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nightcolorz · 2 days

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so funny that people are only simping this hard for Louis because he tells us every single episode he's the saddest most tragic serial killer in the land. Literally seeing people with my own eyes say Louis has experienced trauma and loss Armand can never imagine under gifs of Louis making fun of human trafficking and the palazzo attack.

Like obviously Armand is a deranged bbgirl torturing and manipulating those men for love!! But people treat it like it's a 1v1 pvp whoever has the weakest finishing move is the Objective Innocent Victim, like abusive relationships between two mass murderers aren't more complex than numerically tallying who you think has the most strength points at any given moment. like louis has barely been concealing his disdain for armand since they met. He gives armand NOTHING. all he does is recreate every shitty abusive act he's ever complained about other people doing to him and doing them to armand.

swear the only thing that man thinks about when armand shares his tragic backstory is embarrassment at finding out that the entire time he was bragging about how everyone in the avant-garde movement tooootally like his art more than Picasso, Armand had paintings in the louvre.

Cw iwtv typical sexual abuse talk and spoilers for iwtv s2

ur so right literally say that shit 🙏‼️ I love Louis and I honestly find it so gross ?? How some people act like Louis is only capable of being objectively the exclusive victim in any given situation or relationship. like it’s fucking weird that someone would reduce him so exclusively to victimhood bcus he was in an abusive relationship to point where theyd insist Louis is not capable of causing harm or being a complex flawed person beyond his victim hood. It takes away his agency and reduces everything that is interesting about his character to one dimensional victim which like, why would u die on that hill as someone who loves Louis’s character?? It’s once again, fucking weird. Louis has been presented to us from the beginning as capable of violence cruelty and selfishness, and him being abused by lestat doesn’t take away his capability of being cruel to Armand 💀 I think that some people were so attached to their assumption pre s2 that Armand would be lestat part 2 who is even more abusive that they refuse to accept or embrace the much more complex reality. Loumand is toxic but very much mutually so, there has been thus far nothing to suggest that Armand is forcing Louis to be with him or abusing him in anyway akin to how lestat abused Louis. Jacob Anderson has even spoken about how louis and Armand are mutually toxic and louis mistreats Armand 😭and louis being a fucked up person is like, smth I wouldn’t understand why anybody would want to deny, it’s very overt. And dying on the hill of “Louis is never ever bad” is like, very weird to me especially since Louis is like canonically capable of being sexually exploitative (literally a pimp) and violent and selfish. Like I love Louis!! In all his horribleness 🙏 and you can too believe me 😭

it’s also fucking weird to insist that Armand is always 100% being manipulative and abusive in everything he does towards Louis bcus, especially in the case of him talking about his trauma, it makes some rlly uncomfortable and gross implications?! Like, I’m not here to say that Armand is the most ideal partner of all time who does no wrong 💀 obviously, he’s pretty mf gaslighty and horrible and violent, but suggesting that what is presented non ambiguously as Armand being vulnerable with Louis about his sexual abuse trauma because louis wanted to know the real him is definitely abuse and manipulation is…like fucked up? 😭 like?? The jump to “oh this character I don’t like is talking about being sexually abused to his partner after having a conversation about how they aren’t vulnerable enough with each other, yes this is Manipulative” is genuinely kind of fucking insane I’m sorry 😭🙏 what Armand has been through is incredibly horrific and noticeably difficult for him to talk about and the assumption that since everything is black and white and Armand is bad he must be talking about this with evil intent is dumb and it’s ignorant. Like yes abuse victim talking about his abuse to his partner who explicitly asked for him to share that, wow that is so emotionally manipulative of him. What a hill to die on 🙏I hope u guys who think like this don’t think this way about ur friends when they vent to u cuz omg 😭

I guess my point with this is that I’ve noticed a lot of people in their refusal to interpret Louis as anything but unambiguously in the right all the time r being like unintentionally offensive and ignorant in a way that’s wild to me 😭 Like guuuys, you can love Louis and talk about how his relationship with Armand is bad for him and Armand harms him without insisting that Louis mockingly telling Armand that the man who groomed and raped him as a child “made him into a little bitch” was justified 😭. Also, friendly reminder that Louis’s daughter was raped and abused in a similar way that Armand was, which rlly goes to show imo how fucked up the way he treats Armand’s sexual abuse is. Like if he is so willing to say shit like that to Armand the moment they have an argument I imagine that his empathy for Claudia does not extend so far. He still was a pimp lol 🙏 and it’s been pretty overtly portrayed time and time again that living a good portion of his life having a position of power where he sexually exploits women for money has limited Louis’s perspective and capabilities for empathy for the people who have been sexually abused in his life 🙏 and guess what!! 😋 this is the horrible abusive murderer show, u can still love Louis (I do) while knowing he is horrible 🙏

thanks sm for the ask ‼️

#armand #iwtv #interview with the vampire #amc iwtv #the vampire armand #louis de pointe du lac #loumand #iwtv s2 #iwtv amc #iwtv spoilers #iwtv season 2 #amc interview with the vampire

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kogetaikid · 4 months

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What do you see in that kid? (Something I made for the future)

Scroll down for dialogue, as Tumblr wrecked the quality is always.

[Panel 1]

Lilacflower: Durpy, please-

Durpy: I DONT WANNA

LIlacflower: I know we’re on an alien planet, but it will be good to look around.

Durpy: I’M TIRED

Lilacflower: C’mon, you clearly need the exercise.

Durpy: I WANNA BE WITH ENBER

[Panel 2]

(Durpy’s with Enber now. “Everyone’s happy”.)

Durpy: This is fun!

Enber: Whatever makes you happy. (Thinking) Quit slowing me down

Lilacflower: (thinking) What do they see in that kid?

Locromii: (thinking) Vertā would like this shirt; wherever she is.

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queen-of-weird-girl-nation · 4 months

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A Jason Grace Analysis

While my Jason fics relies on mainly interpretation and headcanons, this one’s mostly going on the limited list of Jason’s life from the books. YOU’RE ALLOWED TO DISAGREE WITH ME,JUST DO IT RESPECTFULLY IN THE COMMENTS. be nice pls.

Spoiler alert 🚨 (for PJO, HOO and TOA)

Jason Grace is a character who was, in a way, screwed over by Rick during his writing of Heroes of Olympus and eiDzgventually Trials of Apollo. His story was very sad, but never explored to its fullest potential and in some cases didn’t make sense. He’s a character who is seen as ‘boring’ by the fandom, which , in a way, makes sense. Uncle Rick didn’t do him justice, so I’m here for a Jason Grace analysis.

Firstly, Jason’s incredibly depressing life. Because I do not know what vendetta that Rick had against my boy, but I would argue his story is the most tragic of everyone in the books. Yes. Even Nico.

Jason’s mother was an unhinged alcoholic who was obsessed with fame. For the first 2 years of his life, he was basically looked after by his sister, who was also a young child. As hard as Thalia tried, she probably wasn’t the best caregiver on account of her age. His mother was unstable, which has got to leave some scars, even if you’re a young kid, because you still know what’s going on to some extent. And Jupiter seemed to leave the family to their own devices after a while, not even staying for a kid. So Jason has been basically abandoned, keep track of how often that happens.

Then Jason was abandoned again, this time by his mother, left as a sacrifice for Hera. And he wasn’t sacrificed just anywhere, he was left at the Wolf House, where Lupa tested him to see if he was ‘pup or food’. So Jason, at two years old, was tested by a Wolf Goddess, a ruthless one at that, who threatened to kill him if he didn’t live up to expectations. Just a great environment for a toddler to live in. And while the time he spends in the Wolf House is unspecified, the general consensus is that it was for a year or two. This is more of a headcanon, but the implications of ‘pup or food’ could show that he stayed with her longer than the average Roman demigod. In SoN, it’s shown that most demigods do their Wolf House training for like, a week. And the training sounds harsh when Percy, age 16 does it. So imagine a 2 year old, going through that, constantly. Then he is off to New Rome.

In HoO, it’s pointed out that Jason has 12 lines of his forearm for his years of service in New Rome. 12 lines representing 12 years of service.

Jason has been serving 12 years of military service since he was around 3. So that means that this literal infant is just… in the military. How does that work? Was baby Jason just running around in little armour? Was he doing the same drills as other kids when he was much, much younger? Also the fact that in Camp Jupiter, you train for 10 years, then go to live in New Rome. But Jason has been serving for longer than that, with 2 extra years. It seemed like he wasn’t going to retire anytime soon in the books, so that also adds some mystique to his character that was never explored.

Then we move into the other things at Camp Jupiter, which is that Jason was treated like a statue or a star, instead of a person. Hazel says that he is ‘more legend than boy’ which is so sad! This kid, this 15 year old is seen by those around him as a hero, a legend to look up to. Did Jason have any other friends? While Reyna seems to be close, Reyna had a crush on him, and while he didn’t know that, it must have made the friendship a bit… different. Jason isn’t specified to have any other friends in the books, probably because everyone was to in awe of his status as a Son of Jupiter. And while Jason may care about the rules, in Roman terms he was a very radical person. He was just trying to live a calm life, to not be known only as the Son of Jupiter. He joins the least respected cohort. He tries to take less important quests. But it doesn’t work, because he does get assigned big quests and while he is in the 5th cohort, people still treat him like a legendary hero instead of just a guy. And while the phrase ‘victim of nepotism’ is quite controversial, I think that Jason actually fits that bill.

Then we come to SoN. You know that tweet that’s like: hey we’re calling off the search party. we found a different guy out there we like more. That’s what Camp Jupiter did to Jason. Again, he was abandoned, this time by his own Camp. Like I know 8 months is a while, but oh my gosh, do we have to elect a new praetor? There’s also a contradiction. Percy is a Greek demigod, which isn’t a thing the Roman’s really like. Yet after a couple weeks at Camp, he’s already a PRAETOR? While Jason was put down for being ‘unrecognisable as a Roman’, they elected a very Greek person as a praetor? He was immediately accepted into the highest position of power? Also the fact that Jason wasn’t looked for. At all. While CHB was scrambling to find their boy (as they should), no one in CJ cared? Like, aren’t they the ones with the giant searching eagles? It seemed like everyone forgot about him, with him being missing not being a huge thing for most people (except Hazel and Reyna to my memory, fill me in if anyone else gave two frogs) and that’s gotta sting. The knowledge that your entire camp not only replaced you, but didn’t bother to look.

