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chalkrevelations · 3 years

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Back, finally, with Word of Honor, Episode 11, which involved a lot of waving my hands around over precious button Zhang Chengling and his concern about whatever ridiculous argument between his Murder Dads left his shifu in a snit and must be solved right this minute. I really think if he could’ve just pushed their heads together like two Ken dolls to make them kiss and make up, he would have. Didi, I could eat you up with a spoon, although not in the creepy way that Du Pusa threatens. I promise.

First, though, due diligence: Spoilers, possibly likely for the entire show, not just this ep, so scroll away and come back later if you are still, at this point in the game, trying to watch the whole 36.5 eps unspoiled. Also, this is hella long. Strap in. Hashtag long post (remorseful).

First thing I actually want to do is point out a couple of scenes that I found particularly striking for various reasons. The first one is not quite the opening scene - which is super-brief and involves Yueyang’s prep for the Heroes Conference, Gao Shan (AKA Chengling’s bully-in-chief) being smug about Yueyang’s upcoming ascendance (oh boy, are you in for a surprise, you little schmuck), and Gao Chong’s extreme weariness at the idea of Yueyang’s upcoming ascendance. Gao Chong is very tired, y’all. It’s been a long 20 years. There’s also a ginormous sword on display, like Yueyang is now having a dick-measuring contest with who they think is the disciple of the Changming Sword Immortal (and oh boy, are you guys in for another surprise. I’m not sure what part of “immortal” y’all don’t understand). But I digress - as I said, this is a very brief scene, and then we cut back to Luo Mansion, where we left Ghost Valley and Lunatic Wen at the end of the last ep. Everyone is gone except for Wen Kexing, who’s still plotting, Beauty Ghost, who’s trying to stay tf out of this current shitshow as much as possible (good luck with that), and Tragicomic Ghost, who is totally and completely Done With This Shit. She berates WKX for acting crazy, he gets snappy back – I feel like their relationship is maybe a little bit fraught at this point – and Beauty Ghost attempts to soothe the waters, leading to an eyeroll from Tragicomic Ghost with a directive to stand the hell up and stop being scared of this idiot child throwing his weight around. WKX dismisses Tragicomic Ghost so he can plan a Very Secret Mission for Beauty Ghost in secret. WKX is … he is super-tired at this point. Painfully, achingly tired. I would almost say weary. We can see it in Gong Jun’s face. It’s a nice subtle bit of acting, and it definitely says something about WKX’s relationship with these women that he’s willing and able to show it in front of them, even as he’s still throwing his weight around.

Anyway, Liu Qianqiao proves her smarts by showing her hand just enough for WKX and us to see that she’s seen through the Lunatic Wen act to the utility of chokin’ out a dude as a warning, to try keeping Changing Ghost in line (good luck with that), but she also assures all of us that she only wants to serve the Ghost Valley Master and has no agenda of her own. WKX assures her that he has everything under control (Uh … huh. OK, my dude) and tells her he has a task for her, before detouring into a quiz about her disguise technique (learned from Qin Huaizhang, Zhou Zishu’s shifu at Siji Manor, and this is probably a tipoff that the Very Secret Mission will involve disguising herself), about Siji Manor, and about why she never visited there. We get some interesting vague hints about her past, including the fact that she met Qin Huaizhang when she was “little” and he took pity on her “disfigurement,” according to both the Youku and Netflix English subs. @coralcoloratura pulled out 童年时 (tóngnián shí) from the Chinese subs for me, which does mean “childhood.” Given that the going story is Yu Qiufeng’s wife threw acid in LQQ’s face over their affair, this opens up some questions about how old LQQ actually was when all that happened. Viki subs, per @janedrewfinally, add that she says she treated Qin Huaizhang to a meal, so she couldn’t have been too young. But Qin Huaizhang dies when ZZS is just 16, and LQQ can’t be any older than ZZS, and is likely younger (good lord, I just checked actor ages, and Ke Naiyu is 7 years younger than ZZH, so that’s probably not a good age gap to port over to the show, because just. No.). All this leads me to place LQQ at somewhere between Zhang Chengling’s age and Gu Xiang’s age (at most) when this whole tragic backstory happened, which is still pretty freakin’ young, and I can see why she would consider herself a child, at least metaphorically, in terms of naïvete, if not literally. I don’t know how much exploration has been done about this, on the fannish side of things, but it seems like an area rich for exploration. Also, I CANNOT TELL YOU how much I now want to read the AU of WKX and LQQ both actually being brought to Siji Manor at various times by Qin Huaizhang and staying there. I suspect that with those two shidi backing him, ZZS might never have had to go to Prince Jin in the first place. (Clearly this makes some things problematic, including A-Xiang, but I keep thinking about ZZS, WKX and LQQ growing up together … And anyway, I’m ALSO willing to read the AU(s) where WKX’s storyline stays the same, but LQQ does come to Siji Manor – both the AU where she and ZZS together manage to save the sect, and the AU where she goes with them to Jin, and the kind of weapon she could be for ZZS there, as he runs Tian Chuang. Who’s writing all this? Anyone? Anyone?) Anyway, when WKX asks why she didn’t visit Siji Manor, LQQ tells WKX that she’s a ghost now and doesn’t want to think about the living world anymore, which is probably a way of saying she wishes she had gone there and doesn’t want to talk about her many and varied bad decisions back in the day; it also acts as an unknowing reinforcement of that bright line WKX is desperately trying to maintain for himself between the world of ghosts and the world of humans. Plus it gives him the chance to speak the very portentous line that “Yes, we’re ghosts, and ghosts disappear in the light,” pulling the theme of light back in, again and giving us all kinds of foreshadowing. Cut away as he leans in to whisper her mission to her.

The other really striking scene, for me, happens near the end of the ep, when Gao Chong visits the shrine room, with the memorial tablets of his various brothers and friends. This hit me not just because of Hei Zi’s acting (which is great, don’t get me wrong) but also because this is a scene that reflects both backward and forward in the show - back to ZZS in Ep 1 and forward to the two scenes that Zhao Jing will have in this same room – as well as giving us all sorts of subtle clues about relationships throughout the show. So first of all, we see, in a shot that will mean more the deeper we get into the show, tablets for Zhen Ruyu and Gu Miaomiao (or, “his wife,” as the Youku subs call her, and this is me, rolling my eyes), who were apparently close enough to Gao Chong that he keeps memorial tablets for them on his home altar - which helps explain why WKX is so incensed that none of these Five Lakes Alliance assholes helped his parents when they were turned out of the Healer’s Valley, although that’s not something we would have known yet on a first watch through the show. Gao Chong lights some incense and apologizes to the tablet of Zhang Yusen for letting Zhang Chengling get kidnapped. He talks about waiting 20 years to learn the truth – which is kind of cryptic, but probably means the truth about who poisoned his sword before the spar with Rong Xuan, which we hear about in a later scene this ep – and gets a little bit salty about the fact that it doesn’t matter if everyone else doesn’t believe him, but why didn’t Zhang Yusen believe him? Again, I’m assuming this is about Gao Chong’s protestations that he’s not the one who put poison on his sword. We also learn in this same ep – from Chengling – that Zhang Yusen’s break with the Five Lakes Alliance seems to have at least started that far back, and that Yusen would have been at Mount Qingya to stand with Rong Xuan against his other Alliance brothers, if Yusen’s shifu hadn’t broken his legs so that he couldn’t travel there. (Yusen clearly had some strong feelings about this, if that’s what it took to get him to sit still for it. Also, it makes me wonder how Ye Baiyi’s feelings about Chengling might change if he ever learned that Chengling’s father intended to defend and stand with a guy who Ye Baiyi considered his own child, as well as his disciple.)

Gao Chong then proceeds to have a little crisis of faith – he’s very tired, y’all, it’s been a long 20 years – and talks about how no one understands him, and he’s old, and everyone’s dead. He also yells at Rong Xuan’s tablet, calling Rong Xuan da-ge but also saying he’s sorry he ever met him, but then there’s this brief little moment after, when he seems a little bit shocked at himself for saying it out loud, which reminds me, honestly, of the moment in CQL (we’ve all seen The Untamed, right, I don’t have to put spoiler warnings for it, right?) when Wei Wuxian and Lan Wangji are in the Yunmeng Jiang memorial hall and Wei Wuxian talks about Yu Ziyuan’s punishments back in the day, then pats his own mouth and says “My fault, my fault, my fault” before bowing to her tablet. Like, yes, their relationship was multiple levels of fucked-up, and his reaction is not out of place given some of his continuing neuroses, but also, this is just not a thing you do, speaking ill of the dead to their faces. I’m sure Gao Chong does regret ever meeting Rong Xuan, and the way that led to the building of the Armory and the Five Lakes Alliance to guard it, and the position that ultimately put Gao Chong in - not to mention that if he never met Rong Xuan he never would have accidentally killed him. But you can’t say things like that OUT LOUD to the MEMORIAL TABLET. Then contrast this to Zhao Jing, who literally takes a piss on the tablet in one of the later episodes. Because he’s the worst. And THEN, Gao Chong kneels and talks to the tablets of Zhang Yusen and Lu Taichong, his dead Five Lakes Alliance brothers, saying they must have met again in the netherworld, and that they’re probably swearing about him right now, and this is the point when I sit straight up and exclaim, out loud, “Fuck. Me. This is Zhou Zishu’s breakdown at the mirror in Episode 1.” When he talks to Jiuxiao about how Jiuxiao and Jing’An must have met again in the afterlife by now and are probably discussing what an awful shixiong ZZS is, right? And then Gao Chong even laughs bitterly like ZZS, and cries like ZZS, and I just. OK. FINE, show. I’ll try to go a little easier on Gao Chong, because you’re clearly linking him to ZZS, here, and I’m willing to forgive ZZS for anything. I suppose I’d be a hypocrite if I didn’t try to extend just a little bit of the same grace to Gao Chong.

So, that’s a lot of verbiage, and I haven’t even gotten to Wenzhou yet, but trust me, I have some things to say about them. While WKX has been terrorizing the troops, ZZS left Han Ying’s place and immediately started drinking again, because that continues to be the best way – in combo with his Nails – he knows to kill himself by increments, but so sad, he’s run out of wine as he wanders the marketplace, alone and zhiji-less. Inside Yueyang, Chengling finds a note purporting to be from “Xu,” instructing him to meet at the North Gate that night, and like the little idiot they keep calling him (he really is too pure for this world), he takes it at face value. On his way that night, he runs into Gao Shan, who inadvertently almost saves him by interrupting his sneaking around to try to bully him back to his room. Something something food as bonding, because the lie Zhang Chengling comes up with is that he’s hungry (he’s not eating Yueyang’s food, and it’s not nourishing him), and he’s on his way to find something to eat (because he and his Murder Dads are in a mutually nourishing relationship, and that’s who he wants to be with). Also, no, he would prefer going to find something to eat for himself and not eating whatever Gao Shan will bring back to Chengling’s room. (A little bit, I’m sad there’s never any place to fit in some canon-complicit long-form enemies to failboats to lovers fic for these two. I have to admit, I would read it. Someone should do something with the tension between them, although I don’t really want it to be anything that will make Best Boy permanently sad.) Anyway, A-Xiang shows up just as Gao Shan is about to frog-march Chengling back to his room, and Gao Shan never sees her coming before he’s knocked out on the ground. A-Xiang is confused about the note but nevertheless helps Chengling get to where he’s supposed to meet “Xu,” whereupon she gets beat up and gets her didi took by the Scorpions. (There’s an interesting moment here where Pretty Arhat is fighting with A-Xiang and asks what her relationship is to Beauty Ghost, which whaaaaaat? THERE’S some backstory I need more on. I’m assuming this is based on A-Xiang’s hand-to-hand fighting style, which I think is the only thing Pretty Arhat has seen at this point, and exactly WHEN has she gotten so familiar with Beauty Ghost’s fighting style? Also, I like the apparent nod to Beauty Ghost’s influence in raising A-Xiang (and we’ll see more of this).) Meanwhile, ZZS has been inexorably drawn to the place he left his child disciple child and is moping right outside of Yueyang, so he sees Pretty Arhat fly away with Chengling. Murder Dad 1 springs into action.

Yueyang disciples run around like ants whose hill has been kicked over, looking for Chengling in town, and two of them encounter Wen Kexing, out for a midnight stroll in a fetching pastel blue and green combo. They ask him about seeing a guy. With a pipa. Or maybe without a pipa. So maybe just a guy. Wen Kexing correctly deduces they’re asking about Phantom Musician Qin Song, who covered Pretty Arhat’s getaway by incapacitating everyone with his magic music. YY disciples are excited and tell WKX yes, this dude was involved in kidnapping Zhang Chengling! Y’all. WKX’s face when he hears that. He is not happy. Almost immediately, he spots Qin Song on a rooftop. Murder Dad 2 springs into action.

So, WKX the Ghost Valley Master finds Qin Song, asks him where Chengling is, crushes his playing hand, threatens to break every single bone in his body one at a time (meanwhile dropping the tidbit that he learned the number of bones in the human body from his dad), and tells him a little story about a time when – apparently – he asked another guy the same question (about WHO? has A-Xiang been kidnapped in the past, because that’s about the only other person I can imagine him being like this about?) and only had to break 80 bones before he got an answer. Meanwhile, ZZS actually finds Chengling, in the Scorpion lair where Du Pusa and Pretty Arhat have variously been molesting him (srsly, I feel like I should probably say something to a trusted adult Murder Dad), torturing him with unpleasant magic pixie dust, smacking him around (he loses a tooth, y’all), and waterboarding him. During all this, Pretty Arhat says she’s yet to meet a man who can stand up to waterboarding, and I’m kind of reminded of WKX’s scene threatening Qin Song, and I don’t know if that’s on purpose or not. Chengling literally spits in her face and proclaims that he’s the son of Zhang Yusen, none of whose sons are cowards, and about then, ZZS busts down the door like he’s WKX (by throwing Monster Jiang through it), tells the Scorpions he’s their daddy, and gets into a big fucking fight with all three of them. He flags a little bit somewhere in here as he starts having some Nail pangs (which, yeah, it must be getting about midnight, which is when that’s supposed to happen) and spits some blood, but he reassures Chengling and then tells the Scorpions no one can stop him from killing who he wants and getting what he wants (OK, Wei Wuxian …). Then he shoots some projectiles from some little contraption up his sleeve that we get a quick look at that I did not remember AT ALL from my first watch of the show but is literally like the gun hanging over the mantel in the first act. Huh. Anyway, he kills Monster Jiang, and Du Pusa (who didn’t give a shit about Monster Jiang OR Qin Song earlier), wants to capture him alive, supposedly so she can get revenge for them by teaching him how it feels “to want to die more than live.” Joke’s on you, lady – too late! That’s literally his constant state of being!

About this time, Qin Song comes flying through the doors – or what’s left of them – gasping his last breath as WKX makes his dramatic entrance. Chengling not only calls him “Wen-shu” but also has already figured out exactly how to manipulate Murder Dad 2 and tells him that in addition to kidnapping him, they also hurt ZZS. WKX is predictably murderous, and Du Pusa and Pretty Arhat run away and hide behind the skirts of Xie Wang’s robes as the Zombie Drug Man Army approaches. WKX tells ZZS to take Chengling and leave, ZZS refuses, and Xie Wang LITERALLY SAYS “IN LIFE AND DEATH YOU WILL NEVER PART. WHAT A TOUCHING MOMENT.” and I am DYING. Also, this will not be the last time ZZS/WKX will exhibit what Xie’er wants from his Awful Yifu. Anyway, Xie’er calls ZZS “Leader Zhou,” then tells WKX that he’ll tell them who he (Xie Wang) is if WKX tells them all who he is first. ZZS is Very Done with all of this and smoke bombs the Scorpions to escape. Xie’er shows he actually does know who both of them are – even though each of them doesn’t know everything about the other’s identity yet, and won’t for a while – by telling Du Pusa and Pretty Arhat that they’re the leader of Tian Chuang and the leader of the Ghost Valley and wondering “How did these two devils end up together?” Like calls to like, I guess.

OK, this is getting super-long, so I’m going to attempt to wrap up with the actual Wenzhou material. We cut to Murder Dads and Chengling sitting in the forest, around a campfire, and Chengling is in heaven, back with his family. He’s super-emotional, and ZZS is all, come on, be a man, don’t cry (OK, crybaby). WKX gives some campfire-cooked rabbit? maybe? to ZZS, who starts a precedent by passing it to Chengling. Please, A-Xu. WKX wants to feed his laopo, will you eat something, ffs? Chengling, still emotional, tells them that he knows they’re the only ones who are sincerely kind to him, that Five Lakes Alliance has all kinds of agendas and none of them care about him, and nobody has asked him what he wants. (I know, bb, they were awful.) ZZS asks what he wants, and Chengling says he wants to learn martial arts, to get revenge, and to not be a useless child anymore. Oh god, the cut to WKX here. His face, y’all. He is not cool with the fact that Chengling thinks he can’t be a child anymore, and probably with whatever role he (WKX) had in it. He is so sad. It’s killing me. However, it’s not as if WKX has lost his edge, and he also pounces, asking Chengling if something happened that made him suspicious of the Alliance. Chengling spills that his dad already didn’t trust them and also told him not to trust anyone ever, but he trusts his Murder Dads! This kid, I tell you. He tells them that his dad hid the Mirror Lake Glazed Armor in his stomach and starts getting ready to cut it out for them before ZZS stops him. He tells them Yusen gave him a letter for the Changming Sword Immortal detailing Rong Xuan’s injury (and we get our first iteration of the story of the battle between the Five Lakes Alliance brothers and Rong Xuan, the poison on the sword, and how that turned Rong Xuan evil). Per Chengling, the original argument was about the Combined Six Cultivation Method. Also per Chengling, the Alliance bothers should have been responsible for Rong Xuan after that, but no one stood up for him – I mean, Zhang Yusen would have, but his legs were broken. We learn that the poisoned sword that injured Rong Xuan belonged to Gao Chong. ZZS looks taken aback, but this all just CONFIRMS WKX’s SUSPICIONS.

Cut away for another scene. Cut back. ZZS has suddenly remembered that he’s pissed off and that someone (else, not him) is sleeping on the couch tonight. Earlier, they were sat in order of Chengling, ZZS, WKX. Now Chengling has been put between them. WKX asks for wine, A-Xu is being passive-aggressive and ignoring him before finally handing the wine gourd to Chengling to pass to WKX. He won’t even look at WKX. It is hilarious, particularly as he only remembered he was mad after they’d all eaten dinner, which WKX cooked, and the pair of them made sure their child was OK. Chengling wants to know if they fought and tells them there’s nothing confidants can’t resolve. He’s in full puppy mode. He tells WKX to hurry up and comfort ZZS, because you know he looks tough on the surface but he’s got the softest heart! Didn’t you teach me that tough women can’t resist clingy men? ZZS’s indignant little face at this is a picture. Chengling offers to apologize for WKX. WKX’s face is all fondness for Chengling, except for the eyebrows, which are doing the Tragic Sadness Eyebrows at ZZS. ZZS is all, OK, fine, although he immediately changes the subject and starts talking about the kidnapping attempt. He tells Chengling that the world is dangerous right now, and the safest place for him is Yueyang Sect. ARE YOU KIDDING ME WITH THIS? Chengling sadly nods. My little dude, c’mon. ZZS’s Nails are bothering him and WKX takes the chance to feed him qi, which ZZS accepts – might I note - without complaint. WKX waxes rhapsodic about A-Xu’s shoulder blades, and says he once saw a dead body with beautiful shoulder blades. Smashcut to a flashback of two people who we don’t yet know are Zhen Ruyu and Gu Miaomiao dead on the ground. Although this takes place immediately after the scene of Gao Chong at the altar, when the first tablets we see are Zhen Ruyu’s and Gu Maiomiao’s, we also don’t know yet to connect those names to these bodies. Tricksy, show. We see Zhen Yan place his hand on Gu Miaomiao’s back, and WKX’s voiceover talks about how he could tell she was a beauty despite the blood everywhere. ZZS interrupts this morbid tale to say they should let the past stay in the past, and then tells WKX, “My condolences,” even though WKX hasn’t actually mentioned anywhere in the story about this dead body that it was even anyone he knew, let alone someone he was related to. Because A-Xu isn’t stupid. Immediately after this - after saying they should leave the past in the past - ZZS asks WKX who he is. WKX goes into his Philanthropist Wen evasion spiel. ZZS shakes his head, visibly steels himself, and apparently comes to the decision to model the behavior he’s trying to encourage by coming clean about his real name, his relationship to Siji Manor, all of his bad decisions, his choking guilt over the deaths of all the Siji Manor disciples, and his reign of state-sanctioned terror as founder and leader of Tian Chuang. Notably, the very first word Chengling speaks to ZZS after hearing this rundown of supposed and actual crimes is to call him “Shifu” again to get his attention before asking for more info about the Scorpions. THIS CHILD. MY HEART.

