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#there's some mistakes i'm sorry
vxlkt · 8 months
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Roger and his adopted son
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carouselunique · 1 month
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Cinch had three charges in her care once, Celestia entrusted her with the day-to-day care of Prince Blueblood, the new Princess Cadence and her student Sunset Shimmer - running a kingdom is difficult enough alone without three young ponies to look after - so when Celestia is absent (often) that means Cinch was in charge of these three ponies. And while the matron of the castle was always rigid about rules and wanted her three charges to uphold her reputation and to build their own budding reputations high, she cared about them very much. You'd have to, spending your time with the same three young ponies for so long, guiding and teaching them to be their best...
By the time Ditzy came into the picture, Cinch was down to two charges. She refused to fail them the way she failed...
Well, with one down, there were two left and she cared so much she wouldn't let anyone ruin them, especially not themselves. Surely they would come to realize Cinch was only helping.
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xceanlynx · 7 months
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Sand & Ray + Pantone colors Only Friends (2023) dir. Jojo Tichakorn & Ninew Pinya
[in.sp/templ.]
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rox-of-iu · 10 months
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my old blorbos are back in my brain
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heart pirates my absolute beloved. shame theyre chillin somewhere in the ocean lol (do not mention the pre-time skip hats of penguin and shachi I'm still attached even tho its already been a million years since then)
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anyway every time i remember that Law and Kid are assigned german and Scottish by Oda i gain one hundred years
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halcyonfawn · 6 months
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the meaning behind "face the raven" theme in "wild blue yonder" and more
a continuation of this post. i need to talk about this otherwise i'll explode.
some people have also said that this theme is playing in "last christmas" and "hell bent" (thank you for pointing that out, i'm going to die) which makes it all even worse (better). therefore, this post is, more or less, destined to turn into capaldi's era brainrot. but not all of it, i promise.
you've been warned.
first of all, allow me to refresh your memory. let's look into the context of the scenes where we heard this music theme before.
"last christmas"
according to series 8 official soundtrack, this theme is a part of "every christmas is last christmas" and is heard quite clearly two times. they're both important scenes for the doctor and clara.
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too late.
a moment full of regrets and nostalgia. the doctor thinking he's lost clara again, wishing he would have come back sooner. clara reminicing her life without the doctor in it.
"so no one matched up to danny, eh?" "there was one other man, but that would never have worked out." "why not?" "he was impossible."
it is (heavily) implied that "one other man" is the doctor. does the doctor himself realise that she's talking about him? open for interpretation. but what this small exchange truly does is showing a game of saying something without actually saying it.
"can you really see no difference in me?" "clara oswald, you will never look any different to me."
yet another way of dancing around words. there's something special and touching about this last line. it is sort of a confession of unconditional love. but the word itself - love - is never spoken out loud.
then again, twelfth might be face blind.
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second chances.
now, this scene is a complete opposite of the one mentioned above. it's full of hope, anticipation, happiness. a beginning of a new arc. he is given a second chance and he takes it. the doctor asks clara to run away with him once again. and she says "yes" without hesitation, takes his hand, kisses him on the cheek.
conclusion? these two scenes are focused entirely on the doctor and clara's relationship. it is there to show their strong connection, how much they mean to one another. utter devastation at the thought of their time ending and the absolute joy of reuniting after being separated. a chance at a happy ending. which also makes the music that plays on the background their theme.
"face the raven"
"every christmas is last christmas" is now turned into "face the raven" and is asocciated with clara's death. it also makes the previous name even more heartwrenching since last christmas was literally clara and doctor's last hurrah. we can hear this piece of music appear in two scenes as well.
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clara's monologue about facing the raven.
"if danny pink can do it so can i. die right. die like i mean it, face the raven. maybe this is what i wanted. maybe this is it. maybe this is why i kept running. maybe this is why i kept taking all those stupid risks, kept pushing it."
she's accepting her fate and aknowleges her recklesness all the way throught the season 9. it was meant to be. there wasn't enough space for two doctors in the tardis.
"i let you get reckless" "why? why shouldn't i be reckless? you're reckless all the bloody time! why can't i be like you?" "clara, there's nothing special about me. i'm nothing but less breakable than you. i should've taken care of you."
this scene is also about how a human life can be so very short compared to the time lord's and how easily it can end. it's fragile. and it's the doctor's curse: bearing the pain of losing his loved ones.
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clara meeting her fate.
as she approaches the raven, ever so brave, the doctor watches her. he hears clara scream, then witness her collapsing onto the ground. it is extremely painful, but this is, i repeat, the doctor's curse: watching his companions leave. there's no use in running away from that pain, it haunts him every step of the way.
"hell bent"
next time, "face the raven" theme can be heard during the memory wipe sequence. there is no name given for the background music in this particular moment, but it's quite obvious it represents loss and... letting go?
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the doctor is about to make clara forget their time together (does that ring a bell, anyone?).
it is worth pointing out that the music becomes the loudest at the exact moment the doctor says:
"look how far i went for fear of losing you. this has to stop. one of us has to go."
it is the culmination of their relationship. companions that push each other to extremes. together they might destroy the whole universe in order to keep each other safe. there's no other way but to separate. they've formed such a strong connection than one is ought to forget the other.
even though at first the doctor is determined to wipe clara's memories, he then admits she is right: it is unfair to take away all that wonderful time they had from her. so he gives her a choice. or, more like, an offer to play a russian roulette. it's either you or me. i'm not going to press that button. we will do this together.
to summarise: all of these moments featured a strong connection between clara and the doctor. it also tells us a story about how hard it is to lose someone you care about deeply, especially for the doctor.
how is it all connected to the doctor and donna?
memory wipe
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the doctor has to make donna and clara forget about him in order to keep them safe. expect that he doesn't give donna a choice, wiping her memory almost instantly, without saying a proper goodbye to her. obviously, he didn't have enough time to think of a better way to solve the problem since donna wouldn't have lasted long. however, it is still a decision he regrets making.
from "the star beast":
"i'm so glad you're back, donna. it killed me, it killed me, it killed me."
if we take a look at clara's situation, it's a bit different. i've already mentioned it above: at first, the doctor wants to do the same thing to clara that he did to donna. make her forget. expect, this time he is confronted for doing so (even threatened, at some point).
