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shalotttower · 6 days
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shalotttower · 9 days
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A Natural Benefit
Title: A Natural Benefit
Fandom: Death Note
Characters: L Lawliet x Reader (female)
Summary: L wants to try something new, you want to be left alone. So an offer is on the table, it's a mutually beneficial arrangement after all.
Word count: 2100+
Notes: yandere!L, kidnapped Reader, dub-con kissing, manipulation, captivity, L and Reader were together at Wammy's House
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"Would you indulge me?"
Your eyes dart up from the page to his face. L looks at you like he always does ─ an intent yet oddly distant stare that used to make goosebumps appear on your arms. Nowadays you're somewhat re-accustomed to his mannerisms. He doesn't blink much, tends to stand behind your back whenever possible, likes to play with his food and enjoys invading your personal space far too much to be deemed socially acceptable.
His habits are strange but harmless.
"No," you say, just to be contrary.
L is fond of making things sound simple, and then — snap! — the trap is shut, and you find yourself doing a completely different activity than initially expected.
"I want to kiss you."
"N-" You blink and lower your book down, not bothering to mark it. "What?"
"Kissing is an act of physical intimacy between individuals," he says like it's an obvious fact and you're merely slow on the uptake. L's expression doesn't change, neutral despite this being anything but a normal conversation starter even by your standards ─ admittedly low.
"Thank you for enlightening me about the definition," you lean back against the cushions, "still no."
"Why not?" He asks after a momentary pause.
"Because I don't want to."
A simple answer to a weird request. You try to resume reading, but there're other things currently occupying your brain ─ namely the attempts to understand what prompted such inquiry.
L never asked for physical contact before; platonic or otherwise. Sure he tried to entice you into spending time with him through bargain and manipulation, and you pretended to be oblivious enough to earn an Oscar for your acting skills. However, there never was any talk of kissing involved. Any kind of touching, actually.
He hums. "Would you like me to explain my reasons?"
Sometimes you think that the sole cause of L's existence is just so he could annoy people for kicks. His questions are always peculiar, and you've learned that every single one of them is designed to lead towards some specific conclusion, preferably the one he wants. You have a feeling that if you say 'yes', L will proceed to list a hundred points about why kissing is good. And then another hundred why kissing him specifically is beneficial.
"No."
He looks at you. You look at him and raise the book higher.
"Indulging me would benefit both of us," L says, undeterred. "You're very curious by nature and I find it quite fascinating that you're able to deny your curiosity in this particular case."
Has a more obvious bait ever existed anywhere in human history? Probably not, and you'll bet your entire life savings on it too.
"I'm not curious," you lie, "now leave me alone. I want to read."
He leans forward. "You haven't focused on the book since I asked my question."
Smartass. You purse your lips and pretend that the characters are suddenly so interesting, that it's hard to look away from the intricacies of the plot unfolding inside this fictional world. At least things there make sense; no need to figure out the hidden meanings behind other people's words, because they are mostly transparent when there's a whole paragraph dedicated to the protagonist's feelings.
He reminds you of those spider-like creatures from documentaries ─ their actions seem random at first glance, yet upon further scrutiny prove to be anything but. Instead, they're meticulously crafted and executed to obtain maximum results.
L studies you for a little while longer, and eventually pads towards the kitchenette. The kettle whistles soon after as he makes himself tea; mint flavored, judging by the aroma wafting through the air.
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You should have known that he won't give up ─ L is just as persistent as you are stubborn. If anything, you've set a challenge before him, and he tends to fixate on those until they are solved: a fact well-known and accepted among those who ever had a (dis)pleasure of interacting with him.
He doesn't outright ask you again, not the next day or the one after that. No. Accidentally, the only type of movies you're able to watch now are rom-coms or dramas with lots of kissing scenes sprinkled here and there between the banter bordering on cringe; sweet confessions spoken over candlelit dinners; passionate declarations whispered during sunsets... Clichés, amore, and kisses galore.
"I'm not sure this is the best movie for the evening," you say, as the screen flickers with images of two leads gazing into each other's eyes like they found the answers to every single question asked.
"The reviews are quite positive," L replies, munching on caramel popcorn.
"Reviews can be faked. And the trailer was misleading. I thought it was going to be an action movie."
"It is an action movie. The genres are listed right there," he points at the screen, and the words 'romance and action' stare back at you.
You frown and settle deeper into the couch cushions. It's uncomfortable ─ watching romantic scenes with L in the same room. His presence doesn't feel oppressive or demanding, yet you can't shake off the squirmy, twisty feeling. The kind when you enter an elevator with someone else and get slightly agitated for no reason. And so you try to slow down your breathing, but it only makes things worse. Your heart beats faster, palms start sweating and the hypothetical elevator stranger inevitably thinks that you're weird.
L isn't an elevator stranger. He's the owner of the elevator, and the entire building, and the city.
"He's going to die in the next ten minutes," you mutter.
"No, he won't."
"Yes, he will."
L hums. "Want a bet?"
Your eyes narrow.
"If he survives past the fifteen minute mark," L says slowly, "you indulge me."
"And if he doesn't?"
"I leave you alone for two days."
There's no hesitation on his side. None whatsoever, which proves suspicious immediately ─ L never offers something unless certain about the outcome beforehand, whether by logical deduction or calculated gamble. Probability factors run inside his brain instead of blood cells and grey matter, calculating risk vs return ratio quicker than any computer ever could.
You glance at the screen. It's a simple plot. There were a twist or two earlier, sure, but overall nothing extraordinary that would require hours upon hours of critical thinking to unravel.
A man, a woman. A handsome villain who wants them dead, for various reasons. They run and fight, shoot guns, dodge punches, and kiss between those because apparently there's time for romance even when a life is on the line.
