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#which is honestly fitting

oifaaa · 6 months

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Someone commented on my recent Jason post that Jason was 11 when he became robin and 11 year old aren't that small which is funny to me bc firstly Jason was 12 when he became robin and secondly that post was specifically referencing an event that happened when Jason was 15 which yeah 11 year olds aren't that small but 15 year old Jason definitely was

#dc #jason todd #but no honestly just so funny #i forget not everyone is aware of my #tiny jason agenda #baby girl is so small he can fit in your pocket #which is good for him #bc he will stab you from that sams pocket

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turtleblogatlast · 26 days

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I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.

Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”

Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.

Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)

For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.

I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.

#rottmnt #rise of the teenage mutant ninja turtles #rottmnt headcanons #rise donnie #rise leo #rise mikey #rise raph #I love fashion actually #if you’re wondering where this came from it came from me watching hours of outfit creation vids #but yeah! I honestly could probably go more into it #but I’m going off my memory for the most part rip #Leo in particular makes me sad because I disagree with like 99% of the fandom about his fashion sense LOL #I don’t think it’s bad but it’s def not close to Donnie level #Donnie is his own category #Leo though he’s not just jerseys and ripped sleeves #he wears full eye makeup as a granny and kills doing it #his pirate costume was very well put together imo #even his regular weird frog like disguise is perfectly fine when you get rid of the goggles #I ALSO don’t think Raph’s style is bad either #my boy has more difficulty with clothes since he’s limited to the stretchier stuff but like #he’s got good style!!#I’m def looking more into this all than necessary but #watch me come back to this and change it like fifty times #if you’re wondering what I mean about Leo’s outfits taking from his brothers #look at Raph’s standard disguise (the one they go out to play basketball with)#ripped sleeves and a backward cap #one of Leo’s main outfits in The Clothes Don’t Fit the Turtle?#ripped sleeves and backwards cap #incedentally these borrowed aspects actually hinder his overall look!#his outfit without them is more HIM y’know? which says a lot about allll their individual styles

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public-trans-it · 11 months

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Man, I genuinely owe my life to FtM Girlies. Without them I wouldn’t have figured out my gender shit anywhere near as well and would probably still be going “Yeah I’m a trans gal. That’s… close enough. I’m happier as that than a Cis guy so I must be, right?”

Without them I wouldn’t have really taken the time to sit down and realize just how fucking weird gender can be, and the kind of things you can do with it.

I will forever remember the moment someone I was chatting to was discussing their pronouns, and pulled out a damn FLOWCHART. It could more or less be summed up as “Cis people: I am a trans dude, I use He/Him pronouns. Binary trans people: I am nonbinary. I use They/Them pronouns. Everyone else: Use whatever weird shit you think applies best to me.” and looking at it forced my third eye open and allowed me to realize just how vast the potential of gender was as a means of self-expression and identity, and how much of our identity rests in our relationships with others.

That was the moment that made me take a step back and go “Well now hold on a second. DO I want to be a girl? AM I a girl at all?” Sitting down and questioning “If I was AFAB, would I be cis?” And realizing that the idea of being a cis girl was just as revolting to me as being a “cis” guy for so much of my life was. Had I been AFAB I absolutely would still end up as trans! Which got me thinking about what my transition goals actually WERE.

Even now years later I stilled haven’t explored the full extent of my gender, and the potential that still lies within it. It’s become so tangled up in my relationship to DID as well as my views of animism. It’s something deeply personal, and I’m not sure if I’d ever even be capable of sharing the full extent of it, though am happy to try for the curious.

The more I talk with friends, the more I realize I’m not alone in this. Bespoke genders are AWESOME and incredibly common actually! Even my ‘cis’ friends that I’ve talked to, when we really explore it, and up saying stuff like “Yeah I’m like 90% cis. There’s certainly SOME complex stuff there but it’s small and not worth the hassle”, but even as they say that I can see that bit of joy of not HAVING to bottle up that tiny bit anymore. And it’s beautiful!

EVERYONE should be comfortable exploring the full extent of their gender. Everyone should take pride in that little tiny sliver of gender fuckery dwelling inside them!

Fucking… reply or tag this post with what your own personal brand of genderfuckery looks like! I wanna hear it! I wanna give everyone that outlet!

#honestly as much as I despise them… this post is TERF inclusive #so so so many TERFs have genuinely fascinating relationships with gender!#and they also deserve that outlet to fully talk about it #because that’s one of the fastest ways to pull them out of the cult #once TERFs start discussing gender genuinely and openly with each other A LOT of infighting starts #specifically BECAUSE they are compressing very complex views into a stupidly simple framework #and a lot of their frustration with trans people is wondering why the framework works for us but not for them #and lashing out because of that #when the truth is the framework DIDNT work for us which is WHY WE ABANDONED IT #and I don’t think that these TERFS are all secretly trans people! they probably arent!#but the entire point of this post is that gender is way way way more complex than just fitting into two options #even for so called ‘binary cis’ people #that said THE REST OF MY BLOG VERY MUCH IS NOT TERF INCLUSIVE #FUCK OFF

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xxspirit · 6 months

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🎃!!Happy Halloween!!🎃

I originally wanted to make a much more bigger piece, but I unfortunately got sick and very unmotivated to finish it so I made a quicker and easier drawing to celebrate for Halloween :(

Here was the sketch:

There’s always next year— But anyways enjoy your Halloween which every way you enjoy most! Trick-or-treating, haunted houses, movies, or just as any other day! 🍬👻

#happy halloween #!!1!#Camellia sans #dreamberry ship child #utau #I wonder if you can recognize them all 🤔#some I had to make their own costumes #so I tried to make them still recognizable but still cool fit :V #which honestly their faces are already distinctive enough >_>

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hephaestuscrew · 10 months

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"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359

TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon.

