Steve had to start wearing the striped shirt under his scoops ahoy uniform because Billy and Eddie wouldn't stop wolf whistling at him every time they got a peak of his back or tummy.
take eddie out the equation and i’m 100% here for this
billy sitting in scoops harassing steve and not even ordering anything
robin commenting every time steve blushes
steve hating both of them <3
billy being so pissed off when steve starts wearing the shirt but refusing to say why and steve having the best time asking him what his problem is while knowing full well-
this also makes me think about the fact steve had absolutely no chest hair in s2 and he definitely did in s3 and the first time billy notices he just collapses
steve: literally fuck you, hargrove
billy: just fell to my knees in scoops ahoy
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wait hold on a ursa takes both zuko and azula away fic??? idk how anyone hasn’t done this concept but hella you’ve tapped into a concept that has to be explored at this point! making it zukka is also just the norm around here too.
ah im glad you like the sound of it! i refuse to believe im the first to think of that idea bc i dont think ive ever had an original thought but there's definitely a lack of ursa exploration in the fandom. the thing with this wip is that it's going to be so ginormous and so multi-faceted that it's actually really hard to explain the plot of? like ursa takes zuko and azula with her but ursa is so damaged by what she's been through and is too busy prioritising survival to be loving anymore and their life on the run is so brutal that zuko and azula - still only 9 and 11 years old which is a big reason of why their relationship is able to heal, bc they're still so young - really lean on each other to cope. initially it's a survival thing, but they grow to just genuinely get on well with and care deeply about each other. and one way they do that is that zuko starts telling azula stories! like the two of them become huge avatar nerds bc of these stories and actually i might just give you a snippet bc this is rlly hard to explain LMAO
Neither of them had any idea how to just be nice to each other, but Zuko wanted to be nice. He wanted Azula to be safe. He wanted to protect her. She was his little sister. She always had been, and she needed him. Now, more than ever.
“You know, Mother used to tell me about our great-grandfather.” Zuko said quietly into the shadows, a whisper to ensure Ursa, always so quick to anger these days, didn’t wake up. “You know he was Avatar Roku?”
For a while, it was painfully silent, to the point Zuko was certain Azula wouldn't respond. Then; “Of course I know. Some of us actually paid attention in our lessons.” Azula sniped, but she sounded a little too cutting, in a way she only sounded when she was unsure. She didn’t like it when she didn’t know what Zuko was leading to.
Zuko turned to face her direction, the cheap blanket scratching his chin and not covering all of his body. At eleven-years-old, Zuko was finally starting to grow into himself.
They were in a town on the outskirts of the Earth Kingdom, barely a speck on the map, and currently, their names were Riku and Aoi. Ursa has been very clear; her children were to never use their birthnames, no matter how alone they thought they were. They were living in a cottage with half a roof, their mother funding the rent by sewing patches onto dresses for a seamstress. She was barely in the house, but Zuko knew even when they left in a few day’s time – as they never stayed in one place longer than a week or two – he would still barely see Ursa. He wondered if she knew how reclusive she’d become.
“She told me stories about all the Avatars. I always wished she’d tell you them too.” Zuko said a little sadly. “I never understood why she didn’t.”
This silence was different, and they both knew Zuko wasn’t just talking about the stories.
“Tell me.” Azula breathed, so quiet Zuko almost missed it.
“The stories?” Zuko asked in surprise. He had been waiting for Azula to cut him down, to tell him to go away like she used to. But...
He realised maybe Azula wanted to be nice too. Maybe she was tired of being looked at like a monster by the people supposed to love her.
Maybe she was just a nine-year-old girl who needed a bedtime story every now and then.
“Yes, Zuko.” Azula hissed, and his name was so shocking it was like a curse. “The stories. Tell me about the Avatars.”
So, Zuko did.
“Water, earth, fire, air.” Zuko whispered, remembering how Mother told it. In the shadows, Azula’s eyes burned gold. “Long ago, the four nations lived together, but everything changed when the Fire Nation, the superior nation, began to share its wealth. The Hundred Year War began, and the only person able to stand in the Fire Nation’s way was the Avatar, master of all four elements. But when the world called for him, he fled...”
It became a tradition, after that. Zuko would lie beside his sister on the nights neither of them could sleep, and after an entire day of hiding himself, he’d turn to Azula and just talk. In Kyoshi Island, he told her of Avatar Kyoshi murdering Chin the Great. In Makapu village, he told her of Avatar Roku – Great-Grandfather Roku – battling a volcano. And in the Western Air Temple, he told her of the Avatar who never was.
“He’s out there somewhere, though.” Zuko uttered wondrously. “One-hundred-and-twelve, the last airbender. Can you imagine it?”
“You’re in your head too much.” Azula sighed. She always pretended not to care, but as the months dragged on, she allowed herself more. First, it was in her asking for a specific story. Then sometimes, she’d slip up and laugh. In the fragments of these nights handed over to ancient legends, as scraps of lies left behind in their wake with every new roof they found themselves beneath, Azula was more herself than ever. She could be, in front of her big brother. That was something she learned.
