Wels hums as he walks through the shopping district. He doesn't need much, but with the recent release of Overlord, he wants to hear if any of the establishments are playing it. He doesn't expect it somewhere like the Permit Office--Grian's spent too much time and money getting a song that was as perfectly annoying to be put on hold to as possible--and if it is playing in the log shop, he will laugh. But music tends to spread around Hermitcraft fast, and sure, this isn't about anything specific, but who's gonna miss a good opportunity to dunk on Doc?
He hears the backing beats from a nearby shop and hums along with them, walking down the path--
--then turns a corner and leaps back.
"You," Wels hisses.
Hello. Awfully rude of you not to include me, you know, says the specter.
"No, there's absolutely no reason for you to be here. None at all!" Wels says, throwing his hands up. "The last time I saw you was--gosh, I don't even know. Season Seven?"
Yes, yes, and the only time you saw me, you aren't lying to yourself at all, the specter says agreeably. Come on. We both know I was haunting you for what little of Season Eight you bothered to be around for.
"If you were on Eight then you super shouldn't be here," Welsknight says. He shakes his head and looks up at the shop playing his song. Joel's? Huh. Wouldn't have thought he'd have a reason to make fun of Doc. Welsknight removes his shaking hand from his sword hilt again and starts walking.
On account of you leaving everyone there to die, yes, we're both aware, the specter says.
"Oh, screw you, you wouldn't have done any different, get new material," Wels says. "Also, you aren't real? You're like, all of my insecurities or whatever. You don't even have a real body right now, no one's made you one."
The specter shrugs. I mean, if I'm the worst parts of yourself, really, you're the one who needs better material. Abandoning all your friends to die and then abandoning them altogether--it's a wonder they let you stick around!
Wels rolls his eyes and forces his hand to stay out of his inventory. Wouldn't do to give away that still even gets him. He peaks at another shop. They're playing the song too, but it's ever-so-slightly out of sync, which is kind of terrible. As he does, Cleo waves at him. Their eyes sort of stutter right past Helsknight, which definitively tells him exactly how much body the specter even has to possess right now.
"I'm actually having a great time with my friends this season, so like, the whole 'abandonment' song and dance isn't going to work this time. Started the season with them and everything; hard to even go for 'they'll forget me at the first opportunity' or whatever."
The thing is, the more Wels says it, the more its true. None of the insecurities and pain points that the specter is echoing back at him are what he was actually thinking about. He's been like... fine? Sure, he's definitely still got repressed negative traits, but nothing like "Xisuma's evil twin brother playing around with his head" or "the moon crashing and killing everyone" or "too depressed and burnt out to get out of bed" or "sort of considering abandoning everyone because that's like, his thing" these days. None of the things that should bring the specter that had haunted him since Beef's cloning machine back to him without a body. But Wels is careful about clones outside of something like Vault Hunters, where they're explicitly under his control. He, like, doesn't even armor stand much. So that can't be this either; Helsknight clearly doesn't have a body to be messing with Wels yet!
...Helsknight doesn't even have a body or an actual insecurity to be poking at Wels with yet.
He stops. He puts his hands in his pockets, and turns around to face Helsknight. He is no longer shaking at all.
"Dude, why are you even here?" Wels asks.
I told you, it was rude to leave me out, Helsknight says.
"What," Wels says.
The final bars of Overlord play over the speakers. Welsknight hums and nods before it suddenly clicks.
"What," Wels says again.
Honestly, you're not normally this much of a moron. It was rude to leave me out. Rapping is also my thing.
"Dude," Wels says.
I could totally destroy Docm77 any day. I would obliterate the fool you call a "friend" in ways you cannot comprehend. You invoke a sacrificial goat? I know ways he'd never recover, gods he'd never be able to retrieve himself from. It would be laughable. And you left me out.
Wels stares at the demon from his nightmares.
"You're mad at me because you didn't get to be in my diss track," Wels says.
You let me be in the last one, Helsknight says.
"Dude," Wels says. "Dude, that's pathetic."
Helsknight sniffs. I'm your worst qualities. What does that say about you.
"I didn't even write this for this season," Wels says.
That makes it worse, Helsknight says.
"I don't even know where to start? For one--no, I still don't even know where to start," Wels says. "This is like, the lamest reason you could possibly have to come haunt me. Go away, I'm basking in my like, top 3 charting hit on the Hermitcraft server."
