#this will go in the fanfic that I'm currently writing | Explore Tumblr Posts and Blogs

shepscapades · 13 hours

Text

DBHC [Detroit Become Hermitcraft] AU MASTERPOST

This is a compiled list of links to every major dbhc post, including links to art, a list of tags that I use to organize everything for this au on my blog, character tags, and any other content for the au that you may want to specifically look for! I will do my best to update this Masterpost with every new major post I publish, so feel free to keep checking the original post (not reblogs, which will not retain edits) for new content! (Likewise, if you stumble upon a link that doesn't seem right, please feel free to let me know!)

Everything is organized below the read more by an Overview of information about the au and content organized by character. Within each character's section, posts are organized in a narrative chronological order-- NOT the order in which the posts were published. Most characters are organized in groups so links do not appear more than once.

Thank you for reading and enjoying my silly au! It's baffling to me how many people have found an interest in or love for this project, and everyone's support, encouragement, and general insanity means the world to me! <3

OVERVIEW

Dbhc, or the Detroit Become Hermitcraft AU, is an au that started as a joke and very quickly stopped being a joke LKFJGDG It’s called Detroit Become Hermitcraft, but not really because it has anything to do with the base game DBH– really, I only yoinked the android mechanics and inserted them into the minecraft-based world of hermitcraft. It’s an au that starts in Hermitcraft Season 8 (aka, many of the first androids were built for the beginning of s8 in this au), meaning that the seasons prior in this au do not technically have those hermits as part of their history. The Life Series are canon to this au, but like earlier hermitcraft seasons, 3rd Life is missing all of the android hermits due to it having taken place prior to HC Season 8.

GUIDE TO ANDROIDS - An official guide to how androids function, for those unfamiliar with dbh androids!

TAG LIST

#dbhc – any and everything dbhc! #dbhc art – any art, comics, or silly doodles that feature the dbhc characters #dbhc ask – any response to an ask or submission that I answer related to dbhc– could be silly asks or asks related to lore! #dbhc music – any art or asks in which I speak about the music on the dbhc playlists or use the songs as inspiration for art of the narrative #dbhc fanart – any dbhc art not made by me! #dbhc fanfic – any dbhc writing not written by me! #dbhc writing – works of writing that either I’ve done or works that I consider canon to the au! (see below for links to each of these works) #dbhc sillies – these are usually asks I’ve answered that include ridiculous doodles or humorous references to more serious or angsty lore posts #dbhc theories – not a consistent tag, but something I decided to start using for asks that have interesting theories that I don't want to confirm or deny. Also used in general for large theory-based asks/my reactions to them #dbhc mechanics – any explanations related to the way the androids function [i'm still currently in the process of going back through everything and working this tag in!] #dbhc ref – official reference sheets for the characters

CHARACTER TAG LIST:

Character tags will be listed as #dbhc [name]. They contain both art of those characters and any mentions/discussions of them from asks. If a character is discussed or shown in any capacity, those posts should have the respective character tags! I believe these are all of the characters discussed/referenced so far:

#dbhc beef || #dbhc bdubs || #dbhc cleo || #dbhc cub || #dbhc doc || #dbhc etho || #dbhc false || #dbhc gem || #dbhc grian || #dbhc hypno || #dbhc impulse || #dbhc joe || #dbhc joel || #dbhc jimmy || #dbhc keralis ||#dbhc mumbo || #dbhc pearl || #dbhc ren || #dbhc scar || #dbhc skizz || #dbhc tango || #dbhc wels || #dbhc xisuma || #dbhc zed

CHARACTER POST LIST

Since Tumblr has a link embed limit of 100, I had to move every character section to it's own post :[ Which is a little annoying, but giving each character group their own post will hopefully prevent any issues going forward as I continue to add to the au without fear of hitting a link limit.

As mentioned above, the below individual posts are organized by Characters or Groups of Characters. Within each section, drawings are organized by NARRATIVE CHRONOLOGICAL ORDER (Not the order in which they were posted/published). These links contain links to posts/art specifically centered around the characters they're listed under. All posts that have a collection of characters, moments, or drawings not centered around any one specific character/characters will be found under "Other Drawings!" Stuff from Secret Life, Decked out, and other silly drawings can be found there. Character's are often cameo'd all over the place, so if you're looking for all of the content of a specific character, your best bet is perusing their respective character tag (listed above)! The posts below are to present a better/more cohesive idea of the ordered narrative of each character.

ETHO + BDUBS

MUMBO + CO.

DOC + CO.

IMPULSE + CO.

TANGO + CO.

JOE + CO.

SKIZZ + CO.

XISUMA + CO.

OTHER DRAWINGS [GROUPS/COLLECTIONS]

WRITING WORKS

Canon Events. To Me <3

[x] @tunastime Gear of the Heart, Turning [ethubs] [x] @tunastime Do Androids Dream of Electric Sheep? [docsuma]

Fanfic Works I consider closely adjacent to canon:

[x] @bruhman745 [ethubs first kiss!] [x] @bruhman745 [s9 reset etho re-deviates] [x] @drachis917 [Impulse meets Gem!]

#NOW REBLOGGABLE!#dbhc #dbhc ref #dbhc masterpost #hermitcraft au

237 notes · View notes

sixteen-juniper · 17 hours

Text

killing your darlings and all of that

I saw a post on here about what the writing advice 'kill your darlings' means. it made me really think about the book I'm working on currently and how that phrase relates to this project. (the reason my fic/all my fics are on hiatus) And also kind of like how I think about revising a manuscript in general and all the things I've learned since I started writing books. (and yes this is why my fic is on hiatus, gotta grind!)

I've always been a novelist first, I guess, like I came up through traditional publishing and creating my own works/worlds. Which, this all taught me a lot about writing and rejection and how to just keep going. I am still a novelist, obviously, writing fanfic was something I came to much later (with Rose and Rot) and I know even after I'm with fanfic I'll always be a novelist. I don't think I can stop the itch for writing books, making my own worlds and characters from the ground up even if I tried. I love the way a book is like a puzzle and painting at the same time.

