3x02 or me living of crumbs and angst
okay so I have so much and so little to say about this episode first of all: I love all of the scene of Jess in the background just reading idk why, but I love those!!! (Probably because a man reading is the most attractive thing)
So, I am not one to hate on Shane I have nothing against her she was just a teenage girl having fun (and good for her) but oh my god do I hate people who make out in public (I lose that logic for ep10 but ignore the hypocrisy) like I do not need to see all of that!!! but disgust for PDA aside I love this scene Rory looking genuinely crushed!!! (I mean look at her and tell me you don't want to hug her!!!)
And while I do feel bad for Rory, I can't help but think that this on her. I mean look I am a Rory defender till the end BUT she's the one that didn't talk to Jess ALL summer and just assumed that he would wait and while I love seing Rory jealous because of the drama (i love drama sorry) I can't but feel a little annoyed because what did she expect!!! but still the angst is everything. (But while I think it's kind of on her she is obviously allowed too still be hurt!!)
Jess looks at Rory and Rory looks away!!!!! I HATE THEM (affectionate)!!!
He was so clearly trying to test her reaction and there goes my other question: Why did Jess start seeing Shane? So, I'm not idiot and I'm sure that I'm overthinking it and the answer is as simple as that he is a teenager and hormones and everything BUT I'm always wondering what happened exactly that summer how long did Jess wait (because he definitely did before Rory not contacting him got to him) how did he meet Shane? (probably through school?) and in a few episode (I don't remember exactly) he gives a speech to Luke about pining, and he talks about his "relationship" with Shane so did Jess start seeing her to make Rory jealous (I don't think Jess would treat someone like that but idk) anyway if anybody has any theory feels free to share, I love reading them!!!
And... Dean walks in.... Okay I know that he hasn't done anything yet in this episode to deserve that amount of hate but in my defense at this point in the show I have seen too much of his face he is just sooooo boring like he has no personality and when he does have a semblant of personality he acts like an ass. what do you expect from me!!!
Now let's talk about the confrontation!!: And we are back to Jess cornering Rory in Doose's! My favorite thing about this scene is that neither Jess nor Rory are really mad about each other but more about their feelings for each other about how the other seemingly dosent care (although we know it's not the case) I think Jess is hurt by the no contact thing but I don't think he is necessarily mad about it (I think that's the only emotion he feels comfortable with showing right now) Rory is hurt that Jess didn't wait and I personally think that she feels like maybe their kiss didn't mean that much to him and by addition that she dosen't mean that much to him (ah miscommunication how I despise you).
"I could care less about you and Shane" Did anybody out there believe that? Again, I love Rory but I don't call her the Queen of Denial for nothing !
Okay I'm not going to lie I love Jess's rant about Rory not calling him (I love angst sue me!) but again I think that rant shows how he is channeling his hurt and transforming it into anger and you know why? because being angry is easier and I don't want to make things about gender roles but it's also more accepted for men hence why a lot of them end up with anger issues (look at the 'big not so friendly giant' as an example) but gender issues aside I think Jess just as a big problem with showing emotion and at this point the few times that we have seen him do so was with Rory he has shown her a side of him that he keeps hidden to protect himself and he let his guard down and got hurt. So now he is wary.
And again, I hate to say anything negative about Rory, but I get Jess being hurt about her still being with Dean to him it probably looks like she never intended to break up with Dean that she was just using him as a distraction. and Rory is also hurt so she doesn't try to explain that she did want to break up with Dean but then she saw him with Shane and so she changed her mind!!!!
In short, this fight is basically an example of why Rory and Jess couldn't work as a couple at that time. they both needed time.
They are THE blueprint for right person wrong time after all!
(Totally off topic but one of the thing I that think about the most when I watch this scene is there is no way that Rory and Jess fighting in Doose's wouldn't be known all over town after like an hour plus this is where Dean works!!! How did no one hear this!!!)
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killer in these few wano/ onigashima raid chapters is very funny to watch - dealing with luffy and kid's competitiveness, as well as witnessing luffy and zoro's insane shenanigans
and laughing about the chaos around askjds
"This crew'a a joke!" ashfjf he's right, to some extent
((love that luffy only had to say what the kaido pirates did - wasting the oshiruko soup, and zoro was on the same side immediately - this could be a great parallel to whiskey peak actually - when at that time luffy was angry for thinking zoro would hurt the people that helped them and gave them food, instead of getting his side of the story (that they were bounty hunters after them). and in this case it was zoro being angry (more like annoyed) for their cover being blown - which he made more difficult to keep with slicing a building in half). but once zoro realized it was about the food and luffy's anger was more important, they went into the fight together.))
(subtletly could never be luffy and zoro's thing, especially when those pirates spilled and wasted food. i like both of these version - in anime with zoro asking luffy if he's happy now after they caused more havoc and needed to run, as well as in the manga, if luffy's satisfied with the chaos.)
back to my previous point about killer:
yeah, tel them killer, at least your captain knows how to operate under cover during an important mission and doesn't make a scen- OH
and for the luffy & kid immediate competitiveness - it's always funny to see him so worked up with kid and law to be the best out of them
yep, idiots, all of them (affectionate) <3
"whuzzat?" "!!!" thank god killer has that mask so it can't be shown how much he's done with them, right?