It's a very simple plot; and two days are a lot to pretend that L doesn't exist. That you got rich enough to buy this kind of apartment.
"The speakers?"
"Switched off."
"The cameras?"
"Those will stay."
Of course, they will. You wouldn't expect anything less ─ privacy issues are non-existent here in more ways than one.
L isn't always a presence. Sometimes he leaves and you're alone with nothing but books and TV to pass time, but two days sound wonderful regardless. There's something in empty spaces that's enticing, even if they're temporary. L, for all his peculiarities, isn't too bad of a company. He's quiet, and often busy with his own matters. But he also has this way of looking at you that is unnerving. Like you're interesting. Or important. Or simply fascinating.
Sometimes he wants to talk, he wants to listen, he wants to ask questions and give answers until everything blurs into an amalgamation of words. It's exhausting.
Two days sound good. His hand is dry and slender. You grasp it and shake it once.
"I'll start the timer now," L says after your hands separate.
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Twelve minutes.
Three more and he's dead.
You wish that he'd just kick the bucket already, so you could spend the next forty eight hours in pure, undiluted bliss.
_______________________________________________________
The male lead dies after seventeen minutes.
When the credits roll over, the apartment is silent except for the soft buzzing of electronics. You look at the screen, stubbornly, because you don't want to look at him, the owner of the elevator, and the building, and the city.
"It was close," he comments, as if trying to comfort you, which makes it even more of a sore spot.
That’s what L thrives on ─ technicalities, loopholes, small and seemingly insignificant details which are easily overlooked, yet make a great difference. You're not sure if you're annoyed, or disappointed. And what’s more important ─ at whom.
You have known for years that L tends to get his way eventually whenever there's something specific caught up in that head of his; a fixation which refuses to leave until satisfied, and sometimes even after. Snap. You can get up and head out of the living room, you know you can. Will you though is another question entirely.
L isn't a typical captor ─ he doesn't demand or force you into things. He simply presents a possibility and waits. Not aggressive or domineering, not sadistic. But oh he is a PhD of holding a grudge. Leaving now probably means waking up tomorrow and finding that every single disk has vanished without a trace, along with the bookshelves being switched for some obscure scientific texts on chemistry, physics and other things that require an advanced degree to fully understand.
Because someone decided that you don’t deserve entertainment anymore. Because someone is petty enough to deprive you of basic mental stimuli, and is stubborn enough to hold onto that decision even when reasoned with. Unsuccessfully.
It's a talent really, this particular brand of making your life miserable in many small ways, so they accumulate into something greater over time until you feel like the walls are closing in slowly but surely.
You can't back out, even though no one openly stops you from doing so. And L knows that. And he knows that you know. His lips twitch and curl upward before flattening again into neutral territory.
There's a theory that if you pull a band-aid fast enough, it won't hurt as much. The credibility behind it is questionable.
You exhale and meet L's gaze ─ his posture hasn't changed from the beginning to the end of the film, knees tucked to his chest, eyes two dark pools that stare without blinking. His fingers drum a steady rhythm, and that's probably the only sign that gives it away.
Anticipation.
"Fine," you say finally.
His mouth opens before closing back again. L doesn't move a bit.
He wants you to do it, you realize. Wants you to initiate instead of just allowing it. What an ass.
You squish his cheeks between your palms until his lips pucker outwards. L makes a soft noise of surprise but doesn't try to fight back.
Black lashes cast a shadow across his skin. There's no perfume or cologne, no distinct smell ─ he uses plain soap and shampoo which don't have a discernible aroma.
"I believe I was promised an indulgence," L says, voice muffled a bit by your hands on his face.
He looks like a fish this way. A silly, ridiculous image that would make you snort if not for the situation at hand.
Band-aids and ripping them off.
You sigh, lean forward, and press your mouth to his.
He tastes like caramel popcorn.
Mint tea.
Indulgence.
The angle is awkward, and L doesn't move an inch to accommodate the position. He stays still like a block of solid rock, not a single muscle twitches, and doesn't even attempt to reciprocate. You have half a mind to think that maybe he's mocking you, but then his fingers lightly curl on the fabric of his jeans. L's eyelids flutter half-closed when your noses bump, then open again right after. Another oddity added to the pile.
It lasts no longer than ten seconds before you pull away. L blinks. Touches his lower lip with the tip of a finger and rubs it like searching for traces left by the contact.
"You were promised an indulgence," you remind him, trying to sound calm, collected, but your ears and neck feel hot, "not a make-out session."
Technicalities and loopholes.
L has that look you can't quite pinpoint yet know far too well. You've seen it many times before. When he thinks about something but keeps it to himself for now.
"You look more lively," he remarks eventually. "Healthy complexion suits you."
You don't need to hear what he says next, because the words already ring through your head.
"I told you it would benefit us both."
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shalotttower · 14 days
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Far Cry 5 as Text Posts - the Seeds + mental health
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shalotttower · 17 days
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You should have known that he won't give up ─ L is just as persistent as you are stubborn. If anything, you've set a challenge before him, and he tends to fixate on those until they are solved: a fact well-known and accepted among those who ever had a (dis)pleasure of interacting with him.
He doesn't outright ask you again, not the next day or the one after that. No. Instead the only type of movies you're able to watch are rom-coms or dramas with lots of kissing scenes sprinkled here and there between banter bordering on cringe; sweet confessions spoken over candlelit dinners; passionate declarations whispered during sunsets... Clichés, amore, and kisses galore.
"I'm not sure this is the best movie for the evening," you say, as the screen flickers with images of two protagonists gazing into each other's eyes like they found the answers to every single question asked.
"The reviews are quite positive," L replies, munching on caramel popcorn.
