You know... the whole thing about the ninjas not even actively looking for Jay or even caring that much about his whereabouts has the potential to manipulate him into turning against them. You know, something like "if they really cared about you, they would have tried to find you all those years".
I mean- they could have at least shown at the beginning of the season that they are still looking for him or are worried about him?
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ATTENTION EVERYBODY
My friend @thatonemoonlover has made me the Bentley for Christmas and it is so amazing
LOOK AT HER!!! SHE’S GOT GOLD HUBCAPS!!! THE EXACT COLOUR YELLOW OF THE AZIRAPHALELIFIED BENTLEY ON THE INTERIOR!!! RAINBOW HOLOGRAPHIC GLITTER EMBEDDED IN HER PAINT!!! AAAAAAH I LOVE HER SO MUCH ❤️❤️❤️❤️
Thank you Sir @thatonemoonlover once again for this beautiful statue
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Do you ever think about Azula after Zuko's banishment and before she was sent on her mission? About the time it was just her and Ozai? Because I do.
Her worst fear is being what Zuko is to their father. It's easy to look at her smirking while she watches Ozai light Zuko’s face on fire and think that she enjoys her brother’s suffering, but from the day she was born, Zuko has been the bad example. The scapegoat. The failure she exists to surpass. Where he is disrespectful, she will be obedient. Where he is weak, she will be strong. She will make Ozai proud. She will be perfect. She has to be. Because if she isn’t -
well, in that moment she sees that for herself. Iroh looks away, but she doesn’t. This eleven-year-old child watches the whole gory scene that her experienced general uncle can’t stomach, because this is a lesson for her as well, that’s why Father had her be here, and so she must not let herself tremble or cry or flinch or scream. Zuko is. That means she can’t. Instead she will do the exact opposite, smile with a princess’s proper posture.
Then Zuko is banished. He will most likely never return - most likely die young. He isn’t around to be the foil under her jewel anymore, making her shine brighter simply by contrast. (Or to play with her or comb her hair. But it isn’t useful or becoming to miss those moments. She isn’t a child anymore; her childhood was burned through like Zuko’s skin.) All Ozai’s attention is on her. All her people’s hope in the next generation of royalty rests in her. If she doesn’t hold her shoulders back and keep her head high, she will collapse under the weight of her nation’s future. Zuko got what he deserved. Just as whatever happens to her, she deserves it too.
How many nightmares does she have? How many times does she flinch or shake when her father touch her? Or force herself not to? How many times does she smell burning hair and flesh and hear her brother’s agony when she spoke her own opinion in a war meeting? How much does she secretly grieve him, and scold herself for it?
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i keep feeling like. there's something parallel between rose and yaz's endings. maybe parallel isn't the right word -- but i keep wanting to draw comparisons, i think because they're two characters who really defined specific doctors and for whom it's basically confirmed the doctor returned their (romantic) feelings
(they're not the ONLY ones who fit this description, but i'm in no way qualified to talk about clara or even river, so bear with me)
it just feels. i don't know. rose never leaves on purpose. she is separated from the doctor, forcibly, every single time. the doctor sends her home, or she gets stuck in an alternate universe, or the doctor leaves her in the same alternate universe. every single time, she fights to get back to the doctor. the writers had to create a perfect happy ending for her (half-human version of her doctor who'll age along with her, in the alternate universe where her father is alive) because otherwise she wouldn't stop fighting to get back to the doctor, and the show can't have that. the show needs to move on. we need rose to fade into the past.
i haven't seen all of yaz's episodes, but her arc seems very similar from the limited amount i've seen. she keeps fighting to get back to the doctor. she's in love with the doctor, and the doctor basically confirms returning her feelings, albeit in a very stilted, hesitant, doctor-y way (compare "imagine that happening to someone you--" with "and if i was going to, believe me, it would be with you").