Back to the point at hand, which is the idea of kill your darlings, and how sometimes in order for you to make a book be what it's supposed to you have to literally kill so many things. I'm working on this massive overhaul of my current manuscript right now and by massive I mean I have literally rewritten 98% of this book. And it's not only rewriting all of the scenes to adjust language or fix character motivation, it's a full scale pulling everything out and putting it back together, in a way I haven't done since maybe my first queried book. And even that book didn't go far enough, I should have changed more.

I had already thought I'd removed enough from this book. Earlier feedback had the first act feeling overstuffed and the world underbuilt. I killed two characters and two plotlines. And I thought I built out the world, but it was being made in the wrong direction. And even that didn't go far enough.

So here I am at draft 6. And if this is a house, I've removed the walls and plumbing, because just rearranging the furniture hasn't done enough.

With this one draft it's been really fascinating to me because the SHAPE of the book has remained the same. The story I want to tell about my main character remains that story, and her internal journey remains the same, but a lot of how I get there has completely changed. I don't want to get into details, but it's like I've taken my camera and decided to focus its lens on parts of the story that were only mentioned in passing, blow them up, make them bigger parts of the whole, while removing almost everything that had been in earlier drafts.

I didn't do this on my own, to be clear. I sent this book to a trusted person in publishing, believing that it was literally done and ready to go out. Their feedback was 'this feels like a first draft' even though it was literally my fifth draft. And the feedback I got and what resonated with them was really surprising. What I learned about this book was that it is literally impossible to have both a cozy cottagecore fantasy AND a dark and creepy story where your main character eventually learns to accept her necromancy. It doesn't work, and if it does I am the wrong writer to make it work. I was told to play into my strengths, and those strengths are dark and sad.

Which is why I had to remove so much and change so much. I can't even lie some of those changes HURT. I lost a character (her little fox familiar) that I loved because he didn't add to the story at all. And including him just made the pacing lag. The character added nothing and worse detracted from what I was trying to do. A key scene at the end, I swear my favorite scene in this entire project, had to go because it simply didn't fit. The pacing, the world, the events leading up to this scene no longer supported it being included. And yeah, it sucks. I haven't even gotten to the ending which will also need to be streamlined, but the book is stronger for all of these changes. I really believe it. I love this project and everything it's become even more on the 6th draft than I did on the 5th or the 2nd or the 1st.

Gonna wrap this up! Because it's already too long! I was never this wordy until I started writing on here. Moral of the story! Sometimes you really need to be brave and commit to just letting go of what you thought your story was in order to make it what it needs to be. Which for me is legit terrifying, because I'm such a hoarder, but it's the right thing to do!

#writing #i guess #process #my process #revising things #not fanfic related but not not fanfic related #i love writing books 🤪#actually I really do love my books #the god of my own little world

33 notes · View notes

garricks4thwingqueen · 2 days

Text

So I've been heavily debating about releasing my fics into the world. If been writing thing based off my dreams for years but have never posted anything.

If I dipped into the fanfic world I'd only write for Fourth Wing or Acotar. I geek comfortable primarily writting for Garrick Tavis, Dain Aetos, Liam Mairi, Xaden Rioson and possibly Imogen for Fourth Wing. For ACOTAR I'm only barely starting ACOWAR but would feel comfortable writing for Cassian, Rhys and Azriel.

I have a completed Liam x oc ready to go. And currently working on Xaden x oc and Garrick x oc as well.

Should I post? I've always debated about posting and opening up for reqs but have never took the plunge.

#fourth wing #garrick tavis #xaden riorson #liam mairi #dain aetos #acotar #cassian acotar #rhysand #azriel

17 notes · View notes

nicolabarth · 1 year

Text

Headcanon time

The Nightbrothers don’t have separate beds, they sleep piled over each other like a pack of wolves

#star wars #nightbrothers #headcanon #this will go in the fanfic that I'm currently writing #dathomir #darth maul #savage opress #feral opress

60 notes · View notes

idliketobeatree · 3 months

Text

#exposing myself here #do i mean writing or reading?#both.#btw i am in no way discrediting actual therapy if you can afford it i am begging you to go #i'm currently waiting for the state-paid one and in the meantime we cope #also sorry for the shit quality i did this on my phone and didn't expect more than 10 notes tbh i should've known better #good omens #ineffable husbands #crowley #aziraphale #staged #david tennant #michael sheen #good omens fanfic #good omens fandom #good omens fanfiction #good omens memes #good omens shitpost #ineffable fandom

778 notes · View notes

the-ghost-17 · 2 months

Text

I need this

I need a juletheif fanfic that's just like them being together during the show, so like chase has no clue carmen and jules are dating and when he finds out he's just like

"So you knew where she was this whole time!"

"Well not necessarily..."

"Why have we been chasing this woman around the globe for months, you could have just told me 'Oh me and le femme Rouge fuck' then I would have just dropped the case but no we have been chasing down your girlfriend for months, MONTHS!"

Listen I'm already writing ghosts background story and writing a juletheif/cleobellum fic at the same time I'd really appreciate it if someone wrote this for me lol

#carulia #carmen sandiego fanfic #carmen sandiego #julethief #where in the world is carmen sandiego #Please someone write this #I'm currently going a bit insane #chase devineaux #julia argent #Carmen sandiego

63 notes · View notes

vulpinesaint · 1 year

Text

want to post on ao3. don't want to write things to post on ao3. want to post on ao3.

#*starts another longform witcher fanfic*#i'm incorrigible i have a problem i just can't stop #series continuation too. 'i can stop whenever i want! i won't write more of this character!'#and then i was Wrong. humiliating.#anyway ummmmm kgdfghs somehow my brain is NOT enthusiastic about having to write another 25k piece like that piece will be.#sucks enough already having to get 6k words down before i can post a chapter for my current wip </3 #and then i'm ignoring jaskier fic entirely rn. awful. terrible.#it's alright jaskier i uh. i'll have a Second longform fic going for you soon. and then it'll balance out i prommy #terrible terrible terrible!! why must i create in order to have content to show people!#writing should just appear in my google docs overnight for me to post #fanfic #valentine notes

870 notes · View notes

crispycreambacon · 3 months

Text

Spice In, Time Out!

