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#the commons meta
qqchurch · 1 year
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dungeon farming economy setting with a healer girl MC suffering crippling boredom due to her subclass being inefficient for the most effective farming parties so she's stuck guiding noobs over and over again on the upper levels
then she meets this absolutely unhinged berserker woman that's bleeding all over the place but damn she's good at fighting and it turns out she needs a healer that can work with her that isn't one of the pansy barrier healers that the meta teams want and noone wants a berserker because they're insane and get stronger the closer to death they are, which barrier healers can't help because they're designed for preventing damage and topping off whatever slips past their mitigation. MC's healer class is fucking awesome at sustain and keeping people from dying but all the meta parties use classes and equipment that rely on constantly being topped off, which she can't do because she mostly has beefy heals and defense buffs
so, seeing nothing else to do, MC and Zerker go dungeon diving and after a rocky start, they hit off immediately because MC is actually insanely fight-happy and just wants the rush of a good fight, while Zerker is partly a masochist and partly doing this as a coping mechanism
and thus they become badasses that get further down the dungeon than anyone else in recent history all through sheer gumption, spite, and a looooooot of hyperviolence
oh, and they have hot sloppy yuri sex, can't forget that
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riot-of-robins · 6 months
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Lots of jokes get made in modern comics and fandom about the pejorative double entendre of Dick Grayson’s given/chosen nickname for Richard, and it IS funny, but I want to give a moment of appreciation for the other, kind of brilliant, double meaning that’s unfortunately fallen out of common modern usage, but would have been way more common when he was first named in 1940.
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He’s literally named “detective” you guys, there is no way the World’s Greatest Detective’s partner wasn’t named this way on purpose.
Add to this the way the fandom loves to explore the 21st century reveal/retcon of Dick Grayson’s Romani heritage, and the possible etymology of the word, and you have a goldmine of largely untapped, to my knowledge, discussion of thoughts from Dick Grayson and the people around him about the relationship between his identity, the life he chose, the things he chooses to honor/remember, and the persistence of a nickname that has fallen increasingly out of favor in most other modern contexts.
I love when it’s as simple as “it’s his name and there’s no reason to change it”, but I also think there’s just lots of room for him to also have Real Thoughts about it throughout his life.
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abzania · 9 months
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I want to point out that Aziraphale tries to stay. His first response to the Metatron's offer is, "I don't want to go back to Heaven."
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I feel like people think he's going into this somewhat enthusiastically, but that's just not true. You can see the weight of his actions on his face, especially on the elevator at the end. He's not as ignorant or naive as people think. He's just in too deep.
He tries to say he doesn't want to go. That he's made a mistake (right before they leave, he says, "I think I--"), but he cuts himself off. I think this is because of two reasons.
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Aziraphale is too scared to say no to an angel who outranks him (both because of who he's talking to, and his overall behavior when talking with other angels). Speaking to the Metatron is literally tantamount to speaking to God. Aziraphale is fully aware of this. He doesn't want to say no. Both out of fear, and because now, he has to save the world again.
He has it in his head that he has to fix Heaven. Not for the world, the other angels, or even for himself, but for Crowley. Even though Crowley said no and rejected him, Aziraphale doesn't know the real reason. He probably thinks that if things change, Crowley will be willing to join him again. But it isn't Heaven or Crowley that really stops Crowley from joining him. It's what already happened. Coming back to Heaven wouldn't erase God's mistake. It would only cover it up. This is what Aziraphale needs to learn. As well as the story of Crowley's fall and what it truly did to him.
But I don't think he really wanted to go. I think he knows exactly what this means, and I think the implications will be very interesting to see when season 3 comes out.
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yellowocaballero · 1 year
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Miguel is Fine, Actually (Being Spider-Man's Just Toxic As Hell)
Before I watched ATSV I said that I would defend my man Miguel O'Hara's actions no matter what, because he's always valid and I support women's wrongs. I was joking, and I did not actually expect to start defending him on Tumblr.edu. But I'm seeing a lot of commentary that's super reductive, so I do want to bring up another perspective on his character.