but when yasmin's doctor regenerates... yaz is just expected to. step away, go back to living her life, never see the doctor again. kinda like the abandonment that most companions have ever experienced -- getting dropped off once and then goodbye forever! -- except with more of the onus on her. the show has to move on from rose's era, so she gets dumped on a beach. the show has to move on from yasmin's era, so yaz has to accept that the doctor is going off to die alone. she has to make her peace with that information.
i don't know. i think yaz's ending is trying to go hand-in-hand with graham and ryan's purposeful exit -- it seems like the chibnall era tried really hard to have Not Terrible endings for companions. which is very admirable! but honestly? yasmin's ending feels crueler than most, including rose's. yaz was in love with the doctor. the doctor reciprocated those feelings. they should've gotten their equivalent of s2-era 10rose! she should've gotten a chance to stay with the doctor through their regeneration, the way other love interests have been able to (s/o to river and clara!).
i know this is because of the limitations of the show. bad ratings meant chibnall left after only one regeneration, and new incarnations of the show rarely bring in characters from other eras.
but i'm still very sad for yaz :( like yes, she wasn't just dumped on the curb without warning. but she was still expected to say goodbye to someone she loved, knowing that person was dying, and not say a word of protest. if the previous history of the show is any indication, she's never going to see the doctor again. she doesn't get a half-human version of the doctor to live out her days with, and she's not "allowed" to fight to get back to the doctor, either, due to the way the show's structured (but also the way the doctor talked about them saying goodbye). she has to live the rest of her life knowing that the doctor is out there, perfectly capable of visiting, and the only reason they won't visit is because yaz is from a specific time of their life that they've moved on from.
i know she has the companion support group. and i know she'll move on! she's yaz. she's strong and self-actualized. she'll be okay, eventually. but she has to be okay, you know? she has to learn to live without the doctor. rose never had to do that.
it just makes me sad :(
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Half-formed thought here, but. Usually in my mind I assume that the topic of Abigail goes almost completely unspoken between Will and Hannibal post-canon, but... man. What if they were even more unhinged about it than that. Like, what if they displayed a massive portrait of her on the mantlepiece or something, as a symbol of Will getting Hannibalpilled and buying into the idea that her death was a sad but inevitable consequence of the force of nature that is Hannibal. And then everyone who visited the house assumed she was just a beloved relative of one of them or something, without knowing anything about the details of how she died (or even that she was dead). And whatever murder buddies/protégés/frenemies/pseudo-children/sexy little thirds/[whatever unholy combination of those things] Will and Hannibal acquired would piece together some very idealized understanding of her as the Perfect Dead Sister-Daughter that they could never measure up to, whose ghostly presence hangs over them... and then coming to the very macabre discovery that Hannibal was the one who killed her! I think that'd be neat.
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I think people overestimate how feminist team black is. If someone brings up how Baela should be the heir to Driftmark, it's always "she would've been Queen if not for the Greens!", ignoring that 1, she would be Queen consort, not a Queen in her own right, and 2 she has a legitimate claim in her own right to Driftmark. Team Black's goal is to crown Rhaenyra, but Rhaenyra becoming Queen isn't a win for feminism because it does nothing to dismantle the rest of the patriarchal system that exists in Westeros. From what we've gotten so far, it reads that Rhaenyra wants to be the exception and not the rule. Rhaenyra has made a lot of bad political decisions, which means she can't acknowledge Baela's claim because it would weaken her own claim (blatantly admitting her eldest sons are illegitimate would not end well for her to say the least). So she betrothes Jace and Luke to Baela and Rhaena to kind of atone for that, like as a consolation prize Baela will be Queen and Rhaena will be lady of Driftmark, neither of them would hold either title in their own right. It's good matches because the kids like each other and will treat each other well, but it's not a feminist win or a feministic liberation. It's usurpation, usurpation that takes place because Rhaenyra has to do damage control after having illegitimate children and after a serious of bad political decisions (both hers and her fathers, Viserys is the arbiter of this entire mess). To me, Rhaenyra is very reminiscent of Mary Queen of Scots, I can see a lot of elements drawn from Mary's history in Rhaenyra's story and character, down to their sons eventually taking the crown they failed to claim/keep.
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