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rollinouttahere-writes · 4 months

Note

yandere jabra x woman reader

I'm on the Hunt, I'm After You

Yandere Jabra x Fem!Reader

Chapter 1

3.6k words

Warnings: harassment, unwanted advances and touching, implied stalking, yandere

“Oh (Y/N), your favorite regular is here~!” Gatherine called out in a singsong voice.

“No! Come on! He was just here for breakfast, you can’t be serious!” You slapped the order ticket onto the table and spun around to face her.

“Yes, and now he’s back for lunch,” she snickered, absolutely no sympathy for your plight.

“My entire section is packed full, you’re just trying to pawn your customers off on me!” You hissed.

“Oh trust me, he’s in your section. When the hostess tried to explain that there weren’t any openings in your section, he went over there and threw out the people at one of your tables.”

You gawked at the woman, aghast at how casually she was telling you all of this, “Are you kidding me? I don’t suppose he got them to leave the money for their bill behind first, did he?”

“Probably not, but I’m sure you could get him to pay it if you play your cards right,” she winked at you, and the subtext was heard loud and clear.

“Ew, no thanks,” you had to suppress the urge to gag. “He’s so sleazy, how in the hell did you ever date him?”

“I mean, it wasn’t for very long, but he really wasn’t bad or anything. Kinda clingy, though. But now I’ve got my sights set on someone else,” she sighed dreamily.

“And how’s that working for you?” You asked dryly, rolling your eyes. How anyone could want to pursue someone like Rob Lucci was beyond you. Sure, he’s good looking, but that ice cold look in his eyes was extremely off putting.

“It’ll happen,” she spoke resolutely. “These things take time, you know.”

“Yeah, sure.” You had your doubts about her most recent romantic pursuit, but that really wasn’t your business. You ripped another order ticket off your pad and scribbled down your regular’s usual lunch order before placing it with the rest. Fortunately, that man was predictable in what he ordered, so you could spare yourself at least one trip to his table.

Gatherine was continuing to wax poetic about Rob Lucci behind you, but you had your own problems to worry about. You grabbed a bottle of sake from the liquor cabinet and an ochoko to bring with you to the table.

The kitchen door stood before you, acting as the last barrier between you and the customers. You took a deep breath, forcing yourself to relax. It’s just another customer. A creepy and annoying one, sure, but it was nothing to get so bent out of shape over. You’ll be fine.

With a nod, you confidently walk out and scan the room to figure out which of your tables had been evicted. It didn’t take long to do so, Jabra stuck out from the other customers. Much to your chagrin, he made eye contact and flashed you his typical wolfish grin. As per usual, he was happy to see you.

Making sure to keep your face as neutral as possible, you approached the table he had commandeered. He was here alone this time, which was less than ideal for you. If he was with one of his colleagues, the experience was much more tolerable since they would tend to keep him distracted. Kumadori, as dramatic as he was, kept Jabra more than occupied with his antics, and Fukuro was fun to have around because he would always let loose some piping hot gossip. It was especially funny when the tea he was spilling was at Jabra’s expense.

Alas, you would have no such fun today.

The ochoko is set onto the table and you pour a generous helping of sake into it, “Good afternoon, sir. I don’t suppose you would know what happened to the people who were here before, would you?” Of course, you already knew what had happened, but you wanted to make the bastard explain himself in hopes that maybe, just maybe, he would feel a bit of shame.

Their plates and glasses were still on the table, though they had all been pushed to one side. You’ll have to flag down a busser to get that cleaned up, lest the manager complains about looking “unprofessional”.

Jabra grins, “Oh, them? They were already done eating, so they let me have their table.”

Your eyes drift over to the half eaten meals, “Is that what happened?”

“What? Are you calling me a liar? That hurts, you know!” Taking a page out of Kumadori’s book, he dramatically clutched at his chest as if your words were so sharp that they actually cut you.

You rolled your eyes, not caring if he saw it, “I would never.” Every syllable was completely flat and monotone.

“Well, maybe I pressured them a little,” he snickered. “Did they not pay before they left?”

More like before they were kicked out. Whatever, you don’t want to prolong this interaction by arguing with him, “Nope, can’t say they did.”

Jabra gasped in mock outrage, “How could they do something like that to you?! Some people are shameless!” He could say that again. He dug around in his pocket, “Tell you what, I’ll cover their bill. I would hate for you to have to pay because they ran out on you.”

Thank god, you had been worried that you were going to have to foot the bill. Jabra acting like this wasn’t completely his fault was certainly annoying, but you could take it if it meant not losing a chunk of your paycheck over his stunt. A wad of cash was held out to you, but all you did was stare at it.

“That is way too much.” Without even counting it, you knew that was easily three or four times their bill.

“C’mon, just take it. It’s a nice tip, isn’t it?” Undeterred by your hesitation, he holds it out more, trying to force the money into your hand.

You took a decisive step back. You know what game he’s playing here. He isn’t being generous to make up for evicting your table, he’s trying to make it so that you feel like you owe him. Your hands fidgeted with your apron, “It’s too much, I can’t accept that.” The last thing you wanted was for him to have some perceived leverage on you and try to use that against you.

“Since when do waitresses refuse tips?” His fingers drummed against the table, the once relaxed smile had become rigid. “How about this: You can use this to cover my meal, too.”

Even if you took what his bill would be into account, it would still be an absurdly large tip. Now you were torn between standing your ground so as to not give him an in, and caving so that he doesn’t get upset.

Apparently, your internal debate was taking too long for his liking. Jabra reached forward suddenly, grabbed your apron, and yanked you towards him. You yelped as you stumbled and scrambled to stabilize yourself. The first thing that your hand found purchase on was his shoulder. If you hadn't grabbed onto something you would have fallen right onto him. Now that you think about it, that was likely what he had hoped would have happened.

Sleazy pervert.

Jabra took advantage of the close proximity to stuff the money into your apron. Rather than retracting his hand now that his mission was accomplished, he rested it on your hip, thumb tracing circles over it, “See? You’ve got the money and nothing bad happened”

You begged to differ. Between the smarmy smile on his face and the unwanted touches, you had to fight the impulse to slap him. He deserved it, but unfortunately that would absolutely get you fired. You had to settle for wrenching yourself out of his grip and taking several steps back this time. Through clenched teeth, you mutter out a ‘thanks’.

Taking a moment to calm down, you try to excuse yourself, “I need to go tend to other tables now.”

You try to hurry past him, but he catches your wrist, “Hey, wait! You haven't taken my order yet.”

“You get the same thing every time, I already submitted the order to the kitchen.”

His smile widened, “Well maybe I want to try something new, you never know.”

This man was definitely trying to get a rise out of you. You haven’t bothered giving him a menu after the first time when he waved it off and said he didn’t need one. But if he wanted to play stupid games, then you suppose it was your right to let him have stupid prizes. For once, you found yourself to be the one grinning. Albeit maliciously.

“Alright. I’ll cancel the lamb chops and fetch you our vegetarian menu to look over.” His smile dropped and he looked downright panicked. Deciding to take it a step further, you reach for the sake bottle, “My bad for bringing this out, I’ll switch it out for some water. Good on you for making healthier choices.”

Finally, his hand abandoned your wrist and snatched the sake bottle out of our other hand, “Whoa there, I was just joking!” Once the adrenaline rush of almost losing his precious alcohol passed, he chuckled, “Didn’t know you could be so funny, rabbit.”

The nickname made you scowl, you hated when he called you that. Any attempt at expressing as much only seemed to encourage him to use it more, so you’ve learned to bite your tongue.

Jabra leaned forward and propped his chin up on his fist, “It’s sweet of you to remember what I like.”

“I’m just doing my job,” you explained flatly before bolting out of there. You wiped your palms on your apron, they had become uncomfortably sweaty during that whole interaction. Him being touchy wasn’t anything new, but he was escalating it beyond the point where you could grin and bear it for the sake of employment. You don’t remember him being this bad when him and Gatherine were still together. Then again, you really hadn’t been paying that much attention, so maybe you just missed it.

What had you done to be forced to endure this treatment? Even if you did get fired, you couldn’t escape. Working at a place as secretive as Enies Lobby came with pros and cons. Sure, you were being paid extremely well, but that came at the price of not being able to leave freely. If this job didn’t work out, you would be shuffled to a different, less desirable position. Waiting tables was among the better positions given that you made tips on top of a decent wage. You were only five months in on a ten year contract.

Based on what you’ve heard from your coworkers, you would be pressured to renew your contract after it ends, and if you did choose to leave it was a grueling process involving being thoroughly interrogated to ensure you hadn’t overheard anything you weren’t supposed to. It’s been said that being allowed to leave was virtually impossible and unheard of, they always find something to justify keeping you here. Hell, you wouldn’t be surprised if speaking to Fukuro was an immediate disqualifier in and of itself.

The odds of ever being able to leave were unlikely to say the least. This was something you hadn’t known until after you were hired and signed the contract, but that seemed to be the case for everyone. It was scary and disheartening, but you’re trying to stay positive.

If you could just keep this up, your family would be set for at least the next ten years. You sent them almost everything you made, only keeping enough for the most basic of living expenses. Even when you were living as barebones as you were, it felt luxurious by comparison to what you were used to. Your home island was so poverty stricken that your family’s only hope for survival was for as many of you as possible to leave and send back money to those who couldn’t. A handful of your cousins had also applied to work here, but only you were hired. Presumably because of your brother being a promising marine that was climbing the ranks. No doubt he put in a good word for you.

Was it selfish to wish he hadn’t? Probably, but there’s no point in dwelling on that, is there?

After you finished checking on your other tables, you went over to the register with the bill from the guests Jabra had thrown out. You paid it and couldn’t help but be awed by how much berry was still left over. It was enough for a month of groceries back home. You can’t fathom being paid so well that this would be seen as disposable income.

As uncomfortable as Jabra made you… your family needed this money. Maybe it wouldn’t be the worst thing to indulge him at least a little if it meant keeping your loved ones from starving. Maybe you could learn to take it in stride and not let it get under your skin when he leered at you like you were a piece of meat.

You shoved the money into one of your pockets and lightly slapped your face. You’re on the clock, now isn’t the time to be getting hung up on your unfortunate situation. Spinning on your heels, you head for the kitchen to see if any of your orders are ready yet.

Someone was coming up on your side, and you turned slightly to see who it was. William, one of the busboys on shift today was heading for the kitchen as well with a tub full of dishes. Oh right, you needed him to clean off one of your tables.

“Hey, Will. After you drop that off could you clean off table 13 for me? Jabra’s at it, but he kicked out the people who were there and their plates need to be taken away.”

He stopped dead in his tracks and gaped at you, “He kicked them out? The fuck is his problem?”

You snorted, “Do you think I know?”

The tub was unceremoniously dropped on a nearby counter and Will less-than-subtly looked out over the dining room. His lip pulled back in disgust when his eyes landed on Jabra and the leftover remains of the previous diners’ meals. He ran a hand through his frizzy red hair and huffed, “What a fucking creep, he’s lucky he’s so high up because if he wasn’t I would kick his sorry ass myself.”

The bold threat made you chuckle. Will was like this with all of the staff here. He didn’t give a shit if someone was a high ranking marine or government agent, he would call out anyone for making the wait staff uncomfortable. Well, almost anyone. Even he knew better than to confront a member of CP9.

“Thanks for worrying about me, but it’s fine. I can handle it.”

Just like that, his attention was back on you. His arms crossed over his chest as he regarded you with an exasperated expression, “Just because you can “handle it” doesn’t mean you should have to. That asshole needs to learn to leave you the hell alone. He didn’t get handsy again this time, did he?”

The way that you immediately averted your gaze and grimaced answered his question. His expression darkened and he began untying his apron, “I’ll kill him.”

“No! No you will not! It will be the other way around, calm down!” You latched onto his arm and tried to talk some sense into your hot headed coworker. “It’s fine, really!”

Will was glowering in Jabra’s direction. His chest heaved with each agitated breath and his hands clenched and unclenched repeatedly. Sharply, he turned his attention to you. His rage contorted face slowly relaxed into a deep scowl and he sighed, “Fine. Whatever. He’s lucky you’re holding me back.”

“Sure he is. Now get back to work before Mal catches us slacking off.” The manager, Mallory as she preferred to be called, was a hardass. You did NOT want to be caught being idle by her.

“Yeah, you’re right. But hey, you better let me know if that creep tries anything else. Even if I can’t beat his ass, maybe we can get something worked out so that you’re less likely to see him.”

You shook your head, “Okay, mom, will do.”

Will grumbled at you to watch it, but ultimately decided to drop the matter for now. You approach and go through the kitchen doors, keeping them open just long enough for William to slip in before they can close. You check the counter and find that fresh plates of hot food are being piled on and one of the cooks slaps the bell a couple of times to signify that an order is ready. From the looks of it, there are a few orders done.

A quick glance at the tickets confirms that most of these are for your section, so you waste no time piling them onto a tray so you can haul all of these out at once. One of the completed orders was Jabra’s, much to your dismay. You just got away from him and now you’re going to be forced to go back. Lucky you.

Wanting to prolong the inevitable, you saved his table for last. None of the customers you had leading up to him were feeling particularly chatty, so this wound up not being as much of a buffer as you had hoped.

Sucking in a breath and plastering a fake smile onto your face, you hurry over with the hope of dropping off the plate and running before Jabra could harass you again. The table had been cleared, and you can’t help but wonder if Will was mean mugging Jabra the entire time he was there.

“Here’s your meal,” you state plainly.

You tried to just keep going, you really did, but Jabra’s arm snaked around your waist, effectively keeping you from running. Your mind was screeching for him to stop touching you, but such comments had to stay in your mind.

“What’s the rush? It’s like you’re trying to run away from me,” Jabra’s tone was teasing. If only he knew how right he was. Or maybe he did and this was all some sick joke to him.

“We’re in the middle of the lunch rush, I have a lot to do right now,” you’re surprised at how calm your voice is despite how irritable you felt. Hopefully he’ll accept the answer and let go of you. His grip was so strong that you couldn’t easily step out of it.

“I guess you’ve got a point, I won’t keep you here long.” If only he wouldn’t keep you here at all. “It’s a shame you have to work so hard. Why don’t you let me take you somewhere nice tonight?”

There he goes again. This was far from the first time he made this proposal. He’s nothing if not persistent, you’ll give him that. Your nails dug into your palm as you mulled over your excuse this time. Hanging out with Gatherine? No, you’ve used that too many times. It’s not like he was going to stop if you gave a masterful excuse, you suppose anything would work, “Sorry, I’m going to be busy cleaning tonight.” This wasn’t even a lie, you’ve been meaning to do a deep clean of your apartment for a month now.

Jabra huffed, “You’re going to work all day here only to go home and work some more? Come on, let me treat you to a fun night. It’ll be nice, I promise.” His arm constricted, forcing you even closer.

“I’ve been putting this off for a while, I really want to get it done,” you insisted.

A tense staredown ensued, and you weren’t sure who would win. Would you lose your nerve and break eye contact first, or would he give up? The hair on the back of your neck felt like it was standing up from the tension in the air. His jaw was tight. It appeared your string of rejections were starting to get to him.

“Alright, I get it,” Shockingly, he let go of you and looked down at his food instead.

For a moment, you were too stunned to move. “I get it”? Did he finally get the hint? He shot a questioning look over his shoulder when you didn’t immediately leave, and that was enough to prompt you into scurrying off. You’re not sure what made him see the light, but who were you to look a gift horse in the mouth?

Despite the discomfort you just felt, you went about your shift with a skip in your step. The possibility that Jabra was going to leave you alone was downright euphoric. You felt bad for whoever was going to be his next unlucky target, but at least you were in the clear! The tips would be missed, but you would allow yourself to be selfish just this once.

The lunch rush slowly came down to a trickle as customers filtered out (of their own volition this time) and weren’t immediately replaced with more. One of the guests that left was Jabra, but you were surprised to find more money left next to his empty plate. You had already covered his bill with the money he’d given you previously, like he’d suggested.

Your fingers ghosted over the berry, then quickly slipped it into your pocket. Maybe it was an apology for his behavior? Unlikely, but not impossible.

Maybe things are going to get better for you now? You had a rough start, but it’ll be smooth sailing with Jabra having called it quits. Everything is going to be fine, great even! You’re finally going to be able to relax.

Surely that sensation of feeling like you’re always being watched will go away now that you’re no longer paranoid about Jabra.

#yandere one piece #one piece x reader #one piece x y/n #one piece x you #jabra one piece #yandere #reader insert #x reader #one piece #jabra x reader

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blackacre13 · 1 year

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OH MY GOD we need parts 2, 3, 4, and 5 of the bodyguard fic!!!! PLEASE

Part one above. Part two below:

“I don’t like being told what to do,” Debbie sighed, starting to pace towards the apartment.

“Don’t you though?” Lou called after her.

“Under the right circumstances, of course.”

Debbie found herself blushing at the subtext of what Lou was asking, a grin growing on her face.

“Come on in,” Debbie nodded. “Least I can do is make you a drink. Have to learn who’s protecting my ass.”

“It’s a nice ass,” Lou shrugged.

“You’re a little bold, aren’t you?” Debbie asked, studying her face, trying to get a read on the blonde.

“I’m not the one who went out for a latte while knowing someone had a hit out on me.”

“I like to live dangerously,” Debbie shrugged in return.

“Looks like I have my work cut out for me,” Lou chuckled. “Good thing I came prepared.”

“Oh?” Debbie laughed. “What? You’re packing heat?”

“Always,” Lou winked.

“Here it is,” Debbie sniffed, undoing the door with its multiple bolts before picketing several rusted keys. “Home sweet home.”

“Seems more Danny’s style than yours,” the blonde muttered, her head dipping past Debbie’s to peer into the small apartment.

“You know Danny then?” Debbie asked, eyebrow raised as she swung her arm towards the interior, maybe with an ulterior motive of having Lou walk in front of her so she could discreetly check her out. But Lou was ahead of her.

“Ladies first,” Lou smirked, nodding her head towards the apartment as she held the door open wider. Debbie didn’t have to look behind her to know that the blonde had stolen her own plan for herself. “And I do. Know Danny I mean. He hired me after all.”

“You ran a job with him before?” Debbie asked, looking up at the blonde as she closed the door behind her.

“Maybe one or two. Sometimes you need a distracting blonde and as pretty as Rusty is…” she laughed.

Debbie laughed at the comment. Funny. It was. But it wasn’t also much of an answer. Seemed that Debbie wasn’t the only one who kept her cards close to her chest. It made sense in their line of business. But Lou had already revealed enough that Debbie knew she wasn’t just run of the mill bodyguard security. She played their game. At least in some capacity.

“Beer okay?” Debbie asked, disappearing into the tiny kitchen as she heard Lou’s boots clicking across the floor. Just looking around, sure. But Debbie felt like she had someone casing her right in front of her eyes.

“Acid is okay,” the blonde snorted. She was holding one of Debbie’s vinyls she’d inherited from her brother. She wondered if Lou could pick out that it wasn’t actually hers. “Not picky. I can also run out and get you a new coffee. I did ruin yours.”

“You saved my life,” the brunette smiled, passing an open beer bottle to Lou, who took it, silently raising it for a cheers before she took a swig. Debbie was distracted for more than a moment watching her drink before she shook her head and threw back her own bottle, only for the fizz to rise to her nose and make her chortle out something between a choke and a sneeze that had Lou looking at her sideways from under her bangs. “You don’t owe me anything,” Debbie wheezed, attempting and failing for her voice to come back and not further embarrass her.

“Seems like I’ll need to make that a habit,” Lou murmured, taking another sip, but her eyes didn’t move from Debbie’s.

“I’m usually more put together than this,” Debbie sighed.

“The almost shoot out I don’t blame you for,” Lou promised, moving around the apartment, sitting on Debbie’s coffee table rather than her couch, Debbie noticed. “The inability to drink beer? That’s a bit rough.”

“I was…”

“Distracted?” Lou smirked.

“I should take you to dinner,” Debbie decided, clapping her hands together. “Thank you for saving my life and all. Get to know you.” She tried to ignore the blush warning her cheeks.

“We’re not supposed to leave the house,” Lou spoke, eyes twinkling.

“I thought I just couldn’t go anywhere without you by my side.”

“That’s also an option.”

“Good,” Debbie nodded. “Then it’s a date.”

She almost dropped her beer as she realized her fumble.

“A date?” Lou grinned. “I thought this was a thank you for saving your life. You move fast, Ocean.”

“Not a date—“ Debbie protested, eyes finding the floor. “It’s a—I don’t know. Dinner. A plan. It’s just a saying.”

“You’re adorable,” Lou whispered.

The quiet compliment threw Debbie. If anyone else had said it, she knew her eyes would be ablaze. Nostrils probably flaring as she barreled towards them quick to prove them wrong. But Debbie just wanted to do something to make Lou say it again. She wanted to say something witty in return but Lou was already up off the table, gesturing towards one of the other doors in the apartment.

“Before we head anywhere, I need to see your bedroom.”

Who was being forward now?

“For security purposes,” Lou smirked again, Debbie’s mouth apparently gaping before she forced herself to shut it. “Need to see windows. Exits. Hazards. That kind of stuff. How many ways there are in and out of this place. And I’m gonna want to make it look like you’re home while we’re out. For starters.”

“Right,” Debbie nodded, fumbling towards her room. “For starters.”

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skamenglishsubs · 3 years

Text

Subtext and Culture, Young Royals, Season 1, Episode 2

Episode 2 picks up the morning day after the initiation party, the girls are having breakfast lunch at their dorm, the boys at theirs, and everyone wants the juicy details about what happened at the party...

Culture: Tell me more, tell me more, did you get very far? Although, it's pretty funny how the roles are reversed, Maddie is all "meh" about it, while Nils tells a different story. Then again, since when do you get together after a blowjob?

Culture: I actually have no idea why Simon is having breakfast at Skogsbacken, since regular schools only cover lunch for students, everyone eats breakfast at home, and then goes to school. Then again, it allows a scene where (Never mind, they're having lunch, thanks @kamand !) Blink and you miss it: Wilhelm casts some nervous glances at Simon after having been called out for disappearing at the party and almost forced to confess to making out with someone.

Culture: I know Felice is trying to put August down, but don't knock a proper Swedish pizza! As much as I like living in the US, they can't fucking make pizzas here, and the first thing I eat every time I go back to Sweden is always a real pizza. With pineapple and shrimp as God intended pizza to be made!

Culture: August is namedropping ski resorts in the Alps, which is where you go skiing in Europe if you have money, although Saint-Martin-de-Belleville is actually near Val Thorens in France, while Verbier is in Switzerland. It does have a three-star restaurant, though. Sweden and Norway have a couple of decent ski resorts, but the Scandinavian mountain chain is simply not as impressive as the Alps.

Subtext: Remember Wilhelm getting up and hurrying to math class in the beginning of the scene? It was so he could grab the other seat next to Simon, because he knows Simon is gonna sit next to Sara, since no-one else does.

Culture: Formally greeting your teacher before class is very uncommon in Sweden, but since Hillerska is all about discipline and tradition, of course they do it. Note that they're again using the formal Swedish title for male teachers, Magister, which in a regular school would be kind of a joke, since teachers and students are on a first-name basis with each other.