Miguel wasn't acting against the spirit of Spider-Man, or what being Spider-Man means. Miguel isn't meant to represent the antithesis of Spider-Man. Miles is the antithesis of Spider-Man. Miguel represents Spider-Man taken to its extreme.
Think about Miguel's actions from his perspective. If you were a hero who genuinely, legitimately, 100%, no doubt about it, believed that somebody is going to make a selfish decision that will destroy an entire universe and put the entire multiverse at severe risk - if you had an over-burdened sense of responsibility and believed in doing the right thing no matter what - you would also chase down the kid and put him in baby jail to try and prevent it. He believed that he was saving the multiverse, and that Miles was putting it in danger for selfish reasons. Which is completely unforgivable to him, because selfishness is what he hates the most. And then he goes completely out of pocket and starts beefing with a 15yo lmfaooo he's such a dick.
But why did Miguel believe that? Why did he believe that Miles choosing himself and his own happiness over the well-being of others was the worst possible thing? Why did he believe that tragedy was inevitable in their lives, and that without tragedy Spider-Man can't exist?
Because he's Spider-Man.
Peter Parker was once a fifteen year old who chose his own happiness over protecting others. It was the greatest regret of his life and he never forgave himself. Peter's ethos means that he will put himself last every time, and that he will sacrifice anything and everything in his life - his relationships, his health, his future - to protecting and helping others. Peter dropped out of college because it interfered with Spider-Man. He destroyed his own future for Spider-Man. He ruins friendships and romantic relationships because Spider-Man was more important. If Peter ever tries to protect himself and his own happiness, then he's a bad person.
That is intrinsic to Peter. Peter would not be Peter without it. A story that is not defined by Peter's unhappiness is not a Spider-Man story. If Peter doesn't make himself miserable, then he's just not Peter.
That is a Spider-Man story: that not only is tragedy inevitable, that if you don't allow yourself to be defined by your tragedy then you're a bad person. If you don't suffer, then you're a bad person. If you ever put anything above Spider-Man, then you're killing Uncle Ben all over again. Miguel isn't the only one that believes this - as we saw, every Spider-Man buys into what he's saying. There's no Spider-Man without these beliefs.
Miguel attempted to find his own happiness, and he was punished in the most extreme way. He got Uncle Ben'd x10000. He tried to be happy, and it literally destroyed his entire universe. It's the Spider-narrative taken to the extreme. Of course Miguel believes all of this. Of course he believes this so firmly. He's Spider-Man. That's his story. And the one time Miguel tried to fight against that story, he was punished. And like any Spider-Man, he'll slavishly obey that narrative no matter the evil it creates and perpetuates. Because if he doesn't, the narrative will punish him. The narrative will always punish him. It's a Spider-Man story.
I don't think the universal constant between Spider-Mans, the thing that makes them Spider-Man, is tragedy. I think it's the fact that they never forgive themselves. And Miguel is what that viewpoint creates. He doesn't believe this things because he's an awful, mean person. He believes them because he's a hero. He's a good person who hates himself.
Across the Spider-verse isn't really a Spider-Man story. It's a story about Spider-Man stories. Miguel's right: if this was a Spider-Man story, then Miles acting selfishly really would destroy the universe. But Miles' story isn't interested in punishing him. It pushes back against Peter's narrative that unhappiness is inevitable and that you have to suffer to be a good person. It says that sometimes we do the right thing from love and not fear, and that Peter's way of thinking is ultimately super toxic and unhappy. ITSV was about Miles deciding that he didn't need to be Peter Parker, that all he needed to be was Miles, and ATSV is about how being Peter Parker isn't such a good thing. Miguel shows that. Whatever toxic and unhealthy beliefs he holds - they're the exact same beliefs that any Spider-Man holds. He's a dick, but I don't think he's any more awful a person than Peter is.
TL;DR: Miguel isn't a bad person, he just has Spider-Man brainrot.