"Reviews can be faked. And the trailer was misleading. I thought it was going to be an action movie."
"It is an action movie. The genres are listed right there," he points at the screen, and the words 'Romance and Action' stare back at you.
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shalotttower · 17 days
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To Make a Home Out of Bones
Title: To Make a Home Out of Bones
Fandom: BTD2 (Boyfriend to Death 2)
Characters: Ren Hana x Reader (female)
Summary: You were free. Free for real, and you couldn't believe that, staring at the open door. And then, by some twisted scenario, decided to keep him. It's tragic, really.
Word count: 2300+
Notes: yandere!Ren Hana, captivity (past Reader and finally in present not Reader :D) Reader is sensible though and there's nothing crazy going on on her part apart from the captivity scenario, mostly tired vibes/attempts to process what happened, unhealthy coping mechanisms, past torture, past manipulation, possessiveness, past dubious consent, past non-con, Reader doesn't know about Strade.
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You don't talk. You never talk nowadays and it feels almost liberating, not having to converse. Ren doesn't look as intimidating as he used to. Maybe it's because of the collar, or maybe it's because he doesn't wear that damned jacket anymore, the one which seems to change his whole being into something unhinged and cheerfully vicious whenever he puts it on.
Is this what he felt, watching you tied to a pole?
No, hardly.
There was a very tangible sense of power in your captivity.
You, however, don't feel powerful at all.
You feel like an old tree: splinters, rotten wood, and bark waiting for the storm to come and snap the trunk in the middle.
Freedom is strangely anticlimactic.
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You don't know how long you've been here, stopped checking a wile ago because it didn't matter ─ to be dragged back from the basement on Wednesday or on Saturday. Days became a sequence of events, not dates, once you realized Ren planned to keep you indefinitely.
Have breakfast, tell him it was good. Do the laundry. Watch TV, let Ren cuddle up to you, ignore the presence of another in the same room. Smile every time he says something nice and expects to hear it back. Let your eyes glaze over during sex, try to remember what it felt like to have someone touch you without making you bleed. Wake up to a sleepy fox curled up on top of you. When Ren dreams his ears twitch.
It takes approximately five minutes for him to settle for sleep, tangled limbs and pointy nose buried in the crook of your neck, and he's surprisingly light for a grown man. With how tough Ren seems (or wants to), there's some sort of innate clinginess about him that contrasts so much with the image in your head: smiling through bloodied teeth while nailing your leg. At first you thought being nice was a way out of this, but kindness is a double-edged sword here: soon you realized how utterly you misjudged him ─ and how truly screwed you were.
Because Ren, while cooking you tasty meals for "being good" and letting you watch TV, likes kisses and hand-holding, and cute things. But Ren also likes the way you sob no less, and that's where the miscalculation happened. Being nice only guaranteed with some unsteady sense of security that he wouldn't kill you yet. That was all. He's sweet, snuggly, affectionate until he isn't, and no amount of good behavior or praise will stop him from breaking your fingers if he feels like it.
Your routine had been simple for months. Easy. Unbearable.
And now all the world which was limited to one single house for god knows how long expands again, but you don't really feel it, even after reaching the small front gate.
You could leave him there, you think. In the basement, and no one would ever know. Lose the key, never come back, just-
Not go back. And all of this will be behind you. You'll never have to see him again, never have to smile for him, never have to hear that shaky sound he makes when he cums, or witness his face turn from carefree to confused, and then to understanding, then to annoyed.
A death like this seems fitting for him. Cold concrete and silence; starvation is an awful, terrifying way to go. You noticed that Ren doesn't really like to be alone, and there's almost poetic justice in leaving him in the basement to slowly rot away.
Your fingers curl around the iron handle and with something akin to astonishment let go of it, then fall limply to your side. You're free, yet you stay rooted to the spot, because frankly speaking where does one go from here? Your rent must be long overdue, and your face is probably everywhere, plastered on missing person posters.
'Hey guys, I'm not missing anymore', you imagine saying to your co-workers, 'sorry for disappearing, I guess. Do you still need that Excel sheet done?'
Your employment contract had probably been terminated. The bank account should be fine, Ren took you right before the paycheck, and there's mom's house to crash at until everything goes back to normal, but that surely means cops getting involved, and lawyers, and media. Just the thought is exhausting.
'How did Mr Hana treat you? Were you intimate? Yes or no? Please, tell us more, miss. How do you feel? What about Mr Oleander, did you know him?'
The wind picks up, blowing leaves and ruffling your hair.
Ren will go to jail. Obviously — kidnapping and killing people equals prison time. The problem is that it doesn't bring you any kind of satisfaction. You don't want Ren here, but you also don't want him peacefully living his sentence while you pick up the pieces of your old life. There's no closure in that, but again...can there be any?
You sit down on the porch; cold wooden boards creak under your weight. Ren has a nice little suburban house.
What now? You have no fucking idea, just vague notions of an unclear future, and nothing substantial.
What now indeed.
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He fed you regularly, that's true; you stand at the basement door and watch him eat.
Ren allowed you free roaming within the house premises, an access to TV, books, hygiene products. Reading manga together felt almost domestic, yet...you keep him there. In the basement.
It's strange, seeing him like this, but he doesn't look surprised at the new turn of events, he looks almost resigned. A mirror of yourself in a sense, you think with a finger hovering over the button. Ren's ears are flattened, tail tucked between his legs, a submissive, harmless thing. You could let him out, allow him roam the house freely just the way he did. But you don't.
It sounds straight off foolish, and what's more important ─ scary. There're so many possibilities. That the remote won't work, that you'll be too slow to react, that he'll sneak into your room at night. Ren can be very quiet when he wants to. So you keep him there, and avoid him like plague unless necessary — feeding duty twice per day plus bathroom visits.