Subtext: Wilhelm is exposing how the world works if you have money. At Simon's old school, studying alone would result in good grades, but Hillerska is slightly corrupt and almost expects the students to essentially pay for getting a good grade.

Subtext: Simon is lying to his teacher, he absolutely hasn't talked to his parents about paying for private lessons.

Subtext: No, Sara absolutely does care about what other people think about her, and when she directly tells Felice that she would actually like some friends, that's when Felice gets it and starts making an effort to become real friends with her.

Culture: They're all bilingual at Simon's home, they're all speaking Spanish and Swedish, although Linda has a very noticeable accent to her Swedish. Based on demographics and statistics, the most likely scenario is that Linda immigrated to Sweden from Chile, met Micke, and started a family. In real life, Omar Rudberg was born in Venezuela and grew up in Sweden, while Carmen Gloria Pérez was born in New York, and grew up in Puerto Rico.

Subtext: Remember how I talked in the intro post about how distant social classes know nothing of each other? Ayub and Rosh are either working class or lower middle class like Simon, and since rowing is a typical upper class sport, they know nothing of it, they don't even think of it as a real sport. Unlike football, which is a proper working class sport, they know all about that!

Subtext: Scandinavia has Jantelagen, and everyone there thinks it's uniquely Scandinavian, but all countries have some form of Tall Poppy Syndrome. In this scene, Simon is starting to make a class journey, he started rowing, he started trying to fit in with the other upper-class kids, and getting into a relationship with someone as upper-class as Wilhelm would definitely move him all the way. But going on a journey means leaving things behind, which is why Rosh and Ayub are cutting him down and literally turning their backs on him. They like it in the small town of Bjärstad, why can't he be happy there too? Why is he betraying his roots?

Subtext: This comment from August nicely foreshadows a later episode when August does something traceable on a School computer...

Subtext: What August means is that he's not sure Wilhelm has the same desire to be accultured into the upper class, to play the part of a proper prince, in the same way that he and Erik have accepted their roles and are even enjoying them.

Culture: Although it's impossible to read the name of the medicine, the paper tag on the bottle indicates that it's some kind of prescription medicine. From the conversation with Vincent, we learn that it's some kind of ADHD medication, probably some kind of Dextroamphetamine since those improve athletic ability and cognitive functions in healthy people.

Culture: Birkenstock sandals are associated with hippies in Sweden as well as in many parts of the world, so August is actually saying that the school counselor isn't really part of the same upper-class society as the rest of the staff. And again, his use of the word sosse drives the point home.

Subtext: Consequently, the counselor sees right through August and refuses to immediately prescribe him the medication that he wants...

Subtext: ...even though August tries to both bribe him and threaten him into giving him the medication he wants.

Subtext: A big theme of this episode is class journeys, and in this scene and a previous exercise scene, August gushes about how good a thing that is, how proud he is of Simon for going on one, and spouts some crap about how everyone can make it if they really want to.

Subtext: Thankfully, Madison says what we're all thinking: August is full of shit, life isn't fair, and they're only at the school because they were born into privilege.

Blink and you miss it: After Wilhelm has nervously texted his crush for the first time, he starts to bite his fingernails, but quickly stops himself, because why would he be nervous? He's just texting another boy about rowing practice, there's nothing more to it!

Subtext: Simon's texting game is on point though, he knows exactly what he should write to get Wilhelm to go on a totally-not-a-date with him.

Subtext: In the same way that August couldn't convince the counselor about being sick, I don't think Wilhelm's atrocious acting here convinces August that he's sick either.

Culture: Public transport in the greater Stockholm area - or wherever we're supposed to be - is of course cash-less, and you pay by either charging a special card, or by signing up in their app and buying tickets through there. The point of this scene though is to drive home how Wilhelm has never ever had to take the bus before in his life, and therefore has no idea how it works.

Culture: The totally-not-a-date starts at a Circle K, which in Sweden is just another gas station, but it is actually a Canadian multi-national convenience store corporation. The price of gas is of course posted in kr/l, and 13.98kr/l corresponds to roughly $6/gal.

Subtext: Throughout the totally-not-a-date, Wilhelm is trying to reach for common ground with Simon, trying to show him how he's just a regular guy...

Subtext: ...but then real life intrudes, Wilhelm is recognized by some local girls, who call out to him and run away giggling, which shows how he's not a regular guy, he's going to get recognized wherever he goes.

Culture: Kokt eller grillat, boiled or grilled, are the two ways you can get your hot-dog at pretty much any hot-dog place in Sweden, and ketchup and mustard is always offered. The correct answer to this question is of course grilled, with ketchup and mustard, and this just shows that Wilhelm is a man of culture and good taste. Unfortunately, they were out grilled ones, so they all got boring soggy boiled hot-dogs instead. Is there a metaphor here? I don't know.

Subtext: Again, the show drives home the point that absolutely no-one has a problem with people being gay. Simon is clearly out to Ayub and the rest of his friends, and Ayub immediately picks up on the fact that this is totally a date.

Blink and you miss it: Ayub nudges Simon with his elbow to tell him that he should make a move on Wilhelm.

Culture: What we're looking at is just the local junior/high school football team, Bjärstad, playing a match against some other unnamed junior football team. Since the stakes are super low, the audience basically consists of whichever parents and friends of the players that could be bothered showing up.

Culture: Driving age is 18 in Sweden, and even then getting your own car at that age is extremely uncommon. However, you can easily get a license for a moped when you turn 15, so these are the vehicles of choice for teenagers to get around.

Subtext: August found out about Wilhelm's trip to town, but his main problem with it is that he wants Wilhelm to stop slumming it with lower class people, and to start hanging out with everyone at school instead, so that he can be properly accultured into the upper class. Again, sosse in this context means working class, not socialist.

Subtext: Although Simon felt really great about his first date with Wilhelm, the text message reminds him that Wilhelm isn't a regular person, and that even this innocent little trip generates interest and scrutiny, and can't be posted publicly.

Culture: As everyone should have noticed by now, Madison keeps speaking English, while everyone speaks to her in Swedish, so clearly she understands it. But here she gives her motivation for sticking to English, and that is that she doesn't feel she's good enough at speaking Swedish. Boarding schools like Hillerska attracts international students that have some kind of connection to the country, so a likely scenario is that Madison grew up in the US with a Swedish parent, and she's being sent here to experience Swedish culture and get immersed in the language to learn it better.

Cinematography: This shot of August drives really home all the pressure he is under, he's out of drugs, the headmistress just hinted that he's out of money, and he's literally being weighed down by books and work-out weights.

Subtext: Simon has kept his visits to Micke a secret from Sara, so here he has to intervene to make sure August doesn't accidentally reveal this to her. He also wants to protect his sister, so he's redirecting August's search for drugs onto himself.

Subtext: And on the flipside, Simon isn't really telling his dad that Sara still hates him and really doesn't want to see him, so he's vague when Micke asks about Sara and Linda.

Culture: Finally a bottle of medicine where we can read the label! Unfortunately for Simon, this is Tramadol, an opiate prescribed for pain relief, which is the complete opposite of the kind of drugs August wants.

Subtext: If you haven't figured out yet that this episode is about class journeys, August spells it out for us here. However, the reason he's "congratulating" Simon in front of everybody is because Simon just supplied him with more drugs, so this is his way of thanking him, since he can't really pay him.

Blink and you miss it: For a split second, Wilhelm grabs Simon's leg during the scary scene.

Subtext: The entire dialogue of the movie works as subtext for what's actually going on between Wilhelm and Simon at this point, and Wilhelm is getting a little freaked out by this sneaky display of affection.

Subtext: The movie also puts words on the implications of Wilhelm getting together with a boy, what about having kids in the future? Can you carry on your family name and traditions, or will they die with you?

Lost in translation: The plaque actually says "FEEL YOUR RESPONSIBILITY FOR THE HERITAGE". Even though the plaque means the heritage and legacy of the school itself, Wilhelm is thinking about his legacy, his heritage, and how getting together with Simon would threaten that.

Lost in translation: Wilhelm actually says "jag är inte en..." - "I'm not a..." before he stops himself. So it's not possible that he was trying to say "I'm not gay", because that doesn't work grammatically in Swedish either. He could be trying to say "I'm not a guy like that" or "I'm not a guy who likes guys", that would work.

Cinematography: The framing and silhouetting of this shot is just chef's kiss. The outline of their hair allows us to see who is who, and we can see from their poses that Simon is welcoming a kiss, while Wilhelm is still hesitating.

#young royals #young royals subtext #young royals analysis

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telehxhtrash · 4 years

Text

A masterpost on Togashi’s gay subtext and why it’s intentional.

Hi ! After seeing so many posts about Togashi dropping subtext about Killua's possible romantic feelings for Gon, I thought it'd be a good idea to make a sort of "masterpost" with all the subtext that Togashi has included into his work.

I usually see a lot of people trying to say that HxH isn't about romance and that Togashi isn't interested in writing romance into the manga, but when you analyze all the subtext that's been going on the further Gon and Killua's relationship progresses, I think it's incorrect to say that Togashi has never hinted at the possibility of romance in HxH.

This is going to be a long post, enjoy your read!

Also, please note that I will only base this analysis on the manga, so there can be no mistake that "maybe this is just something the anime made gayer" : i want to prove that the subtext is 100% intentional on Togashi's part.

I'd also like to mention, although I will analyze it further after listing the subtext, that Togashi is a VERY smart man. There are always little details in the story and/or foreshadowing that are easily missed at first but when you notice them, it truly makes you understand how much attention and care Togashi puts into his work. There are countless details and symbolism that are analyzed daily through wonderful meta posts, from the main 4′s birthdays and their link to their character or the religious symbolism in Kurapika’s story arc.... Togashi loves to foreshadow and plant little details into his work, so when Togashi plants subtext, I'm sure he 100% knows that he's writing it, and it can't be seen as unintentional.

I'll also link all my references for this post at the end of it, so feel free to read all the additional textposts and content if you want to know more.

Well, let's get into it!

EDIT : i can’t believe this post is still being used as a reference it makes me so happy... thank you so much !!! i edited this to tweak it a bit because i wrote this a while ago and the phrasing seemed off to me, so if you’re reading or re-reading this post, hi, welcome to masterpost on gay subtext 2.0 !

GREED ISLAND ARC

Greed Island is to me the arc that lays down the nature of Killua and Gon's relationship. It's during this arc that we get to see a bit more of what Killua thinks, how he's lucky to have met Gon and that he feels really grateful. Gon’s behavior in this arc is also very affectionate, with him always reassuring Killua about his place next to him. While the scene where Killua thinks "You've got it backwards, Gon, I'm the one that's glad I met you." can't be considered as subtext, I think it's something that lets the reader know a bit more about how Killua feels towards Gon.

But other than this scene, which can clearly be dismissed as platonic, there are 2 more moments in the Greed Island arc that are layered in subtext.

• The Rainbow Diamond (chapter 151)

During their time in Dorias, Killua uses Risky Dice to gain cards from the slot machines. The first card that Killua gains is called "Rainbow Diamond", the description of the card being "A diamond that shines in a rainbow of colors. Propose with this diamond and she is guaranteed to say "yes"".

There are 3 different things we can take from this panel. First, the card is a marriage proposal card, so it's obviously romantic in nature. Second, the object is a RAINBOW diamond. And third, Killua, wanting to keep the card safe, gifts it to Gon.

In short, Togashi sat down at his desk, decided to draw Killua winning a MARRIAGE PROPOSAL CARD (it could've been any card, but Togashi CHOSE to make Killua win a marriage proposal card) that has a RAINBOW diamond on it and made Killua gift it to Gon.

While I personally don't think that subtext can be used to 100% ascert that Killua has romantic feelings for Gon, I think it's a funny little touch from Togashi, and I'm even gonna say a sort of hint towards how Killua's feelings for Gon are going to evolve in this arc and the next.

• “It has to be Killua” (chapter 166)

Now this is a scene that I've never seen anyone talk about, at least on Tumblr, but when I read a bit of analysis on it I was 100% convinced this was intentional subtext. I'm basically quoting here what this article explains, so if you want more detail, I recommend reading it.

As you probably recall, during their deadly dodgeball game against Razor, Killua decides to sacrifice his hands to ensure that Gon could use all his strength. When confronted about it, Killua insists that it's nothing, and Gon shocks him by saying that he knew all along that he was hurting himself for his sake.

Gon then says that it can only be Killua holding the ball, and that it has to be Killua, resulting in Killua being absolutely awestruck and embarassed. I'm also going to talk about the anime adaptation for this one, because it's perfectly executed and translates extremely well the nuance that the second sentence bears. If you want to rewatch it, this scene happens in episode 70. It's worth noting that in the anime, we see Killua not reacting to Gon's first sentence, but losing his composure entirely when Gon says the second sentence. But why ?

The reason was lost in translation. His exact words are "Booru wa Killua ga motte-kurenai to. Killua ja nakya dame nan da.". Both sentences basically say the same thing : It has to be Killua holding the ball. That second sentence can be translated literally as "If it's not Killua, that won't do." However, the second sentence, in a different context, can also be used to say a totally different thing.

While it's certain that Gon used this sentence in the context of the dodgeball match, the sentence "~ja nakya dame nan da" also serves as a confession of one's feelings in japanese. It's basically the equivalent to "you're the one for me". When you google the sentence, it turns up romantic songs, forum posts asking what it would translate to in English and posts on how to confess to someone.

The sentence basically drowns in romantic subtext. As mentioned before, Killua has no reaction to the first sentence "Booru wa Killua ga motte-kurenai to.", but loses his composure at the second one, and I think that was a very deliberate thing Togashi wanted to convey : this sentence has an additional layer, and clearly Killua is taking it to heart.

I will come back to this specific subtext in a bit, because we can parallel it with another subtext-y situation, so please keep it in mind for now.

CHIMERA ANT ARC

Now onto the sad gay arc! This arc is so RIDDLED in subtext and parallels that it's making me lose my mind.

• Gon, you are light. (chapter 199)

This scene is just... So romantic in nature. I’m not too objective on this, but I really do believe that this moment is the exact moment Killua fell in love with Gon and started to realize he felt a bit more than friendship towards him. It’s Killua respecting Gon for who he is, realizing that he’s light and he’s always been, he’s the one who saved him and who’s always been so bright and optimistic and always makes the best out of any situation. In this scene, Killua lets himself drown in Gon’s light, allows himself to feel this “wow” moment of pure admiration and love, and it’s absolutely beautiful.

It's extremely important to take the context of this scene into account. What happened is that Killua, who has been struggling mentally for the entire series with the fact that he's always running away, ran away once more, leaving Kite to die with Pitou. This ENTIRE chapter is literally adults absolutely DESTROYING Killua, first Kite's troupe bashing him for leaving Kite behind, and then Netero, Morel and Knov coming in like icing on the cake telling Killua that "After all, he's just a kid", and that he should hurry up to his mommy.

Killua is beating himself up for running away again, got destroyed by Kite's team and 3 extremely strong pro hunters. His morale is down in the drains right now. He expects Gon to be mad at him for betraying Kite, for running away once again, for leaving Kite to die alone and ripping Gon away from Kite : he expects that he'll lose Gon for his cowardice.

HOWEVER, the first thing that Gon says to Killua after having been passed out for god knows how many hours is "Thank you".

Gon woke up and instantly eased up all of Killua's fears : he wasn't a loser for running away, and Gon was actually thankful for him. Gon, at this moment, was the only one that showed kindness, understanding and gratefulness towards Killua. Gon even goes so far as saying that he knows that Kite isn't dead, and that they have to help him. At this instant, Gon is truly Killua's saving grace. He's the one that trusts him with his entire heart, and believes in his choices when even he can't believe in himself. Gon is truly Killua's light at this precise moment, because he was the only one who supported him, trusted him and reassured him in this awful situation.

How can someone shine so bright in such a terrible situation ? How can someone be so positive that nothing bad will happen ?

Gon asserting all of this makes Killua respect him a lot. Keep this word in mind, because it’s going to be important in the next piece of subtext I’m analyzing, because those two scenes canonically follow each other and are basically Togashi highlighting that something special happened when Killua called Gon his light, and that his feelings deepened.

• Introduction to Palm's character (chapter 200)

This piece of subtext is very very easy to miss but it's one of the most important subtext-y scene, because coupled with the “Gon, you are light” scene, it’s very clear that this dialogue is deliberately highlighting Killua’s feelings.

This chapter introduces Palm's character (which, imo, is a character introduced for the sole intent of being a catalyst to Killua's feelings towards Gon, but I'll talk about it in my post talking about the CAA parallels) - edit: i talked about this briefly here.

So, Killua having looked into Gon's eyes for like 10min straight and concluded that Gon was the light of his life a chapter ago, is now chilling with Gon as they meet Palm.

Palm takes them to a café and STRAIGHT OFF THE BAT harasses them about how much she's in love with Knov. Like when I say harassing, it's literally a whole page of her explaining her feelings towards Knov.

There are two interesting things that can be drawn from this interaction.

First, it's extremely easy to draw parallels between Palm's situation towards Knov and Killua's situation towards Gon. Palm starts by saying how amazing her master is, that she probably has special feelings for him but the most important thing is to respect the other person. Remember how I talked about how this last scene was Killua having a surge of deep, deep respect for Gon ? Palm makes sure to highlight that special word, that it’s important to respect someone when it comes to love.

She then goes on to say that she hasn't said anything to Knov, and never will. All of this adds nothing to the story, it's empty dialogue, Togashi could've introduced Palm in virtually any other way possible, but he chose to drag her and the gay duo to a café and make her have a monologue about love RIGHT after the extremely emotional panel of Killua declaring that Gon is his light just a chapter ago.

But there's more. Not only does Palm monologue for a while about love, but after finishing her monologue, this happens :

This panel features ONLY Palm and Killua, her looking at him like the psycho she is, and straight up telling him that "love can suddenly spark out of nowhere, don't you think so?".

What's so interesting about this is the fact that Togashi made the deliberate choice to have Palm say this to Killua and Killua ONLY, which after the gay existential crisis he had last chapter, can very much be applied to his situation. Love DID spark out of nowhere, and Togashi wants you to notice. Togashi could've made Palm say this to herself, with no distinct listener like the last panel, but he made the conscious choice to draw this panel with Palm adressing herself to Killua SPECIFICALLY.

Those two pieces of subtext, that fit perfectly together, make me believe 100% that Togashi knows what he's doing and he's not unintentionally planting gay subtext in his work. The fact that Togashi sat at his desk, drew Killua calling Gon his light, and then followed this scene with the introduction to a character who picks Killua apart to tell him that "love is something that just happens, don't you think?" is 100% proof that Togashi knows what he's doing.

• Date with Palm (chapters 217 and 218)

I think this situation has many layers, but many people still dismiss it as bro behavior so I'm gonna try my best to counter argue. First of all, and although that's not proof of anything, Killua looks EXTREMELY distressed by the prospect of Gon going on a date with Palm, but that can be counter-argued by saying that Killua is just worried because Palm is completely crazy.

What I want to talk about is the scene that happens right after, when Gon and Killua go to the gym (because theyre DUDES YEAH WE WORK OUT NO HOMO), and the conversation casually drifts to Killua asking Gon if he's ever been on a date before, valid question considering what just happened previously. There are multiple things here :

1) Killua seems distressed that Gon has been on dates before. While it can be argued that it's a normal reaction because Gon has and he hasn't, I believe that Killua - who is in no way a normal person who would get flustered about "not having been on dates before a certain age" - would not feel uncomfortable that his friend is more experienced than him - especially when literal seconds later, he monologues about how he doesn’t care about dates and just wants to stick with Gon.

2) Gon then proceeds to ask Killua if he's ever been on a date, to which Killua responds :

What I want to highlight is the panel where Killua says "And the truth is, I want to stay by your side... Always...". Basically, what Killua is saying, is that he doesn't care about dates, all he wants to do is be with Gon.

I don't think this can be counter-argued as bro behavior, but with all the subtext I've explained before, this right here is pretty gay. Togashi put this panel deliberately to show that Killua doesn't give a crap about dates when he can stay with Gon, and with the "gon you are light" scene and everything in mind, this is another intentional subtext.

There's also the fact that Killua stalks the date like a jealous girlfriend - but I'm not gonna count that as subtext because it can be argued that he's just worried about Gon because Palm is insane.

• Gon is my best friend ! (chapter 219)

Remember how I told you to keep the "It has to be Killua" subtext in mind because I was gonna come back to it later ? Well.

During Palm's date with Gon, Killua runs into Rammot, who would definitely have ran into Palm and nenless Gon. Killua is forced to confront his worst fear : this is the moment where he knows that if he runs away again, Gon WILL die. Killua is literally overcoming his "programming", the physical representation of years of abuse out of love and care for Gon. He's ripping out the needle from his forehead out of pure, genuine care for Gon, because if he doesn't, then he'll lose him forever.

Now, what I actually wanna talk about is this panel :

What we see is Killua thinking happy thoughts about all his adventures with Gon because he can't - won't - doesn't want to run away anymore, and all this for his sake. But what I wanna draw attention to is the dodgeball panel that's bigger than all the others, and the only one where you can actually clearly make out what's written : "Killua ja nakya dame nan da".

Now, isn't that interesting that the panel that takes a bigger place in the whole panel is the one with this particular sentence? Remember what I talked about a bit earlier, about how "~ ja nakya dame nan da" is a sentence with a lot of romantic connotations (would pretty much equal to "you're the one for me" in English). Clearly this particular sentence stuck with Killua.

I'm not completely objective on this matter since I firmly believe that at this point, Killua has romantic feelings for Gon, but I interpret this as another deliberate thing Togashi did : putting the panel bigger so we can see that it has a particularly significant importance to Killua, and Killua's state of mind right now (not wanting to lose Gon).

In my opinion, two things happened here: One, Killua remembers this specific interaction because he knows how much Gon trusts him and he doesn't want to betray his trust. But I also firmly believe that Killua remembered this specific interaction because of the romantic connotation the sentence "Killua ja nakya dame nan da" has. Those words clearly shocked him, and I think he remembers them in this life-threatening situation, after the "gon you are light" scene, Palm talking about "love just happens", the "i want to stay with you, always" because he realizes that he wishes Gon would say that sentence in a romantic context, and not in the context of the dodgeball match, thus leading him to surpass himself to prove his love and perhaps live to see the day where Gon could say those words in that romantic context.

Now, of course, all of this is my interpretation, so it's really up to debate, but I really wanna highlight the fact that Togashi deliberately CHOSE to highlight this particular interaction between Gon and Killua, this sentence with romantic subtext, to lead Killua to finally break his chains and be able to be protect Gon fully. It’s also interesting to note that the 2011 anime adaptation also makes it a point to emphasize how deep these words stuck to Killua by making it the last flashback that makes Killua effectively rip out the needle out of his head.

Also let's quickly mention the irony in the situation here : while Gon is on a romantic date, Killua fights to protect him, overcoming his weakness to prove his love. It’s not Palm who deserves that date, it’s Killua.

• A lovers’ suicide (chapter 286)

Now, onto the most important piece of subtext, that can not be counterargued as platonic in any way, shape or form. During the palace invasion, Killua leaves Gon's side, proceeds to go kick Youpi's butt only to have to fall back because he used up all his electricity nen. When Killua is charging up, he meets with Meleoron, and tells him that once he's done charging, he'll go back to Gon's side.