— ☆ —

Wanna read a semi-crack fic about Beef Boy hanging out with a bunch of puppets? Maybe even do a little ramen challenge with his little blue fuzzy nerd friend? You're in luck, 'cause I wrote 6500 words of exactly that!

Among those thousands of words are a bunch of cool stuff such as:

Puppet shenanigans! Two of them may have planned to kill their friends (disclaimer: that murder will not be shown in the fic)

Actual history??? Yeah that's right you're gonna get hit with a Puppet History-style question so STUDY UP ON THE HISTORY OF RAMEN (or not) 👹

God being the worst! Again! They may have actually killed someone (disclaimer: that murder WILL be shown in the fic)

God/Professor allegations. Whether those allegations are true or not will be up to you

Overall a (hopefully) funny and wholesome bonding time between everyone at this table. They're all friends! :]

If all of that sounds like a jam to you, you can read the fic via clicking here, clicking the title, or searching up "Spice in, Time Out!" by crispycreambacon on AO3.

I hope y'all will enjoy this fic! I'm pretty proud of how it turned out especially since I was honestly not feeling it at the start and even contemplated not publishing it at all. Even if you don't read it, I hope you enjoy the art (bonus doodles down below btw!) and I hope you'll have a schmaculous day!

#bonus points to whoever can guess what the Oar is reading (however I will be putting you on my watchlist)#currently writing this at 1 AM #i'm lowkey in what can only be described as a “disasterous mood”#my life is lightly falling apart as I fall behind on so many of my responsibilities #but it's okay I got this I'm gonna get through this aNYWAYS omg new fanfic y'all!!!#these were so fun to draw #[blasts you with my trans puppet headcanons]#[and also whatever tf is going on with God and the Professor #i haven't figured that out and I probably never will and that's fine!]#puppet history #puppet history fanart #ryan bergara #ryan beef boy bergara #the professor #the professor puppet history #fuck it lemme tag all of them #god puppet history #policarpa's sewing spool #beast of gevaudan #pile of diamonds #the gay oars #GAIDHWODBW #watcher entertainment #watcher #watcher fanart #art #artists on tumblr #chris p fried art #chris p fried writings #fanart

69 notes · View notes

amethystina · 11 months

Text

The Devil Judge Meta: Introducing Kang Yo Han and Kim Ga On

Hello. I'm sick with a fever and you all know what that means — another needlessly long and detailed meta about The Devil Judge. Because sometimes I like to be predictable.

Last time we looked at The Bus Scene and this time we'll be focusing on Kang Yo Han and Kim Ga On's character introductions and what we find out about these two characters during them. And, to some degree, how they mirror and differ from each other. Spoilers: it's glorious.

Disclaimer: This is by no means a complete meta. I know next to nothing about filmmaking and all that goes into it, so this focuses mostly on the characters and what an amateur like me can observe during the respective scenes. But I might miss or skip over certain details, especially things related to cinematography and such. I'm a librarian, not a director, and I just want to yell about characters I love and how absolutely SPECTACULAR this drama is at presentation and storytelling. So sue me.

Second Disclaimer: I was, once again, left unsupervised with Photoshop while having a fever. So I, once again, take no responsibility for the resulting screenshots.

Third Disclaimer: This meta will not be entirely chronological but instead focus on one aspect of their introduction at a time, so there will be some jumps back and forth. But, hopefully, it will still be easy to follow.

And so, without further ado, you will find more under the cut!

Now. The first thing the drama wants to establish is that Kang Yo Han and Kim Ga On are very different characters in terms of personality, experience, status etc. And how do they do this, you ask? By putting them in similar situations during their introductions but having several key differences that highlight their respective characterisation. This allows the viewer to more easily compare them and draw the desired conclusion — it might even happen subconsciously for some. Because, yes, their introductions are mirrored in so, so many ways and it's very effective once you put them side by side and actually study them more closely.

The devil's in the details, so to speak — pun ENTIRELY intended.

So! The first time we see them, they're on a mode of transportation, currently travelling through a tunnel. In Yo Han's case, it's a tunnel for cars:

In Ga On's case, we don't get a clear shot of the tunnel itself until later, but one can quickly deduce that he's in one given the details during the first second he's on screen:

Most people recognise this as a subway train and that the lighting must mean that they're either underground or inside a tunnel.

Now, here's where the fun begins since while they're both in dark tunnels, there are already some noticeable and important differences. Yo Han is in an expensive car — a vehicle he drives himself — and not only is he alone inside it, but practically alone on the road as well, with only the distant headlights of an oncoming car in sight. There are no cars (that we can see during this first shot) heading in the same direction as Yo Han.

Ga On, on the other hand? He is, as mentioned, on a subway car, driven by someone else, surrounded by other commuters. People who, in other words, might not be heading to the exact same destination as him, but at least in the same direction. They're all on the same train together.

So, even here, within literal seconds, while they're still both in this dark tunnel — unrevealed to the world, if you will — we are told several important things about these two characters:

Their current level of power over their own destiny (driving themselves vs. a mere passenger)

Their existence in society (solitary vs. one of the people)

Their social economic status (fancy car vs. subway train)

And, finally, the direction their moving (against the tide vs. the same as everyone else)

Beautiful, isn't it?

And this stark contrast continues once they emerge from their respective tunnels as well, with Yo Han driving out into the night:

And Ga On arriving to a burst of morning sunlight:

The consistent theme of Yo Han as darkness and Ga On as light will never not make me go feral, okay? I LIVE for that shit. And I'm still struggling against the impulse to write a meta about it because it would be insanely long and probably devolve into incoherent babbling at some point.

BUT I DIGRESS.

Once leaving the tunnel, they both find themselves on a bridge, crossing a wide expanse of… well, pitch-black darkness in Yo Han's case and water in Ga On's. Crossing a bridge is often meant to symbolise a transition or the start of something new. So, clearly, both Yo Han and Ga On are embarking on a new journey and we, the viewers, are invited to follow along during it. They begin these journeys roughly at the same time and, not so surprisingly, we soon find out that their paths are destined to cross. So while their journeys may have started separately, they'll eventually end up entwining and continuing forward together.

