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#thoughts expanded after considering how under my original definition
fictionadventurer · 3 months
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Potential elements of a coming-of-age arc:
Identity: Learning who you are outside of the family structure
Responsibility: Taking care of other people instead of being taken care of; making your own choices and taking the consequences upon yourself
Values: Deciding which values you will live your life by--holding onto the values of childhood or taking up new values--and using these to inform your adult decisions
Wisdom: Overcoming a childish misconception of reality and coming to a more realistic understanding of how the world works, so you can use this new knowledge to inform your decisions
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cerulean-crow · 2 months
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I was a creepypasta and mlp grimdark kid- I absolutely loved them and they definitely shaped my interests in horror and gore that I have now! I am not immune to the nostalgia of these infection au’s, and honestly I am thriving. I love reading everyone’s ideas and seeing everyone’s art, and I got inspired to try my own hand at one!
I’ve been calling it the Crystal Heart Contagion. I am not sure how far I’ll take this but it’s fun to draw and think about. I considered going a bit crazy with actual gore, but this was just supposed to be a concept page and I wanted to keep it simple and just flesh out some ideas I had bouncing around in my head. Besides, I actually really like body horror that doesn’t involve a ton of gore- and like that note says, has an air of beauty alongside the disturbing elements.
Again, not sure how far I’ll take this- so I’m just gonna jot down some thoughts and notes! I’ll put ‘em under the cut because I am very wordy <3
Also I try to tag my stuff as best as possible because I know not everyone loves horror and these Mlp horror au’s as much as I do! I don’t want people to interact with my posts if it makes them uncomfortable, so if I miss a tag please let me know.
The Crystal Heart Contagion is transmitted when infected crystals come into contact with one’s bloodstream. The afflicted will experience body pains and stiffness at first, hemophilia, and symptoms like lethargy and migraines. The crystals will begin to form in clusters on the skeletal system, eventually breaking through the skin and, after a long enough period of time, will completely petrify the afflicted in solid crystal.
I imagine that one’s teeth, hooves, and horns are where crystals will begin to break through first. I like the idea of stylizing manes as they crystalize- but that’s exploration for another day!
I am currently thinking of the infection more like a parasite of some kind. Parasitic crystals that feed on magic and rely on living creatures to carry them farther in order to spread themselves.
The infection originally didn’t do much to change one’s personality, they would just get weaker and weaker as they were overtaken by the crystals. It was only when the infection started again, when Equestria was home to many more different species and overflowing with way more magic, that the crystals would begin to mutate at a rapid rate. Those afflicted would begin to show signs of aggression that would have them attacking others, thus leading to further spreading.
Some physical details I like is the eyes hollowing out and resembling geodes! Crystals emerging from the spines, horns becoming crystallized, and crystals forming over teeth and jaw to create fangs are all stuff I would love to flesh out in further detail.
I also love the idea of the chest ripping open to reveal a crystal heart held in a crystallized ribcage! I think I will forever be influenced by the Angel Trap in Saw 3
The idea of this infection is still developing and I’m still doing a lot of research and thinking on the words to describe it. My original thoughts took inspiration from a parasitic infection and rabies. My brain also likes thinking of it like a mold in how it spreads or thinking of the crystals like a coral reef (mostly as a visual inspiration)
The background and timeline is all still a work in progress. I haven’t rewatched the full series in so long and I’m implementing plenty of my own headcanons- so it’s all very vague right now.
The original idea is that the infection started during King Sombra’s reign. He created these parasitic crystals and unleashed them upon Celelstia and Luna’s army with the hopes of dwindling their numbers and expanding the reach of the Crystal Empire further through the Frozen North. When he was sealed away, Celestia and Luna would bring several of the infected back to Equestria for study. They would hide them away deep underground beneath a mountain, where the lack of nutrients in the rock would eventually cause the crystals to stop forming and enter some kind of hibernation.
Celestia would later build Canterlot after the banishment of Nightmare Moon, and she would use the very kingdom itself to block off the caverns and keep them hidden for everyone’s safety.
The Crystal Caverns would become known again during the Canterlot Wedding when Cadance and Twilight escaped from them. However, nothing would ever happen after the fact, and Celestia and Luna would continue to hope that with Sombra sealed away and the crystals dormant for so long, that this infection was truly no more.
When I first got this all in my head, the idea was that Flurry Heart’s Crystalling was what caused the parasitic-crystals to get a kickstart of energy and begin spreading again.
That is the part where the timeline starts getting really wonky. Cause I think I’d want Twilight to be running her school and have the young six around, but that’s in season 8 and the crystalling was in season 6. But I can honestly fudge the timeline however I want, it’s an alternate universe after all.
I think that Celestia sacrifices herself in order to save Luna and help as many people flee Canterlot as possible. This was when I still very early into thinking this au through and a potential story that could be told with it- and with the worldbuilding I’ve been doing over the last few days I don’t entirely know if it still fits. I love the scene in my head that comes from it though- so I decided to keep the sketch of crystallized Celestia in the end.
I love the idea of crystals on her head mimicking sun rays! And her forelegs and wings becoming one so she staggers around like a wyvern. That’s definitely a design I would love to flesh out if I get the time.
I am having fun!
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tylered-up-in-blue · 9 months
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Response to “The Magic Trick You Didn’t See” / The Coffee Theory
I, like many people in the Good Omens fandom, have already read the big essay “The Magic Trick You Didn’t see” –which blows up the coffee theory that’s been circulating on my twitter page to greater heights and big claims. I have some thoughts.
First of all: I think that the original essay has a few details wrong, essentially because it falls into a kind of utilitarian perspective with the whole magic show metaphor. The thing is –sometimes details which are left hanging, or themes which are shown to be important, don’t always tie up somewhere. Sometimes they’re there because they’re interesting, or poking at intrigue –trying to get you to notice and note down for later, rather than evidence of one ultimate solution that’ll be revealed as a holistic great plot. Also “I didn’t think the writing was good in this moment” isn’t very convincing to me, I’m sorry.
But –I do think that they were onto something. I hesitate to make any grand claims, like “Maggie isn’t real,” or “The Metatron is editing the book of life,” because -to be honest- I don’t trust myself to put my name to something as big as that, and I don’t want to erase my favourite thing about Good Omens: its whimsicality. But I will say that there are themes and notable elements which I think will be important later and hint at some larger fuckery (if you’ll excuse the OFMD reference) going on, so consider this a kind of rejigging of the theory to be a more thematic approach that lays out things I just thought were interesting under an more open-ended (or flip-floppy, depending on how you take it) idea:
Something was going on this season which will be revealed as a Heavenly plot to split Aziraphale and Crowley up by the end. It worked. And the person to reveal the greater plot will be Muriel.
I’ll write down first of all a list of things that have been introduced to the world of Good Omens which I think are important, and highlight why one of them sticks out to me. Then I’ll work on a thematic basis of what things are shown to be worth narrative focus/presuppose S3. The first two themes are very much commentary drawing on the essay I’m responding to, and the second two are more my own ideas –certainly the fourth.
Okay, so: there are introductions to the Good Omens-verse which are clearly there to expand our world for later use. I don’t know if all of these things will come up again, but by the end of this season we know:
There are Nazi (and possibly more) zombies running around London.
There is a gun in Aziraphale’s bookshop -in case it’s needed. 
Heaven is interested in keeping things quiet, and they will fiddle with memories to do so. Erased memories can be “stored” in things/creatures.
There is a thing called “The Book of Life” that if you’re written out of, you NEVER EXISTED. (It can be edited, too, presumably.)
Crowley is possibly the most powerful being in the show. “Half a tiny miracle” ends up being enough to resurrect someone 25 times over, and his attempt to stay calm after a little tiff with aziraphale results in draining the street of electricity. Also he created the entire universe. (coming back to amend this with the fact Neil said he got going just "that tiny corner of space" -but I still feel there is significant evidence to say he is very powerful:) )
I lay these out because they’re just good to have noted down, really, and because they’re definitely GOING to be important. ALSO because the last one makes sense for the greater aim to be breaking up the ineffable husbands. Emphasis on Crowley’s power –and for their shared power– sets up a REAL threat for what we KNOW will be the basis of s2: The Second Coming. If you’re Heaven, and you want the second attempt at an apocalypse to be successful, you’d be stupid to let the two celestial beings who were meddling in the whole averted-apocalypse ordeal last time to just be AROUND for it. Especially when one has the ability to stop time!!! You’ve GOT to break them up. 
Theme 1: Investigation (Muriel!)
Investigation is a fun little theme in s2: Aziraphale goes full detective mode. He loves the clues, he’s in his little trilby investigating. All the marketing was very investigative and invites the audience to pay close attention. And there are SO many little easter eggs. From The Colour of Magic appearing to Gabriel reading the first lines of Good Omens –even as small as a Terry Prattchet impersonator speaking over the tannoy in Hell, or the film in The Resurrectionist being chosen specifically to play because there’s a scene where Jimmy Stewart talks to a fly. 
So! Investigation is fun! It’s important. And my favourite part of the essay I’m responding to is definitely that about Muriel. I think that all this build up to the detective-vibe is going to cumulate in their s3 role. Essentially: I entirely agree that they are coded as the one to blow open this whole case in S3. The police costume and giving them The Crow Road are certainly suggestive–but more than anything, leaving them in charge of the bookshop (full of Aziraphale’s diaries and books and everything) props them up perfectly to earn the promo they got for s2. Because I’m not sure about you, but my mutuals and I were shocked that the NYCC scene (“hello hello hello, I’m a human police officer!”) didn’t happen until episode three. From the way the promo was going (character profiles, trailer etc.) I thought Muriel would be in s2 WAY more.
They also make a HUGE point of how Muriel is considered “nobody.” They say it themselves, they’re called “the dull one” by Metatron.
They set them up perfectly to solve this later.
Theme 2: Memories and Stories:
Memory! Another theme! –memory that can be tampered with, contained, erased and returned.
Heaven is willing to meddle with and erase memories if necessary. They are, then, SUBTLE.
There is no God narrator.
There is a statue immortalising a very real Gabriel (somehow/for some reason –Gabriel was also involved in its making?) 
My favourite part of season 2 was definitely the minisodes. The costumes, the settings –I was so surprised to find the horses and carts in ep 3 were CGI in the X-Ray! They look so good! I loved how every single flashback was incredibly vital and interesting to expand on Aziraphale and Crowley’s relationship –that convo on the rock in ep 2? WOW. Stunned. Anyway, not to go on.
I completely disagree with the conviction that these were edited. I think that, to the contrary, these memories are (IF there’s something going on with temptation/persuasion (more on that later) and The Book of Life) are ENTIRELY real. And the reason for that is highlighted in the very essay: each memory is tied to a physical record of it happening. The Book of Job; the Polaroid in ‘41, and Aziraphale’s diaries. This is not to say that there aren’t still gaps: where was the “I’m sorry” dance of ‘41? If Aziraphale wasn’t drinking in 2500 BC then when did he start? Just little things like this.
This is the thing: stories, words, are vital. The challenge that they gave the guy who did Sherlock (I can’t remember his name I’m sorry!) –it’s talked about in the X-Ray– was to have words pop out in 4 different ways across S2. This a fun stylistic choice, but it also gives words narrative attention, so ties in with all this. Without God to narrate, narratives and accounts are left to the characters within the world. It’s fun and important both. So is the spelling stuff. Maggie can’t spell, neither can the demons. (She may be a demon herself –I’m not entirely convinced it’s this simple, tbh, but Aziraphale’s miracle not working on her in ep5 is definitely a red flag.) Anyway – it’s also interesting.
With all this, my idea that Heaven/Metatron had been planning the aziracrow divorce from the beginning might mean they’re tampering with The Book of Life –it also could mean that they’re ABOUT to do something weird with Aziraphale’s memories, or all these pieces are going to become very very helpful for Muriel’s investigation.
I really do wonder what this role of records, memories and narratives will come to, but I have a feeling it’ll bleed into s3.
Theme 3: Food
Crowley was the reason Aziraphale tried food in the first place. I just wanted to put that down because of course he was, but also it is deeply INSANE that he INTRODUCED AZIRAPHALE TO THE CONCEPT OF EATING. God, David was right. They really don't exist without each other.
This is kind of the point I make with food here: it’s a HUGE theme in s2, largely just to emphasise the fact that it’s powerful.
For some reason (jokey or otherwise) eccles cakes can “calm you down.”
Aziraphale becomes significantly bonded to Crowley by eating the Ox in ep2. Later, Crowley is “as strong as an Ox." –fun little echo.)
They drink the same wine as always in ‘41 –they share no wine in s2, just the sherry and whiskey respectively. They also don’t share a meal, which seems interesting. I personally think that it’s to do with consumption being a metaphor for queer desire, and the absence of it being a sign of C/A being on “their own side” in s2. Crowley abandons temptation as Aziraphale abandons attempts to “save” Crowley. –-Or it may mean something else!
Crowley drinks laudanum and it makes him go lala. It ALSO makes him turn tiny, then giant, and he does something kind –kind enough to get him dragged off to hell and tortured so badly that he’s asking for holy water as “insurance” 40 years later.
That fucking oatmilk almond coffee. Okay. So if food is powerful, this has weight. From the colour of it being weird against the background to the fact (to quote my dear friend Jey) “nobody fucking drinks almond syrup!!” –I’m sure you’ve see all this going around. Almonds are obviously very poison-coded, and considering the above point I smell something strange. (I don’t believe it was quite a case of drugging per say, but more metaphor: Aziraphale is being tempted. He’s being manipulated, and drawn back into the culty office world of heaven.)
So what we know here is that food is powerful. An important metaphor and force (especially for aziracrow.)
Theme 4: Resurrection
OKAY: so, this is the most original of my listing in these themes. I am so interested in this resurrection thing they’ve got going.
The Resurrectionist pub: where Gabriel and Beez come to their plan. We see that The Dirty Donkey is a lift to heaven (which NOT enough people are talking about) –so what about The Resurrectionist? What power does it hold as a space? Why is the legacy of Mr Dalrymple important?
Why did (wee) Morag’s eyes glow briefly? Is she a zombie now?
Zombies exist. We know this. They’re also tied to the concept of consumption, which is cool.
Heaven measures miracles by Lazarii.
Gabriel, in one of his flashes of prophecy, says: “there will come a tempest (...) the dead will rise from their graves and wander the earth once more.”
These are all cool. Thematically, it seems that being raised from the dead is going to be something big. I’m interested in this, considering that after Gabriel said the above mentioned prophecy my good friend Jey said “hold on, is this going to be about The Rapture?”
Now: we know that “668: Neighbour of the Beast” was supposed to be set in America. Whether it actually is or not, I don’t know, but I think that if it is about a second coming on American soil, The Rapture feels VERY pertinent. The dead are the first to rise and be with God in The Rapture, but all believers join them: and they join them permanently. In some versions, there is a period in which Christ rules the earth. All very fun and interesting prospects for s3!
Where this leaves us:
S2 is the “bridge” between 1 and 3, in Neil’s words. It’s the “romantic filling” of the sandwich.
I would argue that some seriously tough bread started with “oh Crowley, nothing lasts forever,” but hey ho, that’s the very ending of the season. I just want to talk about coded language/draw on what I’ve just said to talk about how we’re set up for the structures of s3:
Heaven is a CULT. A serious cult. From the (temptation) manipulation of the coffee, to the man at the pub calling Gabriel a “mason” –which I’m assuming he means freemason– to the frankly INSANE smile on Michael Sheen’s face as the credits roll (also sickening lighting there)– they are a big threatening cult, and that is going to be important. I think it’ll just get increasingly so.
FurFur and Shax have it OUT for the ineffable husbands. Like they are NOT fans. And they seem to also be buddies now so… not great news.
In The Scene </3 Crowley stops himself short of saying he’d like to spend eternity with Aziraphale, and instead asks him to “go off together,” just like s1 –I think their language is going to develop hugely in s3. It’ll go back to being the space they “carved out for themselves,” only further.
