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#you should be upset about it!!!
mollypaup · 2 months
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the struggle of wanting to play more horror games but hating survival horror
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lazylittledragon · 4 months
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can't believe we're all adults being forced into the club penguin level of censorship in 2024
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glassrooibos · 4 months
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Everything stays right where you left it huh guys
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carouselunique · 1 month
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They had a bit of a chance encounter on a day where Blueblood was dealing with something that was very difficult and was so caught up in his emotions he didn’t even care that he was in the garden getting grass stans on his coat and Ditzy, with her natural impulse to cheer ponies up, didn’t even notice or care that she was flying into the palace gardens when she saw someone sat in the rain.
At first he was definitely going to call the castle guards to come apprehend this strange filly with the odd eyes who was intruding when this was the last moment he’d want to entertain any desperate debutantes, however she surprised him by not fawning or anything, not even caring about his status, just putting one of her fluffy wings up and asking if he needed somepony to lend an ear.
“Don’t let my eyes fool you, my ears work just fine!”
She was incredibly disarming and while he didn’t reveal everything about why he was upset, he found himself talking about his feelings to her. And she made such cheerful remarks, and was very comforting. In the end, he felt better and she came to check on him the next day, even sharing a blueberry muffin with him. He remarked that he’d never seen her around before, and that he wouldn’t mind terribly seeing her more often.
The rest, as they say, is history.
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cyberdragoninfinity · 5 months
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me: hey tag duel tournie what's up
yugioh duel links tag duel tournament: AI PEGASUS FULLY AWARE OF HIS OWN DEATH MOMENTS...2!
me: OH. OK.
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coffeebanana · 1 month
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something something necromancer Marinette AU where Adrien keeps throwing himself into danger to protect her because “she’ll just bring him back” but she never thought she’d fall so hard for the guy she met by accidentally reanimating his corpse
and can she marry someone who’s legally dead anyways?
like. for tax reasons
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wowa-bublord · 2 months
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Does Cloud ever confront Zack about all the neglect he subjected himself to in favor of taking care of Cloud?
I think It'd be one of his first thoughts when he's awake again!
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initially I think he'd just think Zack was being a bit silly, and that he'd focus more on himself now that Cloud wasn't completely reliant on him. After a few weeks(?) he'd realize how much Zack prioritizes Cloud over himself, and he'd try to be more forceful with it
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....but neither of them are very good with their words, so it gets worse before it gets better.
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moeblob · 29 days
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Happy Birthday to Ferdinand von Aegir!
I actually made 33 emotes, affectionately known as Aegirglyphics to some, for my own personal use on discord. However, I figure why not share some of them! They're free to use for discord servers/icons/pfps or whatever. However, my only request is Do NOT use them as subscriber emotes on Twitch. You can make them free follower emotes but you are not to make them locked behind a paywall.
#fe three houses#ferdinand von aegir#discord emotes#i thought long and hard about this bc idk the actual want for emotes i made ages ago but#i still love my son and its his bday ad so i should be nice and share#since i no longer have nitro and can no longer use them myself#the fact i can technically post 30 at once was tempting but#some of them arent living up to my standards and also just might not be easy to use in most contexts#so those im gonna skip on lol#whoever wants 21 aegirglyphics tho have at em#i think i might have posted some before? but only 10 and i dont recall which ones#if you want a secret the last three and the middle on the second row are my favorites to use#i used concernednand (the upper one) so much#the internet concerns me guys it was a valid use every time#debated sharing heartnand but honestly the world could benefit from it imo because gotta spread that love#fun lil trivia i love making emotes and so when i was in a server and people knew me as the ferdinand fan and artist#someone was like why hasnt salmon made a ferdinand emote yet#and im like bc i dont run the server and i cant just demand they add my art#and then a mod was like i didnt wanna put pressure on salmon but i thought about it so i was like bet#and then drew a server exclusive happy ferdinand emote#and that was the start of me somehow being able to have like.... ten emotes in that server#some of them were just me joking and then mods encouraging me#cause i used to use felix for every single art prompt theyd give and one week someone said the prompt was pog#and i just was so upset because dude why would i wanna draw felix for that hes not pog#so a mod was like hey if you make a pog felix emote we ill add it to the emotes here#so i once again was like bet and then posted it and then they really added it lmao#anyway sorry for so many rambles please feel free to use them on discord in whatever server#i cant really expect everyone to credit me but also im not really concerned since i fear people know my nands a mile away
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quadrantadvisor · 1 month
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Alright new Jason Todd headcanons in a dpxdc setting:
Danny is a "liminal" ghost, rather than a "half" ghost. He's alive and dead at the same time. (He's like Jesus Christ (in the church denomination I grew up in), fully ghost and fully human.) Danny, in human form, can go through a ghost shield, because he IS a living human.
