Back at it again with my Danny is mom coded au’s, but this time it’s because of Clockwork that he suddenly has a whole ass teenage kid.
Clockwork had been bored or maybe he was playing a game against an opponent, or even lost a bet, whatever it was, he stepped in right as Jason was searching for his biological mother.
The DNA that would have registered itself as one Sheila Haywood, confirming Jason’s mother, glitched a terrible green across the screens of the batcomputer.
In those few moments of chaos Jason’s heart beat rapidly as he tried to figure out why the computer wasn’t working, wondering if his only chance to find his mom — his blood mom — would never find success.
Then as suddenly as things went wrong the DNA settled and pinged.
Jason watched, his chest tight, as one Danny C. Works, formerly Danny Fenton appeared onto the big screen.
Danny looked a lot like Jason, short cut black hair more straight than the subtle curls of Jason’s own; deep blue eyes, tired in a way that spoke of long days and nights, but with a warm happiness that made the familiar smile — the one Jason would see on himself every time he looked into the mirror — even more striking.
Jason didn’t linger too long on the male identifying gender, nor the fact his mom leaned more towards a masculine name or clothing.
There were plenty of male to female, and female to male leaning individuals that lived in Crime Alley. He had seen it enough to not even bat an eye at it, even now. After all, in Gotham you minded your business least you find yourself in business you can’t leave.
On a different monitor information of Danny C. Works piled for Jason to quickly browse through.
Danny was a senior engineer, no intimate relationships, and with no close connections to family outside of the tentative calls from Jasmine Fenton.
Danny was estranged from Jack and Madeline Fenton, a falling out that had occurred just a little before Danny’s high school graduation. If Jason calculated it correctly that would have been — around the season Jason himself would have been born.
Okay, so no grandparents then but I might have a maybe aunt. Jason scrolled further and stilled.
Twin toddlers: Dante and Danielle Works.
Jason had baby siblings.
He doesn’t let the sting of younger siblings consume him, doesn’t allow the whispering thoughts of why he had been given up when his younger siblings had been kept and so very obviously loved.
Jason took deep breathes, he didn’t have time to linger here. He had a family to get to, and a family he would get to.
It took almost all night to reach, the starlight night sky slowly and surely fading into cloudy wine as the sun rose, but Jason made it.
And when the door opened to his hesitant but firm knock, Jason was unable to speak. His mom — dad, maybe? Did they want to be mom or dad? — stood in the doorway, brows furrowed in confusion.
It was when Danny spoke his vigilante name did Jason only just realize that he was still dressed to the nine’s in his Robin costume.
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One of my pet peeves after having gotten very into swing dance as an aroace is seeing videos of people swing dancing or really doing any type of partner dance and over half the comments just being stuff like “how are they not in love😳” or “friends🤨” like please free yourselves, you can have a lot of chemistry and fun dancing with someone and it doesn’t have to be anything more than that!! Just fun!!! I’m not saying a little bit of lighthearted friendly love can’t be involved but it’s not always that deep, it’s just having fun!!
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This line is one of my Absolute Favorites from this show, because it really digs right into the new world that the kids are in:
They're not kids anymore.
There's a furious man threatening harm to Bumpy and her friends, and Sammy puts herself square in the middle of the argument, turns on the charm and promises that she'll make it up to him...and when he doesn't acquiesce, she immediately turns Stern. She bluntly tells him to go home. As an adult talking to another adult.
She has her own property. Her own life. Her own world. She has authority now. The days where they're kids hiding from robots or businessmen or sneaking away from big game hunters and mercenaries are over. Sammy has land, she has responsibilities, and she's not backing down from them. Sammy Gutierrez is an adult woman, and she's going to act like one.
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Not Mobius dropping that he was single to Loki every five seconds and offering him a drink after knowing him for less then 5 minutes. And Loki doing a fit check before talking to him and then stumbling over his words like he was awkwardly trying to ask him out.
Bro they were not subtle.