Top three? Pathetic. There are only three songs. You'd be the top song if you'd simply included my power, Helsknight says.
"I can't beat the streaming minutes Grian puts on that hold--look, uh, dude. You're, uh, a very scary representation of my fears and worst qualities and all. Appreciate that. Next time I need to do a diss track, I don't know, maybe I'll invite you? First you've got to stop appearing solely to make my life worse, though. Bring me a cookie or something. I don't know, whatever demons do."
I'm not a demon, I'm a Shadow. We're different, Helsknight says. ...I'll think about it.
When Wels turns the next corner, Helsknight has vanished again. Wels stops in the middle of the street, looks around, confirms the specter has vanished, and then bursts out laughing.
"What the Hels," he says, somehow feeling lighter and more bemused than before. That's a new feeling with his doppleganger. Then, he goes to visit Big Wood. While Doc definitely isn't playing the song of his own accord, Wels figures that Beef just might, and given the day he's having, that would feel like a kind of irony Wels isn't sure how to describe. Besides, he wants to see if Doc will notice if Wels sets the song on loop or something. What can he say--the man's reactions to being taunted are spectacular, and Wels loves seeing them. Call it a bad quality of his or something.
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Have you seen the crap they're putting on children's television nowadays? When I was a kid, TV shows made for us were meant to do one thing: sell toys. Now they're all about doing fun activities with your friends, and learning about your responsibilities to greater social harmony. No wonder capitalism is flaming out like a Boeing stock option.
Thing is, even with this renewed focus on teaching children not to be useless, cranky ultra-consumers, the shows don't exactly teach valuable skills. Yeah, yeah, I know, interpersonal discussion, knowing about recycling, outer space, Freudian psychoanalysis, how to make change. All that stuff is covered, and it's fine, but it seems like shows are expecting parents to fill in the gap with these skills. Skills the parents often don't have. The cycle needs to be fixed, and it's television's role, as always, to tell people what to do.
Kids should be learning about the different kinds of screwdrivers, basic wiring, how to replace floor moulding, and what sorts of chemicals might inadvertently create bombs. If there's time, they can cover less practical information, like how to drive an unsynchronized manual transmission in a Detroit Diesel. I'm not asking for too much: I think children do not necessarily need to know how to operate a Lenco unless they're planning on going drag racing, which is a sign of excellent parenting already.
That's why I've bought the rights to the entire back catalogue of The New Yankee Workshop, and recruited a pop starlet to sing a new earworm of a theme song. We're gonna chop up the existing episodes with lots of fast transitions, exploding effects, and a dance party at the end. Wouldn't you rather your toddler ask you for a scroll saw for Christmas?
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Something that hasn't stopped stunning me is that when you go to an environment you think you're familiar with in another state/country, you can find out it's still so different that it's new to you all over again.
I went to beaches all the time as a kid. I thought they came in Reedy Dunes or Rocky Coast and that was it. But there are beaches that are so flat and sandy they stretch across the horizon. There are beaches with trees. There are beaches made of solid stone.
Even the sounds. The wind has a dance with every plant. There are different birds with new songs. Even different dialects and languages from the local beach goers and what they're doing, if it's a public access beach! It's all different!
Each time I see a new beach it's breathtaking... and to someone else, my beaches would be totally new, just like theirs is to me. The fields, the forests, the lakes, the rivers. There's beauty all around you, no matter where you are, and you're in a unique position to experience it.
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✦ For a moment, when I'm dancing, I am free ✦
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WTFFF I thought thirteen would be my new girl crush love of my life heart eyes wife you-came-after-twelve-you-must-be-better-than-they're-all-saying bbygirl and then I had to sit down and watch as she told a man who (if he were not a murderer, of course) literally every regeneration before her would've LOVED and FULLY SUPPORTED that "the systems aren't the problem. how people use and exploit the system, that's the problem. people like you" </33333 !?!?
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Happy STS. Okay, hear me out. Your story becomes a musical. *grandly presents you with the opportunity to turn this into literally whatever you want* (Who knows all the choreography? Who is pissed? Who somehow escapes singing?) (What scene has the best song? What your story's musical sound like? Does it being a musical make any sense at all?)
