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#that chart isn't even canon
travelerstome · 1 year
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Shoutout to anyone who has every been on a Naruto RPG forum.
Shoutout to anyone who has EVER had to put up that Elemental Chakra combination chart.
Shoutout to anyone who ever wanted to create an OC, and were told they were playing wrong because they "didn't understand Naruto" and that "you need Fire and Lightning Chakra to make Plasma Chakra"
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egophiliac · 21 days
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I love how you draw Grim the size of a small cat. It genuinely blows my mind that according to the game he's actually approximately 70 cm tall... Like, Ortho is 148 cm. That's only two Grims! If Grim stands on Ortho's head, they'd be just a bit taller than Malleus (who is 202 cm and I'm not sure that's counting the horns)! The proportions are just so wild to try to imagine realistically... (and I do like the small cat Grim take more, it's very endearing)
every time I remember Grim is actually supposed to be the size of, like, a medium-to-largeish dog, and then I just...draw him cat-sized anyway. I also think it's cuter that way! 🤷 (let's just say he's not allowed to ride the servant unless he takes the shrinking potion first.)
ultimately I figure we all get a little artistic license in our fanart, and mine are:
cat-sized Grim
Lilia with hair spikes up to the heavens
w i d e Silver
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bumblingbabooshka · 7 months
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[TUVOKTOBER: Day 6] Based on this line of dialogue:
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#I will forever be like 'what did you mean by that??' jennifer lawrence clip about Tuvok saying he 'spoke out against it'#He isn't??? A politician?? And never was???#Is his family one which holds a certain amount of sway??#I need to know if he 'spoke out' in an official capacity - like a way that mattered to the world at large or if he was just talking shit#I tend to assume mostly the latter - maybe talking shit to specific people but still. It reminds me of how in Gravity he says#HE chose to leave Jara and school when in reality he was kicked out and banished - adjusting the facts#anyway one of the things I sincerely love about Tuvok is that he would be like one of many petty Vulcan antagonists* in another series#especially when he was younger but it's not like he's THAT much better in canon#Ex: Though Tuvok agrees & praises the peace treaty he still seems to view B'Elanna unfavorably bc she's Klingon#<- Like what Neelix says 'That's just it!! You don't feel anything FOR me but you feel things AGAINST me' that's him a nutshell#<- Another example is how he treats Chakotay in the earlier seasons: Deliberately undermining him and questioning his authority#He can be very sanctimonious both about him personally and facets of himself without much tolerance for others or deviation#It's a legit character flaw and I do love highlighting it bc I love him even when I want to choke him to death he's fascinating <3#It's also VERY interesting bc he WAS more of a rebel punk as a teen then he went to the monastery and now he is shown to be very#devoted to Vulcan ways and have a keen interest in monastic life.#I know Vulcan philosophy is NOTHING like christianity or catholicism but like forget that for a second. Ok. Now: 'Tuvok's born again swag?#off the charts' v_v thank you#bea art tag#Tuvoktober#st voyager#st voyager fanart#*And this never changes. Unlike Spock or T'Pol he never has moments (that I can recall) where the narrative's like 'GOTCHA!'#& he's never insecure about his identity as Vulcan. Never desires to feel or be more human. & I /do/ think this is bc he's older! We see#himas an ensign in 'Flashback' struggling with his identity as its pitted against humanity AND in 'Gravity' where he's shown to have disdai#for Vulcan culture & customs. It really makes me wish we had gotten more character-building episodes from him rather than character-breakin#ones where he's not really acting as himself in full. v_v#also one last thing: I recognize that other characters do try2 'GOTCHA!' Tuvok both seriously and lightheartedly but Tuvok is never framed#as being actually affected by this unlike Spock or T'Pol where it's a whole like Thing about their characters (humanity - feeling)#tuvoktober
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wombywoo · 22 days
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do you have any ghostsoap favorite fics, perhaps?
boy do I....
I should preface this by saying that I'm pretty...particular with what types of fics I enjoy reading (I only like certain character interpretations/tropes/writing styles, etc) so bear with me...