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Hey not to be a person with opinions who sticks to them (i know ugh right) but i liked what watcher was producing. The editing was crazy good the cinematography beautiful, all things i enjoyed much more than two boys sitting behind a desk. I have adhd bitch, half the time I'd zone out during bfu cus there was nothing but talking. Aint anyone the same so don't Speak For Me motherfucker. Weird and or Wonderful is a big budget project that I love. You can love the charm of youtube videos all you want, but I can like it when shit looks fucking clean, with great cinematography, and overarching plots/ideas. I guess y'all just weren't Watcher fans. Just bfu fans. And even then i think you just wanted a friend and projected that onto shane and ryan, lol
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Just noticed that Ed's hand movement around Stede's neck and shoulders in the Season 1 beach kiss is repeated in Calypso's Birthday, but with important differences.
The first is very much in keeping with the tentative nature of the kiss and their relationship. Ed surprises Stede, they've never kissed before, and he likely doesn't know how it's going to be received. He puts his arms around Stede, but very gently and carefully. There's not much movement to his hand, and then he lets it drop onto Stede's back, rather than cradling his head. It's not leading to sex; it's an expression of attraction and establishing their feelings for each other, and Ed is very gentle and tenuous about it.
He also doesn't push anything too far. He's touching Stede, but he's not holding him, and Stede could pull away if he wanted to.
The second is very much a precursor to sex. Ed moves his hand, finger by finger, up Stede's neck, until his thumb strokes his ear. This is a reciprocal kiss; they want each other, and they're not uncertain about the other's feelings or desires. Nothing about it is tentative; it's escalating the moment, with total consent from both partners.
It's also a deeply protective gesture - Ed has seen Stede tortured and is reassuring himself that Stede is there, alive, in his arms, and he can touch him and keep him safe in a way he couldn't when his arms were tied.
They're not perfect kisses - the first is a little awkward and uncertain, and Ed doesn't move either of his hands much, like he's afraid if he moves, Stede will shatter. It's the beginnings of intimacy. The second is much more intense and physical, more clinging, and the repetition of Ed's hand movement is to bring Stede closer and give them both reassurance. But it's still inherently sweet and loving; this isn't so much "fuck" as "make love."
I love that this show does actually expand on the characters' intimacy with each other and lets their relationship, and how they express their feelings, deepen over time. Little things like the placement of their hands actually change the tone of the scene and show their care for each other in different ways.
Also, they're just really hot.
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I've started playing Honkai Star Rail and I love how dramatically silly it lets me be. So far I have stolen mail, searched garbage cans, entered a closet to become one with the darkness, waxed on about how life is just a road to death to a terrified guy (somehow that seemed to make him less terrified), bowed in respect to a dumpster, investigated an inconspicuous lamp so many times it got mad at me, investigated a trash can so many times it insulted me, and felt bad for two different trash cans and several sandbags (I believe my Trailblazer is going insane from putting up with me). All this not counting with the countless dialogue options with NPCs around the world that allowed me to be incredibly dramatic (think almost Fischl style) for no reason (you can bet I took them). However, I cannot jump or climb, and fights are turn-based... we respect our opponents in Star Rail (and die. A lot).
What I conclude from this is that while the Traveler has a moral code (and some standards) when dealing with interpersonal interactions but isn't bound by physical restrictions or conventions (stairs? The Traveler does not understand that concept. Fair fights? Please, they don't have time for that), the Trailblazer is the exact opposite. The physical rules may hold them but their only ties to social rules or convention so far have been March and Dan Heng saying "hey, maybe don't fight the guards" and "hey, you can't just accept random jobs".
It also might be because the Traveler is a thousand year old entity that has been through A Lot (has learnt the power of friendship, but is too tired to take the long route) and is on a serious mission while the Trailblazer was quite literally Born Yesterday with the sole purpose of housing a massive problem inside their body (walks and fights like a Normal Person bc they're mimicking everyone else, but is absolutely unhinged) and is just having fun with tjeir newfound existence.
Either way I love both of them and they're basically cryptids but in different ways.
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