And finally: a bet. The last time we see Crowley, he’s in a car full of plants because he’s carrying “their side” away with him. I am willing to bet –not that this is a hottake or anything– that it’ll end, as it began: in a garden. S3 will end in the garden of their South Downs Cottage !!!
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gaysindistress · 1 year
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Sad girl - seven
summary: James has an interesting new business proposal and one hell of a condition to deal with.
pairing: Mob!Bucky Barnes x Reader
warnings: cursing, guns, violence (it is a mob au after all), Bucky’s smartass, John Walker being a dick, arguing, sexual tension, being held at gunpoint
word count: 3.2k
part 6 | series masterlist
taglist:  @missvelvetsstuff @angelsincident @spencerreidisagorgman @  goldensunflowe-r   @i-have-no-life-charlie @esposadomd @reader-without-a-story @unaxv @iateall-yourcookies  littlelizardlizzie @alana4610 0 @kandis-mom
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disclaimer: credits to original creator/poster of image/gif. found on google/Pinterest
She shouldn’t have trusted Steve to not say anything to James. He’s his right-hand man, from what she can tell, so, of course, he’s going to rat her out. His frustration is evident in the way he keeps flexing his hand, curling it into a fist and relaxing it. They’ve been sitting in his office for about 10 minutes now and neither of them has spoken, waiting for the other to speak up. She's assuming that Steve had texted him when they were driving back to James’ house. She should’ve just thrown her phone out of the window to avoid all of this. 
“Why didn’t you tell me?” 
“Why would I need to? He’s relatively harmless.” 
“No one we know is harmless, Doll. You should know that and especially considering how he’s involved with your family.” 
She stands up from the couch and places both hands on his desk, leaning over to try and intimidate him. 
“Pepper so kindly told me what happened. Not that I care but why didn’t you tell me?” 
His eyes briefly flicker to the “B” necklace that’s hidden under her blouse collar before meeting her stare. 
“I assumed you either already knew or didn’t want to know. I’m sorry for not talking to you about it earlier.” 
“Oh wow, the big bad James Barnes is apologizing to me. Let me get my phone so I can video this and get proof that you’re not always right.” 
James grins at her remark, standing and leaning forward as well, “I never claimed to always be right but you’re right I am apologizing. Is there anything else you’d like to know?” 
She tries her hardest to not shrink under his blue eyes but the intensity forces her to break away and retake her place in the chair behind her. 
“Yeah, everything.” 
His eyes glint satisfaction as she backs down to him so easily. 
“Your father was getting his vibranium from the Wakandans but Namor came to him, offering to cut the costs in exchange for protection as they expand into New York,” he starts to explain, sitting back into his own chair, “Walker has been trying to insert himself as a middle man for a while with your father, hence why he tried to start a relationship with you. He thought if he could get in good with daddy’s little girl, Stark would start using him but he didn’t expect you to be so you. His plan failed with you but Pepper convinced Anthony to use him anyways and that’s how he started communications between Namor and Stark Industries. The only problem is that going to the competition was going to piss off the Wakandans and they weren’t supposed to find out until after it was all done. Someone leaked the switch to them and Stark came running to Steve and me. In exchange for Steve’s men, Stark added him to the Talokan deal so Steve could have things made for his men. We were in negotiations about what else he was going to give me but Pepper suggested that a permanent alliance would serve us both better. I wasn’t expecting her to arrange a marriage but there wasn’t enough time to try and figure something else out so I agreed. I figured that I would be able to find something else and that’s what the meeting you interrupted was about. Anthony wouldn’t budge so here we are.”
“Wow so you got fucked over and I got used,” it’s her turn to laugh. 
“I wasn’t fucked over but you definitely were used by that dick head. I would say I came out on top with my end of the deal. I’ve heard stories about you and seen glimpses of that famous Stark attitude so I was ready for the challenge.”
“Ouch. Girls typically don’t like being called challenges,�� she feigns hurt, placing a hand over her heart. 
“Would you rather I call you an inconvenience?”
“Jesus no. You really know how to make a girl feel special,” crossing her left leg over her right, she shifts in her seat. 
“I aim for completely fucked out but I’ll take special,” he casually adds, eyes raking over her legs as he pulls out his phone. By now any annoyance had left his body and he tells himself that’s not all because she is close by. Admitting that she is the reason for calming down means one thing and she’s made it very clear that she does not want that.
“I have to go to Washington D.C on business later this week. It should only take a few days so I should be back by Saturday. The wedding planner Nat found wants to meet Monday at 12 to go over the basics.” 
She can’t stop shifting in her seat, thighs rubbing together every time she moves to find a semi-comfortable spot. At this point, she’s barely listening to what he has to say since he so causally mentioned a girl being fucked out is his primary goal in life. Internally her brain is telling her to sit still and get out as fast as she can but other thoughts are flooding her mind from between her legs. 
“Are you alright?” pretend concern laces his voice at her fidgety state.
“What? Oh yeah I’m fine,” she fails to lie and it’s clear he knows she’s lying by the way his lips turn up in that stupid smirk. 
“You sure? Something seems like it’s bothering you,” he pushes, hoping she’ll crack a little more. 
“It’s nothing,” she snaps, “why are you going to Washington?” “So full of ‘why’s today. Might have to teach you how to sit and listen without any questions.”
“I wouldn’t be such a challenge then, would I? You’d lose interest if I didn’t push your buttons.” 
The smirk breaks out in full force, “Maybe I want a good little housewife who obeys and doesn’t question me. I could get used to seeing you, so stubborn and spiteful, kneeling before me with wide eyes.”
His brave words spur something inside of her. If he wants to mess with her, two can play this game and right now she feels like inflicting a bit of her own torture on him. 
“We both know you don’t want that. If you did, we wouldn’t be here and you’d be off fucking some socialite girl who spends all of daddy’s money. You like the challenge. You want someone to put you in your place,” the sight of him licking his lips only pushes her to keep going on. 
“You’re a powerful man, you’re more than capable of getting what you want so there’s no way you just let this all happen. You want me and it’s getting to you that I won’t let you have me. I can only imagine how frustrating it must be to always get your way and now you’re being denied.”
The tension has shifted in the air and if anyone were to step foot into the room, they’d be wise to immediately exit. Both of them are trying to gain dominance and prove that they make the other break. James has reclined back into his chair, legs spread because what else says “I am the boss here” than manspreading? Doll has kept her legs crossed and her hands on her knee to show she isn’t bothered by any of this but really it’s because there’s a deep ache that is starting to crack her façade. 
“Has it occurred to you that I’m letting you act this way? You said it yourself, I get what I want. If I wanted, I would’ve had you that first night.”
“Radial idea: you’re not in control here. I am. I set the pace. I make the rules. I decide what happens. If I want you to beg for me, I’ll have you on your knees with tears in your eyes, begging for me to finally do something. If anything is going to happen, it’ll be on my terms, Bucky. You might be the man and the big boss that everyone fears but I’m the one who calls the shots,” her voice barely wavers no matter how fast her heart is beating against her chest. She’s thanking the gods that she’s not standing because she would’ve fallen right into his lap. 
“Prove it,” the challenge causes another wave of downright filthy thoughts to flood her brain and flush her body. 
“Answer my question first; why are you going to Washington?” “Do you know what I do for work?” his hand comes up to rub his jaw, fingers scraping over the stubble that has grown over the last few weeks. 
He doesn’t wait for her answer, “When people can’t get their hands dirty, they call Steve. Sometimes it’s extracting information or an asset, other times it’s not as nice and that’s where I come in. Since I handle the more sensitive side of things, it attracts some high-profile clients and that often means a business trip to Washington D.C.”
“So you’re a mercenary.”
“Freelance contractor is my official job title.”
“Good to know you’re in bed with the government. At least let me know when you decide to fuck a senator so I can sleep somewhere else.”
His eyebrows raise in surprise but quickly fade back into his smirk, “Already thinking about us sharing a bed?”
“No, I figured you slept in a coffin at night because you’re a soul-sucking vampire who’s only after money.”
His deep laughter fills the room and warms her cheeks among other body parts, “I’d bring in a bed to properly fuck you.”
“Look at who’s already thinking about us sleeping together and bold of you to assume you’d be doing the fucking,” rivaling his crass words is the only option at this point to maintain her dominance. 
“Oh please tell me how you plan on doing that.”
“You’ll have to wait for that. Now if you’ll excuse me, I have paperwork to file since you so rudely demanded I meet you in your office when I first got here,” uncrossing her legs and standing up, she’s praying to god her legs will keep her upright and that the horny bastard between her legs will chill out. 
“Can’t wait, Doll.”
_______________________________________________
“Motherfucker,” whispering to herself as her body refuses to relax after her meeting with James. Two hours later and she’s still staring at the same patient intake form. At this point, she won’t be able to get any work done and her mind can only come up with one way to release that thought. 
“No, no, no, no, nope. Not gonna happen,” she mutters before slamming her computer short and sitting back against her desk chair. 
She looks around the room for a second idea and her eyes land on the book she hasn’t touched since she moved in. Chloe Gong’s ‘These Violent Delights’, a book she had been excited to read, seems a little too on the nose with her current situation. Anthony always teased her about her book choices, claiming that she read too many ‘kid’ stories when she should be reading the classics and educational books. Her mom, on the other hand, had encouraged her to keep reading whatever she wanted and would happily buy whatever she wanted. That was the one thing she missed the most about her mom; the unconditional love and support. Her childhood hadn’t been the easiest, her mom repeatedly getting sober and then relapsing. She couldn’t blame the woman though considering the man Anthony was even if he wasn’t there for the first couple of years. 
Her mom rarely talked about what happened between her and Anthony but it was implied that she got knocked after a one-night stand, tried to run, bad people found her, and her dad didn’t exactly spring into action to help aside from suggesting a terrible name. Her mom had done what she could to make sure Doll was not involved in Anthony’s world at all. She didn’t even know that her dad was Anthony Stark until she was 10 and her mom dragged her to his Manhattan Apartment, begging him to take her. Pepper was the one to answer the door and agree, forming the initial impression that she was going to be an ally to Doll. She had been until she turned 15 and Anthony started paying more attention to her because of her excellent grades. 
“The prodigal daughter has returned,” is what he had told her after vowing to always protect her. Laughable now considering how he gave her up so easily and didn’t bother to return her texts in a timely fashion. 
Speaking of the devil, her phone alerts her to a new text that reads, 
“Walker claims he hasn’t talked to you since the fundraiser. Must be someone else. Have James look into it.” 
Completely destroying her phone is starting to seem like a good idea. Alas, she cannot because she’d have to set up a new phone and the whole process is just not one that she wants to deal with. Her mind is still preoccupied with the life or death decision of to booty call James and suffer his endless teasing or take one cold ass shower and hoping the cold restarts her system. 
The sound of men talking and the car door closing decides for her; cold shower it is. 
_______________________________________________
James had left about two days ago with a wink and an overdramatic ‘Goodbye Doll. Behave’ while Natasha rolled her eyes as they drove away. In their absence, Steve became her surrogate fiancé, either following her or sending other men out with her. On the days when Steve didn’t tail her like a stalker, she felt relief not suffocated but also upset from not having a certain soul-sucking vampire close by even through his friend. 
Today a large blonde with long hair and his lanky black-haired counterpart, Thor and Loki if she remembered correctly, was assigned to her. Neither man has said anything to her or even looked at her so it was more like two shadows hiding in the lobby of her office. They had tried to do a security sweep but she stopped them to remind them that it was the Stark Tower after all and there were men stationed everywhere. 
Leaving the two, she gets her keys out to open her office and instantly feels another presence in the room with her. A part of her is saying to scream out for Thor and Loki but the other part knows who has broken in. As she closes the door, her suspicions are confirmed when she spots John Walker sitting on her therapy couch, lounging like he owns the place. 
“What do you want?” she hisses. 
“For you to answer my messages.”
“Get out,” her fingers itch to grab the gun she normally keeps tucked close to her ribs but she solemnly remembers she decided against it this morning. 
“After you explain something to me,” metal flashes and he’s whipped out his own gun. 
“Sit”, he orders, pointing with the gun to the chair she usually sits at during appointments. 
“Don’t even think about grabbing yours, sweetheart. I’m much faster than you. Now explain to me why you haven’t been answering your phone.”
Silence will only get her so far in this situation but she decides to try her luck anyway. 
“Silent treatment, how mature?” his patience is starting to grow thin.
“I don’t think it was very nice of you to block me either. I had to get a new number and that was really inconvenient for me.”
She only nods her head, mouth in a straight line and jaw clenched. 
“And you know how I don’t like to be inconvenienced.” 
Again she nods. 
“Did your little boyfriend have anything to do with it?” No response. 
Suddenly he is up and over the top of her, forcing her back in the chair, “I was surprised when I heard you were engaged to him. He’s got quite a few years on you, not sure if he can keep up you. Or do you fake it and pretend to enjoy so you don’t hurt his feelings? I’m sure he would love to hear how much of a dirty slut you really are.”
“Oh please. You should be more concerned about the fact I faked it with you to get the fuck out. Your precious little ego can’t handle rejection and now you’re doing everything you can to fix it,” she can’t help but laugh at his failed attempt to scare her. 
“Would you like to try that again?” she can feel the cold metal against her neck. 
“Do you want me to spell it out for you? You’re terrible in bed so, I faked my orgasms so you’d get off and I could leave to find someone who would actually do the job. You are the epitome of toxic masculinity. Drop it and leave me alone. This is the last time I’m going to tell you.”
“Or what?” he shoves the gun into her neck harder, finger tensing on the trigger. She can barely see the revolver cylinder and nearly laughs at the game he wants to play.  
“I haven’t decided yet but I’m sure my fiancé would have some ideas once he sees the barrel marks on my neck,” he pulls the trigger and her eyes squeeze at the sound of it clicking to the next chamber. 
“Say stupid shit again and I can’t promise that the next chamber will be empty.”
Never one to follow instructions, she spits in his face. He flinches, dragging a hand over his face with a menacing look in his eye. He squeezes the trigger again and it clicks again. 
“You’ve only have 4 more tries, think about your next move carefully.”
“Your dick is small.”
“3 more. Do you really want to keep going?”
Shrugging her shoulders the best she can, “I don’t think you have it in you to shoot me.”
This time he pulls the trigger twice, both times clicking to show that her sixth chance will have been her final one. 
“Start answering my messages and I won’t have to come and visit you at work, sweetheart,” he stands and leaves the office without another word. The alarmed voices of the men outside invade her office and in seconds Thor and Loki come barging in. Thor is the one to check her over for any injuries while Loki speaks in a hushed voice on the phone, more than likely calling Steve. 
Loki motions to Thor to join him on the other side of the room, leaving her alone with her thoughts and an aching neck. The shock starts to sit in and her body betrays her, going cold and trembling. She can’t hear whatever the men are saying but she can only assume that Steve will be there in moments and will no doubt be furious. 
What feels like seconds later, Steve is storming through the door, barking orders, and crouching down to her eye level. 
“Hey, we’ve got to get you out of here and somewhere safe. Let’s go,” he grabs her hand, pulling her out of the chair to usher her out of the office. She allows him to tuck her into his side, wrapping a protective arm around her shoulders as he leads her through the building. The entirety of Stark Tower has gone into full alert mode, all personnel are on the hunt for John. They pass by everyone without a word and exit the building of chaos behind them. In the haze of shock, she barely registers that Steve has gotten her inside the SUV or that he’s been on the phone, trying to calm down whoever is on the other line. 
The last thing she remembers is the surprised look on Steve’s face as she slumps forward and faints.