They briefly exchange information about the battle, and then Meleoron proceeds to ask Killua what's the plan for him and Gon. That's when Killua explains that "Once Gon is like this, he won't budge an inch. Worst case scenario, it'll be a double suicide.". At worst they both die, cool. They “go down in flames together”. It’s actually much, much more meaningful than that.

The specific word that Killua uses for double suicide is "心中" (shinjuu), which is a heavily romantically connotated word in japanese. Shinjuu, also translated as "lovers’ suicide", is when two people die out of love, by the same method, because there's a belief that this'll allow those two people to spend eternity together. Shinjuu is a major theme of Japanese literature, and it is always used romantically. It's a very uncommon word to use to refer to two people dying together, because of its heavy romantic connotation, and because it always refers to double suicide committed by people bound by love. In literature, it always refers to two lovers, in love. If you want to read more on shinjuu, i suggest this and this, those articles explain its historic roots and the definition, also emphasizing the feeling of "oneness" that characterizes shinjuu. If you’re interested, I also suggest reading the japanese article that defines shinjuu, and hitting the google translate button, it has some pretty interesting sentences like “Shinjuu is traditionally committed by men and women out of mutual love, in the hope that they will be connected in the afterlife because they can't be together in this world.”

So basically, what Killua is saying is that he wants to go back to Gon's side to die with him, committing a "lovers’ suicide" because he doesn't want to leave Gon to die alone, and wants to die with him.

I also want to emphasize how special this word is to Killua, and that he and everyone around him know the special meaning of this word - In chapter 300, Ikalgo literally says "We were... No, KILLUA was ready to commit shinjuu with Gon". Ikalgo is really highlighting the fact that this word holds special meaning, especially to Killua, and that it was HIM who was willing to commit shinjuu by staying with Gon. Ikalgo and company dying with Gon wouldn't be shinjuu, but Killua dying with Gon would be, and Togashi emphasizes this through Ikalgo's thoughts.

This is pretty much the gist of it, but I suggest reading the wonderful post I linked in the references below if you want to know more about this specific subtext.

(edit : i actually wrote a post going a bit more into detail on Killua’s shinjuu wish if you want to read it here ! :3)

• “The one that Gon needs the most is you” (chapter 294)

I will go into this subtext more in details when I write the post about parallels in CAA, but I still want to talk about it briefly here.

Like I said before, to me, Palm was introduced as a catalyst for Killua's feelings towards Gon. Togashi purposefully wrote Palm as having romantic feelings for Gon to foil Killua's feelings for Gon and make him show jealousy towards Palm.

To Killua, Palm is someone who stole Gon from him, he sees her as a threat because maybe she'll make Gon happier than he does ? (ofc we all know thats not true but Killua is baby) - Basically, Killua thinks Palm might be more important to Gon than Killua is, because he believes they are romantically involved. That's why when he sees her again later on, after Gon rejected his help, leaving Killua helpess as to how to save his dear friend, Killua sees Palm as a saving grace.

He knows that if Gon sees Palm as a chimera ant, he will spiral down even more, so he tries to reason with her to get her to be gentle to Gon, because if not her, then who could? Palm would clearly be able to comfort Gon, with whom Killua believes is romantically involved with, better than him, right ? If Gon rejected Killua, then clearly Palm could help, since she seems closer to Gon (BECAUSE HE BELIEVES THEYRE DATING), right?

This confrontation between Palm and Killua closely ressembles a situation like an ex confronting a new girlfriend - and I think this is exactly why Togashi wrote Palm this way. He wanted Killua to confront who he thought was a threat to their relationship, making him believe that this person who's """"dating"""” Gon is more important to him than himself, only to have her openly admit that she means nothing to Gon. The only one Gon needs is Killua.

And that, my friends, coming from someone you believe is romantically involved with your best friend (who you probably have a crush on), someone you're jealous of, the one you thought was the person most important to him, that's a pretty meaningful statement.

Basically, what's happening, is that Palm reaffirms that Gon holds Killua closer than a potential romantic partner. And that's why Killua is so, so happy to hear that. He was questioning his entire relationship, questioning if Gon even cared about him, because he rejected him a few minutes before, but then his "rival" comes in and reaffirms that even she knows that no one comes close to Killua to Gon.

I also want to mention that this act of pure love (Killua only thinking of saving Gon when in a life threatening situation) is what made Palm come back to her human senses. d'awwwwww

• Illumi and Hisoka’s parallel on lovers who die of Alluka’s requests. (chapter 323)

Now onto the final significant subtext - while I don't particularly think of it as subtext-y, I know a lot of people have so I still want to include it here.

When Illumi explains Alluka's powers to Hisoka, he explains that there are two different types of linked deaths when a request is failed : 1) the person who failed + the person they love the most 2) the person who failed + the people they spent most of their time with.

When applied to Killua, Hisoka naturally comes to the conclusion that no matter the outcome, Gon would always be the one dying with Killua, because he's spent so much time with him, and because he's the one that Killua loves the most. In the panel where Illumi explains this, we see a romantic, heterosexual couple demonstrating the effects of not completing one of Alluka's requests, and thus the "most important person dying".

While not making any true parallels, the fact that Hisoka, and the readers, are drawn to compare a heterosexual, romantic pairing to Killua dying with Gon because he's his "most important person" is an interesting piece of subtext.

_______

I want to finish by talking about Killua's birthday and how significant it is in my opinion. All the main 4 characters have birthdays that fall on specific dates, related to Japanese tradition, and often with events that can be associated to their character. Gon's is 5/5, which is Children's Day. Kurapika's is 4/4, the number 4 being considered an unlucky number, and this being an unlucky day to have a child. Leorio's is 3/3, Hinamatsuri (not really any main parallels here but still). But Killua's birthday is 7/7, and is the Japanese day to celebrate Tanabata.

If you are not familiar with Tanabata, the story is as follows : Orihime is a princess who works for her father, working hard and well, but she laments the fact that because of her hard work she can't meet someone and fall in love. Her father arranges for her to meet Hikoboshi, allowing Orihime to leave because he expects her to come back to work for him, but the two immediately fall in love and get married, and she never returns. I won't get into the rest of the story as it's this part that interests me the most, but if you want to read more about Killua and Tanabata I suggest reading the post I referenced below.

Does the story of Orihime remind you of anyone ? Killua also works for his father, but laments the fact that he can't go outside and meet someone. His father then lets him go, saying, and i quote: "he will come back, because he's my son". Doesn't this remind you of the tale of Tanabata ? Killua's story references the tale of Orihime perfectly, and I believe this is intentional : Killua's birthday isn't of any importance to the plot, so why make it Tanabata, a day that celebrates a love story that closely ressembles Killua's story ? The answer is simple : subtext.

With all this in mind, I think it's pretty clear that Togashi is writing intentional subtext to hint at Killua's feelings being romantic in nature. Togashi is a master writer, he has years of experience, and I strongly believe he knows what he's doing and not planting unintentional subtext. He's a very smart man, and knows how all of this can be interpreted.

I will finish by saying that Togashi is NOT an author that would deliberately queerbait his readers. So many people dismiss the possibility of having gay subtext leading onto an actual canon gay relationship because "it's not like the author would ever have gay main characters". While this holds true for a lot of manga authors, especially shonen manga authors, it does NOT apply to Togashi.

Togashi has always displayed interest in queer subjects and queer representation, putting trans characters in all of his major works (Miyuki in YYH, Mikihisa in Level E and Alluka in HxH). There were also canonically gay characters in his previous works : Itsuki in YYH, and a character named Kuramoto in Level E.

Togashi also always had interest in mangas having BL elements, citing Maya Mineo's "Patalliro!" as a manga he was attracted to during High School. If you're unfamiliar with Patalliro, the story focuses on the main character's love life as a gay man. He also admitted to basing Hiei's (YYH) design off a character from that manga.

Last but not least, Togashi mentioned in a note included in volume 1 of YYH that he wanted to write a sports manga, called The Trouble Quartet, where basically all the characters are gay. Togashi said he based it off his own interests as a writer, and that while it was refused by Shonen Jump, he got deeply attached to the project and that he would love to explore this project in a different shape once he made a name for himself. I suggest reading this post because the parallels between The Trouble Quartet and HxH are HILARIOUSLY accurate.

In short, Togashi has always had interest in queer matters, and was always interested in putting queer representation in his work. After YYH, which was a terrible experience for Togashi as a writer, he managed to snatch a contract that basically allows him to do whatever he wants with HxH. Having always held dear BL matters but never being able to explore it to his full intent, I believe Togashi is exploring queer identity further with HxH, because Shonen Jump basically lets him do anything.

To conclude, with Togashi's past experience and skill, his interest in queer representation, and the amount of subtext surrounding Killua, I honestly believe that Togashi is trying to explore further queer representation, and I wouldn't be surprised if HxH ends with Gon and Killua becoming a canon pairing, whether it be delivered in an ambiguous manner or not.

Edit : I actually wrote a post on why I believe it won’t be ambiguous, and that it’s truly never been ambiguous, just developing : here.

I hope you enjoyed the read, thank you for reading all of this, and feel free to show this to anyone who denies subtext in HxH !

REFERENCES

- "It has to be Killua" - Medium article, "Impossibilities in Translating Queerness : The Dodgeball Dilemma"

- Palm's Date Scene - Reddit post, "Togashi's love of Ambiguity: Chapters 217 and 218"

-A thematic analysis of Palm’s character : ”The Issue With Palm”

- Shinjuu - Tumblr post by hunterxhell, "A lovers' suicide, I guess." : + the post that mentions Ikalgo talking about shinjuu

- An analysis on different subtext-y situations

- Illumi and Hisoka’s parallel : here and here

- Killua’s birthday : "Killua, July 7th, and the significance of his birthdate”

- Togashi's interview mentioning Mineo's Patalliro

#hxh #hxh meta #hunter x hunter #killugon #meta #my posts #my meta

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kittyprincessofcats · 3 years

Text

She-Ra S5 E07 - Perils of Peekablue

There might be spoilers for the rest of the season in this post!

I’ll start by saying upfront that I pretty much consider this to be the weakest episode of season 5 (or at least one of the weaker ones), even though it does move the plot along significantly. The main reason is that, as I said before, I don’t care about the group on Etheria as much as the group in space (with the exception of Scorpia and possibly Spinnetossa), so an episode like this - even though I get why it’s important - just won’t interest me as much as what the gang in space is up to.

That said, it’s not a *bad* episode or anything. Let’s get into it:

- The entire beginning scene where Adora tries to transform into She-Ra and the others keep interrupting her is absolute gold and I love everything about it. Especially Catra, OMG! The way she shows up and actually asks “Are we messing with Adora?” - She’s not even pretending to be helpful and I love that she’s bonding with Glimmer and Bow over “messing with Adora”. And how she then just flings herself onto Adora’s lap and brushes Adora’s face with her tail while cheekily saying “Yeah Adora, concentrate!” - brilliant, absolutely brilliant 🤣. And I also love how Adora doesn’t even try to push her off and actually holds her. These two are too cute.

- I also wonder if the “You can’t let distractions keep you from transforming” line was intentional foreshadowing for Shadow Weaver telling Adora that Catra’s a distraction.

- I like Catra’s new outfit! Well, it’s pretty much just her old outfit with a few adjustments. But still, nice! And she looks really cute with short hair.

- I feel like this beginning scene is pretty much here for two reasons: It sets up that Entrapta is trying to reach the rebellion on Etheria, which will be relevant at the very end of the episode, AND it shows Catra’s new outfit, so we can have a new opening now.

- Changes in the opening: Time for some really exciting mid-season opening changes! Catra’s missing from the villains’ card for the first time ever. Instead, Horde Prime’s hands are now closing around a glowing orb (I assume that’s meant to be the heart of Etheria). At the part where Catra and She-Ra fight, Catra now has short hair, She-Ra is in her new form, and instead of a snarl the fight ends with a soft smile between them (I’m not crying, you’re crying. Best opening glow-up ever! 😭). In the final heroes’ shot, Adora back to being She-Ra instead of Adora, but this time in her new form. And Catra is *finally* in the heroes’ shot as well. GOOD STUFF. (In general, I just LOVE that they actually kept updating the opening in the middle of the season. That is SO cool. But the change that really gets me is how they updated Catra and Adora’s fight, because that’s been the same since the beginning of the show and now it’s SO SWEET.)

- Okay, so my biggest problem with this episode is that the plan to find Prince Peekablue seems... kinda dumb? So they’re planning to sneak into an underwater soiree undercover and abandon everyone else at the camp to find a “hermit” no one has seen in ages because he might know where Adora and the others are? As a plan it just seems far-fetched. I get that they want to warn Adora and company that Prime is chipping people (they don’t know that Adora’s group already knows that), but how would finding Peekablue even help them achieve that? He could tell them where Adora and the others are, but... that’s it. It’s not like he can also magically communicate with Adora or anyone else. And didn’t Swift Wind tell the others last episode that Adora’s coming home and that he can feel her coming closer? So shouldn’t they already know that the group in space are on their way home? (Granted, Swift Wind told that to Micah, Frosta, Spinnerella and Netossa - but I’m assuming the rebels communicate with each other and Micah would have also told Mermista and the others?) I mean, idk how much time supposedly passed between these two episodes, so maybe it’s been a while since Elberon? Also, when did they even figure out that Horde Prime is chipping people? Last episode, Micah still said they had to “figure out what that was”. And if they know about the chips now, it might have been a good idea to check the necks of everyone at camp right away - though to be fair, they maybe didn’t realize how the chips work yet. And yeah, I am nitpicking here (and obviously the rebels have to mess up so things can go south this episode, so I guess they have to make some bad decisions.)

- That said, I love all of their outfits! And I like that Scorpia’s alias “Lynda D’Ream” is a reference to the 80s cartoon.

- Netossa’s lucky that she wears an outfit with such a high collar - makes it hard to put a chip on her neck. (Also, idk if I’ve said this before, but I love Spinnerella and Netossa’s character designs and outfits. They’re both fashion queens.)

- Just the fact that it really is Spinnetossa’s anniversary and Netossa thinks that’s why Spinnerella is acting strange - I mean, what are the odds?

- “They are my people! Which means that most of them have sworn revenge against me at some point.” Okay, that is pretty funny. And getting to meet all of Sea-Hawk’s exes was pretty funny, too. (Yeah, officially they’re not his exes but just people whose ships he set on fire... but come on, the subtext isn’t really subtle here.) And I love the whole running gag of him and Mermista fighting all of them behind the bar counter with Mermista doing most of the work and getting more and more annoyed with it - but when they’re finally done, it turns out there’s also someone there that *she* doesn’t want to see, because she set their ship on fire. Comedy gold.

- Scorpia is me at a party :( I also find it super hard to socialize and get into conversations with strangers. Very relatable there.

- I also love how the sweet flowergirl Perfuma has absolutely no problem blending in with a bunch of criminals.

- “You’re amazing. You have the biggest heart and you could do whatever you put your mind to.” Aww. I’m glad someone told Scorpia that!

- “You should do things not because you’re good at them, but because they make you happy.” That actually is some really good life advice. People should keep that mind in general.

- (I love how Sea-Hawk and Mermista are carrying Admiral Scurvy away in the background while Scorpia and Perfuma are having their heartfelt talk 🤣.)

- “Repeat after me: I can do this. I can do this.” “Perfuma can do this.” 🤦 I feel bad for laughing, but... gosh, Scorpia has some serious self-esteem issues.

- Okay, time for an unpopular opinion: I’m... not that into Scorfuma. There’s nothing wrong with it and I’m not against it or anything, but it just doesn’t particularly grab my interest. That excited feeling you get when you ship something just... isn’t there for me with them, sorry.

(I kinda felt like I had to explain/justify myself, so I started to write a small essay on my ships here that doesn’t really have anything to do with the episode. Feel free to just skip this part.)

I consider myself a multishipper and while my #1 OTP is definitely without a doubt Catradora, I also really have a soft spot for Scorptra (to the point where I’d say it’s probably my #2 after Catradora). And, to make it short, Scorptra vs. Scorfuma is one of those “fanon vs. canon” things for me, where what you want to see happen in canon isn’t necessarily what you find exciting or interesting to explore in fanworks. Obviously Scorptra was never going to be canon because Catradora is a thing, and I’m perfectly okay with that. And in canon, Scorpia getting out of a toxic friendship, moving on from her unrequited feelings, and finding love with someone else (who treats her right) is the right message to send, so I’m glad that’s where the show went. But when it comes to enjoying a ship in fanon (which is what I consider “shipping” to be), then I don’t pick my ships based on how healthy they are in canon, but on how much their dynamic fascinates me and just on whether that certain spark that makes me like a ship is there or not. And in that sense, Scorpia’s dynamic with Catra, which was explored over the course of 4 seasons, is just infinitely more fascinating and spark-inducing to me that her relationship with Perfuma.

And even beyond Scorptra - if I had to ship Scorpia with someone other than Catra, my first pick would be Entrapta. (Yes, I do ship Entrapdak, but like I said - multishipper here. Also, Entrapta has two hands!) And my first pick for who to ship Perfuma with would be Mermista because I like their bickering and I have a thing for opposites attracting.

Anyway, I’ve been rambling about ships for too long now. The bottom line is: I’m fine with Scorfuma being canon and it makes sense that they fit together since they’re very similar people. I don’t dislike it, I’m just not as hyped about it as many people seem to be. On with the episode now, please!

- “I guess I don’t know what a hermit is after all.” Yeah, Peekablue was giving off Double Trouble vibes from the beginning, tbh.

- I love how Netossa is competitive even at planning anniversary surprises.

- Perfuma loudly supporting Scorpia when she ends up on stage is a super nice moment, though. And Scorpia’s performance? Amazing!

- I wonder if Double Trouble made up that whole “She-Ra in space” vision because they were pretending to be Peekablue and just got it right by accident, or if they actually knew that much from their time pretending to be a clone. I wonder how much time they spent as a clone and what exactly they saw.

- Scorpia realizing it’s Double Trouble and then tricking and unmasking them was an amazing moment. So much for Scorpia not being smart!

- I was so excited to see Double Trouble again! Tough it makes me a bit said that they refered to Catra as their “cash kitten”. While they never made a secret out of being in it for the money, I kind of like the idea that they did care for Catra after all. (Do I just ship everyone with Catra? The answer is yes.)

DT: “I know where your friends are. And I’ll tell you - for a price, of course.”

Perfuma: *grows flower arm canon*

DT: “... Fine.”

😂😂😂 Love that.

- “It makes for a very dull audience when everyone’s mind-controlled.” Okay, but that really is a good reason for Double Trouble to help the heroes out without really changing their motivation. They’re still a Chaotic Neutral who doesn’t particularly care about morals - but it would make for a very dull audience if everyone was mind-controlled.

- “Prime is angry. She-Ra showed up and stole his little kitten away.” Like I said before, I LOVE that that’s the reason why Prime’s so pissed in the first place.

- The confrontation between Netossa and Spinnerella is so heartbreaking, but when she said “show me your neck” it again made me wonder why they didn’t check everyone’s neck at camp before.

- “What a shame we can’t be together... in Horde Prime’s light!” Ooohhh, it’s so creepy and angsty, I love it!

- And Mermista’s chipped as well because obviously things have to go south here.

- The parallel confrontations at camp and at the soiree are really cool scenes. I especially like the Spinnerella vs. Netossa fight. And Micah’s chipped as well, because things have to go wrong and Glimmer mentioned being “a day away from meeting her dad” - so obviously that has to be ruined now, too.

- “A little help? I need to lift my hand to the heavens.” Gosh, I love DT.

- Scorpia’s sacrifice made me tear up 😭. (When I first watched it, I was scared she was actually going to die and not just get chipped - I’d never have forgiven the show for that.)

- Can we talk about how strong Netossa actually is? She fought off both Spinnerella and Micah by herself, made a big enough net to cover all the chipped people, and got herself and Frosta out of there safely - I don’t want to hear anything about her powers not being strong again.

- “Happy anniversary.” Noooo, now I’m crying again... 😭😭😭 It’s so sad, but so romantic... (I really love that this season gave Spinnerella and Netossa more screentime. And I’m always here for some angst!)

- And finally, Perfuma is able to contact the group in space and warn them about the blockade. I really like that scene. I like that Perfuma specifically says “You need to stay away”, since we know what happened last time someone told Adora that. And the whole grim mood of Perfuma apologizing and saying the rebellion is compromised, the shaky pictures, the connection cutting off, and then the shot of the ship all alone in space and the silence - amazing. Basically, this episode was “things go very wrong on Etheria, and now the group in space has a serious problem”.

This was a good episode, overall. Like I said, the main reason I consider it weaker is because I care more about the group in space, and they were only here for one scene in the beginning and one in the end. But this was still pretty solid. It had some funny and sweet moments, and then some really cool and dramatic scenes in the end. And of course, it was a very important episode for the plot because things are now really not looking good on Etheria. My favourite moment was Catra sitting on Adora’s lap in the opening scene, though.

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saturrn-writes · 3 years

Text

A Beautiful Stranger

A/N: This takes place just before Ziva’s arrival at NCIS in season 3. There’s a little plot if you squint, but it’s mostly smut.

This is also posted on AO3; please do not claim my work as your own.

Summary: Tony is out at a club in DC and meets a mysterious (and attractive) stranger; after an exciting night together, Tony is shocked to discover that she is the Mossad agent now attached to their team, Officer Ziva David.

Rating: explicit for sex, language, drinking

TW// language, sexual content, alcohol, mentions of violence

Word count: 4021

Tony sipped his drink, attention glued on the heavily intoxicated and scantily clad bachelorette party that was gyrating together on the dance floor a few feet from the bar. One of the bridesmaids, a tiny blonde who looked like she could still be in college, caught his eye and he winked at her. She giggled, mimicking a lasso toss in his direction. He got up, leaving his glass on the bar and approached her with a grin.

“Hey cutie,” he said as she grabbed his arm to pull him onto the dance floor.

“Hi handsome,” she slurred, swaying on her towering heels. “You wanna dance?” Without waiting for an answer, she spun around, grinding her ass against his crotch. He grabbed her waist, less out of a desire to participate and more to keep her from falling over. He moved with her, enjoying the feeling of her against him.

“Amber!” One of the other bridesmaids shrieked at the one he was dancing with, reaching her hand out to the small woman. “We have to go! The stripper is supposed to meet us at the hotel in twenty minutes!” As she pulled Amber away from him, he gave a little finger wave.

“Have fun!” he called halfheartedly, once again mildly bored. He was hoping to find someone to go home with, but so far blackout coeds had been all he was able to find. He made his way to the bar again, ordering another beer and perching on a stool, once again scanning the crowd.

“You, uh, come here often?” A voice from beside him drew his attention immediately and he swiveled to face its source. A small, tan woman was seated beside him, one leg crossed over the other and a drink in her hand. He couldn’t quite place her accent, but it was certainly attractive, and as he looked her up and down, he knew he wanted to go home with her. Her dress was short, tight, and black, hugging her curves and riding up slightly as she recrossed her legs. Her heels were smaller than Amber’s, but they easily added three inches to her modest height. Her dark hair was wavy and loose, and Tony resisted the urge to run his hands through it.