I am HEARING you out. happy sts
I'm not sure about the others, but all I know is Leo gets a very theatrical disney villain type song. They would still be very branch trolls or eugene fitzherbert tangled core. I am Not singing and you Can't make me (someone will) (jaxon most likely) (poor leo)
Jaxon is THRILLED. He sings wherever he goes anyways. He knows all the choreography. He makes everyone else join. Same with Sam and probably Lily
Logan and Cass are secretly really good singers in my head. I feel like they would both have a sort of lullaby song. something soft
Dylan gets out of it. "ohh sorry guys. i didn't realize it was a musical :| my bad you guys have fun though" Ryan also gets out of it. Elliot TRIES but he falls victim to Jaxon making him
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5 SONGS YOU'RE INTO RIGHT NOW
tagged by: @chadhunkler
tagging: steal it | @pettyeti @icehearts @finishing-touch
Britney Spears - Break the Ice
Miriam Makeba - Saduva
GG Strive OST - Symphony (I'M NOT HERE TO. FIT IN THIS WORRRLLD. I JUST. WANT TO. MAKE A DIFFERRRRENCCCEEE!)
Sade - Feel No Pain
Cupcakke in general (Duck Duck Goose, Deepthroat, Spider-man Dick, Cpr, Grilling N****s, Lawd Jesus, Discounts etc etc) AND Cupcakke remixes at the same time. These are some of my fav remixes:
Bollywood
I AM
Gimme Chocolate!
Bohemian Rhapsody
Smooth Operator
PANDORA
Stay With Me
HISS
Wii Coconut Mall
Her lyricism is one of the best ever no matter what she's talking about, she has the gift of knowing exactly what words to use and amazing allusions too, which is a very hard skill; once you get in with the funny sex songs you really feel it on her serious music like A.U.T.I.S.M. , Picking Cotton, and Pedophile talking about serious issues
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actually I'm very curious to know what lines and/or live rent free in everybody else's head
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i solemnly swear not to write a fic with a similar premise as one ive done in the past but also i like it when people slow dance.....
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i get that llsip, and other anime/franchises centered around High Schoolers Doing Activities, and them being high schoolers is important, because a/ Youth but also because b/ graduating high school, going to different unis and being apart from their friends is people’s first Big Thing in their lives, but also i think it would be an extra tearjerker if there was a series about a group of girls who try to be idols in university
the sheer POTENTIAL for angst! university is the last moment for being yourself and fooling around freely; pretty soon you’ll have to go get rid of your piercings/funky colored hair/fun make-up, clean up and go to those company recruitment meetings. if our characters genuinely love being an idol, it’s definitely a bummer! but also:
oops! i dedicated my life and my years in uni to this university/off-university idol club, but my friend(s) are very into having boyfriends now! at all costs! ://
the rare drop outs. whether they have to get a job that makes it impossible to continue being an idol, or go back to their hometown, or some other reason -- the frustration!
those who got a job and intend to drop idol activities together! bonus points if they were incredible as idols, super stylish and brimming with personality, but are now going to be OLs in some kinda boring ass corporation. bonus bonus points if they’re not even a little bit sad about it; you’d expect them to fight to retain some of what made them so amazing, but they’re like “yeah, what can you do! sorry, i need to shop for some more traditionally feminine clothes and make-up ^_^”
those who didn’t get a job, and have to keep trying, and the stress is eating them so much they can’t even think about prancing around on stage. bonus points for “can’t you see how stupid your idol thing is?! this is real life! grow up!” “this is real life for me too! it made us both so happy, why just drop it?!” shouting matches
actual idol companies/talent agencies kindasorta Gazing at these amateur idols. bonus stress points: they’re almost too old to debut as actual pro idols! oh fuck! bonus bonus points: a girl has to choose between running from one audition to another And the amateur idol club activities. bonus bonus bonus points: the dreaded scenario where a passionate amateur idol goes to an audition, her pretty friend is just there to support her, and... you know what happens
the more i think about it, the more i realize how unwatchable/unmarketable such an anime would be, lol. these are all painfully realistic, and you can’t really pull a “but they teamed up together for one last time and everyone was so happy!” ending to slither out of shoving your audience into a pit of depression. especially if we go a step further and make the main character a gnc lesbian crushing on another kindasorta gnc girl (the one who drops it like a hot potato for OL skirts, tights, soft feminine make-up and a bland-ass boyfriend from company mandated after-work hangouts)
yeah i can see why there’s no such anime
:’0
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gosh, first you pulled me into yuzu-world, and now I’m finding myself more and more fond of hobi’s face. (not to mention I can recognize his face in the first place now)
!!!!!!!!! YASSS !!!!!!!!!!