ZZS tells them both, “I spent half my life alone, doing things I didn’t want to do and killing people I didn’t want to kill,” and I literally want to reach into the screen and shake WKX, because OMG LAO WEN. You are reflections of each other, and he’s baring his soul, and you’re going to continue to be so afraid that he’s not going to accept every part of you that it’s going to be episodes and episodes before you open up, and even then, only after he figures it out on his own. :hands: To make things even more OBVIOUS, ZZS then asks Chengling if he still wants ZZS to be his shifu after learning all of this, and Chengling doesn’t even hesitate, he says “Of course,” and ZZS and I are both about to cry. UGH. Zhang Zhehan, your face. It’s killing me. This is a man seeing the hope of resurrection for the sect he was convinced he had ground into dust. ZZS and Chengling are both so busy being emotional at each other that WKX has to take matters into his own hands, encouraging Chengling to bow, and we get a real bow to shifu this time, in a scene that once again mirrors the later scene when Zhen Yan makes his bow to Qin Huaizhang to become a Siji Manor disciple.

ZZS tells Chengling, all right, then. You are the first disciple of the sixth generation. (SHIXIONG. NO PRESSURE.)

End ep.

#zhou zishu #wen kexing #zhang chengling #beauty ghost #liu qianqiao #gao chong #gao shan #du pusa #pretty arhat #qin song #gu xiang #xie wang #tragicomic ghost #luo fumeng #qin huaizhang #word of honor #word of honor episode reax

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smellycinnamonthundahfudge · 3 years

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Sgt. Drew Wu of Grimm

(Asians Assemble Challenge PT. 1 \(^o^)/, link for PT.2)

Grimm - it's a really cool dark epic fantasy detective show with awesome lore and an awesome lovable cast. ONE OF THE MOST IMPORTANT OF WHICH (for me at least heh :') is SGT. DREW WU <3.

i love him cause he's the snarky jaded lil shit who's kinda just above it all and just, ykno, the logical smart brain cell one that goes "seriously?" pointing out the ridiculousness of this fantastically dark world hahahah. AND IDK. HE'S JUST SUCH A SNARKY LIL SHT AND I LOVE HIM TOOOOOTTTT.

he also has his own arc, since he's one of the novice/normie human characters to the fantasy world. so there's this whole arc of him finding out the truth after all that he's mindfucked/gaslighted into thinking whether any of it was real.

so, like i said, capable seargeant detective, investigating THE TRUTH on the trail, AND I JUST LOVE HOW SMART AND INTELLIGENT AND CAPABLE HE IS PORTRAYED.

HE HAS AN ENTIRE EPISODE DEDICATED TO HIS CULTURE (AND A MONSTER FROM IT, OF WHICH THERE ARE MANY since it's my culture too, so yeah... i'd know, & now u kno y he's special to me :''')

AND MY FAMILY AND I LITERALLY LOST OUR SHIT WHEN HE SPOKE FILIPINO SO FLUENTLY TOOOOT.

it could have gone rlly wrong, but it didn't. they consulted him, the actor, reggie lee, listened to him. and as a result, they gave his character depth that i loved since the episode was SO CENTERED on what WU cared about.

it's just really heartwarming when instead of what you know could come out really clumsy and offensive and wrong,

you get something that feels close to home and makes you feel seen <3.

wu felt like another guy pining over his totga/childhood friend, except this time, we get to see an asian guy do it

instead of the usual white picket fence girl & boy next door.

it was just really unexpected and heartwarming to know how much mr. lee contributed to the episode, the fact that the showrunners really listened and treated it well & respectfully...

they cared enough to ask, consider the asian actor's perspective, and listen. and as a result, they got to explore a bit of the monsters of the dark of the philippines that aren't like anything else in the cultures/lore they've explored in the show before.

that's what sticks to me.

when you actually pay attention and care about the asians in your predominantly white media, you get to discover and open yourself up to a whole other world and culture that is unlike anything you know.

the asians get to be more than the brown side character, and become actual people that feel like someone you'd know...

this is the importance that comes from just the small act of ASKING the actor, "does this feel right to you?" or "what do YOU think?"

and WHOO HEY CHECK OUT THAT SEGUE MOM HAHAHAH

guess what the asian creatives, THE ASIAN DIRECTOR DID ON SHANG-CHI?

YEP, YA GUESSED IT, HE CONSULTED THE CREW, THE DIFFERENT PEOPLE OF DIFFERING CULTURES ON SET, ALL CONTRIBUTING THEIR OWN PERSPECTIVE.

BECAUSE NOT ALL ASIANS ARE THE SAME, SO THEY WOULD ALL HAVE THEIR OWN INDIVIDUAL UNIQUE TAKE ON THE SAME MEDIA.

Cretton says he wanted to tell a story about Asian identity that felt as lived-in and authentic as possible — part of which involved making sure Shang-Chi had Asian voices both in front of and behind the camera. (source: x)

"Remember, the Asian culture is so diverse," he says. "I grew up in Hawaii, [and] Hawaiian food is like Chinese, Japanese, Korean, Hawaiian, Filipino, all mixed together. That is kind of what our crew was: It's like this big mix of Asian cultures coming together and responding to the script and [saying things] like, 'Oh, that doesn't feel quite right.' All of that helped contribute to what I think is a really beautiful update to what started in the comics a few decades ago."

so... that's what i love about sgt. drew wu from grimm... :'')

the first time i heard someone speak my language in a tv show i loved :''') <333

and how what happened with his character reminds me of how far we've come with shang-chi :')

now it isn't just white showrunners asking the one asian dude what he thinks

now it's an asian director asking his several different asian creatives what they think...

also, he changed his name cause he kept getting called into casting latino roles, and ahh

i just... i spent a bit trying to track it down but i couldn't.

but there's this great meme that used a family guy scene, how filipinos have english first names and spanish last names, and so there's like a hybrid creature and peter's yelling "what the hell is that?!"

and hahahah aahhh

okokok my point is that being a filipino is a very specific type of asian that has a lot of overlap and that being an asian with an english first name and spanish last is only the tip of it,

but i just... i felt seen with what mr. lee went thru.

how, he had a spanish last name but he wasn't hispanic.

he's asian but he's not the "popular typical asian" that most ppl think when they think of asians.

ALSO, WU HAS A BURGER MADE IN HIS HONOR IN PORTLAND (i think) WHERE THE SERIES IS SET AND SHOT

AND IT IS *MY DREAAAMMM* TO BE ABLE TO EAT THAT BURGER SOMEDAY.

#drew wu #asians assemble #asians #shang chi and the legend of the ten rings #shang chi and the ten rings #shang chi #<3 #grimm #asians in tv #reggie lee #<3333 #love #uwu <3 #art #asian culture #filipino #<33333

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jojotichakorn · 3 years

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my thoughts and opinions on "lovely writer": criticizing the critic

tw for discussions of age gaps, rape, and sex

before i turn into the mean and constantly dissatisfied archer that we all know and hate, i just want to say that i liked this show. i think it's great, actually! gene and sib are appropriately cute, the premise is nice, and the attempt at criticizing the industry is... well, an attempt, which is better than nothing. moreover, "lovely writer" came with gifts because it gave me my new favorite character, so you can't go telling me i'm trying to completely obliterate it or something.

besides, this specific post isn't going to get into analyzing the show as a whole anyway. i won't be talking about any irrelevant plot points, cinematography, sound design, or anything like that, though i could probably write a post just as long as this one about that side of things as well. however, i am here to specifically look at the problematic things that were both criticized by the show and included in the show without any criticism. i'm going to talk about the more serious side of things here, which means i'm going to get serious. and i'm going to be harsh. very harsh.

gene and nubsib: yes's and no's

overall, the relationship between gene and sib was a fair attempt at showing something complex, yet ultimately quite healthy, which i appreciate. there were some things i was especially glad about. the fact that sib dated other people before settling on getting together with gene, for example, makes the whole situation a little less codependent. however, as much as this show prides itself on not wanting to romanticize problematic relationships, there are at least two major problems with genesib.

the age gap (and why it was not needed)

i've tried my very best to give this entire concept the benefit of the doubt. at first, i was convincing myself that they were simply close childhood friends, then i was trying my best to believe that even though sib did have a sort of crush on gene (which sometimes happens to little children), gene only saw him as his younger brother, but eventually, the show gave me no choice, but to deem the entire storyline problematic, because they did their best to romanticize that relationship - from gene's dad seeing the "early signs" to the counting and kissing the cheek turning to counting and full-on lip-locking in the last episode.

i could go into how this could all easily be mended if little sib was shown as kind of obsessed with his older friend, but gene was shown as not being anywhere near interested in the kid. but the real question is - why was the age gap needed at all?

i've researched the age of the boys during the flashbacks to the best of my ability and it seems that gene is 11 and sib is 6 or 7. if sib was the same age as gene (or maybe just one year younger, but not any more than that), not only would none of it feel weird, it would also be quite appropriate to explore that first glimpse of romantic feelings some of us experience exactly around that age. i don't think it's necessary for sib to be much younger than gene (children can be just as impressionable at 11 as they are at 7, and as for gene being surprisingly nice and helpful and the other kids not wanting to play with sib, he could have easily been - for example - bullied by his peers instead, which would have the same effect).

moving forward to the present, i don't think the lack of an age gap would affect the storyline that much either. even if they desperately needed sib to be a university student, they could have that one-year difference i've talked about before, which is not as significant. sib could be in his last year of uni, while gene could have easily written his very first novel during his university years, which would actually make more sense (since that guaranteed him employment and freedom to write after he finished uni; and i would rather believe that he had time to write his first novel in-between classes than in-between shifts at work, which he would surely need to have if he started writing after finishing university).

so that brings me back to my initial question - why was it needed? and much like the show often does, i will leave this one up for your interpretation because i do not have any sensible answers myself.

the issue with sex and consent

"but archer!" - i hear you exclaim - "lovely writer is known for explicitly denouncing rape romanticization in bls, how could there possibly be any problems with consent here?" and i hear you, my dear reader. and you aren't incorrect, "lovely writer" is indeed very explicit at calling out bls for having rape scenes (and i do appreciate that). however, as i'm sure you know, there are different ways in which consent can be taken from a person, and there are different non-consensual acts that someone might perform. for example, there are many different forms of coercion, such as the person being persuaded until they feel like they have no other choice, but to say yes. touching someone or kissing someone without asking for permission are also non-consensual acts. i can go on and on, there are many examples outside of what so many people consider rape.

now, what if i tell you that though there (thank the gods) has been no rape present in "lovely writer", not all scenes with gene and sib are consensual? well, that's what i'm telling you because it's the truth. both the first kissing scene and the scene where gene and sib "try out different poses" have clear coercion in them. the entire "joke" of the scene before gene and sib's first time is literally built upon the concept of "a person is trying to run away from someone, who wants to have sex with them" and it is NOT funny. the later reveal of gene actually looking up how to have sex seems to be there on purpose, to show that everything that's happened is "ok" because gene was thinking about it. as a sensible person, i will only accept actual enthusiastic consent and not someone possibly maybe probably considering it. not to mention that right before having sex, sib asks gene one last time if he is sure, which is great, except it is immediately followed by "i'm not going to let you change your mind anymore", which - daily reminder - you are allowed to stop having sex at any point during the act if you start feeling uncomfortable with it. that's absolutely normal.

now the problem that we seem to run into here is that "lovely writer" appears to think that it's ok to push someone to the limit until they either finally agree or confidently and loudly disagree. the drama has repeatedly shown us that actually forcing someone to have sex is not ok; however, persuading and otherwise coercing someone, as well as taking an approximate guess of them wanting to have sex based on some marginally related factors, is ok. i would like to once again remind everyone that all of that is not ok.

one more issue i want to bring up in connection with sex is something i wish was common knowledge: it is NOT supposed to hurt during your first time. whether you are planning to have vaginal or anal sex for the first time, it should not hurt. and if it does, something has definitely gone wrong and you need to stop. you are not supposed to experience any pain or discomfort during sex, including your first time (outside of desired and therefore intentionally inflicted pain, but that's not what i'm talking about here). i have seen this misconception brought up many times in bls along with the other person "thanking the person who got hurt for bearing the pain to bring them pleasure" and absolutely none of that is normal. stop. please, just... stop.

criticism of the BL industry

there are certainly quite a few things i liked about the way "lovely writer" criticized the many problems that surround bls. i think they dealt especially well with the fan aspect. the breaches of privacy that are considered normal, the toxicity of social media that encourages people to comment on other people's personal life, harass and stalk them - all of that was shown in its full glory (or rather horror) and clearly condemned. it was also interesting to see how easily everyone around sib fell into the routine of having to hide genesib's relationship, just because "that's what's supposed to be done in these situations" - even tum did that without thinking twice.

however, i have not spent the past three years hating gmm for a show trying to criticize the industry not to focus on criticizing the production company and everyone professionally involved with the making of bls. don't get me wrong - they didn't completely overlook that side of things, but i found the way they approached it dissatisfying.

like yes, tum fights with his sister (aka sib's manager) and calls her out for her terrible actions, and the publisher (bua) eventually apologizes for what she did, but all of that feels a bit too... personal. i do not care about these individual stories. i care about you saying that the whole system is broken because it very much is. i wanted manner of death but with the bl industry, and instead, i got an "uwu the fans are demanding we do this, and our hands our tied" (which is a lie) and "uwu i'm just trying to make money" (which i mean... if you feel ok milking even more money than you already have by doing something unethical and immoral, then be my guest, but also go fuck yourself). besides that, i didn't see any criticism of tabloids or exploitative celebrities either (both of which we had examples of in the show), and that was kind of disappointing.

coming back to the fans for a moment, i also think that the criticism of real people shipping was entirely unsuccessful. we basically mostly got an "oh, what if this person's partner thinks they are actually dating", which... if a bunch of people on the internet who do not know your boyfriend personally and make all their judgments from screenshots and their imagination can convince you that your boyfriend is cheating, i've got some bad news for you and also a number for a therapist. partly i know why it was so complicated for them to get into it properly - the issue with real people shipping is an issue of privacy, boundaries, the perception of celebrities, acceptable interests, and many other complex topics. however, it's better to not criticize something than to criticize it badly and inaccurately (because the latter usually leads to even more encouragement of whatever you were attempting to criticize).

aey: the flamboyant villain

aey certainly starts as a promisingly complex character, but the farther we go from his backstory and his family, the less complex and the more evil he gets. eventually, the trauma he goes through is no longer enough to give him a get-out-of-jail-free card, and he loses all remaining sympathy after sexually harassing gene and pretending to drug sib. and i did start this post by saying that i am not to analyze any plot points or characters from the show here; however, i'm saying all this to prove a point that aey is a clear villain in the show. this is further cemented by the fact that by the end of the show he loses the only two people who cared about him, and the very last moment with him in the show is literally just him crying for about 3 minutes. there was no redemption arc, no pity, no revenge - he was left alone and broken, clearly punished by the narrative. and i've got a bone to pick here as well.

one of the first things that we find out about aey is that he is gay, and quite openly so. he is repeatedly described as very feminine by many characters, he flirts with men, he talks about being good in bed, and his entire character is built upon being gay (half of it directly, and the other half due to the fact that his entire backstory and therefore personality is also built upon the fact that he is gay). he is - for the lack of a better term - the gayest character in the show and the only one who is loud about being gay not because he is in love but simply because it is a part of him and he doesn't want to hide it. and he is the villain. not the disgusting publisher or the terrible manager - no, this guy was specifically chosen to ruin everyone's lives. and i can't say i'm particularly happy about that. *british voice* seems a bit homophobic love

not quite queer enough

as i said, aey is openly gay. gene and sib also eventually say that they are gay, gene's father teep is queer, so are tiffy and mhok. but it just doesn't seem to come up as much as it would in real life. the only time anyone has a problem with any of the characters being queer is when we deal with the parents. but knowing actual queer thai actors in real life, we are all aware how hard it can be for them, but it has not come up even once for aey, gene or sib (with genesib only being a problem because they are a "non-shippable couple"). being queer is far from being a non-issue in the industry, and i found it incredibly weird that it was never brought up (and i would also prefer if they brought that up instead of showing the unaccepting parents plot for the millionth time).

same goes for the lack of conversation around queer people on set. i think we all have a wonderful example of how much better a bl can get simply when it involves a queer director and/or screenwriter (gods bless p'aof), gay actors, etc. i also thought it was a missed opportunity that gene being a gay man writing a bl novel was never highlighted. if anything, everyone made a big deal out of him being a man writing a bl - never mind that he is a gay man that is far more qualified to write bls than a straight woman.

in conclusion, there are simply not enough queer issues talked about here for a show that is about queer people facing difficulties while making a queer drama.

tiffy and tum: the good, the bad, and the ugly

overall, tiffy and tum are quite cool. outside of my own personal feelings, i really liked the clear reversal of gender roles they have going on: he knows lots about make-up, she knows nothing about it, he knows how to sew, she knows how to repair a car, etc.

tiffy is also a nice addition to the precious few queer girls we have in bls. however, the way her being bi is executed... it isn't great. when she first talks about dating girls to tum, she says things like "even though i look like this" (implying queer girls have a certain look?) and "maybe it seemed normal because i was at an all-girls school" (which wtf does that even mean?). i think the worst thing, though, was when she assumed tum was gay. my best guess is she thought so because she initially thought that tum and gene were a couple; however, she should be the first person to know that just because he likes men, it doesn't mean that he doesn't like women or any other gender. even though there was nothing explicitly leading me to make this conclusion, this whole thing did kind of feel like the old "flipping the switch" stereotype (meaning, she used to like women, but now she likes men, and both of them can't happen simultaneously).

make it make sense

i think i've never been more confused in my entire life than when i found out that the director of "lovely writer" also happens to be the director of "th*arnt*pe". and if at first, i was asking a lot of questions about this peculiar individual, who went from working on the worst rape-romanticizing show we have ever had to a show that explicitly states that rape is not normal. but the more i thought about it, the less i was interested in him, and the more i was interested in whoever made the decision to hire him. there are dozens of different directors that have worked specifically on bls, and even more that haven't. yet out of all those, you decided to choose this one. the dude, who before your show has only directed the show with the biggest rape-y vibes. that casts a particular kind of shade on the entire show that i simply do not like.

conclusion

at the end of the day, i think what "lovely writer" tried to do was very interesting. it succeeded in some ways and failed in others. frankly, i think this show could have easily been made better if someone queer was involved in making it. that's always true, but especially so, when we try to talk about the issues of making a queer drama. either way, it's certainly a good start to this conversation; however - as i said - i'm still waiting for my manner of death but with the bl industry. this was unfortunately not it.

