should i get into bird watching?

I love/going insane over the fact that Jay's mom plays Odysseus's mom

ITS HIS REAL MOM

hi!! so cool that you’re open to textpost requests :3 would it be possible for you to do a farcille compilation?

HAPPY LESBIAN VISIBILITY WEEK TO THEM!!! here’s dungeon meshi textposts pt21 :) for anyone who has asked for specific textposts i promise i will get to them! i've gotten a handful of requests and if i haven't responded yet it's probably b/c i'm waiting for more of the anime to come out so i can use those screencaps

pt1 | pt2 | pt3 | pt4 | pt5 | pt6 | pt7 | pt8 | pt9 | pt10 

pt11 | pt12 | pt13 | pt14 | pt15 | pt16 | pt17 | pt18 | pt19 | pt20

pt21 | pt22 | 

We have narilamb and leshycat, people started shipping hekket with forneus and people often show kalamar is in some poly relationship/ has a harem

My que is, do we give shamura a ship or do they stay in the no bitches zone?

In this house, Shamura is happily bitchless. Fight me. As for the rest of their siblings, wweellll

This is clearly set back when they were all gods, not after they got captured by Nour, also shout out to @coffincrows for helping me with writing Kallimar

Re: the Frankenstein post

The channel is literally called "Overly Sarcastic Productions". If people aren't assuming at least a little embellishment and dramatic flair, then that's really no fault but the underfunded education systems' their own tbh =P

Yeaaah. But I've observed that, unfortunately, almost everyone on the internet is very reluctant to follow a citation back to its source to double-check it - myself included, if I'm not careful - which means (a) people who watch my summaries frequently don't go on to seek out the original source and formulate their own thoughts on it, and (b) when those people then erroneously quote something goofy from my interpretation as Indisputible Fact, the people who get mad at me about it don't go back to the video to see what I actually said and in what context.

I've been mulling this over to try and figure out if there's anything I can do about that, because I don't want to contribute to the dissemination of misinformation under any circumstances, but I learned from a very long childhood of Being Neurodivergent that you frquently cannot overexplain your way out of being misunderstood, especially not when misunderstanding you is entertaining. This might just be the price I pay for allowing myself to have any fun with the summarizing.

Thank you for not changing the url to something "x".

Please please please please please please please please please please please please please please please please please please please please please please please please please please please please please please.

Give us something, an update, a doodle, a draft WHATEVER YOU WANT.

sorry! i have art block. here’s some sketches

(first page: a sketch of earth 11 dick)

(second page: some sketches of me trying to understand dick’s vibe)

I jus wanna shut my baby brain off and let big bad daddy rafey take care of me :(

oh this is sooo muñeca & sugar daddy!rafe coded …

ִֶָ𓂃 ࣪˖ ִֶָ🐇་༘࿐

you were entirely too emotional and high-strung — but who could blame you? with your skyrocketing hormones and mere hours that stood between your sweet papi rafe going back home to kildare, while you remained in culebra was becoming way too much for you to handle. and rafe couldn’t find it in himself to reprimand you, you’d been doing so well when it came to putting your big girl panties on and fighting back the impending waterworks that welled at your waterline, whenever it came time for rafe to go back home — you practiced!

but, unfortunately you’d lost every ounce of your resolve when your doe eyes fell on the two suitcases that sat at the edge of rafe’s bed.

sat in the middle of the plush firmness of the california king bed, your small body hiccuping with incessant cries, you curled your knees into your chest, “on-one — more — day,” you squeaked out, your jumbled words cut into choppy huffs of air as rafe pursed his lips into a tight line.

stood firmly beside the bed with his hands planted on his waist, rafe pinched the bridge of his nose with a knowing sigh, “c’mon, kid — y’been through this many times already, yeah?” met with a sharp cry from you, rafe is quick to switch into complete father-figure mode, letting out a piercing whistle, “hey! cut it out, y’gonna knock y’self out, cryin’ like that,” he scolds, his voice firm as you raise your puffy-tear stained face from your knees with a sniffle.

“quédate conmigo, please papi,” you squeak out, stretching both of your arms out in a reach towards rafe, your bottom lip all wobbly.

taking a seat at the edge of the bed, rafe opens an arm, beckoning you into his lap with a flick of his two signet-ringed fingers as you immediately and obediently crawl into his lap with a whimper, “a’ight, no more cryin’ — don’t need y’passin out on me before i go, hm?” rafe soothes, bringing his hand seamlessly clasp around the back of your neck.

nodding the side of your cherub cheek against rafe’s collarbone, you let out a breath of relief, “when d-do you come back,” you question softly, your doe eyes all sore and heavy from your earlier sobs as you quickly knuckle away the wetness at the tip of your nose.