"these have been the best years of my life and they're mine."
i think this line triggers something in the doctor. because this is when he realises that this is not the right thing to do. not exactly. he'd already done it once and he regretted it. so this time, he offers a slightly different solution. someone still has to forget, but they'll press that button together. it's a mutual choice.
now, i know it's not entirely related to the dialogue in "wild blue yonder", but i think it's worth mentioning that donna and clara's stories are somewhat similar. i'm sure it's been said before, but it's still important.
donna's story was incomplete because she wasn't given a choice. now, that she remembers, 14th doctor makes sure their time together is worth-while. a second chance just like in "last christams".
too alike
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another similarity between these two stories is that clara and donna are not entirely humans. not anymore.
donna's half timelord. even though her head is still not big enough to fit all the doctor's memories, she still has a part of the doctor in her.
clara's frozen in time, that makes her practically immortal. she risks her life, she reverses the polarity of the neuroblock, she gets her own tardis, she's even reffered to as "clara who" at the end of "hell bent". she has become the doctor in a sense.
but there can only be one doctor. so where's the story heading to at this point, i wonder? but we'll come back to this question later.
"but what really happened?"
before i say anything, it is obvious that the doctor's silence before and after he says "a lot" is him reminicing all that'd happened to him during the 11th, 12th and 13th reincarnations. all of the loss and pain he went through.
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but why "face the raven" theme of all things? it could be a general theme of grief/nostalgia/painful memories, nothing else implied.
but please let me be delusional for a bit longer!
just as that scene in "hell bent" brought the doctor back to the moment he made donna forget him, could it be that bringing back his best friend's memories in a whole universe that "he absolutely loves", also reminded him of another important person in his life with similar story? just like "hell bent" mirrored "the journey's end", "wild blue younder" gave us a reference to "hell bent".
this is where we get back to the question about the current story direction.
foreshadowing?
donna's story is not over. and there are a lot of possibilities how it can end.
say, there is a connection to clara's story here, i wonder if that's where the plot's heading. in one of the trailers, the doctor does say "i'm not sure if i can save you this time" to donna. and it worries me. then again, maybe they're just tricking us into thinking something bad will happen (oh the drama).
i'd say it's unlikely donna's going to die because that would be absolutely devastating after just bringing her back. at the very least, the ending wouldn't be completely "happily ever after". perhaps, sacrifices will be made in order to prevent something truly horrible from happening.
why did this face come back?
in "the girl who died" twelfth doctor finally realises why he got his face. it is a call-back to "the fires of pompei" (don't even get me started on its being the episode with 10th and donna).
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the message the doctor was giving to himself turned out to be:
"i'm the doctor and i save people!"
but what is 14th trying to tell himself?
i think it's about donna and more.
he's fixing his mistake of erasing her memories and depriving her of the right to remember amazing things that'd happened to her.
it's a reminder to actually tell people how much they mean to him. as we can see, 14th's more open with his feelings and constantly shows signs of affection towards his loved ones, even breaking the "never say i love you" rule.
it's about being honest and open with people because they deserve to hear it from him and he deserves to hear it back. because "things happen and then it's too late".
again, take 12th doctor, for instance. he constantly represses his feelings. but in my humble opinion, the reason why he's changed by season 10 was clara. she pulled him out of the dark place. and even though her death almost threw him back to that state again, he is still a better man by season 10.
but there were things left unsaid. love and care were always there but it was never said out loud. kind of the same thing happened with 13th.
i strongly believe that donna is that person for 14th. they're best friends who love each other deeply. and after the doctor lost her and got a second chance to fix everything, he does, he's being affectione. he's finally open with his feelings.
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conslusion: why did you make us read all fo this?
to answer the question in the title: it's all tied with how memories are important and priceless, fixing past mistakes, moving on and learning to treasure every moment with people you care about like it's your last.
it can also be a foreshadowing for something terrible, but i choose to hope for the better.
─── ⋆⋅☆⋅⋆ ──
aaaand that is the end of my doctor who rant. thank you for getting this far, if you did!
my feelings about all of this can be described with this one meme:
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uynumeotp · 1 year
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Vash and Wolfwood's infomations from an interview with Nightow (Trigun's author)
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Vash's Profile  Height: I haven't decided. But he's around 180 cm (5.9 ft) (5'11")
Name's origin : Stampede is a nickname/ street name. It means 'runaway cattle'.
Change in hair color: There is a reason. But I can't tell you yet.
Coat's weight: Not sure. It would be quite light so he can run and move in various ways.
Vision: Pretty good. His visual acuity is also good. Plus, his ability to make last-minute decisions in times of crisis and his reflexes to make the most out of close chances are what keep him alive. It's not like he has supernatural powers.
Living expenses: He also works as a bodyguard, etc... So I guess that's how he earns his daily money. It's stable and he doesn't use money wastefully.
How long it takes to get dressed: I haven't decided on that. Since he wears those clothes every day, wouldn't it be pretty fast?
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Wolfwood's Profile
Height: Not sure. But he is a little taller than Vash. About 1 to 2 cm taller (about 1 inches).
Name's origin: It's a pun. Tortoise Matsumoto is the model, so the name came from Ulfuls. The D in his middle name stands for "ドコノクミノモン ジャワレスマキニシテシズメタロ カコラ"(Dokonokuminomon Jawaresu Makinishi Teshizu Metallo Kakora) (laughs) TL Note: I think what he meant is the "Wolf" in WW's name (ウルフウッド) came from Ulfuls (ウルフルズ) - a Japanese rock band (The aforementioned Tortoise Matsumoto is the vocalist of the band) as a reference. The middle name, D, is "Where (D)o you belong?" It is an abbreviation of "Dokono~" in English. Smoking amount per day: I don't know. Well, I was thinking he would smoke a lot. But cigarettes seem expensive, so he might be smoking with a toothpick/stick.
Clothing (light clothing): The reason for the simple clothes is because it's would be hard to draw him holding the cross otherwise. The cross alone can make him stand out.
Dialect (he speaks in the Kansai dialect in Japanese): Since they are in an English-speaking setting, he is not actually speaking the Kansai dialect. Please think of it as an accent expression.
Gun's name: Punisher. Are you punishing the enemy or yourself?
Gun's weight: I feel like it weighs over a hundred-something kgs (> 240lbs). He carries it well. He must have great balance to be able to wield/swing it.
The size of the gun: about 170 cm (5.6 ft) (5'7") on the long side?
How long it takes to rewrap the cloth after using the gun: Not sure. I guess he would have to pick up the cloth, rewrap it, and carefully fasten it with belts. In order to look cool, you have to work on the little things.
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iwasbored777 · 14 days
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I really love Gwen's story in the end of ATSV cuz even if she and Miles never speak again she has real friends now, she's not all alone anymore. She has people who understand her the way others couldn't. And things aren't 100% perfect in her dimension but at least her father no longer thinks she's a murderer and even though everyone else will probably never change their mind about her in her world at least her father is here on her side. It's a huge improvement from how things were in the first movie and the majority of the second one. She spent the whole first movie realizing what it's like to be happy again, in the second movie she was afraid that she would lose everything because things were even worse than before, at one point she did lose everything, and after that she gained more than she thought she would.
Of course she was so negative about stuff, cuz when life is beating you down for too long you forget that good things can happen.
