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#would probably be the female protagonist
serpensofanville · 2 years
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OOC Post
The majority of people: I can't wait to play Pokemon Scarlet and Violet as games first and foremost.
Me: I can't wait to play Pokemon Scarlet and Violet....... because my brain really wants to make a fanfiction of it, involving Serpens and his views on Pokemon interacting with the protagonist. Maybe incorporate my intent for a middle-stage challenge run too.......
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klutzytomb · 1 year
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Meet August Devlin
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ladysophiebeckett · 5 months
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I miss mindy lahiri bc I know she would say the most insane thing about young hottie snow.
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floralquafloral · 2 years
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the Breath of the Wild linkle mod did so much for lesbians
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musical-chick-13 · 10 months
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...Why is it that. Every single time. I have heard about a popular thing, I was not even aware that there were significant female characters in it because no one ever mentioned that they exist.
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salted-seaz · 2 years
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Anime is so homophobic I just found one that sucks ass in so many ways but it has like the most fun prettyboy bitch protagonist I’ve ever seen ughh
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birbfeedersart · 2 years
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watching amnesia: rebirth gameplay for the second time, and i still don't know how i feel about it?? like,,,,imo it fits the whole '''''lady horror''''' stereotype, u know like those horror films/games/etc that are usually about a female protagonist whose entire character centres around motherhood, pregnancy, or the loss of a child. idk how to explain it but the cinematography and musical scoring are different to other horror films, and they just?? feel weird somehow?? idek. i just. find myself resenting the fact that female characters exist in horror either to get pregnant, give birth, be infertile, or die.
i just. i'm tired of that. no more pls ;A;
#(also......like there's often the lady ghost who wants to take the female protagonist's baby bc she wants a child too??#ma'am u are a ghost u cannot look after a human child??#and if u need a ghost child surely there are many children who are ALREADY ghosts and would probably appreciate a ghost mum??#i don't understand why u want to take someone else's living baby from them??)#idk tasi is pretty sympathetic as a character#and in her own way the empress is too just a bit#i just wouldn't make the same choices as they did bc it seems.....cruel i suppose#not that tasi had any way to know that her second child would suffer the same fate as the first one#so it makes sense that she would be desperate to have and keep amari#i suspect alys's affliction was tay-sachs#a truly tragic disease with no cure#deterioration occurs so quickly and usually takes the child's life by the age of four#alys seems to have trouble swallowing be easily startled degenerated mental faculties and blindness in the various flashbacks#and her end came to her so quickly it's just awful#i info-dumped about it on my mam before but i just keep thinking about it#i feel that good horror should always include an element of tragedy#but when it comes to little children it's just.....hard to deal with#anyway the game itself is quite interesting#i like it better than soma#but it can't compare to amnesia the dark descent for me#idk there was something very visceral about tdd that just works for me in ways that rebirth doesn't#horror genre#cw pregnancy#cw character death (of a child)#amnesia: rebirth#birb says#yes i did pause in my important make up drawings to write this#that's a sign of how flustered i am! lmao
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Hey bud, actual question about your space story. Is it queer at all? I simply love the desperation romance that arises in, uh, perfectly normal space ships. I'm just organizing the order of my next few reads right now :)
They wouldn't consider themselves queer because the concept of 'queer' needs a typical gender and sexuality expectation to compare itself to. TTOU takes place in a world with a ternary gender system (male, female and brennan) as well as nonternary people being broadly accepted. (The protagonist is nonternary.) Concepts like gay and straight wouldn't make much sense to them because the idea of identifying yourself by what gender your attracted to is like identifying yourself by what hair colours your attracted to -- many people probably have preferences, but to have it be such a prominent social thing that there's commonly accepted language and self-identity based around such a random detail of attraction would be very, very weird to them. Some of the characters are into sociology and history enough to probably know what the terms mean, but the concept of being 'queer' isn't one that makes sense in their society because those specific systems of oppression aren't there. If you asked them what their sexuality was they'd probably admit they've never really thought about it and think you're being weird and intrusive for asking.
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cochart · 14 days
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Some headcanons about PT and film they enjoy:
Joker: Sundance type, documentary—esp. nature or space ones, soft spot for classic Hong Kong movies because his parents watch them.
