
You on the other hand werent much of a breakfast person, although you loved a good brunch moment with your mates! but you hardly turned down much of what Luca prepared. He knew you’d get around to the pancakes if you didn’t start picking at his own plate soon.
“How is it?”
You nod, running your tongue over the top of your lip to get rid of the whipped cream, “hmm, now I kinda see what those pumpkin bitches go crazy over.”
Luca chuckles, “do I get to sample?”
“It’s the least I can do,” you tease as you blow on the steam before tipping the mug towards Luca’s lips.
He ends up blowing on it more before sipping and it’s your turn to watch his own opinion before he says it. You can always tell what direction this may go based on the way his eyebrows and eyes move.
“Not half bad if I do say so myself but a smoked butterscotch latte from Café bønne is actually better. I frankly don’t see the hype with this latte.” Luca shrugged with a pinch of his lips in thought before turning his hand back to the bacon.
You groan, “we haven’t been there in ages! We should go there today.”
“Nope, storms coming in this afternoon actually with a chance of power outages which is why you should eat those pancakes sooner than later, love.” Luca explains before adding, “should have gone running with me this morning. I passed by that route today too.” Luca tells you while you take another sip of the latte.
You weren’t aware of any storm coming in but you had to admit that you fell asleep on the news last night after the show you stayed up to watch with Luca went off. It really amazes you how he can stay up late and get up to function the next day. You on the other hand? Had to follow a routine or else you’ll be no good at work, hybrid schedule or not.
“Fine, I guess the shitty pumpkin makes up for it.”
Luca peeks at you mid chew, “Are you insulting my beverage when you asked for it?”
“Never! This definitely gets a 8.5 across the board. So I’ll shut my spoiled self up, babes.”
“Now that’s the spirit.”
A shove to his shoulder makes Luca wink and grin over at you, poking his lips out for a peck, making you aware that he was only teasing you.
Sighing you lean forward to press your lips against his in a chaste kiss, “thanks for breakfast.”
With his free tatted hand, he runs the pad of his thumb against the childhood scar on your kneecap stating with a smile, “anytime, darling.” He says as he peers at you from underneath his eyelashes before tossing in, “Even when you’re being a picky pain in my arse.”
“Welp! Moment’s ruined.” You hopped off Luca’s lap while he tried to latch onto you with a laugh but you swung your hips out of his reach, however not without plunking up his last pancake to take with you.
See!
Luca huffs, sticking his tongue into the side of his cheek before taking your plate with him to follow you into the living room. You’re seated back on the couch and he sits on the opposite end of it, tangling his limbs with yours as you cover each other with the blankets.
“This pancake is delicious.”
“So are yours,” Luca is smug as he eats from your plate now before glancing at the horror film on screen with disgust, then softening his expression as he sets his eyes back on you.
Which leads to the both of you taking turns eating pancakes and sharing the pumpkin latte, making the feel of autumn in the atmosphere sink in with the warmth of each other.
Hours later…you’re laying cuddled up to Luca’s chest on the couch, the rhythm of his chest rising and falling along with his hands clasped together against the small of your back is enough to almost put you to sleep. The wind has picked up now, whistling through the cloudy skies of Copenhagen followed by a harsh patter of rain that can be heard from the ceiling of the living room.
Which is just enough remedy for the both of you while you rest until you suddenly ask, “what did you think of the evil dead?”
Luca almost grimaces before he states, “…I prefer midsommar.”
“I want to debunk that with you but I also want to go back to sleep.”
Luca laughs before nuzzling his cheek against your head, “Fine by me, we have time to get into it later.”
“Over pancakes?”
“Breakfast for dinner? As long as you promise to actually sit at the table with me?”
“There’s no place I’d rather be…and I also want to hear your thoughts on that film. A true Mukbang starring us two, can’t get any better than that, no?”
A smile curls onto Luca’s lips at your excitement, then he speaks, “who’s the audience then?”
“The entities that maybe lurking around this house.”