(… because we needed to make this drama sound even more like a star-crossed lovers romance, I guess?)

But where are they going then, you ask?

Well, that's another beauty of this introduction since you, as the viewer, aren't quite sure where Yo Han is heading, are you? Everything is just darkness. He could be going anywhere. We can assume he's heading to the fancy party we see in between the shots of Yo Han, sure, but we can't be certain. He's still very mysterious because, at this point, he's inside a car and we haven't seen how he's dressed or even his full face. His purpose is unknown — as is his final destination.

And that, as we all know, will actually remain more or less hidden from us until the very last episode. So I guess it's good that they establish his unpredictability from the very start? xD

Anyhow. They keep us in suspense for quite some time where Yo Han is concerned, having us watch him drive across Seoul. But one consistent thing is that he remains mostly alone on the road, even if we sometimes see other cars in the background. And, quite often, he's seen driving across or against the other cars, paving his own way, if you will.

(This is, of course, also because it's easier for the viewer to follow a single car as opposed to one in crowded traffic. So there are definitely productional reasons as well, but I do love the extra spice it adds to the reading of Yo Han's character)

We have no idea where Yo Han is headed and he could make a turn at any time, changing the direction of the car if he so chooses.

This is quite different from Ga On since all the context clues surrounding him — his clothes, the practical backpack, the number of other commuters on the train, the dusky morning sunlight — quickly leads to the assumption that he's heading to work. We might not know where he works yet, but there are still a lot fewer questions and uncertainties about his destination. Ga On's journey is, at least at first glance, predictable and mundane, especially compared to Yo Han's.

Ga On is on a train he's not driving, moving on a track with only one way to go. It's so predictable it's almost boring, the outcome set before it even began. If Ga On wants to change his path, his only option is to get off the train — that's how little control and influence he has. He's not without control — there is a choice involved, in getting on the subway in the first place — but it's a far cry from Yo Han who's in complete control, driving himself to wherever he's heading.

(And yes, do take a moment to ponder the beautiful new layer this adds to Yo Han telling Ga On to drive them to the fundraising gala. Made even more intriguing by that stunt Yo Han pulled by suddenly yanking on the wheel, testing Ga On's control over the car. And the significance of Ga On getting inside the car with Yo Han when he's telling Professor Min that he's eloping with his sugar daddy switching sides. Go on. Ponder it. I'll wait.)

Now, moving on to their faces.

Here we have two very different approaches. With Yo Han, we see glimpses of his face throughout his car ride, like this right here:

We can only barely make out his features with the majority of his face being in shadow. And this theme continues, showing us one piece here, another there, but never his fully lit face. Some parts are always hidden, outside of view, or in shadow. We get fractures of the man rather than the complete picture.

And then, of course, they hit us with this one:

Which (if you can tear your gaze away from, well, The Gaze) you'll find is about four cityscapes, twisted, mirrored, or layered on top of/next to each other. Which is, of course, very cool and pretty, but also an indication of Yo Han's character and the topsy-turvy ride we're about to go on with this man. Especially when you add the fact that we haven't even seen his entire face ONCE so far.

Translation: This bitch be complicated, fam.

Basically, Yo Han has layers upon layers and even if we're shown several parts of the whole and can assume we know what we'll find at the end, it might be a mistake to think we know him.

(I also like this shot because I can't help but wonder if this is what the inside of Yo Han's mind looks like. I mean, how he might look at a situation from different angles, layered on top of each other, flipped and tipped to its side or even upside down. Idk. It's an interesting thought.)

This build-up of not showing Yo Han's face continues for a long time, not just during the car ride but also after he arrives at the venue, where he's seen walking the halls. Again, just like while he was driving, he's often walking alone, past other people — even on the other side of a pane of glass at one point — to once again highlight his solitary and contrary path in life.

All of this makes it almost anti-climactic that the first time we see Yo Han's at least adequately lit face — when it's not being split up by shadows or camera angles — is this:

It's not even a particularly clear shot and he's surrounded by other people to the point where he's still sort of obscured. It's almost a little disorienting after all that build-up, especially since we see him relaxed and smiling, comfortably walking through a crowd of shouting people. It's in no way as flashy as that build-up made us believe. Why all that secrecy if this is how he's finally introduced? Wasn't it supposed to be special?

(Or maybe he's still hiding? Maybe this isn't his real face, either? The plot thickens!)

Ga On, in contrast, has an incredibly short build-up. We see him open the train door, walk a couple of steps, grab a handrail, and BAM.

No cheeky glimpses, fancy shots, or prolonged tension. Just: "Here he is — your boy."

(Thank you — we will treasure him)

Which, when put next to Yo Han's long and layered reveal, is pretty telling. Here's someone straightforward, to-the-point, and, most likely, honest. He doesn't need a long, complex introduction because what you see is what you get. There's something almost comforting in that clarity and it helps make Ga On feel more approachable and relatable, especially in comparison to Yo Han.

(May I also point out the hilarity of this being the first time we see Ga On's face and he's already looking at Yo Han? Better start early, I guess?)

And, obviously, instead of the darkness, artificial lights, and camera flashes of Yo Han's intro, Ga On gets this:

He is soft and warm like mash potato.

That's not to say that Ga On is without depth or layers, however. If we continue on the concept that light is very important in this drama (which we know it is) there are a couple of seconds here during Ga On's intro that are VERY intriguing. Because he, much like Yo Han, does get a moment of foreshadowing as well — of conflicts and reveals to come.

I present: The Three Stages of Kim Ga On

Shown in the order they appear in the drama, mere seconds apart. And, depending on how you choose to view the ending of the drama, could perhaps be said to show the progression of his character.

Anyway. Feel free to interpret this as a cheeky little wink, hinting at Ga On's hidden darkness. If you're into that kind of thing — which I clearly am. Because they didn't have to make the entire subway car go almost completely dark there for a second, but they did. And I, for one, am delighted.