These are all mostly canon-compliant, non-AUs, ones that I regard highly~
Seasons--by StinglessWasp: This is pretty much my go-to fic rec for anyone into CoD and ghostsoap in general. It showcases everything I love about these characters, in a setting that feels as authentic to the games as possible, while also exploring the depth and sincerity hidden under the surface. So well-written and paced--the dialogue and military references all contribute to that 'feels like a mission out of the game' experience. Plus, I just love this interpretation of our boys--the humor, the inner struggles, the intimacy--Wasp 100% *gets* these characters and it's a joy to read <3
Except You, You Can Stay--by Iravaid: While this one isn't *technically* ghostsoap until the last chapter, in my opinion, it's required reading for anyone who gives a shit about Simon Riley. This is *the* character study--an intimate dissection of Ghost's past that seems so realistic and grounded, you forget how ludicrous those comics really are. Ira takes such care in treating these heavy topics with delicacy and effectiveness. Each chapter has you going 'oh wow, this is even better than the last', but as a whole--it's a stunning, fleshed-out glimpse into Simon as the character he was always meant to be. And the final chapter which eases you into his relationship with Johnny is so authentic and sweet, it just makes perfect sense that they should be together, and that this poor poor man deserves some goddamn love <3
bleeding in the house of god--by revolvermonkcelot: This is a really great 'missing scene' fic, a perfect opportunity to explore the in-between moments that the game so carelessly chooses to gloss over. I can't praise Monk's writing enough--it's slick and crisp and very tasty; the imagery just jumps off the page and you can practically feel the sweat. Plus, the dialogue exchanges between our two boys are so well-timed and in-character--love all the slang and British references~ This whole fic reads like an addition to their mission flirting, and I'm all for it! You can truly tell this author has such deep understanding and experience with this franchise (winkwinkwink, this is a joke) Read it--it's good!
The Dead are all Living--by Kabbal: This fic blew me away when I first read it. It's such a unique take on the retirement trope, I just adore this interpretation of Simon as an aging recluse while he builds his home. I tend to lean towards more subtle, grounded characterizations of Mr Riley, and this really fits the bill. All of these glimpses and fragments into his post-military life contribute to an overarching love story; the scenes with Johnny are so poignant, it's like you're pining alongside them both. I love how not-perfect they are; flawed and difficult and real. There are some moments and lines that just....struck something in me so deeply. I'm sure I'll still be thinking about it for a long long time <3
Portrait of Taction--by a_platypus: Another Simon-centric fic that I absolutely love. The character voice in this is off the charts, I can hear him so vividly in all of his inner dialogue and stunted attempts at conversation. Simon is so endearingly dense in this fic, you're just waiting for him to finally get his act together, but the clumsy, oblivious steps he takes in his relationship with Soap are truly a treat to read. I love this version of Johnny too--confident and considerate, but still hopelessly crushing on his superior. It's comedic, well-written, and the paragraphs describing Soap's journal give some of the best insights into his character I've seen <3
come on, haunt me--by flyby2: This was a really good long fic that I took my time savoring. What could have been a typical 'on leave' fic instead took time to develop a unique spin on the backstories as well as throwing our boys into some wholesome encounters. Both Soap and Ghost felt very true to character, and I appreciate the exploration of PTSD and the subsequent struggles that come along with...all that. There was a really nice balance in having their romance spread across the chapters, and I can promise a very sweet, happy conclusion <3
in the mess of it all--by flowersferns: A lovely one-shot that exhibits some of my favorite aspects of these two characters. I'm a sucker for 'one of them is hurt, the other is freaking out, they are both idiots in love, etc'. There are some really great dialogue and character moments in this, plus the overall prose hits hard. Love this take on their romance--the mutual trust, the familiarity of their bond. And just the general theme of impermanence--the inevitability of what this relationship means for them--two soldiers, willing and ready to sacrifice their lives at a moment's notice, still clinging to each other because...god...that's all they have---big fan of this :'D <3
Lapsus--by Lisbetadair: Another really great one-shot and 'missing scene' fic. The authenticity in the writing is spot-on--it's like you can feel Soap's pain right off the bat. I love how smoothly the banter flows between the two, and the attention to detail and references all help lend to that 'hardened military man' exterior. Ghost smelling like flowers because of a face wipe is such a delightful addition, plus the scene where Soap is, ah, donald-ducking it in just a t-shirt with his jewels out is such a funny mental image, I still think of it fondly from time to time. It's funny, it's surprisingly cute, it's very in-character. Stick around for some awkward but adorable cuddles <3
I'm sure I have more to recommend, but these are the ones I can personally endorse for now~
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hasello · 8 months
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Could you tell me more about the cousins au?