i'm still very proud i managed to get you to appreciate yuzuru, and now it's happening with hobi?? those are my two favorite famous people that i've never met! wow the power of the tumblr osmosis haha
seriously tho, becoming a hobi biased bts fan is the best decision ever, please don't stop yourself from growing even more fond of his face and of him! he makes it so easy to be fond of him. this guy is an insanely talented and hardworking perfectionist and i admire him so so much. i could watch him dance for hours. he's seriously SO good at dancing and rapping and writing lyrics and performing and making people happy (it's me i'm people). he’s honestly so versatile it’s ridiculous. and from what those who know him have told us, he's also an incredibly kind and selfless human being and it makes me respect him even more.
actually, it's the best time to start loving him. his first solo album comes out on friday (which i'm sure you're aware of because it's the only thing i've been talking about) so when would be a better time to get to know him? i encourage you to listen to his new album when it comes out!!!!
i'm glad you're fond of his face because you'll keep seeing it on your dash for a looooong while, my queue has never been this full haha! <3
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and you will listen to my halfway unmixed vocal synth covers. you will. my final message (dies in your arms)
all the virvox guys in voicevox humming! yume no tobira piano ver vsqx by leah ocarina and the instrumental is by 友紀!
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parents w no dance experience stop trying to teach your child the steps during class just because it’s visitors week and you’re allowed to sit in class and watch challenge
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I wrote the full parody to Ready For This in the Role Reversal AU because I wanted to lol.
Transcription below.
Ready For This (Role Reversal AU parody)
Alastor: Have you ever wanted something
That was so clear in your mind that you could taste it?
Susan: You mean like ice cream you get for a friend?
Alastor: Ha! No.
It's a feeling like a rumbling in your gut
That you could finally be faced with
A million greedy faces, I guess what I mean to say is
For the first time in my life
I might have to be ready for this
Ready to be the one who's leading from the front
Couldn’t do it on my own
And history has shown
Legends cannot win wars alone
The burden is a bit too heavy
So I need to be ready for this
Have you ever felt like you're willing to kill
To save the people on your own team?
Susan: I don’t know, seems a bit extreme…
Alastor: Not to me!
'Cause right now, we need a leader
And it seems to be that
Charlie is forcing me to be that
because she’s pissy
So who's with me?
Wouldn't it just be swell to see more of Hell?
Join up now if you like travel
Come on girls, prepare for battle!
Lotta sights to see en route to the hotel
Not to mention all of the glory!
Yes indeed, your enemies will cower
And heads will be severed!
Charlie: You’ll make a bunch of brand new friends!
Alastor: Whatever.
Exorcists: New friends!?
I'm in
Oh whoa
I’m so lonely
It's time now to act
They're on the attack
When they move to strike
Just know we’ve got your back!
We'll follow your lead
We're eager to see
everyone we meet
On the hellish retreat!
From this moment on, you can count us in
To be organized and disciplined
Our thirst for justice
keeps us strong, fierce, and brave
So I say, "Ho hey! Let’s join in his crusade!"
Alastor: Now thats the spirit! Can we amp it up?
Vaggie: Oh, don’t mind their hesitation, that’s just their new inclination
Alastor: But I can awaken their bloodlust!
Vaggie: Careful, kid. Don’t push your luck!
Alastor: Fair enough…
Alastor and Vaggie: We're super duper grateful
To have you gals aboard
Exorcists: We can’t wait to hug an overlord! (Alastor: Yeah, sure...)
Alastor: For the first time in my life
Maybe I can be ready for this
I can be the marshal leading the parade
I can come into my own
And I think I've always known
My destiny could never be postponed
When they come for the hotel
I’ll give em hell cuz I’m ready for this!
Vaggie: They're dancing along?
They're singing his song!?
Charlie: Surprised?
Why, I knew he could do it all along!
Charlie and Vaggie: He’s bound to be redeemed, the dream has a chance!
Though he seemed hopeless at first glance…
Charlie: He’s filled with potential that I could guide!
Vaggie: Fine, I’m in.
Charlie and Vaggie: Stick with him, he will surely see the light!