(Yes, I'm having the time of my life, thank you for asking)

Now, perhaps you're tempted to argue that there wasn't much of that infamous mirroring here, with their situations being similar but with important differences in the key details. But that's only because I've been holding out on these two screenshots, showing both Yo Han and Ga On the seconds before their faces are revealed:

Just look at that. Look at the similarities and marvellous, wonderful differences that help establish who these two characters are — and how they contrast each other.

Yo Han arrives in a fancy suit to a red carpet event, people cheering, cameras flashing, and priceless art just on the edge of the shot. It's colourful, it's expensive, and it's important. There are even ropes separating him from the onlookers, signifying that his arrival is expected — he's the main event. The whole shot reeks of money, power, and prestige.

Meanwhile, Ga On is wearing a thick coat and backpack on a drab, dimly lit subway train, with graffiti on the walls, sleepy commuters lounging in their seats, and no one paying attention to him. Ga On is right there, amongst the rest of the people, and it's in no way important. He is in no way significant. He's just a normal guy — one more commuter on the train, heading to work.

Just these two shots alone tell you so much about these characters and what to expect from them. It is, quite frankly, masterful character establishment, especially when you put them one after the other like this.

Because, dear LORD, from a framing perspective? Both having objects on each side, framing them in, and people occupying roughly the same space? (though they're lower on Ga On's and higher on Yo Han's which, of course *chef's kiss*) And how the lines of the red carpet line up with the lights from Ga On's subway, turning them almost into literal mirrors of each other? Except instead of showing a reflection, it shows the rich vs. the poor — the high society vs. the low.

K, take the wheel, I'm going to need a moment.

(*pterodactyl screech*)

MOVING ON.

Even if Ga On's coat looks nice and all, they still make sure to establish that, yes, he's from a poor background. Partly through his mode of transportation but also this shot (which is one of my favourites):

Very often, the use of stairs, escalators, and elevators symbolise a character's status and their climb upwards or fall from grace. In Ga On's case, we see him riding the escalator on this journey he's embarked on, essentially showing us how he's moving up in the world — that he's heading somewhere new, to a place he's not originally from. To a level of influence and power he's not had before. This new job is Important. Which is only further strengthened later during the day, when he has to descend a cracked, dimly lit staircase in a bad neighbourhood on his way home, taking him back to the level where he originally came from.

Yo Han, meanwhile, stays the same almost the entire time, both while driving and walking through the venue. His journey is unchanged in terms of status, fame, and riches. The only exception is a brief moment of him walking up a staircase but it's short enough to have less of an impact than Ga On's ascent.

There's also the added layer of Ga On not walking up these steps and instead being taken there on an escalator — once again showing us that he's not really picking his destination on his own. He's just following along.

And, finally, of course: the lighting. The gorgeous lighting.

Ga On, as always, symbolises light though here I'd argue it has the additional meaning of rich vs. poor and, considering the advertisement slapped on the wall, influence vs. powerlessness. He's emerging from the dark into the light, the edge almost sharp enough to touch.

Just like stairs and elevators can symbolise status, to draw a line — literal or otherwise — and have a character interact with it says a lot about their personality, actions, and coming journey. An abundance of storytelling can be hidden in these lines, to show differences in status, influence, and opinions. It's also a very good way to build tension and create conflict.

And, in Ga On's case, he's crossing it. This is a step on his journey — one of the bridges he's crossing on the way to the new beginning he's facing. With this, Ga On is heading out into a world on a completely different level than he initially grew up in.

And he looks so hopeful, too! Gazing upward, into the light.

(This screenshot wasn't entirely necessary to prove my point, I just think he's cute)

And this brings us to the last area I want to focus on, which is their position/standing with the people and within society. Since this, too, is made very clear to the viewer during their introductions. Partly through the social-economic differences we've already touched on, but also how they interact with other people.

We see both of these men pass by the signs of unrest in their country and, quite quickly, their respective standings are established. Yo Han, for example, is seen driving through the chaotic, burning streets of Seoul:

But, clearly, he's not really touched by it. First of all, he's got the protection of the car to shield him from the literal blaze and, second, the car itself shows just how far removed he is from this. The contrast between the fancy car and the burning streets is wonderful (or, well, horrible, actually, but you know what I mean). Also, since he's inside the car, we don't get to see his reaction to any of this. Is he horrified? Outraged? Sad? Neutral? We have no idea.

There's even this shot to further hammer home just how distant Yo Han is from the struggle of the everyday people:

Not only are they separated by a wall which, as you can see, creates another line. But, unlike Ga On, neither Yo Han nor the people are crossing it. They're staying on their separate sides for now, within sight of each other but not touching or challenging the status quo.

And, once again, Yo Han's car shows the opulent world he comes from, while the people protesting are walking. You can also see that Yo Han is heading in the completely opposite direction from everyone else. And, of course, you have the added bonus of the people walking into the light — symbolising hope and righteousness — and Yo Han is driving, well, we can't quite see where, but it looks like it's going to be dark.

Absolute goddamn poetry.

And what about Ga On, you ask? Unsurprisingly, his reaction — and relationship — to the protesting people is completely different.

Not only is he walking — just like they were — but he's right there, next to them. He's one of them. He even acknowledges the protest by looking at the man's sign. And, unlike Yo Han, we get to see his reaction which, while subtle, shows quite a lot of discomfort. He keeps walking without pausing, sure, but it's clear that he's uncomfortable. He almost looks ashamed, even, since he tilts his head down as he walks past the protesting people.

That hopeful, bright-eyed optimism is suddenly nowhere to be seen and, very quickly, establishes one of Ga On's main conflicts, i.e. his desire to help the people but lack of power to do so since he is one of the people. He's not rich and famous like Yo Han.

Which is only further proved when Ga On passes yet another line — this one even guarded by men with guns, showing just how few are allowed the privilege:

This line is even clearer than the one when he emerged from the subway and the way he crosses it, without hesitation, says a lot about his bravery and boldness. But we can also see that it takes him past the protests, away from the people, and into the safe, guarded world of the rich and powerful. It doesn't mean he has to stay there, but its shows, once again, that he's going somewhere new, crossing boundaries and expectations.