GLADLY (even tho there isn't much to talk about lol) Here we go!
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Cousins AU is just an au where the 2003, 2012 and Rise turtles (since these are the versions I'm most familiar with) have known each other since always and grew up together. They visit each other very often and just generally treat each other like cousins, hence the name! :D
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Here's the age-chart for when they're kids, which is how I mostly draw them in this au. 2003 Leo is the oldest of the whole bunch (THE big bro) and Rise Mikey is the baby (everyone loves him and can ya blame them?).
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I haven't really thought about the story, but if I had to explain how they met, I'd say that younger Rise Splinter used his portal thingy wrong in a stressful situation and somehow went to a whole different dimension, where he met another rat-dad. They became friends and then decided to look for even more dimensions and found the third Splinter. From that moment they just visited each other regularly and lived like a big fam!
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Also here's a little info about my fav girl. Rise April is the only one who have known the boys since they were kids in canon, so I decided it'd be the same in this au (imagine having 12 brothers, like damn).
Hope this explains things a little! It's not a story/plot driven au, it's just mostly some silly ideas and little stories I come up with! Love y'all <3
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littledead-ridinghood · 11 months
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sorry if this is a weird question to drop on you you were just the first person I thought of who might know but do you know if it's canon/canonically-based evidence that jason is physically stronger than other bats because I always see people say jason is the one with "brute strength" and I can't remember if that's based on anything besides people saying that as a nicer way to call him a brute(maybe it was on lobdells stuff? but I wiped most of those out of my memory)
You thought of me first? <333333 I'm blushing. And it's not weird at all! Even if it was, I love answering weird shit.
Anyway:
So part of Jason being considered "the muscle" of the bats comes from the fact that Jason's currently the biggest of the robins. (Adult!Damian is usually drawn as the tallest of the kids when all is said n' done (that's vague for "age")).
Well, how big then?
I always go with this chart which was released while UtRH was being released:
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(I Love this! I wish DC still did little info things like this within their comics. Or maybe they do and I'm just blind. But Look! Canonical Information!)
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So canonically speaking, at least when running around pre-crisis, Jason is 6 feet tall and 180 pounds. (Also note criminal mastermind and put a pin in it)
But you've probably heard 200 & 220 thrown around a lot. Those numbers are specifically pulled from two different DC character encyclopedia books which I don't trust at all because there notoriously filled with false information and are dubbed as not canon all the time.
Personally, I use the 6', 180-195 pound range which estimates for fluctuating weight, the passage of time, muscle mass, and minimum bulk & cutting (which I assume is part of most superheroes' training to stay in fighting form, but please recognize that vigilantes are more athlete than bodybuilder) because it's from a canon source (Canon is "king" and all that). No shame to people who use the other numbers or even headcanon something completely different, but again, vigilantes are predominantly running all over cities day after day, not stagnant weight lifters. Cardio vs weights body compositions are quite different even if both are healthy. (And it's not all "swimmer's body illusion" either (they have that body because they swim? No, they swim because they have that body.)
How much muscle mass a person can maximally obtain is up to your genetics. But that max only comes with constant maintainment. It's not feasible for Jason to be doing all that cardio and also have that much muscle mass and fat. Cardio burns "fat" (calories), weights build muscle. We constantly see the former and former-adjacent workouts more than the latter with him. Jason is running across rooftops, flipping off them before falling into a shoulder roll onto the next roof over chasing after bad guys every night. The number of calories he'd have to eat and time put into lifting weights (too many reps a week lead to damage, not growth) to maintain his max (max being what a lot of weights category athletes try to achieve which Jason just hasn't been shown to be (except in his jailbird phase where he could literally only lift weights, read, and avoid being killed to pass the time)) isn't possible.