Jason also had amnesia and never regained huge chunks of his memory. That must be horrible, to have parts of your life gone, to not remember much. While Percy got everything back, Jason got so much less!

Jason goes on the quest, then comes back. He goes to CHB, goes to school. He starts having a normal life. And he gets broken up with, making him genuinely sad. And while I know that Piper had no ill intentions whatsoever when she broke up with him, that also could count as an abandonment. Because they don’t really keep in touch in the book, they seem to go their separate ways. So kinda half of an abandonment, even though both parties weren’t in blame.

Finally we have his death. While Thalia got turned into a tree by Zeus, a slightly caring act for a god, Jason died. This could be because Jupiter is crueller than Zeus or it could be because of the cycle of patricide, with Jupiter killing his father, who did the same to his father. Maybe it’s because of his paranoia. Maybe it’s because Jason called Jupiter unwise, but it still counts as an abandonment. The god saved Thalia (she could be seen as non threatening, not a killer. Not someone who could carry on the tradition of son killing father) and abandoned Jason, left him to die the ‘heroes death’.

Jason’s life has been one big struggle and rejection. 4.5 times, he was abandoned, left somewhere by someone. Left to die in the end. He was a child soldier, meaning that he was a kid that never got to be a kid, just a tool for the gods, for years and years. And he struggled with making friends, making new rules, trying to push the camp into the future. Seen as unroman, even Reyna says it. That’s an awful life, one that Rick Riordan never explored and one that’s contradicted at times.

Jason was a character that Rick dropped the ball on so hard.

Because, while his life is incredibly difficult, it has so much potential for storytelling, that Rick dashes on the rocks, leaving the fandom with a character who people acknowledge as weak and boring.

So, in the fandom, Jason is regarded as having no personality, or being a knock off Percy. So, Jason not really having a huge personality, as a kid who trained as a soldier from a young age, makes sense. He was spending half his childhood trying to survive so trying to figure out what MBTI type he was may have fallen low on his list of priorities. Then he got amnesia, and sent on the Seven quest. So Jason not having time to develop a sense of personality makes sense, buts here’s the catch. It’s never explored. Rick never, ever explains why that might be happening, which could make for a compelling story arc. Rick never expands on the child soldier thing at all, which sucks because instead of Jason having an identity crisis about Greek and Roman camps, he could be really weird since he’s a child soldier. (I’m aware that they’re all child soldiers, but I refer to Jason as child soldier since he was just a baby when he started)

And the seeds were there. For example, the scene with Jason being wary about Nico and not wanting to rescue him, that could have been Jason being taught that practicality is key. That some people are expendable. He could have learnt that from the ARMY THAT HE GREW UP IN. That could have been a plot point, that Jason struggles with taking breaks or knowing that’s he’s appreciated, that his childhood was abusive and not normal, that life isn’t a constant battle for survival. That could have been his arc! All of the pieces were right there! Rick, dude, you’re a great author, but you fumbled so hard on this one!

And also the fact that… unpopular opinion time….

Jason wasn’t stronger than Percy, but he should have been.

Jason has been in the army since he was a toddler, and I know that Percy’s really powerful, but come on! Jason being this really nice, really powerful kid with super strong powers and no social skills could have slayed. Maybe this is the inner Jason stan in me, but I personally think that Jason should have been stronger than Percy, simply because it makes more sense. Jason has been training for ages and ages, he single handedly fought a Titan at younger than Percy (around 14 or 15) so it seemed like his powers were muted by Rick. This could probably be because the PJO fandom is like a toxic TikTok boy mom when it comes to Percy (I can be like this too), making him centre stage and getting annoyed when he isn’t. Percy is meant to be the strongest, which isn’t bad, in some situations it just doesn’t fit. Or maybe Percy’s just wildly OP.

This is not to say that in the book Jason was weak, but people treat him like that.

And Jason’s really sad life is never explored! He should have been struggling with 1500 mental illnesses at once because that constant abandonment? The stress of everyone’s expectations? Trying not to die at like 4? He’s neither the eldest nor a girl, but he’s got so much eldest daughter syndrome and is burnt out gifted kid syndrome personified. And it’s hardly touched on!

There’s also the fact that’s a really small nitpick, but, the fact that Jason only has 1 single lip scar? That shows that Rick wasn’t paying attention to his own character. Jason trained with the Wolf Goddess then was in the army, he should be covered in them.

In conclusion, Jason’s very sad and tragic story was hardly utilised and the very interesting parts of his character were not used in a way they could be. But don’t worry Jason. While Rick Riordan may have flopped you, you are one of my favourite characters.

Peace ☮️

#jason grace #camp jupiter #heroes of olympus #percy jackon and the olympians #riordanverse #percy jackson #jason grace my child #my child <3 #percy jackson and the olympians #pjo fandom #rick riordan #long post

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littlemonday · 2 months

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Ansur and The Emperor

I need to share my thoughts on the worst-of-all takes from this fandom regarding the Emperor

I remember texting my brother once I completed the Emperor’s quest, learning that he was once Balduran and the love of his life Ansur attempted to murder him. I felt heartbroken reading the final letter he gave to Ansur telling him to fly away and be free of the torment of trying to find a cure. My brother told me this was the quest that made him decide to side with the Emperor in the end. There was such tragedy and loneliness to the Emperor’s story. First, there was the tragedy of Belynne’s condition and death, a condition I believe he’s either partially or largely responsible for, and then the tragedy of being turned on by the one person he loved and who was the greatest thing that ever happened to him.

You can then imagine my absolute shock to find so many players repeating over and over the outrage that the Emperor murdered his best friend, that he “chose” to become an illithid by choosing to live, that they (the player) would have sided with Ansur if they could, that this was the moment they decided to betray the Emperor, and (my favorite) he should have let Ansur kill him.

I’m hardly the first and only person to remind everyone that Ansur takes over your body against your will, he admits to trying to bring the Emperor a “merciful death” but the Emperor “chose to fight,” that Ansur doesn’t care why you sought him out, that he wrongfully calls you a thrall, and that moments after meeting him we are forced to kill him out of self-defense in much the same way the Emperor had to.

HOW do so many players misinterpret this scene so badly? How do so many players get basic facts wrong and frame this like it was a straight up murder and not self-defense? And, how do so many players take from this scene the belief that “the Emperor should have let Ansur kill him?”

This post is not me saying that you have to like the Emperor. Liking a character is purely personal, but I genuinely take issue with so, so many players seemingly unable or unwilling to engage with a text in a meaningful way and perpetuating this worst-of-all takes that the Emperor should have accepted death at the hands of his lover because of who he was without any further thought as to the implications of what they’re saying. This comes from the same fandom who absolutely loves Omeluum who also needs to kill people in order to feed and survive.

Something to consider with monsters in fiction, particularly modern fiction, is that monsters represent something about the anxieties and fears of the audience, but monsters are often, in the same text, meant to challenge our prejudices and fears, and invite us to see their humanity. That is: to see ourselves in them. This can be difficult with a character like the Emperor because he’s an unreliable narrator and his morality is messy, but his motivations are understandable, sympathetic, and his needs are quite human. The Emperor does represent our fears of losing our humanity, of losing ourselves, and the body horror of being transformed against our will is an extension of that. But we are also invited to see ourselves in him. That is: to see his humanity.

Others have already pointed out that the Emperor mirrors the player. If you dehumanize him, he dehumanizes you. If you empathize with him, he is kind back to you. But even if you’re kind to him, so often through the game you’re unsure what to think of the Emperor; you’re unsure of his sincerity, and you don’t necessarily know the extent of his manipulations, or how truthful he’s being. I think that’s what makes this scene with him and Ansur so interesting and so humanizing: there’s no mirroring going on, and there are no little bread crumbs of his life you’re trying to piece together. You’re just a witness to his tragic story of his greatest betrayal and loss. I found it heartbreaking, and I was surprised to find that for so many others all this scene did was solidify their belief that the Emperor is nothing more than a monster.

Edit: Rewrote a sentence since it didn’t say what I meant it to say.

#the emperor #the emperor bg3 #bg3 #ansur #rant post #I’m writing this while very tired so forgive my sentence structure #baldurs gate 3

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nolongerapileofashprobably · 6 months

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Should the dev team have committed to Zelda's draconification being permanent and have her stay a dragon at the end, and would that have made for a more honest and poignant ending than the one we got? Some fans think that the ending we got renders her sacrifice completely meaningless and devoid of impact.

The dev team absolutely should NOT have committed to Zelda’s draconification. It would have ruined the entire story and narrative for Zelda’s character and Hyrule itself.

Some people think it made the sacrifice meaningless and devoid of impact. . . But it didn’t. Her choice was her own and it was a statement of dedication to Link and Hyrule as a whole. It was also utterly tragic that she had to do this in order to heal the Master Sword. I am still in utter distress whenever I play the game and watch the memories, despite knowing the ending. Because it’s the tragedy she endured willingly that makes the sacrifice meaningful, not the permanence of it. The sacrifice would hold no value had it been a choice Zelda made knowing she would be reverted.

She didn’t. She thought it was permanent.

And I’m honestly tired of some of these fans just not wanting a happy ending for her character. She deserves peace and a happy life. That’s what she got, which is absolutely justified. And those who think of a story so plainly and only at the big picture miss the details and narratives that point directly towards the ending we actually got.

Let’s talk about if she didn’t turn back.

Firstly, we can start with simple things that personally can be reworked in the future but would create a hurdle for the devs in the future— Zelda would never die as a dragon, she is an immortal being. The Zelda series is quite literally founded upon a reincarnation cycle between Zelda, Link, and Ganon. And only one of them is linked through blood: Zelda. That would cause a bump in the whole reincarnation foundation.

Beyond that, Zelda’s character development would suffer with this choice becoming permanent.

Any fan upset by the ending doesn’t understand the implications of Zelda being granted a second chance. She dedicated her entire life before the calamity to training and praying, only to have her magic awaken AFTER the champions, her father, and nearly Link are killed. Her efforts for the next century keep her body suspended in time and keeps Ganon at bay through her light power. When she wakes up, she is granted a ‘second chance’. In reality, it is simply the life she fought for and rightfully deserved.

So after she made Hyrule her home again, unifying the scarcely populated land and invigorating its culture, she is once again forced to sacrifice everything. This time, she does so as a leader and as one who holds such strong power. Her journey as a Queen leads her to become the very leader she WANTS to be, not the one she was constantly reprimanded to be by her father and the old kingdom. And she learns this throughout her time in the past, with Rauru as her guide.