No chatter, minimal contact overall, but Ren starts talking anyways.
"You look tired," he says cautiously in between the bites.
He does it a lot, tries to gauge where you two stand every day or what's on your mind, and you suspect it's the result of past experiences, something that's hard to unlearn. Something connected with that body in the freezer. Upon finding it you initially assumed (not without a reason) that the corpse was his doing, but when Ren undressed before you for the first time, realized that it might not be entirely true.
The cuts, the burns, the marks and deep, jagged lines formed a familiar pattern. Someone had put a lot of time and effort into giving him those.
"I could make coffee. Or tea."
And that's another thing. He doesn't fight you, or attempt to lash out. Instead he makes those little offers here and there whenever you come down the stairs — dinner, help cleaning the dishes, washing clothes. He has been compliant and eager to please to the point of it being almost unnerving.
You don't reply, and that seems to bother him, judging by his expression. Understandable: silence is normally a bad omen, especially in situations such as this one.
"Are you going to-" he starts again, but you cut him off.
"Push the tray over."
Ren's ears twitch at the command and you briefly wonder if he expected something different to happen. The tray makes a metallic screech over the concrete floor, stopping right in front of your feet.
"Thank you," he says.
'Thank you for breakfast, thank you for lunch, thank you for dessert.' 'Thank you for the nail gun, thank you for holding my hand while I screamed, thank you for fucking me after.' You hate the words now, the way they used to roll off your tongue (thank you, Ren, thank you), because they never meant gratitude at all and felt bitter, like a moldy fruit.
Ren's eyes are trained on your face. There it is again: the strange uneasiness which settles in your chest whenever he stares with focus sharp enough to burn holes through flesh itself. His gaze travels lower to your arms exposed by rolled up hoodie sleeves. You had no clothes here except for cutsey underwear and pajamas which Ren insisted you wear, but those are long thrown away somewhere in the trash, so the only things available are his. There's also...other stuff you found in the locked bedroom on the second floor: cargo pants, combat boots, tank tops, all neatly folded. Far too big for you both.
"Is it mine?" Ren asks and leans forward.
"Is there a problem?" you ask back, then regret it.
Questions mean opening a door to unwanted dialogue. His cheeks turn a little pink.
"No. It looks good on you."
Your stomach churns in discomfort at the compliment and the carefully concealed delight Ren won't voice out loud, but drops indirectly from time to time. Not only this, but the familiarity, the implied "you're used to wearing my things by now" which, in essence, is true. It's either that or walking around naked. Ren must notice your reaction, because he quickly averts his eyes to the floor. Silence settles over the basement like a thick, heavy blanket of snow.
Stop feeding me with submissive bullshit, you want to say. I know what you'd do if not for the collar, I've seen it from the first row. Stop pretending to be harmless when we both know you aren't.
Ren fiddles with the hem of his shirt. The change is so drastic. He was a little scary at first when you met, then downright terrifying, and now...now he's just a whole another person.
You pick up the tray without a word and leave. Ren's ears droop once he realizes the conversation for today ended before it even started. But there will be tomorrow. And the next one after, and the next one, and the next one. He'll keep trying to talk, and you'll keep ignoring him until he finally stops.
You don't know what to do with him. You don't know what to do with yourself either.
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There's no distance wide or far enough to allow you proper sleep. You toss and turn under the covers despite exhaustion pulling at your eyelids and eventually settle for a late night movie or two. Ren's DVD collection is...well, to put it bluntly, weird for someone like him. Cheesy and romantic movies take around thirty percent of his library, while the remaining seventy is filled with horror flicks and anime. You go through the titles: Sailor Moon, Cardcaptor Sakura, Tokyo Mew Mew. Some of those you watched together, curled up on the sofa, others Ren had recommended enthusiastically whenever he caught your glances.
'It's really good! I think you'd like it.'
'This is my favorite.'
He remembered the details about each series, all the names, plot twists. A die-hard fan to the point you wondered why didn't he try cosplaying himself instead of dressing you up. He'd pass as some sort of a fox/cat character easily. Maybe he did cosplay before, who knows? It wouldn't surprise you.
The clock ticks 2 AM. Your mind goes back to the basement door and what lays behind it.
Ren knows that you sleep terribly. You know he does too ─ that's one more trait you two share except for the scars.
You click on the first episode of "Arcane Moon Whispers". The opening plays through the old speakers — happy, cheerful music; you wonder if he can hear it downstairs. The basement is soundproofed, but Ren has sharp hearing. It became clear early on, in the way his ears would twitch towards the noise of your footsteps when you still wore the collar.
The plot unfolds in front of your eyes: a magical team fighting evil with the power of friendship, love, and hope.
'They have an entire arc dedicated to time travel,' Ren explained while showing you the box sets, 'it gets a bit confusing halfway through but it's fun!'
It's been three weeks now. Three weeks since your freedom began and yet Ren lingers in your head as strongly as ever, like a ghost haunting your dreams and waking hours alike. It's frustrating to say the least: having him locked away yet seeing him everywhere — in the kitchen cabinets full of sweets he likes, in the bookshelf full of manga he read out loud sometimes until you couldn't bear it anymore and had to tune his voice out, and in the drawer you pull open every morning.
Ren is like a stain.
It makes you sick, actually. It makes your chest ache with something that feels dangerously close to guilt but can't be it. You're not guilty for what you've done, keeping him there is reasonable, understandable, and Ren...he deserves everything after what he put you through first.
You tried so hard to be nice to him.
You were nice.
But nice isn't enough when someone wants you hurt. Isn't enough to stop a knife. Nice is a useless commodity.
A few more episodes later you're still wide awake.