And, just to emphasise this a little bit more, in case we didn't catch on yet, this happens:

He immediately gets stopped and asked to prove why he should be allowed in this space. Implying that he doesn't belong. But we quickly find out that, despite his origins, this is actually where he's supposed to be — he's just new. He's reached the destination of his journey (for now).

It's also important to note that we don't get to follow Yo Han on his route to work even if they both crossed that bridge at the start. Because while they're both embarking on something new, Yo Han's journey was taking him to the venue where he's named the new chief judge of the Live Court Show, but going in to work at the Supreme Court? Clearly nothing new to Yo Han. He's already there when Ga On arrives, even, showing that Yo Han, unlike Ga On, is comfortably where he belongs. Yo Han has existed in this world for quite some time already.

Ga On's arrival at the Supreme Court also shows just how much of a nobody he is. His face isn't recognised, so he's clearly not famous. Meanwhile, Yo Han showed up at his destination to applause and a red carpet and, before long, got this framing:

He is, quite literally, above the regular people, signifying not only how rich he is, but his status and importance. So while both Yo Han and all the organisers of the Live Court Show keep insisting that it's for the people, this shot here tells you everything you need to know. Because Yo Han is still untouchable to these people, in his fancy suit, broadcast on a huge TV screen. He's not one of them, even if he claims to represent them. His peers — i.e. the only people in the same room as him, who aren't seeing him through a TV broadcast — are other rich people or reporters. Telling, much?

I also love the added detail of how bright the screen is, like a beacon of hope in the dark, but it's artificial light, created by man, so how true is it? This is very different from Ga On who is often bathed in natural sunlight, making his light and the hope he offers seem much more sincere.

Anyhow! Let's also take a (quick) detour to discuss colours because they, too, play a role. While both of them start in more or less the same colour scheme (dark, muted blues, greens, greys, and black) they quickly head in different directions once they emerge from their respective tunnels.

Yo Han gets bright sparks of colours — some of them even fluorescent — though, most notably, glowing oranges and angry reds. There is a lot of colour in Yo Han's introduction, making it very rich, warm, and luxurious, especially once he arrives at the venue. But it's all so bright it almost feels fake. And, perhaps more importantly, you have all the fires and chaos. While both introductions show protests and unrest, Yo Han's portray a much more violent and angry side of it — a much more frightening one. And, perhaps, a bit of foreshadowing as to what kind of person Yo Han is.

Ga On, on the other hand, stays in that more neutral colour space aside from some bright glimpses of warm, natural sunlight. It's calm and unassuming, if also a bit grey and mundane, showing his low status. But it's also less artificial, which makes him feel more like an honest, ordinary person. The red pops up here, too, though, on the protest signs, connecting back to the chaos and anger we saw in Yo Han's colouring. So while we can see that they both exist in the same world that blends together at times, they are kept separate through their colouring during their introduction.

In conclusion: It's often said that how you introduce a character is vital since whatever a viewer sees first will, most likely, colour their understanding of the character for the duration of the story. It can of course evolve as more information is gathered but, in the long run, that first introduction is incredibly important.

And it's clear from what we've seen here that a lot of thought has been put into these introductions. Not only are they meant to tell us who these characters are with all the context clues and details, but also how they mirror each other. And, by extension, their relationship to each other. One on its own would still say much about that character, but it's only when you view them together that you can get the full depth and meaning behind them. Only when you contrast Yo Han's mysterious and flashy intro to Ga On's muted, more natural entrance can you fully grasp the scope of these characters — and how they're meant to be played against and complement each other.

Made even clearer by how both of their introductions involve an initial journey — a new beginning — but it's only once both of them have completed it (Ga On's taking place the morning after Yo Han's) that their introductions are finished and the rest of the story begins. There's a certain kind of beauty in how these scenes show two different journeys — when they took place, how they took place, who embarked on them — but they still reached the same destination in the end. Yo Han and Ga On's journeys both take them to the Supreme Court and, more specifically, the Live Court Show. That is where their paths are destined to cross.

And that, right there, is the core of their story and this entire goddamn drama. And also the one thing I want you all to take with you as you leave this meta.

The introduction of Kang Yo Han and Kim Ga On is ultimately done with one overarching goal in mind.

To bring them together and allow for their shared journey to begin.

*Mic drop*

#The Devil Judge #The Devil Judge Meta #Kang Yo Han #Kim Ga On #Gahan #It's funny how I can't always write fanfics while having a fever #But I can apparently write detailed and complex metas #What even?#Also #Not going to lie #I'm currently cackling at the thought of a crack The Bachelor AU #Like #With Ga On infiltrating the show as a contestant #To figure out what the eligible and morally grey bachelor is up to #On Professor Min's request of course #And Yo Han just having the time of his life leading Ga On on #And shamelessly flirting with the cute guy he knows is a spy #Until he accidentally catches feelings #(as he does when Ga On is involved)#I have absolutely no idea why this would even be a thing #I think I just want to be able to make the joke of:#Ga On I think you've misunderstood the definition of 'under cover'#It doesn't actually involve beds to the degree you seem to think it does #Or alternatively:#Get out from underneath that sugar daddy or so help me god #(my sense of humour is ATROCIOUS I know)#(I blame the fever)

118 notes · View notes

sugarsnappeases · 3 months

Text

thank you for the tag @fxreflyes this is so cute, except the format is trying to hinder my propensity to ramble, so i’ve rectified this in the tags lmao

i’m over 5'5 / i wear glasses or contacts / i have blonde hair / i often wear sweatshirts / i prefer loose clothing over tight clothes / i have one or two piercings / i have at least one tattoo / i have blue eyes / i have dyed or highlighted my hair / i have or have had braces / i have freckles / i paint my nails / i typically wear makeup / i don’t often smile / resting bitch face / i play sports / i play an instrument / i know more than one language / i can cook or bake / i like writing / i like to read / i can multitask / i’ve never dated anyone / i have a best friend i’ve known for over five years / i am an only child

no pressure tags for @static-radio-ao3 @inevitablestars @itsjaywalkers @carniferous @orbitfalls @transsexualpriest @futurequibblerjournalist <333