“Occasionally,” he replied, trying to come up with a clever line. “But you haven’t; I would’ve remembered.” It wasn’t a particularly good line, but it was all he could come up with. Watching her lips kiss the rim of her glass as she drank was doing a number on him.

“No, I only just arrived in town.” She didn’t elaborate, and this frustrated him.

“I’m Tony,” he introduced, leaning closer to offer his hand. She shook it firmly, the strength of her grip surprising him.

“Ziva.” She held his hand a little longer than she needed to, her thumb running along his knuckle before pulling back. He felt a little shock at her touch, wanted to feel it again but he didn’t want to seem pushy. She finished her drink, setting the empty glass on the bar. “Do you want to dance, Tony?”

“Um, sure.” He finished his drink. “I don’t really dance, but hell, I’d do it for you.” He kicked himself as he slid off of his stool. That was such a stupid thing to say, but she seemed to find it funny. She grabbed his arm and led him to the crowded dance floor. Unlike Amber, she was confident in her steps and he watched as her hips sashayed in front of him. Her legs were long and muscular, and he wondered what they would feel like wrapped around him. They slipped into the crowd of people, moving closer together as the song changed, the jostling around them forcing them chest to chest. As they fell into rhythm together, Tony leaned down so she could hear over the music. “Where are you from?”

“Israel,” she replied, turning so her back was against him, moving her hips against him. The friction from her ass sent a rush of blood from his head and he knew he there was no way he was leaving alone tonight. Her hand reached up to grab his head, tilting her neck up so she could reach his ear. “How long have you been a cop?”

“A long time. How did you know?” She intrigued him more than anything, her exotic beauty and observant eyes were definitely going to get him into trouble.

“Call it a lucky guess,” she replied, nipping playfully at his earlobe before letting go of him. He bit his lip at her action, his hands tightening on her waist. The bottom of her already short dress rode up a little higher, exposing a little bit of a tattoo on the inside of her right thigh.

“Nice tattoo,” he commented, the subtext being a desire to see her naked. She picked up on this immediately, purposefully pulling her dress up for a second so he could see the whole thing. It was a small knife, the tip of the blade pointing to her knee. He let go of her waist with one hand, tracing over the tattoo with two fingers. She shuddered slightly at his touch, grinding harder against him in response.

“Do you have any?” she asked, her voice a breathy whisper in his ear.

“Why don’t you find out?” he suggested, hoping she would say yes. As a rule he never brought anyone home to his apartment, and he sincerely hoped she lived close by. She turned to face him, her lips ghosting over his.

“Do you want to get out of here?”

“I have a feeling you know the answer to that question, Detective Ziva.” He leaned in to kiss her, still holding her hips to keep her close. She responded quickly, kissing back with the same intensity he felt.

“My hotel is across the street,” she said as she broke the kiss. As she led him toward the street, she looked over her shoulder at him with a suggestive smirk. “I hope you brought your handcuffs.”

The air outside was cool, but not uncomfortably so. As they waited on the corner for the light to change Ziva snuggled closer to him, goosebumps dotting her arms as a breeze danced over them. He wrapped an arm around her, tracing his fingers down her arm as the light changed. They crossed the street and ducked out of the night into the lobby of her hotel. She slipped her key card out of her small purse as the elevator doors slid shut behind them, hitting the button for the fourth floor before turning her attention back on Tony. “Were you serious about the handcuffs?” he asked.

She laughed. “Why, did I scare you?”

“Hardly,” he said derisively as they arrived on her floor. “But no, I don’t currently have my cuffs on me.”

“Tragic.” She grabbed his hand and pulled him down the hall, laughing as he almost walked into her when she stopped at room 417. “Mine got shipped to my apartment so I do not have them.”

As soon as the door locked behind them Tony was on her again, pushing her against the door as she wrapped her arms around him and sought his lips. She tasted like whiskey and lemon as he slipped his tongue into her mouth. To his surprise, she pressed her tongue against his, fighting for dominance before pulling back to drag his bottom lip between her teeth. She shifted her hold on him slightly and spun them around, grinning as his back hit the door and her hands started to work the buttons on his shirt. She grew impatient after the third button and he helped her pull it over his head. She ran a hand over his torso appreciatively before kissing her way up his neck, biting just below his ear.

“Careful,” he said, trying to hold back a moan. “I have work tomorrow and I can’t have any hickeys.” She rolled her eyes.

“I know, I do too. I am starting a new job and I need to make a good first impression.” She shrugged. “That does not mean no biting though,” she said with a wink, nipping at his earlobe again. He couldn’t hold back his moan this time, steadily growing more desperate as she bit harder on his neck. He pushed away from the door, hitting the lights as he kissed her hungrily. They stumbled toward the bed, stopping only for him to kick his shoes off. She turned them again, pushing Tony down onto the bed and climbing on top of him. Her dress was bunched around her waist as she settled down, moving against him as their kiss intensified. His hands were everywhere, trying to memorize her body with his touch as she pushed him down onto his back and stood up.

He leaned on his elbows as he watched her slowly unzip her dress and drop it to the floor. It fell in a black puddle at her feet and she stepped out of it, still wearing her heels, as she slowly crawled over Tony. The only thing she was still wearing was a lacy black thong as she got to work undoing his belt. She sat up farther to unzip his pants and he took a moment to admire her. She was truly beautiful, a soft hourglass of muscle and smooth, tan skin. Her loose hair was wild and there was a mischievous glint in her dark eyes as she got up again to pull his pants completely off before climbing back on top of him. As she captured his mouth in a filthy kiss, he couldn’t even compare her to one of the leading ladies in any movie he had ever seen; he was too distracted by the way she smelled, the way she tasted, the way she felt on top of him. Normally, he was the dominant one in these situations, but she was different. She was powerful, strong, and completely comfortable in herself and what she wanted, and that made her all the more desirable to him. He finally hooked his thumbs in the waistband of her panties and dragged them down, stopping to flip her on her back so he could take them the rest of the way off as she kicked off her heels.

Her laugh turned into a moan as he started to kiss his way up the inside of her leg, over her tattoo, towards her center, ghosting over her clit with his tongue and watching in awe as she arched off the bed, her strong legs urging him down again. He obliged her happily, tracing her opening with his tongue as she buried her hands in his hair. She cried out in Hebrew as he finally rubbed his tongue over her clit again, and he wrapped his arms around her legs as he got comfortable, continuing to lick her forcefully, encouraged by her moans. She tasted heavenly, and despite his desire to be inside of her he was enjoying himself. She was unashamed to be vocal about how she felt, guided him gently but confidently to where she wanted him to touch her, and after several minutes she was starting to shake.

“Good girl,” he praised, humming appreciatively against her pussy as he continued to devour her. This sent her tumbling over the edge, almost choking him with her thighs as she came, her hands gripping his hair ferociously as she bucked her hips against his face. He eased up, continuing to slowly touch her as she came down from her high and she leaned up on her forearms to smile at him.

“Not bad, Tony,” she panted, running a hand through her hair as she caught her breath. “Come here.” She pulled him to her and kissed him harshly, swiping her tongue across his mouth, tasting herself on his lips. He thought he might die from how much that turned him on, even more than he already was.

“We can stop if you want,” he said as she grappled him, flipping him onto the bed so she was once again on top of him.

“Do you want to stop?” She looked at him with the barest hint of concern. “I do not want you to be uncomfortable, and I know it is also getting very late.”

He glanced at the clock. It was well after midnight. “I think it’s technically early, actually.” He looked back at her. “I don’t want to stop. I’m tempted to call out of work tomorrow so we can do more of this.”

She laughed. “Tony, I cannot call out on my first day.” She kissed him again. “But maybe I could see you again?”

“I’d like that.” He kissed her neck, licking down to her collarbone before biting down, listening to her breath hitch. She caught his hands and pinned them over his head, kissing down his neck. She let go of his hands as she slid down his body farther, finally grabbing his boxers in her slender hands and pulling them towards his ankles. He helped her get them off as she turned her attention to his painfully hard cock. She met his eyes as she wrapped her hand around him, and he hissed at the sudden contact. He tried to keep still as she stroked him leisurely before taking him in her mouth. Reflexively, he tangled his hands in her hair as he moaned at the feeling of her tongue on him. He reveled in the feeling of her mouth on him, but it wasn’t enough. “Ride me, Ziva.” It came out more as a command than a request and he felt her stiffen between his legs. He was worried that he had pushed too far, but the look she gave him told him it was the opposite.

“You are the boss now, are you?” she asked, biting her lip as she straddled him, using one hand to line him up with her entrance as he grabbed onto her waist. Slowly she lowered herself onto him, her eyes rolling back a little as he stretched her. She was impossibly tight, but she was still slick with arousal and her earlier orgasm, so he had no trouble sliding all the way into her. He reached up to cup her breasts, tracing his thumbs over her nipples as she started to move, setting a steady pace.

“God, you feel amazing,” he groaned quietly, leaning forward to suck one of her nipples and then the other, all the dirty sounds she made adding to the incredible amount of pleasure he felt. Feeling emboldened by her vocal enjoyment he grabbed her hair again, pulling her head back so he could bite across her neck as he bucked his hips to match her pace. He heard her breath catch at his forcefulness and he took that opportunity to bite her lower lip before kissing her again. Her hands were buried in his hair, her grip tight as she continued. He felt himself getting close, and she seemed to pick up on this as well because she smirked at him before pushing him back into the pillows so he could watch her body move. She moved her hand between her legs to rub her clit as she picked up her pace, her eyes squeezed shut as her legs started to shake again. “Fuck, Ziva!” he cried finally as he reached his climax. She was right behind him, clenching tight around him as she collapsed forward, breathing heavily. He rubbed her back as she rested against him, loosening her grip on his hair as she came down from her high.

After a few minutes she rolled off of him, stretched out on her back beside him, one hand on her stomach and the other tucked under her head. “I am extremely jetlagged but that was very worthy of my time,” she said finally. “Thank you.” He sighed, reaching a hand out to rub circles on her side.

“I should be thanking you,” he said nonchalantly. “That was incredible.” Truthfully, it was the best sex he had ever had, but he had a sneaking suspicion that saying so out loud would go to her head. He smiled at the thought, at the idea of maybe seeing her again. “I should probably go. I have to be up for work in a few hours and I need my beauty sleep.” She watched as he started collecting his clothes, finally stretching and getting up to turn on the shower as he rebuttoned his shirt.

“I would ask if you wanted to stay but I think I would sleep better alone before I start work,” she said as she poked her head out of the bathroom. “Another time, perhaps.”

“Um, yeah.” He crossed to the desk and scribbled his phone number onto the notepad. “I left my number on the desk. Call me sometime, okay?”

“Of course. It was nice to meet you, Tony.” She gave him one last kiss, the kind that made him want to get undressed and take her back to bed but he knew he needed to go home so he could sleep.

“I’ll see you around, Ziva,” he said, opening the door. “Good luck with the new job.”

“Thank you, I appreciate that. Get home safely,” she replied with another half-smirk, and shut the door behind him.

By the time he got home it was a little after four and he knew that the upcoming workday was going to kick his ass. Still, as he got into bed in his apartment, he thought about the graceful lines of her body and the way she squeezed her eyes shut when she came, and the feel of her skin in his hands. As he fell asleep, her shadow danced through his head like the women in a James Bond opening credit scene.

***The Next Day***

Tony, McGee, and Gibbs stood in the squad room, watching the monitor as McGee played the security footage from the marina where they had found the dead petty officer.

“Can you zoom in, McGee?” Gibbs asked, pointing at a dark sedan that pulled into the parking lot minutes before the murder.

“On it, boss.” McGee clicked some keys, zooming in on the car. “No plates, but I might be able to isolate his face.” He tapped some more keys as Tony stared intently at the screen, trying to identify something useful.

“It looks like a Honda, but I’m not totally sure,” he mused out loud, rubbing his temples. He hadn’t gotten much sleep the night before thanks to that delicious Israeli woman and it was seriously affecting his concentration.

“Boss, this is as clean an image as we’re gonna get,” McGee said, throwing up a slightly blurry photo of a middle aged white man with a buzz cut and some serious facial hair. “I’ll start running facial recognition.”

“I know that man,” came a voice from behind them, a familiar accent that made Tony’s cock ache in recognition. He turned to see Ziva standing at the entrance to the bullpen, her curves covered by camouflage cargo pants and a loose black V neck shirt. “His name is Dominic Svoboda. He is a Czechian national. He has been affiliated with arms smuggling and mercenary activities since 1998.” She set down her backpack on Agent Todd’s empty desk. “Sorry, I just got out of my meeting with the Director,” she said to Gibbs, holding her hand out to him. “Ziva David, Mossad.”

Gibbs ignored her outstretched hand, glancing upward toward the second floor. Director Shepard was watching him carefully. He eyed her suspiciously and headed for the stairs.

“Don’t mind him,” McGee said. “I guess he wasn’t expecting you. None of us were.” He stood up from behind his desk. “I’m Tim McGee, and that’s-“

“Very Special Agent Anthony DiNozzo,” Tony interrupted him. She turned her sharp gaze on him, the corners of her mouth turned up in a smirk that only he could see.

“Tony,” she said casually. “We met downstairs, remember?”

“Ah, yes,” Tony sighed, relieved that she had covered for them both. “I didn’t realize you meant you were being assigned to our team.”

“Well, I am here now.” She turned to McGee. “What can I do?”

“What else do you know about Dominic Svoboda?” McGee asked, pulling his photo from Interpol and sending it to the television screen.

“He has been on Mossad’s radar for several years now after an attack on an Israeli school tied his guns to several terrorist cells. He has been in the United States for approximately six months. I will reach out to one of my contacts for more information about his associates here.” She reached for the desk phone but stopped when Tony coughed uncomfortably.

“Um, that’s Kate’s desk,” Tony said quickly. He looked up at the stairs when he heard a door slam. Gibbs gave Ziva one of his long stares as he rejoined them in the bullpen.

“Tony, McGee, this is Ziva David. She’s with Mossad, on temporary assignment here. Someone wanna catch me up?” He grabbed his coffee cup off of his desk, stared at McGee.

“Well, Officer David was just telling us about Dominic Svoboda here,” he started, but Gibbs cut him off.

“McGee, trace anything of his you can find. Tony, give Officer David the tour.”

“Right. This way, Officer David,” Tony said, as casually as possible, as they headed toward the elevator. “We’ll start in the basement. I’ll tell Abby about our Czechian arms dealer and see what she can dig up on his guns.” Ziva hurried behind him. The elevator began to move down, and Tony reached out to hit the stop button. The lights cut out and the car came to a bouncing halt. He turned to her, crossing his arms. “You didn’t tell me you were Mossad,” he hissed at her. She leaned against the wall of the elevator, mirroring his body language.

“You never asked,” she replied simply. “Besides, I am more than capable of being an adult about this. We cannot keep seeing each other, but we can work together in a civil manner.” She eyed him suspiciously. “Unless you are unable to contain yourself?”

“Excuse me, what?” he asked, taken aback.

“You heard me, Very Special Agent DiNozzo,” she challenged. “Are you incapable of remaining composed in the office?”

He wanted to argue with her, but he kept having flashbacks to the night before, her beautiful, naked body arched off her bed in sheer bliss, and he felt himself getting a little hot under the collar. “I’ll be fine but thank you for your concern. It’s endearing.”

She took a step forward, looking up at him through her eyelashes. “Are you sure about that? You look a little uncomfortable, Tony.”

He looked away from her face to calm himself down but found himself following the line of her shirt to her breasts, and further to the camo pants that were just a little snugger on her hips than they should be. The things he wanted to do to her in this elevator… He shook himself back to the present. “I don’t know, Officer David, you seem like you’re the one who’s distracted.”

She licked her lip absently as she reached for the elevator button and he couldn’t resist any longer. He grabbed her waist, slamming her against the wall and pressing his lips to hers. She tasted like coffee and mint, a combination even more intoxicating than the alcohol on her breath the night before. As he dug his fingers into her hips she arched up to him, a low growl in her throat as she dug her fingers into his shirt. After a minute, she pushed him away from her. “We cannot do this right now.” As she hit the elevator button again, she gave him a suggestive glance. “You know where I am staying until my apartment is ready. Seven o’clock, do not be late.” She winked at him. “Bring your handcuffs this time.”

#smut #ncis #ncis fanfiction #tony x ziva #ziva david #tony dinozzo

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steve0discusses · 3 years

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S4 Ep38: Awkward Hugs Episode

Remember how excited I was about the good storyboarder? Well this episode has the opposite of that. It looks a lot like they hit some sort of crunch and this entire episode got shipped to Singapore so that some other animation studio could deal with their problems. It’s got some jank.

And like listen, animation is hard, there’s a billion moving plates, there’s a lot of office politics and deadlines, this season in particular is very long and complicated, and I don’t know exactly what happened this episode, but it just...wow it’s a lot funny poorly animated moments and I was here for it.

So first off, Dartz died! I didn’t even cap it because it happened so quickly. He was standing there, a portal opened up, and then the Great Leviathan kind of munched him up in 3 frames of animation, and then dissolved away back into the portal. It was card shenanigans anyway, and I don’t go over card games here--just trust me he played cards, he lost, he died.

Once Dartz died, this happened, in the one place Roland thought he was safe.

Roland has spent a good amount of this time debating whether or not to go inside and now he’s got a situation. Is it safer in Soul Hut than...whatever this is?

I wouldn’t know either.

So he just decides to uh...look directly at it while everyone else deals with orb hell.

The three knights of Atlantis decide to revive the respective owners of their cards.

So Pegasus just has to sit back, relax, and find some other unsuspecting orb person to share his fanfiction deep cuts with.

PS, that was not an exaggeration on the lazy PowerPoint spiral-in transition--this episode was a marvel of “Oh crap we ran out of time!” last-ditch effort animation and I approve.

(read more under the cut)

And if you thought they were done being orbs now that we’re on a physical mortal plane--nah.

This is the closest Pharoah and Yugi have ever gotten to a physical hug. Just throwing it out there that this is the only time they’ve touched in any way as two separate entities. Also--I like that this is the same way Yugi holds his necklace when he’s talking to Pharaoh. Cute little parallel there.

And as I mentioned, there were a lot of people just hugging it out as if it’s the last episode of the season. First off, one of the most huggy people on this show, which I’m still surprised is the Kaibas.

(he did legitimately pretend to be asleep by the way, because as he was spiraling out of hell he was like “whaoooahahhh”)

So I guess if Mokuba, Tristan, and Tea woke up without being orbs first, then that really does mean they never died 2 episodes ago.

Fine. This is fine. I’ll append my headcanon.

...so Dartz really was just so tired of them that he decided to make them take a nap, huh? That Mokuba was so annoying he was just like “I’m turning them off ok? Not like OFF off, not killing them or anything, that would be rude--I just don’t like small one.”

Meanwhile Tea has a Yugi appreciation moment where she’s reunited with her very confusing relationship. Which is how she likes it best. Undefined in nearly every sort of way. A relationship made entirely out of subtext.

(and honestly, relationships made entirely out of subtext is like 75% of the teen dating experience, which I may have mentioned before, but I do not remember if I have because 2020 has wiped my memory of just so many things.)

I vocally, out-loud, went “Ahhhh!” at the screen because I FORGOT how big his eyes are. They are so wild usually, but with the animation B-team at the helm, I was just not ready for the eyes to return. Yugi’s eyes are just...an abomination in every way and I forget when I see them consistently. I get used to them, I get over it...But when I go an entire season without these hell eyes staring directly at me every five seconds, then it’s like I’ve seen them for the first time.

I’m glad he’s back but man his eyes.

Those eyes.

Anyway, on for some more awkward hugs. First off, Yugi’s visceral reaction to his pretty-much-a-wife-at-this-point giving him a...hug?

(she’s kneeling, by the way. Bro mentioned that it looks like she picked him up and held him entirely by the neck--that would have been great, and I would never doubt Tea’s strength, but she had the decency not to do that.)

And then to Yugi’s just overall confusion to whatever Joey Wheeler defines as a hug.

I am 5 feet 0 inches tall, much like Yugi, and can confirm that yes, some people do hug me like this.

This type of hug should be illegal, it’s very disorienting.

Then, Yugi got to do what he does best.

The FIRST THING he does from coming back from death is immediately hold back information. Mm. Yugi at his finest.

At the point that you’d assume that someone in this room would indicate that maybe this hell vortex is like...a situation...Roland comes in the room screaming for Kaiba to come outside and tell him what the hell to do with his life.

So they go outside and the city of Atlantis is popping out of the sea and flying directly into the air--which...sure, it doesn’t really go in the air usually...but I’ll take it.

And in case you’re like...wait, I thought Atlantis was in California, not in the middle of the Pacific Ocean, don’t worry, it’ll get even more confusing later on.

Also, this happened.

Most of the human race freakin died so like...not sure what we should be concerned about here. Gotta get that one last guy in Florida to board up his house, I guess.

I like that Tea is contractually obligated to beg Yugi to stay behind so she doesn’t have to live without him when...it’s like...Tea, your relationship is already a big ass question mark, and Yugi actually dying did not even mean you were living without him. He’s been around this whole season as Pharaoh, my dude. You have the only boyfriend who will not only never officially date you but will also officially never go away.

So like...earlier in the season it was mentioned that Florida had the pieces of Atlantis shoved in a museum so like...is Atlantis off of Florida now? Because the Battle of Atlantis was in the Bay Area, and Dartz lives in San Francisco, and they went on a helicopter and flew out to the sea so...

We GOTTA be in the Pacific, right?

Anyway, it could be that they’re worried it’ll hit the East Coast of Japan--which, yes--it would. That would also be way more pertinent to our cast of people who live in Japan, it’s just that if you’re doing a show in English that takes place in the USA and you say the “East Coast” it only means New York.

I don’t think the translation team got the memo, it was a very weird line.

Tea wishes Yugi luck instead of Pharaoh for once, and Yugi was like “I don’t know why you want to talk to me instead of the version of me with the fine ass.” and his confusion was kind of cute, but they didn’t actually go into any more deets than this.

Valon and Mai were almost making out with each other’s dead body like ten episodes ago, so maybe the team felt like they had enough practice to maybe almost approach something happening with their flagship couple? Almost.

But also...Yugi just has no idea that a few days ago Tea was trying to get Pharaoh to talk to her on a Caltrain by talking about wearing little swimsuits on a Florida beach date, and then Pharaoh got so upset he went to the tiny area between trains and started sobbing while punching a wall. Yugi doesn’t know this. I don’t think anyone will ever tell him.

And like...will anyone tell Yugi that Pharaoh woke up in Tea’s bed? Like no one, right? Like no one even knows that happened? The irony of how cautious Yugi is with this relationship after Pharaoh was just slicing and dicing for this entire season is great. It’s also probably unintentional, but I can still laugh at it.

Anyway, inside soul hut, Yugi got a little lost, and then his puzzle started glowing and brought him to the Macguffins from last season. Would have been really inconvenient if these got doused in the sea, honestly, and I don’t think the Ishtars would have appreciated it.

Also, this puzzle sensor would have been really, really useful in S2.

Meanwhile, I think Seto and Joey just stared at this glowy gate of hell thing being all “Do you know what this is, Kaiba? I was dead” and Kaiba being all “Hell if I know, I was also dead, I don’t know what this thing is.” And Joey being like “Well Yugi doesn’t know what it is, he was also dead.” and Kaiba being like “The only one of us alive was the dead guy who lives in Yugi’s imagination?”