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cerise-on-top · 2 months
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Hello love! Hope you are well!
So I’ve had this cute idea for a while with AleRudy poly! Where Alejandro and their s/o spoil Rudy for a day, like make him dinner,, whatever you think lolz and then end it by both Ale and s/o spooning him?? I think it would be adorable!!
Hey there! I don't think I made this as fluffy as I could have, and for that I am truly sorry! But I tried!
Spoiling Rodolfo
I feel like he’d be surprised at first. Don’t get me wrong, he doesn’t doubt the love you and Alejandro have for him one bit, but he never would have thought you’d go out of your way to spoil him this much. First you bring him breakfast in bed, essentially waking him with a kiss to each side. It was all there, French toast, eggs, orange juice. He didn’t have to lift a finger. Naturally, as he got out of bed, he’d try to make it up to you by cleaning up after himself, only for you and Alejandro to stop him from doing so, forcing him back onto the bed once again. Rodolfo would grow suspicious. Did he miss an important date? Did the both of you miss an important date? It wasn’t like it was his birthday either, but he couldn’t for the life of him remember something that you did where you had to make it up to him either. For the time being, he’d simply accept his fate. Eventually, he would get up to check up on you. And then there was the barrage of gifts. They were lovely, naturally, but what did he do to deserve them? Again, he would grow even more suspicious. From the beautiful flowers to the small stickers you stuck on him, he wouldn’t know what to do. However, he wouldn’t say something immediately. Maybe he can think of why you’re being especially nice to him himself. Were you about to get into a lot of trouble? Were you just trying to get on his good side?
Of course, Alejandro made the suggestion of going out together, spending the time outside to do whatever it is he wanted. And then came the idea of having a picnic, since it was nice and warm outside. As you went to pay for all the items, with Rodolfo already taking out his wallet, you almost tackled him to get him to put it away. Alejandro paid, even though he shouldn’t have. You were three people, and with the amount of snacks you bought it didn’t come cheap either. From a massage to a heartfelt poem from you, it all started to seem like a little too much. Again, Rodolfo doesn’t doubt the love you feel for him, but it seems a bit off. However, you wouldn’t give him a satisfying answer either when asked about it. Were you going to break up with him after all this time? Making your last day together as beautiful as possible so he had something to cry over? He hoped not, but it didn’t seem impossible with how nice you were being towards him. A kiss to the cheek, you even gave him a plushie of a small cat, claiming its silliness reminded you of him. Why on Earth would you do all of this? Why go to these lengths?
Even around dinnertime, when you wouldn’t let him help out, he almost felt a bit sad. Sure, it was nice to not have to lift a single finger for a day, but why? He loved helping out, you both knew that. He was very much an active man at home, doing what he could to keep everything clean and in order. He didn’t mind cooking for you either, pouring his heart and soul into every meal for you. Rodolfo adored doing something for you, so he wasn’t used to being on the receiving end of it all. The meal was delicious, but he felt almost sad as he was unable to help you out at least even a little bit. You watched his favorite movie with him, you took pictures of him with his silly cat plushie, hell, you would have likely spoon fed him as well on that day. He couldn’t shake the feeling that something was wrong. What have the both of you been up to? He would ask you again regarding it all when you were spooning him, trapping him on either side. It would take the most embarrassing nicknames that you only use on him to calm his nerves. Something along the lines of “Hush, Rudy-Poody, can’t we show our love and appreciation for you for once? You always make us feel good, so it was time to return the favor.” and “Mi esposo, you need to have more trust in us. Sometimes we just wanna see you smile as well. Cheer up, we just wanted to spoil just once in this life.”
He’d sort of cringe at the nickname you gave him, but it was the reassurance he needed since you only ever used it when you were being especially sappy. You didn’t get in trouble again, you were simply a bunch of lovesick fools. He’d give you a kiss on the nose and a smile. However, he would also try to turn around as Alejandro was spooning him, only for the colonel to not budge in the slightest, saying that Rodolfo shouldn’t be tossing and turning like this. No kissy for Alejandro it seemed. Rodolfo was this close to just wrestling him down for that kissy. Although he can’t really get used to the feeling of being spoiled, he will accept it for just that day. He will pay the both of you back in his style, though. You will also be spoiled. He couldn’t wait to team up with one of you to spoil the third one. All three of you will have had a day like this at some point.
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beanghostprincess · 6 months
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How would you rank each strawhat based on morality? Of cours they are all good people, but some are certainly more and others slightly less
I mean... I don't think morality is something we can make rankings of because it varies depending on your philosophy and a good person isn't always the one following the conventional, Kantian rules of morality. But I know where you're coming from. I guess I can just base it on my own understanding of what morality is, which basically follows the whole "an action is good when the outcome affects positively the majority of people/makes somebody external to you feel good/doesn't harm anybody external" (aka selflessness and altruism) and "an action doesn't have to be necessarily good and you can still be a good person because your initial intentions were good, even if the outcome wasn't the one you expected". So, basically, this ranking is based on altruism, selflessness, and the way their actions affect others and what are their views on society/how they behave with others. I also have in mind why they do the things they do and if their positive actions are done out of selfishness or pure altruism.
1- Chopper
Isn't it obvious? His whole character is literally about helping others. He's a caretaker who looks out for everybody and the common well-being and happiness. He has a strong sense of morality that's based on other people's joy and freedom, and he fights for the rights of every human being despite their background. He doesn't care about whether you're evil or not when it comes to your life, always saving the ones who need saving. His vision of the world is pretty simple, honestly. Besides, kindness is often related to naivete and he's well-known for that too. He treats people with respect, and kindness, often mimics others to fit in, and the only times he harms people is to fight for what he thinks is right (which is pretty often related to basic human rights being violated in a medical sense). Being a doctor doesn't make you morally good, but being this type of doctor specifically definitely does. He'd pretty much sacrifice himself if it meant helping others, using himself as a tester for various antidotes. He's by far the nicest straw hat. He's both selfless and altruistic and he even has his own set of morals that involve protecting humanity's basic rights when it comes to living. Wanting to cure every illness and make a world in which nobody can die before their time is basically his whole character.