Using comic art to "prove" how much he weighs doesn't work either. Firstly, because everyone wears weight differently. Two people can be the same height, weight, and sex and look completely different. This is due to different body types, composition, genetics, diet, (what kind of) exercise, and many other factors. Assuming someone thinner is automatically "super light" doesn't factor in different body compositions (fat, muscle, bone percentages). (yes, I know it's stupid to apply science to comics. There's my digression. let me live). Secondly, Jason (just like everything else about him) isn't drawn consistently at all. Sometimes he's pretty damn massive, but we also have Twink and Twunk Jason (DC can't even decide on hair color? Do you think they're gonna decide on his body?).
So, comic book art isn't super reliable as evidence unless we want to theorize if, how, and why he seems to fluctuate between weights all the time (<- Which I have a whole headcanon about if anyone's curious), especially in comparison to the others because, seriously, it's totally a Jason thing. Most characters are pretty consistent in body type. Anyway, someone could argue "See! he is 210!" but it's also not for a long enough period to stick around :/ Again, hard to consistently maintain that much weight as a 6-foot-tall, cardio-based athlete.
Also note: DC is horrible when it comes to weight-to-height lineups. A woman hero can be ~5'7'' and then we're told she's 110 lbs which Fact 1. is considered underweight for this kind of height-to-sex ratio, Fact 2. probably isn't factoring in the fact that muscle is heavier than fat, she just "looks thin", and 3. Usually, totally, absolutely is just blatant sexism.
Really, the numbers don't seriously mean anything of actual substance because their comics, are unreliable, and also usually just...scientifically wrong. But Jason's perception on page, as well as the information we've been told, is one reason he's considered "brute strength first and foremost."
Furthermore, Jason has been shown repeatedly to be on par with Bruce (even when Jason, most of the time, plays defense in their physical fights) but many people chalk this up to him and Bruce having similar physiques making it "easier". Again, counter-productive argument because Bruce and Jason have been drawn very similarly before in stories as well as completely different from each other in others. Also, this purposefully, blatantly ignores Jason's actual skills. No one chalks Dick Grayson or Cassandra Cain beating Bruce up to their body types. Moreover, when Bruce and Jason are drawn similarly in body, no one refers to Bruce as "Brute Strength" either. Bruce gets to be tactical, strategic, clever. (Also Also: In Pre-Crisis, Bruce, Dick, and Jason are deliberately drawn to look similar (height, mass, looks, etc.) to get that Brothers in Blood effect. Still, No one chalks the formers up to all strength. Just Jason)
And that brings us to your question, Anon: Is there canonical evidence for Jason being stronger than the other Bats?
Remember how I told you to put a pin in that "Occupation: Criminal Mastermind" note? Well, first off, Jason creating jobs for his community. Go off, king. Second off, and more importantly so, "Mastermind": a person who supplies the directing or creative intelligence for a project (Merriam-Webster).
When Jason was first re-introduced, what made Jason dangerous was that he was highly skilled and smart. He was playing with both Black Mask and Batman like a cat batting a toy mouse. He orchestrated an entire "slow-growing" takeover of Gotham's underworld (he was actually very quick about it). Jason controlled the situation and planned so well that he had the villains and heroes who were both after him fighting each other so he could slip away and do what he actually needed to do.
Throughout Jason's history, he's always had tools with him when he fights. To the point that Bruce says to Jaybin "You won't always have this" cutting his utility belt, insinuating he relies too much on it, which Jason returns the favor to on his return and fights B hand to hand <3 Love a cocky callback. Furthering this, he knows many, many different fighting styles and techniques both from life experience and from extensive training. Jason's a quick learner by nature and is incredibly adaptive. Guns; knives; swords; pens; sets bombs to specifically implode, not explode; makeshift gadgets; a baseball bat just laying around; a tire jack that one time; brains. I could go on. Jason doesn't just hit things. He uses what he has as a means to an end. He's canonically known as one of the best strategists in-universe and is incredibly creative with his surroundings. Jason isn't just great at extensive, long-term planning either. Bruce himself has remarked on the fact that Jason thinks incredibly quickly on his feet, he's really good at improvisation. Concisely, he has plans A-G and if all those fail, he can pull something out of nothing. Contrast this with Bruce who needs to have a plan for everything. Even if it doesn't look like he's following a plan, Bruce is. Opposed to Jason who can go with the flow and figure it out along the way.
