Writing lessons we can take from Goncharov (1973)
Parallels, parallels, parallels: They can appear in many different ways, sometimes by repeating a single element (clocks are always in focus before something big happens), different characters having a similar storyline with similar elements (we see that with Mr. Goncharov and Andrey), different characters having polar opposite’s storylines ( Andrey and Katya are two good examples, as one of them is getting into a close relationship with Mr. Goncharov while the other growing apart from him every single day). Parallels are important because we, human beings, love recognizing patters in the things we consume, and as such that can help to better tell a specific theme or message.
Use colors to your favor: Colors are so important, and yet people sometimes resume them to just “the curtain is blue simply because it’s blue”. The scene where Katya and Sofia meet wouldn’t be the same without the incredible use of colours. Both of them were using neutral and rather cold colors in their clothing, which matched the distant and detached monochrome reality that they found themselves in, but the moment they crossed paths, the colors got more saturated and lively. The same can be said for the ending of Ice pick Joe’s character arc, who while was constantly seen with blood on his hands and clothes, never had blood on his clothes that contrasted so much with them, and that’s because for the first and last time, he feels regret and sorrow for taking someone’s life.
The clothes your characters use matter: Not every single aspect has to matter, but the most distinct ones should be able to assist in telling your audience what kind of character they are and what they are going through. Katya’s wardrobe starts as something very refined with loads of flowing layers and accessories, as she started as someone with a rather carefree nature and enjoyed showing herself off. Alas, with conflict arising in her life, her clothes get less and less ‘complex’, specially after almost dying at the boat scene. The colours also change, as said before. She started in beginning wearing exclusives white, but as the movie goes on, and after meeting with Sofia (whose main colour is black), she starts wearing more grays and dark greys. She’s getting less innocent, she’s maturing and is becoming more in sync with Sofia.
Dialogue is not only what your characters say: only 30% of the information transmitted during a conversation happens by speech. The rest is all facial expressions, body language in general (hand gestures, body positions, stimming, etc.) and what is left unsaid. A lot of the scenes between Mr. Goncharov and Andrey feel so homoerotic because of how their bodies behave, the lack of space between them and the brief pauses between certain phrases, to both breath and think of what was implied.
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every time I think about the masterpiece that is hsm2 and how that pitch meeting must have gone down I lose it like. kenny why is there so much dancing in a number that's called I don't dance. yes I know it's a metaphor Kenny but for what. for what. why do they swap clothes at the ending Kenny what is this metaphor about Kenny PLEASE
how did kenny ortega calmly look these disney channel execs in the eyes. how did he pull it off. no one with the correct answer tell me please I want to treasure this mystery for the rest of my life
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rip all the parents who didn’t check the rating of barbie and took their slightly too young children to a pg-13 movie and now need to explain what a gynecologist is to their kids
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Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
I don't know I just think it's particularly neat
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Something to note about the Spy x Family Code White movie...Loid didn't use the excuse of "Oh this is for the sake of the mission" when Yor was upset. In the past, he'd always relate her upset to the mission (ie 'I have to keep her happy so this doesn't affect the mission' vibes.)
But in the movie, when she was upset he didn't even go there. He said he could tell something was off, that she wasn't herself lately. He was worried about her and wanted to just cheer her up and make her happy, and so he bought the lipstick.
The way their relationship dynamic is slowly progressing is SO good.
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