And that leads us to this point: the belief that to rule is to give up everything.

But where others are punished for this choice (despite Zelda’s warnings, Rauru’s ignorance of Ganondorf’s power leads to Sonia and his own death), Zelda is REWARDED for her choices.

Because she did not just claim that another will defeat Ganondorf and seal him away until present day like Rauru.

Zelda did much more. She raised the sky islands, made a promise with Mineru, solidified the aid of the sages, collected the Master Sword and chose to give LINK the best chance he could have against Ganondorf. Zelda did every single thing she could to ensure Ganondorf would be defeated. She even aids in the final battle, as her will is to end that evil and grant Hyrule the peace she herself will (presumably, to her own knowledge) never experience.

So when she is rewarded for her efforts, by being bathed in sacred light and her body reversed to its previous state. . . It is entirely in line with the narrative thus far. Additionally, Rauru and Sonia present themselves as a ‘second chance parents’ for Zelda. A supportive, patient father in Rauru. A guiding teacher and mother in Sonia.

Tears of the Kingdom mirrors Breath of the Wild in terms of Zelda’s development and story. To give an ending where Zelda remains a dragon. . . It would have been tragic and dishonest to the story that we got.

If you want to read something more in depth and not written by someone with one eye open, this post grants a well rounded answer to this question.

#loz totk #loz totk Spoilers #loz tears of the kingdom #loz totk Zelda #totk Zelda #some people don’t want Zelda to be happy and for those people I hope their pillow is forever hot #I am protective of her because some people just want to misunderstand her and I don’t like that lol #anyway she got to have a peaceful life with link after all this so I am happy :)#zelink #botw zelink #loz botw #botw #the legend of zelda #botw link #link botw #zelda botw #loz tears of the kingdom spoilers #the legend of zelda breath of the wild #Totk zelink

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endlessdreamworld · 1 year

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Rejected xx Rejection

Yandere! Ayato X Noble! GN Reader

TW: Gaslighting, imprisonment, death, threats of suicide

Another proposal. Yet another hand written missive that was dripping with honeyed words, and flowery metaphors about everything that made you perfect, graced your desk. Tragically, you were used to navigating the exhausting political landscape of Inazuma’s nobility, and had to be, especially given the social standing of your family. The amount of clans that could rival yours in power, wealth, and influence could be counted on one hand. Presently, the head of one such clan, Kamisato Ayato, had been relentless in his pursuit of your hand the moment you were of age to be married. Of course, he wasn’t the only one, but he was the one you had the hardest time rejecting.

From the outside looking in, it didn’t make any sense. You were childhood friends, equal in social standing, and your families could gain much from the union. Your excuse of “I’m not ready yet” has carried you for the past couple of years, but it’s starting to run its course. The social circumstances didn’t allow you to turn him down in favor of a lower house without terrible implications and issues for your family, and the Kamisato head has made it apparent that he wouldn’t be backing down.

Before you could even begin to mentally unpack how you would piece together another cordial rejection to his most recent proposal, a servant approached you. “Beg your pardon, but your father wishes to have a word with you in the study.” You acknowledged your servant and then sent them away before they had the chance to hear you groan. It’s always something lately, some gala that needed attending, some dignitaries that needed entertaining, and all other manner of nonsense. It was enough to make you want to roll your eyes so far back in your head you could swallow them. And damn that Kamisato and his never-ending proposals. Doesn’t he have anything better to do? If anything he should be more busy as he is the current family head, and not just the primary heir like you.

Before long you had arrived in the study, and a servant opened the door for you to enter. Much to your horror, you found the person who you wanted to see least of all warmly smiling and elegantly laughing with your father who was as pleased as can be. On the table next to him was a large loosely wrapped bouquet. All attention was on you the moment you entered the room. Ayato stood to attention and gave you a deep self humbling bow without a moment of hesitation – something that was nearly socially inconceivable. Your father nudged him with his elbow, “Oh come on now, everyone knows you might as well be family.” Ayato gave a small amused laugh. Your father stood up and excused himself so the two of you could talk. “I’ll leave you to it.”

The door closed behind him, and the air grew thick enough to drown in. “It’s been a while,” Ayato gave you a half-lidded gaze, a soft smile tugging at his lips. He was immaculately dressed in formal attire that screamed ‘not your usual visit’ and you hated how good he looked. Ayato unwrapped the decorative paper of the ‘bouquet’ to reveal that it was not a bouquet at all but about a dozen assorted individual flowers.

“Why are you here?” You spat out. All decorum has left you save for being quiet enough to not alert the servants. Acting irrationally would reflect poorly on your father. The servants had made themselves scarce and you hated how they were all eager for your relationship to progress, so they wouldn’t dare interrupt.

“Isn’t it obvious?” It was obvious, but you weren’t going to dignify that question with an answer just to give him more work. You wanted to give him a hard time. Ayato gave a soft hum of happiness not at all discouraged by your silence. “I stopped by to see you, and to drop this off.:” He motioned towards a well wrapped decorative box that you’ve seen many times. It’s a special sesame candy that’s only available this time of year. “I know just how much you love it, and luckily for me, it was in season.” It was in fact your favorite, and he’s done this many years in a row without fail, and you never grew to hate the taste though you wish you had.

“Please have a seat, we have much to discuss.” You silently complied. The faster you can reject him, the faster he can get the hell out of your family home. Ayato paced behind you, grabbed something, and then set it in front of you – a heavy square tan ceramic vase. “I made the time to take some lessons in flower arrangement. You inspired me to.” Ayato picked up a flower with an overly long stem then stood behind you, thinking of which way it should lean against the lip of the inside of the vase. You could feel his chest brush against your hair, and some hanging decorative silk of his upper garment brush against the bare skin of the back of your wrists while you watch him assess then reassess. You stewed and silently watched his arrangement come together.

You began to feel sick as you watched him work. He was good at arranging flowers, just like he is at everything else. The way he arranged the flowers, and the order he arranged them in, told the story of your friendship, when it began and where you are now, though you wouldn’t call it friendship now. He even chose a flower for himself, and a flower that depicted you, and his choices were spot on. Until this point, you had no idea someone could depict any inside joke with flower arrangements, but you sure wish you didn’t find out – not like this. And of course it ended up with another proposal. It was an absolute tragedy that someone who knew you so well disregarded your most important feelings. There was certainly an alternate reality where you fell for Ayato for all of the reasons people on the outside were assuming. How did it all go so wrong?

It would be just easier to give in, and you’re sure you could find happiness in it all, but it’d be a warped sense of happiness, so you’d rather say no for the sake of saying no. “How many times do I have to tell you no, Kamisato?” You spat the words out, and used his last name as an act of defiance.

“It’ll never be enough. You know that.” He lifted his hands from the arrangement, then placed them on your shoulders. Ayato gave them a soft squeeze. This shocked you, and despite your best efforts your breath hitched in your throat. Archons that felt incredible. You didn’t realize how stiff you had become from the day in day out stress of your social obligations. The Kamisato head didn’t fail to pick up on your body’s betrayal despite how hard you tried to hide it. “What’s wrong?” He laughed as quiet as a whisper right next to your ear. His hair brushed against your neck and you shivered. Ayato wasted no time and began to give your shoulders a proper massage. Your skin couldn’t decide if it wanted to grow hot or to crawl, and it settled for needles anywhere he wasn’t touching you.

You could feel hot angry tears pool in the corner of your eyes. “Why?”

“Why?” He stops everything, breathing included. You’ve never asked him why, only given him a No. You swore you could feel his long elegant fingers shake against the muscles of your shoulders as if he suddenly became unsure with the way he was touching you. And then, just as suddenly as he stopped, he started up again as if nothing had happened.

“Because no one in this world deserves you.”

“Except for you?” you scoff.

“Including me. Though luckily for us I’m second to no one.” Oh for fuck’s sake. How does he manage to be so delusional while still being lucid? “Do you ever wonder why you’ve gotten so busy all of a sudden?” You didn’t like the sound of that question. “You look stressed – you feel stressed,” he made sure to squeeze your shoulders harder this time. “Do you want it all to end?” Of course he’s behind this recent influx of responsibilities.

You’ve had enough. You clench your jaw and dig your fingernails into the palms of your hands as sharply as you can, hoping the pain will help you find the willpower to wrench yourself free from his grasp. You rip free and spin to face him. You weren’t sure what kind of expression you were expecting to see on Ayato’s face, but a soft composed smile wasn’t one of them. Normally he would look at you like a cat before it’d catch its prey, like you were playing some game of cat and mouse, but seeing proper happiness was eerie. Other times he’d look at you with a smug smile like he knew something you didn’t, and worst of all he would do this openly if you ever had the misfortune to encounter him at social gatherings. You hated it. You hated him.

“Get out.”

He pulls away from you, his expression more warm than before. “Of course. Until next time.”

That was the last time you saw Ayato before your life was turned into a living hell. By the end of the month, the Tenryou commission raided your estate, and dragged you from your home. You could still remember your father’s infuriated yelling as they dragged you outside by your shoulders.

The next time you saw Ayato, you had been imprisoned for over a month. You were hungry, filthy, and angrier than you had ever been before. The charges weighed against you were false, that you were in possession of a delusion, and had plans to overthrow the shogunate. It’s been ages since you saw your father, and every few days a member of the commission came into your cell to “teach you a lesson.”

The sound of the cell door creaking up startles you. Not again. You curl yourself into a ball on the ground and cover your head with your arms preemptively.

“Oh my.” It’s been so long since you heard his voice. Ayato walks through the cell and stops, standing before you. You don’t move to acknowledge him, since this was clearly his fault. His scheme. How dare he do this to you!? He framed you, though it’s anyone’s guess how he got his hands on a delusion. “You look like a mess.”

You don’t yield, or give into his taunt. Ayato kneels down, now much closer to your level, “They finally decided what’s to be done with you.” He’s almost whispering when he says, “You’ve been sentenced to death.”

You try your best not to cry, but your best didn’t stop a pained sob from leaving your chest. Before long, you’ve fallen apart completely. Ayato is silent through your open sobs, maybe he’s waiting for you to beg him to get you out of the mess he put you in, but you don’t.

He leans closer to you, and tilts your chin up to look him in the eye. It’s that same expression as before, but sharper. “I can save you though. The execution date is two weeks from today.” He’s close enough that you could feel his breath tickle your dry, cracked lips.