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unmeiha-arc · 10 months
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tentative ff16 verse notes maybe??!
this involves some very headcanon-based worldbuilding because i can't help myself so i'm expanding the world beyond what we see in the game. it shouldn't effect any of the canon events, but canon is my playground either way.
i'm more than happy to plot to make it work better if any of it conflicts/is an issue because i am definitely not nearly as familiar with 16's lore as i am 14's and didn't really have anyone to bounce this off of (i'm on my knees begging) so i am majorly winging it HGLHJGDSKA
i'm so sorry this is so long and also kind of jumbled because i cannot keep my thoughts in order to save my life and i had A Lot of them.
major ff16 spoilers ahead! literally the first line under the cut is an endgame spoiler, so don't look if you haven't finished!
there were sixteen gods in the cutscene at the core of origin (presumably because haha final fantasy 16), but it was implied (or at least, that's how i took it) that there was one god-spirit freed per mothercrystal, which means that there were more crystals than the five clive destroys in the twins. eleven more, to be precise — one at the core of origin, and ten more unaccounted for.
the ten crystals that we do not see in storm or ash are scattered across the other continents of valisthea. this was to maximize the amount of aether the mothercrystals were able to gather for ultima's spell. having them all in a centralized location means it takes longer to drain the aether from other parts of the world. therefore, more crystals = faster and more abundant aether absorption.
after the first mothercrystal is destroyed at drake's head and the first god-spirit ultima is freed, he manipulates leaders in the locations of the other crystals to have them be destroyed, either directly or consequentially as a result of conflict he incites.
by the end of the five year time skip, all ten of the unaccounted for mothercrystals have been destroyed and all that is left are the ones remaining on storm and ash. this averages two of the unaccounted for crystals per timeskip year.
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koharu hails from the eastern continent of othard, from the kingdom of doma.
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othard itself is divided into several nations and is home to three of the ten unaccounted for mothercrystals: one in doma itself and two in the northern territory of ilsabard; one in garlemald and one in sharlayan. doma's crystal was the last to fall of the othardian mothercrystals.
with the crystals in ilsabard both being destroyed, the blight spreading rapidly, and aetherfloods occurring with frequency, doma had some warning as to what was in store for them and were able to make preparations to get some of their people to safety.
in the midst of securing passage for doman refugees to storm, war broke out with those fleeing from ilsabard, the garlean empire seeking to expand its territory to claim doma's mothercrystal and its bounty (and perceived safety) for themselves. the war claimed not only the lives of doma's king, but also saw its mothercrystal, the last in othard, destroyed in the conflict.
in the resulting chaos, only a handful of boats managed to safely leave doma's shores, and the rest of its people were consigned to their fate.
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koharu was on one of the boats and arrives in storm just under two years after the first mothercrystal is destroyed.
it takes about a year for the two othardian mothercrystals to be destroyed after the first falls, another six months for doma's mothercrystal to fall, and then approximately three months at sea on the boat from doma to arrive in storm.
the ships originated in the east and and sailed eastward! meaning they went ⊳ that way around the map, circling around to the northwestern (top left) side of the iron kingdom, and then southeast (↳) to land in rosaria in storm.
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doma considers bearers as blessed, and treat them as such. because of the toll magic takes on them, they are people who are revered and respected, and often end up in positions of power because of it, regardless of their station at birth. their culture regarding bearers is vastly different from that of the twins, which is only natural given how far removed from each other the continents are.
it's worth noting, however, that they are not completely unaware of how the twins treats their bearers. othard as a whole exports a great deal in trade, with doma itself having a focus on fine silks and textiles as well as pottery and lacquerware. as a result, the nation regularly communicates with nations outside of the continent. though the news of current events is often very slow, it does circulate nevertheless.
the doman royal family carries the line of the water-aspected eikon susano-o. when prince kaien did not awaken as susano-o's dominant, it became clear that he would need to produce an heir as quickly as possible in the hopes that this heir would in turn awaken in his stead. thus did he marry a noble water-aspected bearer by the name of mina. shortly thereafter, the young prince hien was born. kaien would rule as regent until hien's awakening, when hien would ascend the doman throne as its king and dominant both.
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koharu was born and raised in a noble warrior family whose loyalty was pledged to the royal family. generations of her forefathers served the doman throne as the personal protectors and attendants to the royal family, and koharu was no exception.
though not a bearer herself, she proved her martial ability at an early age, and was eventually given a position as the young prince hien's attendant at the age of sixteen (16). he (12) awakened as susano-o's dominant later that year, though his father would reign as regent until he came of age on his eighteenth (18) nameday.
three years after her assignment as his protector, koharu very unexpectedly awakened as a dominant herself at nineteen (19) in defense of the prince (15) during an assassination attempt — the dominant of the light-aspected eikon amaterasu.
this awakening lead to the arrangement of a marriage between the two that would take place after hien was crowned king. the marriage itself didn't actually take place until three years after his coronation, so that he might have time to acquaint himself with ruling before taking a wife. they were married at twenty-one (21; hien) and twenty-five (25; koharu) respectively.
vic if you're reading this and you're seeing the inspiration from olympia soirée shut up no you don't go away.
it was only four (4) years later that the mothercrystal in drake's head fell. shortly after the drake's head crystal was destroyed, the crystal in sharlayan would also fall, and leave a massive aetherflood in its wake, consuming the entire nation, turning nigh the entire populace akashic overnight. the bearers that survived fled for garlemald and doma.
when garlemald's crystal fell and the empire invaded, the blight pressing in behind them, it was hien who proposed an evacuation of the nation's people; doma was, after all, more than a place, it was its people. wherever the people went, the heart of their nation would go as well. thus did they formulate their plan: susano-o would occupy the garleans' attention on the battlefield while koharu, now thirty (30), would see to the evacuation, making use of amaterasu should the need to protect her charges arise. immediately, they commissioned as many ships as possible to be built as quickly as possible.
it was only six months later when the garlean empire claimed the king's life. koharu, in her grief, turned her rage on the invaders. amaterasu's might decimated the garlean army, but in the process also claimed innumerable doman lives, destroyed the majority of the harbor the ships were docked in, as well as laid waste to doma's mothercrystal itself.
horrified and ashamed, koharu gathered as many survivors and supplies as she was able to fit on the remaining boats and fled with them, abandoning the rest to their fate — whatever that might be. in truth, after leaving she no longer has any idea what the current state of doma is, or the state of whatever people might be left there. she simply assumes that the land and its people have succumbed to blight or aetherfloods or both.
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when she arrived in storm, koharu hid her identity as the widowed queen of the fallen doma and took up the alias azem, desperate to distance herself from her sins. this could prove to be a very big bargaining chip for her or a very big weakness, depending on how it's used. that said, it is not hard to tell that she was raised as a noble.
those sins, however, followed her with every step — quite literally, as she attempted to seek out shelter for herself and the terrified refugees who arrived with her. those that remained, anyway.
one ship capsized on the journey in the midst of a raging storm. one ship was seized by the ironborn upon docking in the iron kingdom to resupply. the last she saw of that ship were flames so high she thought they might touch the sky. another ship was immediately searched and seized by the imperials, the bearers aboard immediately taken into custody and branded. the final two ships, koharu's ship and one other, were fortunate enough to make landfall relatively unseen.
relatively. for better or worse, the ships were spotted off the coast before docking by one of the hideaway's scouts and, after investigating, those who had been aboard were welcomed into cid the outlaw's home, where they offered whatever skills they had in return for the hospitality and safety they were shown.
there, koharu also offers herself in service primarily to the cursebreakers, though when she isn't doing that she can be found running errands for any who might need assistance in the hideaway, all in gratitude for sheltering what few of her citizens she was able to save. the last of her people.
she is not immediately aware of clive's intentions to destroy the remaininig mothercrystals but, given her history, is very resistant to the idea at first.
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when priming, koharu's hair, normally a dark brown (essentially black), becomes a stark, luminous white, highlighted in glowing gold, and her eyes, usually green, become a glowing gold. she will not fully prime unless she absolutely must in order to conserve her strength and slow the spread of the crystals' curse, as well as to keep her identity hidden later on.
priming comes with its own risks of being found out as a dominant, but becoming amaterasu would outright reveal her entire identity and all that she had done, assuming people are aware of the state of the mothercrystals outside of the twins. what she isn't aware of is that until she works through what happened in doma and the mental block it puts on her, she can't fully prime. should she try, she will find herself unable. she is still a force to be reckoned with in her own right as a swordswoman, however.
she also has a change of weapon when she arrives in storm. whereas in doma she used to wield a katana, neither the smiths of the twins, nor anyone aboard the ship she arrived on have the knowledge to repair or reproduce the sword she used. instead, she opts for something completely new: a massive, claymore to parallel her ffxiv canon of samurai to dark knight teehee and spends much of her free time learning how to wield it properly and applying the skills she already has to adapt the new fighting style to something more of her liking. by the end of the second timeskip period, she has become more than proficient.
for timeline purposes: koharu is sixteen (16) pre-timeskip, twenty-nine (29) first timeskip, thirty-four (34) second timeskip, but it's important to note that she doesn't arrive in storm until she is thirty-one (31), during the second timeskip. this also means she never met the original cid — at least canonically — as it is the second hideaway she and her people are brought to.
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Rambling March Updates
A little bit of a fun update for this month and moving forward, since I’ve been feeling a shift in how I approach my creative work (and well, everything else too) and I feel like organizing my thoughts somewhere. It’s technically the 2nd of March, but after a mini vacation post half-marathon, I definitely feel like it’s a valid bookend to semi start at. I’m in my usual “time to overhaul my life and plans” mood so it’s fitting for that as well, like a spring cleaning for the mind!
Writing Updates:
I’m about halfway through my celebration oneshot, which is a Bellarke AU based on the winning tropes from my survey that I ran during my follower celebration. So in a sense it’s a collaborative fic which is pretty fun! I’m liking it so far, though I do feel a bit rusty writing the Bellarke again after taking a bit of a break.
If you somehow missed my excessive reblogs, I finished my longest fic ever last month (hence another writing break)! It was for Stranger Things/Hellcheer (Eddie x Chrissy) and ended up clocking in at just under 80k words. Pretty astounding and I haven’t really processed how long it is. I feel like I need to reread it just to bask in the accomplishment and to also remember what I wrote lol.
Organizing the new month means updating my word count calendar, and with it I’ll probably spend some time reworking some outlining and WIP plans. I still like most of my WIPs that are unfinished, though one or two might get axed and abandoned. But the ones I want to finish deserve a polishing up and fixed outlines so I feel more confident getting back into them! And of course, organizing some new fic ideas I have and seeing if I can prep myself into making them shorter, easier projects for the main reason I’m about to share!
The biggest reason I want to spend time narrowing down my approach and what I want to write in terms of fanfic is that I’ve finally confirmed to myself that I want to write my own original novel. The idea started bouncing around in my head and I tried to ignore. Thought about it a little longer, told my husband about it, and he enthusiastically insisted that I legitimately consider writing it. And now I can’t stop thinking about it, so I’m going to give it a go! I can’t let myself think about any goals beyond writing it, but I am excited to see how that goal can fit and how I can push myself with it and hopefully actually write it. 
Design/Visual Creative Updates:
I do want to eventually finish my Stranger Things episode gif sets. I find them incredibly relaxing to make and a nice little visual stimulation break! 
More episode posters such as this one are also something on the back burner. Mainly because I’m also considering expanding my efforts in an online shop and I think it would be cool to include them! A part of that is organizing the categories of work I want to do, as well as the very tedious element of figuring out a name for the shop so that I feel comfortable sharing it across platforms. Hopefully updates on that will come down the line by the summer!
In non-fandom thoughts, I desperately need to update my graphic design portfolio and take new headshots. It’s driving me bananas at how much I’ve stalled on that so that needs to be a priority 
I’m determined to learn how to book bind this year and turn my own fics into physical copies (also a nice tie in for my own potential novel). We’ll see how that goes––it’ll be added to my long list of physical creative projects I want to get into this year!
I’ve negotiated my current contract to being a four day work week, so I’m excited to see my schedule start to form in a way that I can maximize my time and work on more personal projects!
However all of this comes on the back of that my husband and I are officially looking to move to a new state and city! Which means there’s a buzzing amount of stress just consistently in my mind right now, which will most definitely multiple over time as we actually have to complete the process. That means I’ll probably put a lot of this all on pause later this month and into April, but I also think that moving to a bit of a slower paced lifestyle is also going to be really good for both of our goals moving forward. Very exciting and very scary at the same time as we look to start a new chapter in our lives!
Onward to updating Notion and hopefully getting some good work in today! Happy almost spring!
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miso-magic · 2 years
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Rewatching “Remember,” a Ranboo/Benchtrio animation, lead to a New L’Manberg era ramble...
Artist/Animator: @ariapmdeol Link: https://www.youtube.com/watch?v=VHpwV6OPjpU&list=PLcGW-pwh0PfrM_TV-IQLdsdFgV5atKUa0&index=6​ “Remember” is one of my all time favorite animations for the Dream Smp! I always come back to it over and over again because I love it so much! The New L'Manberg era is one of my favorites because of how interesting the dynamics are between the characters and all the events that take place. Benchtrio's dynamics are especially fascinating because of everything they go through with all the pressure they are under. Which I will briefly go into (because I have too many thoughts about this and they demand to be written): - Content Warning! Discussion of manipulation and its effects ahead! -  c!Tubbo - Tubbo’s striving to be the best president he can be for New L’Manberg after the prior two presidents harmful terms, but he is faced with all the difficult responsibilities/decisions that comes with that. The biggest/hardest one being whether to exile Tommy to protect New L’Manberg or keep Tommy and enter his country into another war with Dream. He isn’t even allowed a moment to consider his own thoughts/feelings about many issues because immediately Quackity and Fundy are throwing their opinions at him, and if he disagrees he is quickly compared to Schlatt. His self worth is already painfully low, but this comparison just adds a bucket of salt into that wound. Tubbo is under an excruciating amount of pressure.   c!Tommy - Tommy is trying to process and understand so many things during this era, but no one is allowing him to do that healthy because they keep adding more trauma to the pile (namely Dream of course). He recently lost his older brother figure in a devastating event by said brother figure’s own actions. Tommy’s still trying to understand all the complicated emotions that are tangled up with that event and those leading up to it. One of those feelings is betrayal, which he experiences again when Tubbo ultimately chooses to exile him. Lots of stuff happens during exile and I can’t go into all of it right now, but what I’m trying to get at is that Tommy isn’t allowed to process everything that’s happened/is happening to him in a healthy way because Dream is manipulating him.  c!Ranboo - Ranboo is a newer addition to the server at this time so he doesn’t have all the prior trauma that Tubbo and Tommy have with early L’Manberg, Manberg, and Pogtopia, etc. BUT he does not lack in his own struggles. Between his memory issues, enderwalking, being manipulated by Dream, his panic/anxiety, trying to help everyone out by not picking sides but people, etc. he is stressed. He is trying to maintain good relationships with everyone where he can support and help them as much as he can, but Dream (and other factors) are preventing him from achieving that. And it hurts. It hurts him to watch his friends hurt and not be able to do anything because of his own issues and/or because he thinks he might have caused that pain. ALSO let’s not forget that Tubbo, Tommy, and Ranboo are teenagers! All of them have so much pressure put on them as they try to navigate the hectic world around them. And they’re held to such high expectations to react to their traumatic experiences in a “grown up” way when they aren’t even adults. [Quick Disclaimer] I’ll be the first to admit that I need to revisit the original source material for this era because it has been awhile since I’ve watched it. Plus there are parts that I definitely missed in my watch throughs (because there is so much content), but I just had to share some of the thoughts I have stashed away about New L’Manberg. I’m sure there will be many more thoughts to come when I do revisit the streams for New L’Manberg because I’d love to expand on this even further! could potentially be another youtube video, who knows Anyways! New L’Manberg is such a fascinating era with SO much potential to be fleshed out even more by going beyond the limitations of Minecraft! We, as the fans, have the opportunity to give it more life and weight by filling in the quiet moments in-between all the major events we witnessed. Which is what I think @ariapmdeol​ was able to do with her wonderful animation “Remember.” She really captured what I love about the New L’Manberg era and I’m so glad I decided to revisit it tonight because it inspired me to share my many thoughts! Thank you for reading my ramble, I really appreciate it and I hope you enjoyed it! Have a lovely night/day everyone! Chat with ya later! <3
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sigery · 11 months
Note
While going through AU information since I slept here's questions while I read. Got any visual descriptions of the characters that one could work off of? When Eclipse released the 3 from stais how did things go? Was Sun and Moon immediately on defense and thought Eclipse was going to kill them or was they willing to give the lord a chance? Is Lunar still wary of Eclipse? Has Atlas ever met Eclipse? What's Glitter's original AU like? And how would they react to Lord Saturn? I think that'd be a interesting meeting For the TFs in "Rehab" has there been any progress? Are they still stuck in their old ways? (I'm sorry I am a curious boi. Bonus questions such as: Has the deadly sin family tried to kidnap Lord Saturn to be apart of the family? How would Gluttony react to North, Catch, and Release?)