They learned other things, too. They learned that the Earth Kingdom was starving, that the Fire Nation was hated, that people weren’t rebelling; they were suffering. The story changed. When Zuko saw technological advancements that bewildered him in the Northern Air Temple, he stopped saying that the Fire Nation was the superior nation. When he saw children with burn scars and amputated limbs, he changed ‘began to share its wealth’ to ‘attacked.’ When the stories he told his little sister of the Avatar turned into a lifeline, a speck of hope in a world of ashes, ‘fled’ became ‘vanished.’
Zuko learned that a war was a war, that his father was not a hero by any means, that they got out just in time.
And it was hard, but the two had their own rebellions. Zuko and Azula didn’t get on in Caldera, but out here with a string of fake identities behind them and a death sentence at the end of it, they only had each other. Their mother was a wound, their father was a blade, and they were, through it all, still just kids. They leaned on each other in the places they used to bruise. Azula took the softness she tortured her brother over and began to protect it. Zuko took the coldness in his sister he used to despise and chased it away. When Azula drew the curtains and hid in cupboards to hold a flame in her palm and just breathe, Zuko made sure Ursa didn’t catch her. When Zuko lay beside Azula and talked to her until she finally fell asleep, Azula didn't push him away.
Azula, he whispered, and it was a promise that she could still be who she wanted to be.
Zuko, she breathed back, and it was a recognition that, through it all, she still saw him.
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Katniss is like Lucy Gray this, Katniss is like Sejanus that, and yes fine that's all good and true and lovely but Katniss Everdeen is also a direct parallel to Coriolanus Snow and people NEED to start talking about this because it's driving me crazy.
Think about it: they both grew up poor and deeply vulnerable, losing parents at a very young age, with a matriarchal adult (Katniss' mother and Coriolanus' Grandma'am) who fails to provide for them emotionally and physically. They intimately understand the threat of starvation, even developing with stunted growth because of it, and their narrations in the books share a fixation on food. Throughout their childhoods, both experienced constant fear and suffered a fundamental lack of control over their circumstances. Because of this, they're inherently suspicious of the people around them. They resent feeling indebted to others, especially those who have saved their lives. They're motivated almost entirely by family and deeply connected to their communities. Both are used and manipulated by the Capitol, both are forced to perform to survive and despise every inch of it, both are thrown into the Arena and made to kill. Both have a self-sacrificial, genuinely sweet sister figure acting as their conscience. Peeta and Lucy Gray - performers and love interests with a fundamental kindness and sense of hope about them - fulfill markedly similar roles in their narrative. Both contribute to the development of the future Hunger Games, Snow throughout tbosas and Katniss towards the end of Mockingjay.
It's easy to ignore these similarities because, as mirrors of each other, they are exact opposites. Katniss is from District 12, viewed and treated as less than human; Snow is the cream of the Capitol crop, given the privilege of a name with social weight, an ancestral home, and the opportunity of the Academy despite having no more money than a miner from 12. Katniss has no agency over her life, and responds by being kind whenever she's able, while Snow justifies horrendous evils in order to continue his quest for complete control. Katniss does everything she can to protect her family; Snow does everything he can to protect his family's image as an extension of his own ego. Katniss loves her District and connects with its inhabitants on a meaningful level, but Snow is indifferent at best to his peers - the apparent "superior people" - and only engages with his community for personal gain. Katniss emerges from the Arena horrified at herself and the system, but Snow takes his trauma and turns it into an excuse to perpetuate the violence with himself at the top. Katniss cares for Prim until her death and then snaps at the loss of her little sister, while Snow survives on Tigris' blood, sweat, and tears and then torments and abandons her, presumably because she calls him out on his insanity. Snow actively adds to and popularizes the Hunger Games because of his vendetta against the Districts following his childhood wartime trauma - Katniss briefly agrees to a new Hunger Games in the pursuit of vengeance, but later stops them from happening by killing Coin and choosing a life of peace and privacy. Snow is obsessed with revenge, but Katniss empathizes with the Capitolites and does what she can to keep them from suffering. He exists in a cruel system and selfishly upholds it; she exists in a cruel system and works to dismantle it for the good of her family and community, at great personal cost. And Peeta and Lucy Gray are incredibly similar, but Katniss and Peeta forge a relationship of genuine love and understanding that shines in comparison to Coriolanus' obsessive projection onto Lucy Gray.
So, yeah, Katniss is Lucy Gray haunting Coriolanus. But I bet you anything that eighty-something year old President Snow looks at her, the girl on fire, bright and young and brilliant, emerging from a childhood of starvation with a relentless hunger for success, a talented and charming performer helping her win the Games, and he sees the ghost of his own past. And that's why he's so afraid of her! Because if he sees himself in her, then he's up against his own cunning, his own talent for manipulation, his own charisma, his own genius. He's up against the version of himself that he once wished to be, with the nightmare army of his childhood at her back and her star-crossed lover at her side, spewing Sejanus' truths in his own voice. This isn't to say that Katniss ever achieved the level of power and agency that Coriolanus did during her time with the rebellion, but it is to say that Snow was taken down by what truly terrified him - his own morality, come to finish the job.
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