Zepotha will never be Goncharov because when it comes down to it, tumblr culture is collaborative, while tiktok culture is merely iterative, and those are not the same thing.

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

i'm literally insane about the last agni kai and the lightning scene(s). i swear i've rewatched it 10+ times since my last rewatch of the show (which was my first watch in years) and like. azula sees katara come into view from behind. zuko doesn't. he follows azula's gaze and sees katara and is immediately horrified. he doesn't even think or hesitate because he doesn't have time and for once he doesn't have to look back at azula to figure out what she's doing because he knows what she's doing and he won't let it happen. time dwindling into slow motion as a haunting score plays? and zuko literally yelling out "no!" because that lightning absolutely cannot hit katara. as soon as he sees it there's no chance of that ever happening. and then katara watching in horror as the lightning flashes against features in what is probably one of the most hauntingly beautiful animated moments of the show? zuko hitting the ground still convulsing with lightning and katara crying out "zuko!" and immediately trying to run to him before azula attacks again? and the next scene we cut back to with them, zuko is groaning weakly and trying to lift himself up, and we see katara literally gasp in surprise as she realizes he's still alive (i'm sobbing because i do quite literally think she thought he was dead) and immediately tries to run to him again, nevermind that she knows azula is still there, and the hand katara uses for healing is already doused in water as she reaches for him. but then azula starts attacking again. and zuko, despite literally being in so much pain that he can't stand and can barely even move at all without whimpering, still tries to reach for the spot where he can see azula attacking katara. katara is forced to hide from azula's attacks. and as azula is mocking "zuzu, you don't look so good" down to zuko, the perspective shot is such that you can SEE that katara is also looking at where he lies prone in the distance, surrounded by flame (probably wondering how much time they have before it really is too late) before looking back up at azula and realizing she needs to defeat her as quickly and handily as possible so katara can get to zuko. obviously katara would have done this anyway (the whole reason they were THERE was to halt the continued cycle of the imperialist regime of the fire nation), but the scene is specifically framed as katara trying to figure out how to stop azula so the obstacle to her getting to zuko is no longer in the way. katara's defeat of azula was epic and deserves its own post. but then after making sure azula is securely chained, she runs to zuko, looks at him with such immense sadness and horror and fear as she hears him in so much pain, tenderly turns him over so she can get a good look at the wound. and she cups his head? briefly but so gently? so that he won't hit it as she turns him over? and when she tries to heal him you can tell she is so genuinely unsure if it will even work, and so relieved that she starts crying tears of joy when she sees it has (at least enough to keep him alive and somewhat lessen his pain.) they thank each other (and you can tell it's still really hard for zuko to talk and his eyes are barely open but he thanks her anyways i'm.) and she thanks him back and!!! when he starts to try to sit up she makes a little surprised face and then immediately helps him to do so (and puts a tender hand to his chest while she does!!!) and obviously that last shot of them standing together is also one of emotional support, but katara's hand on his back is also partly because i still think (and certainly katara still thinks) trying to walk/stand on his own would be a bad idea, so it's definitely not happening.

"C'mon, Luigi! Pump those legs!"

"I'm trying, I'm trying. I got bad knees!"

its DESTINY

I headcanon that at first Ray is adamantly against the use of nicknames and pet names for himself because he thinks it's silly.

"My name is Ray. It's literally three letters and one syllable long. Just call me Ray."

But Emma can't let that stand. She has "sunshine" and "Em," Norman has "Nor," "Norm," and "Boss."

So her proposed solution is for Ray to change his name so that "Ray" can be a nickname and show of affection. Ray balks at the suggestions she litters throughout their conversations, addressing him as Raymond, Rayner, even Raybert at one point.

Norman is more deft in his timing so the first time he drops a "Raymond" during one of their chess matches he ends up on the receiving end of Ray channeling Isabella with this look

He does eventually come around to them calling him Sunray.

"If I just exact perfect and absolute vengeance against Pekka Rollins, then the voice of Jordie will be satisfied and disappear forever" WRONG. Obsessive compulsive disorder.

So I know we here at Startrekfandom love that "came back wrong but from the pov of the wrong" thing and apply it to many different characters and canon situations and I am far from trying to complain about it (I'm "came out wrong" trope myself so I was always gonna obsess over it) but having recently watched a very important episode (you'll know which one) for the first time I think there's a character who hits both tropes mentioned but llike, intertwined, opposite and subverted, and whom I wanna talk about.

Julian Bashir.

From his parents' pov he's "came out wrong but we got him help and he came back better" while from his own pov it's "came out 'insufficient', was destroyed for it, came back wrong and only later slowly came to terms with his new self tho never the process (justifiably so)" and it's heartbreaking because in a way, he's right! Jules Bashir died! His parents had an intellectually disabled child and decided to eugenics him! Julian is not the person he used to be and while I do love the person he is now, that doesn't bring back who he was! Part of me wishes we could've gotten to see Jules at least once and part of me hopes we never do because my heart would shatter.