Morgana: Detective Columbo, old 007 movies (pre Daniel Craig), most action movies
Ryuji: Fast and Furious, anything fast-paced and popular but can also stand romance. Would watch stupid rom-coms with his mom if she asks. Only person in PT who can stand Oscar movies. More of a Marvel man than DC. One Piece, Tokyo Revengers
Ann: Like Ryuji, fast-paced action films, 007, Jessica Chastain, action movies with hot female protagonist. Would watch romance with Shiho.
Yusuke: A24, Dario Argento, Akira Kurosawa, The Cabinet of Dr. Caligari, Nosferatu, would’ve watched Lars Von Trier if only his films weren’t all rated R, shares some passion for practical effects with Guillermo Del Toro, kaiju stuff, would probably like John Wick
Makoto: Kamen Rider movie, Sylvanian Families
Futaba: classic tokusatsu, Fate series movies (except Heaven’s Feel), most anime movies, Doraemon, kaiju stuff, American animation, yes she can stand Disney
Haru: Studio Ghibli, British romance movies, John Wick
Kasumi: Japanese romance and drama, Disney
Akechi: Claims to absolutely hate romance but watches Wong Kar Wai films because his mom used to like them, anti Batman (Christopher Nolan or not), soft spot for Featherman but doesn’t keep up with all tokusatsu, probably empathizes with Lars von Trier protagonists, Hirokazu Koreeda films trigger him.
Now, I must admit that some of the choices are heavily influenced by my taste.
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shalotttower · 20 days
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A Natural Benefit
Title: A Natural Benefit
Fandom: Death Note
Characters: L Lawliet x Reader (female)
Summary: L wants to try something new, you want to be left alone. So an offer is on the table, it's a mutually beneficial arrangement after all.
Word count: 2100+
Notes: yandere!L, kidnapped Reader, dub-con kissing, manipulation, captivity, L and Reader were together at Wammy's House
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"Would you indulge me?"
Your eyes dart up from the page to his face. L looks at you like he always does ─ an intent yet oddly distant stare that used to make goosebumps appear on your arms. Nowadays you're somewhat re-accustomed to his mannerisms. He doesn't blink much, tends to stand behind your back whenever possible, likes to play with his food and enjoys invading your personal space far too much to be deemed socially acceptable.
His habits are strange but harmless.
"No," you say, just to be contrary.
L is fond of making things sound simple, and then — snap! — the trap is shut, and you find yourself doing a completely different activity than initially expected.
"I want to kiss you."
"N-" You blink and lower your book down, not bothering to mark it. "What?"
"Kissing is an act of physical intimacy between individuals," he says like it's an obvious fact and you're merely slow on the uptake. L's expression doesn't change, neutral despite this being anything but a normal conversation starter even by your standards ─ admittedly low.
"Thank you for enlightening me about the definition," you lean back against the cushions, "still no."
"Why not?" He asks after a momentary pause.
"Because I don't want to."
A simple answer to a weird request. You try to resume reading, but there're other things currently occupying your brain ─ namely the attempts to understand what prompted such inquiry.
L never asked for physical contact before; platonic or otherwise. Sure he tried to entice you into spending time with him through bargain and manipulation, and you pretended to be oblivious enough to earn an Oscar for your acting skills. However, there never was any talk of kissing involved. Any kind of touching, actually.
He hums. "Would you like me to explain my reasons?"
Sometimes you think that the sole cause of L's existence is just so he could annoy people for kicks. His questions are always peculiar, and you've learned that every single one of them is designed to lead towards some specific conclusion, preferably the one he wants. You have a feeling that if you say 'yes', L will proceed to list a hundred points about why kissing is good. And then another hundred why kissing him specifically is beneficial.
"No."
He looks at you. You look at him and raise the book higher.
"Indulging me would benefit both of us," L says, undeterred. "You're very curious by nature and I find it quite fascinating that you're able to deny your curiosity in this particular case."
Has a more obvious bait ever existed anywhere in human history? Probably not, and you'll bet your entire life savings on it too.
"I'm not curious," you lie, "now leave me alone. I want to read."
He leans forward. "You haven't focused on the book since I asked my question."