I am delighted to talk about my aus. People showing interest makes me very happy. Plus it helps me expand the universe.
This got a bit long
Currently visual descriptions are pretty vague. I will have to get back to you on that. I got another ask about that in particular so I'll tag you there. Onto the questions I can probably answer!
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Gluttony (lunar) was released first and met with apologies and 'bribes' (toys, food, games, etc to make him happier). Gluttony and Envy (eclipse) had a serious heart to heart where Envy explained himself, past and present feelings. He promised to be better. Things between them were stilted for a while, but they grew comfortable with each other after a while.
Envy released the others due to Gluttony's insistence. Envy explained himself to them as well. Lust was a bit more sympathetic than Pride. Considering the power dynamic, there wasn't a lot that could be done from Pride, Lust, and Greed's side.
Things were pretty awkward between everyone and Envy for a while, but with time and borrowed therapists, things smoothed out. (there is a under developed au where Pride kills Envy and Gluttony runs off with the star). It's been a long while now so the family is mostly content in the new world.
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Envy doesn't leave their dimension often except for Lord Meetings and occasionally visiting friends like Night. So no, he hasn't met Atlas. He knows of Atlas, but the two haven't crossed paths.
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In Glitter's original dimension, his Moon was decommissioned for multiple child murders. Even with 'the problem' gone, the daycare's numbers didn't improve; so Glitter was going to be decommissioned as well. When Chaos showed up, the staff cut their losses and let him take Glitter.
Glitter didn't have a Eclipse in his world but he would be a bit nervous at first about Saturn. Especially early on before he learns to roll with it. Chaos is protective enough that Glitter won't be scared of Saturn and Beam, just wary. Okay probably a little scared of Beam, but again Chaos will protect him so he knows he is likely safe.
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tf Sun probably has had the most progress. Lust, also being a sun can more easily understand how his mind works and how to correct things. Plus tf Sun is the most open to change without tf Moon and tf Monty's opinions guiding his own. Besides traveler is way less scary than Gluttony.
tf Moon is a stubborn bastard and regularly gets the spray bottle.
tf Monty isn't in rehab, he's in prison.
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If Saturn wants to be a part of the family, he is very much welcome. The only people kidnapped into the family are those who have been abused, neglected, in danger, etc. And even then, if the kidnapped wants to leave, they can.
Though as a Eclipse, Saturn counts as a 'cousin' regardless.
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Gluttony would definitely offer to adopt North, or let him stay with the sins family if he wants a vacation from Golden. Also another magically inclined lunar friend!
Gluttony would be interested in getting to know Catch & Release since their dimension is way different than most he knows about, plus it seems cool. Maybe not a field trip dimension, but one he would like to explore
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hops-hunny · 3 years
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Just a Flight Away
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Pairing: Neville Longbottom x Ilvermony!Reader
Word Count: 2.8k
Request N/A
Summary: Neville has a cutie who lives in America but no one seems to believe him.
Warnings: None! 
A/N: This isn’t a request but it’s based off of me rambling here and slightly off of the vibe telepatia by Kali Uchis gives off.
If there was one thing Neville was thankful was it was the absolute goddess he got to call his girlfriend. It was funny the way they first began talking to one another. (Y/n) had been trying to contact a friend at Hogwarts but after the long trip from Ilvermony to Hogwarts, her owl was quite exhausted and ended up bringing the letter to Neville instead. Neville saw the poor bird, giving it a bit of bird seed and water that he kept in the green house before he set off to find the rightful owner of the letter. Luckily he had 3rd period with the girl who thanked him before excitedly yanking the letter from his hands. When Neville went to go check on the owl, he saw that it had already left, leaving a heart shape in the bird seed.
After that day, Neville hadn’t really thought about the incident that much. Well, that was until he saw the same owl fly towards him with a letter in its mouth. He smiled fondly at it rubbing under its chin with his finger before going to give the letter back to the owl until he noticed it had his name on it.  He ripped it open, careful to not damage the envelope before reading the letter.
Dear Neviile,
Thank you so so so much for getting the letter to Gwen! Gwen is a good friend of mine who I had been missing dearly and if not for your kindness she would have never received my letter. 
As you may be able to tell from the seal on the letter, I attend Ilvermorny school of witchcraft and wizardry. I've heard of how grand and great the infamous Hogwarts is, is it true? How is England in general? I've never had the pleasure of traveling out of America.
Oh yes! The main point of this is as a thank you, I've attached a package of my favorite American sweets as a token of my gratitude. The package is enchanted which is why it's so small. To restore it to its original state, place it on a flat surface before tapping it with the tip of your wand.
Sincerely,
(Y/n) (L/n)
Neville felt his face grow warm at the girl's kindness. (Y/n). 'What a beautiful name..' he thought to himself before pulling out the galleon sized package from the envelope. He pushed aside a few plants on the table in front of it before placing the package down, tapping the top with his wand. He gasped, watching in amazement as he saw the package expand. Neville wasn't quite familiar with this enchantment, perhaps he'd ask her about it in his response. His cheeks turned a brighter red. Response?
Did she want to speak to him more? He didn't want to assume but by her letter and her asking questions, it made it clear that this wasn't the last exchange she wanted to have. Was this a prank? Were the Weasley twins up to this? There was only one way to tell. Neville reached a shaky hand forward, opening the package as he closed his eyes expecting something to pop out at him but when he opened his eyes there was nothing but a box of snacks he had never seen before. He let out a sigh of relief, ignoring the racing in his heart.
After that, Neville and the girl started to talk quite a bit. Months had turned into years and he couldn't have been happier. It felt nice to have someone he could talk to, someone far away from all the hustle and bustle of the castle. To her he wasn't the kid with unfortunate luck or the "cowardly" boy in Gryffindor. He was just Neville, her boyfriend. Neville, her kind boyfriend in another continent, far away. 
(Y/n) loved Neville just as much. It wasn't that she never had suitors approach her. In fact, she had quite a few. (Y/n) was what you could consider popular, not that she cared. She was kind, smart, and beautiful. Who wouldn't want that? However, she always felt like none of the men who'd approach her got her. They all just saw her as a beautiful woman instead of what she was, a normal girl deserving of love. That's why she liked Neville so much. No matter what he always treated her with the utmost respect and that hadn't stopped when they started to date either. 
When the two had first exchanged photos, Neville was stunned. He had been talking to that beautiful of a girl? He couldn’t believe it. It was as if Olivander himself had sculpted and carved her out of the best of wood. She had glowing (s/c) skin, soft healthy looking (h/c) (h/c) hair, and a smile that could compete with the sun on its brightest of days and win. And when he found out she was single? He would’ve been a fool not to make a move. Angels as sweet as (Y/n) didn’t come around that often. 
And although their relationship was as great as can be there was the underlying sadness: they lived across the world from one another. Every time either of them would see a couple hug or kiss in school, they’d feel a twinge of jealousy pierce their hearts. It wasn’t fair that the most perfect person in the world was off enjoying themselves in their respective countries. Although (Y/n) tried to ignore it, Neville was the type to bring it up. He’d describe in the most beautiful of words what he’d do if they were together. How he’d hold her in his arms and show her off to all of his friends. Where he’d take her on a date, the plants he wanted to show her as they were both herbology geeks. Meanwhile she’d end each of the letters discussing this topic with the same phrase as usual. ‘You know I’m just a flight away. If you wanna I could take a private plane.’ He could never ask that of her though. As much as he’d love everyday to be filled with his flower, he wouldn’t wanna rip her away from the things she had going on in her own life.
It wasn’t all bad though! After the girl had taught him the charm she used when she first sent him something, they both would send each other gifts back and forth as much as possible. Neville sent her sweaters with his scent embedded, charmed flowers, chocolate frogs, anything she wanted was hers. She’d send her own things to remind him of her as well. Her favorite stuffed animal, loads of photographs, little crochet hats she made for Trevor, more...unsavory things as well definitely not her underwear. Despite the increase in objects Neville owned, none of his friends had questioned it until he started to wear a necklace with a heart shaped piece of onyx on it with the letter (Y/f/i) carved into it.
“Oi! Neville. Where’d you get that necklace from?” Ron questioned his friend who sat across from him in the Gryffindor common room. The boys had all decided to study together which of course turned into Neville studying as they goofed off. Neville tensed as his cheeks heated up turning a pink color.
“O-oh um..it’s from my girlfriend.” He said, saying the last word as soft as possible. He prayed to Merlin that his friends hadn’t heard him but unfortunately for him they had. It wasn’t that he didn’t want anyone to know about her. It was far from that. He was just a bit protective, he didn’t want anyone to try and steal her from him. Even though it was impossible since they had no contact with her, he never knew when it came to his friends. They always found a way to make the impossible possible.
“What year is she in?!”
“Who is it?!”
“No way, is she fit?!”
He finished at the chorus of voices, trying to calm them down so he could speak. They all scooted closer to him, looking up at him expectantly. “Well you see..” he trailed off, looking away as he played with the pendant around his neck. “She doesn’t go here. She attends school in Ilvermorny. But to answer your question, yeah she is bloody fit.” he responded, turning his attention back to the scroll of paper in front of him. Dean, Ron, and Seamus exchanged a look with each other trying to suppress their laughs.
“Yeah I’m sure she does Nev.” Dean said sarcastically as he joined the other two in laughter. Neville looked up at his friends confused at their behavior.
“Yeah Nev, if your nan sent it you could’ve just told us! Better than saying you’ve got a girl halfway across the world.” Ron said, pushing the boy slightly as he continued to laugh at him. Seamus was doubled over, snorting with laughter as fire whiskey shot from his nose causing the other two to howl with laughter.
“It’s not from my nan! My girlfriend really did send it to me.” he exclaimed, smacking Ron on the back of the head, before doing the same to the other two men. “Besides, you have some fucking nerve accusing me of lying when none of you have birds yourself.” he sneered, causing the boys to quiet down some.
“So harsh Neville, you didn’t have to go there mate! Well what’s this ‘girlfriend’ of yours called.” Seamus asked, doing air quotes as he mentioned the topic at hand. “You’d think it was a bit strange too if your friend suddenly mentioned a girlfriend who lived all the way in the states too wouldn’t you.”
“(Y/n). And I’ll have you know this isn’t a new thing. We’ve been dating since around 2nd year. Sure, I’d find it a bit strange if you mentioned a girlfriend in America that you had never brought up prior, but I wouldn’t find it impossible! Now if you excuse me, I have to go.” he quickly stood up, packing up his materials as he stormed off to the direction of his dorm. He sped up, ignoring the protest and begging of his friends to come back and continue to hang out with them. He had enough of them and he wasn’t gonna sit there and let himself be called a fucking liar by Hogwart’s biggest ones.
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“Did you guys hear? Students from Ilvermony are supposed to be coming to visit!” Ron said, running up to the other four boys. “I’m just picturing how hot all the girls from the states are gonna be. All hot and leggy with those bloody accents. I could combust just thinking of it!” he exclaimed, flopping down on the couch. Neville gasped softly, looking up. Did he hear him correctly? 
“Where’d you hear that from? I didn’t hear anything of the sorts.” Hermione questioned, looking up from her book at the interesting news she had just heard. However, Neville was still frozen. Was this true? And if so, why hadn’t (Y/n) mentioned it. No, no it couldn’t be. She surely would have told him.
“I just overheard it from Dumbledore himself. They should be arriving in a few minutes! They’re staying here for a few months. It’s a part of this new thing that they’ve set up. Something about wanting the students to learn different methods and what not. They decided it’d be a good idea since summer is coming soon.” he said nonchalantly, looking over at Neville who hadn’t moved since the news left his mouth. He went to question what was up with him before his eyes lit up, recalling the conversation they had a few months ago. “Hey Neville? Didn’t your supposed ‘girlfriend’ go to Ilvermony.” the boys all suddenly interested began to ‘ooo’ exchanging looks with each other.
“See Neville, this is why you don’t lie. Lies will always come back to bite you in the rear. Perhaps Ronald i-”
“I wasn’t lying, Hermione! She really does go to Ilvermony.” he exclaimed, standing up as he wiped his hands on his pants. All of a sudden, there were the sounds of a bunch of American accents speaking which caught all of their attention. Many different students in Ilvermorny uniforms (some without them) roamed freely to explore the large and intense castle.
“God you weren’t kidding Ron, the girls are bloody fit.” Dean muttered, eyeing some girl who gave him a wink before giggling and running off with her friends. “Woah look at that one, are you kidding me? She’s a fucking goddess!” Neville’s curious hazel eyes followed his friend's words as he saw a familiar shade of (h/c) hair styled in the way his girlfriend wore it. Wait, was that his sweater? 
“That’s not just some fucking girl, that’s my girlfriend!” Neville exclaimed, standing up from his seat.
“No chance.”
“You couldn’t pick a more believable one?”
“Prove it then.”
Neville went to say something before the girl turned around, locking eyes with him. She gasped, tearing up some as she pushed through the crowd of people running to him as quickly as possible. “Nev! Neville babe, is that you?” she exclaimed. Neville’s face flushed brightly taking in the girl’s appearance. She had worn the first sweater he had given her, a mossy green sweater with an obscure pattern, with a pleated skirt pairing it with a pair of boots. Neville nodded his head quickly, holding his arms out as the girl ran into him almost knocking him over. He picked her up, spinning her around quickly before setting her down, holding her soft face between his hands.
“W-what are you doing here?! You never told me you were coming to visit!” he exclaimed, wiping at the stray tears that had left her eyes. He moved his hands from her face securing them around her waist as he stared down at her. God she was even more beautiful in person.
“I wanted to surprise you! I actually found out a few weeks ago and let me tell ya, it was SO hard not to tell you!” She giggled, reaching up to stroke his cheek. He leaned into her touch, smiling at her. “I didn’t think it was possible for you to get even more handsome but bloody hell. You’re so fucking hot, Nev.” she said, feeling her face heat up. Neville flushed a bright red before leaning down, kissing the girl on the lips. She pulled him down more, wrapping her arms around his neck as she kissed back. The kiss was full of the love and affection they had both been craving from one another. (Y/n) tangled her hands in the back of his hair as he deepened the kiss, moaning softly. They both jumped away from one another at the sound of someone clearing their throat. “Ah sorry! Nev, are you going to introduce me to your friends?” she asked looking up at him as she intertwined his large hand with her smaller one.
“I suppose I will, even though for some reason they thought you weren’t real.” he quipped, glaring at the four boys who looked away ashamed. “From left to right there is Harry, Ron, Dean, and Seamus. And over there,” he said pointing to the big arm chair in the corner. “That is Hermione.” he said as they all muttered ‘hi’ and ‘sorry’ from some of them. (Y/n) giggled some, waving at them all.
“It’s very nice to meet you all! Nev talks about you guys all the time in his letters. Oh!” She said, eyes looking at his chest. She reached a hand forward, grabbing the engraved onyx in her hands. “The necklace I gave you!! You like it? I think it looks really good on you.” she exclaimed with a smile, happy her boyfriend enjoyed the gift she gave him. Neville once again looked at his friends chuckling some at their wide eyes.