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starry-bi-sky · 2 months
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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ATSV Fun Fact!! - Mumbattan Cultural Details
Gayatri & Inspector Singh follow the Sikh Religion
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Have you ever heard of Punjabi Sikhs?
If you don't know - Sikhism is a religion that originates in northern India, specifically Punjab.
The turban Gayatri's father wears - along with his last name 'Singh' implies that her father is most likely a Punjabi Sikh.
I notice this the first time watching ATSV and was like 'wow that's so cool :)'
It only hit me today that 'Oh wait I don't think a lot of people know about this very-specific, rarely-mentioned religion maybe i should say something,'
And because I LOVE yelling about world culture, LET'S GO!!!
[a SHORT essay where I explain the basics of Sikhism, a religion built on equality and justice. And details in The Singhs design, and exactly why Sikh Representation matters]
So What's Sikhism about?
Often mistaken for Muslims - Sikhs are actually a non-Abrahamic religion, with 20 million followers worldwide.
But even with so many visible practicing members, most people know very very little about this beautiful religion!
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Sikhs believe in equality and unity - and defending the oppressed. Their book of faith, The Guru Granth Sahib Ji, is called 'Guru' for a reason - Sikhs see the book as not just a code of conduct, but as a living, breathing teacher for every practicioner;
From Wikipedia on Guru Granth Sahib: Sikhs since then [1708] have accepted the Guru Granth Sahib, the sacred scripture, as their eternal-living guru, as the embodiment of the ten Sikh Gurus, the highest religious and spiritual guide for Sikhs. It plays a central role in guiding the Sikh's way of life.
The Guru Granth Sahib is the spiritual leader of Sikhism, and it's treated as such.
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That's why in Gurdwaras - their place of worship - it's treated as such, being clothed and held in ornate structure, constantly fanned throughout it's readings (the fan you can see in the left picture).
They believe that by following the Guru Granth Sahib Ji, they can cultivate compassion, peace, and harmony in their communities, while diminishing 'Mara' - concepts like hatred or violence.
Sikhs believe that every Sikh should revere themselves as champions of unity. And because of this many Sikhs have the same last name -
Kaur for women (Meaning Princess) and Singh for men (Meaning Lion).
Having the same last name also does away with the Indian caste system, making it another point of equality.
In ATSV Gayatri last name is Singh. However from my understanding, her name would most likely be Gayatri Kaur in reality.
I think they kept her last name as Singh as a deliberate choice to keep her initials as GS, like Gwen Stacy.
So is Gayatri Sikh?
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Maybe - most likely.
But we can't be sure. Mainly because of her hair.
Gayatri has a short bob haircut, and while that might not seem like it matters, it does!
In Sikhism there are the '5K's - different aspects Sikhs wear to show their faith.
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Notice the first one?
'Kesh' is the practice of leaving ones hair completely uncut. That's why you may see a lot of Sikh men with long, long beards!
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And hence, the large turbans.
It's done as respect for God's creation - leaving it unaltered.
[Fun Fact! - Rastafarians, a Jamaican religion, also don't cut their hair for this reason. Think Bob Marley. Rastas call God - Jah]
So, Gayatri having short hair means she doesn't keep Kesh.
However, Sikh is a super accepting and open religion, and it's main focus is on acceptance of difference, not conformity - so she could entirely follow the faith without doing all of any of the 5Ks.
Also, if you're curious about the steel sword K - Kirpan, yes that's a thing!
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Sikhs of all genders are encouraged to carry a small ceremonial blade with them.
Instead it's a symbol of the commitment to fighting for what's right - and defending those who cannot defend themselves.
A Kirpan can ONLY be used to defend the life of yourself or others, which is incredibly rare.
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Why is this all so rad, cool, and important?
If you haven't noticed by now, Sikhism is a religion driven by justice. Not just in theory, but in really life as well.
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That's why you may see many Sikh police officers and politicians, even here in the West. Most of them wearing the emblem on their turbans.
In fact, Canada has SO MANY Sikh politicians, that in 2019 they elected 18 of them.