2- Brook
What sets Chopper and Brook apart from the other Straw Hats is that they are pretty active in their altruism and try to do good for people unrelated to them. His whole thing is quite literally making others laugh from happiness. He's a musician. His whole life before joining the Straw Hats was to be in a crew full of artists who lived to make others happy with music. That's the most selfless passion ever. His cheerful and jokester personality is pretty much meant to cope in a funnier way to make others laugh and save them from being worried about him. He keeps wanting others to be comfortable and together as a family, he enjoys unity from spending so much time alone but it doesn't come from a place of selfishness, because he keeps wanting others to enjoy their time together. He might need/want company, but the way he asks for it is in a very polite way and he never wants to bother other people. His whole character is literally focused on wanting to go see Laboon and make him know he's alive. He could've tried to k word himself in the years he spent alone, but he didn't because somebody else was waiting for him. He might be a pervert but he asks for consent, having in mind what women want and he doesn't push things further if they don't want to. Brook is the definition of a very jokester gentleman with knowledge for consent and a very selfless attitude towards life, valuing others' needs before his own. Although he doesn't hesitate to cut people in half, he only does this to his enemies and, y'know, pirate life. And often it's either needed or they don't even end up dead, so... The reason he fights is to always keep others safe, rather than worrying about his own life (even though he's already dead yohoho!). I think he's one of the characters, along with Chopper and Robin, that value life the most and that's what makes them so good at protecting others.
3- Jinbe
The reason why Jinbe is third is because his sense of morality varies from Brook and Chopper's more empathetic and nondiscriminatory way of protecting people. Jinbe tends to follow logic within morality instead of instant emotions and I personally value more people who extend their empathy to everyone without a second thought than genuinely thinking about it first before acting. He has his own set of morals and what he considers to be right or wrong. He thinks first before doing anything and considers the outcome of whether saving somebody is plausible or not in the situation. That doesn't make him selfish, but just a logical person. What sets the difference between the other two and him is that Jinbe won't help everyone and Chopper/Brook will not hesitate to do so. Jinbe's caring side is mostly shown to be to his loved ones and he doesn't generally extend that behavior to people outside of his circle. He literally refused to look after Luffy because he didn't know the guy, even if he was Ace's friend. He acknowledges he can't help everyone and just takes care of his people. And when he does that, he does it in the most selfless and self-sacrificing of ways! He would die for his loved ones without hesitating and his whole character arc is about Jinbe deserving a break from looking after everyone instead of enjoying his own life. They quite literally have to force him to follow what he truly wants and yet he still goes back to help his people before joining the Straw Hats. So the reason why Jinbe is third is because he's just like Chopper and Brook, except that he acknowledges the reality of the world and uses a more logical approach, being more personal when it comes to taking care of people. Also, he wants to keep peace around the world and the way he approaches people is in a very respectful manner and tries to keep conflicts at bay, which is directly looking out for common ground and pacifism. I almost forgot to mention his whole deal with the liberation of slaves, and that's obviously something that makes him an even greater person. He fights for a cause, against the unfairness of the world. He makes the world a better place.
4- Robin
I've had a hard time trying to think about whether she should go before or after Jinbe, but after some time debating it, I think this is the right place for her. Her whole character is basically all about learning how to live and love because she never had the chance to do so after so many years of suffering on her own. Her concept of helping others might be more altruistic than Jinbe's because I view her as somebody who would follow Chopper/Brook's standards and help everybody in need, instead of only keeping her protectiveness to her morality and circle. However, even if she's more altruistic and empathetic with outsiders, her view of socializing is more cynical than Jinbe's. She chooses a more abrupt way of fighting for what's right and instead of looking out for common peace and ground, she doesn't mind cracking a few necks and spines. She has fun with chaos and dark imagery, unlike Jinbe, who's a very caring man. And she is caring too! The sweetest! But Jinbe worries more about what could happen while Robin is still learning how to have fun and just vibes. She has this bit of selfishness and enjoyment for chaos and having a good time that Jinbe doesn't have because he's calmer than her. She's calm but she enjoys the fun drama, and Jinbe cares about his surroundings' well-being more. The way she treats enemies is crueler because Jinbe is polite while she doesn't care about cracking a few necks. Even if she's more empathetic towards strangers, looking out for the general peace is conventionally better for society than cracking people's necks, so, yeah. And she's a revolutionary and their views might follow a set of morals about freedom, but the way they deal with social issues is very arbitrary. Basically, she's a sweetie but she has a bit of a dark side.
5- Usopp
He's the sweetest guy of all time and normally wouldn't hurt a fly and he goes all the way to make everybody feel comfortable and have a sense of unity. However, the main difference between Usopp and the others (this is where the ranking kind of starts being more and more different in terms of complex morality) is that he's selfish out of fear and self-defense. A thing that is completely natural and proof that thinking about himself and his loved ones first doesn't make him a bad person, just careful and human. Selfishness is often seen as something bad and against the benefits of society as a whole, and it might be, but it doesn't make him a bad person (that again, I don't think we're able to judge this either). The cool thing about Usopp is that he's a growing character. He keeps learning more about himself every day and, even if he's a "coward", the bravest thing somebody can do is fight against fear. Especially when it comes to insecurities and when you're probably about to die. He isn't altruistic in the sense of risking his life for a stranger (unless he feels guilty about it or has the need to do so) but he is the kindest in the sense of embracing friendship and support. He brings domesticity and comfort to quite literally everybody he encounters. He's easy to befriend and to talk to. His whole thing about lying comes from trying to cheer up his mom about his dad leaving them, c'mon, even if he was suffering because of her illness. He fights for the ones he loves even if he's scared, and when he refuses to fight is when he doesn't know the people that much and, to be honest, fair. Nobody should be forced to sacrifice themselves for people they don't care about and I personally don't think that can talk about morality. Besides, the way he jokes around and does his little shenanigans with Luffy not really caring about the chaos around (besides when, y'know, personal safety) only makes everything I said more obvious.
6- Sanji
Sanji is a very... Complex character. The duality of men, basically. When he's kind he's at his best and when he's creepy he's at his worst but then he also has this view on how much people's lives matter depending on what he personally thinks. He's very emotion/trauma-driven, so perhaps that's why it's really hard to tell whether he follows a conventional morality or his own. His whole character arc is about him realizing that he's kind, empathetic, self-sacrificing, and everything the Vinsmokes aren't. But he also has a calculative and cold side that shows up when he doesn't give a single fuck about the people he's talking to. Basically, Sanji can be both the nicest and the meanest guy in the world depending on what he thinks of you, but he'll never let you starve due to his own morals of "nobody should die of hunger". Like he might beat the shit out of you but he's making you a damn risotto before the fight. Sanji is a very kind soul and he looks out for others and always puts them first, but his morality is pretty much focused on his past experiences. He also has these preferences for women, which are not morally correct (if you view this term as equality) because, unlike the other characters, he doesn't view their lives in the same way. However, that doesn't mean he hates men, he just puts women on a pedestal. He will put others first no matter what but if he doesn't care about you he won't give a single fuck. He literally was about to leave those kids in Punk Hazard and only helped because Nami said so. When he has to help somebody he cares about, though (or anybody, really) he always ends up self-sacrificing for the greater good. But it's not really coming from a place of "this is a good thing to do" but from a "their lives are more important than mine and I like to feel needed". Even if I do think he also does this out of empathy and love, both things coexist. He tries really hard to please others. He finds joy in feeling needed but also in making others happy, so it really is a mix of trauma and genuine kindness. He's quite literally the whole "doing good things because it feels good but also because it helps people, and helping people makes me feel good" but I don't think he does it in a selfish way, because he doesn't even realize he's doing it to feel better in the first place. He just doesn't value his life the way he should. So, TL;DR: Sanji's a selfless character when it comes to the people he loves and when his morals are at hand (huge difference between the other characters, who help people without having in mind those things), but if he doesn't care, he genuinely doesn't care. His self-sacrifice might come from a place of wanting to feel needed, and that could be seen as selfish, but I don't think he actively thinks about it. He just acts. The reason why he's number 6 despite being one of the kindest characters is because he canonically has preferences and uses his own morals to decide what to do instead of valuing everyone's lives equally. Besides, his whole thing being creepy with women (even if it's just a running gag) makes him less likable. But this is post-ts Sanji's fault mostly.