Smartass. You purse your lips and pretend that the characters are suddenly so interesting, that it's hard to look away from the intricacies of the plot unfolding inside this fictional world. At least things there make sense; no need to figure out the hidden meanings behind other people's words, because they are mostly transparent when there's a whole paragraph dedicated to the protagonist's feelings.
He reminds you of those spider-like creatures from documentaries ─ their actions seem random at first glance, yet upon further scrutiny prove to be anything but. Instead, they're meticulously crafted and executed to obtain maximum results.
L studies you for a little while longer, and eventually pads towards the kitchenette. The kettle whistles soon after as he makes himself tea; mint flavored, judging by the aroma wafting through the air.
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You should have known that he won't give up ─ L is just as persistent as you are stubborn. If anything, you've set a challenge before him, and he tends to fixate on those until they are solved: a fact well-known and accepted among those who ever had a (dis)pleasure of interacting with him.
He doesn't outright ask you again, not the next day or the one after that. No. Accidentally, the only type of movies you're able to watch now are rom-coms or dramas with lots of kissing scenes sprinkled here and there between the banter bordering on cringe; sweet confessions spoken over candlelit dinners; passionate declarations whispered during sunsets... Clichés, amore, and kisses galore.
"I'm not sure this is the best movie for the evening," you say, as the screen flickers with images of two leads gazing into each other's eyes like they found the answers to every single question asked.
"The reviews are quite positive," L replies, munching on caramel popcorn.
"Reviews can be faked. And the trailer was misleading. I thought it was going to be an action movie."
"It is an action movie. The genres are listed right there," he points at the screen, and the words 'romance and action' stare back at you.
You frown and settle deeper into the couch cushions. It's uncomfortable ─ watching romantic scenes with L in the same room. His presence doesn't feel oppressive or demanding, yet you can't shake off the squirmy, twisty feeling. The kind when you enter an elevator with someone else and get slightly agitated for no reason. And so you try to slow down your breathing, but it only makes things worse. Your heart beats faster, palms start sweating and the hypothetical elevator stranger inevitably thinks that you're weird.
L isn't an elevator stranger. He's the owner of the elevator, and the entire building, and the city.
"He's going to die in the next ten minutes," you mutter.
"No, he won't."
"Yes, he will."
L hums. "Want a bet?"
Your eyes narrow.
"If he survives past the fifteen minute mark," L says slowly, "you indulge me."
"And if he doesn't?"
"I leave you alone for two days."
There's no hesitation on his side. None whatsoever, which proves suspicious immediately ─ L never offers something unless certain about the outcome beforehand, whether by logical deduction or calculated gamble. Probability factors run inside his brain instead of blood cells and grey matter, calculating risk vs return ratio quicker than any computer ever could.
You glance at the screen. It's a simple plot. There were a twist or two earlier, sure, but overall nothing extraordinary that would require hours upon hours of critical thinking to unravel.
A man, a woman. A handsome villain who wants them dead, for various reasons. They run and fight, shoot guns, dodge punches, and kiss between those because apparently there's time for romance even when a life is on the line.
It's a very simple plot; and two days are a lot to pretend that L doesn't exist. That you got rich enough to buy this kind of apartment.
"The speakers?"
"Switched off."
"The cameras?"
"Those will stay."
Of course, they will. You wouldn't expect anything less ─ privacy issues are non-existent here in more ways than one.
L isn't always a presence. Sometimes he leaves and you're alone with nothing but books and TV to pass time, but two days sound wonderful regardless. There's something in empty spaces that's enticing, even if they're temporary. L, for all his peculiarities, isn't too bad of a company. He's quiet, and often busy with his own matters. But he also has this way of looking at you that is unnerving. Like you're interesting. Or important. Or simply fascinating.
Sometimes he wants to talk, he wants to listen, he wants to ask questions and give answers until everything blurs into an amalgamation of words. It's exhausting.
Two days sound good. His hand is dry and slender. You grasp it and shake it once.
"I'll start the timer now," L says after your hands separate.
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Twelve minutes.
Three more and he's dead.
You wish that he'd just kick the bucket already, so you could spend the next forty eight hours in pure, undiluted bliss.
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The male lead dies after seventeen minutes.
When the credits roll over, the apartment is silent except for the soft buzzing of electronics. You look at the screen, stubbornly, because you don't want to look at him, the owner of the elevator, and the building, and the city.
