Prompt 308

Honestly, Damian is so disappointed in his father right now. And his so-called siblings. The friends allies he had made over the years and he had been swapping multiple times, and still they hadn’t realized. Danyal was as pale as a corpse, closer to Drake for Pit’s sake! Jordan had red eyes! Elena was a girl! Respawn had white hair! Surely someone noticed- thank fuck, hello Todd, no he’s not on patrol, listen, listen, he needs you to know that Father? Blind. An idiot! The others more so! Yes yes, they’ve been doing their single-person trick, but surely someone should have caught on yes? And they haven’t- Oh? What a wonderful idea Akhi, he shall inform the others of this idea, the Lazarus waters do make dna testing quite hard to do. 

I’m not going to lie but it’s really weird how book readers will find out someone is a tv show only and then flood their mentions with spoilers.

Somebody might be praising Luke for being nice and then you find book readers in the comments being like, “you’ll see” “sure he is” “he is very nice 😉”. People are not stupid, they’ll obviously pick up on the fact that he is not to be trusted later on since y’all are literally making it obvious that he’s not as innocent as he seems. It’s weird how some of y’all are ruining it for other people.

I carried this thing for MONTHS with the EXPRESS PURPOSE of putting Raphael in it (knowing full well Larian wouldn't let me do that, mechanically) and I had one major miscalculation.

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Five Times Rei Protected Kazuki + One Time Kazuki Protected Rei We all know there were more

Appreciate the little things.

Not to ignorantly deny all of the big bad things in the world, but to survive them.

i already wrote up a whole essaypost about the dynamic for these two but it's funnier to summarize it like this. also it's the only way youre gonna see anything resembling fp getting closure abt any of this :^) [x]

To summarise: Casper's having the time of his life, Petrah's glued to her seat and Marco came for the free food 👍 But hey everyone's having a great time and we get to meet the newest addition to the Apple family...Briar!!!

The cousins meeting for the first time 🥺

Just remembered that Will sat on the icebox in the van for the 30 hr ride back to Hawkins

VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.

one thing that seems to prevalent in almost any lestappen fanfic is that ferrari doesn't care about charles, and that fred especially is made to be this villain, and its just... maybe people just don't know because they weren't around in 2022, or maybe they just forgot, but things were bad in ferrari in 2022 to the point where charles threatened to leave because of the bad management--and ferrari scrambled to keep him. they fired binotto (the tp) and a bunch of the staff (like head strategist) because of charles, they got fred because he and charles were on good terms, the team is literally being build around charles.

i don't immediately dislike the fanfic if ferrari is the antagonist of the story (but some reason rbr isn't lmao), i just think it's strange that ferrari is always the big bad guy

spade represents the tip of a pike; an implement for killing

alex’s

white void of doom

sketch and background element/scribble that isn’t really visible but i’m sharing just in case anybody did notice it.

other details

Theory: The Clone X was not Cody like some people think or even Fives (I know he's been dead for a very long time but so was Boba Fett and look where we are. Plus, Echo was supposed to be certainly dead too; making him Winter Soldier-esque storyline wouldn't be that surprising) or not even Slick.

((Also, now that we've seen his face devoid of any tattoos or scars I think first two takes are definitely not applicable anymore; they wouldn't put that much effort to make him unrecognizable))

Back to the point: In my opinion, The Clone X was none other than...

Fox.

Now let me explain.

Who else, other than X, was loyal to the law and justice dictated by it over any moral or ethic code?

Fox.

Who else was portrayed with such single-minded focus on hunting down traitors of the government he served, regardless of what it was?

Fox.

Who else could know not only Coruscant so well but also identify Rex like they knew each other?

He already was a remarkably successful tracker of traitors, why not make him more efficient by pointing them out for him?

Good soldiers follow orders, after all.

when your children are still babies, they get so so upset when gojo comes home and doesn’t immediately pick them up. your baby has recently learned that the sound of the front door opening and closing usually signals the return of their father so tonight, when the door opens, your baby’s head perks up. when he finally takes his shoes off and makes his way into the home, he spots his little angel on the couch. “hi baby!” he coos at them with a smile on his face and his hands full with some packages. “let me go put these down and i’ll be right back!” he tries to explain, to which your baby just obliviously smiles at, just happy to see their father and know that he’s giving them attention. but when they realize that he’s leaving their sight and didn’t immediately pick them up… oh have mercy. it becomes a shit storm because who does he think he is?? to not give his baby all his time and attention! gojo comes running back into the living room confused as to why they’re crying but as soon as he picks them up, they stop crying and start giggling. what a dramatic little baby you’ve been blessed with. the apple doesn’t fall far from the tree ig

— doc dad levi anon

SHUT UPPPPP because you know Satoru loves the attention too, they’re a perfect match together bye. All you can do is stand, bemused, as Satoru picks up the baby and almost instantly quells his crying, rocking him back and forth before stretching his arms to hold the kid at eye level with him and cooing, “Oh, I’m sorry my love, I missed you too, soooooo much,” Satoru bends his arms to brush their noses together and grin at the giggles the baby emits, “You missed me too, yeah? Aren’t you the sweetest little thing, missing me like that? So precious.” Satoru covers the baby in kisses and sweet words for nearly five straight minutes and they both love to bask in each other’s attention (you have the videos to prove it).