You give a dry laugh. “I’d rather die.” You tell him coldly. If you couldn't be free to live your life as you wanted, then you would rather die. Finally, all of his hard work would be undone, and you’d take it to your grave. But, why does he look like that? You figured he would look indignant, frustrated, or unhappy that you would choose to be defiant until your last breath. So why does he look like you said exactly what you wanted him to? You felt sick.

Ayato stood up wordlessly, and headed towards the door. He smiled back at you over his shoulder. “I’ll see you in two weeks.” The gate slammed shut.

After that, no one came into your cell anymore. No more beatings, no more news whatsoever, just your scheduled meals. Then the day had finally arrived. Your cell door was thrust open, and it wasn’t Ayato who greeted you this time, but his sister Ayaka. She rushed towards you and then embraced you. “Thank goodness you’re okay.” Ayaka pats your grime covered face. What in the world could possibly be happening? “My brother worked so hard to prove your innocence in time. I’m so sorry for everything that happened to you, but everything will be okay now.” Ayaka helped pull you upright, and headed towards the cell door, effectively carrying you out.

“Where are we going?” You croak out.

“The Kamisato estate. I’m so sorry about everything that happened to you. Thank goodness my brother cleared your name in time” She sounded like she was about to cry. “I’m so sorry about what your father did to you.” “My father?”

“Yes, everyone now knows that the delusion found in your family estate was his, and he was using it to manipulate you and keep you away from my brother. He said you might not be okay mentally for a while, some kind of emotional damage caused by the delusion, but it’s okay because you’ll be with us now. We’ll take care of you.” She breathed out a sigh of relief, as if the words were heavy in her mind, and she could finally unburden herself. “Everyone thought it was peculiar why the two of you didn’t just get married already, and it finally made sense.”

“Where’s my dad?”

“Oh, him? You don’t need to worry about him anymore. He was put to death earlier today so you wouldn’t have to see it.” Ayaka held you the entire way out. She was genuinely happy for the freedom and salvation she believed you were granted – that you deserved. Your mouth was dry. You couldn’t say anything. All you could do was accept that no one would believe a word that would come out of your mouth given these new circumstances.

Some Kamisato family servants and Ayaka escorted you outside. It was the first time you saw the sun in who knows how long. You looked up to see Ayato standing next to a carriage waiting for you. He rushed towards you the moment he saw you, and all but pried you from Ayaka and the rest. “I'm so glad you’re okay. I was worried sick about you. No one’s ever going to hurt you ever again, I’ll make sure of it. And we can finally be together, just like we’ve always wanted.”

There’d probably be people around you at all times since they’d be afraid you’d be a risk to yourself. You were outmaneuvered and overpowered. Now, you had no one, and you didn’t even have the freedom to die anymore.

Just what kind of monster is Kamisato Ayato?

#yandere ayato x reader #yandere ayato #yandere x reader #yandere x you #genshin impact #ayato headcanons #kamisato ayato #yandere x gn reader #yandere genshin impact

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ofsappho · 10 months

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Summertime Sadness (part 3)

Simon "Ghost" Riley x reader

Second chance romance, heavy angst, hurt/very little comfort

Today: Ghost brings you a pack of cigarettes Ten years ago: You introduce yourself to Simon

Tags under read more

Tags: mental illness, suicidal ideation, suicide attempts, self harm, child abuse, parent abandonment, drug addiction/withdrawal, Ghost's tragic backstory. unedited.

TODAY

Ghost POV

On his way out, Ghost asks one of the nurses about bringing you a pack of cigarettes.

The nurse’s forehead wrinkles with a frown. “Only if they’re sealed and unopened. Opened boxes, bottles, or containers of any kind are prohibited,” She says slowly, like he’s a fucking idiot.

“Why?”

She tilts her head to the side to look at him from a different angle. “It’s a safety risk. People will try to smuggle in substances or weapons. We’ve seen it all.” Ghost is almost offended she thinks he’d do that or at the implication that you would ask him to. You’re not like that. You’re good and kind, you couldn’t even hurt a fly. You always have been.

But he doesn’t know what you smoke. He doesn’t really know anything about you now.

So Ghost guesses and asks the man at the gas station a couple blocks away for a pack of Marlboro Reds.

That’s what he likes. You’ll have to deal. Beggars can’t be choosers.

Ghost finds his way to some sort of run-down motel near the hospital. In a major metropolitan area like this, he has infinite choices. He picks the cheapest. All he needs is a bed and a shower, and this place has both of those things. Ghost tells himself that it’s only temporary. There’s no need for comfort when he’ll be gone in a week, maybe two at most.

He lays on the bed, listens to the water drip from the leaky bathroom faucet, and tells himself he’ll try again tomorrow.

When Ghost arrives at the front desk the next day, the nurse tells him you’re in the garden, to take the elevator to the second floor and follow the signs. Then the security guards pat him down and check the cigarettes. Even though it felt like walking around naked in front of a thousand people, Ghost had the good sense to leave his knives in the hotel room. They find nothing.

After they clear him, he follows the nurse’s directions.

Ghost finds you contemplating a sad-looking fountain in the middle of a garden on the second floor. The plants are well kept but overly-manicured, as clinical as the rest of this place.

You have company. A nurse sits a few meters away, watching you like a hawk.

Ghost awkwardly sits on the bench across from you with the feeling that he’s somehow intruding, that if he left you alone a little longer, he might come back to a more whole, happier version of you.

“Thought I told you to fuck off,” You say through a face more blank than a fresh sheet of paper. “Cigarettes? For me? You shouldn’t have.” The first sign of life Ghost sees in your eyes is when he tosses you the pack and a lighter.

He doesn’t like being surveilled. Not at all. “What’s with the…” Ghost reaches for his mask out of instinct, carefully checking the edges and making sure they lay flat to cover as much as possible.

Your hands tremble as you light up a cigarette. He has to resist the urge to take the lighter from you and do it himself.

When you sit back to take a drag, Ghost averts his eyes from the bandages peeking out of the sleeves of your hospital gown. “The tail? They’re just making sure I don’t try to kill myself again. It’s annoying as fuck. I wish they’d just leave me alone, but that’s what I get.” Instead, he looks at the long, perfect line of your throat as you blow out smoke.

“What’s with the mask?” Loose ash flies as you gesture towards the balaclava.

“I joined the Air Service,” Ghost mutters. He thought the skull mask would make him feel more together, more in control today. It hasn’t.

For the first time, he sees the faintest hint of a real smile tug at the corners of your lips. “Like you always said you would. I was wondering what had happened to you.”

Your face falls.

“Sorry about your mom, by the way. And your brother. I heard.”

Ah.

“You did?” The last time Ghost was there, he’d wondered about the fresh flowers on their graves.

He thought the bouquets had been left by some Good Samaritan trying to curry favor with a god he didn’t believe in, a god that wasn’t there when his family was murdered.

It’s both better and worse to know it was you.

You grab another cigarette the instant you finish your first. “Yeah I- fuck, this is stupid. I kept tabs to see if you were ever… coming back.” Your chaperone nurse frowns and starts to open her mouth, probably about the chain smoking, but you cut her an impressively-dirty glare and she sits down to mind her business.

Ghost closes his eyes. “That is stupid.” You should have forgotten him. He wanted you to move on, meet someone else, and have the kind of life that would forever be out of reach for him.

“Don’t need to shove it in my face. I have a therapist for that. Multiple, actually.”

“Fat load of good they’ve done you.”

He watches your face close off. “It’d be less painful for everyone if they would just let me die, but I guess that goes against some sort of law,” You tell him with the kind of distant smile that shows you’re half-joking, half-serious.

“For what it’s worth, Ghost, I wish I had died this time. I never meant to drag you back into my shit. I’m sorry.”

This time?

How many times have there been?

Ghost isn’t sure he wants to know.

Because if he knows, he’s going to give a fuck. You make it impossible for him to not care. This is exactly why he pushed you away in the first place.

“You’re sorry for not dying?”

You nod. “Yeah.” You’re cold and resolved and completely serious.

Some of the smoke goes up your nose and you cough sharply, your lungs thick with… something. “Don’t worry. You don’t have to come back. Next time, I’ll get it right.” Even the golden sunlight and greenery can’t make you look healthy. A stray gust of wind could knock you over and your hands won’t stop shaking.

You’re hiding it poorly.

“What if I didn’t want you to die?” The truth is that Ghost can’t imagine a world without you. You’re the one that belongs here, not him.

You turn to look at him.

Your eyes are clear and your hands steady with rage put the cigarette out on the bench next to you.

“I’d tell you that you, of all people, should fucking understand. This is the end of the road for me. You know what it’s like.”

You’re really asking Ghost if he remembers the very first time you spoke to each other. The tree. The black eye from one of the other, meaner kids darkening on his face. He’d won that fight, but it didn’t feel like it. More than anything, he’d felt like his father’s son and how afraid he was that that was all he’d ever be.

He should go. There’s no reason for him to sit here and take this, to listen to your fucking insane, psychotic, suicidal rambles. Bullshit. You’re talking nothing but bullshit.

“And then you’d feel like a selfish asshole for asking me to live.”

As Ghost gets up to leave, you keep talking.

“You were right from the beginning, Simon. You’ve always been right. I’m a danger to myself. My mother never came back. The things people have done to me, and I just let them-“ Tears crush your voice into a sound like shattered glass fragments, as weak as it is sharp.

He stops in his tracks.

“And I deserved it. I was never destined for more. Not like you. You’ve done so well for yourself. I’m proud of you,” You say, unknowingly echoing one of the last things Simon’s mother ever said.

Ghost has taken bullets less painful. Water boarding sounds like a fucking picnic right about now.

He can’t even convince himself that you’re lying out of spite. You mean every word. After everything he’s done to the people who loved him, you’re still proud of him.

“Thank you for being honest with me about myself. I appreciated it.” Your smile is lovely, transforming you into a carefree young girl for a moment. Ghost might be able to appreciate the sight more if not for the calm, resigned way you talk about death.

He’s old friends with Death. He wields it like he was born to do so, he knows how it smells and looks. He knows what someone looks like right before they give up and bleed out in a Middle-Eastern desert or succumb to hypothermia in the Siberian tundra.

Ghost can see the rot under your skin. You’re covered in it.

Some part of him hates you for not going quietly or disappearing into thin air.

He doesn’t want you to die. “I was wrong.”

“Look at you. Still the hero, the good guy.”