This isn't a good comparison but nonetheless one I can't help drawing: it's giving similar vibes to anti-vaxxers. "I'd rather risk having a child who is dead than one who's autistic". Obviously this doesn't map over since Julian is still autistic and the procedure his parents subjected him to specifically targeted his intellectual disability and if any folks with id wanna comment on this I definitely recommend you listen to them over me, but it's a similarity I, as an autistic who has encountered anti-vaxxers again and again, can't help but point out. "Give me a normal child or give them death."

This may have been written about already but there needs to be stories about teenage Julian (after finding out and rediscovering who he was) practicing some good ol' recognition of the self through media. I need to hear about how he would encounter a story about someone who came back wrong (I'm gonna assume there's plenty of "wrong" pov stories floating around by the 24th century) and absolutely weep. I need to see Julian mourning Jules, taking years and years to process his feelings, experiencing guilt about how he, the imposter, didn't deserve to live Jules' life.

Came back wrong from the returned's pov but it wasn't an accident. It was done to you deliberately by the people who claim to love you. And now you are here, piloting the corpse of your predecessor.

Jules Bashir is dead. Long live Julian Bashir.

autism be damned my boy can do calligraphy and knows a lot about capital punishment

btw for reference Here are all the spoiler glimpses of beatrice's form i've been accidentally exposed to for the sake of transparency and also so you can know how surreal/funny it is for me to be unravelling the meaning of this vicious murderwitch in canon while also seeing occasional iceberg tips of what seems to be some kind of extremely thorough and comprehensive blorbo memeification going on. i think you guys are doing some breaking bad fandom shit to this woman.

It's dawned on me suddenly

And for no obvious reason

That I can't go on

Living as I am.

Some people have been saying that live action Sanji feels a little bit more soft and endearing than manga Sanji, but they can't pinpoint why because he does still feel like Sanji. Some people think it's just Taz's acting, and he does do a great job, but I don't think that's the main reason. Others think his flirting has been turned down a bit, but honestly it hasn't really? He still openly flirts with Nami when they first meet, and he still says things like "women are a mystery to be unraveled" and other goofy simp stuff. And his kindness like being willing to feed the hungry no matter what is obviously something that was always there (it's why Luffy chose him in the first place. Hell, in the manga he chooses Sanji as his cook before he ever actually tastes Sanji's cooking, simply because he sees Sanji feed Gin and realizes what kind of person Sanji is).

But there is a difference! And I've figured out what it is, because there IS one manga/anime Sanji trait that wasn't present in live action Sanji: his hatred of men.

Live action Sanji isn't a misandrist anymore 😳

suddenly feeling so nostalgic for supernatural fandom pre-2016

vader calling reva “youngling” to remind her of the worst night of her life to tell her he remembered her all the while and just danced her along, vader injuring and murdering innocent villagers in front of their loved ones just because he could and to show obi wan that he’s responsible for their suffering, vader preying on obi wan’s guilt by blaming him for what he had become, vader toying with obi wan during their duel just to terrorize him when he could have beaten him in a second, vader raking him over hot coals and keeping him alive just to feel the pain he felt...this series has done something i think is new and shown the casual and constant cruelty vader inflicts on people by whatever means necessary, the way he tortures people in all kinds of ways without a second thought 

and to see that and remember anakin, who built droids to be his friends and loved his mom more than anything and was so excited to have a baby of his own and loved his family with his wife and thought of obi wan as a brother and a father and adored ahsoka and would have thrown himself on a grenade for any of his friends, jedi and clone alike, it hurts so bad

i know nobody cares about this but me, but the way people still in 2024 think homura is some Obsessive Evil Psycho Abuser™ who wanted everyone but madoka to die horribly drives me up a wall. like, did we watch the same anime/movie(s)? are you just so blinded by hatred of homura that you flat out ignore canon entirely? what is it.

Mike being closed off, annoyed, defensive, and borderline irate a majority of the time throughout the series, is a defense mechanism.

It's because, if no one knows who Mike truly is at his core, then they cant judge or hurt who he truly is. It's a mask. They can hate him, but it's not even really him so... Jokes on them, right?

But Will. Will makes Mike feel like he's better for being different...

Mike evidently see's Will as someone that knows Mike at his core and still wants to be around him in part for those very qualities. This is the only person Mike has been able to consistently show a more vulnerable side of himself to, and it's because Will himself embodies those qualities that Mike is scared to reveal, out of fear that he will be judged for who he truly is.

All Mike's most vulnerable scenes? I can guarantee you will was present for almost all of them (definitely all of the major ones).

Mike is just not as honest in showing others how he is feeling quite like he is with Will. At the most he might lash out and hope it gets the people around him to leave him alone so that he can be honest with himself in the privacy of a moment with his own thoughts...

However, get Mike around Will and he's head in hands, literally the most vulnerable we ever see him.

Like WTF even is this???? How did we move on?