steven and andrew on top 5 beat down and then immediately ganging up on ryan. nature is healing
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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Pre-dating, Tim or Bernard not knowing the other isn’t straight
Tim, leaning over to look at Bernard’s phone as they chill in Tim’s bedroom: whatcha doing?
Bernard: imma send Red Robin subtle messages until I trick him into admitting he’s into guys so I can sleep with him
Tim, bi panic, blushing: you’re what?
Bernard, typing out a message on his phone: here how does this sound Tim, ‘gay af to be a detective, what are you inspecting, other men??’, sound subtle enough?
Tim, too dumbfounded to speak:
Bernard: yeah you’re right, it’s perfect, imma send it
*Tims phone goes off, and then both watch it light up, Bernard seeing the message he just sent*
Tim, picking up his phone, typing, and sending a message without saying anything, face nearly bright red as he glances over at Bernard, who is staring at him wide eyed not saying anything
Bernard, looking down at the text Tim sent him back as Red Robin that says, ‘I like you, let’s fuck’:
Bernard: hey Tim I have a couple of questions
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Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)
Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)
Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)
The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.
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Well it may seem like the end of the world but tomorrow’s a new day & the sun will shine just a little brighter with each moment that spring inches closer & you will find the people who cocoon you like a warm wool blanket & you won’t have to cling so hard to those who strip you bare anymore
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Solomon constantly asking for your reassurance whenever he engages in anything romantic is due to his insecurity that he isn’t as important to you as the brothers. He needs to know you want to do this, he needs to know you love him.
If you say no he immediately backs off. You have to go out of your way to kiss him. There’s never a dialogue option that leads to a kiss without you explicitly asking for one, unlike some characters.
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