“No, listen to me-“

“It’s alright, Simon. Really. No more lies.”

“It’s the truth. Fuck. Fuck. I didn’t mean for this to happen.”

Ghost remembers the good things, too. It was easier to forget about them, to paint the whole of his life in shades of tar black and set fire to the remaining pieces of light. It was holding him back. You were holding him back.

What feels like a lifetime ago, he pointed out constellations to you in the middle of the night and your eyes filled with awe.

“Didn’t you?” You ask with wisps of pity in your voice.

10 YEARS AGO

Reader POV

You find your soon-to-be new friend hiding in a tree, lazily smoking a cigarette as his legs dangle over a branch. “Hi,” You call out.

He whips his head around and fixes you with a glare so strong that you have to stifle a small, instinctive ‘eep’ noise. The rather-impressive black eye does nothing to take away from how… pretty he is.

You clasp your hands behind your back so he can’t see you fiddle with your nail beds and rock back and forth on the balls of your feet.

“Fuck d’you want?” He barks in a rough, accented voice. The syllables slur together; maybe he talks like that all the time, or maybe his swollen split lip is getting in the way.

Shit. You rock again and dig your nails into your palms to try and steady yourself. “Nothing. I- nothing.” It’s fine. You’re fine. He’s just a boy. An older boy who fucked up another guy in the program and ran out of the building before the nurses could stop him, all angry fists and damnably kind eyes.

“Go away.” His scowl deepens when you straighten up and dig your heels into the dirt.

You pull out the napkins you stuffed in the pocket of your jeans before you went looking for him. “Here. For your nose.” It’s bleeding pretty bad, running over his white teeth and everything. “You got him good.”

After a long moment of contemplation wherein he tries to incinerate you with the power of his frown and fails, he reluctantly takes the tissues. “You saw?” He grumbles.

Yeah, you saw. Who could miss it? He tackled the other boy during one of the mandatory group therapy sessions. It was creative writing today, which you normally enjoy. Instead, everyone watched as the two of them beat the shit out of each other until the security guards bodily separated them.

The words tumble from your mouth in a rush. “James deserved it. He’s a fucking asshole. He tries to look down my shirt all the time, and he broke all of the nice pencils my dad brought me so now I have to use the shitty ones the nurses provide because I wouldn’t keep my mouth shut. One time he… touched me, you know? Over my clothes. But still. Wow. You were like… a superhero,” You finish quickly, blushing a little from embarrassment.

Everyone says you talk too much. He probably doesn’t care about your stuff. You shouldn’t have said anything.

He raises a blonde eyebrow. “Yeah?”

“You’re, like, really cool,” You say with a nod.

The boy’s grimace holds fast. “Hmph.” It could be a trick of the light, but his sharp, almond-shaped eyes look slightly less cruel, more of a gentle honey brown than a shadow black.

A silvery scar shines on his jaw as he turns away to work on another cigarette.

The acrid smoke is horrible for your lungs and he shouldn’t pick up such a bad habit. But you’ll save the lecture for another day when he’s less mad. And when you actually know his name.

You offer up your own first. “What’s your name?” You finally ask.

“Simon. M’ name is Simon.” Simon looks at you for a long, quiet moment, with no sounds other than the wind rustling the leaves hiding the two of you from the sun.

He sees you. Not just the model patient or dutiful daughter you are to everyone else. A thrill runs down your spine, enough to make you ignore how his eyes run over your smile - like he’s examining a pinned butterfly in a glass case.

“I’ll remember that.” When you stretch your hand out, Simon shakes it.

Tagging:

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chaosnojutsu · 10 months

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Who *Should* Have Died From The Konoha ~12 Instead Of The One Who Did

rules:

we’re assuming they die under the same circumstances as the other guy

each one listed would have a complete storyline and their death would further the immediate plot as well as the overall narrative

i’m not “just picking characters i don’t like”

i do not condone killing characters for the sake of shock value but am considering shock as a legitimate tool in generating impact of a character’s death

miss me with “[redacted]’s death was a tragic result of the shinobi system” because no it was not. if that were true you could sub out [redacted] for any other child soldier and get the exact same impact. we know exactly why they were chosen and it’s got an (insufficient) explanation irl and in-universe.

#3. Sai

Motivation: Friendship

First of all, imagine the shock value from killing one of THE Team Kakashi members.

Cool. Now imagine Naruto’s shock at Sai sacrificing himself for him.

Sai overanalyzes normal human interaction to the point of not understanding it. He reads books about how to befriend people. He still doesn’t understand it all the time but friendship is coming more naturally to him these days. What he does understand is that Naruto is the only chance of winning this war, and he’s down, and the enemy is aiming for him, and Hinata is trying to stop them but she’s on the ground, the spears are in the air and so is Sai, and Naruto is his friend.

He doesn’t need to think about it much deeper than that.

Now imagine Sasuke “What Does ‘Friend’ Mean To You” Uchiha witnessing this, witnessing Naruto’s reaction, and the further effects this may have on his character. After all, Sai was his replacement. If Naruto feels this strongly about losing someone who was decidedly not him but his friend and teammate nevertheless then… maybe.

#2. Rock Lee

Motivation: Youth

Regardless of *how* this one plays out, no one wants to watch the determined, precious, comedic relief die; no one who’s watched this far into the show wants Rock Lee specifically to die. Huge impact already. But we can make it super duper sad because he deserves a memorable death. I see it going one of two ways.

One: Hinata doesn’t even have the time to try to shield Naruto because Rock Lee is faster. Ten-Tails barely launches the attack and Lee’s already taken/attempted to counter the hit. Perhaps this is his eight gates moment. Similar to Sai, Rock Lee would cite the power of friendship in his dramatic death speech, but he also was just… doing his duty. Truly, if you’re in the “Neji was just another tragic child soldier” camp, Rock Lee is the prime example of what I mean when I say you could sub in any child soldier, which I know sounds paradoxical but stay with me. Rock Lee’s entire personality is training harder than anyone else to benefit a system that will ultimately result in his death. If you want to make a point about child soldiers and needless lives lost, Rock Lee is the one to kill.

Two: Rock Lee doesn’t shield Hinata. He shields Neji. But not necessarily on purpose. The scene plays out exactly as written up to the moment Neji activates his byakugan, and the next frame isn’t him falling to the ground, it’s Rock Lee. The usually-somewhat-reserved Neji is devastated, probably in tears, demanding to know why he would do something like this. Rock Lee coughs up a bit of blood. “I was faster than you.” Smile. “I finally beat you…” Serene eyes fall shut. “…rival.”

And now imagine Naruto’s reaction to losing Bushy Brow. Imagine him watching Gai be brought to his knees by a blow that didn’t physically touch him. Imagine Madara incorrectly perceiving that. The implications. The foreshadowing.

#1. Shino

Motivation: Legacy

I’m gonna be real, the writers were never gonna kill off Rock Lee like that, which is the biggest reason Shino has taken the crown as Most Worthy Of A Tragic Death in my book.

This dude has a connection to both Naruto and Hinata (making him equally as good a sacrifice as Neji if that’s the canon criteria). However, unlike most other (male) characters, Shino isn’t shown to have a particularly close friendship with Naruto. The one recurring joke around Shino is that he’s so irrelevant even Naruto can’t remember his name.

But he is good friends with Hinata. And he knows she’ll spend the rest of her life miserable if Naruto dies, and that if she dies right now she will never have gotten her life’s greatest wish.

So Shino goes out in a blaze of glory, and we’ll probably insert something about how Naruto has somehow secretly inspired him all along— or maybe something cynical about how he always wanted to be included by Naruto but never was unless Kiba or Hinata were around, so he’s sacrificed himself to maintain the livelihood of everyone else while not “losing” that friendship himself— and we of course get the touching moment with Hinata (oh just imagine the drama if Shino lay dying and told Hinata “Why did I protect you? It’s simple. The reason is… for the same reason you protected him.” and we find out that the huge secret crush of the show was not Hinata toward anyone, but Shino toward Hinata, never confessing because he knew it would be futile).

Good luck forgetting his name now, Naruto. Now no one will ever forget about Shino Aburame.

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sepublic · 2 years

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And can we also appreciate the implications of King’s dream, too??? He could’ve easily envisioned his dad as some awe-inspiring warrior king, because that’s what all of the evidence points towards, as far as he can tell. But King’s grown WAY past that now, past his delusions of grandeur; And at this point he doesn’t care for the glory, not for himself or even by proxy of a friend or family member!

He just wants... A regular family, simple as that. He’s fine with growing up to be nothing more than himself but with a moustache, which is SUCH a reversal of his past frustration with his tiny and adorable stature, not being taken seriously. Because he just wanted power for the sake of having acknowledgment.

Yet it’s when this is cemented in Edge of the World that King gets a Monkey’s Paw of his former wish; He DOES get the glory, but in such an empty way without any of the actual familial presence, because his dad is dead. As are all of his siblings. King gets to be son of the most revered deity in the isles (no thanks to Belos), but with it comes so much loneliness, and rejection from a group he almost had community with. And even the prestige itself is isolating from worshippers, as he realizes two episodes later.

Just the growth. How King wants glamour and authority and at times throws his companionship under the bus for it; But he never gets that, even as his companions reiterate themselves to him and King appreciates this. But now all he wants is family, and his family has just gotten smaller while he gets his former dream of power back, in a way that makes him feel even MORE lonely.

He’s “best friends” with the most powerful being in the isles right now, and yet he lost his sister and mother to be so. This kid’s progression. And this curse of being a Titan will culminate with King becoming larger and unimaginably powerful, even as his friends and family age and die, leaving him alone and haunted by how he wanted this when he was younger, how he prioritized that. It’s as empty as it is vast and lonely.

This show lures you in with Haha Funny Adorable Animal Sidekick and then gut-punches you with one of the most tragic and humanly pained characters in the entire show. The juxtaposition and inevitability, the parallels with the Collector! All that power and yet nothing to show for it, still unhappier than the smallest and most mundane family. I’m insane and shall never know peace understanding that King will outlive EVERYONE in the show except maybe Hooty and the Collector. If so, the latter better shape up so they and King can be Made For Each Other but platonic. The Collector better be the show’s solution to King’s inevitable pain.

#the owl house #king clawthorne

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theerurishipper · 8 months

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I’m gonna wait to see the special before drawing any more finale conclusions but for the moment everything we got from the leaks is just so… weird? and nonsensical?