Luca pops a eye open, “I really don’t like how you just said that. Especially after you had me watching that horrid fucking film.”
“Hey! A lot of horror lovers will definitely drag you for that but don’t worry, I’ll fight anything and anyone that dares to step to my man and that’s on what?”
Luca shakes his head while pretending to think about it, “period? Or whatever it is you say. You’re still a brat for saying that though. I don’t know if you notice but Halloween isn’t until the end of the month.”
“I’m sorry,” you coo squeezing his shoulder, “but Halloween starts as soon as September hits and don’t you forget it you big baby.” You curl your hand from around Luca’s shoulder to squeeze his cheeks together.
“You’re the…baby.” Luca mimics, his cheeks now appearing like a gapping fish due to your actions, “Taking thirty naps a day and being a massive pain in my bum.”
“NAURR,” you exaggerate making Luca lift his brows in annoyance before you continue, “I’m your favorite headache.”
Luca let’s out a sigh, “you’re not wrong.”
“I never am,” you sass before the room goes quiet a bit more—besides the weather outside until you voice your thoughts out loud, “Midsommar though? Really? I wouldn’t put that and Evil Dead in the same category.”
Now it was Luca’s turn to shush you.
⛧°。 ⋆༺♱༻⋆。 °⛧ ⛧°。 ⋆༺♱༻⋆。 °⛧ ⛧°
Continue along with my October anthology prompts here.
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fagboyfriend · 2 months
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i rlly like ur composition, i wanna know about your process :D
thank uuu !! yeah so like. composing a scene for me generally begins with a vague idea that i want to get down as quickly as possible- and for me that usually starts with finding a setting. I knew that i wanted to draw a) a group of roomates gossiping in a crowded kitchen and i wanted there to be b) one figure in the extreme foreground and c) lots of plants. i do use some tools to figure out perspective, mainly the csp perspective ruler. Usually i start by finding a picture i like similar to the vibe im going for- but instead of referencing anything else- im purely interested in perspective. sorry to anyone who is shocked i dont generate all of my perspective purely by myself- i can draw in perspective fairly well but i struggle to make straight lines and this is easier to make grids with than the line tool lol ^_^ i try to use it kinda more like spellcheck on typos than like something to fully rely on. this is the video i learned this trick from:
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i saw the left photo and realllly loved how the cabinets alligned with the wall- so i used my ruler tool to draw out my inital plotted points from the image- basically the linear movements i was most interested in and then i turned off the image layer and worked with those lines and the ruler tool to move on. eventually i had this:
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which was enough for me to put my characters in for the inital round. if you notice- i made a looot of further adjustments as i go on. this sketch is not a final layout, its so my characters have somewhere to be! i cannot draw someone standing on a floor if theres no floor, nor leaning on a table that doesnt exist. i can’t draw my characters without a background, but i also cant finish my background without accounting for how my characters can comfortably exist in it!!
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this was the like.. very basic start. i knew the positions of two characters- but i needed to change a lot not only to fit them better but to allow for the other two figures i had planned.
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okay.. a little better. i widened the kitchen, closed the fridge door.. added a chair and fit in all the figures.. but this is waaay too dramatic. only two figures are actually interacting- and they are at wildly different energy levels!
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this is where things started to make a little more sense characterwiss, so i was ready to refine backgrounds and figures and unite the two.
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inital base sketch. much better layout.
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okay- this is where im getting my footing but things seem.. really really off. You can see me working on my framing here- theres some good linear movement from left to right here- but not vertically. It’s hard to notice the figure in the far back, so i need to redirect the viewers eye to move upwards as well!
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this is where i decided to zoom out, add an interesting vertical element to the left of the image and make it clearer whats happening in the foreground. i had to account for some stuff by adjusting the cropping, but i paid attention to that as well.
