i have so much band!au content in the pipeline my brain is Rotting but enjoy these two for now

jjk band!au

Fall of the House of Usher has everything, tbh. Seven Deadly Sins family. Everyone’s queer. No one has a moral compass. Nightmare goblin energy everywhere. The most grotesque deaths you’ve ever seen. Hilarious snark. The hottest women in the world. Carla Gugino in fifteen different wigs. Violent lesbians. Cats coming out on top. Cool tattoos. Orgiastic vibes. Katie Parker being Just A Lady, for once. Terrific hair. A granddaughter who takes no shit. Intimacy issues galore. Storytime. Storytime. Storytime.

@keripalods on twitter is making a farm au where sy transmigrated into a dairy cow, in "Proud Inmortal Cattle Way", and Lqg is their farmer, and a bunch of people already did fanart about them, so I fell into temptation too 🐄 💕

and based on a funny video I saw of a cow being flipped by other cow and falling into their feeder I made a bullied cowqiu

rabbit hole Sunday

I did him (I have to redesign his face).

missing this specific kali era₊˚౨ৎ˚˚ ༘ ೀ⋆｡

also, made a playlist of all her discography + unreleased songs, give it a listen<3 !!!!

Stole the og image off twt and slapped Sin on it cuz thats literally him. He is just vibing, jus chillin and being silly

the white-clad figure fleeting.

What's gabriel in this au?

Some loser, probably.

Tim: Oh no! There's TWO Casses! Steph, excited: Wow! Tim: Steph, this is a bad thing. One of them is an imposter. Steph: Oh yeah. Duke with a gun: How do we know which one is the fake? One Cass, pointing at the other Cass: Shoot her! She's the imposter! *everyone immediately shoots the Cass who spoke* Damian: You idiot, giving yourself away like that. Cassandra would NEVER pass up the opportunity to die! Cass: Cass: Is that really how you guys see me? Everyone else: Yes.

It’s a dangerous business, angel, asking questions.

(Also I haven’t taken my pen up in forever, sorry for the quality).

my girl just wanted to study her satanic bible

dude psyched ur reading orv, insanely curious about ur takes

My friend @charterandbarter put it best.

ORV is pretty fascinating to me. It's really just a self-insert isekai OP webnovel, and it is nothing else. Its medium is trashy and lowbrow, and its genre is almost devoid of high art. OP isekais are 'id' stories, meant to be satisfying and fun and contain very little of substance. ORV is a very well executed OP isekai - it contains the elements of the genre that make it satisfying, it understands why people read the genre and enjoy it, it reproduces those elements very well, and it is very concerned with telling an enjoyable story. ORV really, really loves webnovels and isekais and shitty wishfuillment stories. There's a lot more to ORV than the 'fist pump' moments of kdj doing something cool or pulling a fast one on a shmuck, but those moments are the undoubtedly the point of ORV, as they are the point of all SIOC isekai OP webnovels. And that's the point of ORV.

Metanarrative stories are cheap. Neil Gaiman's written 30 and millenials love waxing philosophical about the power of narratives. These metanarratives tend to describe stories as a theoretical framework through which we understand the world and our lives. Therefore, stories are tremendously important and valuable because they contain the totality of religion, history, culture, relationships, and lives. ORV says this too. But this theory tends to land at mystifying and exalting stories on virtue of them being stories, which I think misses the point. Stories aren't special because they're stories. They're not more sacred for containing our lives. What ORV says is that stories are important, because our lives are important. I like that a lot more.

ORV says that stories are our way of ordering a disordered world. A history, culture, nation, and religion are stories. None of those stories are true or real, because histories/cultures/nations/religions are constructs - they're how we interface with reality. They're created with a purpose, told for a point, pulled together into a narrative, and are satisfying or dissatisfying based on certain factors. ORV's perspective on fiction is deeply seeped in its own nature as 'low art'. There's something very cynical and commercialized about narratives in ORV, and every narrative in ORV is being told for a quick buck or to try and spread an idea for an individual's gains. It's a very unromantic, unimpressed view of narratives and fiction. It's pretty much the only way a SIOC OP isekai webnovel like ORV can talk about it without being disingenuous. And it's remarkably raw and visceral as a result, because ORV loves SIOC OP isekai webnovels like kdj loves yjh. Fiercely, insanely, like breathing, exactly for what it is. No pretensions.

It's bizarre, because ORV is about love. It's not about love for anything that deserves it. Not for a story with a lot of literary merit, a main character who is a remotely kind or lovable person, or art itself outside of its commercial or philosophical value. kdj really, really, really fucked loved TWS - because it was there, and because it lasted 15 years, and because it was fake, and because it was what he had. He loves yjh because yjh was his only companion in a dark world. That's fiction. Fiction helped him survive, because love is a way of ordering a disordered world.

I'm still reading myself, but ORV seems to be about how we manage to live in a hard world, and how to find it within ourselves to love each other and find meaning in that hard world. I see why kdj's the protagonist: he can find merit in something for existing, and loving it for being there, and he holds onto something because he has it. He sees the value in that. He read it in a book.

TL;DR: ORV is well-executed trashy commercialized art that is so obsessed with trashy commercialized art that it's looped straight back around into being somehow the most raw and visceral depiction of love I've seen in a long time.