#it is here it is queer it has some controversial hot takes #archer speaks #lovely writer

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tobeornottotc · 3 years

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The Problems with HIStory4; Close To You Ep 1-4 (Observation and Comments)

The verdict is out! I actually enjoy History4, as much as there's problematic elements to it, and it does feel a bit like a regression; the acting is great, the chemistry is perfect, and it's not as bad as the trailer made it seem. Like yes, we have a very invasive annoying fujoshi trope, but the characters are written in a way that it makes sense that they fall into this.

The Fujoshi Harassing Invasive Fake Dating Trope:

Cheng is so childish and so up in the clouds, and from a typical sexist, ignorant flawed man perspective, it's like he's always never taken anything seriously because he doesn't see any need to. Also, because he doesn't take anything seriously, he's ignorant and very self-focused and takes things too far; it's his character flaw. The only person who keeps in line is Moren. Who is someone who takes a lot of things seriously but also kind of ignores or avoids feelings and what that entails.

Moren is very gentle and sweet with his friends whilst on the surface, he seems cold and distant, but he tends to be very comfortable and have fun, like the childish part of him is brought out by Cheng. They compliment each other so well. There's something about the way they like each other so unconditionally despite being so opposite to each other, they do care a lot, and they have a very ignorant homophobic mindset because of how they've been raised in society, so they don't know a lot about queerness and what it means, so that's interesting to see them learn their feelings and grow from that.

I like their domestic vibes and how they are when they're just together alone; it's not entirely romantic or in your face that there are feelings; it's very soft, and very based and focused on the depth of friendship that they've developed, and I think that's so cute and adorable to see. The only thing I don't like about their storyline is the fujoshi trope; she's not always there; she's hidden but her presence always reminds me of why this trope is so problematic because she should be called out for her invasiveness. She should be taught about why what she's doing is not okay; maybe she does, later on, do so but I can't tell how serious this writer wants to be with this show. She may have genuinely just wanted a typical old BL style novel like show in the past that we used to read that doesn't address problematic stuff.

The show is very light and funny with these twos story so she may not want it to be so serious, which is why I'm trying to be careful when analysing the show. My thing is the fujoshi thing needs to be addressed because her actions aren't okay more than Cheng and Moren. The trailer for the show is wildly exaggerated and made me dread watching the show. Still, although Cheng is sometimes quite touchy and can fall into that line of harassment, it's been called out by Moren in episode 1, and everything in the trailer that seemed problematic with harassment for them isn't like it is. It's just them joking around and being Moren and Cheng. Moren may feel weirded out by some situations, but it's not against his consent, is what I'm trying to say. Cheng is not meant to be a perfect character; his flaw is his childishness, and how he doesn't take things seriously, so he comes across as rude, invasive, loud etc. But for them, there's nothing so far that is as bad as what the trailer suggested it would be. Maybe, later on, I'd change my mind.

The Stalker Obsessesive Step Brother Trope:

For Jie and Xingsi. It's different. It's the same issues with stories about obsession, possession and trauma tropes. People will not like Jie because the reason why he does what he does, is because his character outline is based on a mental disorder (that isn't even diagnosed, but it's clear he's on a sociopathic spectrum), he's emotionally shut off, so he doesn't have any feelings, doesn't know when he's gone too far or when he is doing something to others that are seen as problematic. All he focuses on is his feelings for XingSi because he's the only person who makes him care.

Not goanna lie, their storyline has toxic elements, and it is weird that the show wants to humanise his actions and make him seem pitiful. For me, he is pitiful, and I do understand why he acts the way he does, but I think others would have an issue with him. I think it's hard to accept the storyline because it is romanticising toxicity and dependency, but I kinda after being freaked out by him; I've come to kind of understand why they write his character the way they did for him and Xingsi. The theme of these two's story is conforming to societal pressures vs being free and accepting your self. So they kind of help each other with the other's problem/issue.

You can decide if you want to see that as romantic or if you are so turned off by Jie's insensitive actions. For me, this is a typical toxic storyline that makes sense to me why they'll be together. For example, when looking at Jie; Obviously, he's been nurtured into developing parts of being sociopathic to deal with the pain of his childhood. It's not an excuse to let him get away with his actions; I'm just saying I understand his character outline. He doesn't trust people; he doesn't let anyone in. So he's automatically someone with sociopathic tendencies, very possessive, can be aggressive if he isn't sure he trusts what's happening, alienates himself and doesn't care for how others view him. But he's someone who kind of helps Xingsi deal with his own secrets; Xingsi is someone determined to be responsible/right in society; hence he hides himself and his actual wants and needs to please people.

So Jie, with his own twisted ways, is always a catalyst to helping Xingsi find out what he wants and for Xingsi to come to terms with being brave and showing who he really is to people. In a way, Jie, because he's so emotionally uncaring about what others think of him, is the antithesis to Xingsi; he is freer because he's not hiding who he is or conforming to what others think is right/wrong he only cares about his own freedom/happiness. So he provides that way and escape for Xingsi to be himself and stop pretending or acting to please people and society. That's what the writers are trying to achieve with them. Jie is then also taught about feelings and emotions because of having Si as someone he does care for automatically and does want to change for and be gentle to whilst Si learns to accept himself /stop conforming to societal pressures.

They follow typical old BL novels in the past; they have problematic issues and toxic stuff around them to discuss, and they're very flawed; they are written to help each other deal with their flaws/issue by falling for each other. Is it right to romanticize that storyline? Maybe or maybe not, we need to do better stories for BL; that's something we know, it's not okay to always have toxic or problematic storylines, but if you know me, I also enjoy the past BL tropes as well. I like toxic storylines because they have so much interesting character dynamics that are wild to explore and analyse. They usually are very angsty and dramatic, and they have a good plot. That's something I never try to hide away from, I don't agree with when people say you shouldn't write toxic storylines or add problematic characters, but that's an argument for another day etc., I just want it to be called out when its a toxic thing/problematic trope like give consequences and show them learning why its wrong, or have them go through a character development.

It's not going to make me judge the show so badly or stop watching it when I actually enjoy the friendship, characters and lighthearted, funny vibes the show brings every Sunday. Like it makes me smile and laugh when I'm watching Cheng and Moren, and it makes me think when I watch Xingsi and Jie. So yeh I enjoy the show and I'm not ashamed to say it.

#history4 #history 4 #history 4 close to you #history 4: close to you #taiwan bl #bl series #bl drama #reviews #analysis

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itsclydebitches · 3 years

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YYH Recaps: Episode 4 “Requirements for Lovers”

Hello, everyone! It's been quite a while, huh? Ah, the endless cycle of wanting to write and yet, astoundingly, not writing. I know it well.

Good ol' writer's block has skedaddled for a time though, so let's make good use of that and dive into Episode Four: "Requirements for Lovers."

Ohhh, YYH getting spicy with its titles 😏

Actually wait, I shouldn't be making dumb jokes just yet. First I want to acknowledge a slight change to future recaps: YYH, RWBY, and anything else I might try my hand at. Namely, a lack of pictures moving forward. A few weeks ago — months? I honestly can't keep track — tumblr implemented a new limitation where no post can have more than ten images in it. It's a move that, while I'm sure has its justifications, makes sharing analyses of visually-based media all the more difficult. I'll be doing my best moving forward to describe scenes as needed, as well as combining connected images together to stretch out my limit, but I'm not going to pretend that it'll be the same as getting the visual play-by-play we’re used to.

Tumblr certainly is a website, huh?

Anyway, we open on Yusuke once again lamenting the difficulty of hatching a spirit beast that doesn't immediately devour him from the head down. On the one hand this is an admittedly easy way to reset the story over the course of this arc — the storytelling equivalent of waking your character up each morning — yet I cannot deny that if I were undergoing a resurrection test, it would consume my every thought too. Can't really blame Yusuke for endlessly bringing the conflict up when the conflict is this deadly.

Well, deadly for a ghost, anyway.

Specifically, he's worried about how embarrassing it would be to get eaten by something that came out of an egg this tiny. I'm torn between reminding a fictional character that things grow — a pissed off chicken could kick my ass and it started out in an egg too — and just shaking my head over the absurdity of worrying about embarrassment when, you know, you would cease to exist. It's not even a matter of, "What if I die and then I'm embarrassed about it in the afterlife :( " Yusuke is already IN the afterlife. He's got nowhere to go but oblivion!

Luckily, Botan takes a more practical approach to these worries, pointing out that he'll be just fine provided he does some good deeds. Yusuke starts a rant about how do-gooders are only ever out for themselves.

Yusuke, you dumb-dumb, you're a do-gooder now. What was all that help for Kuwabara, hmm? As said, these early episodes exist in a semi-reset loop, where Yusuke needs to stew in his main character flaws for a while before any real growth starts to stick. Those flaws being, primarily, "I'm a pessimist" and "also I hate myself."

Case in point, Botan accuses him of always seeing the glass as half empty. Which, while true enough (outside of his confidence in fighting, anyway), by now we've got a pretty good sense of where Yusuke developed this attitude. He affirms this by talking about how Koenma's got him by the balls, "just another idiot abusing his power!" With an alcoholic mother and those teachers from last episode, it's no wonder Yusuke thinks this way. Mr. Takenaka's interest and Keiko's care aren't enough to combat the rest of Yusuke's experience, not when Takenaka is an outlier and Keiko is Yusuke's peer. Her desire to keep him on the right track reads only as an inevitability at best (the downside of having a perfect childhood friend), or a legitimate annoyance at worst. Or, as we'll continue to see in this episode, a way for them to flirt.

Is it any wonder Yusuke would sneer at Koenma's offer then, expecting the worst? The fact that Yusuke is still undergoing the challenge at all, no matter what he says, speaks volumes to me.

However, Botan is less than comfortable with his criticisms. She panics a bit at Yusuke insulting the (junior) ruler of the underworld so blithely. That, and the fact that he's carelessly tossing his egg around.

(Yes we’re using precious picture space for memes are you SURPRISED?)

Anyway, Botan isn't just concerned for the sake of concern. She cautions Yusuke against speaking too freely because there may be investigators checking in on his progress. No sooner does he ask what those investigators look like than one appears.

Thunder! Lighting! An energy so intense that Yusuke is briefly blinded! It is, as he says, quite the entrance. What kind of being could possibly be at the heart of such an astounding show?

Why, this teeny-tiny cutie, of course.

Remember, few appearances in YYH coincide with the character's true self. Would you ever assume this is the all-powerful investigator who holds Yusuke's future in her hands? Of course not. That's the point.

The investigator introduces herself as Sayaka and immediately demonstrates that she has no more patience for Yusuke's attitude than Botan does. "These damn kids," he mutters and my brain briefly blue screens because Yusuke. You're fourteen.

Plus, Sayaka and Botan clearly have some sort of eternal youth situation going on, so there's that too.

Sayaka is, in a word, fantastic. She pulls no punches with Yusuke, teleporting away from him with what can only be described as a shit-eating smile, all while refusing to tell him what exactly she's investigating. “I’m sorry, but that’s a secret!” However, Keiko is clearly at the forefront of her interest. She refers to her as Yusuke's "girlfriend."

Botan is more than happy to point Keiko out — because of course they're still following her around! — and pulls a Et tu, Brute? on Yususke, leading Sayaka right to her. Like most of the Underworld, Sayaka is rather shocked that the pretty, popular, scholarly girl is supposedly into the delinquent. It's the power of childhood friendship, you fools! Specifically, Sayaka references the "positive markings" that Keiko has accumulated, but the audience already knows by now that such markings are suspect at best. Yusuke himself is proof of that. So if his terrible marks don't preclude him from being a young kid's savior, should we really view Keiko's as proof of superiority?

I mean, Keiko is fantastic, but that's not really the point here.

Starting her own investigation into Yusuke's life, Sayaka begins with one hell of a bombshell: "There's no point in doing [the resurrection] if the people closest to you don't care." WOW. Not only is that a harsh assessment, it's one I don't think I can personally get behind. The offer to restore Yusuke to life is built on the acknowledgment that their system is flawed (even if there's no work to change or dismantle that system): they thought he was worthless, his sacrificial death seems to have proven them wrong, and now they want further evidence, in the form of this trial, that Yusuke is a good person at heart. The whole point of this challenge is to give him a second chance, with testimonies like Mr. Takenaka's emphasizing that Yusuke has always been capable of more, so long as he applies himself. This, as we'll see throughout the series, applies to relationships too. The Yusuke with one friend he play-fights with, a distant mother, and a school worth of kids who are terrified of his very name is not the future Yusuke they expect him to become, so... why base his resurrection on what he's already (not) accomplished? Granted, the show is very unclear about what, if anything, Sayaka will do if she decides that Yusuke doesn't have a life worth going back to (even if I have my own theory discussed at the end), but the fact that this is suddenly a factor at all seems grossly unfair, not entirely unlike Kuwabara's rigged promise. We as the audience know that people love Yusuke. Yusuke himself is beginning to acknowledge that. But if this fourteen year old delinquent truly had no one that wanted him back from the dead... isn't that all the more reason to allow a resurrection and give him the chance to build a life where he would be missed?

This stupid shonen got me thinking too much istg.

Yusuke, ever the self-deprecating pessimist, bypasses all of the above thoughts and jumps straight to, "It's clear if [Keiko] had any sense she'd want me gone." I'd find that attitude incredibly sad if I wasn't distracted by how cute Botan and Sayaka are, sitting on the oar together. The spirit girls who fly together, thrive together!

Botan starts teasing Yusuke about having a crush, which just feeds his temper and Sayaka's confusion. Deciding that she needs to gather more info, they follow along for an average day of school because these earlier episodes are, apparently, ghost-stalk Keiko hours.

We see her reading aloud in class from Heart of Darkness (not the easiest book for some middle schoolers), scoring a point during volleyball practice, refusing to let one girl cheat off her homework, but happily helping another who runs up with a question. So she's pretty, athletic, and academically successful, the trifecta for any good love interest. Sayaka is impressed not just with her "nearly perfect" scores, but also the maturity that Keiko demonstrates, such as maintaining her morals about cheating while remaining compassionate.

Actually, I really love the contrast this provides for us, the viewer. Meaning, Keiko is shown to be at her least mature when in Yusuke's presence. Not that her responses aren't justified, but watching her dramatically snatch gum from his mouth, slap him across the face, or pull crazed expressions as she yells at him is a far cry from this calm, poised, soft-spoken Keiko. It's a way to visually show us that she's comfortable in his presence, despite the suspect humor attached. Not that the Keiko we see at school is faking or anything — she is legitimately that kind and articulate — but we see that being with Yusuke allows her to relax in a way she doesn't with others. School!Keiko is, as Sayaka says, pretty much perfect, 24/7. Yusuke's Keiko is a little rougher around the edges, in a way that implies a multifaceted personality shining through.

However, the only conclusion our trio draws is that, given Keiko's accomplishments, any attraction must be one-sided.

Poor Yusuke lol.

In a plot move that is so ridiculously contrived, just as Yusuke is grappling with the accusation that Keiko couldn't possibly like him back, a "handsome boy" arrives to ask Keiko out. He says that he couldn't bear it when she stopped reading Heart of Darkness because he's fallen in love with her voice. "Will you be my girlfriend?"

Please excuse me while I lose my shit over how ridiculous this is. I legitimately straight up cackled when I watched this scene.

Luckily for Mr. Absurd, Keiko takes him seriously — and lets him down easy. She says she can't be his girlfriend and when he presses the "Why?", asking if she already likes someone else, Keiko confirms that she does. This is done through a shot of her feet. Not a POV shot given the angle, but close enough that it feels like we're stepping into Keiko's shoes (haha), shyly staring down at the floor in embarrassment and regret.

Rejection complete? The guy screams.

I mean he screams.

I mean this nobody we're never gonna see again unhinges his jaw and lets out an unholy shriek the likes of which makes me shriek in utter GLEE.

It's insane. It's wonderful. I'm going to use one of my coveted image spots to show you his face:

Look at that and tell me this show isn't amazing.

Okay, I'm focusing again. As Keiko runs off Botan and Sayaka start dragging Yusuke, teasing him about how Keiko chose him over that "charming handsome boy."

...Please scroll up and look at that image again. I find YYH's definition of "charming" and "handsome" to be hilariously wrong.

Yusuke, as per usual, throws himself into damage control, claiming that Keiko didn't say who she liked, so really it could be anyone. They're not buying it. “'I like Keiko' is written all over your face!” Botan crows. Meanwhile, Sayaka is scribbling in her little investigator's journal that feelings on both side are severely misunderstood. "Suggest serious counseling."

Fantastic idea, Sayaka. I'd personally suggest counseling for the whole dying/best friend getting resurrected thing... but relationship woes work too!

We cut to later when school is out and Keiko has gone over to Yusuke's. To say that Atsuko has done a poor job of keeping the house clean lately would be a serious understatement.

Keiko points out the old food and broken glass specifically, cluing us in that this isn't just a messy environment, but a dangerous one as well. This is proven when she accidentally knocks a stack of books over and a used bowl falls onto Yusuke's face. What's interesting is that Keiko says that things are "back to normal" now, though I'm not sure if that's in reference to the state of the house, or just the note Atsuko left behind, asking Keiko to take care of Yusuke while she's out. I'm inclined towards thinking it's just the note, partly because of Keiko's shock when she first arrives, because the house wasn't shown to be in this state prior to Yusuke's death (first image above), and because the note is accompanied by a great voiceover that makes Atsuko sound quite sloshed when she left. That's what's normal, the drinking and carefree attitude, not the state of her home. If we buy that reading, it allows for another fantastic look into Atsuko's mental state. If she's already an alcoholic, the trauma of her son's death and the following revelation that he's coming back might make her struggle in other ways. Like finding cleaning to be an impossible task.

She's depressed. It doesn't excuse the state she's left Yusuke in and, as previously acknowledged, YYH is definitely not a show interested in this nuance, but I still find it fun to take what little we've gotten and run with it.

However, Keiko is firmly on team "WTF Atsuko." She hurries to make sure Yusuke wasn't hurt by the falling bowl, bemoans him being "covered in garbage," and says that leaving him in this state should be considered a felony. Knowing it's far beyond her power to fix Atsuko's failings, Keiko swears to come here after school every day until Yusuke regains his body. It's as she's cleaning him of the dust that's gathered that Keiko becomes entranced with Yusuke’s features. Particularly his lips. The soft lighting returns, their theme song swells, and Keiko gets thiiiis close to kissing Yusuke for the first time.

Which is a little weird, right? I mean, we know why Yusuke is freaking out. Beyond the embarrassment of a middle schooler receiving his first kiss while two ghost girls eagerly watch on, he's made a hobby of denouncing his interest in Keiko to anyone who will listen. But for the average viewer — for Keiko herself — don't we care the he's, you know, dead? Or if not technically dead, very unconscious? Don't get me wrong, I fully understand the appeal of this situation in a generalized, cultural sense (with the side disclaimer that I'm reading a Japanese product through an American lens). Sleeping Beauty exists for a reason and there's definitely an element of that here: a gender-reversed setup where Keiko’s kills may break the "curse" of Yusuke's untimely death. Even his in-between state of being mirrors the "death like sleep" of the fairy tale. But when you strip away those Disney-esque thoughts, we're left with a girl about to kiss an unresponsive body, not as a common gesture of care (the parent who kisses their child while they sleep), but as a first time, romantic milestone.