And then Joey being like “Also, where the hell are we?”

So, frustrated that this obvious trap was simply too confounding, Dartz decides to explain to our dumb as hell cast what a “door” is.

Where we can then admire the sights of Atlantis! Which is mostly brick buildings and giant gates with snakes on them.

Also it would just be COVERED in dead fish but we’re gonna skip that and save it for what would be an extremely ill-fated Netflix live-action series that they will probably eventually make of Season 4. Netflix can’t help itself, you know it can’t. This is a spicy series. It would be terrible in gritty live action. Make it happen, Netflix.

I feel like the artist was trying desperately to fix Joey’s bangs and I feel that on an emotional level. We all want to fix Joey’s bangs. Why did they stop at Joey?

They find Dartz in some weird Gazebo which...OK. It was a whole lot of weird concept art that I didn’t cap because it’s like...nothing is terrifying about a Gazebo...

I straight up don’t understand Atlantis culture.

So, Dartz decided that he could just...use himself to raise the Great Leviathan. He had only one more soul he needed, and he was just as powerful as Yami--so lets just do it, lets just raise the snake!

MAN I just realized what a euphemism this season is.

Good job, Dartz.

Course this is how he spun his story to us, but he seemed pretty surprised when the Great Leviathan gobbled him up in the first 10 minutes of the episode.

But this is the story Dartz is sticking to. He, himself, will raise the Leviathan, himself, and he is very happy with his decision that he made all by himself. I mean, Dartz has been alive for 10,000 years, and maybe he got bored of immortality.

Dartz could have done this from day 1.

What’s up, Sephiroth? Nice little uh final fantasy thing we’re doing with this lizard’s face. I really can’t unsee these uneven man boobs (like what is that angle?) but it’s fine. Dartz doesn’t need hands or...legs...he’s a dragon now, like he can just bite stuff and fly around and stuff. Can’t be that bad.

But for reals, what is the dragon’s angle here?

what is it gonna DO?

Like after everyone’s dead. Is it just gonna...float around? Fly around outer space? Enjoy the sunrise?

Like what do dragons...DO?

Anyway, I’m sure we’ll never get the answer on why the Leviathan wanted to leave the core of the Earth so stinkin bad, but maybe--just maybe--this season might actually end next episode? Maybe?

Will I actually finish this season in 2020! I might! Y’all I MIGHT!

And for anyone reading these for the first time, here’s a link to read these in chrono order

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casmybelovedass · 4 years

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The Destiel Folder: Season 8

[Season 4; Season 5; Season 6; Season 7]

Oooohhh this is where things start getting JUICY

Episode 1:

Again, Dean copes with the idea of Cas not being there by lying to himself

Parallel from S6: Dean behaves exactly like he was while looking for Lisa and Ben, looking for Cas. "Where's the angel!" (16:57)

Dean clearly states he won't leave PurGAYtory without Cas (22:45)

Episode 2:

Since Dean has come back, he has been snappy with Sam and Crowley about Cas, but every time he remembers PurGAYtory, he is either looking for Cas or with him, and that's all he thinks of

Again with the paraparallels with Lisa and Ben (12:21), also "You'll find your angel there." (13:19) ICWAW, come on, do I have to point that out?

"There are some in Heaven who still believe, despite his mistakes, that Castiel's heart was always in the right place [...] I think... too much heart was always Castiel's problem." (22:25) Samandriel says all of this while looking directly at Dean

Look at that hug. Have we ever seen Dean hug Cas before? The gring on Dean's face. [This is so fucking funny too me, the "Nice peach fuzz" reaction to Cas' beard VS the Sam's "That's the most disgusting thing I've ever seen!" reaction in season 14] (23:21)

"I prayed to you, Cas, every night!" (24:37) Cas once again chose to leave/hurt Dean in order to protect him, even tho he really doesn't want to leave him. "There've been things hunting me. [...] I've a price on my head and I've been trying to stay one step ahead of them to... to keep them away from you." (24:54) Those fucking eyes kill me

Dean is willing to risk it all to get Cas out with him. "Cas, buddy... I need you." [yeah, let's see how well that ages on episode 17], also the little "Dean... " after that... BABIES (25:33)

That smile, those eyes... LOOK AT HIM. This is such a "You and me against everything" moment that, ICWAW, would be considered HELLA ROMANTIC

"I'm not leaving here without you. Understand?" (25:51) for fucking finally, also 12 seconds of STARE + LICK of the LIPS action. Oooohhh ICWAW... just imagine

Let us remember that all of this ⬆️, Dean remembers after Samandriel told him "too much heart bla bla bla"

"... [Kevin] thinks people I don't need anymore, they end up dead." (40:36) 'you', Dean? Only you? That's so much guilt you are packing. And immediately after he thinks about trying to save Cas from PurGAYtory and failing... Alrighty then

Episode 5:

I get why some people ship Dean and Benny, but they really do struck me as a bromance. When they call each other "brother", I believe that. With Cas, Dean pulls the "brother card" whenever he's opening his heart to him, basically "no-homo"ing it at the end. Weird right? (12:03)

Benny bitches about Cas being a danger to them because of the attraction monsters have to him, and Cas himself tries convincing Dean he has to leave him behind for his own good, but Dean is having none of that shit and is ready to die trying to save him (12:56)

FUCK MY LIFE we are getting flashbacks from both Sam and Dean, Sam about the time he spent with Amelia, and Dean about looking for, finding and trying to save Cas. I MEAN??!!! ICWAW you BET this would be seen as a ROMANTIC PARALLEL

"He's a friend." "A friend? Dean, you don't have any- all your friends are dead." "That's not what I called to talk about!!" Ouch (25:27)

Episode 6:

"I was in Purgatory." "Like 'purgatory' Purgatory?" "No, the one in Miami." ... that's a gay bar, Dean, how would you know? (11:23)

Dean's lying to himself about Cas letting go (35:32)

Episode 7:

Parallel to S1 Sam seeing Jess while in the car (2:31). Kill me. Also Dean allucinates Cas just like Sam did with Jess (10:15) band tries coping with it by repeating to himself that he didn't leave Cas behind

Every scene in Purgatory where Cas tries to reassure Dean that, if he doesn't make it, it's just the way it is, and Dean insisting he won't leave without him. "I'm just saying... if it doesn't work.. Thank you. For everything." (12:50) I'm dying

Cas comes back and all Dean does for the first few moments is check him out (16:16-16:21) He says he kept trying to reach for the boys, but wasn't at full power, tho somehow Dean was the only one who could see him. And Dean's eyes looking back at Cas (17:58) End me now

FUCKING👏BONER👏SHIFT👏 (20:38)

LOOK AT HIM!! He's checking him out, making THAT face and SHIFTING IN HIS SEAT WHILE PRESSING A HAND TO HIS CROTCH. THAT'S A BONER SHIFT. Look at Sam and then at Dean (20:44) One is a friendly fond reaction, one ISN'T.

ICWAW, we wouldn't even be QUESTIONING it!

The amount of checking out in this episode is crazy. Look at Dean checking out Cas. Look at his face! THE EYES (24:08) ICWA- OH COME ON DO I HAVE TO POINT THAT OUT?!

"Did you not trust me?" "Dean..." "I did everything I could to get you out. Everything! ... I did not leave you." "... So you think this was your fault?" OH MY GOD SO FUCKING #MARRIED LOOK AT CAS' EYES (28:06) ICWA- I'm not even trying anymore

So many soft shoulder touches (34:42) also HOT SCENE I don't know why "I'm going in." "Cas, no. You're not strong enough." (35:15) precious babies

"You could've gotten yourself killed. Why didn't you wait for me?" "Well, I didn't get killed, and it worked." "And if it didn't?!" "It would have been my problem." "Well, it's not the way I see it!" (37:36) #MARRIED they're SO MARRIED

Dean keeps blaming himself for Cas not getting out "I don't need to feel like hell for failing you like I've failed every other godforsaken thing I care about." SEE??! (38:16) Dean preferred believing he had let Cas down, something he is used to, than he had sacrified himself for him (38:48). Dean can't believe Cas thought he deserved to stay in Purgatory. Also THE WAY THEY'RE LOOKING AT EACH OTHER (39:38) And Dean's deeply hurt by the fact that Cas would leave him to safety and remain in Purgatory as self punishment for what Dean had painted as all Cas' fault. And he is full of regret (41:30)

Episode 8:

[How fucking cute is it that Cas wants to become a hunter. I'M SQUEELING]

They are so #MARRIED my heart ACHES (5:02) and the way Dean looks at Cas is so fucking SOFT. And 6 seconds of just staring and... well, Cas in general (5:13)

"What? I was being bad cop." "No, you were being bad everything!" (9:12) #MARRIED (12:04) I'm dying, they're so cute

"I don't sleep." "Okay, well, I need my 4 hours, so-" "I'll watch over you *puppy eyes*" (12:52)

"Hey, can you lift this?" sure, Dean, every excuse is valid to have Cas be hot by effortlessly moving an anvil. And see how Cas looks at Dean, like "Really? You even had to ask? I'll fucking show you I can lift this shit". Look at how he looks back side-eyes at Dean here (14:16), like he's making sure Dean is watching him being hot. I'm dead

This is such a fucking sweet moment [I mean, kinda looked like the begging of a porn at first] (16:01). Dean can sense Cas is not okay, and gets him to open up about his feelings. And when Cas admits being suicidal, Dean is speechless, not even being able to imagine such an outcome. Anyway, it is so fucking sweet that they're always able to show themselves vulnerable to each other

Shut up. Look at this scene (18:51-18:53). Mute the video and just look. This is Sam marrying Cas and Dean. PERIODT.

"You're so pretty, Charles. [...] You were quite the bounder." DEAN'S FACE (20:27) He's so in love, and immediately after he LICKS HIS LIPS

While Sam talks about running away from your problems (referring to Amelia), and having to wake up in order not to destroy everything, the pan focuses on Cas (35:33) Subtext, gentlethem, subtext. CAS, FACE YOUR FEELINGS. SOON

Dean's face when Cas says he's not coming back with them (38:16-39:21)

Episode 10:

I now this scene is supposed to be funny, but the way Cas looks at Dean AAAWWW (6:53-7:01) Also do you really have to walk so close to Cas, Dean? Do you? While CHECKING HIM OUT nonetheless?! (7:54)

Remember when in 7x01 Dean was totally comfortable watching porn in front of his brother? Well, Dean goes on and on about Cas being a "brother", but his fucking reaction to Cas being in the same room as him with porn on his computer, is BY FAR the same he has with Sam, hell he even keeps watching with Sam! (8:05) Is it because the last time he, porn and Cas were in the same room, Cas popped a BONER?

Random guy @ Dean: "Are you serious?" Cas: "*leans in to look at Dean* That's his serious face, yes." And Dean's reaction (12:59) SO FUCKING #MARRIED

Dean, that's not the way you look at a friend, or a BROTHER (13:38)

LOOK!! I swear to GOD ICWAW that would be seen as nothing other than CHECKING OUT YOUR CRUSH

"Hey, how about we say, if this doesn't pan out, we had back to that beer and bacon happy hour a mile back, huh?" Translation: "Since I'm starting to realize I might feel something more for you, let me take you on what is totally not a date unless you want it to be" (16:58)

(24:02) #MARRIED

Dean, will you stop checking out Cas during missions? (25:06) Same goes for you, Cas, don't check if your husband's got a boner for you being the hero here (25:08)

Since the start of this season, we've been getting parallels between Sam & Amelia and Dean & Cas. The flashbacks, the guilt for leaving the other half behind, and now Dean tells Sam he's jealous he got a chance at being happy with Amelia (37:32)!!! I MEAN- and fuck my life when I tell you there are parallels with the whole Sam-Amelia-Don & Cas-Dean-Benny thing. I'M TELLING YOU

Episode 11:

"Trust me, this life... you can't afford attachments. You just gotta... let go." "... Are we still talking about Sam, or did you break up with someone too?" (21:17) CHARLIE KNOWS. TELL HIM CHARLIE

Episode 13:

Bitch... Dean's reaction to getting publicly hit on by a dude, so not the one a straight guy, confident in his sexuality and masculinity, "no-homo bro" would have (15:36). Just saying, we have seen Dean turn down what he thought were avances, and other implications regarding his sexuality, with either sarcasm/humor or anger... this is new. Progress?! [Wait till we get to 15x7]

Episode 16:

[Keep in mind how Dean's bedroom looks. Trust me]

Episode 17: OOOOHHH BOI

Cas has been tortured, mind-fucked, obligated to kill fake Deans over 1K times, in order to be ready to kill the real one. Let that sink in

Dean prayed to Cas, I'm sure almost every night, and can already sense something is not right with him ever since he came back from Purgatory (11:31), but when Sam questions his prayers to Cas, Dean doesn't know how to respond. Like, what, do I need a reason to try and contact my crush?

"There has to be another way. [...] This isn't right! [...] I won't hurt Dean!" (29:51-31:00) "Cas, fight this! This is not you! FIGHT IT!" and he does. Cas fights it. [and as soon as Cas starts fighting back, Heaven tints with BI COLOURS! LOOK AT THEM WINDOW THINGY (31:16) OF ALL COLOURS]

Dean is on the verge of tears, kneeling in front of Cas, telling him "This isn't you!", and to fight. He is pleading. And by the end, bloody, hopeless, "Cas... it's me! We're family. We need you... I need you." and Cas stops. (33:13)

Cas breaks the connection Naomi had installed in him. Once again, when presented with the choice, he chooses Dean over Heaven. All of this because Dean needed him. And let's not forget Dean was originally ment to say "I love you.", and that would've been the reason Cas snapped out of the control. I MEAN ICWAW THIS WOULD FUCKING BE CANON

Dean, thinking Cas is going to kill him, clutches onto the coat's sleeve for dear life, to the memory of his Cas (34:21) KILL ME

"What broke the connection?" The look in Cas' eyes... "I don't know." OH YES YOU DO (36:15) and Dean's face when Cas says he needs to protect the angel tablet. Dean knows he's gonna leave again (36:23). ICWAW, this whole scene would be the UMPTEENTH CONFESSION

Episode 18:

"I'm fine. Are you okay?" "Me?" "Yeah. Cass dinged you up pretty good." "... and?" "And I just wanted to make sure you're okay." "...What, like, my feelings?!" "If that's what you wanna talk about, sure." Dean gets pissy pretty easily when talking about Cas, who left once again, and his feelings. Also, Sam knows, and he ships it. He's president of the Destiel Company (4:02)

Episode 19:

The thing with the Deanny relationship is: Dean is naturally affectionate towards Sam, and he expresses the same towards Benny. His relationship with the both of them is very very similar, while see Dean showing affection towards Cas [same as he does with Sam] only during extreme emotional moments. Dean is known for repressing his feelings, and having a tendency to maintaining a "macho" exterior. He shows himself vulnerable in front of Cas, but not enough for him to think less of Dean. So, think about it

Episode 20:

Charlie, a lesbian, who has only ever heard of Castiel through Dean, describes him as seeming "dreamy" while talking to Dean... GAYDAR ANYONE??!!! (9:16)

Episode 21:

"In the words of a good friend... 'bite me'." Cas is quoting Dean, and if I remember correctly, Dean will quote Cas' "ass-butt" later on (16:"10)

Episode 22:

I hate when Dean treats Cas poorly, badly, because he can't deal with his feelings. In the heat of the moment, Dean is always forgiving, helpful and caring, but as soon As things cool down, he goes back to being cold, bitchy and snappy, like nothing ever happened. Repressed mother fucker

The small flash of hurt on Cas' face when Dean ignores his "Good morning" (3:33) fighting coupleTM. "Dean, I can go with you. *is ignored* Dean... I'm sorry. [LOOK AT THAT FACE]" "For what?" "For everything." "Everything? Like ignoring us?" #MARRIED

Cas is buying porn, beer and pie to make amends to Dean. "Where's the pie?" "I think we're out." "*grabs store clerk* You don't understand. I need pie!" (14:50) they are so fucking #MARRIED

Episode 23:

This is such a sweet moment. Cas is about to close the doors to his old home behind himself forever, while risking getting killed by his own kind, and Dean is worried about him. They are sharing drinks while longingly staring into each other's eyes. This is so sweet. Also, Dean warned Sam he might not be coming back. Why? Cuz he would probably die while trying to protect Cas from other angels. To them, they are probably spending their last moments together, while looking at each other like THAT (22:38) And 5 seconds of STARES (23:10)

In love. Fucking fools in love, that's what they are.

This is so stupid but they have just witnessed a cupid matching up two dudes, after all of the above⬆️ (23:53) AND IT'S JUST FUNNY!! Dean is stunned and all, while Cas is complitely fine and professional (24:04-24:17-24:21) DEAN'S FACE

"Talk first, stab later." (26:21) Cas is like "Bitch, you talking? That was our first date!" #MARRIED

[I'll just leave this here (37:00)]

Now shit's getting real

[Season 9>>]

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subvertingyourexpectations · 4 years

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Top Ten Films of 2019

2019 was… I’m gonna be honest, not a very great year for cinema. Aside from a handful of standouts, I have seen very few things that completely blew me away. Especially given the past few years, we haven’t gotten a Roma, or a Phantom Thread, or a Denis Villeneuve movie. Anyway, this is my top ten favorite films of 2019.

But first…

Films That Would Make It But Didn’t “Technically” Come Out in 2019

Long Day’s Journey into Night

I already talked at length about this film, but I love it to pieces. It has twisted the visual language of cinema into its own beautiful and bizarre version, crafting a puzzle box of a movie that I absolutely adored. But, it technically came out at the end of 2018, so it can’t be on the list.

Tigers Are Not Afraid

If you like foreign films, this is a must-see. If you like tragic dramas anchored by some terrific child actor performances, this is a must-see. If you like horror movies, well, it’s not really a horror movie but people keep describing it as one, so you should probably see it. It’s a beautiful little imaginative tale about the effects of the drug war on orphaned kids, and if you can catch it on streaming I would definitely check it out. But, even though it came out in limited release in August, it came out in Mexico in 2017, so I can’t include it.

One Cut of the Dead

Maybe the most original film I’ve seen in years? The first half is a terrific little zombie flick all in one camera shot, and somehow the second half expands on this and is ten times better. Watching this in a packed house was one of my favorite moviegoing experiences of the year. It’s one of the most funny and, again, original movies I’ve seen in years.

Shadow

UGH ALL THE GREAT FOREIGN FILMS DIDN’T COME OUT IN 2019. Anyway this movie is incredible and is maybe the best use of grayscale I’ve seen in any film.

Movies That Might’ve Made the List But I Sadly Have Not Seen Them Yet

Portrait of a Lady on Fire

Pain and Glory

1917

Bad Education

Little Women

The Souvenir

Okay, now onto the actual list…

10. Ad Astra

Brad Pitt and James Gray’s remake of Apocalypse Now in space is maybe the weirdest premise for a movie, and yet I really enjoyed Ad Astra. There’s clearly some touches of studio interference that make this movie worse (read: Brad Pitt’s narration), but the underlying themes of anxiety and depression are some of the best I’ve seen on screen. Couple that with Brad Pitt’s best performance of the year (yes), the visual splendor on display, and this movie is an easy inclusion in my top ten of the year.

9. Uncut Gems

I need to go lie down. After really enjoying the Safdie Brothers’ previous films (Good Time and Heaven Knows What), I was really excited for this movie, and I was not let down. The frenetic, dare-I-say crackhead energy that the Safdies are able to convey in their films is immensely satisfying to watch, and the way Adam Sandler channels it is one of my favorite performances of the year. The last twenty minutes of this movie is just pure panic attack.

8. The Irishman

Somehow Scorsese’s 209-minute long epic is one of the most watchable films of the year. This is just a terrific example of everyone firing on all cylinders; the performances are great, the script is great, the editing is unbelievable (this movie feels like it is two hours long), and the directing and thematic development towards the third act is some of Scorsese’s best.

7. The Farewell

A calling card for director Lulu Wang as much as it is for Awkwafina in dramatic roles, The Farewell is an absolute delight. The family dynamics throughout all feel refreshingly authentic, and the film masterfully weaves between its comedic moments and tragic undertones. If it wasn’t for some choices made at the ending, this would probably rank higher on my list.

6. El Camino

How bad was 2019 for film? A Breaking Bad movie is my sixth favorite film of the year. It doesn’t matter if we “needed” this movie or not, El Camino is just so incredibly well-made and enjoyable. It’s always a pleasure seeing something new in the Breaking Bad universe, but more than that I think this film is a genuinely beautiful swan song for one of the greatest characters in television.

5. Waves

This movie is meandering, aimless, pretentious, and completely style over substance. And yet, the last half hour of this movie hit me harder than almost anything this year. Regardless of how you feel about the characters, I feel like Waves has an overwhelmingly positive message in the end, which is to grow away from your hatred and learn to forgive and love. I’m sure many people will find the way this movie gets to that message to be kind of pointless and wandering, but to me it just turned a pretty good film into one of my favorites of the year.

4. The Mustang

My local 3-screen art house closed in April of this year. I went there as often as I could, because they were the only theater in town that would play a lot of independent and foreign films. It was the first place I saw Roma, and the first (and, let’s face it, last) time I saw Stalker on the big screen. The last night they were open, I went and saw The Mustang, not based on anything to do with the movie, just because I wanted to be there one last time. It was completely sold out, far busier than I’d ever seen them. In the past I’d always had free roam of where to sit, but that last night I was in the third row from the front.

If Ad Astra is about depression, then The Mustang is about anger, and learning to overcome your anger and grow as a person. It’s about a prison in Nevada that has a rehabilitation program where violent convicts train wild Mustangs, which are later sold to local ranches and farms. Roman (a terrific performance from Matthias Schoenaerts) is one such convict, and his personal struggle to overcome his anger is beautifully realized against the backdrop of having to fight a wild animal. (Seriously, he goes in swinging and it does not end well for him.) It’s a great story, and it’s a must-watch if you haven’t seen it. The emotional ending coupled with the fact that my favorite theater was closing left me a complete wreck when the credits rolled. (I’m starting to realize my top five films all just boil down to “the ending wrecked me”.)

3. The LEGO Movie 2: The Second Part

This is like The Mustang but for kids.

Okay okay, hear me out, I only saw this movie once when it first came out 11 months ago, and I’m not ever watching it again because I thought it was perfection. I feel like on a repeat visit the songs will become grating, the plot will feel ridiculous, and the themes of toxic masculinity that I appreciated so dearly will seem like faint whispers instead of clear subtext. And yet in the theater, I absolutely adored the songs and the plot and the clear subtext about being a better brother/man. The real-world parallels that were a surprise twist at the end of the first film are used beautifully in The Second Part, because the plot is simply just one big metaphor for a little sister who wants to play with her older brother. It’s touching, it’s funny, and it gets stuck inside your heart. It’s such a shame that the LEGO film franchise is all but dead, because if we had kept getting films like this, children’s movies would definitely be better for it.

2. Parasite

Everything fantastic about this film has already been said about it by people far smarter than me, so I’ll just say this: it is every bit as amazing as people hyped it up to be. This movie is a biting satire, a laugh-out-loud comedy, and an edge of your seat thriller. It has left an imprint on my brain since I first saw it back in October, to the point where as much as I have tried to analyze and dissect, this film, I don’t know if there’s a single flaw with it, there’s genuinely nothing I would change about this movie. If you see one movie this year, it should be Parasite.