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shalotttower · 19 days
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[ PROJECTION ] Jacob / Rook comic (⚠️: some blood, skulls, swearing and garbage English)
I recognize that Jacob has a certain way of speaking... but as a non-eng speaker, it was difficult for me to implement.
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shalotttower · 1 month
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saw this little test on @after-witch's blog. took it twice to be sure, and I'd say both results have 70% accuracy lol I'm not tech savvy, and only emotionally clueless when it concerns myself, "nothing is impossible" is also not a vibe here. my energy levels are pretty low most of the time, also I quite dislike competition. this was fun, and those pictures are so cute, kinda in love with them
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shalotttower · 1 month
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Oh, I love this ghost concept!! >0<
Do you plan to write more on that in the future? I'm so invested in seeing chrollo's reaction when he sees ghost reader or figures out that they are hunting him. :D
thank you, that's very sweet of you! for now it was just a snippet which I had in mind for some time, I don't plan to expand it or turn it into anything else, unless I'm visited by another idea.
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shalotttower · 1 month
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Characters: Chrollo Lucilfer x Reader Summary: You died and became a ghost. Now you can’t leave Chrollo, but at least there’s satisfaction in taunting him. Notes: yandere!Chrollo, ghost!Reader, past nonconsensual relationship, unhealthy coping mechanisms.
"Do you ever wonder what it's like," you ask, watching Chrollo flip the pages of his book, "to be dead?"
He doesn't reply.
Of course he doesn't, it's simply not possible. Most conversations you have now are one-sided, monologues with occasional questions sprinkled in between which always stay unanswered. Because he can't hear you. Or see you. Or touch you, unless he accidentally walks through you, and it's probably the only time when Chrollo feels something.
Maybe that's why you keep doing it, walking right through him. Just to make his skin crawl like he once made yours.
But Chrollo only closes the window and gets a warm cardigan. Cold drafts are coming in more often these days, since fall is nearing its end.
It annoys you how meticulous he is.
You float above the tub while he brushes his teeth, staring at the faint cracks in the ceiling that weren't present three weeks ago.
"It's chilly here," your fingers sink deep into your thigh, like through butter, and yet it sends no signals down the nervous system to let your brain know. Strange, this body you have now ─ translucent like a jellyfish.
Chrollo rinses his mouth, you push the towel off the hook.
"I could use a cardigan too."
He doesn't get scared. Doesn't get uncomfortable, doesn't...anything, really. All Chrollo does is fix the towel and turn the bathroom lights off.
Fallen things get picked, switched objects ─ put back to their respective places, and doors locked shut. He goes about his day, sometimes drawing two mugs instead of one from the cupboard.
You could leave.
You sit on the balcony railing where Chrollo drinks his tea, and swing your legs in the air. Below your feet, cars move on the pavement like toys lined up in neat rows. People cross busy intersections, and the wind doesn't rustle your hair anymore.
Could. Could leave.
If only you knew how to do that. If only Chrollo wasn't attached to you, like a string tied to your wrist ─ invisible, but still so thick that it tugs you back whenever you try going further than a few blocks away.
You don't know why it's like this, but suspect it might have something to do with unfinished business.
Stuck here, you watch him read and brush his teeth, drink fancy tea and shake the snow globe he stole two weeks ago; the dancing fairy inside looks a tad much like you and you're debating whether pushing it off the shelf would be childish or not.
Sometimes it's frustrating being around him.
But sometimes, sometimes a door creaks and Chrollo stops in the middle of the opulently decorated space. The wallpaper has little fleur de lis printed on it, and heavy red curtains frame large windows.
This is when you go so, so still and stare.
"Dear?" he asks quietly.
There's nothing behind the door.
Just an empty hallway bathed in dim lighting.
You never reply. Because this is why you keep hanging nearby, even when there're many empty rooms in the penthouse, barely there, barely lingering ─ for the greatest and most profound pleasure of making him believe, just once, that perhaps, there's something else besides himself in this furnished apartment.
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shalotttower · 1 month
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something about the duality of fearing yet craving intimacy or whatever
but also it's just my ocs being cute
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shalotttower · 2 months
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Cultivating Flowers
Title: Cultivating Flowers
Fandom: Original
Summary: Marquis is a man of many interests, including gardening. Specifically, his new roses.
Word count: 3500+
Characters: OC!Marquis x Reader (female)
Notes: yandere!OC, manipulation, animal cruelty (not detailed, briefly described), seduction.
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The first bloom appears two weeks after spring starts and it's the most glorious flower in all Marquis' garden. Gentle apricot color, like your favourite dress. You were saving for months — a whole autumn — and grandfather grumbled and grumbled about the frivolous waste of money, but once you finally put it on, his scolding didn't matter a bit. The dress made you feel like royalty — elegant, graceful, important.
You wonder if this is how Marquis feels all the time.
Gorgeous outfits, a splendid castle, a life of aristocracy and ease where everything is taken care of by servants and every other weekend there's an opulent dinner party full of refined conversations.
Your envy for him is almost as big as your caution.
Marquis Nicolae is rich. Like many rich people he possesses time. And when one has too much, they become terribly, infinitely bored. That's what grandfather told you in one of his drunken rants: people who are rich, castle-rich, private carriage-rich for generations are bored like nobody else, because nothing is scarce to them and so nothing is precious either. Work for them. Take their money. Keep your head low and remember — they don't see us like we see them.
Grandfather doesn't work in the castle anymore. He's got old hands which shake from years of physical labour and fruit brandy, back-aching hunched posture and swollen feet that need rest. Now he stays at home, waiting for you to return with stories and bread rolls baked by the cook.
He used to serve Marquis Nicolae's father, who was twice as rich, but thrice as wicked, according to grandfather's words.
