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#Georges Lucas in Love
fantastic-nonsense · 4 months
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honestly as much as I bitch about TLJ specifically, I lowkey think the sequel trilogy was doomed no matter who tried to make them because they were made in Hollywood's peak "absolutely nothing we ever make can be sincere!" era, which is antithetical to how George Lucas approached making Star Wars.
One of the most interesting things about Star Wars has always been how absolutely sincere it was about its themes and message and everything that happens in the movies. Even if it's ridiculous, even if it's objectively silly, nothing is ever really treated as such within the movies themselves. A naive farmboy genuinely does have the skill to take down a planet killing weapon. A slave boy from a backwater planet really does have a key part to play in the fall of the Jedi. A group of three foot high killer teddy bears are treated as serious opponents to Imperial forces. Jar-Jar Binks gets to be a Senator with an instrumental, if small, part to play in the story of the prequels. Everything has its place and every part of the story is treated with equal sincerity.
But nearly everything made in the 2010s always had to be funny or meta or self-aware or subversive or self-depreciating about its message and the genre it occupied. There was always a twist. There was always a "I'm more clever than my audience" or "I know this is dumb, but watch it anyway" vibe being brought to the table. Everything always had to take at least one cheap shot at people who wanted to take a piece of media seriously and sincerely treat it as a story whose creators had something to say.
And meanwhile George Lucas was always just like "I have a story, and I want to tell that story. I don't care if people like it or don't like it. My themes are my themes, my message is my message, and you can just die mad about it if you think it's too naive or sincere."
Any world that is fundamentally built on sincerity and genuine belief in a core set of messages cannot maintain integrity when people who do not wholeheartedly believe in the sincerity of that world's message are put in charge of it. The lack of belief will always shine through. The lack of understanding will pervade every inch of the new entry. The sheepish embarassment of "I know this is dumb guys, but watch it anyway because I'm going to do something ~different~!" will always be the audience's takeaway over anything else the creative team tries to say. Because instead of just making a good movie that both logically follows the other ones and actually adds further depth to the existing themes, they're embarassed to even be trying.
Even apart from the utter lack of planning and the mess of executive meddling that went into the sequels...is it any wonder we got the end result we did when no one involved in the creative process actually genuinely, wholeheartedly believed in George Lucas's message and the story they were telling?
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diioonysus · 2 months
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women in art: salome
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bethanydelleman · 4 months
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It's funny, when I say that Austen didn't advise marrying a rake or a Gothic hero, someone replies, "They've mistaken Austen for the Brontë sisters." (usually meaning Emily and Charlotte).
Except... Emily and Charlotte didn't advocate reforming a rake either. Jane Eyre famously GTFO when she learned that Rochester was trying to commit bigamy and she didn't return without divine intervention to a man who had been half-smitted by God for his sins. Isabella may have originally thought she could reform Heathcliff, but pretty quickly she fled from her marriage, never returned, and did everything she could to keep her son from him.
Maybe we could just stop blaming these literary women for things they didn't even do, not that we really need to blame anyone since I'm fairly certain that writing a love story where a heroine reforms a rake isn't the root cause of all evil.
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r-2-peepoo · 5 months
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Coriolanus Snow and Anakin Skywalker are perfect examples of really interesting characters who had every chance to do the right thing but repeatedly chose wrong even though they were surrounded by good people, all because they had one person whispering in their ear and convincing them to be selfish and to hurt people instead. There is no point where they have to do what they do, it’s their choices that make them compelling.
They’re also both incredibly controlling over the women they claim to love but are quick to try and physically harm them when they realise that they’re actually human beings who will not blindly follow them. It’s very clear they were possessive, not actually in love. To sincerely love is to respect someone’s agency and neither of them were capable of that.
Another trait they both share is that, despite being layered and well written but fundamentally flawed characters who turn to evil by their own free will, if you cast an attractive actor to play them, there are always going to be people who blindly ignore the entire plot just to defend them and justify their actions. Being a victim of abuse or oppression does not excuse you from being a perpetrator.
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writerbuddha · 6 months
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Your blog is interesting and informative. Learning the behind the scenes stuff is interesting but I have found that I cannot accept some of the things Lucas says. Especially the discourse around attachment. Having watched the movies and read their novelizations I just do not find Lucas’s idea behind what he was trying to convey to be in his story.
This really hit home for me when rewatching The Clone Wars. In the episode Voyage of Temptation (season 2 episode 13) Obi-Wan and Anakin have this discussion:
Obi-Wan My duty as a Jedi demanded I be elsewhere.