For centuries Sikhs have been dedicated to justice, and developing systems of support, whether that be political involvement or feeding those in need.
The biggest Gurdwara (a place of Sikh worship) The Golden Temple feeds over 100,000 people A DAY.
For FREE.
It's a practice called Langar. A communal meal anyone can enjoy. And of course, Langar food is vegetarian.
Making Inspector Singh a Sikh - and showing him saving people and being warm to his daughter on screen is great representation for a community so often overlooked! Despite the fact they are over 20 million practicing Sikhs.
It's a great detail for Indian and Punjabi representation in specific. It accurate shows their beliefs and commitment towards helping others, no matter the cost.
And from what we can tell, this choice came later in development. We know this because ALL of his concept art shows him with a turban, not keeping Kesh.
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It seems like someone later on down the line said 'Wait if his name is Singh I think he's Sikh and if he's Sikh then we're gonna have to redesign him and make that obvious oops'.
That, dear audience, is why you always have an Anthropologist in the writing room. Or some amateur anthropologist like me :)
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I hope you enjoyed reading this, I really enjoyed writing it!! Sikhism is one of my favorite religions and if you have never heard anything from the Guru Granth Sahib I HIGHLY recommend it, it's very optimistic and compassionate. Sikhnet(.)com is also a great resource!
I have no idea if this will pique anyone's interest, but I hardly ever see Sikhs reflected in media and I know many many people may confuse them with Muslim, especially since many women Sikhs keep kesh and cover their hair as well.
But if you ever wanted to know the difference, here it is! If you read this far, thank you SO MUCH. And if you're a Sikh and reading this, I LOVE YOU SO MUCH.
As usual, here's a photo of Hobie for your travels.
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BYE.
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bitterrobin · 9 days
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you, batman/batfamily fan, can you be normal about parents and their flaws without making them exaggerated abusers?
can you absorb the fact that Jack and Janet Drake were not perfect parents, but they still loved Tim? and that Tim loved them enough that he tried to tear a razor sharp boomerang out of his father's corpse with his bare hands? that the Drakes were not millionaires who forced high society values onto their son for the sake of a public image? (that they weren't even rich for that long of a time?)
can you be normal about how the deep recesses of poverty affect a family unit while allowing a parent nuance? can you write Willis Todd without making him a classist caricature of an abuser? can you write Catherine Todd and Crystal Brown without portraying their drug addictions as fodder for their children's whump? (I added in Crystal bc she canonically suffered from drug addiction, but I haven't seen much of her in fics tbh)
can you accept that as much an abuser David Cain was, he still loved Cassandra enough that he utterly fell apart when she left him? That he was genuinely astonished/proud of her when she spoke to him for the first time even as she threatened him? he still sucks majorly, but you can't deny that he loved her. that's what makes their relationship so painful.
can you be normal about Talia al Ghul? can you write her without making her an ooc rapist or child abuser or cold dragon lady? can you acknowledge that every ounce of her characterization surrounding Damian is vastly different from her original pre-Morrison personality to the extent that og Talia would never even have a child in the League?
can you pick apart when a parents portrayal is out of character, that a writer made them hit or neglect their child because above all else they exist for drama and action? that you can find DC characters who actually had traumatic childhoods instead of grafting them onto a Bat-character? (> this last sentence is mostly about Tim btw)
Exploring a character's parents and how they affected them is always interesting, but I've seen fics that genuinely steer towards character assassination rather than an exploration of events written in the comics. They exaggerate a parent's portrayal not to write about a complicated parent-child dynamic but so they can have Bruce or Jason rushing in to comfort them (yes, this is about the Tim Drake shrimp fic). Idk, I think most of my ire just stems from the fact that content about Mia Dearden or Todd Rice or Grant Emerson aren't widespread, Mia specifically always gets explored in Bat-circles as someone that just adds to Jason's character rather than analyzing her on her own, in addition to the constant hell that Talia goes through in both canon and fanon.