"I was a stableman, your grandmother was a seamstress, God rest her soul. Sewed all my shirts, this one included," he tugs at the fabric with pride. "She did well on it... Look at those stitches."
For a moment he gets lost in muttering and rubs his index finger on an even patch of stitched fabric, as if hoping his touch can conjure a spectre. "Not like now, where clothes fall apart after just three seasons. Quality... Sturdiness," he smacks the table. "People used to think long term. Made their shirts for decades, strong like this."
Grandfather is forgetful these days, he leaps from one topic to another and loses the main line of thought, especially after a few glasses. But you wait.
"When I worked for Lord Cazimir, you see," he says finally. "He had horses, all strong, sleek, looked like jewels. A new horse each two months, said it wasn't right for a gentleman to have one for too long, but by God, I never saw a man treat them worse than him. Not enough sleep, ridden until bones hurt. If the carriage hit a stone, it was the horse's fault, if the reins got tangled it was the horse's fault, not the bloody driver. He had that whip with metal feathers which could cut through an apple. And before he made the last swish, he'd pause. Look the horse in the eyes. That was the scariest thing, how he stared at them, so calmly."
He glances at you, as if fearing an admonishment. For what? You wonder how it felt, caring for something that looked like a jewel time after time, after time, and knowing the goodbye was certain and inevitable, like a turn of a watermill wheel. Did grandfather mourn the horses? Or did he get used to burying their bodies under the soil? Maybe they fed someone later — people who don't have much are resourceful, they don't bury good meat.
You squeeze the water from the sheet in silence.
"None simply lived past two months, that's why he changed them so often."
"Why didn't you quit?"
"And then do what?" Grandfather snorts. "There was little job outside the castle, everyone who didn't have land or livestock worked for Marquis one way or another."
"It must have been difficult."
"Life is difficult," he answers, and you can't disagree.
Life is difficult, that's a fact, and it didn't get better when you started working for Marquis Nicolae yourself. A good thing is that unlike Lord Cazimir from scare stories he doesn't torment horses and rarely pays attention to anybody in a servant uniform. All of you share the same mindset: a quick "Good morning, m'lord" or "Have a pleasant day, m'lord" and then being gone as fast as possible.
Rumors circulate that Marquis never once had a full smile on his face. Charming chuckles when he's in a good mood, courtly lips stretches for ladies, bemused sneers when he's addressed by those who used to be in favour but now are out — yes, but the genuine and full-hearted joy: nobody has witnessed it.
He doesn't seem unhappy though, nor he is too serious. When you see him Marquis Nicolae always looks like he has eternity at hand and there's no hurry to spend it. To you, he is uninterested in anything and sharp about everything at once.
You can't describe him better. Words fail you when trying to fit him into boxes of easy understanding. But after all, it's not your job to fit him anywhere, your job is dusting shelves and scrubbing floors, and, since recent days — taking care of roses.
It's unusual for the castle to have such plants this early in spring. They're imported, said the gardener, from cooler places and prefer winter over the blooming season of May and June. That's why Marquis commissioned a greenhouse construction weeks prior, to have beautiful flowers which can bloom regardless of the weather. It took an entire month of hard work, people hired from nearby towns and a promise of good money. You watched them build from the kitchen window where you were helping with meals.
Roses arrived next. Seven bushes filled with buds ready to open up any day. And oh they did. Soft apricot colors covered stems like dewdrops, beautiful enough to make one gasp.
One morning you bring your rag and a bucket to the greenhouse a bit earlier to enjoy the fragrance before breakfast is served. Nice things like these are not for maids like you — the petal scent and the gentle touch of leaves — they're for ladies in beautiful dresses who have time and luxury to appreciate them, but nobody will know anyway if you stop to lean down close enough for your nose to almost bury itself in velvety softness. It's a small indulgence which can hardly hurt anyone. Nobody will know if you pretend to be a lady just for a minute.
"They're quite extraordinary, aren't they."
You freeze, nose in the middle of the rose bush.
"I- Yes", you straighten up and curtsy. "They are most beautiful, m'lord."
Marquis' figure, backlit by the morning sun, casts a shadow which stretches far beyond your own feet.
"Do you know why I chose it?" he asks. "This breed."
He's dressed in a dark waistcoat with delicate embroidery on the collar and doesn't have a single hair out of place, not a strand too thick, not a strand too thin; as flawless as a painting which hang on the walls of his library, but not as solemn. Those paintings seem to measure everyone around them. Marquis Nicolae looks more approachable in appearance, and that's where the approachability ends. His eyes, burgundy brown colour you've never seen before, measure people too, in value rather than worthlessness.
You shake your head, "No, m'lord."
"Because," Marquis continues without minding your answer at all, "it's pretty."
His lips stretch in a courtly smile of a gentleman who is amused by his own joke. You don't understand it but smile in return anyway, because you must. Because this is how the world works — nobles are amused and maids fake understanding so the amusement can persist a little longer.
"Go on," he says. "They are meant to be smelled after all."
You nod and curtsy again.
Later he will be served tea at the ornate greenhouse table while you scrub the floors until your fingers ache. Marquis' focus will shift towards letters, and this is how it's supposed to be. Him reading correspondence, you being invisible like dust under the shelves you clean. It feels better when he doesn't look at you with those eyes of his. They pierce through everything they see.
There's something wrong about him. But you can't tell what yet.