It's a little weird lol.

But embrace the romance! As well as its inevitable interruption. Just as Keiko is about to land a peck, the neighborhood watch committee announces a heat and fire warning, startling Keiko out of her thoughts about Yusuke's "beautiful face." (There's another gender reversal for ya.) She gasps at her almost-action, conveniently remembers that her mom wanted her to do some shopping, and hightails it out of there before embarrassment can really kill them both.

So she runs off for food... in a sweater? The outfit is cute and all, but I wonder what the animators were thinking, putting Keiko in a puffy pullover during an episode all about a heat wave.

It's about at this point that the plot goes from cute romance to absolutely buck wild. The fires the neighborhood watch committee mentioned are not, in fact, due to the overwhelming heat, but an arsonist that's going around tossing molotov cocktails through open windows. Why is he doing such a thing? I don't know. Arsonists be doing arson, I guess. The important bit is that Yusuke's place is his next target, considering that Atsuko forgot to lock the windows when she went out. Within seconds all that garbage is set ablaze, quite obviously putting Yusuke's resurrection chances at an all time low.

"Wake up, stupid!" he shouts at his unconscious body. Mood, Yusuke. That's me every morning.

So this is a full scale emergency now and everyone is scrambling trying to think of something to do. Yusuke comes up with the idea to possess himself like he did Kuwabara — nice attempt at a loophole there — but since it would technically count as his resurrection, no dice. Botan decides to go get Kuwabara himself, even though he's too far away to do anything. It's still worth a shot. Sayaka, meanwhile, watches all this unfold with a somewhat clinical detachment. She's not quite indifferent and she's definitely not cruel... she’s just not as emotionally invested in this as the other two. Which not only re-emphasizes her purpose here, as an observer judging Yusuke, but also highlights the bond Botan is forming with him. As mentioned before in regards to her hanging out with Yusuke rather than ferrying souls, Botan is well past someone assisting Yusuke simply because it's a part of her job. He's her friend.

We get some shots of the growing fire which includes a hazy texture to the animation I quite like and then we cut to Keiko several blocks away, shopping bag in hand. Word of the new fire spreads, with one bystander mentioning that it's the twelfth today.

"This is eerie.”

“Yeah, I can’t help feeling we’re under attack.”

That's because you are! Someone stop that man!

Sadly, I don't think the arsonist is mentioned again, let alone captured. We'll just have to relegate that to my incredibly niche fic wishlist.

Keiko also overhears that the latest fire is on fourth avenue, which of course is where Yusuke lives. Recognizing that he might be in trouble, she takes off at a run.

Meanwhile, Botan finds Kuwabara practicing his kicks against a Yusuke dummy. Amazing resemblance, right?

Watching for the purpose of recapping, I'm picking up on a lot of details in the animation I quite enjoy. I don't think anyone would claim that YYH, at this point in time, has the most impressive or flashy animation (the fight scenes later are another matter entirely), but there's a clear love for the product that shines through. The scared expression on Kuwabara's dummy. His unexpectedly dainty kick, complete with pointed toes. Botan's more translucent coloring to emphasize her supernatural status compared to Kuwabara. There are a lot of nice touches despite the overall simplicity.

Plus, you can't forget the lovely irony of Kuwabara fighting a defenseless "Yusuke" while the real guy actually lies defenseless amidst a fire. We already know that despite his tough talk, Kuwabara would be horrified to learn that his friend rival had died (again) in such a manner.

Capitalizing on that transparency, Botan runs a hand through Kuwabara's back to catch his attention. He gets his "tickle feeling" and instinctively looks around towards Yusuke's house, seeing the smoke. "Something tells me I should go that way." Gotta love a guy who drops everything to chase a vague, supernaturally induced hunch.

As Kuwabara leaves we cut back to Keiko arriving at the house, staring in horror at the blaze. We get an audio flashback to her talk with Yusuke where she promised to take care of his body until he got back. So she tries to run in, only for a couple of the onlookers to snag her, quite correctly keeping her from undergoing a suicide mission. We learn later that Keiko absolutely would have died without Yusuke's sacrifice, so her "You cowards!" is born more of emotion than justified accusations. It's not cowardly to look at the raging inferno in a small apartment and realize that recklessly running in will only result in two dead teens, not one.

I mean, the flames are already right there, licking the door. Even if Keiko somehow managed to avoid burns, the smoke alone would do her in. Still, Keiko tries to mitigate the damage by dumping a bucket of water over her head. As a kid I remember thinking this was the smartest thing ever. Utterly inspired. Keep that in the back of your mind, kid Clyde, for future reference. As an adult... I have no idea whether this would actually help or not lol. Any firefighters doubling as YYH fans?

Recklessness and iffy precautions aside, I can't express how much I appreciate the story giving Keiko things to do. Yusuke recognizes that she's the only one with the maturity and open-mindedness to believe in his resurrection. She's the one picking up Atsuko's slack regarding his day-to-day needs. She never hesitates for a moment, heroically throwing herself into this blaze for Yusuke's benefit. Yeah, a lot of that still falls into the emotional/domestic sphere — what we expect of the love interest in a 90s anime — but too often action stories don't have a clue what to do with their non-action characters, not even when it comes to just supporting the fighters. They're simply... there. Keiko, however, isn't window dressing. Whether it's helping Botan survive an upcoming, supernatural plague, or cheering the team on at the Dark Tournament, Keiko is an important part of the story, despite lacking the fighting prowess of the rest of the cast.

Just as important, this episode establishes a core equality between her and Yusuke. We just watched Keiko reject a (presumably) accomplished guy for him, telling the audience that these surface differences — academics, power levels, popularity, looks — don't matter to them. Yusuke is not Keiko's lesser just because he doesn't have the same scores in Sayaka's book and Keiko won't become Yusuke's lesser just because she doesn't have spiritual power like he does. The only important thing here is that they love each other and they're both willing to sacrifice everything for the other. In the span of about ten minutes, Keiko nearly gives up her life for Yusuke and, in turn, Yusuke gives up his resurrection for her. The level of care they show towards one another is balanced, despite those differences.

They’re a good ship, y'all. Even if this recapping's got me noticing Yusuke/Kuwabara potential lol.

To get back to the plot, a drenched Keiko charges into the fire, yelling Yusuke's name for the drama of it because we all know he can't respond. Despite the audience (hopefully) recognizing Keiko and Yusuke's equality, that memo hasn't reached Yusuke yet. "You're a lot more important to this world than I am!" he yells, hammering home that despite everything — knowing he instinctively saved a child, watching his loved ones grieve for him, helping Kuwabara just because he can — Yusuke still, deep down, believes that he doesn't deserve to come back; that he doesn't measure up to those around him. The self-sacrificial nature this insecurity produces shocks Sayaka. She points out that if Keiko doesn't save his body, he's not coming back. "What's the point of being alive if Keiko has to get killed for it?"

Keiko means more to Yusuke than the rest of his living existence. Jot that down in your notebook, Sayaka!

Kuwabara arrives and runs into one of his friends who informs him that Keiko just went inside. “Yusuke’s girl? The one we saved from those thugs?”

BOY does that tell us a lot about their rivalry! I mean yeah, we've already established several times over that Kuwabara — just like Yusuke himself — is not the cruel street thug he'd like to present himself as. If these characters actually wanted to hurt each other outside of a martial arts challenge, don't you think Kuwabara would capitalize on the "Yusuke's girl" bit? Everyone seems to know that they have feelings for each other, but Kuwabara never once wields that as ammunition against Yusuke. There are no taunts about him not being good enough. Or rather, I should clarify there are no serious taunts — Kuwabara is well known for his teasing. There's also no attempt to steal Keiko out from under him, the common treatment of the love interest as a "prize" that many stories fall into. Indeed, later this episode YYH will deconstruct this a bit. Yusuke sees Kuwabara grab Keiko's hand and yells that he better not be getting "fresh" with her. But it's purely Yusuke's worries shining through. The audience gets a crystal clear picture of the situation and knows, categorically, that Kuwabara has only the most innocent of intentions in holding Keiko's hand.

(Well, running from the police isn't innocent, but...)

I keep getting sidetracked. Plot! Keiko makes it to Yusuke's room and finds that he is already on fire. She then proceeds to try and put it out by patting it with her hands. I take back what I said about Keiko's smarts in this scene. Now we know where that supposed recklessness comes from though. Apparently they're both immune to fire! Nothing to worry about here, folks.

JK she's actually in danger, despite the animation choices. By this point everyone, including Keiko, realizes that there's no way out: the fire has blocked the door. Sayaka then reveals that there is one way to save her. If Yusuke throws his egg into the fire, the energy of the spirit beast will release and guide her to safety. The catch? Hatch the egg early and it won't complete its intended function of guiding him back to his body. This beast is gonna guide one person and that is it.��

Cue Yusuke's near immediate decision to sacrifice his life for Keiko's. Granted, it's not precisely one life for another. Yusuke's resurrection was always contingent upon the beast not devouring him whole — something Koenma claims would have happened at the end of the episode — meaning that it's not technically a fair trade. Yusuke might have sacrificed Keiko's life for his own... only to fail to get that life back anyway. (There's a tragedy for ya.) To say nothing of how Yusuke is currently dead and has been for at least a couple of days, whereas Keiko very much is not. There's some sort of philosophical discussion there about potential being pit against current reality.

BUT that's not the point! The emotional point is that he sacrificed his life for hers — the potential of his resurrection, the potential of that life he might have led — all technicalities aside. And I, for one, think that's very neat of him.

A blue light shines as the egg's energy is released, providing a lovely contrast to the fire surrounding them. A path forms to the door and Keiko, recognizing Yusuke's presence, follows it. "We'll make it, Yusuke," Keiko says, which is one hell of a sucker-punch now that we know she's just carrying a corpse. Unbeknownst to Keiko, Yusuke is very much not making it. That's the only reason why she is.

Kuwabara appears to help them the rest of the way which is also a pretty awesome thing considering that, from everyone else's perspective, the fire is still raging and blocking the door. Despite his spiritual awareness, Kuwabara gives no indication that he noticed this strange light, or Yusuke's hand in the rescue. Which basically means he lunged into a bunch of deadly fire for Keiko and doesn't question how in the world he isn't burned.

Keiko's hands are fine, Kuwabara's whole body is fine... fire immunity must run in the friend group!

Yusuke has another rare moment of vulnerability — "They're both okay" — and I cackle happily at the "both" because see. You love Kuwabara too, Yusuke! All this bluster about hating him and finding him annoying. The second he rushed into that fire you were crawling up the walls.

Except then that happiness gives way to something that sounds a little more shocked. Devastated. "Well, I sure am... relieved..." Kudos to Cook's voice acting. You can hear the exact moment Yusuke realizes what he's done. Not that he regrets it, but the consequences are finally sinking in. He's relieved that they're safe, yes, but now he's never going to be able to rejoin them.

As Yusuke has an(other) existential crisis, Kuwabara peels back the blanket Keiko had wrapped Yusuke in, revealing his face. “What are you doing with Yusuke’s body?! Are you some type of sick grave robber?” he shouts. God I love when a story actually keeps track of who knows what. Kuwabara, for all his recent involvement in the plot, doesn't actually know what's going on. From his perspective Yusuke died, he made a scene at the wake, he saved "his girl" from a bunch of thugs, lost a huge chunk of time only to wake up with her randomly hugging him (then slapping him), participated in a bet with his awful teacher and had a couple weird, Yusuke related dreams while studying, and has felt the presence of ghosts perhaps a little more frequently than usual. Now he's trying to help save Keiko from a fire only for her to reveal she risked her own life for Yusuke's body. Of course he's freaking out! What's she doing with that?

What's utterly fantastic though is that Kuwabara takes all of five seconds to process this and then enters immediate Ride or Die mode for Keiko. She's been hoarding Yusuke's body for undetermined reasons? Well, who is he to judge? The important thing here is that people are arrested for keeping bodies, so they've gotta skedaddle before the firefighters show up.

Hence, hand-holding and avoiding arrest.

As Yusuke starts threatening Kuwabara not to get "fresh" with her, Botan sadly reminds him that he no longer has a say in who Keiko does or does not fall in love with. The switch in tone is jarring. Whereas before Botan would have teased him mercilessly for the crush, now she knows that nothing can come of that — and it would be cruel not to remind Yusuke of that too.

"Oh no. I didn't think..." Yusuke whispers, further establishing that he knew the risks of using his egg, but hadn't allowed them to sink in yet. Now they have.

He gives a fake little laugh with, "Just when it was getting good" and I cry at the development in the span of just four episodes. Despite what I said at the beginning about the show resetting each week, there has been a lot of change thus far. Yusuke wants to live now! He wants to be there for Keiko! He looks down on his tiny family and screams at the unfairness of it all! They're talking about how they can't wait for him to come back and now that's never gonna happen!!

It hurts, friends. It hurts a whole lot.

During this conversation between Keiko, Atsuko, and Kuwabara, we see that a couple of hours have passed (it's nighttime now, the fire is out) and Atsuko is apologizing for putting them all in danger like that. And by that I mean yes, she does technically apologize with an "I'm sorry" and everything, but it's also a one sentence apology pit against... well, near death for the three people standing (and sitting) before her. Atsuko seems just as concerned by Keiko losing her hair as she does Keiko nearly burning to death and she kneels by Yusuke's wheelchair, baby-talking to him about how he forgives her, right? I love Atsuko, she's great, but objectively speaking she is not a good mother. Not right now, anyway.

Oh yeah, and just to reiterate that: Keiko's hands are fine after patting down Yusuke's on-fire body, but her hair, which I'm pretty sure never catches, has to be cut short. Ah, anime logic. Funny thing is, YYH isn't the only story to take the love interest and give her a cool, short cut thanks to a traumatic event. Anyone read Ranma 1/2?

During this conversation we also learn that, sometime between the fire and now, Keiko filled Kuwabara in on everything that's happening with Yusuke. Makes sense. He kneels beside the wheelchair, joining the others in telling Yusuke that they'll wait patiently for his return. Yusuke, above them, continues yelling about how they're waiting on a dead man.

“It can’t be helped. He made this decision on his own."

Except it can, in fact, be helped!

Just as all hope is truly lost, Koenma appears and announces that Yusuke will be returned to life. Why? Because sacrificing his egg for Keiko is a better indicator of his worth than the egg itself could have been. Despite feeding on his negative outlook and heading towards biting Yusuke's head off — something the animation backs up by showing us teeth during the fire

— Yusuke's act demonstrates a tendency towards being a "decent human being" that is "so rare." Wow. That's depressing. Still, yay that Yusuke has those qualities! And this, to my mind, helps explain Sayaka's presence. Koenma recognized that judging Yusuke couldn't be left to the egg alone and indeed, Sayaka took note of his worth before he ever threw the egg into the fire. First it was questioning why someone as amazing as Keiko would go for him, then it was solidified through the shock of Yusuke announcing that coming back to life was meaningless if she wasn't in it. Even if Keiko had somehow, miraculously escaped the fire before Yusuke's sacrifice, I bet Sayaka's report would have tipped him in resurrection's favor anyway.

Everyone is, of course, overjoyed and my heart swells at the intense gratitude Yusuke displays. My favorite part though is when Koenma cryptically says that “Your added experience with death could make you very useful" (a nod towards future events that goes right over Yusuke's head) and his response to this is a yelled, "YOU THINK I'M USEFUL?" This poor kid. The God of everything ever is chucking out revelations left and right, about resurrections and spirit beasts, but the only thing that really penetrates is the realization that someone thinks he's useful. Talk about relatable.

You know, I've been thinking about why this moment works so well. I mean, there are a lot of other stories where undermining the consequences our hero faces — either with humor, or by erasing them completely — can feel like the audience was cheated. I think YYH dodged that with a couple of crucial factors. First, Yusuke's consequence isn't something new that he's now avoided, it's just a permanent extension of something he was already dealing with. We did get to watch him inhabit the space between life and death, grappling with whether he'd ever be able to return. The story didn't deny us that growth, it just confirmed something we all instinctively knew: this tale won't end here with Yusuke permanently going to some afterlife. Second, the Deus ex Machina fix doesn't happen too soon. Yeah, it's only a couple of minutes in a single episode, but we (and Yusuke) still get to sit with that outcome for a while, soaking it in before its removal. Finally, there's no doubt that Yusuke earned this reprieve. Koenma's timing might be sudden and (if you're not genre savvy) unexpected, but looking back at the series as a whole thus far, we're able to agree absolutely that Yusuke deserves this. Far from feeling like we were cheated, this solution invites just as much celebration as we're seeing on screen, for the simple reason that we can buy into Koenma's reasoning. We know now that Yusuke is a good person. We saw him selflessly sacrifice his future for Keiko. We agree that he deserves a second chance.

Thus, the episode ends with Yusuke flying up to fill the screen in his joy, a far better, final shot than Harry Potter and The Prison of Azkaban managed 😰

And that's it for Episode 4, folks! See you later for Episode 5 💕

#YYH #Yu Yu Hakusho #YYH Recaps #mymetas

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mimik-u · 3 years

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“Mr. Universe” Thoughts:

Pie in ice cream looks good on paper, but oh my go d, it’s super duper sweet. My town has a local milkshake place where their gimmick is putting whole ass slices of cake/pie in their milkshakes andidjdoejsmsjdisijs it’s so much.

Aughshdhsh, Greg is being wonderful here: attentive, caring, present.

“I spent so long trying to figure out whether or not I was Mom, now that I actually know I’m me, it’s like I have no idea who that is.” ;-; I think I talked about this in some odd post or another, but something I really commend Future for doing is showing what it’s like to be sixteen and faced with an existential identity crisis. This really is that time where kids have to reconcile their pasts with who they are now in the present and who they ultimately want to be in the future. It can be a scary process sometimes—if not most times—and here, of course, it’s heightened by the extraordinariness of Steven’s story and selfhood.

Greg with short hair is good, but I keep staring at him thinking something is wrong here firirkifiejdjdjdjs.

THE DEAR, OLD DAD SONG. AUGHNDF, MY FEEL IN G S

My favorite shot in this montage is the one of Steven snoring and Greg fondly looking over, a small smile on his face. 😭😭😭

Omg, is this Greg’s childhood home????????

Oh, my go d, the living room looks like my grandmother’s living room used to. The woolen doily on the couch. The assorted knickknacks everywhere. The wooden walls.

“Letters from Dad? They’re all unopened.” That is one of the saddest fucking lines I’ve ever heard in this show. What the actual

And then the camera zooms into one of the pictures on the wall that confirms where we are—this is Greg’s parents’ house. From the portrait alone, I get the vibe that Greg’s folks were the strict, high expectations, buttoned up shirts kind of parents. And if this is true, then boyyyy, that Rose/Greg parallel is really going to hit me in the feels.

As Steven enthuses about this new revelation in the background, Greg’s back is turned to him, but we see his face: the melancholy in it, the conflicted feelings.

“You looked just like me... only more human.” AUGH. DAMMIT, THIS SHOW.