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Yknow the shitty marvel movie type trope of diffusing all of your emotional scenes with humor? Homestuck does the same thing but with a RADICALLY different vibe. Like exactly the opposite.
Most modern media that does this is trying to distance the author from the text, by inviting the audience to laugh with the author. Oh, isn't this story silly, we're self aware, no need to immerse yourself. It's got this smug yet self depreciating tone, because it feels like the author wants you to like them more than their story.
Whereas when Homestuck does this it is self aggrandising, because it's meant as an explicit ATTACK on the audience. It is a purposeful attempt to draw the reader in and then pull out the rug from under them. It's not meant to break the tension, it's to give you mood whiplash. It shows a certain amount of confidence in the text, because the author truly believes in the text's ability to emotionally affect the audience so that this trick works.
I can definitely empathize with someone who finds this aggravating (that's sort of the point), but to me it's legitimately preferable to the self-aware jokey jokey thing because I don't think it diminishes the impact of the story itself. The narrative still exists as is, with all of its devastating events, and the jokes are a way of twisting that knife in a little bit further.
I would honestly go as far as to say that many of these style of jokes don't lighten the mood at all, but just add an extra element of poignancy or horror to a scene. Something ridiculous happening to the body of a recently deceased character isn't exactly light material, for one example. For another, more specific one, consider Dave's "acrobatic fucking pirouette off the handle".
As a quick refresher, Dave says early on in the story that, rather than flying off the handle, he will do an "acrobatic fucking pirouette". This wording becomes a frequent callback joke from that point on. And then, much later, Dave finds the impaled corpse of the older brother who raised him, and decides on a symbolic gesture he'd like to make. He can't pull the sword out of his brother's chest, because he doesn't feel like he's worthy. He has to make a "clean break", by breaking off the end of the sword to take with him. But it doesn't work, and in the attempt he's flung backwards. And then he's just laying there, on the ground, while his friend points out that he has finally, literally performed his acrobatic pirouette off the handle.
And yeah, that's funny, but to me it's also absolutely devastating? This is a character who's recently been dealing with extreme self worth issues and a crisis of free will, who's clumsily trying to grieve for the very person who caused a lot of those issues in the first place. It makes the entire thing feel weirdly inevitable and that much more horrible for it, like, of course this would happen, his whole LIFE has been a joke to begin with. It doesn't detract from the moment. It invites you, the audience, to sit in that moment with the character and just kind of let it wash over you.
At least that's how I feel about it!
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wano has become a favorite arc of mine for different reasons and it also gave me a lot of zolu brainworms to mull over, so here I go (again). spoilers for some of the big reveals in the arc so beware
despite getting separated shortly after reuniting, yasuie's execution once again highlighted how similarly minded zoro and luffy are - like zoro, luffy gets pissed at the sight of ppl laughing at yasuie after he's killed, though they both learn it's due to the effects of the smile fruits. and despite the fact that doing so could put their plan in jeopardy (hence why sanji yells at zoro to cool his head), luffy actively cheers zoro on (from the distance) when he goes after orochi in retaliation
a nice tiny moment is also back when they're together. luffy was worried since big mom appeared in wano yet jimbei (who had stayed in whole cake island to fend her off along his former crew so the straw hats could escape) hadn't arrived. albeit zoro wasn't even part of the WCI arc events, he's quick to reassure luffy:
although I'm not certain whether law was referring to them specifically or not, there's a part during the discussion of the raid where he says there's two idiots who, no matter how much planning goes into it, are likely to charge straight in regardless. then, of course, this happens:
(so yeah. I think they're probably the idiots)
and funnily enough, zoro doesn't get lost for once. not only does he find luffy, any intention zoro had of (ironically, considering he was causing a ruckus himself) chastising luffy for messing up the infiltration goes out the window when he tells zoro about the spilled oshiruko
this is a direct callback to their interactions with tama when they first reunited in wano. it's cute how attached they got to her and yeah, they're both stupidly reckless at times but this is one occasion in which it isn't just for the sake of chaotic shenanigans - it's them getting angry at how these ppl are disrespecting what tama and the oshiruko stand for. to those present, it seems foolish/weird since they don't understand the context behind it, but it's the kind of understanding that goes on between luffy and zoro precisely bc of the moments they share together.
there's some good panels of both worrying about each other after getting hurt and zoro carrying an injured luffy to safety. they're soooo.
this was pretty good too:
their plan to jump to the roof to face kaido ultimately fails here but it's still cute that zoro's so willing now to just cling to and let luffy carry him around like this (arlong park zoro has come a long way lol). it also says a lot abt luffy's trust in both the crew and zoro that he was fine letting them in charge below while he and zoro went to face kaido together.