"It was close," he comments, as if trying to comfort you, which makes it even more of a sore spot.
That’s what L thrives on ─ technicalities, loopholes, small and seemingly insignificant details which are easily overlooked, yet make a great difference. You're not sure if you're annoyed, or disappointed. And what’s more important ─ at whom.
You have known for years that L tends to get his way eventually whenever there's something specific caught up in that head of his; a fixation which refuses to leave until satisfied, and sometimes even after. Snap. You can get up and head out of the living room, you know you can. Will you though is another question entirely.
L isn't a typical captor ─ he doesn't demand or force you into things. He simply presents a possibility and waits. Not aggressive or domineering, not sadistic. But oh he is a PhD of holding a grudge. Leaving now probably means waking up tomorrow and finding that every single disk has vanished without a trace, along with the bookshelves being switched for some obscure scientific texts on chemistry, physics and other things that require an advanced degree to fully understand.
Because someone decided that you don’t deserve entertainment anymore. Because someone is petty enough to deprive you of basic mental stimuli, and is stubborn enough to hold onto that decision even when reasoned with. Unsuccessfully.
It's a talent really, this particular brand of making your life miserable in many small ways, so they accumulate into something greater over time until you feel like the walls are closing in slowly but surely.
You can't back out, even though no one openly stops you from doing so. And L knows that. And he knows that you know. His lips twitch and curl upward before flattening again into neutral territory.
There's a theory that if you pull a band-aid fast enough, it won't hurt as much. The credibility behind it is questionable.
You exhale and meet L's gaze ─ his posture hasn't changed from the beginning to the end of the film, knees tucked to his chest, eyes two dark pools that stare without blinking. His fingers drum a steady rhythm, and that's probably the only sign that gives it away.
Anticipation.
"Fine," you say finally.
His mouth opens before closing back again. L doesn't move a bit.
He wants you to do it, you realize. Wants you to initiate instead of just allowing it. What an ass.
You squish his cheeks between your palms until his lips pucker outwards. L makes a soft noise of surprise but doesn't try to fight back.
Black lashes cast a shadow across his skin. There's no perfume or cologne, no distinct smell ─ he uses plain soap and shampoo which don't have a discernible aroma.
"I believe I was promised an indulgence," L says, voice muffled a bit by your hands on his face.
He looks like a fish this way. A silly, ridiculous image that would make you snort if not for the situation at hand.
Band-aids and ripping them off.
You sigh, lean forward, and press your mouth to his.
He tastes like caramel popcorn.
Mint tea.
Indulgence.
The angle is awkward, and L doesn't move an inch to accommodate the position. He stays still like a block of solid rock, not a single muscle twitches, and doesn't even attempt to reciprocate. You have half a mind to think that maybe he's mocking you, but then his fingers lightly curl on the fabric of his jeans. L's eyelids flutter half-closed when your noses bump, then open again right after. Another oddity added to the pile.
It lasts no longer than ten seconds before you pull away. L blinks. Touches his lower lip with the tip of a finger and rubs it like searching for traces left by the contact.
"You were promised an indulgence," you remind him, trying to sound calm, collected, but your ears and neck feel hot, "not a make-out session."
Technicalities and loopholes.
L has that look you can't quite pinpoint yet know far too well. You've seen it many times before. When he thinks about something but keeps it to himself for now.
"You look more lively," he remarks eventually. "Healthy complexion suits you."
You don't need to hear what he says next, because the words already ring through your head.
"I told you it would benefit us both."
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wonbadtz · 13 days
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˚ ༘ ೀ⋆。˚ riize + how much rizz do they have?
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ot7 x female!reader
genre: fluff, crack (?), suggestive
warnings: none!
a/n: this is the first time i'm trying something like this, enjoy <3
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shotaro ̗̀➛ 6/10
he's quite difficult to read when it comes to his rizzness. i feel like it would depend on the kind of vibe you give off to him as well. he seems shy, but if he feels comfortable around you then his game becomes a lot stronger. his rizzing game reaches its peak when he's at places he feels at ease, such as the dance studio. dancing is almost like a love language to him; if words don't work, he's willing to let his body do the talking.