Anakin Demanded? But it’s obvious you had feelings for her. Surely that would affect your decision.
Obi-Wan Oh, it did. I live by the Jedi Code.
Anakin Of course. As Master Yoda says, “A Jedi must not form attachments.”
Obi-Wan Yes. But he usually leaves out the undercurrent of remorse.
I cannot square the idea that a Jedi would feel an undercurrent of remorse about not having a supposedly negative thing in their life. The only thing I can conclude is that it does not mean a negative and just means having a partner. Having love.
I'm really glad you like my blog, Anon! :)
What I take from your message is that you're a bit confused about attachment and non-attachment and how not forming attachments is guiding the life of a Jedi Knight.
You seem to equate "attachment" with "love" and "having a partner." However, this isn't quite right: attachment is the feeling that you like or love something or someone, paired with the feeling that you would be unhappy without them. Attachment is not the same as liking or loving, because attachment is characterized by the feeling that you have to have the things or people you like or love in your life to keep yourself happy. Once you feel this, you start to want things to not to change, to stay as they are, you want to permanently have things. But everything changes, things come and things go, you can't stop that. Attachment is an unrealistic and unreasonable desire that will lead to the fear of loss, and out of that comes anger, and from that comes hate. And being filled by fear, anger and hate is suffering.
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The things we're attached to are most likely very positive, very good and very enjoyable, since we love and like them. Having a romantic partner and a romantic, loving relationship with that partner is not a problem at all, because that's not an attachment. Rather, attachment is the harmful and destructive way of relating to having a romantic partner and a romantic, loving relationship with that partner.
Let's go through this dialogue in Voyage of Temptation!
ANAKIN: You didn't stay to help her? OBI-WAN: That would have been problematic. My duty as a Jedi demanded I be elsewhere. ANAKIN: Demanded? But it's obvious you had feelings for her. Surely that would affect your decision. OBI-WAN: Oh, it did. I live by the Jedi code. ANAKIN: Of course. As master Yoda says, "a Jedi must not form attachments." OBI-WAN: Yes. But he usually leaves out the undercurrent of remorse.
It would be important to be able to distinguish between not forming attachments and the life of the Jedi Knight made possible by not forming attachments, since the two are related, but very different.
ANAKIN: You didn't stay to help her? OBI-WAN: That would have been problematic. My duty as a Jedi demanded I be elsewhere.
Jedi Knights aren't where they would like to be, but where they are needed, and for a good Jedi Knight, who lives on compassion, the two are the same. They dedicate themselves to serve the entire known universe, to guard peace and justice, to settle disputes and make sure that everyone is protected. Obi-Wan couldn't stay with Satine, because as he tells Anakin, his Jedi duty demanded him to be elsewhere. He isn't saying, his duty as a Jedi was to "be nowhere near her," because a Jedi is not allowed to have partners and love.
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The reason why Jedi Knights aren't entering marriages and romantic relationships is not that these would be attachments. They won't do it because it's simply impractical. The duty of the parent and spouse, who has to protect and support their family and the duty of the Jedi, who has to guard peace and justice in the entire universe cannot be fulfilled at the same time.
ANAKIN: Demanded? But it's obvious you had feelings for her. Surely that would affect your decision. OBI-WAN: Oh, it did. I live by the Jedi code. ANAKIN: Of course. As master Yoda says, "a Jedi must not form attachments."
Attachment is a very conditional way of relating to others. It says, "You make me very happy, I enjoy you so much, so I love you and I cherish you." It says, "You make me very unhappy, I despise you so much, I I hate you and I want to harm you." And it says, "You do not make me feel happy nor unhappy, I have no concern for you." And these are walking hand in hand: when Padmé made Anakin feel very happy, he wanted her to be safe, he was willing to pledge loyalty to Darth Sidious to keep her alive and in his life, but on Mustafar, when she made him feel unhappy, he wanted her to be miserable and he choked her. A Jedi Knight shall not form attachments, rather, they must have unconditional love, which is compassion. True love says, "I want you to be happy and free from suffering."
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It's an aspiration coming from the simple realization that we're the same human beings in wanting to be happy and free from suffering. This can extend to all living things: the people who make us feel happy, the people who make us feel unhappy and the rest. Obi-Wan had to adhere to the Jedi code, "a Jedi must not form attachments." Compassion is central to a Jedi Knight's life. So, Obi-Wan had to make a decision that is based on compassion, the concern for the well-being of everyone, not just the concern for the woman he has romantic feelings for, who he likes and cherishes. Satine had a hard task ahead of her, but the war was over and she was safe. Others, however, were in need of the protection and guidance of the Jedi.