Jason even said this in present-era in TFZ:
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And that's the whole point, isn't it? Jason is strong. Incredibly so. He's big and tall and has gorgeous thighs. Not to mention, has a mean right hook. But just because Jason's strong doesn't mean he isn't a bat first and foremost who relies on his brain before anything else. He died 4'6 (on his death certificate, his height varies depending on what source you pull) and famously had to defend himself his entire life ever before being Robin. Being young and small and forced to survive shaped Jason into a quick thinker who could either get away or take enemies 10x his size down. Nowadays, he just has a longer reach.
In Event Levithan when Damian says: "Jason Todd is one of the Great Master fighters of all time" He doesn't say strongest because Damian doesn't mean strongest. Damian means adaptable, smart, capable, and well-rounded in skill.
While I don't doubt that Jason is most definitely one of the strongest Bats due to his size, what makes Jason dangerous is not his body, but the fact that he knows how to use it. It's not "Brute Strength" as many people like to say, it's Strategic Strength. He knows just because he's stronger than someone doesn't mean he'll always win. A la see panels above. Jason knows throwing his body around won't do anything of real, long-term substance. That it's just blindsided and stupid.
I'm sure if I looked I could pull panels where other bats and/or vigilantes refer to Jason as the muscle, brute (strength), all brawn (no brain), other such implications, etc, but whenever people do, it's always to undermine Jason's skill. Because it's not actually about his strength. Jason, with his taller, more built form, makes walking quiet seem easy. And it looks easy because he's good. Jason himself knows his skill set, it's everyone else that undermines him time and time and time again. (Again, Event Levithan, Bruce doesn't agree with Damian's statement even though Jason just outsmarted the six or so people who all just tried to take him down (for something Jason didn't even do, mind you))
But, again from Damian, Jason's not known as "the muscle," he's "the emotional one" also usually used to...degrade Ja--We can't have anything nice apparently is what I'm saying. But yes, when people refer to Jason as "Brute Strength" it's usually them trying to find a nicer way of saying Brute or "thinks with his fists" or "Jason hits first, asks questions later." It's in the same vein as when people say "Jason likes books" as short-hand for "see, he's smart at something" rather than acknowledging that Jason achieved a degree's worth of knowledge in comp-sci by age 13.
Anyway Smart and Strong Jason, my beloved. I wish DC & others loved you as much as Rosenburg and the teams of artists he's been working with do.
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alexownsfandoms · 3 months
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I have a hyperfixation so here is a whole bunch of mean girls (specifically the 2024 one) head canons:
In celebration of getting both Janis and Damian being canonically queer
Cady is bi (edit: she's demisexual)
Regina is a lesbian
Karen is pan
Gretchen is unlabeled (edit: she's probably also ace (thanks to the person who commented))
Aaron is also bi
Janis uses She/They prns
Before the whole dethroning of Regina, Gretchen had the biggest crush on her. I MEAN C'MON! you're telling me "What's Wrong With Me?" isn't a love confession?
Janis is buff. She took up art and working out/track as a way to cope after Regina. Nobody will physically bully her now bc of it.
Janis does not own a single item of clothing does not have some form of paint on it
Almost all of Janis's clothing are customized
Cady post-plastic still kept her plastic style but made it more comfortable (aka no heels) and meshed it with her style pre-plastic. Lots of cardigans and pleated skirts. Lots of blue and pastels too
Gretchen has either a very thorough and organized binder or notes app of everybodies information. like stalker level shit. she would like even have their astrological chart
Gretchen has autism (undiagnosed) and a very crippling anxiety disorder (diagnosed post-plastic)
Cady has also has autism (Probably is diagnosed during plastics era)
Karen is dyslexic
Regina's love language is physical touch (solely based off of all of renee rapp's interviews)
Gretchen's is words of affirmation
Janis's is also physical touch
Cady's is quality time
Karen's is acts of service
Regina got the idea of joining the lacrosse team bc after Janis got outed she joined the track team as a way to focus on smth else
Post-plastics Regina and Janis for a good few months would bicker but at the same time be flirting: "oh go fuck yourself" "oh I bet you would love to watch that"
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zmediaoutlet · 6 months
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Survey results time.