1. The Last Black Man in San Francisco

In July of 2019, I had to make probably the biggest decision of my (brief) career thus far. I was going to leave my management position at a 24-screen theater I’d loved dearly to go work in an office. I loved everything about the movie theater, I’d worked there for almost four years, but at a certain point it just had diminishing returns. Newer upper management and constant changes coming down from the big-whigs had turned my favorite building into a place I started to resent, a place I didn’t recognize. I tried to fight the change, and re-institute everything I loved about this building that I practically grew up in, but you can’t fight change, and you shouldn’t romanticize the past.

I’ve never seen these themes more realized in film than in The Last Black Man in San Francisco. It tells the story of Jimmie Fails, a native San Franciscan who has to watch the city he’s loved his whole life descend into a rapidly gentrified hellscape that leaves many homeless and helpless. He often visits his childhood home, a beautiful three-story house with a “witch hat” on top, now owned by an older white couple. This doesn’t stop him from romanticizing the house, romanticizing the past, as he constantly visits and attempts to fix up the house, oftentimes clashing with the current inhabitants.

This disdain from the couple is an all-too-real parallel message that he’s getting from the city itself: You’re not welcome here anymore. Much as Jimmie has tied his identity to this home, and this city, he is hardly welcome in either. But for one brief instant, he gets to live his dream. The house gets stuck in a familial dispute, causing the older couple to move out. Leaving behind a big empty house that no one is occupying, Jimmie and his best friend Montgomery decide to just move right in, and have their way. They bring in all the old furniture from Jimmie’s childhood, they paint the walls, repair the original woodworking, all in service of Jimmie’s dream to simply exist in this space, and preserve something sacred.

Eventually though, reality comes crashing down, and try as he might, Jimmie can’t stay in the house, and he has to learn a hard truth: you cannot tie yourself emotionally to a physical space. Whether it’s a house, a city, a job, you simply cannot love something that doesn’t love you back. You will get hurt every time.

But it’s so easy to love. It’s so easy to play the piano in the entranceway of your childhood home. It’s so easy to relax in the sauna upstairs, or smoke on the balcony, or just lay on the floor and admire the witch hat. The Last Black Man in San Francisco makes you fall in love with this house, and with Jimmie and Montgomery, and as much as we see ourselves in them, we too have to learn the same lessons. As much as we want to inhabit a space, and get the fullest potential out of it, you cannot ever stop change, and you cannot stand in the way of it without going insane.

And maybe it was just because I was going through this personal development the first time I saw this movie, but it hit me like a ton of bricks. It stuck in my brain so much that by the time I saw it a second time, I was a complete mess; I cried four times. I cried for Jimmie, I cried for the house, and I cried for myself. I cried for the things we all lost, the things that would never be the same, and because we would have to learn to accept that. This is what’s so beautiful about The Last Black Man in San Francisco, and on top of the phenomenal acting, emotional script, and gorgeous visuals, it’s what made it my favorite film of the year.

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theanimeview · 5 years

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Spirit King Elqueeness: Review, Analysis, & A Plea for More

Please like and share this post! Currently unlicensed in English (BUT NEEDS TO BE). You can see the Korean version here. According to the baka-updates, the manga has over 100 chapters out and according to me, this series deserves more attention, more love, and more translations!

I read a lot, I mean a lot, of stories, particularly of the isekai genre lately, and this by far is one of the best in terms of storyline that I’ve seen with only about 15 fan-translated chapters to go off of as of yet. It starts with tragedy, not only is our main character abused at home, he dies young in an accident. Then he finds out that all of his struggles until then (struggles to not only survive the abuse he is receiving but eventually move past the trauma to find the familial love he’s longed for all his life) has been in vain because he was never supposed to be born there in the first place. Rather, he was supposed to be born as a Spirit King instead of as the pitiable human he was before.

Chapter 4 paints a picture of how spirit kings are revealed: first one chooses from seven cards that signify the type of soul you have (elves, humans, demons, gods, dragons, dwarves, and spirits), then there is a subsequent set of cards specifically for the nature of said soul. From this, you can gather that spirit kings are specifically people(s) that choose the spirit card and one of the four natures--in this case, the spirit of water. No other spirit of that nature can be born until the spirit king arrives, which seems to mean that when the spirit king dies, so do all of the remaining water spirits left behind, allowing for them to be replaced by the next generation (the death of the remaining spirits of that nature is inferred not directly stated). The soul guides tell him that his soul must be that of Elqueeness since no other water spirit has come in the 16 years since his soul was lost on Earth.

During this time, Elqueeness is shown to be very unique. He is rarely angry, choosing instead to accept what has happened and move on. He is very forgiving I think, but that doesn’t mean that the human life and trauma won’t pop-up again or change his perception of the world now that he is reincarnating to his proper role as a Spirit King.

During reincarnation, we see his birth as the new fully formed Spirit King of Water, naive and delicate as his current appearance is and different from the former king as all of the other spirit kings note:

In a beautifully funny way, this prefaces our meeting of the former Elqueeness--if the current Elqueeness is like a gentle stream, then the former Elqueeness was a raging storm--two different sides of a temperamental body of nature with the power to back it up.

Picking water was probably no mistake by the creator as people rarely attribute gentle behavior to a fiery temper, nor gentleness with the earth. What I mean is, think back to other representations of the four elements--earth is steady, fire is passion and anger, the wind is flowy and can cause a lot of damage but when it does, it’s often paired with one of the other four elements (like a rainstorm, sand storm, or even raging fire). Water personalities are often shown to be flexible to different paths, patient, but still very powerful.

Elqueeness acts as our interpreter of this new world of spirits and, like us, he is confused by it. Sure, he may be an over-powered demi-god but he doesn’t know it yet nor does he know how to use that power or even think that he could have such power after his treatment in the last life, which makes the story so fun to read.

Already I have a theory about this series and it is only a few chapters in, which to me is a sign of great storytelling potential. I made a note already that he was abused in his former life as a human, yet he seems to be able to mostly move past this trauma very quickly following his rebirth. Not to say that there are not some human parts still ingrained deeply into his spirit, the trauma being one of them, but that they are not nearly as impactful as another human might take them. I believe the reason he is able to overcome so much of the abuse he suffered before has a lot to do with him being a spirit soul rather than a human one, at least that might explain it to me. Of the four spirit kings, Elqueeness is by far the most “human.” What I mean by that is that while the other four spirit kings display emotions, Elqueeness has the widest range of them and is perhaps the only one longing for something beyond the realm of spirits. He’s looking for family, particularly love of a family. In some ways, the other spirit kings might provide this, but thus far it doesn’t seem so.

Of the four, the other three spirit kings seem inflexible to what they are or could be--they’re Spirit Kings, the spirits they make are just extensions of themselves, and nature is their domain, why think too hard about human struggles? Why look at the other spirits as children or anything more? (Other inferred things, not explicitly stated.) However, the current Elqueeness is interested in humans, is open to seeing his spirits as more than extensions of himself following a conversation with the god that formerly was in the same role and of the same name, the god Elrien.

Elrien also makes a note of the difference between this Elqueeness and others--this Elqueeness, our Elqueeness, is more emotional and sympathetic. In essence, a non-human individual we might refer to as more human simply because of his emotional range. But who knows? Maybe as the story progresses we’ll see more of how trauma is treated in the story, after all, just past Chapter 10 we are introduced to so many different plot potentials where rejection, family drama, and more can be expanded upon in the growing narrative.

Have I hooked you into how interesting this story is yet? Do you need more? Because I HAVE MORE ->

Let’s look at the art. Look at these two adorable and beautiful people:

For the most part, the art is like the sample shown above, lots of bright colors paint this world when things are new, exciting, or just positive in general and when things are sad, it's framed in darkness--ah, simplicity of color-coordinating emotional tone, thank you. BUT beyond that, the varying thickness of lines and overall roundness of the art style generally knows what it is and by that I mean that it really opens itself to moments of comedy and moments of beauty just for the sake of beauty, for example:

^chibi forms and lacking features=comedy purposes,

^then this ethereal entrance by Elqueeness -- all in the same art style and coloring, just adjusting the level of detail slightly so that any moment can easily flow from beauty to comedy to plot-driven story elements to whatever without having to emphasize points of changing styles or dramatize them heavily in the art style to make them funny or stand out because the art allows comedy and the more serious plot points to just flow naturally between one another in this series.

BUT, you say to me, But, what else?

WHAT ELSE? You ask?? Oh. I see, my love and devotion to art and title character are not enough--you want more--fine. Fine. More you shall get:

Here is an interesting things I just noticed in my latest re-read of the very short version I have available to me thus far via Google translate and fan-translations: the Spirit King seems to have certain peoples tied to their respective elements--for example, red dragons are associated with fire, and blue dragons with water--and it's not unheard of for the Spirit Kings and, by extension the spirits they make (like the former Elqueness) to be biased towards peoples not of their element. It is also evident that water is the most powerful of the four, with our Elqueness being the first to have such little expression of that power so far. With how biased the former Elqueness was, it is likely that water mages or contractors of water-based peoples/spirits like blue dragons might have had a lot of political and social power prior to the former Elqueness‘ death and the current Elqueness’ 16 years missing time as a human in which nature was thrown off course. How might this development have shaped what's going on in the story? Well, for those interested, we can already see a sliver of how much the world has been shaken by Elqueness’ absence. In addition to the disbalance in nature, such as the intensive droughts taking place all over the earth, panic and frenzy has caused untold unrest in the various peoples that exist on the spirit-run plain, even so far as using Elqueness’ name (rather, the lack of water) as the reason for killing of a King.

This is setting up a political plot around water, and given the subtext that the story has provided so far, I bet the political story will be a really f-ing good one. Plus, I just found out there is a novel! This series has so much to offer and I bet it will give us even more as it progresses.

In conclusion, it’s interesting, it's fun, it's unique to its genre, and it needs more love. The fan-translators are doing a great job, but without love it will probably be dropped for other series translations and will never be legally licensed with an English release. Its been dropped before (twice, I think, since I started following it) and that breaks my heart. I absolutely love this series and I hope you all will love it too. I recommend checking out the Korean version on kakaopage if you find Google translate acceptable for the first attempt at reading (I do, but it is a struggle to get things a lot of the time). Right now, the first 28 chapters are free!

So, if you’re looking for a good read, I hope you’ll check it out if you see the title!

#elquinus #spirit king elqueeness #정령왕 엘퀴네스 #elqueeness #spirit king elquinus #analysis #theory

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bigbangcowgirl73 · 4 years

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fuck the brain

so for this update, we are going to break it up. make it a little easier...well somewhat..so are going to break over so ill play the OCD card and have sub-categories (:

With that said let’s get started <3

1. Health-- so I think as I have discussed at the beginning of this blog I explained that I have epilepsy and I hate admitting that. I am embarrassed beyond words with it. I use to be a social butterfly, and now the idea of going out to the world and being apart of other things is a little nerve-racking to me. Before July in 2019, we thought that I wasn't going to have any more seizures that it was all fixed and I was “cured” for a better lack of words, I haven't had a seizure for almost 3 years so life was looking good. Now with that said before we all get excited and we try to figure all are asking questions, my neurologist, dr. g requested an EEG in the beginning of the year because I came I told them that I have not been taking my medicine for about 6 months and have been doing just fine. the reason being for this is because I was just simply at first was forgetting then I got didn't have a certain amount so I got behind and then it just turned into me not taking them. Well, when we had the EEG I still had the abnormal brainwaves (a quick explanation on EEG’s..pretty much a helmet of little wires they hook to your head and it tells you what kind of brain waves you have). Not my best day. So I had a seizure back in July I assumed because I was depressed from what learned in April I was taking care of my body, I was sleeping well, not doing the best with my body. Then I had one about 2 weeks ago, after that, I have been anxiety attacks whenever I please, my depression is flying off the walls. So now my neurologist has decided that I need to have a service dog for these reasons. I was diagnosed with depression and anxiety a couple of years back, but it was never this bad as it is now. so now me having to even think about having a service is kind of hard, because I’ve always been embarrassed with the idea of just almost anyone knowing about it. like if I didn't have to tell a friend about it then I won't. there's been soo many timeeeesss that I thought i have told a friend and then something will happen that it would come up and they wouldn't know a thing about it.

-Love: alrighty so this subtext will be fun. so y’all remember daffy? well, we’re pretty much still in that sloth relationship that I was explaining. and since we still can't think of a better word we’re going to stick with that until I say otherwise alright? good glad we agreed. so when I had my last seizure I was with him and about as close as I could get with a person while having a seizure. he was laying on top of me when it happened. yeahhhh good moment for the sloth and lady sloth right? well, I could remember after it was waking up hurling on his favorite sweater that I was wearing at the time barely getting to the sink and hurling all over that than falling on the floor and wanting to die. then I remember barely opening my eyes, daffy was standing over me he cleaned up my throw up, this is going to be so cheesy but I thought he has to be prince charming he's going to clean up this shit off of me. then he took off the throw up sweater off of me put on a different shirt and carried me to his room. next thing I know i wake up and I don't really remember the rest. I remember bits and pieces but that's about it. I just remember thinking that he may not be perfect and he might have a shitty past, him and I are overly different, but he just might the prince charming I was looking for. bad boy in skinny jeans with a sailor's mouth and can be an asshole sometimes but makes me smile no matter what and makes me feel safe and all these other things that do not fall into this subtext.

-Friendship-- when my friend cotton found out that I had a seizure he didn't really do a whole bunch of what I friend is supposed to do I believe, I mean when my friends have found out in the past they freak out are wanting to know if I'm okay did I die asking weird questions. but cotton he just didnt. and it really pissed me off! and he’s supposed to be my best friend, but he hasn't been one lately. I'm not liking it.

-School-- the school hasn't gotten scary now. my teachers are really supportive but I feel so far behind and I cant remember. and this is the shit part. my neurologist thinks the reason why I'm having such a hard time remembering is that I have PTSD so he is wanting me to go to PSYCHIATRIST..arent those for people who are really fucked up in the head or something? I would see why but I'm not excited about it. maybe I can talk may out of it. I've gone to a therapist before and it did me no good. if anything it did me worse. but now I'm so scared to anything with school because what if I fail what if something goes wrong and it stresses me out so much that I have a seizure or have such a bad anxiety attack that I have a seizure.

2. Friendship/Love- so I was going to split up these two categories but since they collide each other by a lot it would get way too confusing so this seemed easier at the end of the day.

So as you could guess this will have to do with cotton and daffy. pretty fun combination. especially since they both don't like each other. which is super fun. so with that said, cotton since the beginning has talked bad about daffy. and I would just ignore it usually, especially since he would just be talking about his past mainly and I really wouldn't care because when daffy would say anything about he would calmly say its in the past in the past for a reason. he's done that he’s not proud of, was he the best person back then probably not, would probably want to be around him..probably not, but then again knowing bigbangcowgirl lets just 2-3 years ago she would probably still go for it. but daffy just never talked about cotton even though he didn't like him, he knew that he was my best friend he wouldn't. cotton would, I ignored for the most part. there was something I would question, but then daffy would bring down somewhere along the yellow brick road and i would be just fine once again. with my past of shit guys. daffy has been so straight forward and not hidden anything from it so relaxing and he’s been so trustworthy! Cotton has been such a bad friend and it just took me yesterday to put two and two together after daffy was pointing out something towards me and then yesterday I just don't trust him anymore. I'm really pissed. I know my mom and cotton talk and i told her last night when I got done coaching to not talk to him anymore for awhile. I don't want you to talk to him. I don't trust him right now. he's my friend, but I don't like how he’s been treating me and seems to be manipulating you and putting up this front to you and dad.

-Family- those last two sentences kind of collided with this sub-category but that’s fine. so me and daffy decided that we wouldn’t meet my parents for a while cause that would just make it official and legit serious, like would be switching from sloth to penguins. if y’all don't know what that means, I can’t help you. go to google. which was fine by me. I'm a daddy’s girl some even telling my dad about nick was already a little scary. I didn't want my dad to meet another guy I've been seeing for a while until I knew it was going to be serious and would last, so he would stop meeting these pos kind of guys. Well with daffy, they’re outstandingly opposite. like its crazy different. it's kind of funny though. but what gives me the slightest bit of hope is that daffy makes me happy, he takes care of me, he wants me to be happy, for an example, he could’ve cared less if my parents didn’t like him, but since he knows that a big thing to him, it bothers him and he wants to fix it. my father thinks that he doesn’t make me happy just because the only time I have been on the phone with daffy these past couple of days when I was the house we were bickering about stuff. so yeah, if that's your first opinion I could see why, but what he doesn't know is that I've been on the phone with him multiple times, been texting him multiple times, been smiling because of him multiple times, but because I didn't want my dad to know that he existed because of our sloth-like relationship I just said it was cotton cause my dad knows that he’s in n. carolina and there's no way in hell I will be leaving texas just for some boy.

now then, I don't really think my dad will ever like any boy I am with. just for the fact of him thinking no man is good enough for my little girl fact. which is fine I understand that. no biggie. I agree. I'm adorable. but if he has respect for daffy, understands that daffy cares about me respect me, doesn't hurt me emotionally/physically like any other guy has in the past, and makes me happy. then I know that’s all that matters to him.

and another perk is that my mom loves him. she is a little concerned cause she knows that he is a bad boy and has a bad past, but she knows that she he has done what he needs to do make him improve and make him a better man. also now that I have pointed all that cotton has lied about and pulled off his mask that he’s been wearing. daffy doesn’t look bad anymore. now I say that because cotton has been trying to make daffy look bad by comparing those two together. which is one of the major things that I noticed yesterday. one of the biggest things that pissed me off the most.

sloth relationship, or penguin relationship. nobody is going to make my man look bad or talk shit about him especially if I know you and I know what you’re saying and your’ purpose behind it. not okay.

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willidleaway · 4 years

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Star Wars, episode 9

In short: Without spoiling anything, remember how I was on about how Episode VIII was a good movie, a mediocre one, and a bad one fighting for space to each other’s detriment? And remember how this (I thought) left Episode IX with way more to bite off than it could chew?

Well, probably not, but it seems I had reason to worry. Episode IX is full of droids and spaceships and fights and explosions, but it also feels simultaneously empty and overstuffed. The plot isn’t stretched nearly as thin across so many parallel subplots as was the case with Episode VIII, but it’s still got two to three movies’ worth of story squeezed together into something resembling a supercut with just the essentials, and part of the problem seems to be it's more of a sequel to Episode VII than it is to Episode VIII.

So even though it competently hits familiar beats for fans of the original trilogy, and even though many people will like it well enough for that, it feels regressive and conservative and lazy. Good actors are wasted. Good characters are underused. Noise and nostalgia take precedence over sensible storytelling. It warrants more disappointment than anger, but maybe not a non-zero amount of anger, and it worries me about the future of Star Wars movies.

Spoiler-filled breakdown behind the Read More break.

In less short: OK, so let’s review where we were when Episode VIII ended:

Kylo Ren has killed Snoke and become Supreme Leader, with nobody to dictate his actions. Cool.

Rey’s parents are nobody and we shouldn’t be fussing about her heritage as if heroes always have chosen status or weird bloodlines. Cool.

The Resistance are basically now a ragtag crew that fits in a light freighter, with no allies to come to their rescue. ... This is a bit of a difficult spot to get out of.

Within the first 30 minutes of so, Episode IX sets it up so that:

Not only is Snoke not dead, but it turns out he was Sheev all along, and he’s still going to dictate Kylo Ren’s actions. Oh.

The Resistance is magically where it was at the end of Episode VII. Oh.

Then a bit further in—maybe an hour or so?—it turns out Rey has some kind of weird bloodline after all, namely Palpatine’s. Oh.

Palpatine being Snoke is annoying because Palpatine’s supposed to be dead and Snoke’s supposed to be dead, and when you have a long-dead Sith Lord that turns out to have been pretending to be a recently dead Supreme Leader, it seems reasonable enough to demand an explanation—none is given, of course.

The Resistance being magically reverted to its Episode VII state is understandable given the need to have Carrie Fisher in the movie through unused footage from that movie, but in view of all of the other retcons of Episode VIII, one can’t help but give this a bit of side-eye as well.

The retcon of Rey’s heritage is the real tell that

this is trying to be half of the trilogy all at once, which is a problem because it’s supposed to be the third act;

and in the process it’s also trying to erase a lot of the actual Episode VIII, which is a problem because it’s canon.

The thing is, much of what happens in the sequels could fit sensibly into three films with just a bit more work. Keep VII mostly as is; for VIII, trim the pointless safecracking subplot and the misguided mutiny subplot (and ideally replace them with a single subplot that keeps Poe and Finn in the same madness), and extend to include the reveal that Snoke was Palpatine and that Rey is his granddaughter; and then this leaves IX with enough breathing room to actually flesh out the implications of those reveals, the Force dyad, and so on, before moving on to the action of tracking down the Sith dagger and everything that ensues from there.

Of course, then it would follow exactly the beats of the original trilogy. Episode V ends with a big family reveal, and Episode VI then spends time dealing with the implications and reconciling the reveal with what was previously stated. But the sequels have been in such lockstep with the original trilogy that frankly I’m surprised that’s not what they went for to begin with.

Yet it makes sense when you take into account the completely on-the-fly plotting that the sequels have obviously been subjected to. VIII basically tore down some of the most delicious set pieces of VII—the mystery behind Rey’s identity, the presence of Snoke as Kylo Ren’s puppetmaster—and IX is basically tearing down that tearing-down. I know JJ Abrams wasn’t wholly responsible for the story of Episode IX, but it does feel quite a bit like he’s going ‘oh god no, that’s not what you were supposed to do with that from my movie! or that! or that! this is what you were supposed to do!’ and trying to build the house of cards back up. He’s not got enough time to do it right in two hours and a bit, and he knows it, but gosh darn it he’s still going to try. And maybe at some point he gets frustrated and yells ‘okay, Snoke was supposed to be a puppet of Palpatine, all right? just—just start the movie with that, it’ll be fine, because I don’t know how to even make that work with the carnage that Rian left behind’. So then facts are rapidly established and moved on from, because we’ve got a lot of ground to cover—mainly a lot of ground from VIII, to cover up.

It’s funny how the themes of these movies are supposed to be progressive—VIII was all about moving forward from failure and fear and despair, IX about recognising you are not alone and facing the problems of the world with that knowledge—and yet the plotting of these movies are continually regressive, retreating to ground already trodden to death by the original trilogy (both figuratively and, in the case of JJ’s films, literally—Death Star II, Endor, ...), and in many cases retreating within itself. A regressive strategy may work for prequels—after all things must gravitate towards the ground truth laid down by the originals—but it doesn’t work quite as well for sequels.

That’s really the key thing I wanted to say—IX feels insular, like it came from a parallel universe with a completely different JJ-led VIII and only realises it about ten minutes of the way in, and it feels a bit lazy falling back on clichés that VIII tried to explicitly preclude. But I do have some more specific thoughts on a few characters.