I was talking to someone on AO3 about how Future has really made me appreciate the human episodes in SU more in hindsight, not because they were the most engaging in the series—admittedly, there are only a few I can name that stand out to me as being favorites—but because of their overarching function. These episodes were the ones in which Steven got to be half-human, in which he learned about what it was to be a human generally. But inherently, the tension has always resided in the fact that Steven is neither fully human nor fully gem. As the original show progressed, Steven and the people around him tried their best to navigate this tension, especially in the earlier seasons. You have quotes like Garnet reminding Amethyst and Pearl that Steven needs his human friends. You have Greg and Connie forming a “humans” bond, which Steven silently felt excluded from. You have Steven feeling on the outside of Onion’s group of friends. And the more Steven became necessarily drawn into the mythos of his mother and his inherited powers, the less human-centric episodes there were, which tracks with Steven’s development as the half-gem savior of Earth, but unfortunately, in the commotion, he lost out on fleshing out his humanness, too. This is a big part of the pathos in “Bismuth Casual,” which reveals to us that Steven’s forgotten how to talk to humans who aren’t Connie and his dad. And this is a huge part of the pathos in this episode, too, Steven yearning for his father’s humanity and wanting to connect to his past.

Greg’s graduation photo. ;-; He looks so sad. And is that, like, a military buzz cut?

OH, HE GOT HIS LAST NAME OFF OF A SONG 😭😭

This song is really lovely. 😭

Greg’s eyes being bright with his tears as nostalgia rushes in. 😭

“They can’t be worse than Mom’s family.” WOOF.

“I can’t believe I ever realized you’re just like Mom.” FUCK FUCK FUCKFUCKFUCKFUCKFUFUFFJF

“I grew up in a VAN. I never went to school. I’ve never been to a doctor until two days ago.” I CSNT DO THIS. FUCK FUCK FUCK FUCK FUCK FUCK FUCK FUCK

“My problem is that I’m a UNIVERSE.” FUCK FUCK FUCK FUCKF CUFKCMDUFJC

OH MY GOD THE VAN

HOLY SHIT THE VAN FLIPPED

JESUS

HE WAS UNCONSCIOUS LONG ENOUGH FOR A TOW TRUCK TO BE CALLED???? GREG, CALL AN AMBULANCE?????

OH, GOD, GREG TRIES TO BE POSITIVE AND MOVE AWAY FROM THE DEEP EMOTIONAL STUFF, BUT IT’S PRECISELY NOT WHAT STEVEN NEEDS TO HEAR AT THE MOMENT, SO HE TUNES HIM OUT. HOLY FUCKING SHIT

NO. THIS EPISODE. OUCH

HE DELETES THE PHOTO BC GREG DE MAYO ISN’T PRESENT. FUCK FUCK FUCK.

FUCK?

I’m suing this show for emotional damages.

Final thoughts: Greg’s life, like Rose’s was as Pink, was heavily regulated to the point of suffocation, and so I think it makes sense then that Greg’s own parenting style has decidedly been the antithesis of that. He’s pretty much allowed Steven to do as he pleases and not exert that same sort of exacting control that he experienced from his own parents. But just as Greg’s parents represented an extreme in parenting, I think, too, that Greg’s on the polar end. Steven was loved and cared for, which is fundamentally the most important thing, but there was a lot of maintenance work (a la parenting) that I think Greg unfortunately wasn’t attentive to in his desire to be the total corrective to his parents. Yes, Steven should have gone to a doctor way before two days ago. Yes, Steven should have gone to at least elementary and middle school. Greg says, in response to the doctor bit, “You’re a gem. You weren’t like other kids,” but just as everyone else has done over the course of the last couple of years, he, too, has forgotten the fundamental fact that Steven is half-human.

And ofc, I think there’s absolutely something to be said about the fact that Steven, having not known his grandparents, can’t accurately judge the situation as he did with his mother and the Diamonds. I don’t think it’s fair for Steven to completely compare Greg and Rose together because he’s missing essential context, or maybe, more accurately still, he’s forgetting a crucial fact. Greg has apparently tried—for years—to reestablish contact with his parents, and the silence of the unopened letters speaks louder than words. Unlike the Diamonds, awful as they undoubtedly were, the DeMayo parents don’t appear to want reconciliation, and that’s an important distinction.

But then, God, I think about that last scene again and go feral. Greg, your kid just accidentally flipped the van, and you don’t, like, call an ambulance? Instead of being emotionally honest with him, you default into safe and sage platitudes that both of you know aren’t entirely authentic in light of everything that has happened?

But THEN, I think... well, what did I expect? This has been Greg’s modus operandi for the entirety of the series. When bad things happen, he tries his damnedest to subjugate all of his negative emotions beneath his chosen veneer of the calm, easygoing father. It used to work—it used to work so well—but not anymore.

A fact I’m not sure that Greg recognized at the end of this episode.

Fuck, fuck, fuck.

#greg universe #steven universe #rose quartz #s: future #mimiku #I am emotionally exhauste d

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galcake534 · 3 years

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I don’t hate Cully Barnaby, but I hate it when she is involved. There’s a 80% chance in every episode that she either knows the victim or the murderer and seems to have some informative stories about them while despite bringing Barnaby down when he cancels on her because someone’s literally just been murdered.

The information she gives her Dad only has a 45% chance of being genuine because it’s always from gossip.

I used to ship Cully and Troy together, but the more she’s in an episode and interacts with him (Scott or Jones.) or Barnaby, the more it’s Troy being head-over-heels and Cully being aware and still playing with his feelings while putting her Dad’s career down and making jibes about his dedication during an investigation which says a lot. Or she makes her disdain and hostility known not that anyone was eager for her opinion. And even though Barnaby looks unfazed, he probably hurts everytime, if Cully did that to Troy; chances are he’d get snarky in self-defence or he would genuinely feel guilt and try an unhealthy amount to keep her satisfied while despite doing nothing wrong, hoping to make it up to her because as much as Troy acts as though he doesn’t care for being the bad guy mostly when he speaks his mind at the wrong time, you can tell he cares deeply for Cully’s opinion more than he should. Or Barnaby probably would’ve listened to an annoyed Cully and sided with her while Joyce would name him a hypocrite.

In my opinion, Cully has made her dislike of Barnaby’s job as a DCI and she hates when he so much as brings it up or when he is involuntarily called away and guilt-tripping him about it, but she and Joyce despite their constant remarks feel entitled to drop information or ask and talk openly about an ongoing investigation case or making comments that they claim would’ve been helpful a few weeks before after they’ve just finished the case over breakfast while if he mentions it there’s the opposite outcome?

You can even tell by the books and scenes onscreen that Tom Barnaby is a devoted Father. He talks about reading to Cully as a child, he even stands with Troy or Jones and reminisces about Cully’s childhood. But Cully seems to complain more and makes it out that he was never around because of his job, Joyce likewise but she remains more neutral and understanding.

Some episodes you’d think would opt Cully into at least thinking about her privilege of having a loving Father. In “The Blood Will Out,” The episode where Hector Bridges is killed by his Stepdaughter and Barnaby uncovers that he was abusive towards her after the entire family cover it up while planning her escape, Barnaby was empathetic and sat in the interview room talking about all the things he himself would’ve done for Cully and that he also would’ve done the same thing while ensuring Fleur that he was going to do everything in his power to get her either an easy sentence or off the hook. You’d think Cully would give him a break because she ended up with one of the most decent Dad’s of Midsomer while a few she went to school with or those who are just living somewhere in Midsomer are spending life in prison because their parents were either abusive or something provoked them into it.

But my biggest pet peeve with Cully was how she didn’t even use her ability to prevent Barnaby from being a dick towards Scott when he arrived in season 7 despite in the little time he’s been there and how hostile his boss (her Dad.) is, he still ends up saving her life, he’s there for less than a week two people have been murdered, he’s had to learn his way around a place he’s never been because he was making sure his superior’s daughter was safe because Joyce was in full panic mode and Barnaby had to be at the scene of the crime.

And when Scott saw Cully was in trouble, he jumped into a lake and made sure she was okay and drove her home, again, he made sure she was alright.

She didn’t even mention it to her Dad who constantly belittled Scott in front of her, or complained about Scott’s attitude because he was late on his first day and isn’t used to the countryside because he has been switched from London after all- I’m sure if he found that Scott unlike Troy (The Previous “the Green Man” before discovering the murderer, he let Cully go with Daniel Webster despite him being present at his Mother’s murder.) saved Cully’s life while he knew he easily could have been taken down by the four people who could’ve (god knows what they were doing if they intended to drown her.) overpowered him or fought him and ambushed him.

Cully didn’t even say “Dad he saved my life and he didn’t have to do that.”

Or she could’ve at least mentioned it and let Scott’s actions speak louder to Barnaby instead of his first impression that Barnaby let linger far too long and held it against him unfairly.

It only seems when Cully receives some gratification out of being an informer that she’ll speak up and sure Scott wasn’t fazed by that nor did he hold it against her, he didn’t even expect her to tell anyone maybe even asked her to keep quiet about it, but considering he went on a complete goose chase for her, she should’ve used the ability that she definitely had to at least return a favour and at least make his new life slightly if at all (that he certainly isn’t used to.) easier and educate her Dad in Scott’s heroic action without being like Troy who probably would’ve expected a kiss on the cheek and a glass on wine (jokingly because he’s nervous of course, but he would’ve most likely made some unintentionally stupidly politically incorrect remark where he acts as though he expects acknowledgement and Cully takes it for his ego and she actually thinks he’s serious.) while reminding him that Scott IS from the Metropolitan Police in London and of course is going to be different in methods, but it just annoys me that she didn’t say anything, nor did she even so much as validate him; the toast at the end of the restaraunt “to absent friends.” felt like yet another jibe and comparison that DS Scott isn’t Troy, or Cully deliberately made that into guilt-tripping her Dad about missing Troy as in “he’s gone Dad, stop talking about him.”

Thank you for coming to my TED Talk, I’m expecting Cully will Midsomer Murder me after this.

#midsomer+murders #midsomer murders #cully barnaby #tom barnaby #joyce barnaby #gavin troy #dan scott #ben jones

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missjackil · 3 years

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My 15x18 Opinion

`*WARNING: This review is by far more critical of the show, writers, and actors than I have been before. Enter at your own risk*

Despair

Well the name definitely fits! Where do I begin?

Okay not gonna lie, Im LIVID!! Thsi episode felt like a punch in the gut! I have said many times that the show ending, to me, will feel like someone Ive loved with all my heart for years is dying. Well in a matter of one episode, that changed to it feeling like someone Ive loved with all my heart for years, is dumping me via text message, telling me he’s banging my sister! It still hurts, it crushes my very soul but for the wrong reasons.

Im gonna hit the big smelly elephant in the room first and ask WTF were they thinking?? Its not bad enough that Cas tells Dean he loves him, which thankfully Dean didnt return (he’s still straight guys!) but it was maybe the worst speech Ive heard on the show! Nothing he said would make anyone happy, so that was bullshit. “You’re the most selfess loving person Ive ever known” Oh yeah Cas? Did you forget Sam? It appears you did. And this is NOT me dumping on Dean at all, Im just gonna state facts. Who has been the most kind, forgiving, loving person TO Cas? Even after Mary died and Dean was blaming Cas (”You’re dead to me!”) Sam was there to say “It wasn’t just Cas” and kept texting him to make sure he was okay. And honestly is Dean MORE selfless than Sam? I dont think so. Sure Dean gave up his childhood for Sam, I’ll give him that, but Sam gave up his adulthood for Dean, and they both gave up life for each other, and the world so, fuck that noise right in the face!

Now lets just rub some rocksalt in that wound and refrain from even giving Sam a meaningful scene with Cas even if he wasnt going to be there when he got Emptied. Jack got one, not Sam though. Thats bullshit!

Also fuck this Sam and Eilleen shit. Im not even confident she’s “gone” because she got sucked away with the others and we know Bobby at least still has another scene, and according to IMDB so does Donna and Charlie. So they may alll just come back. and even if we dont SEE Eileen maybe we just get super happy Sam now that his girlfriend is alive and whats that? Next week they find a DOG???? ARE YOU KIDDING ME????? Wait, thats not all, remember Cas still has some shit with Uriel to do, so dont even count his feathered ass gone yet either!

The bloody handprint on Dean’s jacket....😣🤢🤮

The story itself this episode was realy bad too, too much back and forth, “is he dead or alive? Is she dying or not? Are we gonna open the God book or what? Did these peope die or just “go away” like Becky? Maybe this will all be answered before we’re done but still it was annoying and messy.

Were there any good parts you ask? Yes, I did like the bro hug. Not WHY we got a bro hug but it was nice and Sam gave a heart felt “be careful” to Dean and I liked Dean’s reasuring touch. I also like that Dean apologized to Sam for last week and as Sam was being all “Dean... you dont need to...” Dean reminded him “I pulled a gun on you” and Sam was looking like “Oh yeah.... theres that” letting us know Sam still felt it. That’s all, the rest sucked balls in the worst way.

The Walker promo airing during this felt weird, like Jared is cheating on SPN... or banging my sister... oh yeah, there’s that analogy again!

Let me say this y’all and then you can agree, disagree, block me, unfollow me, send me Asks or messages if you want, I wont bite, but if this show ends bad I think I’ll be most pissed at Jared, That’s right I said it. Why? Because J2 have been very open and vocal that Jared liked the ending right away but Jensen didnt. If Jared also had problems with the ending, they could have said “nope” and yes, they could have, they’re not simply puppets on a string that have to do whatever TPTB tell them to. They’re the most important part of the entire franchize, no one benefits by pissing them off. So Jensen didnt like the ending and went to Kripke to see what he thought and Kripke said he couldn’t have written a better one, but lets remember that Kripke left with Dean with a girl and a kid, and Sam alone. Are we getting Sam with a girl and a dog, and Dean alone?

Im supposed to go to convention in July... I dont think I can bring myself to go if the end sucks. I want to be able to tell J2 I miss them, I dont want to be pissed they allowed a shitty ending to happen.

For the first time I am no longer convinced they’ll have the guys go out together. Either by death or driving off into the sunset. I don’t know what to do with that and Im not Okay.

So on a scale of Bloodlines to Lebanon, I give Despair a 2. Im a little horrified I have to watch it again when my friend comes over to get caught up.

#spn spoilers #show critical #rant #15x18 spoilers #my opinion #this just sucked balls and I havent been able to seep or eat

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cosmic-hearts · 4 years

Text

castles in the air | lee donghyuck | two

lee donghyuck x female reader

genre; enemies-to-lovers, friendship, romance, fluff, angst

warnings; mentions of alcohol and drinking in this chapter!

foreword; in which you might be a real-life princess with a prince promised to you right from the start, but you won’t be getting your happy ever after.

<< previous chapter | next chapter >>

You stand before your wardrobe, faced with yet another clothing dilemma. You love fashion and dressing up, you really do, but sometimes it can be a real pain in the ass.

If this were another soirée or evening function, you’d know exactly what to wear—that gorgeous Isabella Militao dress you’d been saving for a spectacular debut. That would be sure to make jaws drop; it was a gift fashioned by the loving hand of Aphrodite herself.

But you’re going to a high school party, and you don’t think girls turned up in the latest garb fresh off the runways of New York Fashion Week.

You think back to when Donghyuck asked you to go to the party with him (“because we actually need to seem like we’re dating”), and you asked him what to wear. He’d scoffed and you nearly socked him in the face.

“How would I know? Your parents literally own Seoul’s biggest fashion brand. And you’ll look good in whatever.”

If that had been a genuine compliment, you would have been flattered. But it was the tone in which he’d said it, that matter-of-fact, detached voice devoid of any tinge of personal belief or emotion that made it clear he was merely stating a truism, an indisputable fact. He might as well have said that the sky was blue.

You eventually decide on a red sleeveless silk floral dress that stops slightly above mid-thigh. It’s not exactly the most modest article of clothing you own, but it’ll have to do.

When you get in Donghyuck’s car, he doesn’t even glance over to see what you’re wearing, a stark reminder that this clearly isn’t a real date. You on the other hand, can’t help but sneak peeks at his outfit (it’s just the fashionista in you, you swear): a denim jacket thrown over a casual white button-up shirt and dark jeans. A simple look, but surprisingly he makes it work.

You quickly look away before he catches you staring.

He drives in complete silence and before long you reach your destination. Upon entering the house, Donghyuck immediately leaves your side to reunite with five other boys; you have to stand alone for a hot minute and bear witness to the fist bumps, back slaps and bro hugs going all around.

“Who’s this?” One of the boys asks, his blue hair gleaming underneath the faux strobe lights.

You open your mouth to reply, but Donghyuck beats you to it. “My girlfriend. Everyone, this is Y/N.” He sounds like he’s gritting his teeth while introducing you as his girlfriend, which makes you want to laugh; after all, he’s brought this upon himself.

“Hi,” you say, smiling at the boys, “it’s nice to meet you guys.”

“Hi, I’m Jaemin,” the blue-haired boy steps forward and says, flashing you a wide grin that sparks a curious flutter in your chest.

“Did you break up with Sohui?” A brooding, dark-haired boy asks Donghyuck. It’s clear to see that he has none of that chipper energy Jaemin possesses.

Donghyuck’s gaze becomes shifty and he clears his throat awkwardly before replying, “Yeah.”

What a lie.

Before you can think too much about it, Jaemin whisks you all away for a game of spin the bottle. The consequence? 7 minutes in heaven.

You’d heard of the game before but you didn’t think people actually played it at parties; it all seemed so terribly cliche. Looks like you were dead wrong, because once the bottle lands Jaemin and then you everyone’s in an uproar and you’re panicking because you really don’t want to lose your first kiss to a stranger, however hot he may be. Heck, you’d rather do it with Donghyuck; at least he’s a familiar enemy.

Jaemin smirks at you and grabs your wrist, gesturing towards a nearby closet (god, the sheer disgrace you feel, what would your parents say?) and your heart starts thumping in your ribcage, the butterflies from earlier entirely gone. You contemplate breaking out into a sprint for the bathroom or just running out to the garage and driving Donghyuck’s car away into the night. You look over at Donghyuck, hoping that he can read your mind and get you out of this situation (you know he hates you but surely he doesn’t hate you that much), but he’s staring at you with a glazed expression on his face and you can’t believe he’s about to offer you up like a lamb to the slaughter, that asshole—

“I’ll do it instead,” Donghyuck suddenly stands and grabs your free hand, tugging you away from Jaemin. Without waiting for his response he drags you behind him to the closet, pulls you in and shuts the door with a loud slam.

You release the breath you’d unconsciously been holding and start to sink down onto the cushions littered about in the dark, dank and cramped space, but then you stop short Donghyuck places a hand on your arm. He shrugs off his jacket and shoves it into your hands, whispering, “Your dress.”

When you two are finally seated, his jacket draped over your lap, you ask in a slight whisper, “What do we do now?”

At this, Donghyuck breaks out into a sardonic smile, leaning in close to whisper in your ear, “We’re not going to do anything. Don’t forget that I have a girlfriend, and if I kiss you, you might just fall in love with me. Can’t risk that now, can we?”

You try to ignore the way his breath tickles your ear and the fact that it’s not an entirely uncomfortable sensation. You hate the way Donghyuck plays with you like this, as though he’s constantly reminding you that he will never be yours, arranged marriage or not.

You press yourself into your corner of the closet to get as far away as possible from him, before taking out your phone and instinctively scrolling through Twitter, your lifeline—it’s almost like a coping mechanism, the way you try to get lost in your timeline filled with pictures of the Albertine bookstore and 90’s Chanel gowns to try and forget the fact that you’re currently stuck in a musty closet with your childhood enemy. Donghyuck does the same; he pulls out his phone and starts typing rapidly. You figure he’s texting Sohui to complain.