[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]

~~~

Ep21 Minkowski Commanding

First appearance

We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.

EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.

The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way.

'Goddamn harpoon' speech

So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:

MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.

There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)

But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.

Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!"

The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.

The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat.

Absurdity

A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on."

Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.

We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.

I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).

Other mentions of the harpoon

The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.

Ep27 Knock, Knock

EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.

In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.

Ep45 Desperate Measures

LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.

Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.

The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…

Characterisation through Weaponry

When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.

A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is.

Maxwell's Death

When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about.

Ep61 Brave New World

About a third of the way into the finale, there's another indirect mention of the harpoon:

RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…

This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.

Which brings us, of course, to the harpoon's most significant moment:

Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen. MINKOWSKI Let's see you catch this. FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED. MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.

This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.

Human unpredictability

It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive.

It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.

Making good on her promise

Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."

It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew).

As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative.

And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.

The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.

#It's harpoon time!!#Honestly I think there's probably still lots more to say #but this is plenty to be getting on with #Feel free to share your own thoughts #Wolf 359 #w359 #Renée Minkowski #The stuff about human unpredictability was inspired a lot by conversations with my friend @commsroom #so she'd be in my bibliography if I had one #Something that didn't really fit in here but feels relevant is the way that fans #(particularly podcast fans who don't have canon appearances to go off)#will use certain characteristics/ objects/ clothing choices to make a character identifiable in art #Like if I see art of a Wolf 359 character with some combination of cigarette/ headphones/ Star Wars t-shirt #I know it's Eiffel even if it doesn't look like my mental idea of him #And the harpoon is definitely part of that shorthand for Minkowski #because no one else would have it #so lots of Minkowski art features the harpoon #which strengthens the associations that I'm talking about in this post #And that's interesting to me #because it's an unintended way in which fandom has the potential to influence how people perceive a character #but I think in this case it just adds further value to things that are already implied in canon #Renee Minkowski #Commander Minkowski #w359 spoilers #wolf 359 spoilers #the empty man posteth

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familiariscanis · 7 months

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not saying that you cant headcanon chuuya as an alcoholic but i think the reasons people have for this headcanon are usually kind of flawed? from what i've seen people tend to view him as alcoholic because he:

a. collects wine

b. drinks it sometimes

c. is a lightweight (so we've seen him behave drunkenly)

but none of these are traits that actually indicate alcoholism. honestly, they actually are more likely to indicate that he's not one and that he doesn't have a problem with alcohol at all. wine collecting is a very expensive hobby and chuuya has wines that are several thousand dollars a bottle. you don't get nice booze when you're an alcoholic: you're drinking to get drunk. the quality doesn't matter. the fact that he's a lightweight and gets drunk easily is also indicative of him not being a regular or heavy drinker, since your tolerance increases the more you drink.

this feels like such a common interpretation of his character and it's just a little odd to me since not only does it not have any canon basis, but the canon facts actually suggest he's more likely to be moderate about alcohol rather than abuse it.

tl;dr chuuya may have a wine collecting hobby but an alcoholic this does not make.

#honestly i think an alcohol abuse headcanon has more canon basis for dazai than for chuuya #there's been a few pretty eyebrow-raising remarks about his drinking habits.#but that's a seperate post #i think part of the problem with this headcanon is people not really knowing what alcoholism is or what it actually looks like #and mistaking use for abuse #but i also think it's part of the larger issue of fanon chuuya and a large part of the fandom's collective perception of him #and the inability that part of the fandom has of separating chuuya from soukoku #and therefore every single character trait or flaw he has has to be in service of soukoku scenarios and ig alcoholism is good for angst #and i think there's perhaps a status quo in this ship that people feel very strongly about upholding #so chuuya is always out of control and dazai never is #having alcoholism which is often perceived as a weakness #fits into that #more than it fits into chuuya's actual character #but that's also a separate post #obligatory text post tag #nakahara chuuya

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hardlyworkingtbh · 7 months

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ok, but, you know what's so wild? toranosuke, taka's grandfather, went to hope's peak. like, i don't remember if it was mentioned in game and it was only sort of touched on in the wiki, but he supposedly went there too. and that's. like. crazy to me.

imagine how taka felt about that. there's already so many reasons his thoughts about his grandfather might be conflicted. and to just. to be given the EXACT same opportunity he was. to be given the same gateway as the person he's actively trying to separate and distinguish himself from. just a few years after he fucked up the country, left them all in debt and DIED. imagine how that would affect taka. imagine how that would affect how he sees hope's peak and the people in it.

just. i don't know