So the only reason why our Marinette didn’t turn evil was because of Alya. Which contradicts everything TA and his team have been saying about abuse. Why does Alya being a positive influence for Marinette works but Audrey being a negative influence for Chloé doesn’t? They had Mylene say, “Having a bad mother doesn’t justify your actions” so neither should bullying. The lesson with Chloe is that abuse is ok and children that turn out ‘wrong’ because of it should just be left alone with their abusers because they somehow deserve it by not being able to turn out perfect on their own. Why shouldn’t the same logic apply to Emonette and Emodrien? (I believe they’re the names the fandom’s been using but I’m not sure) You’re being bullied? Doesn’t matter. You shouldn’t lash out and become evil. It’s 100% on you now. Like seriously, am I missing some piece of information here? If I am please correct me! Because as of now it just doesn’t make sense to me. The lessons TA wanted to teach its fans is that sometimes people are just bad and no amount of tragic backstory justifies their actions, but every single choice he’s done from season 3 is just proving over and over that this logic only applies when it’s time to diminish Chloe. Chloe is 14 and has decided to be evil. Emonette and Emodrien are 14 have decided to be evil. “But they tried to show Chloe the right path and she didn’t take it, she’s evil” Gabriel seems to be a good father in the other universe, so shouldn’t be this the same for Emodrien as well? How did he even end up being a ray of sunshine with an abusive terrorist father but ends up being a villain with a good father? How does that even work? I really hope there’s more to the special because if they’re really going for the message that somehow Gabriel’s abusive parenting was a good thing for Adrien… I’m going to scream.

Like, I understand the story they were going for with Chloe. Unfortunately, it's true that some people don't change. But then they began stating that she's not an abused child and it's not the influence of her mother that made her this way, it's just that she's Evil™. And her "consequences" ended up being more abuse. It's so fucked up.

And you're exactly right about Chloe being exempt from the justifications and explanations that the rest of the cast receives. Emonette gets to commit terrorism, and all this can be explained away by her having been bullied by Chloe, but Chloe isn't influenced by her mother's abuse, oh no, she's just born evil and is unworthy of change! The Chloe equivalent of Emonette's story would be for her to be sent back in disgrace after committing all her crimes to be bullied by Chloe some more, but you just know that ain't gonna be how it goes down. The characters are going to downplay Shadybug and Claw Noir's crimes, offer them compassion and insist that they are good people, and they're gonna get off scott-free. And of course, Emonette wouldn't deserve more bullying as a consequence, and that's the truth. But apparently Chloe's deserved ending is more abuse? It's horrid.

And the Gabriel-Adrien implications are a step further into the abuse apologia category. I just wrote a whole post about it, but you're right on the money about the implications. And I really think that's what's going to be portrayed, unintentionally or not. It sucks.

Thank you for your ask!

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bonefall · 1 year

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Do you have any plans for Moth Flight in your au? I always felt like she had a lot of potential, but her super edition…. Oh it’s bad. God forbid a disabled, young, single mom try to raise children and have a job at the same time. Too bad there was no one to help her when things got stressful, like you know, her clanmates… No women should have a job and children at the same time ever again.

If it wasn’t obvious that was sarcasm, Moth Flight’s story has awful implications. But! In BB Clerics Not being allowed to have kits wasn’t a law until the Ripple Era, it used to just be a personal vow and was a bit taboo. So I’m interested in of Moth Flight still had something to do with the creation of the vow itself? And just in general if you have any plans to fix her story or if you’re just throwing the whole thing out. (Which would be completely understandable.) I just think there IS potential there in her story, especially in BB where the Clerics Vow is actually ACKNOWLEDGED to not make sense and be bad. It could be interesting for the idea to rise from such a hyper specific, awful situation. The Clans having altered her story so much over the years that it went from the truth, “the first Cleric was a young, single mother of four, trying to raise her children while morning her husband and convincing the other Clans that they needed Clerics. The odds were against her.” To the perfect, Cleric’s Vow supporting lie, “the first Cleric had kits. She was unable to balance raising them and caring for her Clanmates. She taught the Clans a valuable lesson, a Clerics first and only duty should be healing and worshiping StarClan. Kits only get in the way of that duty.”

Idk, I just feel like there’s still an interesting story to tell somewhere through all of Moth Flight’s super edition’s bs. In the hands of a better writer who doesn’t ACTUALLY believe that Moth Flight’s genuinely tragic life means that all women who have jobs can never have children or get married again.

There's HUUGE overhauls here. I spoke about it eons ago during the last wave where I was discussing my changes to BB!DOTC, but let me give you the fragments thus far.

It's VERY different. Get ready for Moth Flight to be a completely different character.

MOTH FLIGHT'S VOW

She is no longer the child of Wind Runner. In fact...

She's the daughter of Wind Runner's shitty ex, Branch

Moth's other dad is Cloud Flight (prev. Cloud Spots). Since the Great Battle, Cloud has been wandering between the 5 groups as a sort of traveling doctor. It's a lot of work, there's only him and Dapple and an overwhelming amount of cats who need his skilled paws

So Moth Flight has always been a bit detached from people. I want her to actually have ADHD this time around, instead of it vanishing when it isn't convenient.

She kind of has Military Base Kid energy, hopping place to place with unresolved mental health issues. She probably bites ppl because I love weird girls

"papas can i bring my leeches" "honey no"

Cloud really wanted to train her to be a Medic the way he is, but... she has to learn how to do it her own way.

Branch doesn't help he's a goof and mostly interested in playing games with his baby.

I want to portray Branch as someone who's flighty, not another example of "before the Tribe cats came we were uncivilized heathens without society"

I also don't like his original narrative purpose to give Wind Runner trust issues that don't matter. If she had trust issues, what exactly was all that "please let me join ur group" about??

BB!Wind Runner is a breakaway from the River Kingdom, and the leader of the loosely united Moor cats. She created the Wind Coalition and is its intense, notoriously ruthless leader

So something eventually calls Cloud to do his work for the Wind Coalition

Branch: *SWEATS*

Cloud Flight: "..............branch. what did you Do"

Branch: "youre not allowed to be mad at me"

Cloud Flight: "tell me what you did and then we'll see if im mad at you"

The take might be controversial, but I do like the way that Windstar has problems with Moth Flight for no reason. I wanted to preserve it while removing it being yet another case of motherly child neglect, and more of a case of Wind Runner holding unfair grudges. I think it's good drama

Moth Flight's love of nature, herbs, and the natural world eventually prompts her to follow a Hairstreak Butterfly to the Moonstone. It leads her through the winding tunnels, a path that only Clerics will know how to navigate in the future, to the shimmering chamber in the middle.

Through her special connection to StarClan, drawing off the early cultural view of their ancestors as nature spirits (the fact that they are star spirits is a Park Cat contribution and all 5 leaders have their lives by this point), Moth Flight is able to come into her own as a holy speaker and healer. She begins to blur the line between holiness and healing, marked by how Clanmew has only one word for both concepts.

Hairstreak Butterflies also become known as a "herald" type of butterfly. I could get into the linguistics of this, but the old Tribemew word for moth/butterfly becomes the Clanmew word for sacred butterflies.

Micah is not supremely important anymore, but he's there. He doesn't become a healer in MFV, he's just Moth's mate.

But things begin to go wrong when her kittens are born.

All four children are born with a high connection to StarClan, just like their mother.

She takes it on herself to train them, as Cloud Flight had done with her, wiser from understanding that they would learn in their own ways.

Dapple and Cloud Flight never have this connection to star spirits, and they're growing old. Cloud is ready to retire, Dapple dies in some way before she's able to train a replacement

It begins to cause panic in the groups. It was bad with only two healers, but now everything is stretched even thinner.

SkyClan, notoriously violent, is the first to make the move. Skystar was not above the practice of Kit Stealing, taking Misty's kittens and giving them to Petal Claw for her loyalty ages ago.

Kit Stealing wouldn't become common until the creation of the Law of Loyalty, which is only a few years away, but it did exist before then.

They want a Mothkin kitten.

The Wind Coalition, of course, moves to fight and protect them. They call on ThunderClan, who can usually be relied upon

ThunderClan's request... they also want a Mothkin kitten. They need doctors too.

The River Kingdom and ShadowClan are also moving to take a kitten

EVERYONE needs a doctor, and they will fight and kill to get one. They all begin to realize... if they don't separate, there will be blood. People they love will die, and they'll be ripped apart anyway

Moth Flight, seeing this, BURNING with sorrow and fury at the violence of the Clans but knowing there is no other option, tells her children to make her a promise.

"That there will be no Mothkin after you. That you will never take a mate, or give your kidnappers more children. That you will remember that they were willing to kill their own families to steal you, and that you will be loyal the pursuit of life, virtue, and your sacred ability to heal above the cruel commands of the treacherous Clans."

Having accepted this, the family calls for an end to the fighting. Each child chooses a Clan to go to, and has their name changed.

ThunderClan: Spider Flight -> Spider Flight (no change)

SkyClan: Honey Flight -> Honey Pelt

RiverClan: Bubble Flight -> Bubbling Stream

ShadowClan: Blue Flight -> Blue Whisker

They're being shuffled based on which Clan they go to because it always bothered me that their names don't match their Clans, and also Spider Paw going to RiverClan when he has a phobia of water is insulting and I said no

So, TL;DR, this is a completely different story because DOTC is the one arc that I don't value "fixing." It needs a complete overhaul, imo.

This one would take place after Thunderstar's Justice, which immediately follows the First Battle. In terms of timeline, first is Hollyleaf's Century, 30 years later BB!DOTC begins and lasts several years, a few months after the First Battle begins Thunderstar's Justice, and then Moth Flight's Vow follows a year later.

#Moth Flight's Vow #BB!DOTC #Better bones au

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kitcatcrowley · 8 months

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I haven’t seen many people talking about the implications of cap’s death on his first day as a ghost, so here is my emotionally damaging take on it!!

The fact that it was so sudden, that we saw all the other ghosts in the front courtyard at the start of the flashback, and of course that they didn’t already know what happened in s5 - means none of the others were there to welcome cap as he died. He would’ve gotten up on his own, confused about why everyone in the party was panicking and ignoring him. Then seeing his own body and freaking out, confused. The whole reason (its pretty likely) he came back to the house was to find havers, and now he’s stood right next to him, but it’s too late.

He doesn’t even see him.

Doesn’t hear him. Doesn’t reply. Doesn’t even look at cap.