the x drake ordeal was kind of funny but it served to show exactly why zoro complements luffy so well. luffy tends to be very trusting toward others, even those who might've started out as enemies which usually works out fine but still. zoro's quick to remind luffy that the guy's a traitor and unreliable, and (along with some of the other straw hats) refuses to blindly accept the impromptu alliance. it's interesting though, that zoro doesn't entirely disregard luffy's opinion nor x drake's help per se - he's just understandably wary of drake's true intentions (pointing out that he's still hiding where he stands in the whole conflict) and eventually agrees to team up. love the balance of it ngl.
that said, the actual fight on the roof has to be one of my favorite parts! it's probably one of the most obvious occasions in which zoro's role as luffy's first mate/right hand man and how much luffy relies on him too shines through. there's zoro slashing big mom and kaido's fire attacks so they wouldn't hurt luffy, taking the lead in attempting to stave off kaido and big mom's joint attack (and succeeding for a bit) despite the fact that he's got three powerful captains beside him, and several panels of him protecting luffy. this one was particularly crazy
this is pretty much zoro's equivalent to "if you wanna kill him you'll have to kill ME first". insane. I love them so much. zoro may be the one to have more instances in which he gets to demonstrate his loyalty and protectiveness towards luffy rather than the opposite - but knowing luffy's the one who usually risks himself for others in grandiose ways, I find it very compelling that zoro gets to be the one to protect him in these important moments, that luffy trusts him to do it and even thanks him for it here in this arc. to me, there's a reason why, out of the whole crew, zoro was the only one to take part in this particular confrontation. mutual trust/understanding/respect etc are at the core of their relationship. it's a two way thing.
fast forward to zoro vs king and OF COURSE this mf thought of luffy when facing the guy.
I posted about this the other day, but something similar happened during zoro's duel against mihawk. when the latter asks what drives zoro to fight despite being so weak, it's this exact part of his meeting with luffy at the marine base that he recalls. zoro has certainly driven himself to get stronger for the crew's sake and for his dream, but it's clear that luffy (and his own promise to kuina) is one of zoro's biggest motivators. he's also the one person zoro has cast aside that very dream of his for so... (thriller bark zoro you live in my heart always).
when zoro wins against king, too, it's his promise to never lose that he recalls. the promise he made to luffy. regardless of how you interpret their relationship, it's obvious luffy means a lot to zoro and moments like these don't let the readers forget it.
that said, this was perhaps the most insane part to me:
just when you think zolu can't get more trope-y than it already is, the manga says: wait a fucking second. canon sun/moon, heaven/hell, god/demon zolu.
I was already spoiled about these bits, though they were exciting to read through anyway. I think it's very curious that both zoro's ancestry and his conqueror's haki reveal happened during the arc where the true nature of luffy's devil fruit comes to light and his awakening into joyboy/nika takes place. can't say for sure what oda's planning for them in the future, but wano is probably the biggest glimpse so far as to the kind of figures luffy and zoro are bound to become (or are already becoming) in one piece's universe.
joyboy luffy being considered a hero to wano only rivaled by shimotsuki ryuma is also so... oof, knowing that ryuma (also called god of the blade) is zoro's ancestor, whose zombie he faced back in thriller bark and whose sword shusui he wielded for a while after that, and that he resembles physically too (both being one-eyed samurai/swordsmen). there's a lot more parallels to be drawn between them, and zoro's conqueror's haki adds a whole new layer to their relationship, but a detail that's fascinating to me is that both zoro's presence and joyboy's awakening in wano are hailed as the work of fate at different points, by kawamatsu and zunesha respectively.
overall there seems to be a thread of "fate" that's tying the story together from the void century to roger's era to the present but choice is also an important aspect imo. zoro and luffy are an example, bc in spite of how their stories have turned out to be somewhat intertwined... it was luffy's choice to seek out the demon pirate hunter and rope him into his crew. it was zoro's choice to join him, to make a promise that'd tie his own dream to luffy's. there's a potential that neither of them could've reached if they hadn't come together to sail in that dinghy and formed an entire crew (a family!) that have all of them journeying towards their dreams, always relying on and striving to become better for one another. all of these little choices for luffy and zoro led them up to this point and onwards, which tbh is just really fucking good.
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so the thing about whelk and cars is that whelk constantly talks about his cars but we never actually learn what they look like. we don't know anything about the car he had before his fall from grace other than that he misses it and we know nothing about his current car other than that he thinks it's shitty. and we can extrapolate a lot of things about his character from that, but we're still denied access to any more concrete information about them. to me, this implies that whelk isn't really much of a person anymore. almost every character in trc who owns a car is introduced to us in tandem with their car and we usually learn more about them through their car. for example, we learn some things about gansey through the random stuff lying around in his backseat. and even if that's not the case, we can at least tell a bit about them through the brand of car they drive, like declan driving a volvo. but not whelk. whelk's first appearance is literally him driving past gansey, ronan and adam by the side of the road, but his car is just described as that, a car. it's almost like a part of him is obscured to us. i'd even go as far as to say whelk having a vague, unspecified car means that there is nothing beyond what we see in him - at least nothing the narrative deems worthy looking at. whelk is just a shell of a man, and the fact that we never get to see his car emphasises that perfectly
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