eunseok ̗̀➛ 7/10
i know this rating could be higher but LISTEN; this man doesn't even have to try to rizz you up because he already has you hooked. and he knows it. with a face card like his, he wouldn't even bother trying anything with you. just one look from him, one smile, one single brushing of his fingers on your arm and you're done for. funny thing is, he knows exactly what effect he has on you just by looking at you, simply for just existing. plus his immaculate sense of humor is a huge bonus too. whatever he does — or doesn't do — you're very much whipped for him.
sungchan ̗̀➛ 5/10
listen, i love my man sungchan but he's just so awkward. even though he's super hot, he doesn't realize it and his rizz game becomes such a mess. he would make silly jokes and laugh awkwardly around you, hesitant to approach you because he just doesn't have the confidence to do so. and you don't understand why. his awkwardness makes him cute though, and paired with his toned arms and insanely ripped abs, you can see through his efforts to win you over. and he does win you over in the end.
wonbin ̗̀➛ 3/10
sorry... he's too babygirl to flirt and make the first move. he is the one who actually waits for you to make the move because he knows that if he approaches you, he's gonna make a mess. he's too scared of embarrassing himself. similar with sungchan, he suffers from extremely pretty face syndrome, yet his confidence is quite low. he would tend to laugh and giggle a lot, scratching the back of his neck every time you would make eye contact with him. he's just very very shy.
seunghan ̗̀➛ 1737284/10
don't tell me this man doesn't know how to rizz up girls, come on. the literal definition of charisma, he just knows how to talk to you, how to touch you and how to make you feel comfortable around him. he seems like the kind of guy you would meet at a club once and never forget him because he would leave such a big impression on you. he probably kissed you all night long and asked for your number afterwards, but he actually never called. this is all part of his game though, he just knows what he's doing.
sohee ̗̀➛ 9/10
this boy screams 90's heartthrob; he has the type of face and energy you would find in a male protagonist of 90's rom-coms. the only reason why i didn't give him the perfect 10/10 score is because he still needs to work a little bit on his rizzing tactics in order to unleash his full potential. you may find him very cute and adorable at first, but in reality he's very slick with the way he talks to you. he wins you over in a matter of a few minutes with his boyish grins and cheerful attitude.
anton ̗̀➛ 6/10
same as taro, i can't read through him. he's cute, tall, pretty, quiet and calm. he doesn't have to go to extremes to win you over, even though he feels like he should. this american energy he carries around makes him seem more carefree and laid-back, so even though he initially gives off awkward vibes, in reality he's far from that. he would start talking to you with pick-up lines, hoping they would work. they do work, but not in the way he thought they would; instead, you laugh at them and hit him back with a pick-up line too, which makes him giggle and open up to you more. next thing you know, you're waking down the beach with him, holding his hand.
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TAGS: @seunghancore <3
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boopshoops · 3 months
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TWST OC INTRODUCTION - TCOAV
Jocia Gains - Second Half of the Whole
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Name: Jocia Gains
Nicknames: Jojo, Jo, Hosta, Reine des Epices, Barracuda
Gender: Female
Pronouns: She/her
Sexuality: Bicurious
Birthday: November 29
Age: 18 in canon TWST age, 20 in TCOAV AU
Height: 5'10 or 178cm
Voice Claim: Rosa
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Twisted from: :)
Unique Magic: N/A
Grade: Junior
Class: 3-A
Hobbies: Figure skating, playing baseball, working out, motorcycling, skateboarding, fencing, sparring.
Likes: Animals, family, high speeds, summer, competition, the ocean, seafood, bad TV productions (to make fun of), storms, bulgogi.
Dislikes: False gossip/shit talking, olives, cooking, baking, studying, reading, school, cleaning, dry weather, her anger
Fears: Bugs, spiders, losing her family, failing to protect people, being abandoned.
Summary: The local delinquent of Royal Sword Academy. She has a threatening aura that keeps other classmates far away from her, and she is only a student in name. She spends most of her time attempting to find a way home, even if that includes sneaking out of campus and skipping class.
With a spicy hot temper equivalent to a ghost pepper, Jocia is no stranger to fights. Her anger often gets the better of her, landing her in all sorts of trouble. However, her intentions are often good. She works harder than most in order to defend and protect those she cares for, even to the point where she would prioritize them over herself.