And cap is left following the soldiers around wondering whats going on. In all the commotion of the party, the other ghosts probably didn’t even notice that someone has died until a medic/police etc arrives outside, or when the body is removed from the house. And only then, later on in the middle of all the panic, will cap come across these strange people with strange clothes and voices, but who are the only ones now willing to speak to him. They tell him truths which make no sense. He was fine this morning! There’s nothing visibly wrong with him- he might’ve thought he was hallucinating after hitting his head on the ground!

We know that the other ghosts never found out his name or exactly how he died. So cap must’ve been so shocked by these events that he refused to tell the others anything about himself, or what had happened in the house that day. He was probably too distracted trying to get the other soldiers (particularly havers) to notice him before they left the house.

Imagine how devastating it must’ve been to watch his first love leave without him at the end of the day, after all the effort he’d made to find him again. He’s finally able to speak, but no one can hear him.

He might’ve tried to chase havers out the house as he drove away, begging him to answer, but of course he’d be unable to follow him all the way- AGAIN! Once again, havers leaves him while the captain is trapped inside that house, forever.

I can also imagine the captain noticing the upside down medal still on his jacket - a constant reminder of his percieved cowardice - and trying to throw that thing away SO MANY TIMES (like thomas with his love letter). And eventually just having to accept that he could never get away from this reminder of what he’d done.

This last bit is more of a personal headcannon, but i think it pretty reasonably could’ve happened.

No matter how close cap & havers actually were (possibly they barely knew each other- we’ll never actually know), it was probably PRETTY GODDAMN TRAUMATISING to watch a guy die in your arms, knowing he was only there in the first place bc he was trying find you (and failed). And that you’re not allowed to show any sign of caring - it would lead to some very dangerous questions from the other soldiers. So i expect havers would’ve taken himself away somewhere, had a little moment where no one could see how upset he was, taken some time to process what happened. And cap might’ve sat there beside him, trying to make sense of it himself. Sat side by side but unable to communicate.

Each in their own world, together but totally alone.

Havers can’t tell a soul what really happened for fear of getting thrown in prison to rot. Cap feels too ashamed to say any of it out loud, and doesn’t for almost 80 years.

It’s the most tragic ending they could’ve POSSIBLY MADE. BEN WILLBOND YOU ARE PAYING FOR MY THERAPY-

#bbc ghosts #bbc ghosts series 5 #bbc ghosts spoilers #bbc ghosts s5 #the captain #the captain bbc ghosts #ghosts spoilers #the captain ghosts #capvers #bbc ghosts theories #s5 gave me severe emotional damage #no seriously help me my brain is so

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cellarspider · 5 months

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Since I’ve been thinking about it all morning: here. A partial introduction to my favorite villain.

In the days of yore, when I was a teenager and video game hype was almost exclusively magazine-based, I saw a kid reading a copy of Game Informer.

“Hey,” said I, “could I see that for a second?”

The kid, not knowing what they were about to unleash, handed me the magazine.

I had seen this on the cover:

I had no idea what this was, but I knew that I wanted whatever it was selling.

I found out that this was an advertisement for City of Villains, an expansion to the previously-released MMO City of Heroes. I’d never played WoW with its Alliance and Horde split, so the idea was new to me. WoW also failed to present me with anything like the vibes of the newly-introduced lead villain, Lord Recluse.

Yes, they liked this art so much they did it twice, and I’m glad they did. More below the fold on why he was so appealing for a young queer kid, for those who are intrigued.

I’ll keep this focused on a single topic for now: The intensely queer vibes that Recluse acquired over the course of the game’s plot. Keep in mind that this game came out in 2004, so the actual amount of openly queer content was very minimal. However, CoH/CoV developed a reputation as an extremely queer-friendly space, with a community Pride event becoming a semi-official yearly celebration, complete with the devs showing up as major NPCs, custom assets, and spawning in unique raids that tanked everybody’s framerate. Equivalents of this have carried over past the game's tragic shutdown in 2012, with community-run servers still staging their own Pride events.

If the art above doesn’t make it clear, Recluse had a much-beloathèd archnemesis, Statesman. If the art above doesn’t make it abundantly clear, this was always an extremely fraught relationship, with a complicated backstory that became more and more tragic the deeper you got into the game lore, eventually bordering on cosmic horror. But one thing was for certain, this was Hark A Vagrant levels of obsession over a nemesis.

The game at first seemed to backstep on that: oh, it turned out, Recluse had once been villainous life partners with a woman who went by the villain name Red Widow. She died decades ago in the collateral damage of one of Recluse’s nigh apocalyptic confrontations with Statesman, and her death left him with nothing but his obsession. So sad.

And then when Statesman died in the course of the game’s plot, Recluse spiraled into depression and nihilism that was only halted when someone managed to dig Red Widow’s soul out of storage and resurrected her.

It was always deniably presented, but the implication was very much that the two were functionally equivalent emotional anchors to his psyche, and losing both of them was something he couldn’t survive.

Also, there was that one time that the game’s Valentine’s Day event was advertised with a heart split down the middle, half Statesman’s iconography and half Recluse’s, topped with a banner that read “AMOR OMNIA VINCIT”, meaning “LOVE CONQUERS ALL”.

And that’s without getting into the first tie-in book. A prequel starting at the end of the 1920s, it was a delightfully and deliberately pulpy book, which… centered around a complicated man slowly dying of lingering health problems after his exposure to mustard gas in WWI, and his very good friend, estranged from his family for unknown reasons, who’d devoted the last ten years to caring for the protagonist, and helping him seek a cure. This has carried on year after year, even though the man’s illness has made him unresponsive to the emotional needs of others, something they both know is going to culminate one day in the two parting ways.

…And then they get superpowers, and their relationship does not get any healthier from there. But what it does gain is a surprising trans metaphor as our now-antagonist slowly metamorphoses into the spidery villain I know and love.

I completely missed this back in the day. I have no idea if it was intentional. But there’s a scene where this man looks in the mirror and sees the first signs of his oncoming physical transformation, and he likes what he sees. He has no idea where he’s going, but he’s excited for it.

…And he’s started killing people who refer to him by his former name, in the most literal case of “dead naming” I’ve ever seen.

Throughout the rest of the series, Recluse is unapologetically who he is, putting him in that category of queercoded villain that doubles as a power fantasy. He’s grown physically monstrous and loves it. He has respect from everyone around him, either legitimately for his capabilities or out of fear of what he can do to those who don’t give him his due. A new demigod who is only matched by the man he’s never stopped obsessing over. He wins just as often as he loses, and often salvages something from his defeats in ways that nobody expected.

He is terrible. And he is wonderful.

#city of villains #lord recluse #I have so many more thoughts #and the canon is so wild and engages on metatextual themes so thoroughly that it really deserves more analysis #just in general #but for now #this will do

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deludedfantasy · 10 months

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On Tesla, Rem, and Agency in Trimax

Volume 7 gave me a lot of Thoughts, especially about Tesla and her place in the narrative. She's such a tragic character and I'm obsessed with the implications of her existence, and how her death and Rem's motivate the twins in very different ways. Much more under the cut.

After volume 7, I’ve been thinking a lot about agency in Trimax, who gets it and who doesn’t. On a slightly related note, I’ve also been thinking about female characters and fridging, so let’s talk about two very important figures who motivate a lot of Vash and Knives’s actions: Rem and Tesla.

On my first watch of Tristamp, the moment Rem died saving Vash and Knives, I went, “Oh no, not again.” That is the classic set-up for fridging a female character. You see her briefly, she declares her love for the main characters, and she’s dead within minutes, now providing our main characters with the correct amount of angst to fuel their actions for the rest of the story. That is essentially what happens in Tristamp. We do see more of Rem later and learn a bit more about her, but that vision of the perfect woman, the perfect mother, who was so unjustly murdered by Nai’s actions, remains constant. She doesn’t have a whole lot of agency.

Part of the problem with fridging is it completely removes any individuality or agency from a female character. She’s basically an empty doll for the main character to project their emotions on and give the readers an easy explanation for their actions. A fridged woman doesn’t have any personality except being perfect and dead.

From where we stand in Tristamp season 1, that’s all we have. But Trimax is another story entirely. It shows us Rem as a whole person. She’s very much so still the mother Vash loves and idealizes, but we learn there’s so much more to her. I’d even argue that’s part of why he loves her: because he’s seen her fully, warts and all.

Her first scene in volume 6, during the birthday party, already starts shifting the narrative we’ve become used to. There’s something off about her, we can’t see her eyes. We get the feeling she’s hiding something. When she forces Vash and Knives to hide when the crew wakes up, we’re proven right.

Volume 7 is when we really see her for the first time though. She’s not perfect. She let something horrible happen to a little girl. She’s a woman laboring under a lot of guilt and a lot of love. Everything she’s done for Vash and Knives has been because she hasn’t forgiven herself for what happened to Tesla. Her determination to keep Vash alive when all he wants is to die and the story she tells him about the blank ticket is a defining moment for her character and for him. We understand why Vash has based so much of himself around her, why he’s trying so hard to keep her memory alive. But it also makes it hit even harder that she sacrificed herself to save not just the twins, but the whole fleet. Her death suddenly becomes even more meaningful. She isn’t another woman shoved into a refrigerator; she’s brave, smart, idealistic, loving to a fault, full of guilt and shame and depression, but so very determined to do the right thing when she’s failed before.

Now, compare her to Tesla. I talked a bit about this in my book club post, but I want to expand on it. We don’t actually meet her. Her ghost leads Vash and Knives to her body. We see her dissected body and learn about her through the researchers’ reports and Rem’s explanations. But we never hear her voice or her story in her own words. We don’t know what she wants.

But Knives takes up his crusade and his revenge on humanity because of what happened to her. It seems like a pretty straightforward instance of fridging, but I don’t think it’s that, not fully. Because that’s the whole point is that Tesla never had a voice.

Usually, when a woman is fridged, any actions taken in her name are seen as noble or at least understandable. But Knives’s motivations are deeply, deeply flawed (for many reasons). Despite his goals to free Plants from the tyranny of humanity and give them agency, many of his methods involve taking away agency from other Plants, including his own brother. By starting the crusade in Tesla’s name, he makes it hers. But we don’t know if that’s what she would have wanted! She was just a little kid. Maybe she would’ve wanted to visit those same horrors upon humanity that were visited on her. Maybe she would’ve just wanted to kill the scientists who caused her pain. Maybe she would’ve wanted to disappear and just live a normal life. We can’t know! And that’s the tragedy of it.