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pinkd3mon · 6 months
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Awkward family reunion
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zykamiliah · 2 months
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i love it when fandom infantilizes characters to the point of denying them their own agency.
"if people in cang qiong had treated shen jiu differently-" do you have any evidence that they mistreated him? or is it too hard a pill to swallow that shen jiu was the one who decided to close himself off and be an asshole. that cang qiong treated him just fine, that his martial siblings tolerated him to the point that even when he was suspected of murder nothing was done to him?
who forced shen jiu to abuse luo binghe? to abuse other disciples? those were his decisions, that was him acting in a position of power.
the moral of the story is not "shen jiu was misunderstood :(" the moral is: the person who was abused can also become an abuser. the one who suffers violence can be violent towards others. you, despite what you've gone through, have the capacity for kindness and cruelty. so be wise on how you decide to act, because your pain doesn't justify hurting others, and your actions will have consequences.
you have agency, you have whatever amount of power you have over your own life and the things you do have and impact in the lives of those around you and yourself. so maybe try being at the very least neutral to the world and yourself, if you can't be kind.
but no, shen jiu's mentality was "since I suffered, they deserve to suffer too". and by taking that path he perpetuated the cycle of abuse.
bingge is the same, because he could have stopped at taking revenge on shen jiu, but he decided to involve the whole sect and the rest of the world, no matter who was innocent. he was unnecessarily cruel, but so was his master.
both shen jiu and bingge had the capacity for some form of "niceness" (in the way they treated women), so it wasn't as if they'd never known some form of love. at some point in their lives, they stopped being abused children and became abusive adults.
and that's an expression of human behaviour that we have to accept as possible. the svsss narrative invites us to examine ourselves in this light, to witness our capacity for both love and hate, to realize that even in the most adverse of circumstances, there's always a small sliver of agency over how we feel and how we act. that, despite the things that defines us from birth through childhood, our decisions also define what we'll become in the future.
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oldbookshop · 8 days
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i don't think 73 yards is intended to be explicable but if i were to explain it, i'd say that the fairy circle has a full-proof protection mechanism to prevent itself from ever being broken–if/when somebody does break it, they're immediately thrown into a timeline in which all of their worst fears come true (for Ruby, that would be abandonment), and then when they die in that timeline, they're sent back to the moment before breaking the circle to warn themself not to break it
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westwing19 · 2 months
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Metadad AU thoughts: does Galaxia give Meta Knight parenting advice?
Ooh I had not considered that before, but now I think she absolutely would! She's invested in Kirby's growth and wellbeing as well after all. However, I suspect some of that "advice" may be a bit questionable...
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Galaxia: Kirby's just a child, we need to be careful with him.
Also Galaxia: this is what it means to be careful, right?
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victorie552 · 4 months
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Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).
It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.
Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.
And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!
So, Point 1: Many, Many Parts, basically Maglor's FA WIP
My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.
(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)
Archived.
My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.
Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.
(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)
(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)
(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)
So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.
(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)
Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included
This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.
But the Siege started. And the Noldor kept dying.
It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.
Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.
The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.
(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)
Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.
It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.
After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.
Lament for Maedhros was sung repeatedly. There was no one to hear it.
Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.
#silm#silmarillion#noldolante#maglor#yet another post that went in different direction than I planned#started with meta went into headcannon and ended with fanfic angst#I wanted to end it with crack!!!#I mean. I mean#it all makes kind of some sense if we're talking about elves here#but guys Noldor had Men and Dwarves as allies#Maglor would want them in his Historical Record song#I think with Dwarves they would mainly refuse when he asked them if they wanted a part in Noldolante#so maybe he would only get some allies and personal friends of Maedhros in#but Men#guys Men. they would agree and they would make lists and it would become Clown City so fast#but Sons of Feanor aren't known for their ability of knowing when to quit#so Maglor has a Noldolante 3.0 Standard Version with 254 Parts that has Elves and an Occasional Dwarf Only#and Special Version Noldolante Deluxe Extra Edition with 547398134 Parts that includes Men#everyone is included you don't have to die in battle#all common causes of death have a dedicated jingle to them#to the point you know a man's cause of death after 3 notes#these parts of Noldolante well the music bit actually survived into the Fourth Age#the words are gone but the music is played at funerals in some places#The Noldolante Main survived only in parodies though#actually Finished Noldolante is a very good thing huh#as in no more Fall of The Noldor#they can finally catch some break#I believe that during Maglor's Regency Era all Noldor did was Processing. and breeding horses.#Noldolante? more like Maglor Finally Discovers Shame: A Story#I think some personal revelations on legacy and connections between children and life's works would be made
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lbibliophile-sw · 6 months
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One thing I love about Clone Wars fanart is how much of it is just various characters napping on each other. We all took one look at them and decided that what they really need is snuggles and sleep.