Before long the 7 minutes are up and the boys are pounding on the closet door. You sigh; they sound like ravenous zombies lying in wait to chew you out when you emerge. You’re about to push the door open when Donghyuck puts a hand on your arm; you turn to face him with the most annoyed expression can muster. What now?

Without warning, he reaches behind you and pulls out the scrunchie that’s holding your hair in a high ponytail. You nearly yelp at him in surprise as your hair spills past your shoulders, utterly dishevelled (also, that’s a limited edition Chanel scrunchie right there) but he must have seen it coming because he places his hand over your mouth, quick as a flash. Leaning in close, he whispers in your ear, “We have to look like we just made out, idiot.”

You flash him an angry glare which soon turns into a look of sheer embarrassment as he unbuttons the first few buttons of his shirt, a sliver of light through the crack in the closet falling on his now exposed collarbone. You look away hastily, thankful that the darkness obscures the blush creeping up your cheekbones.

He’s about to push open the door when he suddenly hisses, “Shit, I almost forgot the most important thing. I need to get some of your lip gloss off.”

Against your better judgement, you acquiesce. Anything to get out of this literal hellhole.

Closing your eyes, you feel a warm palm on the back of your head and you brace yourself. You feel his thumb running across your bottom lip in one swift but gentle motion, and when you open your eyes he’s swiping it across his own.

The blush in your cheeks intensifies and you look away quickly.

Finally, Donghyuck pushes open the door and a flood of electric purple light streams in. The boys whoop and cheer, and Jaemin invites you to sit next to him. You happily do so, desiring to be in the proximity of anyone other than Donghyuck—you might just combust with embarrassment if you sat next to him after that horrendous episode.

“Are you good at drinking, Y/N?” Jaemin asks, his smile as striking as his cobalt blue hair. He really is a heartthrob.

“Somewhat,” you say, being deliberately evasive; you aren’t about to let him know that your tolerance was limited to dainty sips of Sauvignon Blanc or Chardonnay typically served at the high-end functions you went to.

“Great! Let’s play a drinking game then,” he says, winking, and the butterflies in your stomach make it hard for you to resist.

Over the course of the next hour, you find yourself in an endless cycle of drinking games—you weren’t bad at those games, and it wasn’t very often that you had to drink, but when you did, the single shot of soju burned your throat on the way down and seemed to erode your consciousness along the way. You can feel your cheeks getting hotter and hotter, and the laughing faces of the boys seem to pass by in a hazy blur.

“Y/N,” a low voice chimes in your ear; it’s a stern, familiar voice. You frown instinctively; you have a pretty good idea of who it is, even if you can’t see him. “Stop it. You don’t have to keep drinking if you can’t handle it.”

You wave him off; there’s no way you’re drunk. “Who… Who said I can’t handle it? I’m no… lightweight.”

“Yeah… She seems to be managing fine, right Y/N?” Another voice, this one slurred and a little too mirthful to be sober. A flash of blue hair. It’s the cute boy, you think to yourself and smile.

“Enough,” the stern voice cuts in again, right when you are about to reach up and touch the boy’s hair, to see if it feels like cotton candy as much as it looks.

You feel an arm snaking round your waist, forcing you to stand up. Your head rests on something firm and solid; it’s almost comfortable, but you want to keep drinking. You have to prove that you can hold your liquor; you are Y/N, for goodness’ sake, and you can do anything you set your mind to.

But before you can open your mouth to protest, the world begins to spin and darkness swallows you whole; you have no choice but to fall into it without resistance.

—

This isn’t what Donghyuck envisioned when you decided to take you to the party.

He didn’t expect to have to get stuck in a closet with you for a whole 7 minutes. He didn’t expect you to get dead drunk while slobbering all over Jaemin. And he certainly didn’t expect to be hauling you on his back to the front step of your house and having to present your dismally inebriated form to your mother.

“I’m so sorry,” Donghyuck says, hoping he comes across as apologetic enough, “I should’ve taken better care of her.”

To his utter astonishment, your mother waves off his apology with a flick of her hand. “Don’t worry about it! I expected this to happen; Y/N has never been to a party without us before. I’m glad you were with her; god knows what would have happened to her if you weren’t there!”

Donghyuck resists the urge to chortle. What are you, a child?

“Could you take her up to her room please? I’ll get the housekeeper to run her a bath.”

“Sure,” he says, grimacing inwardly at the thought of having to lug your deadweight up four flights of stairs; thank goodness there’s an elevator.

He tries his best not to dump you unceremoniously onto your bed, taking care to remove your strappy sandals. When the job is done, he’s about to leave when something on your desk catches his eye. He walks over and picks it up, turning on your desk lamp for better lighting.

In his hands lies a framed photo of the two of you when you first met as kids—you in a bright pink dress adorned with a monstrosity of ribbons, him in a suit. You’re both sitting on a park bench holding hands; he’s staring at the camera with a stony expression, while your smile looks more like a grimace.

The memory of that day rushes to greet him, clear as day—it was the first time he saw you, and it was on the same day that it was announced that you were going to be his future bride. It was the day he started his campaign of relentless hate towards you, the day he decided that you were to be his lifelong enemy.

Donghyuck sets the picture down on your desk with more force than intended. Why would you still keep it? Did you really want a constant reminder of your betrothal to him? Did you really want a constant reminder of him?

His whirlwind of thoughts is interrupted by a weak voice. “Donghyuck?”

He walks over to your bed where you lie intoxicated, cheeks flushed and eyes half-lidded, tangled locks of hair strewn across your pillow.

“You’re awake,” he says, voice flat.

“I… said… I wasn’t drunk… idiot…”

Nope. Still wasted.

“Just go to sleep. Your bath will be ready soon,” he’s about to leave when you lift your hand to latch weakly onto his wrist.

“Wait,” you mumble, “I… have to ask you… something.”

“What is it?”

At this, your lips turn into a pout. “I know… you’re… a liar.”

“What?”

“You…,” you gesticulate aimlessly at him—after all, finding words is such a chore when you’re hardly sober— “when we were young… you said that… you hated me because I was wearing… pink.”

Donghyuck’s breath hitches in his throat; he can’t believe you can remember that.

“Yes; what about it?”

“You’re lying. That’s… a stupid reason… for hating someone. So tell me… why exactly… do you hate me so much?”

Donghyuck feels his heartbeat pick up but he keeps his lips pursed.

“I never told you this… but… it hurts. It hurts how… you don’t even want to be friends with me…” you ramble on, lips forming a pout while your eyelids get heavier and heavier. “Why don’t you like me…” Your eyelids flutter shut and your breathing evens, and Donghyuck releases the breath he’d been holding.

Donghyuck feels the sour pang of guilt creep up on him. Granted, you’d never done anything to warrant his hate for you; he simply detests your very existence, which isn’t something you can help. It never once occurred to him that you’d be hurt by him—he didn't think he mattered to you at all. He can’t believe you still remember what he’d said to you all those years ago. Sighing, he rakes a hand through his hair; perhaps some soul-searching is in order.

He pauses for a moment, watching the way your eyelashes graze your cheekbones ever so slightly. Your cheeks and lips are flushed cherry pink from all that drinking, and a stray lock of hair spills across your face. He reaches out to draw it away from your face, marvelling at how normal you look for once; your sleeping face is so tranquil, like a child’s. No one would ever be able to guess at how you are nothing less than a perfect, infallible human being. It’s easy for him to forget how you’re the same age as him; you just seem to possess a maturity way beyond your youth that Donghyuck really can’t wrap his head around.

He gently drapes the duvet over you, and he’s about to leave when he sees that his denim jacket is still wrapped snugly around your body, though it’s a couple sizes too large for your slight frame.

He can let you have it for a little while.

—

You proudly hand your mother your school journal, decorated with pink glitter and purple felt butterflies you painstakingly cut out yourself. On the first page, the words “My Dream Job” are neatly inscribed in cursive lettering, with hearts over the i’s.

“Mrs Lee asked us to write down our dream job today,” you gush, pigtails bouncing with excitement. “Look what I wrote!”

Your mother smiles as her eyes skim over the words ‘fashion designer’. You gabble on.

“I told the class I wanted to take over your company when I grow up and become a fashion designer just like you!”

“Very good, Y/N. I’m so proud of you. I have no doubt that will happen,” she says, patting the top of your head.

“Oh, I also asked Donghyuck what he wanted to be. He said he wants to be a singer when he grows up.”

Your mother’s hand falls from your head and she frowns. “Does he?”

“Yeah. Isn’t that cool? I told him that was really cool.”

Her expression turns austere. “There’s no future in that, Y/N. You should tell him to be like you and take over his family’s company. That way he’ll be successful.”

“But he’s good at singing,” you protest, eyes shining with the memory of his voice, “and he looks so happy when he’s singing. If he’s happy, won’t he be successful too?”

—

“Do you still sing?”

Donghyuck raises an eyebrow at you as he chugs his iced coffee. “Why do you ask?”

“It’s called making conversation. It might not be in our contract, but did you intend to sit in silence until the sun sets and we go home?”

It’s your turn to pick a date, so you’ve dragged Donghyuck to a music cafe with a stage by the entrance where a teenage boy sings soulful R&B tunes. You weren’t being entirely truthful when you told him you were just making conversation; you did want to know if he still sang. To see if he was prepared for what you were about to throw him into.

“Sometimes,” he says, “maybe one day I’ll serenade you. With a song about how annoying you are.”

You resist the urge to toss your steaming mug of chamomile tea in his face. These days, after your horribly embarrassing encounter at the party (Donghyuck insists that you threw up in his car, but you don’t remember that at all), his attitude toward you seems to have shifted. Sure, he’s still mean, but not resentful. He doesn’t seem to hate you that much anymore; when he says spiteful things you can sense its teasing undertones.

You wonder what sparked this change. Shouldn’t he detest you even more? You literally threw up in his car—or so he claims. Or maybe he’s finally come to his senses and recognizes just how lovable you are.

You load up your smile like a gun.

“You do that,” you say, raising your hand to beckon someone over. To Donghyuck’s surprise, the manager of the cafe scoots over, and when he leans down you whisper something into his ear. The man chuckles and sends a curious glance at Donghyuck.

“What was that?”

“Nothing,” you say, smiling sweetly and taking a sip of your coffee.

The performer ends the song, and bows to polite claps from the audience. The manager you just spoke to goes up on stage, voice filling the room.

“Thank you Jihoon, that was lovely as usual. Next up we have Lee Donghyuck—this is his first time performing, so do give him your encouragement!”

Donghyuck literally jumps in his seat and you stifle your laugh. He sends a death glare in your direction and mouths I’m going to kill you. You clap for him in response, that sweet smile never leaving your face. You’ll get it from him later, no doubt, but this is totally worth it.

Donghyuck finally gets up and trudges over to the stage. He steps up to the mic, closes his eyes for the briefest of instants, and his lips part.

You expected, after all these years, that his voice would have hardened somehow, taken on a rougher edge, flavoured with the accents of a baritone. However, Donghyuck surprises you yet again—his voice is just as airy and angelic as it was nearly a decade ago, and every line he sings is like a stream of honey pouring forth from his lips. He breezes through countless high notes effortlessly in a way that sends chills down your spine, without so much as a twitch of neck muscle; he loads every word with so much emotion that it seems like the euphonious melody is coming to life right before your very eyes. The other patrons in the cafe are spellbound, drinks and conversation long forgotten; he’s bewitched everyone, and there’s no escaping.

In short, Lee Donghyuck is still a marvellous singer. And possibly a siren.

When he’s done, it is silent for a moment, the aftereffects of his spell still lingering. And then a single clap from the manager breaks the reverie and soon everyone is applauding in awe and surprise. There are even a few cheers.

You watch as he smiles and bows bashfully before walking down the stage, leaving his five minutes of fame behind. His cheeks glow under the warm light of the cafe; he looks absolutely ethereal.

“What do you think?” He asks as he slides into his seat. You can almost feel the passion flowing from him in waves.

You stare at him, starstruck. How could you possibly tell him that you never want him to stop singing, that you actually would like to be serenaded by him, that you want to wake up and fall asleep to the sound of his voice every single day?

So you settle for, “N-Not bad.” Yes, you stuttered. You hope your cheeks won’t betray you.

Donghyuck smirks. “Really? Your face tells me something else.”

Instinctively, you place a hand on your cheek—it’s burning. You take a large gulp of coffee to hide the flames in your cheeks; Donghyuck’s smirk only grows wider.

Avoiding his gaze, you ask, “Anyway, what song was that? I’ve never heard it before.”

He rubs the back of his neck with his palm. “Actually, I wrote it.”

“You what?”

“I wrote it. Want me to announce it to everyone?”

You can’t believe it. Not only does this boy before you have the voice of an angel, he’s a lyrical genius too? The world is simply not fair.

“Wow.” You lean back in your chair, all attempts at unfazed composure gone. “That’s actually crazy. You’re actually crazy.”

You look back at Donghyuck, expecting him to look smug, but instead his lips are pursed and his gaze is downcast.

“What’s wrong? Upset that your identity as a secret genius has been exposed?”

“No, it’s just… I wrote this song for Sohui. I thought she would love it, especially since she’s always been super supportive about my singing and songwriting. But… she doesn’t like it.”

“Why?”

“I don’t know. She said I should have bigger dreams now. Apparently, I can’t get anywhere with this.”

You keep silent, wondering how she could possibly say that to him. Heck, if a boy wrote you a song and serenaded you with it you’d probably get down on one knee and profess your undying love to him.

“Maybe… maybe she’s right. My parents say that all the time too. I shouldn’t be singing anymore. It’s time to grow up. You can’t make money out of dreams.”

He looks so crestfallen, the incandescent shine that had previously graced him completely vanished. That shine of passion was what set him ablaze and made him look so euphoric, and now it’s gone, like a candle snuffed out by the darkness.

You want to get it back for him. You want to see that look of pure bliss spread across his face. You want to see him shining bright and luminous again.

“So, what? You’re just going to stop singing then?” You ask, folding your arms across your chest, “I thought you were more determined than that. Once you’d set your mind on something, you wouldn’t let it go. That’s how you nursed that burning hatred you had for me, right?”

He has the good grace to blush.

You lean across the table and look him straight in the eye. “And I thought you could care less what others thought; that’s why we’re doing all this. That’s why we’re going against our parents’ will and fighting this bloody engagement. The Lee Donghyuck I know won’t go down without a fight, especially if it’s something he clearly loves so much.”

One final push. “But I could be wrong. I mean, I don’t really know you.”

Donghyuck’s head snaps upward and he stares right at you; you can see the fire in his eyes. Whether it's rage or passion, it doesn’t matter. You managed to rile him up. That was all you wanted. That’s the only way to keep his flame burning.

—

The drive home is filled with a pregnant silence. You wonder if you took it too far; after all, you and Donghyuck aren’t exactly the chummiest of friends. Maybe you overstepped the boundary a little.

But all you know is that you won’t stand by and let him give up such a blessing, something that clearly gives him so much joy. You won’t let him become an empty shell.

You of all people know how that feels.

When you reach home, you unbuckle your seatbelt and say goodbye. “Thanks for today, Donghyuck. You can choose the next date.”

You’re about to reach for the door and get out, but Donghyuck stops you with a hand on your wrist.

“Y/N,” he says, and you look at him, acutely aware of the sensation of his fingers clasped around your wrist. His gaze burns into yours in a way that makes your heart jolt and your brain question everything you ever thought you’d felt about him.

You wonder whether, in an alternate universe, things could have been different between you two.

“Thank you,” he finally says, gaze softening, the faintest hint of a smile etched on his lips.

Perhaps you melted a little.

#lee donghyuck #lee donghyuck imagines #lee donghyuck scenarios #lee donghyuck fluff #lee donghyuck angst #nct dream #nct dream fanfiction #nct dream angst #nct dream fluff #haechan scenarios #nct haechan #haechan nct #haechan fluff #haechan fanfic #haechan fanfiction #nct scenarios #nct fanfic #nct fanfiction #nct imagines

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alirhi · 3 years

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If I'd written Loki pt 3

(Missed one? Episode 1 Episode 2)

Still can't sleep. I started to doze off a little, but then my fucking brain latched onto this and wouldn't let go lol so...here.

Episode 3 would be where Loki finds the file on the destruction of Asgard. Mobius has been trying to keep it from him, afraid it might be too much for him to handle so soon. He looks across the table and sees Loki frozen in horror, and he knows, because they're researching apocalypses, exactly what he's seeing. Damn.

"Did you know about this?" Loki demands, hiding his shock and grief behind anger. Mobius admits of course I did as he tries to snatch the paper away. You weren't ready, Loki. It was too much- "And what makes you think that was ever for you to decide?!"

There's a moment of charged silence between them, Loki angry and reeling, and Mobius truly frightened of him for the first time. Since getting to know Loki - really getting to know him, not just as a file on his desk but the man himself - he's come to like and respect him more and more, and in the process, privately question the sacred timeline. That's why he keeps advocating for the minimal freedom he can get for Loki, why he told him part of his destiny, why he now isn't sure what to do or say.

"What happened?" Loki quietly demands. He could just read the rest of the file, but he can't quite stomach seeing it laid bare so callously in black and white.

Ragnarok, Mobius tells him softly. You unleash Surtur- "I did this?!" Loki is baffled, horrified, unable to grasp the concept of allowing the only home he'd ever known to be obliterated. To stave off something much, much worse, Mobius murmurs.

Loki shakes his head. "What could be worse than the destruction of an entire planet?" Still unsure how to proceed, Mobius gets snarky and reminds him, Didn't you already try to do that once, like a year ago? Loki is less than impressed lol. He's also privately freaking out. For all his mixed feelings about the place and its people, he just can't wrap his mind around destroying Asgard.

"That's where she is," he decides, lurching up from his seat. Mobius doesn't buy it, tries to stop him. You're not thinking rationally. She's never gone there- "That you know of. You had no idea where she'd ever been until I figured it out." She's a Loki! Wouldn't she have the same feelings you're having right now? Try to stop Ragnarok? "Who says I'm trying to stop it? I thought we were stopping her."

Loki, listen to me! He reaches for Loki's arm, but he's let his guard down; Loki steals his Tempad and sends them both to Asgard. Mobius is partly right, of course; Sylvie has never come back to this place before. She couldn't handle the flood of mixed emotions seeing Asgard again would cause. But Loki, even at the mercy of a lot of those same emotions, is also right. He knows what Mobius doesn't yet realize: Desperation drives Lokis home. Sylvie's plans have been disrupted; she's come here, to her last resort, the place she'd vowed never to set foot in again, to regroup. They don't find her right away, though.

First, they run into someone Loki has known since childhood.

"Loki!" she cries out, shocked to see him just standing there beside a complete stranger. They fly together like magnets, collapsing into each other's arms. "What are you doing here? We have to run; Asgard is being evacuated."

"Sigyn." He squeezes her with all his might, this woman who has meant everything to him, ever since they were small. In his arrogance, he's never told her how he felt. He won't now, either. There's too much going on, too much at stake. He holds her tight, not saying a word, while Mobius watches with a sort of awkward, nervous amusement. Oh. So THAT'S Sigyn! Loki flips him off behind Sigyn's back; a bit uncouth, sure, but any other retort would just be more effort than he feels like putting in right now. (oh wait. Disney. okay, so he doesn't flip him off, just glares I guess XD)

'Loki, we must go!"