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annnd- thats what a clean sketch looks for me! i have all the elements of my scene accounted for, and things are clean enough to read.
the next step for me would be transfer! essentially- I print the image of my sketch out, resizing and taping pages together so my sketch matches the size of the paper i want to paint on, and then i use a lightboard to transfer my sketch with pencil onto my paper. Then i refine the sketch a few times on paper before stretching my watercolor paper (essentially just prepping for painting) and inking with a brush and colored ink before going in with watercolor, gouache and ink, then usually finishing with marker, colored pencil, pastel and ink. it’s a lengthy process but a lot of fun lol. but sketches for me can be like.. 15 layers of different roughs until im happy with just the sketch. there were more images but im on mobile and theres a 10 image limit 😭😭 im a bit masochistic but i believe that if i dont have a good sketch i dont have a good painting!!
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oneshotnewbie · 3 months
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(Tw, eating disorders)
hiyaa, could you do a fic with NCIS (the whole team or just a few characters) and reader who had been struggling with an ed?? i will leave the details to you xx
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⚠️Trigger Warning⚠️ This one-shot includes the topic of an eating disorder (anorexia) and the plot is presented. If this triggers you too easily or you just can´t handle the subject, I urge you NOT to read this work. I am NOT embellishing this topic under any circumstance. Read at your own risk.
ᕚ---ᕘ
You sat alone in the darkened kitchen of your apartment. The plate in front of you was empty, the remains of a meager salad that you had tossed around several times. Your gaze was blank as you stared at the plate, as if searching for answers that might be hiding in the dried lettuce leaves.
The last few weeks have been a challenge for you. The relentless cases and high stress levels at NCIS had taken their toll on you. The originally secret battle against the numbers on the scales had long since become an open war that you were waging against yourself.
Your colleagues started to notice your changes. Special Agent Ellie Bishop, your best friend, was one of the first to notice a certain distance in your eyes while you were working on a case. Gibbs, who could read his team's moods like no other, had also picked up on the subtle clues- the tired eyes, the emaciated appearance, and the color that had drained from your face.
After a discussion about the latest case and your lack of sympathy, Ellie and he exchanged worried glances before silently agreeing that it was time to talk to you. Together they decided to bring in Jack Sloane, the team's experienced psychologist and agent.
Just a few hours later, after gathering informally, Gibbs, Ellie, and Jack found themselves in her office. The tension in the air was palpable as they patiently waited for you to walk in the door unsuspectingly. “Sit down, Y/n.” The older man spoke calmly, pointing to the couch opposite.
You hesitated with a questioning and slightly confused look before sitting down. The gazes of your colleagues literally pierced you and made you nervous.
"We're worried about you, sweetheart," Ellie began gently, her arms wrapped around her body as her lower back dug into the blonde's desk. "You seem so different lately and we want to understand what's going on."
Jack eventually continued, bringing out her expertise, enhancing the expression of her words by readjusting her glasses. "There's no reason to walk alone in the dark."
It was hard to miss the tension on your face as you tried to control her emotions. Gibbs looked at you seriously, a hint of concern and sensitivity shining in his eyes. "Y/n, we are your team. If you have problems, you don't have to fight it alone. Talk to us."
"It's nothing. I'm fine." You spoke after listening to your colleagues' words, literally feeling the pressure inside you as a lump formed in your throat. You hesitated for a moment before standing up and abruptly leaving the room without saying another word. The look on your face told the three of them a mix of anger and shame as they realized there was a deeper reason for your change.
The door closed behind you with a muffled bang and Gibbs sighed heavily, keeping his eyes on the closed door. "Damn," he muttered. "She won't let anyone talk to her."
Ellie cast a worried glance in the direction you had just been sitting and furrowed her brow in frustration. "We can't just let her go through this alone. She needs help."
Jack Sloane nodded in agreement, her emotions contained as she considered what to do next with you. "I agree, but she also has to be willing to accept help. We can't force her."
In the next few days the atmosphere in the team remained tense. You tried to appear as normal as possible, but the tension between you, Ellie, and Gibbs was palpable. The usual jokes with Dinozzo, the shared breaks with Ellie and the feeling of togetherness with Gibbs seemed to have faded into the background.