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Life is monotonous, especially in a place like this, even banquets and events have that homogeneous taste, because there's at least one every three weeks, not speaking of brunches which rotate regularly depending on who's currently in Marquis' favour. You serve dishes full of rich fragrances that make your mouth water but can't ever dream of trying them. Meat dripping with wine sauce, roasted chicken breasts wrapped in crispy bacon and glazed with honey syrup. Fresh fruits coated in powdered sugar. Sometimes in the evening when everyone is asleep you mouth the names of those meals: "Beef Bourguignon," "Veal Piccata", "Chicken Florentine". Those foreign words are hard to pronounce — Beef Boo-gee-nyon, Veel Pick-kata — you do it quietly and mostly in your head so grandfather doesn't hear and scoff about wasting time on useless things.
"You're not starving," he would say. "There's bread, there's soup, you don't need those. Be happy, girl. We used to eat potatoes for months straight during famines."
You've never been hungry enough to know what famine tastes like but suspect that the flavor must be something similar to the dull feeling between the busy hours of work, which gnaws at you and makes your thoughts drift to the lunch break.
Sometimes, in a particularly sour mood he adds, "Don't stuff your head with fancy nonsense you can't have, it's only gonna make you bitter."
True.
You're a maid. A girl. A nobody.
And this is how it's supposed to be.
How to tell grandfather that you don't wish to be fancy? Just to try once the roast duck stuffed with grapes and apples, or fresh sardines baked in butter sauce, which smell heavenly as they're carried up the stairs to Marquis Nicolae's salon where guests are gathered.
How to tell him that it's not about food, not really.
It's about knowing what an apricot rose smells like early in the morning while others sleep. How velvety its petals feel when touched. Delicate things like these you're not supposed to have, but do anyway, because a moment stolen out of monotony pulls you from beneath the apron. You, yourself, not just a pair of hands with tired fingers, exist briefly when roses bloom in Marquis' greenhouse and a little piece of yesterday's cake is smuggled into your pocket.
You understand why he's wary. Grandfather's right: with longing comes bitterness. But you're careful not to overdo it. There's only one stolen minute of appreciation each day, not more, so you remember who you are — someone meant to be seen rarely and unnoticed most of the time — and return behind the apron.
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Spring goes on.
Daylight stretches a little longer. Ground gets a little warmer. Marquis Nicolae often spends time in his private study after breakfast, then at noon — in the greenhouse. He strolls there among the greenery or sits by one of the tables with a book. Reading seems to be an activity he favors, and unlike some other gentlemen who grow tired within pages Marquis can stay completely still for hours without once getting restless.
You know because you watch him from the corner of your eye.
What kind of books he likes to read if they manage to keep him entertained for such lengthy periods, what titles do those leather spines hide, which stories are good enough for a gentleman like Marquis? He always seems so politely disinterested. You wonder if there are books that can make even him laugh.
Sometimes he asks you questions which startle you.
"Have you read 'The Castle of the Lady'? It's a novel."
You shake your head. "No m'lord. I can't read."
His eyebrows raise. Not in astonishment, Marquis Nicolae has a face of a man who rarely encounters surprises, his reactions are akin to mild interest bordering on curiosity, as if he enjoys discovering something new, something that doesn't fit into his existing assumptions.
"Can't?" he repeats.
You shift uncomfortably under his gaze, "No, m'lord. Never learnt."
"Who raised you?"
"My grandfather. He's a stableman... was. Now retired".
"I see," he returns to his book.
You fidget with a rag in your hands, why does he care to ask such question? What difference does it make whether you read or don't? It's not that uncommon. Most servants only know the basics, letters which form their names and the ones that stand for numbers. You don't really need the skill. What for?
"You may continue," he adds.
So you do.
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"Are you the only child?"
"Yes, m'lord."
"Your mother? Father?"
"My mother passed away giving birth to me, and father was a soldier, so he died in a war."
"What a shame," Marquis says, but it sounds like a comment on bad weather.
You're standing with fresh linens in his opulent bedchamber. It's spacious: tall windows and furniture made of rare wood. Old, like the walls of Albastru castle itself. A maid's life story is neither interesting nor important enough to pursue it, at least not in the place like this. Marquis Nicolae is bored, that's the most reasonable explanation to the current arrangement. He's looking for entertainment, but what entertainment can come at your expense, you're unsure.
Grandfather warned you not to draw too much attention, but it's not exactly your fault. Marquis' schedule is well known — he spends evenings in the salon and retires long past midnight. The chamber should've been empty. You should've been able to change his bedding, clean the fireplace and leave without as much as a sound.
Yet here he is, in a high armchair by the fireplace.
And here you are, in front of him, waiting for a dismissal that doesn't come.
On a small coffee table there're squares with simple pictures — a dog, a cat, an apple, made of thin wood with letters engraved in black ink. You step from one foot to the other, the lemon-scented sheets hide the way your fingers twitch.
Marquis traces a square with a rose.
"Sit down," he says and motions to the other chair.
"Your linens, m'lord-"
"They can wait."
No, they can't, you think. The bedding needs to be done, the fireplace cleaned, carpets swept, wilted flowers removed — there's so much to do to linger, and it's already getting late. If you're not able to finish on time-
But Marquis Nicolae didn't give you permission to leave.
You sit and put the linens on your lap.
Grandfather would say that Marquis enjoys the sight of your discomfort behind that courtly smile of his, but he doesn't look amused, he looks the usual. Calm and slightly disinterested. Sharp, despite being relaxed.
"If you figure out what letters stand from this," he points at the apple picture square, "to this one," then moves his finger to the picture with a goat, "you'll get a treat."
"M'lord?" you frown.
There must be something wrong with your hearing, but no, Marquis leans back and crosses his long legs. "A treat."
Treats are for children, treats are for dogs, treats are for horses who are obedient and look like jewels. You stare at him, puzzled, but try not to let it show; nobles have strange hobbies sometimes: races which cost thousands of gold coins for one bet alone, hunting dangerous animals, forcing their servants into duels to pass time. This must be one of those, an entertainment beyond your comprehension.
