do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up
i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.
she's never corrected anybody whose called her an elf either.
never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-
i wish the half-elf thing was built upon more. also, underrated marcille line:
okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.
the first reaction we get from Marcille is this huge panel that takes up half of the page
she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later
so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions
"you'll live out your entire life [...] and die that way too"
"a hundred years from now, nobody will be there"
Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.
I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.
On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.
Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.
And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.
Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.
Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it
and look at how exasperated and resigned she looks
And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.
(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)
The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.
And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)
I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.
and one last very important panel, right after Mithrun tells her that all her desires would be devoured
In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.
(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)
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I think a lot of people are frustrated sometimes when somebody expresses that therapy just "doesn't work" for them, and I used to feel that way, too, until I realized that the therapy that I was doing just wasn't right for me.
When people think therapy, I think many just assume it's all cognitive behavioural therapy and that that is the only kind of therapy out there. However, this isn't true, and CBT can absolutely be ineffective for certain situations. If you are confused by this idea, here's an example: when I was in the midst of my most recent abusive circumstance, not only was my therapy weaponized against me by my abuser, but also, the therapists I had were ill-prepared to treat ongoing abuse. They had the tools common for CBT, but there is only so much a victim can do before their circumstances are completely out of their control. In a case like this, CBT can be an unhelpful tool alone, which is why you have people who blanket statement say that all therapy is unhelpful (understandable why one would say that if they haven't had any helpful/good experiences).
It seems like people see this idea that "therapy doesn't work" as an automatic red flag, and certainly, I can imagine why one would think that. However, in a healthcare system that generally prioritizes CBT therapy as the "only therapy," it's helpful to remember that CBT isn't always the best option or the best option alone.
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Just wanted to mention this to someone who does art and get their opinion on it:
Sometimes I see some artists do redraws of their old artworks or characters and think "Wow, uh... their older art looks better." Sometimes it's only mildly better, but other times it's vastly better. Like the Upgrade, Go Back! meme.
I understand that art skills are supposed to develop and change, hopefully for the better, but sometimes it just feels like they got... worse? Somehow? Idk. Maybe it's because they were copying another artist's style while finding their own, and it's their own style that doesn't vibe with me? Just curious what your thoughts are about this.
Also, your art has consistently been great, so this isn't directed at you.
I do see this on occasion yeah! usually (in my experience anyway) its because people take a sharp turn towards a stylization that either isn't to your or most people's tastes, or that they don't understand or are still developing. switching up how you stylize your art is like starting over in a sense, you're changing from what you have practice with and that's always going to cause you to revert some as you have to re-learn things you understood in your previous style. i had a pretty big style shift in 2014 when i took up the basis for how my art looks now, and i remember feeling like some of the stuff i was drawing might have looked better if i was using my older style instead. that's something artists just have to push through and figure out, and they'll likely come out of it a better artist than they were before. constructive critiques are a good way for them to figure out why their art might not be as "good" as it used to be, if they're open for those.
art is not always a linear journey, and i would also say things like passion and motivation have a part in it too. feeling inspired sparks you to make something the best it can be, if you're not feeling it (and esp if that feeling lasts for a long time) it'll leave you making decisions you otherwise would not have let fly, and that can result in worse art. and some of it is just personal preference! it's not that their art is better or worse, it's just different now, and maybe that doesn't vibe with you the same way their old stuff did. and that's fine 👍
(thank you! :3 i admittedly struggle a bit with Not Feeling It sometimes like i just described, so it's nice to know people still enjoy what i make when that feeling hits.)
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When designing/writing characters that have certain traits/characteristics which in our current society may be a hot button topic (like being trans), how do you tackle making sure it’s not a Big Deal (ie that character’s dominate trait or only reason for being in the story) but also not brushing it under the rug (like what JK Rowling did with Dumbledore being gay)?
This topic is a little too complex for me to sufficently cover it in a tumblr ask+reply, and even if I could I would feel like it wasn't my place to speak for everyone.
I will attempt to give some advice, but consider this more of a starting off point than anything.
The main two things are research and improving yourself, I think. These two things go hand in hand to form a cycle that if you continue going through you will become someone who wont pull garbage bigotry on minorities.
What I mean is, that you have to research whatever group youre hoping to represent. Not just wikipedia or other articles, but find their own opinions. Things said by them. During that research you might get uncomfortable, confused, overwhelmed and maybe even angry.
That's because we are all subconciously bigoted one way or another. That's where improving yourself comes in. You will never be able to represent a group youre not a part of if you do not process the feelings that come up and deal with them. Subconcious bigtory is incredibly visible in writing. The reason someone like J.K ended up writing Dumbledore's sexuality the way she did, is because she never went through the cycle and learnt to be humble in the face of critique.