“no … do not start that, you hear me?” rafe scolds, his free hand lightly tapping the side of your soft thigh, earning a frustrated mewl from you. squeezing your neck, rafe urges a verbal answer from you.

much to rafe’s very dismay, his corrective tone only set you off even further — you didn’t want your papi to be mad at you before he left. so, your bambi eyes were quick to well with warm tears, a warning sniffle itching at your nose as you shook your head, before heaving into rafe’s neck.

“fuck — okay, princess. hey, need y’to look at your papi now, yeah? can y’look at me — can’t look at me if y’cryin, pretty girl,” rafe coos, gently pulling your leg to straddle his hips as he pushes your face up to meet his, with a slight nudge of his shoulder. met with red and glassy eyes and flushed cheeks, rafe brings both of his hands to cradle each side of your face.

“a’ight, need y’to a good girl while m’gone, okay? y’gonna be a good girl for daddy?” rafe questions, slightly mushing your cheeks together as you huff out a wobbly breath, before licking over your swollen lips.

softly nodding in rafe’s grasp, you sniffle, “yes.”

allowing a satisfied smirk to play on his lips, rafe pulls your face down, leaning forehead against his, “good. now, i need y’to go to sleep, kid. i won’t be here when you wake up, but —”

fat tears are quick to brim your lower lash line as you whine in rafe’s grasp, “no—”

shushing you with a corrective tut, rafe pecks your lips in a silencing kiss, “shh … i always come back for you, don’t i? always call you, send you pretty presents — got you that laptop s’you can see me when y’get sad, yeah?”

with an appreciative nod, your lips brush against rafe — your papi always kept his promises, “g-going to mi-miss you,” you shudder, your voice all cracked and uneven as you stare directly into rafe’s bright baby blues, silently wishing you’d be able to make him stay just one more night.

“i know, kid,” rafe sighs, gently easing the both of you to fall back on the bed, one arm secured around your waist as he slides a free hand to the back of your head, lightly scratching at your scalp, “promise, m’gonna come back and take good care of you, yeah? s’my job to make sure m’little girl is happy,” he coos, leaving you to nod against his neck as you slowly, but surely begin to doze off.

whispering sweet nothing into your sleepy ear, rafe remains awake, until he’s one hundred percent sure that your asleep, your parted lips blowing warm air against his neck. once your breathing calmed into a steady rhythm, rafe was careful about maneuvering your drowsy body, carefully removing the small hand that rested on his face and placing it on his chest.

it was never easy for rafe to leave his girl in an island that was so far from him. he liked being in control and in the know of all moving parts in your day to day, so leaving you to fend for yourself — despite being waited in hand and foot by the hired help of the villa — rafe fought the urge to fly you to kildare altogether. you were still so wet behind the ears, so fragile and sentimental, such a transition would be way too much for your little heart to handle.

placing the pillow that sat under his head to rest in the tight hold of your arms, rafe reaches for the powder pink iphone that sits on the nightstand, placing it beside the pillow, ready for your use, the moment you woke up.

you just hoped that your papi rafe would be proud that you were awake the entire time and didn’t cry … because you practiced!

What if a cow looked like a blueberry

this you

I don't run the Twitter but I agree with the statement

I've always thought it was hilarious when I saw fics of Bruce talking to the league about his "babies" early on and managing to convince most of them that he's got a bunch of very young kids at home just by virtue of how he talks about them.

And then they need some backup on a mission and he announces that he has backup incoming and Clark says something like "oh, you called the kids?" And just when they're all about to start telling Bats that his kids are definitely too young to be showing up to this kind of fighting the Red Hood himself comes in guns blazing.

afterwards when the fightings over he's just standing menacingly behind bats during the debrief and they're all far too freaked out to say anything about it, especially when he very slowly leans forward until he's actually toughing Batman himself and Batman only reacts to reach up and pat him on the top of his helmet the same way someone might pat their kid on the head.

when they get back to the cave Jason spends the next hour bitching about how dumb that was, "why would you go on a mission like that without the proper backup? If any of us did that we'd never hear the end of it, but look at you mister do what I say not what I do!!!!"

I'm combining too many of your posts in this one lol

I love it. It makes me think about how obsessed I am with the Bats and B being super open with touch and body language around each other but as soon as anyone else gets close they back off and stare.