Rose: So, there was a lot of media buzz when VIII came out about Rose because ooh look she’s the first Asian woman to get any kind of significant screen time in a Star Wars movie isn’t that nice. And then there was a lot of racist and sexist abuse thrown at Kelly Marie Tran and that’s not very nice at all. And Rose’s character arc in VIII unfortunately overall turned out a bit lacklustre frankly so that’s just a bit mediocre. So clearly, given that Rose has been held up as this point of diversity in an otherwise not-terribly-intersectionality-friendly universe, we want to maybe shore this up a bit, right? Make sure that if Star Wars is going to have an Asian woman, that she’s going to be really prominent as things start going down in this last movie?

Erm, no. We’re just leaving her at the Resistance base to do tech things. Oh, we’ll bring her back out for the final battle, sure, and she’ll be part of the ground invasion, but for most of the movie you’ll barely realise that this was almost a major character in the last movie. The droids will have more agency and screen time than her.

Good choice, lads.

Hux and Pryde: VII wasted Max von Sydow, VII and VIII mostly wasted Gwendoline Christie, and now behold: the whole sequel trilogy wasted Domhnall Gleeson.

As demonstrated by performances in films like Brooklyn and Ex Machina, Domhnall Gleeson is actually an excellent actor, not merely competent. Yet in these movies, he doesn’t seem to have actually been given a role, only a caricature of one and a set of gags. First, he’s supposed to be a sort of perpetual rival to Kylo Ren—very mad, but very competent. Then, he’s basically openly laughed at by the Resistance and entirely subdominant to Kylo Ren. But finally in this movie, the writers remembered he’s supposed to be a peer, and makes him a mole out of spite against Kylo Ren, but basically absolutely nobody involved can take this seriously because of course it’s ridiculous.

To be honest, I don’t see how they could have ever made a rival to Kylo work. Here’s a more compelling idea. How about this: a former Imperial officer, high enough in rank to occasionally report directly to the Emperor himself, obviously loses all of his power and prestige with the end of the Empire. But then the First Order rises up, and he somehow gets to head the First Order’s military forces—but has to report to this upstart, this Kylo Ren. It disgusts him to have to report to this undignified hull-tearing snot nose, but he does it because he knows that behind the mask of Snoke is the Emperor, having cheated death, and through his devotion and the devotion of many others, the Emperor will rise again and—Kylo Ren or no Kylo Ren—reclaim what is rightfully his!

Oh right that’d basically have been General Pryde if they’d thought of him back when they were making Episode VII.

And of course, Richard E Grant—star of Withnail and I, of Can You Ever Forgive Me?, and of many fascinating Doctor Who stories of various canonicity—is in this role, and good god that’s even more of a tragic waste because of what General Pryde could have been if they’d actually plotted out a proper trilogy and realised that someone like Pryde would have worked a lot better than someone like Hux as right-hand man to the main villain.

Still nowhere near as wasted as Gwendoline Christie, mind.

Jannah: Yeah, Jannah and her company are all right. I just mention her because I am so glad that we didn’t get another Mickey Smith and Martha Jones situation where the black people just got coupled up at the last minute. Just thought I’d mention that.

Poe/Finn: Look, it’s like Kirk/Spock, okay? All the subtext is there, and it’s just a matter of you reading between the lines. How you read between the lines is entirely up to you—I argue there is a place for deep platonic relationships as much as romantic relationships, homo- or hetero-gender (although there may be a personal bias involved here).

But let me just say this: in the original trilogy, you had a young Jedi trainee and a pilot and his rescuee, with the latter two having this bickering old married couple dynamic. Those two are absolutely an item by the end of the trilogy, as in they have their big rotten kiss at the end of VI. (Possibly at other points too. I couldn’t possibly tell you.)

In this sequel trilogy, you have a young Jedi trainee and a pilot and his rescuee, with the latter two having this bickering old married couple dynamic. So where’s my Poe/Finn kiss at the end of IX?

As I say, though, it’s like Kirk/Spock, and like Kirk/Spock, it’s such brilliant chemistry that you can always rely on fan fiction to compensate for the cowardice of the canon writers. But it’d have been nice to have some level of canon validation.

Kylo and Rey: Yeah, speaking of big rotten kisses ... That is not the kiss I wanted at the end of IX. You didn’t have Luke kissing Anakin at the end of VI, did you?

That’s my main complaint, really, and otherwise I still think Adam from Girls (I’m sorry that’s just how I think of Adam Driver for some reason??? even though I’ve never even seen Girls???) looks a bit goofy at times. But Kylo and Rey’s arc felt like one where they were equals (possibly the bloodline reveal helps a bit there), they worked together well, it had a reasonable conclusion, etc. The Force bond thing is still creepy, and still a bit weird in how you can pass matter back and forth, but I suppose it was established in VIII, and I happen to think the way it was used in this movie on Exegol was actually pretty brilliant.

The droids: You thought I was going to talk about C-3PO, but it was he, D-O!

Sorry, couldn’t resist. Overall, I'm still not entirely cleared up on what happened with the droids, actually. It seemed like there was just this whole roundabout subplot around Threepio only to return everything to status quo, and maybe D-O had some information they could probably have used to begin with???

Other miscellaneous thoughts:

How much study in the Living Force does it take to do the becoming-one-with-the-Force thing, anyway? We see that Leia and Ben both vanish into nothing after death, and Leia definitely is a Force ghost confirmed at the end. But I thought season 6 of TCW made it pretty clear that this required a lot of training and study, which is why Qui-Gon was training Yoda so that he could then presumably train Obi-Wan (as the end of III suggests) in the art of immortality. To be fair Anakin never was trained in this, but given that he’s the Chosen One, I think he gets a bit of slack on what Force powers he can use. Luke and Leia were never trained on screen, of course, but Luke had years to read all the sacred Jedi texts, and he knows Force Telepresence (still can’t be bothered to find the actual name of that), so I figure he’s a very good autodidact, and likely trained Leia at some point as well as a Force ghost. So where does that leave Ben? I don’t know, maybe the Force ghosting thing is just a thing that runs in the Skywalker bloodline.

‘The dead speak!’ is the goofiest way to open a crawl since ‘War!’ from Episode III. Another reason the Palpatine reveal should have just been towards the end of Episode IX.

Trebuchet jetpack troopers? Really? Was that meant to be threatening, hilarious, or both? Because I only found it hilarious.

Also oh hi Wedge. Also oh hi Hayden Christensen’s voice. God I wish they’d had his actual visual Force ghost alongside Luke and Leia.

Did ... did Maz do anything other than basically be at the base and then give Chewie a medal because har har we love making references to the original movies? No? ... What a waste of Lupita Nyong’o, then.

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aggresivelyfriendly · 6 years

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~Meet Me In The Hallway~ Chapter 5-Vacation

Sitting on Tamarama beach, I tried to ignore the goings on and the scene around me. I was really invested in the book I was trying to read. I was really trying to be invested in the blasted book. The month had crept by, and I’d stayed in contact with Harry.

Our constant stream of texting didn’t abate and I was tempted to ask him if he got much else done. Those words never passed my fingertips, because I didn’t want him to stop. He had taken it upon himself to leave me alone for this day with Michael and his mates, which is probably why I was bored. It was definitely why I was pouty. I missed our conversation, this morning had opened with an atrocious knock knock joke. I’d played along because it made him smile and sometimes, he could be funny.

“Knock, Knock.”

“Who’s there?”

“Daisy”

“Daisy who?”

“Daisy me rollin, they hatin.”

I laughed, but I didn’t tell him that. It gave him to much ammunition and my weakness had more to do with him than anything. We had texting continually all morning until I shared our plans for the day.

“Oh, I’m gonna let you have fun with your mates. Leave you alone then.”

“They are really Michael’s mates, H.” I countered, hoping he wouldn’t leave me alone.

“Still, what are you gonna do, text all day instead of enjoy the beach.”

Yes, that is exactly what I wanted to do, but I responded, “I dunno, depends if your jokes get better.”

“My jokes are the best you’ve ever heard, and you are going to admit that when I call you tonight.”

I bit my lip, “Doubtful,” I wrote back.

The problem was, after the moment of realization the first week I was home in Australia, all of our interactions felt laden with a subtext I was uncomfortably aware of. I had no idea if Harry was inhabiting the same grey area as me. I assumed he wasn’t. His calls and texts betrayed no awkwardness, and I was still mostly enjoying them.

I had so far been able to avoid his FaceTime attempts thankfully. My excuses were wide ranging and inventive - I’m out, I have no WiFi and a crap data plan. In a moment of sheer panic, I had even claimed to be in the loo, which led to him letting me go immediately after mentioning the acoustics were wrong for a bathroom. How he knew that, I did not care to know.

As much as my mind conjured his visage now that I was AWARE, I could not face actually seeing him. I was sure that I’d embarrass myself in some way and he would know that I suddenly could not stop thinking about him.

Before I opened my eyes in the morning, a month on, longer than I had occupied his bed, I was still reaching out to find him on the other side of the mattress. I was still staying to my side of the bed. I had a single sized bed too for Christ’s sake, how does one have a side, but I left a Harry-shaped gap in my bed, to echo the negative space in my daily life. And seemingly in my heart. When I was able to pry my eyes open every AM, I wished to see the green of his eyes reflecting mine. I missed his humming. He had a habit, of humming under his breath. The melodies he wove ranged from the song in his head to he one I imagined was on his heart. At first, those evenings when we played video game after video game and I handed him his ass repeatedly, he would hum the songs from the video game and I threatened to bash him upside the head.

I had found that I had taken up the habit as I sat around - reading, pretending I was not writing in my journal, or cooking myself snacks - I hummed. They even seemed to be Harry’s songs, either those that he wrote, the parts that he sung, or the ones he hummed when he was not repeating the irritating tings of Mario kart or Fifa. I also found myself pinching my bottom lip and pushing back my hair.

My life had become a Harry song, or an echo of his melody. I wish it was sweet, but the tune was melancholy and I feared it would remain so.

I even missed the damn smack of his gum.

“What are you doing?” My brother threw himself onto the towel behind me and I yelped as the cool water droplets on his body and hair showered my skin.

“That’s cold!”

“Is it?” He was gleeful and I squeaked when he shook more onto me laughing lungfuls of air onto my face.

“God, you reek of beer! Have you been soused this entire break?” I asked primly.

I was the ‘wet blanket’ the boys were fond of telling me. I think they must have secretly liked it, otherwise I could not imagine they would have dragged me on tour. Someone needed to be the mum.

“I have been reasonably pissed most of the time. This is my last hurrah! I’ll have to stop day-drinking once we get to America! America!! Ahhh!”

His glee was contagious and my condescension evaporated in the face of his joy. “I know you weren’t that excited about going last time, but you must be so excited now! Then Asia after that! You’re gonna see the world!”

I grinned, “You too,” I nudged him with my shoulder and smiled. “How’s it feel to make it big brother?”

“It feels like I need another beer!” He stood and extended his hand to me, carefully avoiding the serious conversation I was initiating. As always, we were playing our roles. He pulled me up, over shooting and I fell into him.

“You’re gonna have one with me.” And it sounded as though I had no choice in the matter.

“I don’t like beer!”

“It is my mission to make sure you like beer by the time we get back to Oz.” He cracked the can and handed it to me, with a crash of his own against it. “Opening for fucking 1D will be a huge let down if you don’t learn to lighten up and drink beer. If we come home from this adventure with you in a corner with a book and a pencil behind your ear, I swear it will all be for nought.”

I took a gingerly sip of my beer, “I like reading. It’s my favorite thing.”

“That’s why I will get you laid! Then that will be your favorite thing.”

“You are entirely too concerned with my sex life.”

“What sex life?” He laughed.

“Listen, I like reading, I like watching, this is the life I want. I’m not missing out on anything, honestly.” I finished my beer and reached for another.

“I know, but I think you’d be a better writer if you actually experienced something instead of just watching all the time.” The shock must have shown on my face because he quickly added, “Sis, of course I know you write.”

He reached forward and plucked the pencil from behind my ear. “You’re not as sneaky as you think.” He slipped the slim cylinder between my fingers. “I think you should live things, so you can write them, instead of writing others people’s stories.”

I shrugged him off. “Is that why you live so large, drink so heavy and fuck so many girls?”

I was surprised by the edge in my voice, I liked being called out even less than I would have guessed.

“I live like this because I can, I drink,” he finished his beer and punctuated himself by crushing his can. “Because it feels good. I fuck the girls because of both, right now I can, and it feels better than beer even. Don’t be pissed off—-

I scoffed.

"Really, I’m not trying to be an asshole. You should loosen up. Fool around. I’d been hoping that’s what you were doing all those nights you snuck out—”

“You mean when you kicked me out.”

“Those too. But you spent this whole break even more tightly wound than before.” He picked up a beer and did the thing, our thing: “I dare you!”

He handed me my third drink with a look of triumph I wanted to pretend was premature. But I knew better. Neither of us could turn down a dare. It was how he broke his leg, and I first got caught sneaking out and later it was how he tried out for the band and how I asked for a gap year. It was our trump card, how we got each other in trouble, but also how was made each other take a step we were fearful of.

“Fine,” I huffed and took the beer. I hadn’t had a third beer since before, it scared me. But, I was among friends and when my protective - in his weird way - big brother wrapped his arm around my shoulder, I felt safe.

“I got your back, promise.” He wrapped his fingers around each other.

I’m sure he intended to have my back. I’m also sure that he was telling the truth when he said that I was not really living my life, but watching everybody else’s.

I felt compelled to tell him the truth. The alcohol in my bloodstream was like truth serum. And my feelings for Harry, the details of our strange friendship, were on the tip of my tongue. The little honest acrobat would have jumped onto the trapeze poised in the air between us had someone not called him away. Close call that one.

The worries my brother had about me were founded because I’d changed in the last couple of years. I had never been a party animal or the biggest drinker, but I’d been social when needed and comfortable around people, even boys I liked. I had changed, given up any semblance of amiability. Maybe it was time to forgive myself one bad decision.

I decided to interact with the people on the beach. I had insisted they were not my friend’s, but Michael’s, but we had all gone to school together. Many of the girls were even in my year. I wouldn’t see them for months now. Some I hadn’t seen for months before this. And I trusted them. I’d known some of them my whole life.

I accepted the beer handed to me and relaxed into my surroundings.

I should have known better. I made it home happily, with a foamy buzz in my head and a smile on my face. I had a moment’s reverie for the feeling of Harry’s plump lips on my cheek and his arms clinched around my neck when he bid me goodbye before his plane to Paris. It felt more than friendly. Did friend’s let their lips linger like that? Did they inhale their hugging partner’s hair so obviously? Did they find quite so many excuses to curl themselves around them? I knew my motivations, I really wanted to know his. My boozy brain wandered down these paths, and my will was weakened, so I allowed it.

I blame it on the alcohol, that’s why I answered that damn FaceTime call.

#Harry Styles #Harry Styles fanfiction #Harry Styles fanfic #Harry Styles imagine #meet me in the hallway #mmith #chapter 5

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recentanimenews · 7 years

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Bookshelf Briefs 11/13/17

Anne Happy, Vol. 7 | By Cotoji | Yen Press – It’s sports festival time, and out heroines are doing their best to at least survive the events, though in Botan’s case that may be difficult. The volume consists of what you’d expect—everyone’s quirk is in full force, the Unlucky Class ends up very very far behind in the rankings, mostly as they’re up against a sports class that compete in national events. Sayama continues to attempt to get over her terminal shyness, and makes small strides. Small strides is in fact the point of this series, as the class in general is doing OK but not well enough to make it in the world. This may become more important later on. In the meantime, Anne Happy is unassuming and cute, with minimal ambition. If you enjoy cute girls falling over, you’ll like it. – Sean Gaffney

Black Clover, Vol. 9 | By Yuki Tabata | Viz Media – We wrap up the Battle with the Midnight Sun here, and our heroes spend some significant time recovering—though for Asta, that time may end up being far longer than he’d really like. We also end up seeing Yuno again. Remember Yuno? Asta’s rival who we saw at the very start of the series? He’s back, and of course is ridiculously strong. The rivalry between him and Asta has ridiculous amounts of BL tease, because this is a Jump manga, but I’m fine with that. There was also a nice non-reveal with a masked captain of Yuno’s unit, who turned out to be masked for different reasons than we’d thought. In any case, new arc should start soon, as we try to figure out how to heal permanent damage. – Sean Gaffney

Demon King Daimaou, Vol. 3 | By Shoutaro Mizuki and Souichi Itou | J-Novel Club – There is one reason that the jaded light-novel fan should give this book a try, and that’s the appearance of the villain, Mister X, who is over the top crazy and in his desire for villainy and despair that is “Art!” reminds me of nothing less than an evil Great Gonzo. Other than that, it’s situations normal at Daimaou, Inc. We get a bit more depth for Hiroshi, Akuto’s fanboy, but it doesn’t really work nearly as well for me, as the characterization feels off from the prior two books. And there are the heroines, with Korone getting a nice fakeout “I am going back to be executed” moment, Keena being Akuto’s conscience, and Junko being, well, Junko. Daimaou is a perfect buy for those who have to buy everything. – Sean Gaffney

Dreamin’ Sun, Vol. 4 | By Ichigo Takano | Seven Seas – This was a super shoujo-riffic volume of manga, even though there are some funny bits too (particularly the bonus comic). Shimana encourages Zen’s brother, Ken, not to give up on his boxing ambitions, and in gratitude he shows her Fujiwara’s high school yearbook, which only brings up more questions. In between, there are Christmas presents and bittersweet longing and earnest conversations about dreams. Also, there are at least three and probably more scenes that involve Shimana tearfully running away from a conversation and slamming a door. It’s repetitive, yes, but at least she doesn’t ever spend very long in a sulk. I enjoy Asahi stirring the pot and Zen being a good, sweet friend, but I’m not sure I want Shimana and Fujiwara to get together. He’s right—she is still a kid. Maybe Zen will win her over in the end with his panda wiles. – Michelle Smith

The Girl From the Other Side: Siúil, a Rún, Vol. 3 | By Nagabe | Seven Seas – The beginning of this volume is super tense! Shiva’s aunt has come for her, accompanied by several of the soldiers that only recently were trying to kill her, and Teacher does his best to rescue her, to no avail. One particularly impactful page-turn, revealing Teacher struck by many arrows, made me realize that because this series is so unique, there’s no variations-on-a-theme template to rely upon and, as a result, I really believed Teacher could actually die. He doesn’t, but what happens when Shiva gets back to the village is dramatic enough, along with a cliffhanger about her real origins. The art continues to be a delight, as well—I particularly love the panels that emphasize Shiva’s smallness and the nonverbal depiction of Teacher’s devastation after she’s gone. Now to manage the four-month wait for volume four! – Michelle Smith

Girls’ Last Tour, Vol. 3 | By Tsukumizu| Yen Press – The odd finally manages to win out over the cute for this volume of Girls’ Last Tour, though that’s not necessarily a bad thing. We see again and again how depressingly apocalyptic this world the girls are traveling through is, and on more than one occasional it almost leads to their horrible deaths. They also meet someone in the final section, though this is a robot rather than a human—but the essential story beats remain the same. And there’s even some fanservice for anyone interested. I’ve said before that this reminds me of Strawberry Marshmallow, and I wouldn’t be surprised if this was Miu’s bizarre self-insert fic with her and Chika—though I suspect it’d earn her a smack or two. Oddly compelling. – Sean Gaffney

Kuma Miko: Girl Meets Bear, Vol. 6 | By Masume Yoshimoto | One Peace Books – Well, I did ask for more of the bear, and I certainly get that here. Unfortunately, I also get another bear, who’s painted as the obsessed female stalker of our main bear. The humor that follows, showing a tsundere bear trying to be seductive (and failing), only works about one third of the time. It doesn’t help that the series already has a tsundere, Hibiki, and we get an amusing chapter devoted to imagining what might make her actually confess. Honestly, though, the highlight was the final chapter, where the bear tries to get Machi to take a train as part of his “make her a functioning adult” plan. It doesn’t work—she gets on the wrong train, and is now at the ocean. Will she die? Probably not. – Sean Gaffney

Murcielago, Vol. 4 | By Yoshimurakana | Yen Press – This series continues to play to a very limited audience, the sort who likes lesbians and likes sociopaths, and REALLY likes the combination of the two. If that pleases you, this volume will too, though be warned another sympathetic cutie is butchered horribly. As for Kuroko, she’s actually out of commission for part of this, having been brainwashed by the head villainess of the book. Fortunately, we needed some more characterization for Chiyo, Kuroko’s yakuza girlfriend who’s in a state of constant rage from, well, dealing with Kuroko’s tendency to bed anyone female. Spoiler: she’s badass. As for Rinko, the child killer from last time… well, I don’t want to spoil it. Suffice to say I laughed, but it was rueful. Murcielago is hilarious and you will feel bad. – Sean Gaffney

My Monster Secret, Vol. 8 | By Eiji Masuda | Seven Seas – I suspect it’s going to be harder and harder to drag out the “we’re not really dating” card after the ending of this volume. Which is fine, as I will freely admit that the relationship between Asahi and Youko is one of the two best reasons to read this book. The other is the humor, and there’s plenty of that on display as well, as we see angel feathers that make people act out the Seven Sins; Koumoto-sensei celebrating another birthday of being a single woman, as no one will let her forget; and Nagisa getting turned big (as opposed to being in her alien suit) in order to once again fire up the love triangle. There’s stuff that doesn’t work (anything with Shimada), but this series still has more hits than misses. – Sean Gaffney

Requiem of the Rose King, Vol. 7 | By Aya Kanno | VIZ Media – Wow. And also “holy crap.” I’m going to completely forego any spoilers this time, because the surprises in this volume need to be experienced as they come. Suffice it to say that Richard does not handle the revelation about Henry’s true identity well, and Henry doesn’t handle captivity and his lusty feelings for Richard well, either. All of these sad, broken people being crushed by… well… the game of thrones. Although a smidge of me still dares to hope Richard will find happiness by the end of the series, the ending of this volume suggests otherwise. I actually had to look up whether the series was concluding in the next volume, though that doesn’t appear to be the case. I should have known better than to choose something else for pick of the week, even if it was my beloved Chihayafuru! – Michelle Smith

Toriko, Vol. 40 | By Mitsutoshi Shimabukuro | Viz Media – Still counting down towards the end of this series. At least Toriko gets to add another item to his menu, meaning he only has two to go. But unfortunately, this one is more about the ridiculous fights than the ridiculous food, and whenever that happens it’s never good news. The author is better at food porn. He’s also better at ho yay, as the reunion of Toriko and Komatsu is loaded with an absolute ridiculous amount of subtext—I would not blame readers for forgetting Rin exists. As for the evil plot, it creeps incrementally forward, leading to a cliffhanger as Toriko and company finally challenge God. I’m finishing the series as I’ve already read 40 volumes, but it’s only for the hardcore now. – Sean Gaffney

By: Michelle Smith

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Ch. 3: “World Enough and Time” Analysis Doctor Who S10.11: Doctor’s OMG Hair, Meet Delilah’s Mr. Razor & More

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Samson & Delilah: Doctor’s OMG Hair, Meet Mr. Razor

OMG, I could not believe how long the Doctor’s hair had gotten at the beginning of “World Enough and Time.” From now on, to distinguish Doctors, I’ll refer to the Doctor’s hair that we saw at the beginning of the episode as “OMG hair.”