Still, time is moving forward and the complexity of your situation is becoming more apparent with every passing second; you've never felt particularly powerful — why would you? — but now you're acutely aware of how fragile one's position is when it depends on someone else's whims.
You take the first picture.
An apple. Letter A. Then a ball — B. Cat... So that's what they look like written down.
Marquis' eyes follow your fingers as they slide across the wooden squares, you feel his gaze like a touch, even though there's a coffee table distance between you and a bit more. You quietly mouth each word and letter by habit, unaware of this little detail. His eyebrows raise, this time with a hint of amusement which you don't see, too focused on your predicament.
Dog — D.
The clock is ticking.
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"Well?" Marquis asks later when shadows cross the room. The sun is gone, the fire in the fireplace burns lower but bright enough to illuminate the space. Sitting like this has given you a headache which makes thinking harder.
"I have them figured out m'lord", you say carefully.
"Tell me then."
"This is A," you slide the apple towards him across the table. It feels a little silly. "This is B."
The way you say them isn't quite accurate. It's "bee" instead of "b" and "dee" instead of "d", but he doesn't tell you that. Your voice goes quieter with each following letter, perhaps because you're nervous or maybe simply tired — who knows what time it is by now? Ah, quarter to ten. He watches you struggle with spelling and pronunciation until finally there they are. All squares from Apple to Goat, in order just like he arranged them.
"What about this one?" Nicolae points to the playing cat.
"It starts with 'K', m'lord."
You're quite sure, not that much variation is left after all, and say it with the most conviction you can muster so he would finally be satisfied and end this odd game. Your head hurts and stomach grumbles with hunger — there was no time for the lunchbreak today —both physical and mental exhaustion blur together.
Grandfather must be worried sick by now, he hates when you're late without telling anything beforehand.
Then Marquis covers his mouth, and for the first time since you entered Albastru castle, laughs.
Not chuckles. Not smiles without smiling. Laughs that his shoulders shake, that his eyes crinkle at the corners. You stare bewildered, not knowing what to do. Laugh yourself? Smile politely? Say "m'lord" again?
Marquis' laughter dies down eventually and he collects himself, straightening his waistcoat which doesn't require any adjusting in the first place, he's perfect as always.
"No, that's C."
Your cheeks flush red, how were you supposed to know? It would seem that a gentleman such as Marquis Nicolae should know better than mocking someone's lack of education, but apparently he finds it amusing. You lower your gaze and look away.
"How are you called?" he asks.
After a pause your name rolls off your tongue; small in his bedchamber, it barely leaves an echo.
"Well, I said a treat, didn't I?"
You don't want any treats, or to spend here even a minute longer; Marquis rises and walks towards his desk.
"Come here."
Reluctantly you stand up and follow him. The linens are left on the chair in a crumpled pile, they need ironing now. There's nothing to do other than obeying so you stop next to him where he opens one of the drawers. Inside you can see something wrapped in white paper with a thin ribbon bow around it. He takes the item out and pulls the ribbon off. Delicate scent fills the air, the little cakes, you know their name from the cook ─ macarons ─ bloom inside the wrapping.
Marquis Nicolae picks one up with two fingers and brings it to your lips.
The macarons smell sweet like almonds and look beautiful like roses in his greenhouse. They're not for maids, you think, no, this is...he shouldn't be doing that.
Your mouth waters anyway.
His eyes don't leave your face, "Do you want it or not?"
You do.
"Then take a bite."
The dessert melts in your mouth instantly. Its texture is soft, like petals, like everything else luxurious you've never had but imagined countless times. A little chewy, a bit crunchy, it's the most delicious thing you've tried, better than a piece of cake taken from the kitchen pantry, better than honeyed walnut bread.
"Another one?"
Marquis Nicolae feeds you two more, before you realize what exactly is happening — a bite by a small bite your dignity dissolves into his hand. You swallow the last morsel and quickly step back; you've forgotten yourself, forgot who you were and where, and now there's sweetness lingering on your tongue, while Marquise' fingertips smell faintly of apricot.
What have you done?
He looks amused again.
"Thank you, m'lord," you curtsy, then turn around to gather the discarded sheets.
"Clean the fireplace and change the linens. Then you might be free."
"Yes, m'lord."
It's a dismissal at last.
Marquis sits down and reaches for a book — he's done with you it seems — so you hurry to complete the assigned tasks. The fireplace isn't too dirty fortunately, just some ashes and coal leftovers. Next, the sheets, then the flowers.
Before you close the door and rush down the empty hall he speaks again, "If you still remember them all by tomorrow evening, you'll have another treat."
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shalotttower · 2 months
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Oh my ever loving cheese you are SO good at writing Chrollo, I CANNOT 🤌🤌👏🏻 Thank you for blessing the world with your skills 🙏🏻
thank you for such lovely words!! that's so sweet of you ❤️
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shalotttower · 2 months
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Hi, I have seen in your masterlist that you have outlast in it, so you mean outlast the horror video game?? (I’m just making sure cause I rarely see anyone make fics for it) If so which characters do you write for?
hello! yup, it's the video game. I mainly would write for Trager, the Twins and Walrider, maybe Chris too.
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shalotttower · 2 months
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how are you?
hello! I'm good, got a bit busy with irl. currently writing a fanfic with my OC, will hopefully finish it at the weekend. thank you for asking!
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shalotttower · 3 months
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Doodle of Lawrence, he be staring
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shalotttower · 3 months
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do you think you'll ever post on ao3? your works are so good i wanna download them so bad 😭😭
I've started to! AO3
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shalotttower · 3 months
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I lived my normal life, but now I urgently need to become Jacob's wife +_+ (thank you~)
lmao you're welcome. send me an invitation card!
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