OBI-WAN: Yes. But he usually leaves out the undercurrent of remorse.
What Obi-Wan feels an undercurrent of remorse about not having is a very positive thing: it's the relationship that he had with Satine, what he sacrificed for the life of a Jedi Knight. It was a hard choice, he loved Satine greatly. He doesn't feel bad about serving others as a Jedi Knight, but he does feel bad about leaving Satine.
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But Satine didn't ask him to leave the Order, and by the end of the arc, they were both able to find peace, knowing that they made the right decision. I've already posted this quote from the great Vietnamese Zen Buddhist monk and teacher, Thich Nhat Hanh, but it's still explains this perfectly: "As a monastic you lead a life of monastic celibacy and community, and if the one you love realizes that, she will not suffer and you will not suffer, because love is much more than having a sexual relationship. Because of great love you can sacrifice that aspect of love, and your love becomes much greater. That nourishes you, that nourishes the other person, and finally your love will have no limit. That is the Buddha’s love."
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Obviously, the disappearance of a loved one from our lives will never be easy, will bring sadness, and their absence will always be felt. But the severe pain, sorrow, regret over this, the anguish that we are not with them, the intense yearning to be with them, to get them back is stemming from our desire to hold on to what we find pleasant, good and joyous, from the inability to accept that we can never truly have, own, possess anything. If we cease the unrealistic and unreasonable yearning, we’re able to allow change, to allow death to enter into our lives and seeing it as a natural part of it. And we can be at peace.
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bilbobignaturals · 4 months
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Ahsoka The White.
Ahsoka Tano + Gandalf parallels.
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Hiiii I have a community question I wanted to ask!!
Abed mentions all sorts of movies and tv shows through out Community, but I just wanted to know if maybe you have like a list of which ones are real and which ones he seemed to like more than others.
I can only think of the dark knight because of the dvd Annie broke, and the Star Wars movies (except he apparently hates the prequels) and cougar town!
great question! sorry for the delay on a response.
so, he mentions/references an insane number of movies and tv shows throughout the series, and I unfortunately do not have a list of every single one. although, I am (VERY slowly) working on an in-depth episode-by-episode analysis of the entire series, and listing every pop culture reference is a subsection in that. but that's not helpful right now. moving on
I don't have the picture, but there's this questionnaire abed filled out (outside of the show, it must have been uploaded to a website as promotional material for the show). he says his favorite movie is a tie between:
ghostbusters (1984, comedy/horror)
an american werewolf in london (1981, horror)
back to the future (1985, sci-fi/comedy)
blade runner (1982, sci-fi/action)
stand by me (1986, adventure/comedy)
stripes (1981, comedy/war)
star wars (1977, sci-fi/fantasy, also called "a new hope")
star wars: the empire strikes back (1980, sci-fi/fantasy)
star wars: the return of the jedi (1983, sci-fi/fantasy)
ferris bueller's day off (1986, comedy/drama)
jaws (1975, thriller/adventure)
raising arizona (1987, comedy/crime)
jurassic park (1993, adventure/sci-fi)
seven (1995, crime/mystery)
the matrix (1999, action/sci-fi)
the goonies (1985, adventure/comedy)
the breakfast club (1985, comedy/romance)
real genius (1985, comedy/sci-fi)
better off dead (1985, comedy/romance)
the fog of war (2003, documentary/war)
pulp fiction (1994, crime/thriller)
(btw if anyone knows what I’m talking about and has the screenshot please rb with it! I cannot for the life of me find it lmao)
I believe this is a list he apparently made in 2009, either in the first few weeks of school or right before the school year started. so it's possible he would answer differently as the series progressed. also, I do take some of these extra-canon things with a grain of salt, as on the same form he said his favorite place on campus was study room D or something, when obviously they definitely meant to write study room F. so, the credibility of my source for this information isn't exactly rock-solid. although, he does mention a lot of these movies on screen, and expresses love for many of them (the most notable ones probably being star wars episodes IV-VI, the breakfast club, and pulp fiction)
as you can see from the list, abed particularly loves american movies from the 80's. just a trend I thought I’d point out.