Something kinda funny tho is… you’re 98% sure your son can tell that Satoru will give into quickest lmfaoo. Your baby cries sometimes when you have to leave him, sure, and can definitely throw a fit when he wants your attention—but he seems to know to cry (or squeal, or babble, or screech) on demand for his sucker of a father. Nanami, Shoko, Megumi, and Yuuta (your on rotation band of baby sitters) have noticed that the kid loves to be held and has no shame gesturing for it—but they’ve never experienced the baby crying when they so much as step away for a moment, unless he’s hungry or needs to be changed. You don’t have the heart to tell Satoru he’s being played tho, so you just let them have their moment <333 (not that it would matter, Satoru can’t stand to see your kid cry in any capacity, so he’d go right back to giving in; plus it’s a win-win in his book anyway: baby stops crying, and he gets cuddles from his son).

(Then again, you think the need and love for attention might just be genetic, because Satoru has cried big tears a handful of times just leaving you and your baby at home for a few hours).

ik it’s probably a classic case of extrapolating way too much but... the way raph’s character design lines up w his whole arc and role and struggles...

like the fact that he is so so so much bigger than the others. raph is big, raph is strong, raph is steady and sturdy and he can literally pick up his entire family and carry them all at once. 

and like, when raph is so big and so strong and such a reliable thing. when raph is the protector, the one calling the shots on missions, the mother hen, the first point of authority. when raph is there, overprotective, when raph (for all that his brothers poke at him not being good under pressure) always always ALWAYS comes through at the end of the day when things are serious, ALWAYS gives it everything he’s got. 

his design and his learned role/behaviors in this family are just the perfect storm of why it took up to the season finale to drive home the issue.

so much of the series carries the default energy of “raph will handle it.”

raph will hold up the ceiling above you. raph will throw himself over you and take a hit and get back up and keep fighting. raph has a power that makes him even bigger and draws more attention and makes him able to carry MORE. raph will be the substitute parent. raph will be put into the mentor role through leo’s leadership arc. 

and raph is big. he’s built to carry heavy loads. raph is strong. raph is bold and loud and always ready to try to push on. even if he doesn’t know what to do or what he’s doing, he won’t give up and we’ll all pull together and things will turn out okay.

(his room is full of teddy bears. he dipped out on a mission to try to take a picture of a pigeon carrying a slice of pizza. he’s terrified of being alone.

he’s just as much of a kid as his brothers are. he’s just as new and inexperienced with the things happening to them as his brothers are. but for him, for some reason, there’s like this double standard where that becomes a huge glaring flaw.)

idk this got very sloppy and uncoordinated. i’m very in my feelings about raph right now though.

I know it’s been talked about ad nauseam, but I think one of the things that got lost in the discourse about TTPD and the muses and whatnot is how one of, if not the core trigger points of the album is the yearning for commitment and perhaps even more poignantly, motherhood.

The reason she was so susceptible to falling for the “conman’s get love quick schemes” is because she was grieving that imagined life with the person she had long assumed would be the one to give her that. What has been beyond clear in several albums, let alone interviews etc, is that those plans for building a family were very much real and top of mind for years, and she kept holding on and shifting her world in service of making that happen. And when whatever happened happened that pulled that rug out from under her, it left her bereft not just for the relationship that had once been her world but also the imagined family she had been hoping for and sticking out the hard times for.

And that’s likely why she was swayed by and trusting of the promises of someone who knew her history and knew how unmooring that loss was to her. It may have been partially about the person himself or lust or whatever, but the core issue was the pain of giving up the dream, and sublimating that dream into this new opportunity in front of her, because she was so desperate to hold onto the last scraps of that imagined life she wanted so badly. (And I don’t mean desperate as in pathetic or negative, I mean as in fighting within the last ounce of energy and hope she had.) It wasn’t rational and it wasn’t love, it was grief, not just for a relationship but even more so for the family it represented.

So to me the core issue of TTPD isn’t just the Joe vs. Matty or whoever of it all: it’s Taylor and her yearning. She wanted a family badly and a life that was theirs and was processing losing that in all kinds of ways. It’s all over the album in overt and subtle lyrics. It may not have been grieving a literal death but I’d bet it felt pretty darn close.

And I’d also bet that’s why we’re seeing… what we’re seeing now.

(I have so many more thoughts about womanhood and motherhood on TTPD but that is another post being worked on piecemeal in my drafts… this is just a little Saturday morning post-zoomies reflection)