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illusivesoul · 7 months
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Something I hadn't considered until now is how brutal the mission to kill Jarvia and most of the Carta in Orzammar is for Brosca. I'll never forget the emotional gut punch that was having to fight and kill Leske, who is probably only true friend Brosca has ever had in all their life (I remember desperately searching if there was a dialogue option or something to let him live but there is none), but I also just thought that Brosca must have known most, if not all of those Carta members that we fight through the mission.
And knowing how the casteless are pretty much cut off from the rest of Orzammar's society and most are forced into a life of crime, Brosca must have known and possibly have been friends or at least care for for a lot of the Carta members, and also possibly have worked with them often under orders from Beraht and Jarvia.
Then after becoming a Warden, returning to Orzammar and under orders from either Harrowmont or Bhlen, they have to go to their old home in Dust Town and kill Jarvia (who was alledgely planning to use her growing power in Orzammar to force the Assembly to recognize the rights of the casteless), Leske and pretty much everyone else they knew during their many years growing up and while being a part of the Carta.
Just another bit of tragedy for Brosca's story.
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tavina-writes · 7 months
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MDZS Society! aka: there's a lot less killing than you'd expect
This follows from this post and also the recent translations of MXTX’s most recent interview (which I can now no longer bother to find bc this has been sitting in drafts for like, siiiix months? More? Oh god anyway.) which reminded me about my feelings regarding MDZS society and how different it is from the martial societies we see depicted in typical modern wuxia. (Small disclaimer, I am a wuxia genre fiend and I love like, thinking about fictional societies so this is like, “AHA! You’ve unlocked my trap card!”) 
For the purposes of this, I’m going to be looking at MDZS/CQL’s depiction of the jianghu (which I think is fairly similar! I don’t actually think the show writers made CQL’s jianghu/martial society more genre typical than it was in the book) and comparing that with modern classic wuxia (mostly Jin Yong and Gu Long works.) For this comparison, I’ll be looking at a Jin Yong book — Legend of the Condor Heroes (which is widely considered the starting point of modern wuxia as a genre) — and one Gu Long book — Dagger Li/Sentimental Swordsman, Ruthless Sword (widely considered his most popular work) — and seeing how their societies differ from MDZS society. 
This will likely come in two parts because this one was already getting long, and I don’t think we can fit “how often does nobility exist in a typical jianghu and what do bloodline sects look like normally versus what they look like in MDZS” in this post along with the main topic of “is MDZS society a particularly physically violent place?” 
This post discusses how often cultivators are socially expected to kill people. Like, actual living human beings instead of, say, monsters or ghosts which have been categorized differently than like, human beings. 
EDIT: I forgot to talk about Dagger Li but this was already much too long sorry. Feel free to hmu for more thoughts though.