Similarly to her sister, Yuu, she is aware that she is not a great person. Unlike Yuu, though, she does have a set of morals. She works to better herself, and she doesn't go out of her way to harm those she sees as innocent.
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Character Playlist - Outfit Inspiration
Author's notes: Jocia is probably my oldest character ever. Well, at least of the ones that have stuck around. There were a few before her which have been scrapped or recycled into my newer OCs. I created her in middle school, approximately around 2015. She typically acts as a protagonist or morally-iffy anti-hero type foil character.
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synergysilhouette · 5 months
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Disney hero/villain tropes and personalities I'd like them to revisit or try for the first time.
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An optimistic male lead. Pessimistic leads are a dime a dozen, so having someone who's more innocent and sees the world in a positive light would be awesome.
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2. A male hero/female villain dynamic. Male villains are more common than female in Disney canon (though the female villains have better odds of being iconic), and usually when we have a female villain, we have a female hero. It'd be neat having a male protagonist and a female antagonist.
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3. A villain who's kinda right, or has selfless or selfless-adjacent (ie not "I'm doing this just for me," but "I'm doing this for someone I care about--and maybe me too") intentions and bad methods. I feel like Disney has done this trope before (or at least tried), but I'd love them to do this more; a complex villain who CHALLENGES the protagonist to grow as a person, whether they're doing "I'm selfish but now I understand how it hurts others" or "I thought I was doing everything right but now I see the situation isn't so black and white."
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4. A forgotten/fallen hero as the villain. I like the idea of someone who was originally a typical Disney protagonist, only to get to a situation where they gave in to their fear, hope, despair, grief, etc. I remember the 2015 remake of Cinderella doing a really good parallel to how both Cinderella and the Tremaines had suffered grief, but while it embittered the Tremaines, Cinderella held strong, making them resent her further (particularly Lady Tremaine).
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5. A shy Disney protagonist. Most Disney protagonists are pretty outgoing and/or social, so having someone who isn't the best at socializing would be a cool Disney lead--plus if it was a musical, the singing could either all be done from the protagonist and co's minds rather than out loud, or the protagonist only sings when they think they're alone. Perhaps they eventually gain the confidence to sing publicly.
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6. A hero and villain romance. This may not be something that you wanna have with a film that caters to a younger audience (glamorizing abusive relationships and such), but if done correctly, I like the idea of a villain redemption and subsequent falling in love with the protagonist. As such, they'd probably have to be a secondary villain in order to keep their crime/kill count low. It's a controversial idea, but I do like the enemies to lovers trope (note: ENEMIES to lovers, not two people who pester, annoy or argue with each other then fall in lover over time; not a fan of that).
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Steven Universe told from the perspective of other characters
Garnet: A story of gay empowerment from start to finish. As a book it would be titled either Made of Love or Stronger Than You and feature Garnet's gauntlets with her wedding rings on them as cover art.
Amethyst: A seemingly wacky coming of age story that drops the most heartfelt moments when your guard is down. The cover resembles kids' detective stories, the kind where the whole gang is looking around for clues to the mystery.
Pearl: Everything up to Rose's death is an ancient literary classic titled The Ballad of Rose Quartz, illustrated with intricate inkbrush paintings. Steven Universe season one to three is the kind of introspective life after tragedy novel you pick up to look sophisticated reading. It's probably titled Without Her or something similiar. I don't have a title for season four and onwards, but the blurb is "it's not easy to manage twenty girlfriends, two life partners, a son and a dark past at the same time!" It's much more lighthearted than the previous two, but still prone to punching you in the emotions with little warning.
Connie: A magical adventure series just like the Unfamiliar Familiar! It centers Steven the magical boy with his best friend and eventual love interest Connie as the female lead. The tone gets a little darker after the first book/season, but less so than the original Steven Universe (let alone Steven Universe Future).
Greg: First a coming of age story, but unlike Amethyst this one is about breaking away from toxic people in your life. This story gets its happy ending when Greg finally finds someone he can be himself with in Rose. The time until Rose's death is a romantic comedy titled My Girlfriend, her Girlfriend and Me and conists mostly of shenanigans. After Rose's death and Steven's birth, it turns into something more bittersweet centering Greg's worries about being an adequate father to his magical son.