here's a few others he mentions loving, or just pretty notably references:
the dark night (2008, action/crime, as you mentioned)
rudolph the red-nosed reindeer (1964, musical/animated, is the whole basis of 2x11 abed's uncontrollable christmas)
the shawshank redemption (1994, horror/crime, is the basis for his plot with troy, annie, and shirley in 4x05 cooperative escapism in familial relations)
freaky friday (I believe it's the original one from 1976 specifically, but it's been remade a bunch. comedy/fantasy. it's the basis of abed and troy's story in 4x11 basic human anatomy)
rambo/first blood (series starting in 1982, action/thriller. abed talks about how messy the progressive series titles are in 3x14 pillows and blankets)
ocean's eleven (2001, crime/thriller, the basis for the heist scene from 3x21 the first chang dynasty)
hearts of darkness (1991, documentary/war, abed mentions it while pointedly filming dean pelton's production of his greendale commercial rather than helping with the commercial itself. similarly, hearts of darkness filmed the making of apocalypse now)
apocalypse now (1979, war/action, see the above explanation)
die hard (series starting in 1988, action/thriller, abed mentions wanting to do a die hard homage for christmas multiple times throughout season 4)
good will hunting (1997, thriller/romance, troy and abed's story in 1x24 english as a second language is filled with references to this movie. abed is doing homages on purpose, troy is not)
my dinner with andre (1981, comedy/drama, abed does a very elaborate homage at jeff's accidental expense in 2x19 critical film studies)
indiana jones (raiders of the lost ark, temple of doom, and the last cruscade only. he mentions loving the first three indiana jones movies in 1x04 social psychology)
aliens (1986, action/adventure/sci-fi, he and troy dress up as an alien and ripley in 2x06 epidemiology) (side note, I believe they're specifically referencing aliens, which is a sequel to alien. could be wrong though)
blade (1998, horror/action, they watch it over the course of 3x15 origins of vampire mythology after troy and abed assert multiple times that it is an amazing movie)
I think he generally talks about movies more than he talks about tv shows, but he does mention quite a few of them. some notable mentions are:
friends (1994, sitcom, mentions at least twice)
m*a*s*h (1972, sitcom, mentions in passing in 1x05 advanced criminal law, and references throughout 1x13 investigative journalism)
the cape (2011, action, mentions throughout 4x13 advanced introduction to finality)
who's the boss (1984, sitcom, is the premise of his whole storyline in 2x20 competitive wine tasting)
LOST (2004, sci-fi, mentions at least twice)
obviously there are a LOT more, but I just tried to list some of the most important ones, plot-wise and for understanding of his character. hopefully I’ll be able to get back to everyone with a super long list of every tv show and movie he ever mentions lmao, but that'll take a while. (there are lists online that say they list every movie and tv show abed has ever mentioned, but ngl I don't 100% trust those, so I’ll make my own lmao. but I put the link to one of them if you're curious. here's another one too)
at this point anyone who has seen community knows there are some really really big ones that I haven’t mentioned yet. pieces of media that are INTEGRAL to abed as a character. I was saving them for last lmfao. they are:
kickpuncher
inspector spacetime
cougar town
if I had to pick a holy trinity of media for abed, it would be these three things. these are EASILY the things he talks about the most, which is interesting, as both the kickpuncher movie franchise and the inspector spacetime series are completely fictional, and only exist in the community universe. (this is probably so they can show abed actually watching some of the shows/movies he talks about, without the obvious copyright issues that come with playing clips from an already existing movie/tv show on your screen. they kind of do that with blade in 3x15, but they only play vague fighting sounds, and never show their tv on our screen. anyway. not relevant.) to answer one of your questions from the ask, I believe those two are the ONLY fictional pieces of media abed talks about. as far as I know, everything else he mentions is real, including cougar town.