"Then go," he murmurs, kissing her cheek and reluctantly releasing her. "I'll find you later." She won't make it to the bridge, Mobius warns as she's walking away. He doesn't know why he's telling him this; warning him of his own fate when he's already derailed it is one thing, but willfully causing a branch in the sacred timeline? What's wrong with him?! But he's already said it, and the stricken look on Loki's face says he heard him loud and clear. Loki grabs Sigyn's arm before she can get too far, and gives Mobius a look daring him to stop him. Mobius only shrugs helplessly and follows them both toward the palace.

"How old was she?" What? Loki rolls his eyes. "How far into her timeline did you abduct her?" Mobius hadn't thought of it that way, but he admits, she was a little girl. At Loki's impatient look, he shrugs. Seven? Eight, maybe? Maybe younger, I don't know.

"That's close enough. I know where to look." So wait... we're really here to find the other variant? Mobius laughs. I thought you were just cracking up! "I don't love the idea of this place disappearing forever," Loki admits in an irritated growl, "but I never do anything without a purpose. You ought to know that."

Sigyn's confused, but she lets this debate play out without a word. She knows Loki well enough to know something's going on, and even if she asks her questions now, she won't get any answers. So she waits. And is even more confused when they find Sylvie, and she recognizes Loki's female form. "What?"

Loki smirks. "Eerie, isn't it?" Before approaching Sylvie, he growls in Mobius' ear, "if anything happens to her, you will suffer more horribly than you can possibly imagine." You ever gonna tell her you're in love with her? Mobius taunts, grinning. Loki challenges, "Will I have the chance?" He doesn't let Mobius answer. He approaches Sylvie cautiously, like she's a cornered animal. The VARIANT jacket he'd forgotten he was wearing until then disappears. He's just Loki again, no visible ties to the TVA. Unfortunately, with Mobius right behind him, he's never going to get Sylvie to trust him. They fight, Loki consistently getting the upper hand because he knows more magic than Sylvie does, and she can't reach anyone to enchant them.

Then the earth beneath their feet shakes. Ragnarok has begun. Sylvie tries to steal Mobius' Tempad from Loki. He turns and races to Sigyn's side, Sylvie on his heels. Knowing they can't stay there, this is where he opens up a portal to a random apocalypse, and he, Sylvie, Sigyn, and Mobius all end up on Lamentis.

They still try the train thing, with Loki conjuring fancy clothes and tickets for everyone (and cuffs on Sylvie, hidden beneath one of those furry hand warmer things). Loki and Sigyn, both reeling from what they've each been through, play some kind of Asgardian drinking game, and Loki sings that beautiful song. He's serenading Sigyn, though, not Sylvie. Meanwhile Sylvie and Mobius stay at the table and talk. They both know better than to reveal any groundbreaking secrets; they just chat. Mobius is fascinated by a female Loki, until he looks over at the other two and sees what appears to be another Sylvie. Sylvie rolls her eyes and causally tells him that Lokis are shapeshifters, and aren't limited to one gender. Drunk and giggling, Loki turns back into himself and kisses Sigyn. Sigyn slaps him (she loves him and always has, but if he's ever going to make a move, she's not tolerating a sloppy, drunken one. Sigyn has self respect, yo! XD).

They don't get thrown off the train. They make it to the port, where Loki looks out over the city and makes the same realization he did originally: "My god. They're going to let all these people die." He won't stand for it. He's done watching worlds burn. After all he's seen and been through, all he's done and been forced to do, he's done. While Sylvie urges him to forget it and find the power source, and Mobius tries to get back to towing the company line and tells him not to screw up the apocalypse, Loki takes one look at Sigyn, his love, his childhood friend, the only person in his entire life who loved him and gave zero fucks about Thor, his moral compass... And she just nods. The two of them race down into the fray. Sigyn rounds people up, herding them away from the worst of the danger the best she can, while Loki focuses on the destruction around them. The episode ends when he stops that falling building and pushes it back upright.

Episode 4

#loki #loki series #loki negativity #fixing bad writing #if i wrote the series #episode 3

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endexe · 3 years

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Whew, okay, uh, ya star child, Mori, here whipped out a fucking long ass essay just regarding to the things I realized while writing Zero and how much Zero means to me, especially on the personal level. Some heavy areas are to be touched as warned ahead in the sixth paragraph, but I promise I’m okay! I simply have a lot of thoughts and emotions whirling around in me that I need to place somewhere! But to summarize: Thank you all so, so, so much for loving Zero Orez, my one and only bestest foolish glitch child, and for giving me the safe and gentle space where I can be at my most joy and comfort having him here. <3

So the concept of Zero was created this month on April’s Fool, which is the second most ironic thing to happen with him ( the first is honestly the fact that within the same month, Zero have interacted with five muses who share the same faceclaim as him, like lmfao poor Zero, he’s just not having it --- shoutout to Mercy ( maskeraide ), River ( wxrldkiller ), Oli ( teletropic ), Vi ( heartbetween ), and Grace ( evermxre ) for having me so delighted and entertained by this concept, it makes my experiences writing with Zero so much more fun ). I created him for this episodic novel series Let There Be with Noble and Grim, the angel and demon respectively, who are private investigators. I had the concept of how there would be eldritch monsters trying to take over Earth by using the elements of the horror genre, which created mundane appearing but still supernatural linked cases that Noble and Grim had to solve when no other ordinary humans could, and the monsters were linked to their respective tarot card. Zero was considered to be the Fool.

I was excited to make Zero be a side character of the novel, the foolish and childish character who would constantly help and betray both sides of the series, one side being Noble and Grim, and another the Arcane. But I didn’t know what more to expect from him. I was reading the tag within the post I made in Noble’s and Grim’s blog that was the NPC introduction of Zero. It’s so funny that I said I didn’t know if I’d end up writing him on here because I thought Noble and Grim, my impossible lights, would end up taking all of the muse from him. BUT IN THE END... They were the ones who I set up the indefinite hiatus note few days ago while Zero’s still thriving, and I find that so bizarre because I thought Noble and Grim were the ONES who I’d always have the muse for. You know how you’d have that thing where you’d expect something to happen with your muse, but they would do the exact opposite as you least expected? Zero’s like that ALWAYS, but the fact he pulled the UNO reverse card on my impossible lights? Truly wild and now here I am, writing him for almost a month!

And... creating him, writing him is the BEST choice I had ever made in my entire life. Yes, Noble and Grim had helped me a lot, especially I do face a lot of struggles when it comes to the matters of hope and despair, what Noble and Grim embody of respectively but Zero eventually become so many things to me. The vent character, the comfort character, the character who I can channel my childish and curious energy into when I was rarely given the chance to let them out in the real world when I was younger, the character who is a learner but as slow and easily frustrated as me and a lover of life like me despite everything / anything. I realize also that I have so much fun and easier times writing him than I had with Noble and Grim, I won’t lie about this. Noble’s and Grim’s aesthetic and energy seem to attract more of an urge to write a bit more purple prosey with a hint of seriousness to it, and... it was so time and energy consuming to write them with these expectations I had on myself. And for some reason, I sometimes had trouble plotting with them, maybe because, again, I felt like they had to be these serious characters having to be put in serious situations. Few of the things I love about Zero is he have bare limits to his character as he can be anything and anyone I want him to be. He has about everything that I can use to develop and have fun with. I love how ultimately, Zero is ever unbound to labels and he is ever changing.

I’m just amazed realizing how many writings and developments I have done with Zero within a month than I had with those two, but that’s because with Zero? He is truly... all over the place. He is so messy, chaotic, flawed, but also, he is loud and open and FREE. Having to get into his energy makes me feel my most self where I can be too loud and loving, and not care too much about how I write and format my posts, unlike with Noble and Grim. He makes me so so SO happy and comfortable, and there is a lot of times I’d think about him and sometimes with my friends’ muses, and it’s a lot more than I had thought of Noble and Grim. The love I have for Zero is endless and beyond, always. He reminds me that original characters are so fucking important when they can be anything and anyone you want them to be, and as long as it’s nothing of harm to others and yourself, whoever and whatever they are, they are more than good enough when they provide you so much joy and comfort.

[ trigger warning: mentions of ( child ) abuse and traumas ] Zero have... about about everything I’ve ever loved in general from my interests to tropes ( adorkable, the fool, fourth wall breaking, etcetera ) to my love of aesthetics ( such as glitchcore / cybercore / kidcore / weirdcore ), and so many more. As well as he have learning disability, hypersexuality, tendency to be so distracted and forgettable like me. Along with he does these things that I do as stimming like he’d just rock or always love to touch blankets that have very soft materials. As well as he have experienced so many traumas that resulted him having so much trouble remembering and wanting to be childish as hating to be responsible, which is what I have. I don’t remember anything of my childhood or honestly, majority of my life but traumas. I don’t remember much of what I did yesterday. I don’t even remember if I had breakfast yesterday or what I ate if I did because I had been through so much mainly involving abuse from my own mother, still do unfortunately as I live with her, that makes my brain shut down, which also makes me have so much trouble being in deep thoughts when my brain is just. Numb. When I’m going to be more real here, despite how I appear online here, I do have trouble experiencing and expressing much emotions because, again, of the traumas I have dealt with for so long.

From all of these things I had gone through in life, I have dealt a lot with these concepts of who I am, what I am, like Zero does, and having him, I eventually realize how extremely important he is to me, so much more than any characters I ever created. He is my biggest coping mechanism and my gentlest reminder that it’s never too late to be... free. Just enjoy everything that I’m so fortunate to get from life. Draw clumsily, listen to music loudly, love too much and just let my heart be louder than the thunderstorms and crashing sea waves combined. Just be free and happy, despite everything, anything. I said before with Noble and Grim that I hadn’t been this happy before writing them, but I was so wrong. With Zero, I am so much more happier than I could ever be, and there are so many people on here who I am beyond lucky and grateful to be friends with who let me have him with no judgement like over how ridiculously overpowered he is or how much I self projected myself into him. And all of the connections Zero made on here so far are very touching and wonderful. I didn’t know what to really expect when I decided to give Zero his own blog, but having him for a month, this decision brought me so many beautiful things that I will always cherish.

I also wanna give a quick shoutout to River for. Fuck, everything. They’re truly the biggest reason why I decided to keep writing Zero and even make me love him more. They had made me talk about so many things with Zero I probably would’ve never thought, or wouldn’t have thought about so soon. I always extremely enjoy everything River and I would go over about together, and... literally, River, if you see this, know that you’re truly a wonder to have. I am so beyond thankful to have you as, honestly, already my close friend. Thank you so much for giving me that extra push to keep Zero and one of the most meaningful reasons why Zero still exist today, and for being just an amazing friend.

Just thank you all so much, to those we had known each other from the other blog and those we just became mutuals, for giving me and Zero a chance to be a bit more free and happier at least when our life won’t let us have that so often. Just thank you, thank you, thank you.

#* ❪⠀ 📺⠀❫ : 𝚎𝚙𝚜1.2:outofcharacter.𝚝𝚊𝚐 //#( I'm not expecting anyone to read it I just. again I had so many thoughts and feelings on this that I had no where to put but here )#( but again and again thank you everyone for this <3 )

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a-crimson-lion · 4 years

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A Look At Bakudeku’s Development (Based On That One Instagram Post): A Photo-Narrative Analysis

Word Count: 4,287 (Yikes…)

[This got long. Like, REALLY long. Don't expect too many colors. There's a lot to get through...]

For those out of the loop, I recently came across this Instagram post during unhealthy hours in the morning. The purpose of this post, I’d assume, was to debunk any negativity aimed at the Bakudeku dynamic/ship, claiming it was indeed not abusive and that the antis in question are ignoring canon in favor of playing Bakugo’s suicide instigation on repeat. Before addressing the post in question, I would like to state two things:

I am not stuck on Chapter/Episode 1 in the series. I have been caught up proper with every story arc up to the JT Training Arc and am roughly familiar with everything past that point. I don’t just take Katsuki’s now essentially forgotten suicide instigation into account; I’m taking every part of his actions well beyond that moment and how they reflect on him, internally justified or otherwise.

While I’m among the people who believe that Bakudeku as of the latest incarnation of the manga (up to Ch. 280) is indeed abusive, I am open to discussions on why it is not. In any case, however, I cannot ignore the fact that the dynamic/ship is incredibly problematic besides the skeletons in both Izuku and Katsuki’s closets.

So, in order to address this issue to the best of my half-awake brain’s abilities, I will review the screenshots within said post and break down how they factor into the Bakudeku dynamic and the overall development. Be aware that there are some manga and movie spoilers, and this is just MY OPINION. I could be wrong, and I’m okay with that. If you wanna talk without patronizing me, the comments are open. I also apologize in advance if I myself come of as patronizing. All the screenshots I’ll be discussing can be found in the video link above (or here).

Well then, no point in beating around the bush...

1) Izuku Taking Katsuki Out Of The Final Exam Gate (Anime Screenshot)

The first piece of “evidence” used to show the merit of Bakudeku comes from the Final Exam arc, shortly after Katsuki succumbs to All Might’s assault, only for Izuku to come in and deck the #1 Hero in order to grab Katsuki and carry him to safety, allowing them both to pass.

However, this photo marks a recurring trend throughout some of the other photos: they speak more about IZUKU as a character than Izuku AND Katsuki.

Izuku getting to save Katsuki is a major development… for Izuku. One that we’ve seen before. Think about it. The first time Izuku saves Katsuki towards the beginning of the exam, he has to punch Katsuki in the face because he was considering throwing the match just for working with Izuku. And after he’s been saved, Katsuki blows up (figuratively and literally) before aggressively kabedoning him. In this scene though? Katsuki got knocked the f*** out, so he really has no room to protest if Izuku comes in to save him a second time.

Plus, this isn’t really anything NEW with Izuku. We know that he’s aware in an abstract sense that what Katsuki did to him was “wrong,” but he doesn’t hold a grudge or any animosity to him towards that. He’s one of Katsuki’s biggest defenders and supporters, assuming Katsuki allows it. So really, him saving Katsuki isn’t really surprising or a major step forward, ‘cause he was always willing to do it from the get go. And again, Katsuki isn’t conscious during his second rescue, so we don’t really know if he would have let Izuku save him again or if he would have protested.

There’s nothing new here, and nothing balanced to the overall dynamic. Just Izuku being Izuku.

2) All Might Acknowledges The New Bakudeku Rivalry (Anime Screenshot)

Deku vs Kacchan 2 was a big moment for the Bakudeku dynamic. I’m not saying it’s a positive moment, nor am I saying it was necessary, but it was big. And in the aftermath of that fight, where Izuku and Katsuki are having a back and forth, All Might thinks to himself that the two have become true rivals now, or something along those lines. And it’s nice that he’s willing to spell this out for the audience and all, but uh…

Stop me if you’ve heard this one before: show, don’t tell.

All Might is essentially telling us that Izuku and Katsuki are rivals now. What does the story have to show for it? A brief conversation during their house arrest, followed by a massive stall due to the Shie Hassaikai Arc and Cultural Festival Arc (albeit with one more instance we’ll cover later), and then what essentially equates to Katsuki yelling at Izuku a lot during the Joint Training Arc.

...that’s ...not much.

And yeah, you could expect me to be a good bean to the author and wait until the later arcs, but even then, the execution… just falls kinda flat, at least for me. Going back to that particular moment with All Might’s thought process, it kind of reminds me of Eraserhead essentially acting as a mouthpiece for the Ochako vs Katsuki fight during the Sports Festival, but that’s a can of worms I won’t be indulging today.

What I’m getting at is this: All Might letting the audience know that Bakudeku have reached rival status is great! Now if only the series could deliver more on that...

3) Standing With Two One For Alls (Heroes Rising)

Okay, seriously, if you haven’t seen Heroes Rising yet, I implore you, GO. WATCH IT. It is an incredible film and I would recommend it with warm words. And I’ll admit, it gives us a better incarnation of Bakudeku compared to the rest of the series.

Yes, I said “better,” not “great.”

Look, I’m all for Izuku and Katsuki working past their differences and the clusterf*** that was their childhood, and maybe Horikoshi not being as integrally involved with the film’s writing as people think he is has something to do with it, but uh… you do not say “put myself as low as to working with Deku” or something like that and expect to be casually tossed aside, at least if you’re me. And while I’m glad there was some genuine emotional tension as Izuku gave Katsuki OFA, some part about it feels… off. Like, nothing was really truly resolved. Katsuki wasn’t given OFA as a sign of forgiveness, as an acknowledgement. Katsuki was given OFA because there was an AFO level villain about to wreck the place and kill some peeps and oh look, the narrative made it so that Katsuki was the only convenient holder around! It kinda stings when you look at it that way.

Not that it matters, because a big thing most people forget is that at the end of this movie, THE ENTIRE THING IS ESSENTIALLY SWIPED ACROSS THE DESK AND ON THE FLOOR. Even if it was going to have some level of effort towards the development of the dynamic, that effort is essentially GONE because Katsuki doesn’t remember SQUAT, and what happens to OFA after the fight is NEVER DISCUSSED. It’s just a hard reset, BOOM, back to normal. *Sigh*

Really, the whole double OFA thing was for convenience, less so for any emotional leveling up that could have been done. And even then, Izuku is still somehow the one putting more emotional input into the entire thing than Katsuki.

4) “I Thought You Were Gonna Get Ahead Of Me!” (Anime Screenshot)

Katsuki’s methods of motivation are… admittedly not for everyone. They seem to work fine for Izuku, as seen sometime after the Cultural Festival Arc, but again, that’s just Izuku. We know how he takes Katsuki’s words and turns it into motivation, but why does Katsuki bother at all?

Well, maybe this comes with desperately trying to find reasons to like a character but progressively despising him and his narrative placement more and more as time progresses, but here’s my angle on it: Katsuki just doesn’t want Izuku dragging his weight for nothing.

Keep in mind, we’re talking about the same Katsuki who held a grudge against Shoto for holding back during the Sports Festival. The same Katsuki who wanted the #1 Hero to go all out and would continuously press to fight him. The same Katsuki who wanted to fight a deadly villain even after being instructed to get back to camp for his own safety. The same Katsuki who challenged Izuku to a fight to finally determine where the gap was, and who was frustrated when he won because the power Izuku possessed was All Might’s, so clearly he shouldn’t have lost.

In short, Katsuki doesn’t like it when people don’t give it their all. And I believe it’s been stated once or twice that once Izuku makes One For All his own, there’s a good chance they’re gonna fight again. So it’s in Katsuki’s best interest to make sure Izuku isn’t half-assing anything, because he wants to prove he can beat Izuku at his best, thus proving that KATSUKI is the best.

So it’s less so for Izuku’s benefit as it is for Katsuki’s own.

5) One Giant Leap (Heroes Rising)

Arguably one of the best moments of the entire Heroes Rising film amongst the fandom is the big handhold scene between Katsuki and Izuku as they make a last gambit effort to take down Nine with two One for Alls. Admittedly this is one of the best if not the best moment throughout the entire progression of the Bakudeku dynamic thus far. I’ll give it that much.

...which makes it all the more frustrating because again: MIND. WIPE. The audience knows it happened, but in canon we never know if Izuku discusses it with Katsuki or if anyone else was aware of the moment in greater specificity. IT ESSENTIALLY NEVER HAPPENED, and I’m starting to legitimately wonder whether or not it was for the best...

6) Datte Atashi No Hero (Anime Screenshot)

First off: how? Second off: huh?

Believe me, the second ending of Season 3 is an absolute bop, don’t get me wrong, but uh… again, it provides NOTHING balanced for Bakudeku, once again relying on Izuku’s perspective on the entire matter. I once read an interesting meta about this ending and how it could be interpreted (take this with a grain of salt), but the biggest contender is that this is in fact Izuku’s fantasy. Think about it:

Izuku is a humble traveling warrior, with nothing to distinguish himself in his own opinion.