“Of course I do, petal. I wear it everyday, everywhere I go. Right guys.” he teased, watching as they all stuttered out ‘yes ‘yep’ ‘sure does. “Come on flower, I’ll show you around the castle. I know you’ve been looking forward to that for a while. Also, you look quite cute in my sweater.”
“Thank you. I wear it quite often, even though the smell of you has worn off it still brings me good memories.” she said, playing with the slightly worn out sleeves of the sweater. “I’d love to!! Can we check out the greenhouse first? I wanna see that plant you were talking about. Maybe we can work on identifying what species it is!” he nodded in response, taking her hand once again as they began to walk off. Before they turned the corner, he quickly turned his head around using his unoccupied hand to flip off his friends before turning his attention back to his lover.
“Who would’ve thought? Longbottom with an absolute fox.” Ron said, slumping back down as he frowned. Hermione took the book she was reading smacking him upside the head.
“Maybe if you knew how to treat women you’d be with one too.”
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goddess-pan · 3 years
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Tailor!Reader in Dream SMP
Dsmp x reader prompt; Tailor!Reader in Dream SMP. Credit would be appreciated so more people can find this and make their own things based on it.
Can fully be read as platonic. GN!reader with they/them pronounce as a placeholder so anyone can adapt it however they want. Both general and character specific parts included.
Characters who have a lot written for/about; Eret, Ranboo, Foolish, Tommy, Technoblade, Philza and Michael. Mentioned; Tubbo, Sam Nook, Purpled and Foolish Jr.
This ended up being super long so I’m putting it under the cut in order not to clutter people’s pages. My personal favourite part is Phil’s and Techno’s part. These could be read as headcanons but are still available as a prompt(s) to use for anyone.
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The reader joining after the doomsday as a time frame in my mind.
The reader helping people patch up their current clothes since most of it got pretty banged up during the doomsday, and it's not like they can just go get a new outfit since quite a few people had just lost all their belongings and only had the clothes on their back. So at first prioritizing helping patch up the current clothing people were wearing and then moving on to making some simple fast to make and easy on the resources clothes for people. Just like basic shirts and shorts/pants, nothing fancy. Then when everyone has at least a couple of different clothes to change to and from starting their own business to sell people more if they wanted. However waving payment if they brought them the materials and what they wanted wasn't overly complicated.
People at first thinking they are just some chump who knows basic sewing or something. A very kind chump, but still a chump. So imagine their surprise when one day they are just walking by the reader's now established tailors and they see these absolutely stunning designs displayed at the windows. 
Just like their reactions seeing these beautiful designs they can't help but stare at. I'd imagine some of them just doing a double take when they walk by, someone pressing their face up to the glass trying to see it closer, the braver ones going inside and talking to the reader about their designs and the more anxious and/or shy ones only going inside when the reader isn't there to look at designs closer. 
And the reasons they like/are amazed by the designs vary also ! Some just have monkey brain that goes "Pretty. WANT", some who just love the colour and art of the pieces, some who imagine how epic this design or others would look on them, some who love the fashion aspect of it and of course the very small portion who actually know anything about tailoring/sewing and the amount of work that goes into making something intricate.
Some specific character/group interactions I thought of;
Making warm well insulated clothes for people moving to Snowchester so they don't freeze. +A warm cape for Ranboo for the same reason.
Eret being one of the firsts (if not the first) to get himself a fully tailored and customized outfit. Them also being the first and very possibly only person to get a dress or a skirt since most of the other people on the server prefer to wear pants (excluding maid dresses which people might get as joke). The reader crying in joy for getting to design something different for once. And hey if the reader ends up making a few extra ones that she didn't order, but decided to give her anyway it was all just some extra ones they had lying around, never mind the fact that the dresses/skirts are perfectly tailored for Eret and are her style. Just a coincidence, nothing suspicious there. Eret also models for the reader and once he even convinced them to hold a fashion show to showcase some of their work to the whole server. Of course he was the main model presenting the outfits.
At start of the reader beginning to display their designs at their shop Ranboo sees a really cool looking suit on display and his brain just goes "Want." He probably wouldn't be able to buy anything pre-made and be comfortable in it due to his physique. And him having just moved into the arctic and only starting to get settled in, he doesn't have comfortable enough funds for him to get something as expensive as a custom tailored suit AND have enough for any possible rent that he might be required to pay. 
Eventually when he gets richer he starts considering getting one but the anxious side of him always ends up winning and he doesn't. However once he finally gets the courage to go commission the suit for himself he doesn't regret it at all. The reader did their best to not overwhelm him and to make it the best possible experience. Just imagining the absolute joy he would feel for having a properly fitting suit that's made just for him, not too short sleeves nor too wide torso and shoulders, just perfect. If he ends up ordering a couple more suits that's between him and the reader. He actually ends up probably being their most frequent and reliable customer.
And we should all know why that is, but let me clarify just in case; Michael.
The reader basically becoming Michael's personal stylist (/hj) . Not only does Ranboo buy a god awful amount of clothes for Michael, the reader also makes some free ones for him. The free ones are things the reader felt like designing since they absolutely adore Michael and the ones Ranboo pays for are commissioned by him. Michael absolutely has the biggest wardrobe in the whole server. The reader learning how to make plushies so Michael could have some more toys, this learning experience including learning to crochet and knit to see what he like best.
Using their newly acquired plush making skills, the reader starts their quest to make some plushies for others after seeing people stare at the plushies wistfully either while they were working on them or seeing Michael with the plushies. People who got them include the minors, their close friends and basically anyone they thought might benefit from them. Some of the ones they made (that I could think of);
Of course a bee for Tubbo, but also throwing in a little ram one as well
Ranboo gets a grass block plush/pillow
Tommy gets a cobblestone block plush and a cow plush. He also later receives a Sam Nook plush while he's working on the hotel
Purpled getting two different sized ufos, one to hold and the other more of a big pillow
Eret definitely gets a flamingo plush
Foolish gets a totem and a gold block plushies
Phil gets crow plush as well these tiny fake coin and gem plushies (the latter causes problems for him which I'll expand upon later)
Techno gets a pig one as well as polar bear one
Back to the individual/group part
The reader just chilling w/ Foolish as a fellow artists. Them talking about both their arts and catching up every time the reader comes to deliver something to Snowchester when Foolish is building the mansion. Just two pretty peaceful artists talking about their passions. I’d imagine Foolish and the reader could relate to each other and their place in the server due to their similar hobbies/jobs as well as their similar time of joining the server. Foolish's first commission from them being an intricate blanket for Foolish Jr so he could have a more comfortable resting place. He may or may not end up receiving that and several other (though less intricate) blankets as well as a tiny shark plush to give to Foolish Jr. Later on when the reader gets better at either knitting or crocheting they end up making a tiny shark jumper with a hood for Foolish Jr as well. Foolish would definitely cry when he sees his tiny shark baby. Any commissions of clothes for himself tend to always take some time due to sheer amount of work needing to be done due to his size so he always makes sure the reader doesn’t already have a lot on their plate and that they know he’s fine with waiting if they need to take a break from it.
Then there's Tommy, who they sometimes teach more about sewing since he already knows some basics. Him probably being the first person aside from Michael they make a plush for, due to him demanding one once he saw the reader making them. Then proceeding to get three plushies in rapid succession. The first being the cobblestone, the second being the cow and the third one being the Sam Nook one. He ends up losing one of them during the prison fiasco and when the reader asks if he'd like a new one they only get the answer of "Don't want to think about what happened and the same one might make me do that". He then promptly receives new clothing (so he isn't wearing the same ones he was wearing in prison) and some extra blankets (for comfort) from the reader. 
After Tommy meeting Michael does he use him to scam the reader to make them matching outfits for free? Yes, yes he does. Does it work? Yes, yes it does. Are they bothered by it? Not really, they look adorable in their matching outfits.
The reader being the source for Sam Nook's construction gear/clothes or at least the original patterns for them.
And then there's the arctic boys (minus Ranboo, who will still get mentioned) who are an interesting bunch clothing wise. The first one to commission the reader out of them would be Phil who got the original warm cape for Ranboo but also at the same time commissioned one for himself that would include slits for his wings. Eventually getting to design clothing for him which is always an exciting challenge with his wings. And when Phil finally manages to convince Techno to get something made for himself as well, Techno almost immediately gets addicted to having high quality clothing when they finish their first piece for him. The fun the reader has designing clothes for these boys is immeasurable with their different styles and needs in the clothing. Aside from clothing Techno also commissions them for a pet bed for Steve. 
When the boys got their plushies it was adorable but also a very chaotic. Techno giving his pig one to Steve so he wouldn't miss him when he was away from home, but also bringing the polar bear one with him when he couldn't or wasn't allowed to bring Steve with him but still needed comfort. While on Phil's side of things; he was showing his crows the crow plushie joking about he'll replace them if they aren't careful however he made the mistake of showing them the tiny coin and gem plushies as well. I want you to imagine hundreds of crows descending upon this poor fool of a man in the background while the reader is walking away hoping they like their plushies. 
The war that ensued the couple following days amongst the crows starts to cool down but the bickering doesn't, every waking moment Phil can feel eyes on him and one or more of the crows coming to complain about the others having had the shiny plushies for too long. He quickly caves under the pressure and commissions more of the tiny shiny treasure plushies. And by more I mean a lot more. 
When he finally has enough of the things he goes around distributing them to the crows. Finally a moment of peace, but he still feels like something is staring at him occasionally. Deciding to ignore it since it's finally quiet he goes to makes himself a cup of tea and while waiting for the water to boil he fishes out the few shiny plushies he had saved for himself. The second he does he feels eyes burning into him and now that it's quiet he hears it, quiet muffled snuffles and snorts of discontent. Then he sees what ‘it’ is, it's Techno behind the window looking at the shinies in his hand with such intensity Phil fears for his life (/hj). Phil just sighs deeply before walking over to the window and opening it. For a second Techno looks like a deer in headlights before returning to intensely staring at the shinies in Phil's hand before Phil just dumps the shiny plushies into Techno's hand and closes the window. Happy piglin noises can be heard outside while Phil debates the pros (getting to have shinies himself) and cons (the embarrassment of having to commission even more of the shiny plushies than he already has) of getting new ones from the reader. And in all this the reader has no idea the amount of chaos they inadvertently caused.
And finally; Techno commissioning robes/cloaks for whole the Syndicate to wear in their meetings, because he’s dramatic like that. But since he’s a thoughtful guy, he wants them all to fit the members well and not be uncomfortable to wear so he gets everyone’s measurements. Once he has them all he goes to the reader with the order for the robes, he has all the measurements written down under just Person 1, Person 2 etc. to keep their anonymity and when asked what the robes are for he just tells the reader it’s a book club. When he gets them all and the reader asks no further questions he thinks he’s gotten away with getting some cool robes for the Syndicate with their secrets safe. Little does he know the reader actually now knows all the members in the Syndicate since they can just reference the gotten measurements with everyone’s measurements written down from previous work done by them. Whether the reader thinks it’s some weird cult they all are a part of or just an actual book club people are too embarrassed to admit they are in, is up to interpretation. 
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uelden · 3 years
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Vanity Fair interview translated
Just a side note before the actual translation; I don't know why, but instead of reporting the full questions and answers in full as she should, the journalist decided to report only summarized fragments of what Måneskin said and patch these fragments up into messy clusters. She also worded a couple phrases in a very confusing way (and yes, she's fully Italian). In short, she did quite a poor job, so the final shape of the interview is not that good. I didn't expect top-tier journalism from Vanity Fair but ffs. You'll see what I mean.
I translated it as it is, adding just a couple footnotes to give you insight on Italian pop culture references.
Translation under the cut
Måneskin: "Different from whom?"
by Lavinia Farnese, 09 June 2021
"True justice is being judged for what you do and not for what you are." The ones who are convinced of this are Damiano, Victoria, Ethan and Thomas who, by being the emblem of a generation that is finally free, refuse labels and conformism. In life, in love and on the stage. Where, maybe precisely because of this, they're winning everything
With the still unexpected (first place at Sanremo Festival) and the incredible (triumph at Eurovision) in their eyes, Måneskin are on the sofa of the house-studio they rented - to resume writing songs and rehearsing them - like you are after a won battle: lying in a calm and unreal silence, alert and a bit irreverent, happy.
In the garden there's the tennis table and the pool, the light of summer when it's starting and calming the country all around, and it filters inside from the large windows, and it goes onto the shining black of Ethan's hair, which blends with Thomas' eye shadow and the butterfly he has tattooed oh his naked forearm, which completes the picture of Victoria's golden crucifix hanging between neck and tank top and ends on the black nail polish of Damiano's stretched hands.
It's a human fresco, a Theatre of wrath [translator's note: "Teatro d'ira"] - to call it with the title of their latest album, a platinum record already - where their flaunted 20 years of age, their irregular femininity and virility are grown into proud and challenging custom, a pop glam rock generational manifesto of hard-earned liberties in a finally-unconditional expression of the self.