#i'm like 5'7 i think. fun fact i used to wear glasses when i was like 11 bc all my friends were getting glasses and i wanted some too so i #lied to my optician. lol good times. don't actually need glasses tho soooo.#this is me coming out as a natural blonde guys….. like my hair hasn’t been blonde in a good year or so and it hasn’t been my natural blonde #in like three/four years but still in my heart of hearts i identify as a blonde. like i get confused when people don't count me as one #i have my ears and nose pierced and i would love a tattoo but unfortunately i have both a fear of needles and commitment issues so.#not sure if that’ll ever happen… would be very hot and sexy tho. also i'm one of those freaks with green eyes lol it's appaza quite rare #my hair is currently like dark dark brown… have been getting the itch to dye it again tho like a kinda reddish colour idk yet we’ll see #i had braces for AAGES. i have freckles in the summer and i paint my nails whenever i remember to. rn they’re a very chipped lilac colour #i think i have a resting bitch face but i can never tell tbf like it might be more of a resting 'dead to the world' face lmao #okay technically i don’t play an instrument anymore! but in the past i’ve dabbled with the cello the oboe and the xylophone. singing too #spanish and italian baybee although ig if this means like fluently then that’s not me but this is literally my degree it’s my whole brand #yes i like to read but also the only things ive read in like the last few months have been either books in spanish/italian for my degree #literary criticism for said span/ital books and… fanfic. so. also i like writing but it's my worst enemy rn the thoughts aren't working :(#i have many best friends that i’ve known for years!!!! in fact i've known some of my friends for like my entire life it's very cute #okay sorry for rambling i can never help myself and i also literally could go on icl like there was Some restraint applied here #kara lore #bc there's quite a lot of it in this one lol #tag games

22 notes · View notes

as-days-fade-and-nights-grow · 3 months

Text

Little drawing of Castiel I did on my friend who hates when I talk about Supernatural´s iPad :3

#supernatural #spn #castiel #currently writing #TWO Destiel fanfics #brainrot is real #i'm going to kms #art

21 notes · View notes

stopthatfool · 5 months

Text

Wednesday WIP!

(ignore that Wednesday is almost over. (at least it is where i am idk) please and thank you) (ignore any typos! she's only been through phase one of my editing process!)

This is a mini scene from ch.7 (which is in the works i promise) but! it's from Ice's point of view! I did it to try and figure out his "voice" and to see if some of his choices and actions were in character or not blah blah blah who cares! (i do. i care) On to the WIP!

anyway! none of ch.7 will be written in Ice's perspective. The Jeep Universe (or where it's at currently) will remain in Maverick's perspective! I gotta tear Mav apart and then put him back together first! (and then (maybe) it'll be Ice's turn...)

#hm hm hm.. Ice you complicated man...#ice is like so aloof but then he notices everything so i'm currently toying with how much he notices #so like.. he saw that the chair is green and sunbleached-- good job buddy! proud of u!#but it's honestly way more than Mav notices #guys my lack of description of the cottage and the beach is on purpose. trust me. it's to show mav's character- wait where r u going??#opinion: mav does not give a fuck what the cottage or beach looks like. he cares about the feelings or whatever #ice on the other hand... he cares a little bit (cut to him rearranging the kitchen in ch.6) (or was it ch.5?? idk. idc)#stopthatfool writes #wednesday wip #top gun 1986 #top gun #icemav #pete maverick mitchell #maverick #tom iceman kazansky #iceman #icemav fanfic #top gun fanfiction #no one look at me im embarressed

27 notes · View notes

bcdrawsandwrites · 6 months

Text

Day 6: Conditioning / Mind control / Forced to hurt someone else Characters: The Psychic 7 Warnings: Brief mention of animal death Summary: Everyone was giving their all, and yet Ford could hardly bring himself to move.

His shaking hand was outstretched before him.

Otto had frozen the water; it hadn't given them the advantage they'd hoped for. Somehow L--Mal--she was stronger than they could have ever imagined.

Please, Ford thought. I can't.

She was cackling as she destroyed Cassie's book, striking her in the face with the water that moved through it.

Ford's heart wrenched, distantly. While some small part of him remembered the hours she had poured into that speech, his eyes were still on her.

Don't make me do this, please.

There was Helmut's monologue, which had brought all of them--including Helmut himself--to tears when they'd all first heard it. It nearly brought her back, and Ford's heart had leaped, but then something snapped within her, and she lashed out even harder.

Ford's hands still shook.

Compton's animals were taken out in a flood. He'd spent all his energy rallying them, all for naught. The animals washed out over the frozen lake, some fleeing, some lying still and quiet.

Why did it have to come to this?

"Ford!" Otto cried out over the wind and raging water. "Do something!"

His hands were shaking.

In the absence of his actions, Bob threw his everything into the fight, summoning plants from beneath the depths. He fought hard, but she fought harder, and a giant, angry wave and watery claw swept at him.

Ford stopped breathing.

"BOB!" "NO!" "DO SOMETHING!"

Before he could think, Helmut flung himself in the way of the watery forms, which sent him crashing clear through the ice.

Ford remembered reaching down with telekinesis, and bringing up nothing. The next thing he knew, the air was full of noise that he could not hear--shouting and screaming and wailing all crashing together into a hellish radio static as he stared into the hole in the ice.

But the fighting had stopped.

Slowly Ford looked up, and he met her eyes, and he could see it--that fleeting flash of horror, regret, agony.

It was gone in an instant, like a raindrop in the sea.

And then she was grinning, eyes wide and manic, rushing toward them on an icy wave.

As much as his heart ached, he knew what he had to do.

I'm sorry, Lucretia.

Charging an agonized psi-blast, Ford ran to fight her.