Now, it might be easy to think that cultivators killing actual people is a really common thing in MDZS/CQL universe! After all, they do have martial arts training and one of the prominent things about the first life is just how many people die both in the Sunshot Campaign and the fallout afterwards. However, I would argue that a lot of the traumas and related issues and reactions that happen in MDZS happen because cultivators are, by training and education, not actually prepared for killing actual living breathing human beings! (And also that the morality of this world prevents it for the most part) 
Now, we do actually get a pretty good window into what the typical training is like for young cultivators in MDZS, because we get a fairly well defined schoolhouse scene where LQR is asking them questions about "how do you tell the difference between various different problems we have to solve?" and "how do you go about fixing this problem?" and none of those include the moral quandary of "if I, a young cultivator out in the Jianghu, see a guy who is doing something I morally disagree with, under what circumstances do I beat him up and/or kill him." This does not appear to enter the curriculum at any point, leading me to believe that the morally correct number of people not like, ghosts or ghouls or fierce corpses, a regular average MDZS cultivator is supposed to have killed is approximately 0.
Which. Is a thing you get in a normal martial arts wuxia jianghu. There is generally the threat of "oh yeah this that or the other faction will be doing shitty things and thereby try to murder you." Instead, in MDZS/CQL most of the heirs of sects are...attending school together. Doing teenage things like partying and gossiping and attending classes.
And sure yes, there was a case of WWX and JZX trying to beat each other up. But the sects did sure let their kids stay at Lan summer camp for months on end (sometimes repeatedly, see NHS) without fearing for their lives or that anyone would steal another sect's techniques or otherwise causing real havoc or intersect warfare etc.
Which is infeasible in any other sort of Jianghu situation. For example, contrast this scenario with this scene from LOCH where Guo Jing's shifus are giving him advice since he is newly 17 and about to set out by himself into the great big world:
Guo Jing therefore bid farewell to his teachers. They had witnessed his battle against the Four Demons of the Yellow River, and were not too greatly worried. The young man had proved that he knew how to use the skills that they taught him. Therefore they let him leave alone. On one hand, the meeting of outlaws in Yanjing worried them greatly, so that they could not ignore it; and on the other hand, a youngster always had to travel the jianghu alone, in order to learn lessons that no teacher could pass on. At the moment of parting, each made their last recommendations. As usual when the Six spoke after one another, Nan Xiren was the last one to express himself. "If you cannot defeat the enemy," he said. "Flee!" He knew that given Guo Jing's dogged character, he would prefer to die rather than to surrender, if he met a master, he would certainly fight to the bitter end, even at the risk of death. That was the reason Nan Xiren gave him this common sense warning. " Martial arts have no limits," added Zhu Cong. " As the proverb says, 'For every peak there is one yet higher', so for every man there is one stronger. Whatever your power, you will always one day meet a foe stronger than you. A true man knows to retreat when necessary, when facing grave danger, it is necessary to contain one's impatience and anger. This what is meant by the adage, « If one preserves the earth and its forests, one does not fear to lack firewood ». It is not therefore not cowardly to take good advice! When the enemy is too numerous and that you cannot face them there, it is especially necessary to avoid being too reckless. Keep in mind Fourth Shifu's advice!"
Does this seem like the sort of advice that any Young MDZS Cultivator would get? "You're a good kid, but when you go out into the world, there will be people who straight up want you dead even though they met you 15 minutes ago, you cannot persist in fighting with these people because they will want you dead and you are a baby cultivator who needs to learn to run away when shit gets rough or you will be dead."
And again I come back to how MDZS cultivators are more like occupational ghostbusters because this really does inform how their society functions and runs and how everyone reacts so badly to the Sunshot Campaign beginning and its aftermaths and possibly explains how JGS could get his way after Sunshot.
Because what happens when you get a society that does train heavily in martial arts and have Able To Kill Real People Weapons who spends most of their time solving very black and white situations of "okay is this ghost whose eating people's livers good or bad? y/n?" and a clear hierarchy of "how do we get rid of the ghost eating people's livers in town x" instead of say "is it morally correct to kill this group of bandits who's been threatening the town" or "is it morally correct to kill this shitty businessman who's been holding people hostage and threatening to hack off their limbs" you have a reduced level of philosophical musing on like, "what is the purpose of martial arts, which is designed to kill people and what do I use martial arts for?" and "under what circumstances and situations would I personally find it morally correct to kill a man?" Which are all questions that Wuxia coming of age stories typically have, and I think MDZS does have, but expressed differently.