7- Franky
He's a family man. He puts his family and the people he loves first. He has his priorities and follows his morals about masculinity and that's it. Great pal that cares deeply about his loved ones and would beat the shit out of somebody if that person were to hurt him/them/his ideals. The reason why he's number seven despite seemingly being so nice at first, is pretty much because of his background. The whole Franky family? Beating up Usopp? Stealing the money? He was into very dark stuff, man. Mafia type of shit. That doesn't mean he's a bad person but his morals are pretty questionable, and they basically follow the "Protect family, protect home, protect ideals, befriend cool people, beat up people I don't like". He's very... American. I mean. He is technically canonically American and it makes a lot of sense if you think about it. He befriends people quickly but he can despise them just as quick too. Once again repeating the whole "only looks out for the people he likes or for his morals/what he loves" but if he isn't interested in something he'll just... Don't do it. But, yeah, he might be pretty empathetic because he resonates with all the sad stories he hears and doesn't hesitate to save people, but as I said, it's not really an "I save people because all people deserve to be saved" and it's more of an "I like this person so I'm gonna save them" which is exactly what happened with Usopp back at Water 7/Enies Lobby. I must say he's also kind, helpful, and energetic and loves to spread fun around the ship to make people happy. Seeing the ones he loves full of joy makes him complete, and that comes only from love. But he doesn't spread that love the way the characters before him would, you know? The reason why he's here is both because of his past and his behavior toward helping others which is basically about turning them into friends right away (which, you know, is exactly what Luffy does too).
8- Nami
She's a bitch. In the best of ways. But she's still a bitch. I'm always the first one to say she's one of the kindest characters. Her heart is just so, so big and she treats people in need with so much love it's obvious she has motherly traits and just loves to take care of people. However, the girl is greedy. She's greedy. Selfish. A liar. A thief. A bitch. A flirt. A queen, basically. To me, she's the best of the best and she would go on top if we were talking about best characters, but here we are judging based on morality and... She's just that. A bitch. With a very warm heart that just freezes the second she gives no fucks about you. You know, she's not evil, she just uses people to her advantage because (especially back at the start. Arlong Park things) she isn't used to trusting people. She has really obvious trust issues and she pretty much only loves a few specific people in her life. She would do anything for them. And yet, even when she loves somebody, she's still a manipulative menace. Morally speaking she's fucked up because she looks only for herself and the ones she cares about, and when she needs to run to save her ass, she does it. She doesn't leave anybody behind if she knows it's gonna be THE end, but if the one who's with her is only gonna end up hurt and not dead (usually Usopp. RIP Usopp) she's running for her life. Also, she's shameless and uses the strength of the Monster Trio to her advantage and I absolutely love it. She's the brains, let the others protect her fr. She knows she can fight, she's just scared af of dying and I find her so real for that. She likes teasing people and wrapping them around her finger to get what she wants! She doesn't care about anybody except for her crew because why would she? They're pirates! And she only does it when it's either about kids (she has a huge, soft, warm spot for them) or somebody she grows fond of. So, she's a sweetheart and a very caring girl to the ones she loves (or she's the meanest too, as a sign of true tough love) but she gives in between -10 and 0 fucks about others and will steal from them, no hesitation needed. She breaks so many morality norms within society that she makes the perfect pirate. Honestly, it looks like she's the only one in the crew interested in the part of being a pirate that's about stealing and treasures. I love her so damn much...
9- Luffy
A lot of people are going to disagree with me on this one, but this is the one part of the ranking I'm 100% sure about. And it's not even hard to explain: Luffy is selfish. He's a very selfish pirate. But he's empathetic, kind, and really easy to befriend if you manage him to like you. He also sees the good in people. But he isn't altruistic. He only helps people he chooses to help because he either likes them or finds them interesting enough or perhaps he owes them one or whatever. He loves people in such a huge way that, if he likes you, he'll do anything for you. Anything. But he only helps people he considers his friends/acquaintances without wanting to be seen as the hero of the story because he's literally just helping a friend out. If he doesn't care about somebody, he will just ignore them. Or be straight-up mean to them. He has no filter and if he hates somebody, he does it explicitly and without any remorse about it. He might be extremely empathetic and sacrifice his well-being but only when it comes to the people he cares about. Otherwise, he'll just groan in pain and boredom. On the other hand, Luffy is also Chaotic Good (haha me too!), and he has his own morals. They consist of freedom and liberty. He will help to free a whole village. Or prisoners. Slaves. Even if they aren't his friends. But only because all of his ideals are about freedom and choosing how to live your own life. It just bothers him personally. And it's not even "I'm helping these people be freed because they deserve it" it's more of a "The concept of cutting somebody's wings makes me so fucking furious I'm gonna make this everybody's problem. I don't care what these people do after this adventure, but they should be able to have the freedom to choose". So, yeah, basically Luffy follows his ideals of "I do whatever the fuck I want" and "Don't hurt my friends. Don't go against freedom. Or I'll beat you up". He's very stubborn, too. Chaotic. He doesn't think about how his decisions will affect others. He's a very independent person when it comes to decision making but he's also very needy in the sense of needing people around him to feel safe because he is, after all, an extrovert who loves his friends/family to death. Luffy is selfish because he does whatever he wants, even if he's empathetic, kind, and understanding. Those concepts can coexist perfectly.