All: For the first time in our lives
We know that we are ready for this
Vaggie: We’ll show them we can forgive and forget!
All: It's time to lend a hand
Alastor: It is time to take a stand! (Exorcists: Woohoo!)
Against overlords and their deadly threat!
All: We can provide your support
The time has come to stop a war
Defend your home, we're ready for...
THIS!
Alastor: I really hope that they’re ready for this...
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Good People
Part One🦇Part Two🦇Final Part
Wayne knows eavesdropping isn't the done thing. He's definitely old enough to know better, and he wasn't going to. He had a plan. He was going to walk directly into the living room, so they'd know he was awake, and after he'd fixed his cup of coffee, he'd plopped into his perfectly worn in recliner and subtly glare at the Harrington boy until he squirmed.
Mostly because it amused Wayne, but also just a little sliver of it was because he wanted the Harrington boy to know Wayne didn't think he was good enough for his boy. But only a little! Lord knows that Wayne couldn't do anything to make Eddie change his mind about Steve Harrington, short of Harrington proving Wayne right. Which he doesn't actually want because he doesn't want Eddie hurt.
He's just... He expects it to happen. That's what boys like Harrington do to boys like Eddie. He's seen it enough times to know that this song and dance leave no room for improvisation. Boys like Harrington play around, get their kicks with the devotion Eddie shows them, and then when they've had their fill, they leave.
Boys like Harrington will never be good enough for Eddie, but they always leave with Eddie feeling like he's not enough. Wayne hates it.
Anyway, his plan wasn't to eavesdrop. It's just that Harrington said his name and Wayne found himself standing still instead of continuing.
"Why doesn't Wayne like me?" Harrington asks.
"This again?" Eddie says dismissively, which has Wayne agreeing. His opinion shouldn't have bearing on their friendship.
A deep sigh from Harrington before, "I just. It's- he means so much to you. And, like, I- nevermind. It's stupid. I'm stupid."
"Hey," Eddie sounds a type of serious that Wayne rarely hears from him, "you're not stupid. And you gotta quit fucking saying that. You say it enough and you'll start to believe it and it's not true."
"Hard to quit feeling stupid when people dismiss my concerns like they are stupid," Harrington snaps back, bitchy as can be. The tone makes Wayne bristle on behalf of Eddie. His boy doesn't reply immediately, though. Doesn't bite back like Wayne's used to hearing. Huh. Maybe he's growing up, just a little.
"You're right, Steve," Eddie says when he finally speaks. "That was dismissive. I'm sorry. Explain it to me. Why does it matter to you whether Wayne likes you or not?"
"Well, because he's your family."
"Yeah," Eddie agrees, "he is. But that doesn't explain why it matters. I don't care if your parents like me or not."
"That's different!"
"How?" Eddie asks, soft but firm.
"Because their opinion doesn't matter. It's not- It's irrelevant. What they think."
"That makes no sense. Wayne's opinion matters because he's my family, but your parents' opinion doesn't even though they're your family?"
"Yes!"
"But why?" Eddie presses.
"Because they're bad people!" Steve bursts, not quite shouting but close. "Because when bad people don't think highly of you, it's not a fault in you. Their disproval is, like, a compliment. They don't like you because you're too different from them. And that's great! You shouldn't want their approval. It's different, because your uncle is a good person. And when a good person doesn't like you, it is your fault. It's something- it's..." Harrington loses steam here, voice dropping low and defeated, "there's something wrong with me. Something in me that- that he just knows. Senses about me or whatever. Something wrong or rotten or-"
"Steve! That's bullshit. Sure, Wayne's been standoffish, but he'll come around. You're not wrong, or rotten, or whatever else you think you are."
"How do you know that? I was an asshole most of life and what if that's just the real me? What if that's who I'll always be deep down. 'Cause I'm trying so damn hard, man. I'm giving it my all trying to be a better person and it's not enough! Everyone still talks about who I was in high school and even you-" Harrington snaps his mouth closed so hard that Wayne hears the clack of his teeth from his position in the hallway. "I'm sorry. I didn't mean to- I'm sorry."
"Steve. This is about more than just my uncle's opinion of you, isn't it?"
"I'm sorry. I shouldn't have said anything."
"I want you, too. I want to know if I've ever done anything to make you feel like you aren't enough."