To watch them from any angle and from another age is to think that a great love will be born in those who'll understand: this new way of being in the world, the true and sovereign realm they hold where "diversity=exceptionality", the power of the artistic and cultural revolution of which they are healthy carriers in establishing in all lyrics and gestures the right to live according to one's own nature past the "people (who) talk, the people (who) unfortunately talk, and don't know what the fuck they're talking about." [tn: "Zitti e buoni" lyrics]
We go where we're afloat, where the air isn't gone. [tn: journalist's own variation on "Zitti e buoni" lyrics]
Miley Cyrus says hi – The numbers of a phenomenon
"The streams of Zitti e buoni are growing by the second, and they bring us above Muse, at the top of English charts, twelfth in the Spotify Global Chart. Followers almost tripled, in the post-Rotterdam period (from 1,4 to 3,3 millions, ed.) Contagious and universal folly: t-shirts and merchandising sold out in 10 minutes. Like the records, the tickets for a tour that keeps adding dates and expanding over geographic maps. They're contacting us even from some festivals were The Rolling Stones went." Thomas
"After the pretextual controversy over cocaine that France built against us, later disproven by my drug test, some graffiti popped up in Spain depicting me as a “No drugs” poster guy. Some tweets made us laugh: "Congratulations, Italy! I've never been more certain that four people have had sex with each other." Miley Cyrus started following us -You're great. -You guys are greater." Damiano
From the garage to the stars – Story of a flight
"It was only 2016, and we played in restaurants, in the streets, in via del Corso. Damiano without even a microphone, Thomas' guitar with wonky strings, Ethan was drumming on a cajón. During Rome highschools' sit-ins (Kennedy, Virgilio, Mamiani) we had our first confirmations and half-hours of celebrity, playing among those who criticized us and those who went "wow they're really cool." One of the rare times when they would have paid us – 50 euros each – we gave the money to the next band in the lineup so that they would make us play in their spot, later in the day, when there would have been more people. We had already realized how things worked. Visibility mattered more than money. And we still think that." Victoria
The intimacy of rock – Choice of a genre
"Music allows us the miracle of extending to others some very personal and private topics, sometimes even difficult and thorny ones. They are and they remain deeply your own, but at the same time they become a confession that reaches a wider audience, and in this passage that is alike a delivery, they find a place in you as well, a processing of them. You overcome them, you accept them. One second it's something aggressive, the next it's a ballad. Cathartic». Damiano
Against panic – The stage as therapy
"I've suffered a lot from anxiety and panic attacks, it's an issue I've worked on thanks to a psychotherapy course, my friends and my family. Playing helped me in not letting myself be paralyzed by my fears, not making myself limited in my private and professional life. I've learned to accept, to live with this side of myself. I don't hide it. I don't feel ashamed of it." Victoria
Analysis as necessity – Relying on someone saves you
"This belief that only madmen go to the psychologist is a widespread ignorance. No-one's born learned. [tn: common Italian saying] And it's often hard to understand the very reason why we're here, let alone the origin and direction of our desires. It's a long and legitimate journey towards lucidity, a kind of backing to become transparent." Damiano
Being out of our minds – But different from them [tn: "Zitti e buoni" lyrics]
"When you feel a strong passion towards something that is not a canonical job but an artistic language, that already puts you on a level of anomaly, which is not superior or inferior to other people, but it puts you in the position of the one who breaks the mold and also works at a loss, the one who sustains great risks while trying to do something that who knows if it will take you anywhere. "Why do it if it doesn't pay?". You want to give this dream of yours an aesthetic, but it becomes "You're dressing so weird! You must be gay!" - now that I'm 22 I laugh about it, but when I was 17 it had an effect on me, too." Damiano
The beauty of uniqueness – Of believing in it and defending it
"And I mean, at the end of the day if we're all different it's not because we want be alternative but because, really, no-one is the same. Justice is being judged on what you do and not what you are. Justice is equality, respect, beauty." Ethan
Fluid sexuality – Pride is freedom
"Heels for men that like themselves in them, kisses among ourselves, we have an open, extended mind, and we're proud of it. The horizons become vast, past the oppression of conservative families. With the information on the web knowledge becomes greater and with it the possibility that minorities will be less and less minorities, because the majority will be less of a majority. This way we'll make insults and bullying grow quieter. If social media get to a village of 50 souls and reveal to a girl who's afraid of the dark that someone has felt her same fear, then there's no reason to give a name to that fear, to mark it with labels which also limit and restrict. Definitions always had this effect on me. You shouldn't even consider the gender when judging someone, let alone their orientation." Victoria
Sexism – A culture to be dismantled
"Emma [tn: Emma Marrone, Italian singer] drops the bomb: “At Eurovision when I was there they massacred me for a pair of shorts, while they said nothing to Damiano – bare-chested and in heels.” The easy judgment against women is more fierce, constant, debasing (if I have a lot of sex I'm cool while Vic is a whore, where I show myself strong I'm a leader while Vic is despotic and a pain in the ass who reached success because she's hot.) As a male I'm privileged, the abuse I get is not comparable to those a woman has to live through, the comments over my aesthetic are centered only on my aesthetic and don't insinuate anything about my professionalism and my competence, while women are victims of this kind of thought in a systematic way. It happened though to find myself standing with a woman who while pulling me to herself to take a selfie, started licking my face out of the blue... I mean, what the hell do you want? Who asked you? Consent exists, and it's due." Damiano
Grow yourself – The only commandment
"To me conformism is the opposite of education [tn: could also mean "politeness"] and is the asphyxia of expression. I fortunately never endured heavy bullying, heavy enough for the the judgement of others to change me. But the mold of the small crumbs of bullying I got and of the kind of aggression that scars is the same. If I'm a kid who dances and likes dolls you have to let me do what I like. I was a kid who wanted to keep his hair long and played with Barbie. As a teen, my friends looked at my hair: " You have to find a girl with short hair to be at your side." My grandparents took away my dolls: "Stop it, they're not for you." Ethan
"When I was six I was already sick of them, the distinctions between masculine and feminine. I've always had strong ideas about how I wanted to be. I refused things that were typically defined as girly, and all around me they mocked me because I went skateboarding, I played soccer, I didn't wear skirts, I was giving myself the chance to be as I wished. I endured it a little, I suffered a little, but I had courage, and now thanks to that courage I know that I could have gotten even much more hurt, otherwise I would have left to others the most important choice: the one about myself." Victoria
Love in progress – Music, girlfriends
"I've been married to music for the last 20 years. I can't wait to celebrate our golden wedding anniversary." Ethan
"Everyone makes their own experiences, sometimes it goes well, sometimes it goes wrong, but it's always not anybody's business." Thomas
"When I first felt feelings and attraction towards a girl it was a bit disorienting because I had never had the courage of going beyond the limitations I had put for myself. For society being heterosexual is the norm and so you often define yourself in that way automatically, depriving yourself of the freedom to live many shades and faces of love. Once I overcame the initial insecurity of having to call into question my certainties I've lived my sexuality in a very natural and free way, as it should be for everyone." Victoria
"I had paparazzi at my door every day and night. So, after four years of relationship, I revealed her name. I still have paparazzi at my door every day and nigh, but at least I don't have to hide anything anymore." Damiano
The worth of the group – Phenomenology of protection
"The true engagement though, the true family is among ourselves, our band. We've believed in it since day zero, even before we called ourselves Måneskin (Moonlight in Danish), even before Ethan drew a giant moon on the flier for the first concert we ever did. We share everything, even the pain for the tragedy of Seid Visin, who committed suicide at 20 because of racism. [tn: I think the journalist asked them their opinion about Seid Visin's death, which was a current events topic in Italy, and then pasted it syntaxically in the middle of Thomas' answer, which was not a great move] A group is what we all should be: stay united and not back down an inch in the face of oppression that is generated by a distorted view of diversity." Thomas
I'm not of the right age – Like Gigliola [tn: Gigliola Cinquetti won Eurovision with her song "Non ho l'età", which means "I'm not of the right age"]
"Before you the only one who won both Sanremo and Eurovision on the same year was Cinquetti (1964). If there's anything I feel I'm not of the right age for? No, honestly no. Maybe having children. Regarding children I'll be honest: I'm not of the right age." Damiano
Having touched the sky – The fears that remain
"We're more than inside the dream, we're in the conquered dream. When you fly high there's the risk of plummeting and hurting yourself, but we'll work hard not to end up like Icarus, who burns his wings with the sun. Everything is in our hands. And this - a bit pretentiously - reassures us rather than scaring us." Damiano
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madswonders · 3 years
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A Lesson In Romance #11: Actions
Spencer Reid x Fem!BAU!Reader
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Genre: A little ✨spice✨ and a little ✨action✨
Warnings: Canon-typical violence, brief mentions of alcohol consumption, gun violence, mild (???) dirty talk
Word Count: 2.3k
Plot: Reader keeps getting caught in rom-com situations with Spencer Reid. This time, they pretend to be married.
A/N: I would like to dedicate this chapter to the Classy Restaurant Music playlist on Spotify for capturing the fancy restaurant vibes I needed hahahah
Masterlist | All chapters here!
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"You know, this is not how I imagined coming back here." You said quietly. Next to you, Spencer smiled.
Your eyes were still adjusting to the warm light, a stark contrast to the blue winter evening outside. This was your second time here, technically, but the sensation of his hand on your waist and the cool metal on your left hand made it all feel brand new.
"Table for Mr. and Mrs. Reid." He said to the hostess, calmer than you'd ever seen him before. You didn't miss the way he tugged you closer when he said "Mrs." and despite the truth of the matter, giddy smiles tugged on both your lips.
But it was the hostess' reaction that gave it away for you. When she glanced at your intertwined hands and matching rings with a soft smile, you began to realise why the two of you were chosen for this in the first place. The effect you had on each other was hypnotising.
Sending you and Spencer undercover as newlyweds was probably the easiest decision Hotch has ever had to make. His reasoning came from basic human psychology; people are drawn to extreme events, and while this generally applied to accidents and tragedy, it also applied to marriage and child birth.
In this case, few things would stand out more in a crowded restaurant than a pair of shiny new wedding rings, a large bouquet of flowers, and a bottle of champagne for two. And to top it all off, he had the two of you. Everything else came secondary.
Still, it was strange. Being isolated from the operation only made you more in awe of your team. Even under the duress of three hours, they operated like clockwork; devising a comprehensive undercover mission, building a profile for an unsub they didn't even know, and training an entire restaurant's staff in a handful of hours.
By the time the final pieces fell into place, all that was left was for you and Spencer to carry out the final stage of the plan.
Maybe it was the pressure of having the entire team rest on your shoulders, or this new "character" you had to play, but something felt different tonight. It was like electricity crackled in the air; you felt it when his hand lingered on your back, low enough that you felt a growing warmth in your belly, making you yearn for his touch long after he let go.
Maybe it was the stress from going undercover for the first time that made you trail your gaze down his suited figure, muscled and lean as a side effect of this job. Maybe that's why the image of him standing at the foot of your bed in this very suit couldn't leave your mind, until the physical action of squirming in your seat jolted you out of your own imagination.
"Penny for your thoughts?" Spencer locked eyes with you, his hazel eyes dark under the dim restaurant lighting.
"Just thinking about you." You admitted, placing your hand across the table. He took your hand in his instantly, his thumb tentatively resting on the jewel on your ring finger.
"All good things, I hope?"
"Nothing but good things."
"Well, perhaps I can add to that. You look beautiful." He pressed a soft kiss to your hand, his eyes crinkling playfully when your cheeks turned pink in response.
"How do I know you're not just saying that for our audience?" You whispered, eyes darting to his tie where the mic was hidden.
"If it weren't for our audience, I'd be saying a lot more, love." He replied lowly, and you bit back a thought you didn't want any of your colleagues to hear. You could already imagine them cringing as they listened in on your conversation, and the image made you giggle.
"Who are you, and what have you done with Dr. Spencer Reid?" You accused jokingly.
"When love is not madness, it is not love." He answered simply.
You thought for a moment, before the reference clicked in your head. "Pedro Calderon de la Barca. Interesting choice. You weren't lying about your education in classic literature, doctor." You looked impressed.
"I'm hurt that you even doubted it." He mocked insult, and you grinned.
"No, I'm just surprised."
"Wait until you see my actual surprise." He smiled, gesturing behind you as a waiter appeared carrying two plates in your direction.
"I took the liberty of ordering our food in advance." He explained. When you looked at him in surprise, he simply shrugged. “I figured I should expand my theory beyond breakfast.”
"And here I thought tonight couldn't get anymore exciting." You said, marvelling at the appetisers as they were placed in front of you two.
“You can reserve your compliments for when I guess everything correct, and I will.” He mock bowed.
“You're on." You giggled. "Now, can we finally have some of this champagne?"
Dinner went by smoother than you thought it would, and thankfully for your team listening in, your conversations steered away from thinly veiled flirting to classic films as the food appeared.
Not that it was any easier for you talk about Billy Wilder and Francis Ford Coppola with what was happening in front of you. Spencer had taken to playing with the ring on your finger while you talked, and each time his long fingers brushed against yours, it sent chills down your spine.
But it was when his leg brushed against yours underneath the clothed table that you felt yourself lose grip of your facade. The first time it happened, you even thought it might be a mistake. But after the second and third time, it was clear that Spencer knew exactly what he was doing, even if the innocent expression on his face didn't betray anything.
If you didn't know him better, you would even think that he liked it, teasing you underneath the restaurant table on case, where you couldn't act on it. Instead, you pushed away the thought and allowed your skin to prick with every touch; all the while you sipped on your champagne, taking the chance to observe the patrons around you through the rim of your glass.
Unfortunately, your luck was a little worse in the unsub department, and your concern only continued to grow as your entrées made way for dessert.
Before you entered the restaurant, the team had discussed the best-case-scenario for tonight — identifying and apprehending the unsub quietly before the dinner shift was up. But if you ran out of time, there was always one back-up plan, something that would definitely force the unsub's hand.
The good thing about having two unsubs now was that victimology became incredibly simple to decipher. What you and Spencer had considered inconsistencies at first, were now clear patterns distinguishing each one.
The first one was impulsive but experienced, driven purely by a compulsion to complete his pattern as fast as possible. Despite that, he had the sense to stick to high-risk victims and secluded locations, which made him so hard to catch in the first place.
It was the second unsub that was interesting. He seemed more controlled and calculating, choosing low-risk victims and public locations. The team profiled him as the narcissistic component of the original profile. The more high profile the victims, the more they attracted him.
And now that you’d spent the entire night drawing attention to yourselves, all you had to do was present an easy opportunity for the unsub to pounce — right into the BAU’s trap.
The moment Spencer beckoned you to come closer, you knew something was up. "Listen carefully, love. I'm going to call for the bill, and we're going to go outside. If I'm right about my guess, the unsub is going to be right behind us. Do you understand me?" He whispered into your ear, low and calm.
You made an obvious move to cup his cheek as you leaned back. "Can we go home now, baby?" You cooed. Yeah, you got him.
As you walked out of the restaurant, you intentionally stumbled as you clung onto his arm, letting out a loud giggle. Your gaze fixed adoringly on your date, even as Emily and Hotch called for their bill on your left, Derek and Rossi no doubt already rounding to the front of the restaurant from the back exit.
"Trust me." Spencer murmured as he opened the door for you, and when you nodded, he pulled you into one final kiss for the public. What you didn't expect was for him to move his hand down and squeeze your ass, causing you to let out a loud squeak at the doorway.
If anybody was looking at the two of you before, they were certainly staring now, and the doctor confirmed this with a low whisper. "He's coming."
When he finally caged you against his car, you had to remember not to go overboard for your listening colleagues, but you couldn't help but let out a quiet moan into his mouth as he pushed his leg lightly against your core.
"Sp— Spencer—" You breathed, locking your fingers behind his neck.
"Just hold on a little bit more, love." He muttered, cupping your cheeks with his large hands and stroking your hair. "Just a bit mor—"
You heard the sound of a gun cocking next to you as you broke apart, lightly gasping. A middle-aged man stood in the shadows, waving his gun aggressively. Bingo.
"Get into the car."
The two of you raised your arms warily. "Who are you?" Spencer shouted, moving to shield you from the unsub.
"I said, get into the car!" He yelled. "Starting with you."
"Okay, okay." The doctor conceded, unlocking the car and slowly getting in the backseat. He left some room for you to get in next, but the unsub trained his gun on you.
"Not you, sweetheart. I'm going to finish you right here." He narrowed his eyes at you. "Drop your bag on the ground."
Everything seemed to fall silent as you slowly lowered your bag, and your hidden gun, to the ground. When you stood back up with your hands in the air, the unsub slammed you into the side of the car and you groaned at the sudden impact.
You didn't need to gather your senses to know that his gun was pointed right at you.
"Leave her alone, James." Spencer threatened, already out of the car and levelling his gun at the unsub. All around you, the team moved into the light.
"FBI! James Luther — put the gun down." Hotch ordered.
The unsub looked shocked for a moment as he looked around, finally realising the situation he was in. His expression was unusually calm, and it chilled you to the bone.
"Very, very interesting. Are you a fed too?" He sneered down at you.
"It's over, James. Either you put the gun down, or you don't walk out of here alive." Spencer warned, but the unsub only laughed.
"I should have known that it was too good to be true. It's not often I get such a perfect couple, much less one with a wife this pretty." He drawled, waving the gun in your face.
"Spencer. I'm okay." You ordered through gritted teeth, already knowing what the genius was about to do.
"Look at her, so brave. Are the two of you even married? Or is everything about this fake?"
"I won't say this a second time. Put the gun down." Spencer repeated, cocking his gun straight at the unsub's head.
"T-think about this, James." You reasoned. "If you kill me, they'll kill you, and you won't be able to hear what the press will say about your murders after we expose you. Isn't that what you want? Don't you want to stop living in somebody else's shadow?"
The unsub's grip on his gun slackened. "They're not going to run a story on me. Why would they unless I keep killing?"
"They will if you give us the names and descriptions of all your victims, and we will make sure your face is front and centre for every single one." Spencer added. The unsub looked into both your eyes, seemingly searching for a hint of a lie, but there was none.
"Fine. Looks like the lady lives, this time." He gave up, dropping his gun to the floor and putting both hands on his head.
"James Luther, you are under arrest for the murders of Lucy Patt..." Derek recited his rights while dragging him away. You braced yourself against the car, catching your breath.
"Are you okay?" Spencer rushed over, sweeping you into a hug before you could even reply. You buried your face into his shoulder, tears welling up in your eyes involuntarily as you inhaled the familiar scent of paperbacks and coffee.
"I-I'm okay, baby. I'm okay." You mumbled, not sure if you were reassuring your boyfriend or yourself in that moment.