Until the senior agent's team received an urgent mission that required your full attention and teamwork. A suspicious package with a bomb inside appeared in a public building. When you arrived on site, the situation quickly became aggravated by memories of 9/11. The building was evacuated and the team took control of the entire situation.
This effort that brought you back onto the field was actually intended to provide distraction and focus for you. However, the tensions in the team were obvious. You avoided all eye contact with your colleagues, the images of the failed conversation echoing in your head, and the pressure you were trying to hide weighed heavily on you.
While you were concentrating on your tasks, you suddenly felt a wave of dizziness. Your heart was pounding fast, the world around you was spinning, and your legs suddenly felt like they were made of rubber. Your vision blurred. Instinctively you reached for the closest thing possible to hold on to, which at that exact moment was Ellie, but your knees gave way and you sank to the ground next to her. The colors blurred before your eyes and you lost consciousness.
Ellie noticed the suddenly tight grip on her forearm. Gibbs, who was standing right behind you, reacted quickly and caught you before your head hit the paving stone. “Y/n!” He called as he gently laid you on the ground and Ellie called emergency services while Dinozzo and McGee continued to focus on the case. You were pale and breathing shallowly, the older agent trying to wake you up while Ellie looked for signs of acute medical distress and checked your pulse, all while talking to the emergency dispatcher.
Gibbs watched worriedly as you slowly came to. When your eyes opened, they showed a mix of embarrassment and weakness. "What happened?" You mumbled, still dazed.
"We'll sort that out later," he replied calmly, brushing some stray strands of hair that had gotten lost in it out of your face. "Right now we need to make sure you get medical attention."
Even as the paramedics arrived and took care of you, the two exchanged a meaningful look. The events of the last few minutes had exposed a reality that they could no longer ignore and it became clear to everyone that this was not just about the case and the hot summer days that drove everyone into a corner - this was about the well-being of an agent who not only fought against external threats in everyday life, but also against her own demons.
ᕚ---ᕘ
In the hospital room, surrounded by dim lights and the hum of medical equipment, you sat up straight in bed. Gibbs and Ellie had alerted Jack to come to the hospital, where all three of them gathered around you, each of them with a serious but caring look.
"Y/n, it's time we talk about this," Jack began in a soft voice, sitting on the edge of the bed, her hand tentatively running over your still-shaky forearm, skillfully ignoring the intravenous access for medication. "We really care about you. This fainting is a symptom of something bigger. You need to tell us what's going on so we can help you."
You looked down, fingers folding nervously in your lap. The walls you had so stubbornly built seemed to be crumbling. Gibbs took a step closer to you. His eyes met yours, intense and fatherly at the same time. "You're part of my team, y/n. If you're having trouble, I'm here for you."
Ellie also wanted to join in the conversation, adding something that completely grounded your walls. "We are not only colleagues, but also friends and family. You can trust us. We will help you." You took a deep breath and nodded, a lone, slow tear rolling down your cheeks. "It's not easy for me to talk about it. It feels like I'm losing control."
Gibbs placed a protective hand on your shoulder, letting you know that it was okay to let them in and accept their help. "Sometimes it's okay to let go of control. You are not alone and together we will help you get back on your feet."
"I fell into something that I didn't think I would ever fall into again. An eating disorder that I actually left behind a long time ago," you began to say, many more tears following. Ellie had immediately moved to your side, wrapping you in a big hug to help you tell them everything they needed to know.
The following weeks were characterized by intensive discussions with Jack, supported by professional help from another psychologist outside of working hours. The entire team was there to support you every step of the way, enveloping you in care as they ate with you and brought you small snacks.
Gibbs, who was otherwise known for his strictness, became a protective father figure who lost his strictness on you when it wasn't work related. He constantly reminded you that there was no shame in showing weakness and that you didn't have to fight alone if you suffered a setback for the day.