Wayne really shouldn't be listening. He should back down the hall and into his room. Give them time to talk.
"No, Eddie, you don't make me feel like- that's not what I meant. I just. I'm...."
"Hey, Stevie, you can tell me."
"I'm just so afraid that... That one day everyone will wake up and realize what Wayne already knows. That I'm not good enough for them. For you."
Oh. Wayne really shouldn't be listening.
"I'll admit that Wayne's opinion is important to me, for a lot of things. But not about you. What I feel about you, how I feel about you, isn't dictated by Wayne."
"Sure. I mean, I know that, like, logically or whatever. But it's. I can't convince my brain that you won't just. Hate me one day. And I- fuck, Eddie, I'm already halfway in love with you and-"
"You're in love with me?" Eddie interrupts, sounding awed, starstruck, and Wayne cannot be listening anymore. He backs down the hall silently and back into his room.
Steve Harrington seems to think that he's a good person, but he's not feeling like a good person at the moment.
He's got some thinking to do.
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I've seen a lot of people talking about how Barbie talks about how the patriarchy affects women and how well it does that, so I wanna talk about how Barbie talks about how the patriarchy affects men and how well it does that. Because it does that really well tbh.
At the beginning of the movie, it's made very clear that the Kens are constantly competing with each other, and trying to prove their worth, their Ken-ness, to both the Barbies, and more importantly, to the other Kens. In fact, multiple times through the movie it's shown that Ken seems to find the opinions of other Kens as a motivator for him to do things. He tries to show off to Barbie only after he sees the other Kens saying hi to her. He only starts dancing with Barbie when he sees the other Kens dancing with her. He only goes with her to the Real World after another Ken accuses him of cowardice and he decides to prove him wrong. Barbie says "Ken's not cool!" and Ken responds "He is to me."
This shows so damn well what the patriarchy is like for men. Because for the Kens it's not necessarily about Barbie, it's about what other Kens think of you. Being a man you are constantly, incessantly trying so damn hard to prove to the other men around you that you are a man, the manliest man to ever man, the best Ken to ever Ken. Literally doing backflips trying to prove yourself. And this is before patriarchy is even officially introduced to the story, there's no undertone of power yet, this is just what it's like to be a man around other men. It's toxic masculinity.
And when the patriarchy is introduced, that's increased tenfold. At first it looks like they've banded together to take power, but really they're still competing with each other, they're just doing it differently. Rather than competing to see who can get Barbie to fall in love with them, they're competing to see who can be the manliest, have the manliest stuff, wear the manliest clothes, have the manliest house and decorations.
And then they literally go to war. War is considered one of the few places where it's socially accepted for men to be more emotional, form deep and personal bonds with other men, and that's exactly what happens in the movie. They go to war, and there's an entire song where they bond and learn not to fight with each other anymore.
And that I think is the message from the Kens. For men, the way the patriarchy affects them is it forces constant competition and animosity, even around people that are supposed to be your friends. It makes it impossible to express your feelings unless they're with a romantic partner, and all of this turns you into a pent up ball of emotions with nowhere to go.
Which means that the message is: In order to fix the way the patriarchy oppresses men, men need to learn how to form close bonds with people, especially other men. Because like Barbie said to Ken, he needs to discover who he is without her. Men have learned to lean on women as a crutch, using them to figure out how to Be A Person and express emotions in a healthy way, but this can very quickly turn into a woman feeling like she needs too be his mother and teach him how to do these things. And Ken was 100% doing this, or at least he was trying to throughout the movie. Ken was so desperate for Barbie to be in love with him, not necessarily because he loved her, but because he needed a person he could just exist as himself around. Because he couldn't do that with the other Kens, the only person he could be himself around was Barbie.
And what's so great about the end of the movie is that the Kens did eventually figure out how to form close bonds with each other! They went to war, argued and fought, but by the end of the song they were holding hands, kissing each other on the cheek, telling each other they were enough. Even when Ken is up in the dreamhouse, crying and saying that he looks stupid, all the other Kens start shouting back up to him, saying that he looks cool. And Ken responds by giving one of his new friends his coat, which was clearly very important to him.
What the Kens did, that's what men in the real world need to do. They need to form close bonds with other men and stop competing with each other. Hopefully not by going to war the way the Kens did, Barbie isn't a blueprint for solving the patriarchy lol.
I'd be happy to do it through a song though.
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