10- Zoro
I don't think I need to explain this much, honestly? He's very introverted and doesn't let people in easily, so he just doesn't care about people who aren't in his circle. He fights for his loved ones to death and holds the people he loves close to his heart, to the point of doing anything for them. But... But his morals are basically shit outside of that. He used to kill pirates for bounties without any hesitation. He still pretty much murders the people they fight against without any remorse. And, y'know, they're pirates so I'm not judging here. He's selfish in the sense of being a very protective person with his things and his personal space, and he can come off as rude to outsiders because, well, he is genuinely rude to them because he genuinely doesn't care about them. Unless he befriends somebody, strangers to him are just strangers and he couldn't give less of a fuck about them and their tragedies UNLESS they're going through something that goes against his own/or a nakama's morals. I personally think he's a sweetheart, but if we're following moral codes about the well-being of society as a whole and how much positive impact somebody does? He's, like, the last one to choose from the crew. He cares about Kuina, his swords, Luffy, and his Nakama. Perhaps he befriends somebody along the way but it always feels more like just respect and not really a friendship. Not saying Zoro is a bad person for his introverted personality and cynical behavior, I just think he's very intimate with his circle and will only do what he thinks necessary instead of focusing on selflessness and altruism as a society. He's pretty strict about the pirate code and he follows those rules solemnly, so he does have a type of morality, but he doesn't focus on society's well-being. He doesn't mind causing chaos if he gets what he wants. He's just chilling. Passing by. I honestly think Nami/Zoro is a great friendship because they're both little shameless bitches. TL;DR: Zoro loves crew only. Fuck other people. Might respect acquaintances. Strong pirate/swordsman moral code. But he isn't an altruistic/society/people person.
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bloodychazorite · 29 days
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Q!SLIME HEADCANONS N’ SHORT STORIES!!
(These are all the headcanons I use in my current fic and will probably use for my future fics, in case you’re curious!! :))
So, first, I don’t think Charlie is any bit human at all. I think he’s full, pure-bred slime with a Core that gives him sentience. The Core is a heart shaped, made of enchanted ruby and plated in gold around the edges. 
During the time he was a God in the SCU (Slimecicle Cinematic Universe) he had three (That’s an incredibly long story that I may actually write one day so this is all you get for now). Now, he’s been reincarnated with one, sentient ever since. However, he’s full slime, nothing human about him. Without the Core, he’d just be straight slime. He’s probably one of the—if not just the only—sentient Slimes there is.
His skin scars because when he’s hurt enough, he needs to get more slime to repair himself. The slime isn’t his, however, so it doesn’t match his body completely for a while while it blends together.
Another type of scarring that can happen to him would be dehydration cracks. If he loses enough water, his slime will crack in a lightning-strike type pattern. It takes a while for those to go away as well, just because they need time to fill in.
Yes, he has bones, but he doesn’t need them. He has them because they make it so that he can keep his shape. When he was Gegg, he’d keep some but give the rest to Quackity for safe keeping.
 
“Where’s my left arm?” Charlie asked, digging through the bag Quackity kept on him.
The other only shuffled his foot back and forth, mumbling gently. He bit his lip as he spoke. “I needed food, man.”
“So?”
“So all I had was seeds and currently unused bones.”
A beat of silence, before a slow, creaking head turn. 
“You used my bones for bone meal.” His voice was flat and his lips were pinched. “Are you deadass?”
“Just kill another skeleton man! I needed food!”
Charlie threw up the melty stub where his left arm should’ve been, waving it back and forth and dripping goo all over the ground.
“Do you know how fucking hard it is to find intact skeletons that will fit perfectly with the one that I currently have?! And that have five fingers?!”
Quackity rolled his eyes, shrinking in on himself. “Uh...No..?”
Charlie smushed slime into his face and laughed at his dramatic screaming. “It is incredibly fucking hard!”
Charlie keeps bones on him most of the time, in case he breaks the ones he’s got. Sometimes they take a minute to get used to, some of them too big or too long or too small, but it happens nonetheless. It’s also the reason he takes any fall damage ever. Without the bones, he wouldn’t take any fall damage. Those bones also determine his general height. If he wanted to be taller, he could find/construct a taller skeleton and get more slime.
Slimes are naturally acidic at a certain level at all times. However, with prompting, his level of acidity will rise. Prompting can look like danger, or threats. It can also be emotional, with extreme rage or sadness, the works.
“Oh no, not today fucker!” Mariana screamed as Slime tried to step outside during another argument. His skin dripped from the agitation but Mariana couldn’t care less.
Slime attempted to brush past him, breath heavy. “I’ll be right back,” He mumbled, "I need to go.”  
He stepped to the left, Mariana doing the same. 
Then, to the right, where she followed once again.
“Move your ass, I need to go now.”
“Hell no, you will stay and we will talk this out.”
Slime shoved past her, briskly rushing for the door. Mariana, wings twitching in agitation, whipped around and grabbed his wrist.
He smelled the burning before he felt it.
Before the white, lava hot seer hit his senses.
She nearly cried out in pain, staggering backward and scraping her skin against the hardwood as she fell. Scrambling into the wall, she groaned in agony and grasped the wrist of the suffering palm.
“Fuck- oh, fuck!” 
Slime was right in front of him, suddenly, knelt with fear in his eyes. “Fuck, I am so sorry, I can’t control it I swear, I would never do that shit on purpose—” He rambled as Mariana writhed, swearing in shock and pain.
Her vision swam as she sobbed. 
“I swear, I-I can’t… control it.”
He’s burnt a few holes in the floors before.
All in his slime, there are acid glands everywhere. 
Because he’s got acid literally built into his system, the bones he’s got tend to break down after a while. Depending on how emotional or just how much he purposely activates his acid secretion, they could last from anywhere around two weeks to a month, usually. That’s what the skeleton in his basement is for, an extra set of bones. 
Slime’s are the closest things to aquatic creatures without actually being aquatic. Being naturally drawn and attracted to moist environments, he can’t breathe underwater, but he doesn’t actually need to breathe so I guess it doesn’t matter. When swimming, he creates fins to help. The only reason he drowns is because he takes in too much water and becomes so liquidy that he just… dies, I dunno LMAOO
Being generally docile creatures, living either underground or in swamps, most Slimes have shit eyesight. They mostly rely on vibrations in the ground and auditory sensory input. Great hearing, terrible sight. Slimes are also ambush predators! They’re slow, but they’ll eat anything. If looking for meat, they’ll hide under the soil and wait for the vibrations of something with four legs. 
“And where’s Charlie? I wanted to talk to him.” Phil asked as he stepped outside. “He said he’d be here.”
Roier, Cellbit, and himself had all been in Mariana’s house for a while now—Phil being there under the assumption that Charlie would be there. 
Mariana shrugged and glanced around. “Ehh, somewhere.”
Then Juanaflippa sprinted forward and stopped on the open ground, jumping up and down. Her tiny feet pattered the ground as she skipped in circles around the open area. Bobby tilted his head in response before Richas yanked him towards the 
Phil looked to Mariana for a look of mild amusement to say it was normal, or a look of confusion to make him feel like he wasn’t going insane because—even for Flippa—this wasn’t exactly typical from his perspective.