"It's okay, just let it out. You're safe now. I'm here. You're safe." He repeated, stroking your back as he kissed the top of your head again and again and again until you lost count.
You'd never been so relieved to arrive back at the BAU. Penelope was the first to give the two of you a big hug when you returned, fussing over the small cut on your face and the bruises on your arms, while you reassured her that you'd been cleared by the medics to go home.
"Good work today, both of you." Hotch called out from behind, shooting a small smile at you and Spencer. "Reid, take her home, and take a day off tomorrow. The two of you deserve it."
"You wouldn't be able to drag me into work tomorrow if you tried." You joked, and Spencer chuckled. For the first time, he wasn't about to argue with an order to take a break.
Nor was he about to argue when you asked him to come in to your apartment, or when you asked him to stay the night.
The only thing he wanted after tonight, was you.
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Tag List:
@blue-space-porgs @nobutalsoyes @lady-loves-a-lot @queen-flower @agentcarterisgay @totalmess191 @sapphic-prentiss @oops-all-ajs @spottedzebrasinpartyhats @mellowalieneggsknight @kenny-0909 || @averyhotchner @amesandpineapples @willowrose99
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interact-if · 3 years
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Day 2 of Pride Month interviews! You know them, you love them…. give it up for Ames!
Ames, author of Attollo and Metamorphosis
Pride Month Featured Authors
“…and it was a singular, terrible thought, which burrowed itself into your mind like an engorged maggot. This was not a man nor a monster. This was a concept, an ideology, a terrible myth, which had personified itself to stand before you now.You were, to put it simply, screwed.”
After several years of radio silence, you receive a message from your younger sibling that carries a strange sense of urgency to it. Either out of familial concern or boredom, you embark on a journey from your residence to your sibling’s apartment in New Hampshire to see what’s going on and, hopefully, be home before the weekend.
Too bad it’s never so simple.
Demo: Attollo, Metamorphosis (TBA)
Tags: cybernoir, thriller
(INTERVIEW TRANSCRIPT UNDER THE CUT!)
Q1: Tell us a little bit about your project(s)!
Attollo is a cyber-noir horror set in a walled city off the coast of the Atlantic that’s been a victim of a nuclear disaster. After several years of radio silence, you receive a message from your younger sibling that carries a strange sense of urgency to it. Either out of familial concern or boredom, you embark on a journey from your residence to your sibling’s apartment in New Hampshire to see what’s going on and, hopefully, be home before the weekend. Too bad it’s never so simple. Attollo is a 17+ game that deals with heavy topics and a lot of moral questioning; from cults to corrupt government, it has no shortage of monsters in the dark—both metaphorical and literal.
Metamorphosis is a crime/horror story based in the world of crime scene cleanup, where there are three simple steps: Get the call, clean the scene, and don’t ask too many questions. These are the rules that you live by under the employment of Noctua’s Crime Scene Services, and you credit them for keeping you alive.
However, after a routine house call brings forth nightmares of memories that are not your own, you find yourself pulled deeper into Noctua—a city of both monster and man—in a bid to find out the truth behind the murder of Deirdre Callow, and better yet, how her memories came to be yours. Your job mandates that you don’t dig too deep—but could this finally be the exception?
Metamorphosis is 18+ and will have explicit content; follow the last moments of a stranger to find out not only who took her life, but how this connects to the underbelly that Noctua works so hard to hide.
Q2: Why interactive fiction? What drew you to the medium?
Lmaoo, oh man. I think it really all began last summer when I first found examples of interactive fiction. I don’t even remember how I came across it, it might’ve been that I saw it mentioned in a post or I saw it as a tag on Itch.io, but at some point, last summer I began to investigate it more. I think what really drew me in was the ability for the player to control the narrative; it was like playing an old RPG, but modernized, and the fact that I could see a story unfold that was influenced by my decisions was so fascinating to me. Not to mention that IF allows so much more character depth than regular novels, in my opinion.
I’m 99% sure my first exposure to interactive fiction was through the game Crème de la Crème (a fantastic game, by the way) and I just enjoyed it so much that I went haywire for the genre. Then Temple of the Endless Night came out (another fantastic game that I’m looking forward to!), and that was really the turning point for inspiring me to give it a go. Now, almost a year later, here I am working on my own two games!
Q3: Are your characters influenced by your identity? How?
My bisexuality doesn’t have much of a major influence on the game, but I do think it contributed to the way that I view and write relationships. I figured out my sexuality around high school (I kissed a girl in high school and found out I liked it just as much as when I kissed a boy) and since then I’ve been very involved in the LGBTQ+ community of both my hometown and uni town.
I think this involvement, like being able to hear about other people’s experiences and share my own, has made me feel a lot more comfortable writing some of the characters in the game. Although Attollo and Metamorphosis both don’t focus heavily on relationships (both have murder in them, which I feel is a bit more pressing), I do keep the option for any RO’s to be romanced by anyone, regardless of gender or preference, because that’s simply what I’ve become so attuned to. In terms of side characters relationships as well, I think my involvement and my own experiences have allowed me to write far more diverse relationships than I might have, and I think that this has also allowed a more fulfilling experience for players when reading through.
I also have incorporated some struggles that I’ve faced before because of my identity into the games. For example, I and a few others have faced issues with religion due to who we are, and I incorporate this into both games. Dreamwalker, Pariah, and Sysba from Attollo all have shadows of this experience in their character origins, and Ilali and Ariston from Metamorphosis has a major point involving identity and beliefs. Both games also have undertows of ostracization and division between groups, which is also something I’ve experienced in the past. Being able to grapple these moments and control them via a narrative has been eye opening for both myself and others involved, and I’m hoping it can be a learning experience for the readers as well.
Q4: What would you like to see more of in LGBT+ fiction?
I think, now, the amount of progress in LGBTQ+ fiction is expanding at a wonderful rate. There are so many interactive fictions with options to select sexuality, select gender, select beliefs, etc. However, despite this expansion, there’s still a good deal of backlash against some aspects of LGBTQ+ fiction.
For example, as a bisexual woman who has dated men, I know there are some individuals who may not consider me a part of the LGBTQ+ because of this aspect. Not only is this incredibly disheartening, but it’s a viewpoint that I think should be educated against, and fiction is a fantastic pathway to do this. Another example I can think of is a friend of mine who identifies as asexual but is sex-neutral rather than sex-repulsed. Most people can’t believe her when she says this, and she often faces backlash for this declaration as well. This is another thing that I think that, with exposure through a medium such as fiction, can be worked on.
What I’m trying to say here is that I think LGBTQ+ fiction can be a brilliantly educational platform—if used right. Although it already teaches so much with what it has, I think having that representation of different subgroups of sexuality, of their experiences and beliefs, so people can become aware and knowledgeable of these options, is something I’d like to see more of.
Q5: What or who are some of your biggest inspirations?
Oh man, I struggled to list off inspirations because I know I have some, but as soon as someone asks me who they are my brain just goes ‘brrrrrr’ LMAO.
In terms of the games that I write and the worlds that I build, I think David Lynch and Robert Chambers are probably the two that I somehow incorporate. Attollo and Metamorphosis both have a lot of surrealist horror, which are what these two really specialized in. Shirley Jackson is also another person who inspired me a lot when it came to the writing and creation of Attollo, especially the intrapersonal relationships between the characters.
In terms of life, this is something else I really struggle to answer. I don’t really have celebrity inspirations or anything like that, but I do get inspired by my close friends and sister a lot. Seeing them go through the struggles that they face and absolutely thrive really drives me to push through my own struggles. They’re the strongest, most brilliant group of people that I know, and I consider myself incredibly fortunate that I can be a part of their lives. Not only that, but we also all collectively encourage each other to push further and to chase our dreams (as cheesy as that is LMAO) and that’s something that I think is another stroke of good fortune. I struck gold when I met them, and they’re some of the biggest inspirations in my life.
Q6: What’s a super vague spoiler for your current project?
For Attollo, I’d say ‘Home is where the heart is.’ For Metamorphosis, to quote John Berendt, ‘Always stick around for one more drink.’
Q7: Lastly, what advice would you give to your readers?
What advice would I give to you all? Oh my, I’m not exactly a wise woman here, but I’ll do my best to give you something lmaooo. I think what I really want you to walk away with, from both my stories and this interview, is that if you’re passionate about something, then share it with the world. Don’t let anyone deter your passion.
I remember listening to this painter once who commented to his friend how he ‘really liked painting’, and his friend’s first response was ‘but are you good at it?’. He then compared this to the scenario of walking; would you say, ‘but are you good at it?’ to someone who said, ‘I really like walking’? No, because it simply wouldn’t make sense, and it doesn’t make sense to say that to anyone who’s doing something out of passion.
To put it simply—if you love something, then don’t let anyone take that passion from you. I began writing these stories because I’m passionate about Attollo and Metamorphosis; I love each character, each bit of lore, and I share it with you because I want you all to enjoy it as well. Am I the best writer? God, no. Does everyone like what I write? Definitely not. But will I let this stop me from writing, from enjoying what I’m doing? Never, and I want you to do the same.
Explore your passions, embrace your passions, and let what makes you happy continue to do so
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cyndavilachase · 4 years
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I’m Looking Forward Now 💖Thank you and good bye
So, it’s been a little over a week since Steven Universe Future ended… 
I’ve been hesitant to write this, honestly, but I’m tired of holding myself back from properly expressing myself in fear of appearing overly invested in the media I consume, even in private. Writing helps me organize my thoughts and feelings, and I feel like these thoughts in particular may resonate with many, so I want to share them. I want to talk about what Steven Universe has done for me personally, both as an artist, and as a person.
I’ve been around since the day the first episode of the original series aired. I actually remember when Steven Universe was just a logo on Wikipedia’s “List of Upcoming Cartoon Network Shows” list, back when I was a freshman in high school. It piqued my interest, but when commercials finally dropped for it, I thought it was going to be bad because of the way marketing handled introducing Steven as a likeable character. There was still something about it that made me want to give it a chance though, so I went online and watched the pilot before the first episode's release. I was hooked immediately. I knew I was going to love it, and I did. I fell so absolutely in love with Steven as a character, and the world that he and the gems lived in. I became obsessed. I was always so excited for new episodes to come out. Little did I know what else it would do for me as I went through my adolescence alongside it.
As the show progressed, it was evident that what I wanted out of a western animated childrens’ cartoon was finally coming into fruition: this show was becoming serialized. There was continuity, there was plot, there was character development-- it was getting deep. It was pushing the groundwork that Adventure Time laid out even further (thank you, Adventure Time).  
I will give credit where credit is due: earlier western childrens’ cartoons I grew up with like Hey Arnold, and Rugrats, among others, also touched on heavy topics, but Steven Universe was able to take similar ideas (and even more complex ones, concerning mental health and relationships) and expand on them outside of contained episodes and/or short arcs. These themes, which were a part of the show’s overarching story, spanned across its entirety. Continuity was rampant. 
What did this mean? It meant kids cartoons didn’t have to be silly and fun all the time and characters weren’t just actors playing a part in 11-minute skits. Steven and the gems would remember things that happened to them, and it affected them and how they would function and play a part in their story. This was a huge deal to me as a teenager. I always wanted the cartoons I grew up with featuring kid characters to feel more. In my own work, I often felt discouraged when combining a fun, cutesy western art style with themes as dark or layered as anime would cover. I always thought it had to be one or the other because an audience wouldn’t take a combination of the two seriously enough, based on discussions I had with classmates, friends, and online analysis I read at the time. Steven Universe proved to me otherwise. This show was opening the door for future cartoons exploring in-depth, adult concepts. I felt so seen as a kid, and was inspired to stick with what I love doing.
I was actually very worried about the show’s survival. It was in fact immensely underrated and the fandom was miniscule. Then in 2014, JailBreak dropped, and it’s popularity exploded. Part of it was because of the complex plot and the themes it was covering like I mentioned, but also because of its representation. 
I remember when fandom theorized that Garnet was a fusion due to grand, tragic reasons. Turns out, she’s simply a metaphor for a very loving w|w relationship. This was huge. I cannot stress how important it is that we continue to normalize healthy canon queer relationships in childens’ media, and Steven Universe finally was the first to do that proper. Introducing these themes offers the chance for a kid to sit there and ask themselves, “Why is this demonized by so many people?” I asked myself exactly that. Ruby and Sapphire were my cartoon LGBT rep. They were the first LGBT couple I ever ecstatically drew fanart of. I was dealing with a lot of internalized homophobia at the time, and they showed me that I was allowed to love women and feel normal about it. The process of overcoming this was a long one, but they played a part in my very first steps into becoming comfortable with my sexuality. I could go on and on about it’s representation in general-- how it breaks the mold when it comes to showcasing a diverse set of characters in design, in casting, and in breaking gender roles. It’s focus on love and empathy. Steven himself is a big boy, but he's the protagonist, and the show never once makes fun of his weight, or any other bigger characters for that matter. It wasn’t hard to see why the fandom had grown so large.
Fandom was always a joy for me. It was a hobby I picked up when I was in middle school, like many of us here did. I would always cater my experience to fun, and fun only. I only started getting more deeply involved in SU’s fandom when I had just turned into an adult. During the summer of 2016, between my first and second year of college, I drew for the show almost every day non-stop when the Summer of Steven event was going on and posted them online. This was a form of practice for me in order to become not just more comfortable with experimenting with my art, but also to meet new artists, make new friends, and learn to interact with strangers without fear. I dealt with a ton of anxiety when I was in high school. When I was a senior applying to art school for animation, I decided I was going to overcome that anxiety. I made plans to take baby steps to improve myself over the course of my 4 years of college. Joining the fandom, while unforeseen, was definitely a part of that process. I started feeling more confident in sharing my ideas, even if they were fan-made. I fell in love with storyboarding after that summer, when I took my first storyboarding class, and genuinely felt like I was actually getting somewhere with all of this. I remember finally coming to a point in my classes where I could pitch and not feel hopelessly insecure about it. I was opening up more to my friends and peers. 
But this process, unfortunately, came to a screeching halt. 
My life completely, utterly crumbled under me in the Fall of 2017 due to a series of blows in my personal life that happened in the span of just a couple weeks. My mental health and sense of identity were completely destroyed. All of that confidence I had worked for-- completely ruined. I was alone. I nearly died. My stay at college was extended to 4 and half years, instead of the 4 I had intended. I lost my love for animation-- making it, and watching it. I could no longer watch Steven Universe with the same love I had for it beforehand. It’s a terrible thing, trying to give your attention to something you don’t love anymore, and wanting so desperately to love again. I dropped so many things I loved in my life, including the fandom.
Healing was a long and complicated road. I continued to watch the show all the way up until Change Your Mind aired in the beginning of 2019, and while I still felt empty, that was definitely a turning point for me with it’s encapsulation of self-love. I was hoping James Baxter would get to work on Steven Universe since he guest-animated on Adventure Time, and it was incredible seeing that wish actually come true. The movie came out and while I enjoyed it and thought highly of it, I was still having issues letting myself genuinely love things again, old and new. It was especially difficult because cartoons were my solace as a kid, when things got rough at home. I remember feeling sad because the show ended, and not getting the chance to love it again like I used to while it was still going.
By the time Steven Universe Future was announced, I was finally coming around. I was genuinely starting to feel excitement for art and animation again. I wasn’t expecting there to be a whole new epilogue series, but happily ever after, there we were! Prickly Pear aired, and the implications it left in terms of where the story was going did it. I was finally ready to let myself take the dive back into fandom in January of this year. My art blew up, something I wasn’t expecting considering my 2-year hiatus. Following this, I was invited into a discord server containing some of the biggest writers, artists, editors, and analysts in the fandom. I had no idea there were so many talented people in the fandom, some already with degrees, some getting their degrees-- creating stuff for it on the side just for fun. The amount of passion and productivity level here is insane, and so is the amount of discussion that has come out of it.