Again, it appears that the number of Real Live Human Beings that it is morally acceptable to have stabbed in your life is approximately 0 in this universe, and the expectation that you, personally, might have to fend off people trying to stab you over brunch is also approximately 0.
This also leads to a situation where like, questions of vengeance have very difficult escape hatches! If your parents are murdered on the job by an evil rampaging ghost, this is very sad and tragic and now you're an orphan and of course that's not good, but this is a occupational job hazard, not like, "Yeah Joe Bob from the sect down the street murdered my dad because #Reasons~, and now it's my legacy to grow up to murder Job Bob from the sect down the street to avenge my dad."
(I have a whole essay about how this pertains to both of the Nie Brothers, and how it pertains to JGY and also Jin Ling, and how this seems to routinely fuck people up in MDZS in a very specific way we don't typically see in other wuxias, but this is getting SO long as it is).
But yeah "the socially acceptable number of real living people (instead of ghosts or demons or fierce corpses or whatever) to have killed in your lifetime as a cultivator is approximately 0" means that the Sunshot Generation gets really really fucked up by all of this "killing real people" they did.
Which! might be why JFM was so slow to move on "yeah the Wen are threatening to kill your heirs." <- socially inconceivable behavior. Why society in general is so shocked by Xue Yang and the murder of the Chang <- which would be bad normally but not quite like this. And why no one did anything specific about JGS even if they felt he wasn't entirely correct. What are they going to threaten him with? Death???? A trial of his peers? Social Shunning??? Public shame???
"But Tav how does this relate to CQL!Su She's morality?" I hear you ask. Well you see, the question of "he should've been ready to die for his sect!" is utterly baffling in a society where nobody is expected to be ready to die for their sect on a regular basis because the idea that you should be ready for someone trying to stab you before brunch is utterly nonsensical in a world where most people expect that the baseline number of murders a cultivator does in their lifetimes is 0. That's the world he lives in.
On this regard CQL!Su She is utterly blameless. Nobody handed him a rulebook or expectations sheet for "the sect down the street will try to kill you" nor SHOULD they expect he'd be ready to die at a drop of a hat when no part of the education or social expectations include "ready to die for your sect because it's routine for people to try to kill you."
If you don't even expect to be stabbed and possibly die at a discussion conference where there are lots of cultivators from many sects why on EARTH would you expect to be facing down death in your own home when there's. cultivators here to kill you, this situation is so out of left field?
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sleepynegress · 3 days
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The Most Common and Expected Post About Black Girls in Fandom...
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On the screencap from a post in the #iwtv tag, about Claudia below...
The below line of thinking isn't uncommon or unpopular. This is just typical racism/misogynoir in fandom. Typically white fans struggle with empathizing with characters of color, and especially Black girls/women. Hence, entire subcultures/communities are dedicated to tearing Black women and girls down, when they exist in mainstream spaces, see: Qanon-type stuff being spread around Meghan Markle.
Because not only it's awful behavior, but it's a common enough online hobby, that thousands of white women are a part of it. I do not understand hating a stranger as a hobby. We saw and continue to see people like Francesca Amewudah-Rivers get viciously bullied for simply existing in a space, while unambiguously Black. And I'm tired, been tired of the default being treated like some uncommon, special thought. It's not.
You're not for posting it. Halle as Ariel, Francesca as Juliet, and on and on...It's just the default thought for too many. It's hard for people to see themselves in the other when they are used to their reflections as default, so the first instinct is to hate instead. So, as difficult as this is to face for someone who feels this. Yes, the below is in the same line of thinking. It's not uncommon. It should be self-examined. 10 dollars (not real dollars, imaginary!) says the person who posted the below, does not feel this about Lestat and will struggle to identify why they feel this for Claudia and not Lestat when Lestat has done objectively worse acts and was turned as an adult. Anyway... Just a smidgen of self-examination, when these thoughts cross your mind. 👇🏾 Ask yourself if you've ever ID'ed with any Black girl? Ask yourself how many Black girl vampires have you seen at all?
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