At time of downloading the data we got just over 300 responses, which is not bad for a survey that was long and complicated to take! I'm sure my shamelessness helped. Being a survey for a specific crowd, we also didn't get anyone (as far as I could tell) taking the survey in bad faith, which is a legit surprise. Special shout-out to the several people who, when asked to write literally anything to say they understood what was going on, wrote "literally anything"; additional shout-out to the person who wrote "penus and hole" (sic). You get it, anonymous person.
I'm going to share the top results for the questions here, but I'll also include the raw data as a sheet at the end in case anyone wants to actually go through it with a fine-tooth comb. This is not a survey where cute pie charts or graphs would be useful or readable, so get ready for some sweet-ass numbers:
Story Genre
Unsurprisingly, our leaderboard for most favorite story genre in the 'Anytime!' category is as follows:
Hurt/comfort (153 votes)
Angst (142 votes)
PWP (139 votes)
We just like the guys to get the shit beaten out of them, angstily, and then they can feel better by jerking off about it. The ideal evening.
The big loser in genre, with 34 buds flat out saying "not for me", was Dark!fic. That said, Dark!fic also got 112 votes (third highest) for "has to be JUST right," so we can probably take from there that while as a group we don't hate dark content, we have pretty strict definitions for a) what counts as dark, and b) what kind of dark we're willing to take.
Gencest/gen was arguably the most 'eh, idk?' of the genres, with respectable showings in every category from Anytime to No; most people don't hate it, but people aren't really seeking it out either. It's definitely There.
Story Setting
The winner of most 'Anytime!' votes for story setting is close to my heart; the podium is:
Bunker era (142 votes)
Canon-close, codas, etc (129 votes)
Pre-series/weechesters (126 votes)
It feels good to know that canon is on our side. This may help explain why various alternate universe settings didn't do so hot with the respondents -- the least fave according to this survey is an age!swap AU, followed by a raised apart!AU. Writers who are making Sam the big brother who lives in Cleveland while baby Dean lives in Seattle, you keep living your truth, but readers are rearing back.
That being said, while Canon Divergence isn't an overall winner, it has a full 149 votes in the 'Dig it' category; so, while we may generally prefer canon, we're willing to be led on a garden path away from it. We just want canon to be within shouting distance, at least.
Canonical Character Variants
Here's where the survey gets more complex. I've always been interested in how and why people are fandoming about things, and simple 'yes/no' surveys rarely dig into that meat. The point of the superego/ego/id separation is to really interrogate -- hey, do you like to read about (for example) soulless!Sam because you find it interesting on a high-minded level, or because your heart-strings are getting tugged even if you think it's kinda dumb, or just because it makes you so hornt-up you can't think straight? All are valid, and all are possible simultaneously, but it's interesting to prod at to see how the interest is working. You might also just be like, eh, it's fine, or GOD, STOP, and that's fine too. So, with all that said:
Superego winners:
demon powers!Sam (202 votes)
soulless!Sam (177 votes)
blood addict!Sam (160 votes)
Y'all like to really brain about how Sam is fucked up. I get it.
Ego winners:
Trials of Hell!Sam (186 votes)
blood addict!Sam (180 votes)
demon powers!Sam (161 votes)
Still all Sam, and no surprise that his saintly pale sleeplessness is winning the heartstrings battle.
Id winners:
demon!Dean (205 votes)
demon powers!Sam (175 votes)
blood addict!Sam (165 votes)
Again, no surprise: fandom girlies (gn) love their bad boys, lol. Soulless snuck in at #4 here with 163, presumably because working out still wearing a belt was juuuust dorky enough to kick him off the podium; #5 was Smith & Wesson at 162, probably because if they'd been left in that AU for ten more minutes they would have been fucking over the top of Dean Smith's desk. Glad we're all on the same page, there.