In fact, it was even funnier that I had mentioned it in the previous analysis with my sudden revelation about Samson & Delilah, where River was Delilah.

Yes, DW is playing out this Old Testament story.

Due to time, I didn’t get to talk about the entire Samson & Delilah story and how it fits in. But I’ll show you in a few minutes how this fits together with River.

Funny: “A Thing Happened…”

First, though, a funny thing happened while watching the episode. I was so intent on getting subtext and trying to pick up dialogue that I wasn’t looking for John Simm. I’m not sure I would have recognized him under the makeup anyway. However…

Once he said

RAZOR: People, people, people, people, people! People, they are people.

I knew he was John Simm because only his Master has spoken this way before.

However, here’s the funny part: I didn’t catch his name on the first viewing. Once I watched with subtitles, I had another OMG moment when I realized his name was Mister Razor!

Wow! Ha..ha!

Mr. Razor & Delilah Will Give Samson a Haircut

There’s some additional information about the story of Samson & Delilah that’s quite important, so I’m going to weave it together here from different sources, including the razor part I mentioned from the previous analysis:

Wikipedia says

Samson had been dedicated as a Nazirite, "from the womb to the day of his death"; thus he was forbidden to touch wine or cut his hair.

While the 11th Doctor did abstain from alcohol, he had a shaved head in his last episode “The Time of the Doctor” and was wearing a wig for most of the time. Now, I see that the Samson and Delilah story was playing out then with Clara metaphorically asking God to restore Samson’s powers to defeat the Philistines.

The 12th Doctor drinks alcohol.

According to BibleStudyTools.com:

The summary from Scripture starts with Samson's birth was announced by an angel during a dark time for the Israelites. Israel was under the rule and oppression of the Philistines. Samson was born a Nazirite and was set apart with supernatural strength from God to do His work in the nation of Israel. Samson became great in his own eyes and began to pursue women outside of God's plan for his life. During his wedding sermon to a Philistine women, Samson was so humiliated by her and the wedding guests that he sought revenge by killing 1,000 Philistine men.

We’ve certainly seen the Doctor’s pride and ego take over, at times.

Anyway, regarding Samson, Wikipedia says

He then falls in love with Delilah in the valley of Sorek. The Philistines approach Delilah and induce her with 1,100 silver coins to find the secret of Samson's strength so they can get rid of it and capture their enemy.

We saw this money scene playing out with River in THORS. However, as we also saw how not everything was as it looked. We saw the Roman cross behind the money ball with access to all the banks, as River is really trying to save the Doctor from this alternate universe.

Delilah keeps trying to figure out the source of his strength, and Samson keeps telling her different sources, which she tries to exploit. But they are all lies.

This is mirrored with River. She said the Doctor’s name in “The Name of the Doctor,” which would have led to his torturous death, except Clara saved him. River knows this alternate universe has to die.

Eventually after much nagging from Delilah, Samson tells Delilah that he will lose his strength with the loss of his hair. God supplies Samson's power because of his consecration to God as a Nazirite, symbolized by the fact that a razor has never touched his head. Delilah calls for a servant to shave Samson's seven locks, then woos him to sleep "in her lap" (either literally or figuratively). With this, Samson has finally broken the last tenet of the Nazirite oath; God leaves him, and Samson is captured by the Philistines, who blind him by gouging out his eyes. After being blinded, Samson is brought to Gaza, imprisoned, and put to work grinding grain by turning a large millstone.

Here’s where the Doctor is blinded by eyes being gouged out, like we heard and saw in multiple ways with other characters and references in “The Empress of Mars” analysis.

Ohila, in “Hell Bent,” told the Doctor that he had broken every code he ever lived by, and we see his fall in one way, kind of sort of, in that episode. We’ll see it from a different angle in this last upcoming episode of the season. So Missy may be playing Delilah, or will it be River or Clara? Or is there something else?

I’ve often wondered about Missy’s 3W Institute in the finale of Season 8 where we see Danny Pink die. While the episode suggest 3W stood for “I love you,” I also saw it potentially as being Missy, River, and Clara, where 3W stands for “3 Women.” Vastra and Amy fit in here, too, but that is beyond this right now.

Anyway to finish Samson’s story, according to BibleStudyTools.com:

The Philistines brought Samson out before a great crowd of rulers and thousands of people gathered in the temple to celebrate his capture. Samson's hair had begun to grow back and as he leaned against the pillars of the temple, he prayed to God for strength once more to defeat the Philistines. Samson used all of his might and pushed down the temple, killing himself and thousands of Philistines and rulers.

God forgave Samson and still accomplished great things through Samson. It was through Samson's destruction of the temple and his death that the Israelites were freed from Philistine rule.

So Mr. Razor is the metaphorical symbol of the razor in this Old Testament story.

And this is foreshadowing the rescue and the Doctor’s fall and death. This is just more evidence of what we’ve examined over and over. While he’s not supposed to fall in love, as we examined before, it is necessary for the rescue.

Wow, how cool is that!?

Anyway, there’s a lot more to this. It’s a truly epic love story that spans all of DW, but I’ll save this for later…

Operation Exodus & Genesis of the Cybermen

Wow, I’ve been geeking out, since the airing of the episode, about all the cool things that are coming together!

Operation Exodus explains why we saw all those robots in Season 8, including the half-faced man in “Deep Breath” wanting to go to the Promised Land – Heaven. However, that’s the wrong Book. We’re not in the 2nd Book of the Old Testament right now. Before that, we have the Fall of Man and the Doctor.

We’re back in the 1st Book: Genesis.

As we’ve examined in various chapters, we are, indeed, going back in time and telling the backstory of the Doctor.

This is the epicenter of the Time War.

Don’t Make the Doctor Angry: “The Unicorn and the Wasp” & 1056

We keep seeing Floor 1056 come up in “World Enough and Time.” But what does it mean? It has a connection to “The Unicorn and the Wasp” and is from The Devastator series of Doctor Who: Battles in Time trading cards, meaning the Vespiform sting.

I’ve been wanting to talk about “The Unicorn and the Wasp” since the very 1st episode of Season 10 aired. However, I ran out of time to put it in “The Pilot” analysis. I would have put it in “Knock Knock,” but I ran out of time there, too. Anyway, this is the 10th Doctor story with Agatha Christie in 1926 (yet another 1926 reference) where a murder takes place after the Doctor and Donna crash a garden party. The odd thing is that later we see a giant wasp that turns out to be the murderer.

The Hybrid

Well, it’s not quite that simple because it turns human, and the Doctor can’t figure out whodunit right away. The wasp is actually a hybrid, who doesn’t realize he is a hybrid for 40 years of his life because he grew up in an orphanage. Normally, he lives the quiet life as Reverend Arnold Golightly, the vicar of a small English village until his death in 1926. He is the son of a human mother and Vespiform father. Vespiforms are an ancient and wise insectoid species.

In 1926, some time after his 40th birthday, his church had a break in. His temper flared when he caught the bandits in the act, discovering he had the ability to change from a humanoid appearance into a wasp-like alien.

The thieves are associated with a Greek Cross, meaning they represent Doctors. From all the subtext story, this suggests to me that the Doctors intentionally are driving the Doctor over the edge, so he has something to fight for. We saw that with Missy using Clara to push him over the edge and go hell bent through the universe.

As far as insects go, Clara has called the 12th Doctor a stick insect. Of course, there’s the insectoid shadow that we looked at prior to the airing of TRODM.

The Unicorn

The Unicorn refers to Scotland. In fact, according to Wikipedia, “The Lion and the Unicorn are symbols of the United Kingdom. They are, properly speaking, heraldic supporters appearing in the full royal coat of arms of the United Kingdom. The lion stands for England and the unicorn for Scotland.”

Why the Wasp? & What’s “Knock Knock” Got to Do with It?

In 1991, Peter Capaldi appeared on the TV series Agatha Christie’s Poirot with David Suchet who played Poirot. Suchet also played the landlord in “Knock Knock.” These appearances by both actors are important.

Capaldi played Claude Langton, who was being set up for murder by someone who wanted to commit suicide in the episode “Wasp’s Nest.” Therefore, having David Suchet in “Knock Knock” was a strategic move to bring in a bunch of subtext.

The Patriarchal Cross

The connection to “The Pilot” comes in with the Patriarchal cross, which I haven’t talked about before since I have yet to post my Religious metaphors chapter. Due to lack of time, I’m going to skip the images. However, there are crosses on the university building that match the cross the reverend’s mother is associated with. Bill actually is associated with the Patriarchial cross. By the metaphors, that would make Bill the parent of the reverend, the Doctor. But there’s more pointing to this…

In “The Lie of the Land” analysis, we looked at the woman with the son at the beginning, who was taken away with the shoebox. The subtext showed she was a mirror of Bill. And the boy had a rabbit, a symbol of redemption.

Also, interestingly, Mr. Razor says

RAZOR: You are dear to me. You are my dearest person. You are like BILL: I know. RAZOR: A mother to me. BILL: Definitely not a mother. RAZOR: Or an aunt.

Mr. Razor is playing the 24th Doctor.

I have no doubt that Bill and the Doctor are related. She is playing, among other things, various Doctor’s faces. And she is the namesake of the 1st Doctor, William Hartnell, while Heather is the name of Hartnell’s wife.

Episode Title References: a Poem, a Book, the Apocalypse & Rescue

The title “World Enough and Time” is a brilliant reference, and obviously DW has had this reference in mind for a long time. The title references multiple things, but it initially alludes to a line from the 17th-century poem, "To His Coy Mistress," written by English author and politician Andrew Marvell. The bolded words are ones that I want to give more information about.

To His Coy Mistress

Had we but world enough and time,

This coyness, lady, were no crime.

We would sit down, and think which way

To walk, and pass our long love’s day.

Thou by the Indian Ganges’ side

Shouldst rubies find; I by the tide

Of Humber would complain. I would

Love you ten years before the flood,

And you should, if you please, refuse

Till the conversion of the Jews.

My vegetable love should grow

Vaster than empires and more slow;

An hundred years should go to praise

Thine eyes, and on thy forehead gaze;

Two hundred to adore each breast,

But thirty thousand to the rest;

An age at least to every part,

And the last age should show your heart.

For, lady, you deserve this state,

Nor would I love at lower rate.

But at my back I always hear

Time’s wingèd chariot hurrying near;

And yonder all before us lie

Deserts of vast eternity.

Thy beauty shall no more be found;

Nor, in thy marble vault, shall sound

My echoing song; then worms shall try

That long-preserved virginity,

And your quaint honour turn to dust,

And into ashes all my lust;

The grave’s a fine and private place,

But none, I think, do there embrace.

Now therefore, while the youthful hue

Sits on thy skin like morning dew,

And while thy willing soul transpires

At every pore with instant fires,

Now let us sport us while we may,

And now, like amorous birds of prey,

Rather at once our time devour

Than languish in his slow-chapped power.

Let us roll all our strength and all

Our sweetness up into one ball,

And tear our pleasures with rough strife

Through the iron gates of life:

Thus, though we cannot make our sun

Stand still, yet we will make him run.

So world enough and time is about the poet wishing he had more time with the coy lady. There are 4 other references that I highlighted worth mentioning here. We’ve seen lots of birds of prey lately. There’s the mention of the sun: the Doctor running with his companions to avoid the sunset and the passage of time.

Wow, how interesting the poet uses “My vegetable love”! That’s interesting when compared to the normal “animal love.” This most likely refers to a couple of things in DW. First, since we are talking about the Garden of Eden, garden goes along with vegetables. In fact, the Doctor mentions “garden”:

DOCTOR: Short version. Because of the black hole, time is moving faster at this end of the ship than the other. It's all about gravity. Gravity slows down time. The closer you are to the source of gravity, the slower time will move. (Jorj looks blank) If you're standing in your garden, your head is travelling faster through time than your feet. Don't they teach you this stuff at space school?

However, vegetable love may also come back to something we looked at with the “Heaven Sent” analysis in Chapter 17 of Fairytales and Romance in Doctor Who the 4th Doctor story “The Seeds of Doom,” where 2 alien pods land on Earth. One opens and creates a jungle-like environment. They can possess animals and take revenge on animals eating them. Plants and trees have an important place in the story. The basic plot is playing out in this finale. Just substitute people for plants.

The other reference in the poem is much bigger – “before the flood” – and alludes to multiple things.

Genesis & Noah, “Before the Flood,” & a Rainbow

With all the talk of the Book of Genesis, the line with “before the flood” takes on new meaning in DW. It’s a flood on a grand scale – an apocalyptic event, a Ragnarök of sorts. Of course, it refers to the story of Noah’s Ark, where God instructs Noah (a righteous individual) to build an ark to spare him and his family, along with some animals from the flood that will destroy the world before its rebirth.

The poem’s line also alludes to the Season 9 episode “Before the Flood,” where we see the Fisher King creating ghosts. So this flood is meant to destroy the source of the ghosts, the Fisher King, who actually puts his arms out and makes himself into a cross before he dies. He’s being crucified. The Fisher King, as we’ve examined, is supposed to be a good character from Arthurian Legend.

Because the flood was so devastating and people would fear rain, God made a promise to Noah and all Earth that he would never send another flood to destroy all life again. The visible sign he sent was a rainbow.

We saw a rainbow at the end of “The Eaters of Light,” just before everyone got in the TARDIS. While the episode was mostly about another view of “Face the Ravens,” it showed the outline for this week’s “World Enough and Time” (with people united together, pawns in the Chess game), and the rainbow to show the results of “Hell Bent” and the upcoming final episode.

The Flood & “The Unicorn and the Wasp”

The flood and waters relate to “The Unicorn and the Wasp,” too. Golightly’s mother Clemency told the story of how she had had an affair. When she came back to England, she locked herself away, saying she had malaria, to hide the pregnancy, even from her husband.

CLEMENCY: It was forty years ago, in the heat of Delhi, late one night. I was alone, and that's when I saw it. A dazzling light in the sky. The next day, he came to the house. Christopher, the most handsome man I'd ever seen. Our love blazed like a wildfire. I held nothing back. And in return he showed me the incredible truth about himself. He'd made himself human, to learn about us. This was his true shape. (A giant wasp.) CLEMENCY: I loved him so much, it didn't matter. But he was stolen from me. 1885, the year of the great monsoon. The river Jumna rose up and broke its banks. He was Taken At The Flood. But Christopher left me a parting gift. A jewel like no other. I wore it always. Part of me never forgot. I kept it close, always.

ROBINA: Just like a man. Flashes his family jewels and you end up with a bun in the oven. AGATHA: A poor little child. Forty years ago, Miss Chandrakala took that newborn babe to an orphanage. But Professor Peach worked it out. He found the birth certificate.

There is a geographical connection with the poem, as both have aspects set in India: Delhi and the Ganges, respectively. The poem, therefore, is meant to relate to Clemency and Christopher, the hybrid’s parents. Since we have multiple faces of the Doctor, who is whom?

Also, Golightly’s father died in a great monsoon, and the son, himself, drowned. The 2 characters who have drowned or nearly so, are Rory in “The Curse of the Black Spot” and the 12th Doctor in “Heaven Sent.”

The Poet & the Daughter

There’s even more to glean from this title reference. The poet and his tutoring give us some very important subtext, too. According to Wikipedia:

"To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60). It was published posthumously in 1681.

This poem is considered one of Marvell's finest and is possibly the best recognized carpe diem poem in English. Although the date of its composition is not known, it may have been written in the early 1650s. At that time, Marvell was serving as a tutor to the daughter of the retired commander of the New Model Army, Sir Thomas Fairfax.

Sir Thomas Fairfax Gives Us Information about the Rescue & Apocalypse

The Doctor is mirroring Marvell, who is tutoring Sir Thomas Fairfax’s daughter, played by Bill. According to Wikipedia, Sir Thomas Fairfax’s nicknames are “Black Tom” and “Rider of the White Horse.”

We’ve examined the Rider and the White Horse in connection with the New Testament Apocalypse in “The Lie of the Land” analysis. The White Horse symbolizes Conquest and there is a debate by some on whether the Rider is Christ or the Antichrist. DW is playing both sides of the war, which comes back to what we’ve examined in multiple ways: the Horse and Rider, along with the name Lucifer, CAL’s world and “Turn Left.”

In one universe, the Doctor is seen as the savior of the universe. However, in the other universe, he would be the Antichrist, the Destroyer of Worlds. According to Wikipedia,

Thomas Fairfax, 3rd Lord Fairfax of Cameron (17 January 1612 – 12 November 1671), also known as Sir Thomas, Lord Fairfax, was an English nobleman, peer, politician, general, and Parliamentary commander-in-chief during the English Civil War. An adept and talented commander, Fairfax led Parliament to many victories, notably the crucial Battle of Naseby, becoming effectively military ruler of the new republic, but was eventually overshadowed by his subordinate Oliver Cromwell, who was more politically adept and radical in action against Charles I. Fairfax became unhappy with Cromwell's policy and publicly refused to take part in Charles's show trial. Eventually he resigned, leaving Cromwell to control the republic. Because of this, and also his honourable battlefield conduct and his active role in the Restoration of the monarchy after Cromwell's death, he was exempted from the retribution exacted on many other leaders of the revolution. His dark hair and eyes and a swarthy complexion earned him the nickname "Black Tom".

In the DW world, it sounds like Bill’s father (the Rider of the White Horse) is trying to rescue her. With the gender change, it could be her mother. Since Bill is a face of the Doctor, the Doctor’s Mother metaphor would apply to her. The Doctor, himself, has to be rescued, too.

This all foreshadows redemption and rightful restoration after the DW revolution.

Robert Oppenheimer & the Righteous War in the Bhagavad-Gita

I can’t get this relevant quote out of my head, so I’m adding it:

“Now I am become Death, the destroyer of worlds” – Robert Oppenheimer

Oppenheimer, according to Wikipedia, was an

American theoretical physicist and professor of physics at the University of California, Berkeley. Oppenheimer was the wartime head of the Los Alamos Laboratory and is among those who are credited with being the "father of the atomic bomb" for their role in the Manhattan Project, the World War II undertaking that developed the first nuclear weapons used in the atomic bombings of Hiroshima and Nagasaki.

…

Oppenheimer later recalled that, while witnessing the explosion, he thought of a verse from the Bhagavad Gita [shown above]

The Bhagavad-Gita is Hindu scripture in Sanskrit, which Oppenheimer could read. It is often just referred to as Gita. This is very appropriate to the Doctor and what is happening.

The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer Lord Krishna. Facing the duty as a warrior to fight the Dharma Yudhha or righteous war between Pandavas and Kauravas, Arjuna is counselled by Lord Krishna to "fulfill his Kshatriya (warrior) duty as a warrior and establish Dharma." Inserted in this appeal to kshatriya dharma (chivalry) is "a dialogue ... between diverging attitudes concerning methods toward the attainment of liberation (moksha)".

This passage reminds me of the Ice Warriors and the Doctor in “The Empress of Mars,” pledging their duty as warriors.

Science & World Enough And Space-Time

Being that we are talking about Black Holes, space-time science is important. DW is using real science on the spaceship, when talking about time dilation. Time would be slower closer to the Black Hole due to the immense gravity. However, I do question the almost negligible space distance of 400 miles against the force of gravity of a Black Hole. I’m no expert and I’ll leave it at that.

Having said that, this is all metaphorical, and we know we are in the alternate universe, so it doesn’t matter. There’s plenty of other stuff that tells us other things aren’t right. The 400 miles, refers to the Library, once again.

I actually do see this spaceship-Black Hole relationship in the episode as brilliant. I’ll show you why in a bit.

Anyway, the title of the episode relates to a 1989 book by the American physicist John Earman called World Enough And Space-Time: Absolute vs. Relational Theories of Space and Time.

Goodread’s description says

Earman introduces and clarifies the historical and philosophical development of the clash between Newton's absolute conception of space and Leibniz's relative one.

It leads into Einstein’s theories on relativity.

BTW, I do love the title World Enough And Space-Time in relation to DW. It’s so appropriate.

Black Holes & the Eye of Harmony

Since we are touching on science and relativity, it seems appropriate to examine the Black Hole metaphor here, which includes the Eye of Harmony. The existence of the Black Hole metaphor in “World Enough and Time” is a reference to “The Impossible Planet” and “The Satan Pit,” so we know, from our previous examinations, that slavery and the Beast are involved. These last 3 Season 10 episodes have been about facing one’s beast.

The Doctor, Nardole, Missy, and Jorj are looking up at the Black Hole, which really is the Eye of Harmony. And it’s a djinni with an octagon. From “The Impossible Planet,” we learned that people could go mad by looking at it.

We need to revisit the definition of the Eye from the Wikia because it tells us what can happen. According to the TARDIS Wikia, regarding the Eye of Harmony in the TARDIS Cloister Room in the Doctor Who movie in 1996:

It was a stone structure shaped like a hemisphere which appeared to open outwards like an eyelid. While inside the Cloister Room of the TARDIS, the Master described the Eye as "the heart of this structure". The Doctor said it was "[t]he power source of the heart of the TARDIS." Both the Doctor and the Master claimed to Chang Lee that it belonged to the Doctor; the Doctor referring to it as "my Eye" and the Master saying that "now it belongs to him". The Eye responded to a physical linking device. The particular structure of a human eye had the effect of opening it.

Opening the Eye allowed the Master and Lee to see a visual projection of the Doctor's past and present forms and let them see what the Doctor saw so that they could find him. It also assisted in returning the amnesiac Doctor's memories. The Doctor claimed that if he looked into the Eye, his "soul" would be destroyed, and the Master would be able to take over his body. Leaving the TARDIS' Eye open for too long would result in space-time distortion, and any nearby planets would be "sucked through it".

Here’s where I find this situation with the Black Hole and the spaceship brilliant. From the movie, opening the Eye allowed the Master to see a visual projection of the Doctor’s past and present forms. This is exactly what is happening due to time dilation. On his TV, the Master has found the Doctor and is viewing him and others in their past and present forms at the same time, due to time dilation near the Black Hole in the Eye of Harmony. This is such a brilliant way to do this! It’s so elegant.

The Eye of the Black Hole is most likely the Doctor’s, as the movie suggests. That means the Master can take over the Doctor. There are multiple Doctors, so things aren’t the way they may seem. The Doctor has been taken over, but I’ll talk about that in another chapter.

Is the Doctor in the Opening an Imposter?

The Doctor in the opening appears different than we’ve ever seen him. OMG hair and fierce look. He also does something strange.

The Tardis materialises in a snowstorm. The Doctor steps out, falls to his knees and starts to regenerate. He cries out in pain.) DOCTOR: No. No. Nooooo!

The Doctor not wanting to go is a big red flag to me, especially for a Doctor who has been suicidal. I could possibly see that this is really him if he were in the middle of saving someone.

However, this is very much a Master thing to do. We know the Doctor has been usurped, so chances are that this is not the real Doctor.

BTW, the Doctor is wearing his raggedy 11th Doctor-type jacket again.

In the Next Chapters

We’ll take a look at how “World Enough and Time” is applying concepts set up in “Heaven Sent,” along with “Face the Raven.” Also, we’ll look at the meaning of “Doctor Who” as the Doctor’s title, how. We’ll also look at the Master, some really creepy subtext in the Hospital metaphor, the meaning of solar farms, Mondas, and more.