Ochako is a magician because she’s alien to Izuku, an unheard of phenomenon.

Tenya being a knight, Shoto being a prince, and Momo being a warrior princess all correlates to their high standings in society, heroic or otherwise.

The reason Katsuki is a barbarian king is because he’s familiar to Izuku in an ancient sense; he’s known him for a long time. The list goes on, but you get the jist.

With this in mind, it’s not difficult to understand that even Katsuki willing to work with Izuku would be another aspect of Izuku’s fantasy: to be able to stand beside his childhood friend once more. And remember the ending of that scene, when Izuku does that big sword slash? That’s him having fully mastered OFA. Both are things that could happen given the manga’s recent direction, but still have yet to happen because this is, again, a fantasy.

And apparently Datte Atatshi No Hero is a reflection on Izuku’s feelings towards Katsuki. Take that as you will, but again, this does not speak for Bakudeku as a whole. Just Izuku’s feelings on the matter.

7) Win to Save, Save to Win (Manga Screenshot)

Since I’ve already penned myself into a short story at this point, might as well take the time to look at this famous phrase from the story.

Personally, I consider it bulls***. It harms both characters overall; yes, I said both. It excuses Katsuki’s need to be a blunt powerhouse that only targets villains, and it redundantly demands Izuku do more of what he was already doing, albeit with less sympathy. I know it sounds corny to say saving is more important than winning, but in the heat of the moment, what gets to the civilians in danger more often? Seeing a guy in a cape deck the latest disaster right in front of them or from a distance? Or said cape guy risking life and limb making sure that this person gets to see life another day?

There’s no perfect answer to it, but that’s my stance.

And this quote, “Win to save, save to win,” justifies the one thing that keeps Katsuki from truly outgrowing his past: his need to be the best. If winning is on the same level then saving, and Izuku has an innate capacity to save, then that means it’s okay for Katsuki to have to win all the time, right?

No. It’s not. And that’s not speaking for all the “Gary Stu” crap, either.

Because being pressured into being the best is what caused Katsuki to hate any kindness offered to him by Izuku. The desire to be the best had him bully Izuku for a decade to ensure that Izuku remained the loser and Katsuki remained the winner. That desire characterizes arguably the worst aspects of Katsuki’s character, and those aspects aren’t gonna fly in the Pro Hero world. Because if Nana Shimura, Shota Aizawa, the Pussycats, Mirio, Sir Nighteye, and a handful of other incidents have taught us anything, it’s that even at their best efforts, heroes don’t win all the time.

Katsuki needs to learn this, or it will crush him in the long term. But he hasn’t. The narrative has kept letting him rack up wins, and his current actions in the manga were spurred on by the fact that he still has yet to truly take a loss.

Say what you will, but I don’t like this line. For what it says about Izuku or Katsuki.

8) The Only One Who Can Accept His Feelings… (Anime Screenshot)

Me @ #7: Wanna see me go off?

Me @ #8: Wanna see me do it again?

Izuku’s perspective on the entire Bakudeku situation is a major reason why most fans condone it. “Izuku doesn’t appear obviously bothered by Katsuki, so that clearly means it’s not abusive/problematic, so just shut up!” or something like that. Well, I’m no psychologist, so I won’t go into a spiel about people ignoring their pain for the sake of others or people trying to excuse others in order to place fault on themselves whether or not it be accurate.

Really, all I can say is that NONE OF THIS should be Izuku’s responsibility.

I’m not blaming this on Izuku because he hasn’t had actual friends or a healthy support system in a long while, but the fact that he decides to take on and enable Katsuki in his element just… doesn’t sit well with me. The logical conclusion would be talking, not throwing hands. I don’t care if they’re “distressed teenagers,” neither of them should be doing this, and Katsuki was fully aware that the teachers would stop them in the first place; that’s not simply adults meddling in what isn’t their business. Katsuki should have really figured out by now that maybe the best course of action is to actually vent to someone without blowing their face off, and I get that he’s absolute s*** at feelings, but really, that’s more of a red flag that he needs to actually get help. And if you think a little too hard on Izuku’s feelings of the matter, well…

Imagine being ostracized for so long that you lose all sense of self worth.

Imagine being told time and again that your worthless, which checks out for you because clearly if your worthless, the guy that enabled that mindset is obviously better than you, and he’s entitled to use you for his own ends.

That’s what I get from this scene.

And again, this is all from IZUKU at this point; virtually NOTHING from Katsuki.

9) Double Detroit Smash (Heroes Rising)

I’ve already said my piece about the film. At this point, it’s beating a dead horse with a stick. Moving on.

10) Word of God (Miscellaneous)

Here’s the thing about Word of God in fandom: the general consensus is that it’s nice to get confirmation from a credible source, but unless it is portrayed in canon, it’s just more words which may or may not be true.

In this case, Kohei Horikoshi, the mangaka for BNHA, is saying that eventually, Katsuki will have to apologize to Izuku. Eventually.

As in, it still hasn’t happened yet.

As in, Katsuki still has yet to decide that what he did in the past was wrong and he should try to fix it.

As in, it currently shows no bearing towards Katsuki’s current character nor the overall Bakudeku dynamic.

Sure, it MIGHT happen, but in another interview (or mayhaps it’s the same one), Horikoshi stated that Katsuki originally wasn’t intended to get as much screen time as he did. Both of these situations are different of course, but with the recent turbulence of the War Arc shaking up the manga, is it really so hard to believe that an apology might slip away from Katsuki’s thought process?

On the bright side, an apology could happen. But until it’s canon, then it’s only a possibility, and therefore can’t be used fully for the intended argument.

11) X-Catapult Handhold (Heroes Rising)

I bet some people working on the movie and some fans on the movie felt spoiled when they included not one, but two handholding scenes for Izuku and Katsuki.

And while the first handhold is certainly a marvel of battle tactics, again, there isn’t much else going on with it. Is it nice to see Katsuki working with Izuku again? Yes, but contrary to popular belief, it doesn’t go past that. Katsuki’s just willing to work with Izuku, full stop. He’d probably be willing to work with anyone because Nine is f***ing tank. And sure, getting a handhold tease is nice, but it’s only to facilitate Katsuki’s subsequent yeeting of Izuku at Nine in an attempt to do damage. Nothing more pressing about the circumstances of their past or anything like that.

12) A Bit of Advice (Anime Screenshot)

Look, this is one of the tamer, better looks at Izuku and Katsuki’s relationship. He’s willing to put his pride aside and give Izuku some advice. But remember what I said earlier in #4?

It’s not just to make sure Izuku gets better, but so Katsuki can feel like it’s a complete win when he beats his ass.

And if we take the line “It pisses me off” into account, we can look at that flaw from the same angle. Remember, Izuku has All Might’s power, the #1 Hero’s power. To Katsuki, that means he shouldn’t have the luxury of making mistakes. But Izuku does. He makes mistakes, and Katsuki sees them and he doesn’t get to exploit them. He still wins, but not because of those mistakes. And part of that pisses Katsuki off. Izuku shouldn’t get to slack. So, Katsuki gives him some advice. Advice that will no doubt help Izuku in the long run, for his (and Katuki’s) sakes. It’s a good outcome from a not very good reason...

13) Have You Made That Borrowed Power Your Own? (Manga Screenshot)

Yeah, no.

I don’t care if Izuku is used to this treatment, it still isn’t reinforcing an overall positive tone.

I don’t care if Katsuki acknowledges at some level that Izuku’s power is becoming his own, he still has the gall to say it was no wonder he passed BECAUSE of his power. Which may be true, but it’s not like Izuku was relying on it 100%, and lowkey comes off as Quirkist.

All it tells me is that Katsuki is starting to acknowledge Izuku, in the “gadfly I can’t get off my back” sort of way. Is this the “best development” y’all are rooting for? Basic acknowledgement of another human being?

14) Outta My Way Punk! (Manga Screenshot)

Katsuki reflexively tells Izuku to get out of his way.

Izuku is used to it, again, that does not excuse it.

Once again, Katsuki reverts back to his usual behavior instead of showing a more subtle approach to show the audience that maybe he’s changing beyond what a chorus of other characters saying “he’s changed!” has to offer.

...even if it’s not abusive, you can’t really say that’s a “good” relationship, either.

15) Blackwhip Training (Manga Screenshot)

Katsuki willing to train with Izuku to help him master his Quirk(s) is nice.

Still blatantly in his element with lots of needless yelling and dominance assertion, but still nice.

And keep in mind, right after it’s clear they aren’t getting anywhere and Izuku tries to rationalize it, Katsuki decides to dip seeing as it’s not worth his time anymore. And even before that, at least in my translation, Katsuki seems to be more interested in beating out Blackwhip instead of having Izuku get a handle on.

Again, maybe not abusive, but not exactly supportive, either.

16) ??? (Anime Screenshot)

I personally have no idea what they were going for with this screenshot, but if I had to guess, that’s after Katsuki gives Izuku an escape window whilst he faces off against All Might alone during their Final Exams.

While I understand that this is early on in their dynamic’s development, the fact still stands that Katsuki still wants to fight for fighting’s sake. He may have been willing to at least give Izuku a chance, but he still sees Izuku’s retreat as cowardly, even though it’s a perfectly valid way to pass the exam. He still just wants to fight.

There’s no mutuality in that sense.

17) Quote from Justin Briner (Miscellaneous)

I don’t have much of an opinion for Izuku’s English VA, but for what it’s worth, I think overall he’s a really cool dude. The same, however, cannot be said for his quote.

I can buy into Izuku wanting to get stronger because of Katsuki, since that is a major plot point. I can’t do the same for Katsuki seeing the good in people because we don’t ever see it, really? In fact, it’s more like people latch on to Katsuki and he just tolerates them until they’ve completely wormed their way into his life. There’s no scene where Katsuki considers someone a good person because of something Izuku did, or anything even vaguely along those lines, at least to my knowledge.

As for their relationship, there have been more downs than ups, and it isn’t relatable to me in the slightest. Maybe that’s just ‘cause I don’t get the overall appeal, but their friendship never really strikes me as a… well, friendship. You could argue that’s the point and that’s what makes them different and interesting, but I would much rather we see more concrete proof of their relationship being at more understandable highs and lows while actually demonstrating it was mutual.

But again. That’s just me.

18) Joint Training Pep Talk (Manga Screenshot)

I’m basically repeating myself at this point. Katsuki might be keeping tabs on Izuku, but again, it’s not entirely for Izuku’s benefit. He just wants to make sure his new “rival” (successor to the #1 Hero, I might add) isn’t dragging his feet through the mud and actually getting s*** done so their eventual third clash will actually be worth his time.

...this relationship is so one-sided in two entirely different ways, I swear.

19) Speaking With Kacchan So Naturally (Manga Screenshot)

Why are we congratulating Katsuki for adding one more person to his already (surprisingly) sizable tolerance pile?

Why are we congratulating Izuku for bridging a gap other people managed to cross with little to no effort even though he didn’t do anything wrong?

Izuku is essentially saying “Good job on me for finally getting the same treatment as everyone else from that one person after over ten years.” Good on him, but uh… that’s not exactly a landmark worth framing the way the fandom does...

The relationship might not be outright abusive, but HOO BOY the bar has never been set lower...

20) “You’ve got a good friend in him” (Manga Screenshot)

And finally, the pièce de résistance. Which is really more narrative mouthpiece-ing.

Even before that, Katsuki yet again can’t take a compliment from Izuku for whatever reason. Yet again, Izuku just shrugs off all of Katsuki’s discouragement, intentional or otherwise. And I love me some Dadmight as much as the next guy, but really, does he have a good grasp on relationships? His only friends in his life were David and Naomasa, and he’s been shown time and time again to not be the infallible man many think he is due to being the Symbol of Peace? But suddenly he goes “Bakudeku rights” and y’all jump on that with no room for argument?

Katsuki has yet to prove what All Might has been saying. Again, telling rather than showing, therefore removing the meaning from the entire thing. Unless Katsuki proves otherwise, I call bulls***.

-------------------------------------------------------

So, my final verdict? Bakudeku is fine. It’s just not as great as the rest of you are making it out to be. I’m not gonna dictate whatever you ship or what you enjoy, that’s not my place, but at least keep these perspectives in mind. You don’t have to believe them, but just… stay aware, y’know?

Alrighty, I’ve wasted enough of your time. If you’ve read it until the very end, then… thanks. Carry on.

-Crimson Lion (10 August 2020)

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cullxtheherd · 3 years

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oh my god I haven't thought about BtVS in so long fdjsaio tell me some of your Angel/Angelus headcanons (insert eyes emoji here)

jhbjghljkghkfgl; oh my GOD i honestly never stopped loving AtS or BtVS!! bgut i did stop watching originally when Doyle perished cause?? sorry but he is babey and though i do understand why the actor was let go from his role, it's still super upsetting. i hate the episode Hero and also love it to pieces- just watched it yesterday and screamed ALLEN FRANCIS NOOOOOOOOOOOOOOOOOOOOO for just. so long. tbh i was thinking about adopting him as a muse but tbh with you Angel and older 90s/early 00s muses don't get much attention anyways so i haven't yet skdjksds maybe after Harry from Resident Alien later tonight gets added I'll think about it again ksjdksjd. ANYWAYS THIS ISN'T WHAT YOU ASKED FOR KSJDSkfsd ON WITH IT!! just be aware there is no way i can include all the headcanons here so i'll just hlglhkglkhlgk about the ones i can think of asap

𝓐𝓷𝓰𝓮𝓵

in the show (both buffy & angel) they are constantly telling us through dialogue, scene setting, etc that the reason Angel and (later) Spike hate killing and feeding suddenly is because "killing humans = bad ☹ grr, arrgh." i think it runs deeper than this. i think they are not solely repulsed because it is the morally wrong thing to do. i think they are disgusted in?? an almost obsessive way because of how badly they'd still like to do it despite knowing better and having control over themselves. certain episodes the way Angel and Spike's portrayals go: yes definitely they are giving us that and barely highlighting it. but i really. i don't remember either show ever coming out and saying it outright.

personally i think that the Buffy/Angel romance seems waaaayyy super crazy rushed in the show and i'm not really sure if they/joss even meant it like that! it just really be seeming that way af!!! logically the whole affair lasts about/just shy of three years if we are doing the maths and technically?? it really took 1.5 years before they even did the ol squelchy welch. which lmaooa jksdhkdjsfd can you imagine?? any young adults in a consenting relationship actually waiting that long?? yeah ekjnbswedsdxfks anyways. i just? idk. loved AtS and BtVS very much but his departure seemed super rushed and so did their romance bye sjhdbfs

speaking of?? while i am very much a buffy/angel ship supporter as an adult i do find it so freaking weird he?? was made by Darla in 1898 and theennnn spent 171 motha fuckin years parading around as Angelus- didn't even know about Buffy Summers until he was already 269 (nice) and when acathala SHAT his ass back out he was already 371, she was a juNIOr in higHSCHOOOLPLK ANNNDDD i have a hEAdache i gotta goooOO

no but really i. skhjfjhgf as an adult i am weirded out but?? idk it's one of my childhood ships i gotta pry it from my OWN cold dead hands i guess smh

personally i think Angel keeps trinkets from the people he's saved over the years. and i don't mean at random Investigations via his detective agency or, later, Wolfram & Hart. i mean?? the cases we see like?? the episode 'are you now or have you ever been' that takes us back to the 1950s and the Hyperion Hotel in it's heyday. angel aided a woman named Judy Kovacs- albeit rather reluctantly to try and escape and THEN a literal MOB beat and lynched his ass and thennNNNN, in present time, he fights against the same life-sucking chaos-causing Thesulac demon with his friends/colleagues. after all of this he finds Judy somehow still in her room (214) surviving just a few doors down from his (217) so many years ago just?? waiting. and while canonically the show has Angel in room 312? I disagree. i think he would have taken up residence in 214 or 217...... 214 cause i'm feeling sappy. check his bathroom cabinets i bet you it's got at least a few of her accoutrements living inside.

i think?? despite?? darla not being able to take his soul via the big squelchy that he and Angelus really did care about her- heck!! in the early?? 1900s he DID try to return to her and adapt to her violent way of life he just couldn't do it

while i am?? verryyy willing to write buffy/angel ship stuff i really do think after the events in I Will Remember You it would take a literal set of miracles to get him to even attempt being with Buffy again. i think that while he will always love her no matter what that he has learned that?? things that are or seem too?? good or pure for a creature like him genuinely are. though he is/was the Powers That Be-s-es-es?? ES favorite ensouled boy-toy i really, genuinely do think that a happy ending is just NOT in the cards for our boyo

if buffy wasn't evidence enough of that fact?? cordy. Skip really came and took her just like that. then the whatevers that WHOEVER shat her back out to really just give birth to jasmine and connor and i rrepwsrenbjhdfbskdjnsf worst. season. EVER. i refuse i fucking REFUSE TO EGHV ADBAKJSDFALKFNKSADJF???!?!?!?! i hate it so much. i hate it. so. m u c h. connor and cordy should have never EVER been a thing and i will erase it from history if i have to give birth to myself to do it

𝔸𝕟𝕘𝕖𝕝𝕦𝕤

hoo babey. while angel is?? reserved and doesn't?? really mention any kind of explorative or wild side with any regularity in the show this wild child leather-pants-wearing abomination gives NO shits. he is very, VERY pansexual and you can fight my spirit on top of my grave about it.

regarding the last thing i said: there was definitely a polyamorous relationship happening between Angelus, Darla, Spike and Drusilla in my book. there are certain... jealous scenarios- heck!! just LOOK at episodes with Spike where he's being pouty about not getting the proper attention he deserves. if you think this is just about Dru i am begging you to reconsider

also?!?!?!?! PENN?! Penn was so obsessively and grossly in love with Angelus his sire I can not EVEN BEGIN TO FIUBNFDAKJSDFN

i think?? there are times in Angel's day-to-day where he not only misses but craves the presence of Angelus and visa versa. Angelus obviously seems a bit more openly repulsed by his softer side cause like?? each half is SO strongly suited to one extreme and?? as much as Angel and Angelus would both loathe my next statement: two halves do make a whole.

i think that while?? Angel may be cursed with a soul, that's not all. Angelus doesn't have regular control any longer, for sure, but i really do think it is oftentimes a daily battle to tune him out. why?? the orb of thesulah is only used to summon and store a human soul until it is re/tethered to a body. the ritual that the "Gypsies" and Willow performed didn't?? do anything with the actual demon. it didn't send it back to whatever Hell dimension it came from it just?? gave angel a soul- it gave what was left of Liam (O'Connor if you follow fan-lore) control over himself and the demon inhabiting his body. though the show never depicts or portrays this i am willing to bet real money that somewhere, deep down Angelus is on the inside rattling his mirror against the bars screaming: IM HENRY THE EIGTH I AM I AM!!! over and over an over and ov-

angel, however, when not in control seems to go into some semi-mostly dormant state as evidenced by the fact that he was entirely gone during their time in Acathala and relied on solely the demon half to get him through, but?? i'm 56% sure he is there sniveling in the ether when Angelus is driving he's just?? clearly not as strong mentally.

while?? Angel is a very respectable creature who cares about and loves his friends/found family i really do think that Angelus loves NO ONE. i think he cares about a few entities but i do not think he is capable of love proper as we think of it- both shows continuously remind us that number one in Angelus's world is, in fact, Angelus which means...

i doubt he really cares about pleasing his partner/s where that is likely Angel's main objective and lskjdnfjd i really have to go before this gets super raunchy

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