To Phil’s surprise, however, he stepped a bit forward and began to rhythmically tap his heel against the soil. 
“Fuck-!” His heart found itself in his feet as something squeezed tight around his ankle, holding firm as he jumped away. He grabbed for a weapon as a light green hand pulled further from the ground.
A wrist, an arm, a… a goo monster.
A goo monster holding a suspiciously familiar pair of glasses.
“...Charlie?!”
His body tied itself back together, becoming more and more recognizable. They stared at each other for a minute.
“I swear I was aiming for Roier.”
Charlie, because of the core, has much better morphing and shape shifting abilities than normal Slimes. With enough observation he could literally be anyone. He’d looked at Juanaflippa so much that his Gegg looked a bit like her. The people he spends a lot of time looking at are the people he can most easily imitate.
“So you can just look… however you want?” Fit asked 
“Uh-huh.” Slime replied offhandedly, focusing on the little craft they were working on for Richas’s half birthday.
Neither of them had ever heard of a half birthday before then.
“Without effort? You don’t even have to like… try?” 
Sue him, Fit was incredibly curious. Sentient Slimes just didn’t exist, Slime was the only one he knew and would probably ever know.
He became even more curious (and slightly defensive) as Slime began to stare at him, an expression of scrutiny behind his gaze.
Then, a familiar lopsided grin and covered his face for a minute. A sloppy squishing sound resounded from behind his hands that made Fit wince.
The taller gasped as Slime’s face became uncovered.
Fit’s own face stared back at him, with only a few uncanny details astray.
“Christ, Slime! You just keep that ability all to yourself? Do you know how much trouble you could cause with that?!” He all but yelled.
Slime laughed, shifting his face back to its normal appearance. He winked before turning his head back to the project.
“Who’s to say I haven’t caused any trouble?”
Fit—from that day on—lived in fear of the people the Slime could be.
Charlie is all types of temperature sensitive. It's crazy.
Too hot, he’ll get all melty and struggle to hold his form. Leave his bones behind him and become a puddle.
 Too dry, he’ll dehydrate and crack up. It’s incredibly painful, which is why slimes tend to stick around damp, humid areas.
 Too cold, he’ll freeze, becoming a literal Slimecicle. Just like hypothermia, his fingertips, toes, and nose will turn a shade of blue first, eventually infecting the rest of his body. Also hella painful.
A good tactic if you really wanted to torture a Slime, stick them in the cold. They wouldn’t be able to stretch or morph after a while, it'll hurt like hell, and you get to decide how bad it is. GOOD STUFF
A 60 to humid 70 degrees Fahrenheit is generally ideal. The island tends to run a bit higher than that, but it’s not too extreme of a shift so he’s generally okay with some extra water.
Haha, he picked Eggxile in a place that was out of his comfort zone, just cause he knew he didn’t deserve comfort. He sent himself to a place that was too hot and too dry for a Slime. That's fun.
Uhh, that’s really all I can think of for right now, but I’ll repost this anytime I add to it :DD If you’ve got any headcanons you wanna talk about or you wanna talk about mine, please do!! I’ll literally talk for hours, you have no idea
LOVE YOU BYEE <33
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sciderman · 7 months
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I’m sorry you’ve had to deal with so much Iranian hate and drama <:[
oh anon. hate to break it to you (a lot of people make this mistake) but iran and iraq are two entirely separate nations.
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and also i think reducing it to the words "hate and drama" kind of doesn't cover it, anon.
#i think if people were. just a little bit more informed. then maybe people would see that the people from this region are humans actually.#so anon. please. like... look at a map and do some reading maybe. if you care just a little.#i'm sorry anon but i'm a little bit at a loss for words over this message. like it rendered me speechless for a little.#but it's so common in my life that i've been called iranian and i constantly have to correct people on it. c'mon man.#i mean i have SO many iranian friends even though iraq and iran you know. aren't exactly bedfellows. politically.#but those politics don't really follow me. like in my day to day. iraqis and iranians in the uk of this generation. are again.#pretty divorced.#but it's kind of really frustrating that people Without Fail make this mistake over and over.#it's like how people just refer to “africa” as a whole. instead of recognising there are seperate nations there and.#it's not just a homogenous “other”#please. there are humans there. it's not just “foreign”.#i don't know if you're american anon but i see it a lot that anything outside of america is just “foreign”#and i mean#even as a brit. americans are constantly surprised i'm british because they forget anything exists outside of america.#i think it would be so so so so sexy of you anon to take a look at the globe tonight. give it a spin.#look at the world. it's so full and so beautiful and there are So Many Nations.#i'm going to look at my globe tonight too. i have a really cool old one. it spins so good.#and i'm going to pick some countries i don't know a lot about and do some reading about them. for funsies.
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so-na-r · 7 days
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@wanderinginkdemon
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@nemo-draco
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@the1andonlyblob
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Three more and there are three more left and I'll finish
yippee!
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I have a question for you guys.
I was rewatching Yosano's backstory episode (and cried again. what of it?) but something this time caught my attention.
In the scene where Fukuzawa and Mori are fighting and Fukuzawa angrily tells him his plans "lack humanity"... is the word they both use... not "kokoro"?
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It would appear to be, from this manga translation. If that really is the choice of word, that's really interesting, because one of irl Natsume-sensei's most well-known books is the novel Kokoro.
What does this mean? Is Mori really following the plan Natsume laid out for them? Is he derailing from the initial plan with the exclusion of "heart/humanity"? Did Natsume intend for "heart" to be sacrificed in the name of defense? Or is this conflict, with "heart" at the center, exactly what Natsume needed for this plan to work?
And on Mori's end: this isn't his usual cold, impeccable logic. This is anger that Fukuzawa is getting in the way. More than that, it almost seems to me like Mori has a paranoid streak. Check this out here:
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To be quite honest with you, Mori sometimes makes weird calls that imo aren't the best decisions - and they're all out of some fear he has, typically over the protection of the city and the country. Mori's takeover of the Port Mafia is seen as overall a good thing - because the previous boss grew increasingly paranoid and started ordering unnecessary violence, something Mori himself wishes to avoid whenever possible. Yet his projection onto Dazai causes issues during the Mimic incident - sure it was logically sound, but he lost Dazai for it. Was it really then the best solution there was? And what about Yosano - so caught up in what she could prove and what she meant for the war effort that he failed to consider her taking drastic action out of sheer despair? It's interesting that Mori, who advises others on not letting their fears and emotions get in the way of strategy, is prone to the same thing at times. Might he get worse at this kind of miscalculation? It'd be altogether kind of tragic if he messes up later in the story out of paranoia, considering his predecessor's legacy...