I didn’t realize it at first, but it was actually helping me gain back the courage to share ideas. I lost my confidence in pitching while I was taking the time to heal, and graduating meant there would no longer be a classroom setting I could practice in. This group helped immensely. 
I have made so many friends through this wonderful series, and I have so many fond memories talking to like-minded creatives, getting feedback and a myriad of sources for inspiration, as well as all of the memes and jokes and weekly theorizations that came about as we all waited on the edges of our seats for episodes to air. I needed this so badly, I needed to get back in touch with my roots, when I would go absolutely hog-wild over a cartoon I loved with people who loved it as much I did. Future has been a blessing for me in this way. I graduated feeling like I was back at square-one, but now I feel like I’m on my way again.
It’s 2020 and while I’m doing great right now, I am honestly still recovering from the total exhaustion that followed after graduating a few months ago, and finally leaving the campus where my life fell apart behind. Needless to say, watching Future was like looking into a mirror. Watching one of my favorite characters of all time-- one that grew up with me-- go through so many of the same things I went through not too long ago was absolutely insane to watch unfold. It’s such an important thing too, to show a character go through the process of breaking down over trauma and all the nasty things that come with it, and to have them go on the road to healing. Steven got that therapy. He wasn’t blamed. The gems were called out. The finale was everything I could have ever hoped for. The catharsis I experienced watching it was out of this world.
As I continue my own healing journey, I will always look up to the storyboard artists, revisionists, and designers that I have been following over these past 7 years, as well as the new ones introduced in Future. It's been such a joy watching these artists release their promo art for episodes, talk about their experiences working on the show, and post the work they've done for it alongside episodes airing.
Thank you Rebecca Sugar, the Crewniverse, and the fans, for making this such a truly wonderful and unique experience. Thank you for reminding me that I am, and always will be, an artist, a cartoonist, and a fan. Thank you, my followers, for the overwhelmingly positive response to my artwork. I have had so much fun interacting and discussing the show with you all again over these past few months. Steven Universe and it’s fandom will always have a special place in my heart, and it will always be a classic that I will return to for comfort and inspiration for decades to come. I am sad that the cartoon renaissance is over, but so many doors have been opened thanks to this show. I am so, so excited to see what this show will inspire in the future, and I hope one day I get the opportunity to be a part of that. 
Goodbye Steven, thank you for everything. I wish you healing, and I wish Rebecca and the team a well-deserved rest. ♥️
-Cynthia D.
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boldlyanxious · 3 years
Text
Light in the Window
Jasonette July prompt 10: light
Jasonette July
My masterlist
Marinette jumped as there was a crash outside her window. She cursed loudly as she realized she ended up with a long, jagged line of stitching going off the wrong direction. At least she had just started this part and it would be on the inside so no one would see the mishap. She glanced over at the window. It had gone very silent but the crash was too loud for it to have been something that would have crept away without her hearing it.
She supposed she could use a stretch anyway. It wouldn’t do to not check out something hitting her window at this hour in Gotham. Too many possible things to go wrong. She didn’t want to test her luck against the City of Crime. But test it she had apparently, she thought with a sigh as she looked through the curtains.
She pried the window open to check and see if the form outside her window was breathing. She didn’t know all the characters that ran around on the rooftops in this city. They seemed to have a full cast of rotating characters. It was basically a vigilante soap opera. Too many of them used red as a main color. Perhaps it was inspired by Deadpool. They couldn’t show weakness so they had to camouflage the blood from any injuries.
The man moved and groaned slightly as his arm flopped off her window as she pushed it up. He jolted when his hand landed on his chest. She sucked in a breath as he went from laying there appearing dead to shooting his hand out to grasp her wrist in a death grip instantaneously. She backed away and started what would have been a surprised squeal if his hand hadn't covered her mouth muffling any noise she would have produced. He slipped through the window and closed it and curtain in a quick motion. He pushed her against the wall with his hand that was still covering her mouth. He made a quiet shushing noise before removing his hand and then walked over and turned off her light leaving her apartment in total darkness.
Marinette should have looked for a pamphlet or guide to the rooftop cast. It was something she had thought about but hadn’t done yet because she had hardly left since moving in. She had supplies and groceries delivered and there was a trash chute in the hallway. She hadn’t needed much yet and had a lot of work to do. Learning about the outside world here was not that high up on her to do list. She would have to hope that since he hadn’t already attacked that he would not find cause to do so.
She could have done a better job decluttering her pile of boxes that she hadn’t unpacked. She realized this as she tripped on a stack and then nearly fell over another. She hadn’t realized how close he had left her to the hazard. But before she tumbled all the way to the ground he had caught her mid fall and pulled her off her feet. She was awkwardly against his chest and thrashing until he set her down somewhere else. He moved her hand to the counter so she could tell that he had put her down in the kitchen. He must have some sort of night vision in his helmet.
“Do you have a light in here?" he asked.
“There is a switch by the fridge.”
A brief shuffle of feet and a flick and the soft glow of the kitchen light brought them out of darkness. Marinette still wasn’t sure what to say. He seemed to be moving around a bit, possibly checking for injuries. Now that there was enough light to see, she could see that he had guns on him. So, probably not one of the less dangerous ones. She didn’t think they used guns much. He righted himself a moment later, she could tell he was still on high alert and looking around her apartment. She moved herself closer to her abandoned place setting from earlier and tried to pick the quickest route to the door just in case she needed to escape.
“So, umm, who are you?” Marinette tried to sound casual.
She, of course, couldn't see his expression when he turned his head to look at her, but she imagined it was a quizzical expression on his face. Probably most Gothamites, native or otherwise had a good idea of most of the players around. Maybe he was one of the main characters and was offended that she didn’t know him.
“Are you new here?” he asked.
“Yes, not quite as new as you seem to be right here in my apartment. But I moved here recently.” she paused, not able to help a bit of snark in her current state. “The packed boxes are not just my choice of decor.”
She was glad to hear what she thought might have been a chuckle under his helmet.
“Most would probably tell you to leave them packed and just leave.”
“Everyone I know told me not to come at all, but my work is here.”
“Guess you can’t fault that.”
“So you aren’t offering a name, but you also don’t seem to be heading out. I was making some tea. Do you want some?”
“That sounds really nice. I would love some. Since you are so graciously offering your hospitality.”
“That’s one way to put it.”
She turned away to start the water and went about getting some snacks while waiting for the kettle to boil. He seemed to have no issue helping himself to whatever she had put out after removing his helmet to reveal a lensed mask beneath it. She ended up having to go in search of additional offerings because she hadn’t considered how much the man would eat. She pulled out noodle bowls she had made ahead to have easy food for herself and offered him one. It was simple to do with the kettle already freshly boiled.
She turned back around and slapped his hand away from the last macaron. Then gasped in shock when she realized what she had done. She still had no idea who he was. He laughed at her again before he picked up the macaron anyway. But instead of eating it he walked around to where she was sitting and lifted it up to her mouth. Marinette blushed as she took a small bite of it. He must have still been laughing at her because he leaned his face close to hers before he put the remainder in his own mouth.
“These are very good. I couldn’t just let you have the last one.”
“It's fine,” she said, her cheeks still burning. “I was due to make more soon anyway.”
“You made them? It is definitely settled, I will have to come back for more.”
“I don’t even know why you came here now. Unless you just didn’t have any food and needed some of mine.”
“I followed the light. I needed to lose someone following me.”
“Are you in danger?"
Her unasked question was whether or not he had put her in danger. He carried his tea and bowl of noodles and sprawled out on her couch before answering.
"They will have moved on tonight or will soon. I'm relatively certain no one saw where I went."
She set her own food on a tv tray and sat down on the other side of the couch. She was trying to pretend that this was all perfectly normal. She went about setting her food and tea up how she liked in silence. She didn't know what to say and he was content to remain silent. She could feel him watching her but she didn't want to turn and make eye contact with his mask lenses.
“Tell me about yourself.” He said breaking the silence.
“There isn’t much to tell. I moved here to expand my client base.”
“Where did you come from?”
“Originally I’m from France but after fashion school I took a semester in New York to get additional skills and help with understanding the language.”
“Fashion?” He raised his eyebrow at her.
“Not everyone can be as confident as you and run around the rooftops every night in an outfit that looks like that.”
He leaned close to her when she said that. She was pretty sure he was trying to intimidate her but she had to bite her lip to keep from laughing. Apparently her could tell though.
“Are you laughing at me?” she shook her head and bit her lip harder. “I like you. You either take no shit or you have no self preservation.”
“You have been here for a bit and you seem to have developed a vested interest in keeping me alive.”
“Did you not notice that I am carrying guns? I’m very good at using them.”
“I did. But you also ate all my food and decided you want to come back for more of my macarons.”
“I could get cookies anywhere. I’m a crime lord. I get whatever I want.”
“You probably won’t get better than someone who grew up in a French patisserie. But maybe that doesn’t matter if you are a crime lord resorting to hiding out in the apartment of a lowly fashion designer.”
“I like this. I don’t get a lot of people willing to talk to me like this.”
“Maybe its just because I don’t know who you are.”
“Could be. But I think you just can’t help yourself.”
He stood up and began walking around her apartment looking around. He spent a couple minutes looking at her designs in progress and then picked up her sketchbook. He held it up silently and she nodded, giving him permission to look in the book. When he got to a blank page he doodled a little picture and then closed the book without showing her. He looked back out the window and seemed to come to a decision.
“Thanks for the shelter and the hospitality. I guess I never got your name.”
“I didn’t get yours either.”
“I’m the Red Hood.”
Her eyes widened slightly. He chuckled. “So you have heard of me then.”
“I’m Marinette,” she said while nodding.
He walked up to her and brushed her hair from her face gently.
“I hope to see you soon Marinette. Its been a refreshing experience.”
With that he put his helmet back on and left through the window her came in and disappeared into the night. Marinette decided she was finished working for the evening and went to bed without bothering to put anything away. That certainly had been an interesting encounter. She wondered if he really would come back. She would have to buy more groceries if he did.
Taglist
@jasonette-july-event | @theymakeupfairies | @emjrabbitwolf | @vixen-uchiha | @trythisagainlove | @trippingovermyfeet | @tbehartoo | @adrestar | @zynna
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breitzbachbea · 3 years
Text
The Hetalia "Cell Block Tango" AU/Scenario
This idea left my brain last saturday and, as usual, has already completely spun out of control two days later. Much thanks to Riva (@fireandiceland) for their open ear and grandiose input, all of the following bullshit would not have been possible without them.
This is essentially an update to this post about a "Cell Block Tango" Performance for Hetalia ships that at some point could be construed as partner exercising foreign rule over the other. We've talked about it as a show that the countries put on for fun, so it's not really an AU. We're here to be horny and have fun, not to be dramatic and edgy, okay. (Or at least not "actual murder" dramatic).
Here's the list of the couples and their corresponding parts that we settled on. (I'll use the names of the characters from "Chicago" & their iconic little cue).
Liz/Pop - SuFin, with Tino as Liz. The ship was Riva's suggestion and I like them for this part not only because the triviality of the murder motive suits their domestic vibe, but the violent solution fits Tino's wilder/more darker side that sleeps under that friendly exterior.
Annie/Six - Spamano, with Lovino as Annie. Look, Riva agreed that loose lover Antonio seems plausible, I think poisoning is a good way to murder for Lovino and I also. Really. Just love the image of the "deathkiss" and then Lovino kicking Antonio two meters across the stage. And I am sure that Antonio feels the same way as I do.
June/Squish - DenNor, with Lukas as June. I mostly settled on them because I can see Matthias be somewhat possessive and I can see him thoroughly excited for the choreography. (Maybe also for the fact that he gets to wear no shirt). Riva also said that the scenario itself and the ambiguity about whether or not June actually cheated meshes well with Lukas' more elusive nature.
Hunyak/Uh-Uh - LietBel, with Natalya as Hunyak. (Natalya? Natasha? I'm sorry if I misremembered her name, use whatever floats your boat). We both agreed that we needed Natalya in this, but I couldn't quite find a ship with her quickly that worked well with my original definition of Empire/Territory. Giving her Hunyak's innocent part solves that problem, subverts her often arguably pretty meh canon/fanon interpretations and she gets to have a beautiful dance number with Toris. Toris, who is just really happy for his girlfriend and resigned between the hotblooded, horny chaos that is the rest :).
Velma/Cicero - TurGre, with Herakles as Velma. I thought the cheating situation suited them, as I have a weakness for Herakles being Sadık's favourite, but certainly not only bedfellow at all times and the intensity of the rage is one Herakles well-deserves (if only for show these days). Plus, their performance required a third person and lemme tell you, they do not lack options in my brain. I considered Mohammed (Egypt) at first, but then thought he'd probably politely decline but would surely love to watch the show for "moral support". So instead I went for my Sicily OC Michele as Veronica, because mom said it's my turn on the self-indulgence machine.
Mona/Lipschitz - AusHun, with Erzsébet as Mona. I was sold at the "a real artistic guy, sensitive" part (even though Roderich is rather a musician than a painter) and Riva pointed out that the cheating also could be a great reference to the Habsburg marriage politics.
Further Thoughts (& Thots) for this under the cut, because I knew if I had this post uncut on my dash, I'd murder someone too:
- Mads is really excited about the choreography until he realizes that he has to basically throw half a bridge and hold it for most of Natalya's part. Mads: "Oh. So I gotta keep this up for the whole number now?" Lukas: "Quit whining ..." One of the others: "What, is the viking already folding?" Mads: "Pfft, as if, no problem for me!" He looks up at Lukas. "Besides, the view from down here isn't that bad either." Lukas threateningly lifts his foot with dangerously high-heeled boot. Mads: 'Don't say Step on me, don't say Step on me, don't say - Ah crap, I already did, didn't I?' Practice has to be paused and Natalya chews them out for ruining her practice!
- As Riva put it and I then expanded upon:
How we imagine Hetalia Cell Block Tango: Intriguing, dark, erotic.
How it actually is: Antonio, Mathias, Berwald, Sadık about to cream their pants while Lovino, Lukas, Tino, Herakles live their dreams. Natalya fighting everyone who makes a single wrong step during her part of the performance, Toris trying to calm her down. Erzsébet pulling Roderich off stage to do a private tango. Ex-Imperial dick measuring contests between Antonio, Sadık and Roderich, although the latter of course tries to not to get dragged into any thing so undignified. However, there are still ties with Antonio and also, a bitch (Roderich) may not start a fight, but a bitch is sure going to end one! Or at least attempt to do so. Endless South Italian Bickering, because Lovino and Michele may get on marginally better than Lovino does with Feliciano, but unlike Feli, Michè pays back in kind.
- Here's my two cents on the nature of the horniness of the "murdered lovers": Antonio and Sadık are unapologetically gawking and can't imagine anything better than being 'mistreated' by their darling. Being kicked across, shoved nearly off the stage is part of the fun and they don't hide it. Rest in rip everyone else who has to witness this. Matthias tries to half-heartedly hide how turned on he his, but as we saw above, he isn't very good at it. Maybe it also just looks like he's trying to hide it because he is North European after all, so it looks tame next to the two other horndogs. Berwald's extremely flustered, which is either clear as daylight to everyone around him or he tries so hard to stay 'professional' that his hands shake and he can barely talk. (Which I'd personally find hilarious when contrasted with Antonio one number over). Roderich acts as if he isn't as affected, but his façade also cracks often enough. He's got it just as bad as everyone else for his Erzsì, but he doesn't want to show it in front of other people.
- I also wrote a Minific yesterday, mostly concerned with Michele being asked to participate & some bitching between him and Lovino. If I find the time, I'll clean it up tonight and post it some time.
That's it! Thank you for reading and if you any additions, I would love to hear it (and I am sure Riva would love so, too!). I'd also love it if you wanted to share any fanart, fanfic or anything else based on this - even if you just take the basic premise and change things from how I described them because you think something else works better for you.
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