That gets me to another point, which is that you are allowed to and will make mistakes. Many weirdos online like to say you cant and will be cancelled forever, but if you are genuinely remorseful and show that and show youre listening... You can mess up. Its okay. People who want rep often also want to help.
Uhm... This is getting long, but to make clear what I mean, is that its very difficult to start, and there arent shortcuts... But you become someone better by the end of it. Be humble, find ways of learning that work for you, be kind and curious, and you might end up with so much more joy than just good writing. Life is better with more kinds of people, cultures and stories in it. I reccomend it.
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My headcanons for the named trio in The Cursing of Chateau Castle series:
Josephandre is a big bear. It just fits for him I think! He gets he/him pronouns, and as a way to make him a liiiil more relatable for Mira, he'd have two craft types (Rock type being his main one and paper craft for the other). Battle style wise, I think it fits him to be more of a self-sustaining tank. He buffs defense, heals, and puts up shields. For his weapon, he'd use his fists like Isabeau. He'll be the second fastest in the trio.
Lady Irene-Janine-Kanine looks like an elegant noblewoman on the outside but she has vibes similar to Euphrasie! She gets she/her pronouns. Her craft type is Paper. Battle style wise, she's more on the offensive side, a main dps kind of thing. Most of her skills focus on buffing attack and speed, she'd have an item that helps regen her hp a lil bit and her chosen weapon is an umbrella. The tip is a sharp blade so it's used like a spear that has a hidden sword in its handle. Open it, and it becomes a shield! That'd be one of her skills too, although it's only applicable to her. She's the fastest one of the trio.
Pierre-Jacques-Erneste looks like a nobleman and carries himself as such! He gets he/they pronouns. Their craft type is Scissors. Battle style wise, he's more of a debuffer, skills focusing on weakening the enemies, slowing them down, poisoning them. Their weapon is a sword dagger, though he doesn't seem to be able to handle it well, how clumsy! But he Is a nobleman so it makes sense! Oh but... why doesn't he have a title? They're the slowest one of the trio, how strange, he seemed to be faster than Lady Irene-Janine-Karine that one time though.
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i think i could write a really good essay on the danger days fandom and what it functions as for those who engage (myself included). i think i can explain exactly why certain people who are into certain other things are drawn to it, and why it so often devolves into just Identity Category Soup™ instead of deeper worldbuilding or storytelling. And also why people get something out of that soup.
The story doesn't really exist (and what does kinda sucks) but I think, the way fandom ends up with it, it's ultimately about regaining control and achieving small-scale victories in the midst of a larger, obviously unwinnable conflict. It's escapist fantasy that boils down impossible-scale real world issues (corruption, bigotry, capitalism, rigid social roles) into ones you can directly interact and engage with. A world so small that you can shout over those in power. A world so small that you can just... opt out of it.
Truthfully, IRL there is nowhere you can go to get away from, say, gender roles... but in DD world you can say "fuck that, I'm moving to my alternative society which not only exists, but thrives" and then do it. I do NOT think gerard intended it this way specifically (you can read it as being about lots of things and also he's said as much) but yes of course becoming a killjoy is a perfect allegory for transition.
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had a thought. in social species, avoiding getting isolated from the group for an extended period of time is a survival instinct. hunger au grian's implied to have been basically not socializing during his time kicked from hermitcraft, just running and occasionally ducking into some random server to eat and hating himself for it. that's probably not helping his eating disorder situation, if on some level he's associated eating with being kicked out.
Oh yeah for sure :(( i think abt this a LOT, about the isolation he went through during that period before the search party found him. That was almost a full year of not really talking to anybody, never seeking close contact, deliberately keeping his distance except for the few times he snuck somewhere to feed and do the bare minimum to keep his code from falling apart. And eventually, he gave up even doing that, and took to the in-between to just. Move. Keep moving. No real focus, no actual destination in mind. For a very long time, it was move forward or die, and when he finally detected that the search party had tracked him down, he realized he'd only been delaying the inevitable and made a decision about it.
It kinda breaks my heart, ngl. To be so lonely and scared and knowing in your heart that you're living on borrowed time. To run as far and as fast as you can against the inevitable, out of pure desperation and stubbornness. In the fic, i mention that Grian considers getting kicked out of Hermitcraft as a death sentence, and that wasnt an exaggeration. He knew. He knew, deep down, from the moment he got kicked, that this was only going to end one way. Grian's a master of denial, yeah, but you can only look death in the face for so long before you realize it's been here the whole time.
His return to Hermitcraft in particular is gonna delve into this. It's gonna delve into a lot of things, tbh, but his isolation very much changed him. It's gonna be a long road, recovery-wise, with lots of set backs and non-linear healing. And, quite frankly, he may never truly be the same!! It'll be up to all of them to successfully reach a new normal together, once they actually get to that point in the narrative❤️ ;;;
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