The team became a supportive unit that not only solved crimes but also looked after each other. Through your courage to defy and confront your own demons, the connection between you all became significantly stronger. Everyone in the family had learned that true strength often came from accepting help and going through the darkness together, rather than isolating yourself and taking the rocky road alone.
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I’m going to voice my opinions on G1 Elita One here for a reader asked me this on ao3 at my fic Heroic Nonsense. I want to keep a record here as well for my future references and maybe find someone with similar ideas. So I still decided to use tags for content classification. Anyone who might feel irritated about me deconstructing this character may leave. But if you resonate with me or are interested in my analysis feel free to discuss.
I guess my view on G1 Elita One is basically negative, both in terms of her characterization and her representation of women.
If we genuinely talk about characterization, I think G1 Elita One is a very one-dimensional and uninteresting character. Because: 1) She doesn’t have a consistent personality or motivation of doing things. Of course you can say that her motivation is to save her boyfriend and lead the “femme bots”, but these don’t look natural, with the lack of a background story. She looks like a puppet squeezed into the show to be the protagonist’s girlfriend.
2) Also about her role. I feel that Hasbro made Elita One a shadow of Optimus Prime, giving her exactly the same position and constantly stressing her importance, when actually she contributes zero to the overall plot development. The “femme bot squad” in the show is an awkward duplicate of the male team, with every femme bot assigned to the male bot at the same position as their girlfriend/love interest(Elita One—Optimus Prime-leader, Chromia— Ironhide-second in command). I do not know the reason why “femme bots” in the play need to fight alone, and I do not know why Elita One is the leader except the fact that she is Optimus’s girlfriend. So what is the play implying by making such a character? Honestly I think this is even worse than having no female characters in the play.
3)Her plot is totally predictable. It’s a classic Hollywood hero-saves-damsel in distress story. From the moment when Alpha Trion asked her to go on a mission on her own (for what? Why? Till today I still think Alpha Trion is doing this simply because he is an avatar of the playwright) I know she will be caught and rescued by Optimus Prime. Such stories are easily guessed and easily forgotten.
If we talk about gender representation, I have to say Elita One hardly represents any pioneering thoughts of feminism or gender equality. To begin with, I want to clarify that feminism/gender equality aims to question and overthrow patriarchy system, which includes breaking the gender stereotypes and challenging fixed gender roles, heteronormative relationships included. Unfortunately Elita One just repeated/ reinforced the stereotypes/ the fixed model of heterosexuality. She is in bright pink, an assigned color to represent females. She is abruptly introduced as Optimus’s girlfriend, without any background information (how they fell in love, why Optimus chose to have a relationship with her in particular, without the biological need to reproduce, what kind of person she is before she met Optimus). It feels like the playwright cannot bear an action hero not being able to “win over” some pretty chicks. She is made/resurrected by Optimus’s parts, which is just like Adam and Eve and confirms her position as “the second sex”. All of her plots are rigid and boring and she lives like a duplicate, or a moon revolving around Optimus. What’s worse, in her very short debut she is still portrayed as “sweet, understanding, and loves her boyfriend so much that she becomes irrational when he is in danger”, the most typical stereotype of a hero’s wife under male gaze.
Judged from my analysis, I think she is basically a functional character. This means she is created to fulfill a purpose in another character’s characterization, rather than existing on her own. In particular, the purpose of her creation is to add a girlfriend to Optimus Prime, so that he fulfills some people’s fantasy of a “normal” male action hero. With this function as the very beginning of her characterization, the playwright will not be able to make her a round character, or give her any believable motivations. Nor does the playwright actually care.
Now that I think about it, this kind of character may work for some people, because they genuinely believe it is necessary for heroes to be paired up with an opposite sex, or like to imagine themselves as “the lucky chosen girl” through this character (this might be harsh). But I just want to say, it doesn’t work for me. In years of reading and using feminist criticism, it has become harder and harder for me not to be picky about characters, or not to be sensitive about gender issues in any show. Repulsion is not the only way I feel about her. She is my least favorite character.
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