Peridot: It's titled How I learned to stop worrying and join the Rebellion and is easily the most lighthearted installment here. Our dorky protagonist is very obviously a somewhat unreliable narrator, but in a funny way. She encounters a few struggles, but they are quickly overcome with the power of friendship.
Lapis: This is just multiple whump fics. They're in a collection titled Bad Things Happen Roulette. Steven Universe the Movie is a pretty standard fantasy adventure with a group of powerful heroes though, and Steven Universe Future is the fluff fic with a smidge of angst you'd read as a pick me up after Bad Things Happen Roulette.
Bismuth: The war is a good vs evil sci-fi story with lots of social commentary. The Diamonds are definitely irredeemable here. I don't know what to do with the few episodes of the original Steven Universe she was in, but the movie is an empowerment narrative against systemic oppression titled Still Standing, or something in that style. Steven Universe Future however is a romantic comedy.
Rose: This is just a straight (well, bi) up tragedy. Our protagonist desperately tries to recover from her childhood trauma and be a good person, but is ultimately unable to escape the prison of her own mind. The book wins several literature prizes, but very few people actually read it because it's just too depressing.
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sixx-sixx-sixx · 21 days
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TEASER: Cooper “The Ghoul” Howard x female!OC - The Trader’s Daughter
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I just wanted to hop on here and share a little bit of what I’ve been working on to contribute to the Cooper Howard fangirls 😭😂 Please let me know your thoughts and feedback is always appreciated!!
Synopsis:
Daisy is the daughter of an ex-vault dweller/wasteland forager named Josiah, who escaped the vault when she was only a child. In his time exploring the wasteland for the benefit of the vault, Josiah meets Cooper “The Ghoul” Howard, who becomes a lifelong acquaintance after a few heated run-ins. Cooper pulls some strings and uses his connections to get Josiah a safe place for him and his daughter, where Josiah becomes a trader of chems and anything else you could want from a trading post.
The Ghoul goes out of his way to make sure Josiah and his flower are well taken care of, and Josiah makes sure that Cooper gets the chems he needs to ward off going feral. Throws in some extra when he sees that Coop’s making an effort to get his kid to gain basic survival skills. (There’s totally a “they were roommates” vibe between her dad and Cooper, but I’m not going too in depth on any of that) Daisy’s just thankful to have a fun time when her Coop comes to visit.
As the years go by, Cooper’s visits to the shop become less frequent, stopping completely when our protagonist is 14. Daisy never stops thinking about the man who her dad trusted more than anyone in the wasteland, the ghoul who frequently went out of his way to bring her small trinkets from his travels as a bounty hunter.
Cooper returns to the trading post after over a decade. Except now, the once welcoming community has become more barbaric, with less smiling faces and more fighting and outlaws. By all means, it was your average wasteland town. He’s surprised to walk into Josiah’s trading post and see a breathtaking young woman come out from the back room, the type of woman men would go to war over in ancient times.
Shocked to see her ghoul standing in front of her, seeing him for the first time as a grown woman, with a grown woman brain and a grown woman body. Daisy had spent many years thinking about him, developed a crush in her teenage years that had bloomed in her chest for a decade. She knew that there was nothing there, there couldn’t be, he was her father’s closest acquaintance for years. He’d watched her grow up, essentially. No way she had a chance, but still, it didn’t hurt to yearn for the irradiated cowboy.
- so yeah. That’s like, the gist of what’s going on so far, it’s definitely not fully fleshed out, but I wanted to post some kind of teaser/synopsis of what I’ve got written messily in my notes app 😅 I want this to be multi part, not sure how many parts yet, but I definitely have at least 4 sections of blurbs in my notes that are going to turn into 4 parts. It’ll be slow burn, definitely a little big of dad’s best friend cooper (I’m just a girl, I can’t help it), definitely some daddy issues at some point, and diverges from canon probably a LOT because I’ve got a general idea of the fallout universe but it’s by no means comprehensive. The first part/chapter is probably gonna be her background, why her dad escaped the vault/maybe how he got acquainted with cooper.
- I also haven’t written anything in years, so be gentle with me 😭
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musical-chick-13 · 1 year
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So, so many times people will say “I wish I could find a story where___” and then it’s something that is significantly present in either a) Chainsaw Man, b) Crazy Ex-Girlfriend, or c) both.
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