28 notes · View notes

daddyplasmius · 7 months

Text

hand on my stupid heart flashbacks

this is a No One Knows AU & Full Hazmat AU where Danny ended up in the Ghost Zone & didn't go back into the human world initially because he thought he was dead. by the time he realized he is, in fact, at least half alive, he'd already been missing for at least 2 weeks. will probs never finish homsh sorry. i wrote this a couple years ago in a haze & just haven't been able to finish it because i can't replicate the style, which i find is what i love about this fic the most. it wouldn't be the same without it. posting the flashback introsーwhich are meant to be read between chapters/the actual plot, starting after chapter 1ーcuz fuck it. excuse typos & shit, i never properly edited it, as i forgot it existed immediately after i wrote it original description of homsh: Danny Fenton has officially been missing for over a year. Maddie & Jack Fenton refuse to give up on their son. Sick and tired of the police running them in circles, and the case getting colder by the day, the Fentons turn to their last resortーPhantom. 800~ words (full unfinished fic is 20k~)

When Danny woke up surrounded by thick, green fog, and couldn’t breathe without swallowing heavy air that was more like water than anything, he was sure he was dead. The portal glowed behind him, illuminating the pitch darkness around him in soft, yellow, warm light.

He almost went back.

Almost.

He was dead. His parents were ghost hunters. They had drilled into his head from the moment he was born that he could never, ever panic in death. That he would accept it. That he would not be scared. So he would be prepared to be brave in the face of death and would not become a ghost.

He panicked. He did not accept it. He was terrified. And so he woke up in the Ghost Zone.

Danny went back through the portal when he saw some ectopuses acting… strange. Like they had an idea in their heads. Like they had a plan.

Which was weird, with animal ghosts. He had only been in the Ghost Zoneーmom and dad called it that, he rememberedーfor a couple weeks. Or, he had already been there for two weeks. Or maybe time worked differently and he was there five minutes, or four years orー

The ectopuses went through the portal and, despite everything, Danny went after them.

While he was busy reeling at being home, the ectopuses immediately attacked dad. Danny was horrified. Jack was overwhelmed. Danny stepped in, in a moment fueled by sheer adrenaline and stupidity, snatching a Fenton Thermos™ off a shelf and releasing his shaky invisibility. The ectopuses didn’t stand a chance. And when they were safely in the Thermos, he slowly turned around to dad, ready for the confrontation. Ready for the “what happened to you?” and the “where have you been?” and the “we’ve missed you”.

Dad scrambled to shoot at him.

Danny fled.

His parents didn’t recognize him.

The Lunch Lady attacked when Danny was mourning Halloween.

He’d waited all year. He made a costume that summer. He wouldn’t get to go trick or treating with Sam and Tucker this year. Or any year. For the rest of his lifeーor existence. Whatever.

The Lunch Lady appeared in the school and demanded in straight fury, “Who changed the menu?”

Everyone pointed at Sam.

Danny hadn’t known just how powerful ghosts could be. His parents never told him the specifics. Just that they were dangerous.

This ghost grew and her aura hit him like a hurricane, almost physically pushing him back. It was so strong that the students in the Casper High cafeteria seemed to feel it too.

The Lunch Lady was a much harder opponent than the ectopuses. She levitated meat. She used it as a weapon, and seemed to bring it back to life. She created weird meat creatures that grew sharp teeth and claws out of bones. They were mindless, attacking everything that got too close to the ghost. Danny would have run away without hesitation, if Sam hadn’t been in the crossfire.

Danny fought the Lunch Lady. It was a long struggle, but he caught her in the thermos after over an hour. When he turned to Sam and Tuckerーboth of whom he had to save due to Tucker trying to jump into the fightーall three of them bloody and bruised, he cringed. But a part of him hoped. Desperately.

Surely they would know him on sight.

“Wh-what are you?” Sam gasped at him finally.

Danny flinched as if she had struck him. “J-just… your friendly neighbourhood phantom.”

Danny didn’t know what possessed him. Oh. Pun not intended.

He just barely caught the Fentons leaving in the GAV, dragging suitcases behind them. He couldn’t help himself. What on Earth were they doing?

They were going to Vlad Master’s mansion for their college reunion.

It was a whole thing. But something was off. Besides all the adults reminiscing about the 80’s.

Danny sensed ghosts immediately but he couldn’t see anything. Unfortunately for him, Vlad could also sense him. It was two days of Danny staying invisible, and Vladーthe halfa? Is that what Danny is?ーtrying to kill Jack. Somehow, Danny managed to fight off Vlad, not turn back, and without the Fentons getting hurt. His secret intact.

VladーPlasmius, also learned about Phantom. And Vlad hated him. The manーghostーwhatever, seemed to only care about one thingーpossession. Of money. Of things. Of people. He was more ghost than Danny had ever seen. Vlad’s obsession was overwhelming.

Danny couldn’t believe someone so much like himself could be so disturbing.

#danny phantom #danny phantom au #danny phantom fanfiction #you know that gif of the wailing emoji dissolving? :Why:?#yeah that's what i do every time i remember i never finished HOMSH while i still had the style in my brain #feel free to steal this idea. please steal this idea. please write it i wanna see this idea so bad but im already writing another 100k+ fic #if y'all want me to post the full fic i can but. it is not finished & most likely never will be. sorry again #i won't lie. the haze i was in was a depressed one. i was. not in a good place At All when i wrote HOMSH #like the only part i remember actually writing was the panic attack scene & that's just barely #i reread the whole fic in the middle of the night months later while listening to Implode Alright by Built by Snow on repeat #yeah i cried. this one is funny but mostly it's just. mourning. grief. the works. it's a vent fic & also a. kind of. wishful fic #like. don't you just wish death wasn't so permanent. don't you wish you could tell them everything you wish you could #don't you wish you could just see them again #i'm actually writing this into a bigger ventier series currently called Let Grief Do Its Work #cuz i rewatched LUCIDS again recently & remembered what HOMSH was originally about. why i was writing it #i'm not calling it HOMSH cuz. HOMSHie is my baby. it's its own thing & i don't wanna ruin the vibes #reluctantly admitting i call an unfinished fanfic i don't remember writing... HOMSHie baby... in my head #yeah i have a cute nickname for my fic. what of it #it's 5am & i think i'll throw up if i think any more about posting unfinished unedited pieces of a fic so i'm going for it. cowabunga #go into the world. get your 2 notes you beautiful animal #*passes out*

23 notes · View notes