kickpuncher is obviously reminiscent of sci-fi/action films from the 80's, like robocop. like I said earlier, taking their place so that they could have a more substantial role in abed's on-screen life without any copywrite worries. it's a whole franchise, so there are multiple movies: kickpuncher, kickpuncher 2: codename: punchkicker, kickpuncher 3: the final kickening, kickpuncher: detroit, kickpuncher: miami (?), and kicksplasher (?). kicksplasher is apparently shown as a poster on abed's wall, and I’m assuming it's from the same franchise, although that could be wrong. the point is there's a very elaborate universe for kickpuncher, and it's a big part of abed's, and later troy's, film taste. the first time they mention it is in 1x15 romantic expressionism, when abed, troy, shirley, pierce, and chang all get together in abed's dorm room to make fun of stupid movies together. it's funny that it was introduced as a stupid movie to watch ironically, then troy and abed both end up genuinely loving it lmao. classic
inspector spacetime is obviously reminiscent of doctor who. they're both british sci-fi series that have been running for decades. doctor who uses a police box to travel the multiverse, while doctor who uses a telephone box. doctor who has malicious daleks who chant "exterminate," while inspector spacetime has blorgons who shout "eradicate." the concepts of the shows are obviously the same, with the actor for the doctor changing every season, etc etc. they're essentially the same exact show, but, like I said before, changed slightly so they can world-build without getting copywrited. there is something a little bit silly about this, though. it's definitely a continuity error and it's up to everyone whether they want to accept it as canon or not, I guess, but there's an episode where abed is actually wearing a doctor who t-shirt. (it also references bill and ted, but the doctor who part is what's relevant.) here's some pictures:
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awesome shirt tbh, but it is a little bit funny that is essentially makes it true that doctor who and inspector spacetime both exist in the community universe. and, these pictures are from the cold open of 4x11 basic human anatomy, which is way after inspector spacetime is introduced to the show (3x01 biology 101). so, is inspector spacetime just a rip-off of doctor who? is abed a fan of both shows? if he is, clearly he likes inspector spacetime better. anyway. I would guess that this wasn't intentional. but that is definitely a tardis on that shirt. maybe it's just a classic season 4 continuity mistake. oh well. I guess that's just how the cookie crumbles. anyway.
cougar town time! yes, it's a real show. I didn't think it was but it is. what's not real is cougarton abbey, the short-lived british remake that britta gets abed into in 3x01 biology 101. but yeah. it has 6 seasons and is streaming on hulu, if you're interested. I’ve heard it's not good but who knows for sure. something cool about cougar town is that abed is actually in an episode. let me be clear: not danny pudi. ABED. it's similar to the story abed tells about being invited to the cougar town set and shitting his pants while having an existential crisis about the layers of reality. here is a youtube clip of the scene. I found out about it while stalking danny pudi's wikipedia page months ago, you know, a typical sunday afternoon activity, and I saw a cougar town credit on there. I didn't even know it was a real show at that point so you can imagine my surprise lmao. anyway. idk if you knew that already but it's one of my favorite community easter eggs. so funny.
okay! I hope this is enough information to suit your needs, and I am once again opening the floor to anyone who wants to add anything 💯 this was fun, thanks for the ask, and stay fresh everyone ✌️
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zegalba · 1 year
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Star Wars Episode 1: The Phantom Menace (1999) Hair: Sue Love - Natalie Portman as Princess Amidala
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go-see-a-starwar · 9 months
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Hayden Christensen, producer Rick McCallum, George Lucas, Natalie Portman and Ewan McGregor on the set of Star Wars Episode III: Revenge of the Sith
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greetings-humans · 8 months
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rereading one of my fav mid-length codywan fics and skdjfskdfjsal;dfks my children my babies i love them they deserve the absolute best and if anyone ever tries to fuck over their happy ending i will throw hands and im a black belt so fuck you
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the-far-bright-center · 9 months
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Rolling Stone: Rewatching the Star Wars films recently, I found it interesting how the [Prequels] films reframed the old ones: They now seem primarily concerned with the tragedy of Darth Vader, rather than the triumph of the Rebels. George Lucas: Yeah, I made a series of movies that was about one thing: Darth Vader. Originally, people thought it was all about Luke. The early films are about Luke redeeming his father, so Luke’s the focus. But it’s also about Princess Leia and her struggle to reestablish the Republic, which is what her mother was doing. So it’s really about mothers and daughters and fathers and sons.
— from George Lucas and the Cult of Darth Vader, Rolling Stone, 2 June 2005
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tarjeihenrikevak · 8 months
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Boyfriends and Piano 🎹 ❤️
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forkaround · 1 year
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i can excuse bad production if there is good writing.
i can excuse bad dialogue if there is solid intention.
i can excuse problematic story/relationship if there is an understanding of why
i can excuse toxic characters that don't change if they are interesting.
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magicdashworkss · 24 days
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i need hero
It's the hero who is always the most important in the story, he must be authentic, full of empathy, character and inner beauty. And this one just has all of that. And I can't help it, I'm of those 5 mil. whose heart he absolutely stole. Because it is part of my heart ❤️ 💥✨
Magicdashworkss
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water-in-the-wind · 4 months
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Hi has this been done yet?
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