Edit: I changed the last bit, as it's left somewhat unclear if part of Mori's reasoning in the whole Mimic incident was to get Dazai away from him - in fact, it's likely that wasn't the case at all and Dazai was just saying this to intentionally get under his skin. Unfortunately I am a bit of dumbass who misinterpreted this line on first read, and now read it differently:
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He's sticking with the logicality of it - one person's life for a gifted business permit is a worthwhile sacrifice, even if it drove away his right hand man. Either way, whether it's projection (Dazai is just like me, so he'll understand) or paranoia (he is going to inevitably kill me someday - which is still kinda projection imo) or some combination of the two - I think the original point still stands: maybe focusing all your efforts on ensuring you're always prepared for some eventuality or other means you overlook things you deem less important or irrelevant. Maybe removing heart from your decisions... isn't actually the best call in the end.
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wetra · 9 months
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I really love the tradition of giving the person you love your birth name. Can you imagine how beautiful it is?
It means, that you consider their life as your own part of the soul. That your Beloved and you are the same thing. That you are full.
It means, that you love yourself too. You name other person by your name and you love them so you love yourself. The connection between two souls teaches how to love your own soul and your own body.
It means, that you open your soul to the other person. Your love has no limits. It's the highest level of connection. It goes beyond sexual orientation, gender, age or sex. It's just love. A healthy love, so pure and clean. Angels can feel that to the world, the same you feel for your Beloved. That they's a whole world and you're a part of them too.
When this person dies, part of you dies too.
When this person smiles, part of you smiles too.
When this person cries, part of you cries too.
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chachacharlieco · 1 year
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one of the many mophield doodles that I'll never post HAHAHAA.
Shield belongs to @crowind1
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commsroom · 1 year
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i think there's something to be said about what exactly it means to be "non-human" in a story that is as much about humanity as wolf 359 is, where even the dear listeners are defined less by their own perspective and more by what they fail to understand and therefore reflect about the human perspective - to the point that they don't even have their own voices or faces or identities that aren't either given to them or taken from humans. they speak to humanity as a mirror.
even pryce and cutter are "very much humans" - pryce defined by her resentment of and desire to transcend its limitations, and cutter by his aspirations to redefine and create a "better" type of human - and find the idea that they might not be human laughable. it's interesting that they have distinctly transhumanist aspirations when their goal is the narrative opposite of common science fiction fears: that we will expand the definition of humanity so much that we'll lose whatever it is that makes us human. pryce and cutter's transhumanism narrows the definition of humanity to the worthy and the useful, as defined by them; "there will still be a humanity; it'll just be our humanity."
in direct opposition to that, i think it's meaningful that the show instead expands the definition of humanity in ways that include lovelace and hera, who in another show with different themes might be considered (in the descriptive, non-moralistic sense) non-human. i will always make a point of saying that personhood and humanity are two often-related but meaningfully distinct concepts, especially when talking about sci-fi and fantasy. i am talking about humanity.
the question of how hera identifies, and what social pressures influence that, is a complicated one. i've talked about it before and i will talk about again. what's important for the purposes of this post is that i think the show considers her fundamentally human. think about her role in shut up and listen - consider jacobi's lion example and the concept of different paradigms - that even things that are close to humans, comparatively speaking, understand the world in different ways. whatever differences hera may have from the others, it's primarily in experience, not fundamental understanding. she shares their emotions, their concerns, their values, their thought patterns. she has an appreciation for music, which the show considers a hallmark of humanity. she fits within the framework of humanity as the show defines and is, in her own words, left feeling "uneasy" about how difficult it might be to communicate with beings who don't. and it's significant that this takes place in shut up and listen, of all episodes, specifically because the way she is clearly and unambiguously included in the show's understanding of what it means to be human highlights the ways she and lovelace are othered by eiffel's careless comments that suggest otherwise.
(i don't want to get too into these details for this particular post, but it's worth noting that hera will refer to 'humans' as a category, often when she is upset and feeling isolated, but has never said that she 'isn't human' - she has never been upset that people are treating her 'too' human. i've seen it said about the line "you need to get it through your heads that what goes for you doesn't always go for me", but that's a frustration related to ability and safety, not identity. far more often, she will refer to herself in 'human' terms - referring idiomatically to experiences or body parts etc. that she doesn't literally have - and is upset primarily with comments referring to her status as an AI. it does not diminish how being an AI influences her perspective and experience, but again, so much of that is in terms of ability that it feels almost inseparable from a discussion about disability.)
lovelace's humanity and hera's humanity are so interlinked and directly paralleled in the text that i think it's impossible to really argue one of them is "not" human without making implications about the other. in desperate measures, lovelace tells kepler he's "not human" and he responds "you're hilarious. on a multitude of levels." later, defending lovelace against kepler's repeated dehumanization, hera very pointedly uses the phrase "that woman." in out of the loop, hera says she's never met anyone who "worked so hard at being inhuman" as jacobi, who says "what do you know about being human?" hera very emphatically responds, "i know plenty." later, defending hera against jacobi's repeated dehumanization, minkowski pointedly uses the phrase "that woman." with the care taken towards language and the way scenes and turns of phrase will parallel each other, that's not a coincidence. it might seem strange to have the "non-human" characters be the ones to express criticisms based on perceived "humanity" (something hera will do in other contexts as well - "we don't have funerals for animals" etc.) but in the broader context of the show, i think it's the point.
so, whether hera would ever call herself human, or be comfortable with that, is a complicated question for another time and depends on a lot of other factors. but wolf 359 is a show about humanity, it includes her within its definition of what it means to be human, and i wouldn't be comfortable definitively saying she's not human because of that. it can't be a neutral statement within the particular context of this show.
#wolf 359#w359#hera wolf 359#there are so many concepts here that could be posts on their own#but this is already too long. sorry.#i think it's also worth noting how often i see the discussion of hera and humanity conflated with the discussion of#whether hera would want a body and while i think there's some degree of influence in that. if she has human experiences without human form#there's something uniquely isolating about that that could influence her decision. BUT. the form she exists or doesn't exist in#is separate from whether the show includes her within its 'in group' of humanity. which thematically it does.#hera can be considered equally human without ever having any type of physical form. that's part of expanding the definition#and i think that's an important distinction.#anyway sorry i'm kind of passionate about this it just. doesn't quite sit right with me i guess#in a lot of cases i think it's important to acknowledge that non-human characters have different experiences from human ones and#a lot of science fiction will (or should) decentralize the human experience. but it's core to the themes of wolf 359. it's different.#i think hera is so interesting as a take on the 'human AI' character because. the mistake a lot of them make is having a character#'learn how to be human' and it feels patronizing. but hera is. a fundamentally human person who has been told she isn't#and internalized that. and i think that's much more complex and. well. human. i know she's just a fictional character but#i can't help but feel a little defensive sometimes#it's also part of a larger discussion but feeling inhuman is a not uncommon human experience. it is within those bounds
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