Bruce reaching for Jason’s shoulder after a mission: good, paternal, safe

Ollie reaching for Jason’s shoulder after a mission: who the FUCK are you get AWAY

bra of the day? 🥺

Does this mean catboys can't loaf during Passover...

holy shit wait

idk why I made this

Do you have any opinions on modern (post-1970s) movies that you feel capture the essence (in a good way) of Old Movies?

No, unfortunately. That doesn't mean I don't like modern movies or that modern movies aren't good, but modern movies—and here I'm really using modern to mean post-2010, so contemporary movies—have different standards for pacing, characterization, budget, and production that make it harder (or impossible) to capture some of the magic of old movies. Even when modern movies clearly try to emulate that old-movie feeling—I'm thinking of La La Land, The Artist, The Shape of Water, In the Heights—they play the homage too broadly, or they ignore crucial components that make the original films work.

There's kind of too much to go into here without writing a full essay, but essentially, the Old Hollywood system—ugly, failed beast as she was—made some movies simply more accessible to make, due to the ongoing storage of props, sets, master craftsmen, crew, and onscreen talent that could move from one movie to the next without pause. If you needed a dancer, he was already on staff. If you needed a fancy bed, it was already in the warehouse. That kind of longterm storage is invaluable if you want to crank out movies quickly and cheaply because it saves so much time on individual negotiation and sourcing. Modern production companies have to work out individual contracts for every actor on every film; crew members have to negotiate rental contracts and source pieces from scratch; if you need someone with specialist skills, you have to contract them specially at a high rate, which a lot of small companies can't (or won't) budget to do. There's sand in the wheels where there needn't be any. It's wasteful, and costly, but that's the system modern movies are made with.

Which all means that even if the modern movie system wanted to make a classic movie musical just like the old ones, they couldn't, because the talent isn't already there—it hasn't been trained up enough, and there's not that breadth of knowledge you can only get from people who have been allowed to work in the same department in the same place for decades. Movies like La La Land fail, for me, because they present themselves as descendants of Fred Astaire or Busby Berkley movies, while missing the bit where Fred Astaire was a master of his craft. When you watch Fred Astaire dance—or Moira Shearer, or the Nicholas Brothers, or Ann Miller—you are watching a true artist at work, purposely showcased by the studios because they already have them on contract. Modern movies, on the other hand, tend to take people who already have star talent (as actors) and try to convert them into dancers/singers—or they pull dancers/singers off of Broadway, but then they don't have the star power built in. You end up with lackluster musicals where no one truly knows what they're doing, or they do but they're not built up enough by the studios to sell. And that's me discussing just on-screen talent for musicals—there is a huge loss behind the scenes, as well, for all kinds of movies, where roles that would have been filled by union crew who moved continuously from one job to the next have been swapped for freelance labor who live with immense turnover, financial insecurity, and knowledge loss. You could hand me the budget and I could try to make an old movie, but the industry itself has changed so much it's impossible to recapture that charm of steady, niche talent, the amazing possibilities of bonkers set design, and the ability to take a risk on a smaller movie because the other films being produced by the same studio can help balance the budget.

I've talked way, way too much about all of this! Sorry, I just have a lot of thoughts—and the one above is just one of them; the talent loss and storage issues are only facets of a much bigger problem that extends to how we watch movies today, how we market them, what we expect of them, and what's allowed in them. It's a crying shame because the talent is still there, but times change and so does the industry, for better or for worse. (And, just again to clarify, I don't think modern movies are bad—they're just missing a lot of the juice old movies got to play with, even if there's more talent available than ever before.)

Would you…be interested in drawing knight lamb and king narinder 👀🙈 they are from my au but feel free to change the designs I adore the way you draw clothes

“And I said ‘HELL YES’” (john mulaney)

Hello! This isn't comic-related, but concerning the Frankenstein's Eyes Incident, I thought it might be worth it to drop by and say that the main thing your classics summaries inspired me to do is actually read more, especially the source materials, including Frankenstein, which became my favorite book a few years ago, and still inspires basically everything I create (the amount of homunculus and artificially constructed characters in my writing are... something). And after being introduced to it through OSP, Dracula was my gateway read into the horror fan I am today. ith the risk of putting too much feels into an ask to a stranger, if I haven't stumbled into OSP when I did, I might not have ended up being a writer at all, and now a few weeks ago my first short story got actually published and that rekindling of love for the art of storytelling sorta kinda maybe changed my life. It's frustrating when people on the internet misinterpret what you're saying and use it as basis for misinformation, but there's also other cases! I'm sure you know about that already but still, a quick "hey, your fascination with stories was so contagious it made my life better" wouldn't hurt, probably. That's all I hope you have a good day!

cool cool coolcoolcool-