Jason, however, is a reanimated corpse. He isn't a ghost, wouldn't have a ghost core, etc, he has a normal human system that runs ON ectoplasm. Jason CANNOT go through a ghost shield, because he is always an ectoplasmic entity. Danny can go through the Fenton Ghost Catcher and be split into a ghost and a human; if Jason went through the ghost catcher, he would straight up die.
(For my purposes I'm gonna say that Jason became an ectoplasmic entity upon his resurrection, but wasn't very stable. Dunking in the Lazarus pit stabilized his system but also poisoned his ectoplasm.)
I do think that Jason could learn certain ghost abilities if he learned to harness his ectoplasm, especially if they detoxed him off the Lazarus waters. He's probably already enhancing his stealth and strength in ways he hasn't really noticed. I think he's held back by the amount of physical matter he's lugging around, so maybe he couldn't fly, but I'm imagining temporary invisibility, or intagibility of like, a limb at a time. Maybe he can't walk through walls, but in a fight he can dodge by instinctively making the targeted part of his body intangible.
#i saw someone call jason a 'revenant' in a fanfic once and that is juicy as hell so I'm stealing that- that's what he is in this au#Jason's ectoplasm does react to other ectoplasmic entities so they can sense eachother#but for ghosts he's fucking weird because he doesn't have a core for them to resonate with or w/e#danny would probably think that he's another halfa/liminal at first but the more time they spend together the more that doesn't add up#so I know that I'm trying to give Jason ghost powers but honestly this whole thing is kind of a bum deal for him#he gets all of a ghost's weaknesses and barely any of the benefits#honestly I'm conceptualizing this as more of a disability than a superpower#discovering that youre less alive than you thought you were and you're technically just a walking talking corpse running on supernatural goo#is fucked up and creepy and upsetting!#and it's something that he would have to come to terms with before he could start exploring what new opportunities it might give him#and i think that's really interesting#it's part of why I love messing with Jason in dpxdc stories so much#danny is fully ghost and fully human and he never feels like he fits in anywhere already#Jason is not quite human and not quite ghost so you can imagine how that would go for him#anyways i think they should be best friends and visit frostbite in the realms to make sure jason is healthy and also they should maybe kiss#and listen to the black parade together and talk about dying and stuff#danny fenton#jason todd#dp x dc#dpxdc#danny phantom#dc#batfam#my rambles
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skitskatdacat63 · 8 months
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Please take my low effort shitpost of our two Aston flopboys
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Basically:
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neriumxoleander · 3 months
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(Please do not interact with my posts/follow if you are a minor or have no age listed on your blog, I will block you)
I feel like putting this out there for anyone who isn't a patron: Gato deleted her social medias. This ISNT gato, and I'm guessing they're going to go on a tirade about her soon. I would reccomend blocking them.
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thunderboltfire · 3 months
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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.
It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.
The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.
What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.
But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.
There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.
On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.
But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.
My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.
The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.
I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.
And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.
It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.
And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?
There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.
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griancraft · 2 months
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I wish more people were normal about POC, and specifically black, characters in the MCYT fandom. I mean, for obvious reasons related to CCs and all that, but also bc I often feel like I’m doing something wrong because sometimes I’m one of the only people I know how is getting like? Stimming flappy arms excited about my favourite black characters? It’s not like I’m singling them out either I get the exact same way about my favourite non black characters?
It’s jarring to get into skyjacks and see almost equal amounts of art of Jonnit as everyone else because I’ve been in this weirdly passively racist fandom for so long. People are so weird about like CANON (silly canon but) biggri and they make them weirdly toxic when they were so sweet. If it was Scar and Grian you people would be all over it. And dude fucking whatever happened to the way people drew Ponk. And, it’s not even just black ccs and characters. Don’t get me started on the way a lot of Dteam fans back in the day (and still some qsmp fans) talk about Asian women like Tina.
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mishapen-dear · 5 months
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tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.
but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.
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spearxwind · 5 months
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Honestly it really riles me up that people are mean to ocean animals because they are less understood than land animals (yes even dolphins as publically liked as they are) I think everyone should put a little more effort into understanding the ocean and the animals in it and the processes they help. You dont have to like the ocean you just need to understand it and understand that its 3/4ths of our planet's surface and that it's indispensable for life because the second that people stop caring about whats in it and what it does the door opens up for people to not care about what happens to it and how big companies destroy it and continue their needless pollution due to lack of care from the general public
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notsoevilmagistrate · 1 month
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I’ve been thinking of Kung Lao, not just MK1 but generally as a whole, and how he’s always pushed aside—number two. In some ways nothing is ever really his. Liu Kang, his best friend, becomes a god and goes onto to make a different timeline and stay there, and before that he got to be Earthrealm’s champion(in mk11 Liu Kang seemed like everything anyone EVER talked about with him). And of course it’s beyond that too: his name isn’t even his(“descendant of the great Kung Lao”), and his destiny and goals seemed to be based a lot on something predetermined for him, it’s a bit tragic.
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