Like I said in my book club post, she becomes a martyr for a cause she didn't know existed.

The absence of Tesla’s voice is so loud. She never had a choice, not when she was alive and not even when she was dead. We don’t know why she showed herself to the twins or if that apparition was even a ghost with some form of agency or a simply some sort of Plant impression that didn’t have an intent one way or another. But Knives decides that the legacy she will receive is of death and destruction and revenge. There’s something that feels so wrong to me about that. It feels like a continuation of Knives lashing out in fear and anger, not considering anything or anyone else.

This isn’t to say that the way Vash treats Rem is perfect either. It’s not. His devotion to the idea of her and living up to her sacrifice are pretty flawed too. At the same time as he knows that she wasn’t perfect, she becomes something of an untouchable figure in his head. He’s living his life in penance for her sacrifice and shattering himself in the process. He takes her ideals to the very extreme and doesn’t leave a lot of room for nuance. It’s questionable whether Rem would’ve wanted this to be her legacy. But at least Vash knows what she would’ve wanted for him: for him to never give up hope, to see the world in all its glory and horror, and give himself the freedom to remake his future when all seems bleak.

I really hope season 2 of Tristamp gives us more of Rem and Tesla, especially since there’s some indication that Tesla was still alive in Tristamp. Rem holds such an important place in the story of Trigun and I want to see the wonderful flawed version of her translated to the story Tristamp is trying to tell.

#trigun #trigunbookclub

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arisenreborn · 8 days

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Okay here's my outline for the gist of how Olivia and Emrys's different cycles go, without getting too into the nitty gritty details. Mostly just how they end. Spoilers for sure and big gratuitous headcanons of course. <3

CYCLE 1:

The Bad Ending. Emrys goes ‘purgener mode’ in the Unmoored World, mostly kills Olivia*, and then proceeds to wander through other worlds until killed. Time restarts and loops back for them.

(*I think she was kept very slightly alive, the tiny thread of her remaining life 'elongated' by being fused into a dragons heart, but obv in a not very pleasant way or sense, and for a blessing she wouldn't have been very aware of it.)

CYCLE 2:

‘Dream’, or False Cycle. This is a really warped, distorted cycle. It happens, but even more outside the typical parameters of the world than usual. It's a result of being the ‘bridge’ dragon!Emrys created, connecting the failure of the first cycle to a true, renewed attempt in the third cycle after a fashion.

(Basically, he's creating the parameters for the time loop, using his connection to the Brine/greater powers via dragonsplague. The implications here are pretty big but we won't see more of that until the True Ending.)

Emrys is the Arisen, Olivia (fittingly after her death, an ‘empty vessel’) is his pawn.. It ends with the bittersweet victory of Pawn!Olivia sacrificing her newly realized will, prompting Emrys to realize this isn't 'how things should be', and the world loops back again.

CYCLE 3:

The Unmoored World goes very differently. Emrys seemingly overcomes the dragonsplague to help her defeat the Pathfinder Dragon, Olivia disappears for several months after the final battle. When they find her she has none of her memories, and it takes over a year for them to finally start to return - whereupon she is officially made Sovran.

It’s a good, happy ending - until many years later their son, Idris, is made the new Arisen. They realize that while they may have gotten rid of the Pathfinder and Brine, the Dragon’s Dogma itself remains. When their son tragically perishes, time loops back once more.

CYCLE 4:

The Final Cycle, The True Ending (Until I start getting more bright ideas.) I like to think the Pathfinder would be slightly more of a threat here -when- they realize they were overcome before, and were only returned to their ‘rightful place’ by… means unknown even to them.

Ultimately a new order is created. Emrys ascends up the dragon ladder, overcoming dragonsplague and subsuming the Pathfinder/Brine. He essentially becomes a new class of dragon, holding that role in perpetuity, with Olivia as Sovran and Seneschal.

Basically they become living gods and re-define the Dragon’s Dogma. 😌 (And they have their kids later and Idris never has to become Arisen.)

Notes!

Cycle 2:

It's almost dream-like/nightmarish in the way I imagine it is, yes, close enough to the basic DD2 story experience, but Emrys's actual perception of things is often skewed. His personal memories don't always add up, essentially, because they were cobbled together 'on the spot'. Basically he didn't actually 'exist in the world as a human' in the history leading up to him awakening at the excavation site when time looped back - he’d been a pawn up until that point. The chaotic result of Cycle 1’s ending and him trying to patch things back together, trying to ‘fix Olivia’, but ‘Olivia’ being ‘gone’ resulted in him getting slotted into the role of Arisen and a haphazard backstory shifting into place between the fell curse of amnesia. It doesn’t all exactly make ‘sense’ because I just want to be able to slap an Arisen!Emrys cycle in there and it’s just inherently not right on any level.

Cycle 3 has the most alternative endings that are genuine, AU endings, that don't really fit in the scheme of continuity... but they're out there. 😂

The Neutral Ending. After several bad turns with Dragonsplague, Godsway, and dealing with Olivia’s brother, he begs her to give up her charge and simply leave with him. Though reluctant, she eventually agrees. They live out their days, sometimes avoiding and other times assisting new Arisen. The Happy Ending. Despite their son becoming Arisen, he later manages to truly break and end the cycle, and all is well. Some of it has overlapping plot points with the True Ending, but with Idris playing a more central role. It’s likely in this one Olivia and Emrys would eventually grow old together.

#crow's lorebook.#lorebook: olivia & emrys #i'm keeping vague on details of what all actually happens in each cycle for now #because me being me i'm sure i'll go have to flesh them out eventually

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ordinaryschmuck · 1 year

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Guardians of the Galaxy Vol 3 made me cry three times.

Hey, that’s one per movie...Yeah, this movie’s awesome.

If you couldn’t tell, this is a very emotional film for sure, and a part of why that works so well is because it’s these characters. The Guardians are some of the most likable characters in the MCU, so seeing them go through a lot of hard stuff in this movie hits ya where it hurts because of how much you care about them. Especially Rocket, who I might not see the same way again after this movie due to his crazy tragic backstory.

Speaking of which, shit gets DARK with Volume 3! Do you like animals? Then maybe don’t watch this one, because there are scenes where animals get tortured, mutilated, mutated, and even killed throughout the film. You don’t see the REAL brutal stuff, but the implications that James Gunn puts in might actually be worse than SHOWING us. But don’t let that make you think we DON’T see any gruesome stuff in this. Guardians of the Galaxy Vol 3 is one of the few MCU projects that EARNS its PG-13 rating, having some VIOLENT imagery and deaths. For example, there’s a moment where you see what a character really looks like, and it might just be the goriest thing the MCU has ever had, which is the biggest compliment I can give.

But despite all that, it’s still funny! Like, REALLY funny! And the jokes don’t spoil and dramatic or serious moment in the film, either...Well, except for maybe one or two scenes, but that’s NOTHING compared to films where the jokes completely harm the final product like Thor: Love and Thunder. Here, the jokes are perfectly placed, are rarely forced in, and are ACTUALLY funny. Me and everyone in the theater were cackling with laughter a LOT throughout the movie. I could barely restrain myself from belting out a laugh or two half the time.

And the action. Holy SHIT, the action! These “trilogies” in the MCU really know how to save the cool stuff for the third movies. Iron Man 3, Captain America: Civil War, Thor: Ragnarok, Spider-Man: No Way Home, and now THIS FILM all feature some of the most epic, creative, and fun action scenes and set-pieces in the MCU. There’s a hallway fight that might just top Daredevil’s due to how violent and creative it is with these characters, their powers, and how they kill people. It really does feel like James Gunn wanted to give the fans a few final cool battles before leaving the MCU forever.

Which brings me to another thing about what makes this movie awesome: It is a clear send-off for James Gunn and the Guardians. The movie makes it VERY clear that this will be the last time all these characters will be together. Hell, the credits features pictures of the Guardians throughout their journies and adventures in the MCU. The most we’ll PROBABLY get are cameos, but other than that, this is the end for most of these characters. And WHAT an end it was.

If there’s anything to complain about, there’s two problems.

#1, Adam Warlock. The character isn’t...bad and Will Poulter nails the voice I always pictured this character having. But he doesn’t really nail who Warlock is in the comics and, overall, he’s kind of...pointless. You can easily write him out of the movie and make a few extra tweaks NOTHING would be missing. Honestly, it feels like the only reason why he’s here is because Volume 2 teased his appearance and James Gunn had no choice but to...bring him in for this last ride. Also, Warlock has the worst costume in the MCU. I mean, look at this:

What even is this?

Which brings me to #2--Which is my most nitpickiest complaint: Star Lord doesn’t wear his mask. Ever. Throughout all two hours and a half hours of this film. It’s part of a bigger complain I have where characters don’t mask up as much as they should in these movies, but it doesn’t stop how distracting it is. I don’t want see Chrisp Ratt’s stupid face in this. I want to see STAR LORD.

THIS! I want to see THIS! And the crazy thing is that Volume 3 finally gives the Guardians their comic accurate uniforms, but don’t go all the way in giving us Star Lord’s mask. Not even the original one they made for these movies. Part of the fun of superheroes are their cool and iconic costumes so it sucks that we don’t get to see enough of that. Imagine if Spider-Man: No Way Home or Captain America: Civil War didn’t have Peter and Steve wear their masks for the big and epic fights, including the finale battles. It wouldn’t be great, would it? Seeing Tom Holland and Chris Evans fight instead of Spider-Man and Captain America.

LET YOUR HEROES WEAR MASKS, YOU COWARDS!

...But other than that, this movie’s a near perfect 9/10 for me.

Now, does this mean Marvel’s back on their game and they’ll be making good movies again?

...We’ll see.

For now, I’ll remain hopeful. Because while the MCU is going through a bit of a rough patch with its films and recent shows, there’s still some fun to be had. I’ll always keep an eye out for what they have next, even if it’s not always as good as it could be, it’ll always lead me to seeing...

A fun, nostalgic thrill-ride that honors Spider-Man and what makes him so awesome.

A touching tribute to Chadwick Boseman and how much he and the character he portrayed meant to others.

And this final ride that’s fun, tragic, and complete in all the right ways.

#marvel cinematic universe #mcu #mcu reviews #guardians of the galaxy #guardians of the galaxy vol 3 #rocket raccoon #star lord #adam warlock #quick thoughts #what i thought about

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