The nopes here were an interesting mix. In the full-on No Thank You category we had Michael!Dean and Gadreel!Sam (with 52 and 53 votes respectively) -- it would be interesting to know if that was due to dread of the storyline specifically, or just how No Bad Wrong it felt to have it happening. These two also led the 'meh' category, although they were joined on the podium of bad by Endverse!Dean (128 Meh votes), which frankly shocked me. Y'all aren't into his thigh holster? C'mon now. Sure, he murders his friends without compunction, but -- thigh holster!
Story Tropes
These ones were fascinatingly all over the place, which is exactly why I wanted to do this. Going to just run down the S/E/I podiums real quick, then 'Hard sell', then No --
Superego winners:
Outsider!POV (211)
Someone Finds Out (191)
Mental health issues (190)
Ego winners:
Mutual pining (252)
First time (242) AND Sick/injured (242)
First time in a long time (235)
Id winners:
Jealousy/possessiveness (224)
First time (218)
First time in a long time (180)
Now, part of what's interesting about these is how they fall off in other categories. Outsider POV wins handily at Superego with 211, but then drops all the way down to 92 votes at Id -- which isn't nothing, but clearly it's preferred to have a heckin' think about how other people view the incest relationship, rather than thinking it's just So Hot that people might. Similarly, while people do think it's so so hot for one brother or the other (or both!) to be possessive at 224 votes, when it comes to the superego that drops right down to 134 votes, presumably as the brain wakes up and goes RED FLAG!
Entering the land of no thank you, we shall have two anti-podiums:
Real hard sell:
Infidelity (127)
magic/powers!Dean (125)
Unrequited/no relationship upgrade (110) AND "Carver Edlund" fandom
This is a much more mixed bag. Infidelity and Unrequited are no surprise here, because it Feels Bad, Man; magic!Dean also not really a surprise, given that most of our respondents prefer being closer to canon, and Dean is very much our mundane buddy in the show as presented. (A delightful buddy, but a distinctly nonmagical one.) Carver Edlund fandom makes me laugh mostly because it's such a bananas thing to exist in the show. Sam and Dean reading big bang fics about each other? Collectively we just... don't know what to do with that. Weird.
Squick/No/Maybe one exception:
Permanent character death (140)
Infidelity (108)
Eating disorders (102)
Again, no surprise in the anti-winners of 1 or 2 here, but number 3 surprised me, personally. ED fic used to be a pretty big wedge of common tropes that people would seek out. Perhaps it's gotten less popular over the years? Or perhaps just that the people who like it REALLY like it and so chat about it out loud, while those who don't quietly bury it in sand, lo as a cat does with their leavings.
Most extreme delta in 'general interest' (whether that be S,E, or I) to 'ehh' (whether that be Hard Sell or Squick) is first time. Y'all loooove your first time.
Sexy Tropes, Vol. 1
This is where I really wanted to know if people could pull apart their interests between brain and heart and guts. Hopefully people were honest, as requested. Some of them we know are slight liar answers, because the hits on AO3 tell a story that can't be refuted -- nevertheless, here's what people were willing to admit to.
Bulletproof kink/will read any version:
Bedsharing (158)
Incest kink (139)
Size kink (133)
your friendly neighborhood survey creator is jumping up and down going 'wooo' that size kink made the podium. also I hope everyone understood that incest kink meant, like, indulging in the incest of it all via 'oh you're so totes my brother and i want to suck your dingle for that reason specifically', but I realize that could've been clearer.
Easy sell/you don't have to work hard for me to enjoy:
shameless bottom!Dean stuff (151)
switching (147)
voyeurism (138)
the first one here genuinely surprises me considering what I see getting written most often; is this a case of just not being in the right venn diagrams, or the 'easy sell' just not matching up with what people are being sold? Curiouser and curiouser.
Medium sell/not my fave, but I can see how it appeals:
bad/awkward sex (120)
phone sex (114)
in [drug/alcohol] veritas (110)
edging into awkward town in a few ways here: we don't love these, but we can see how it'd be fun. or not fun, in the case of bad sex.
Hard sell/this is unbelievable or uninteresting so you have to work hard to get me to enjoy it:
always-another-gender!AU (84)
multiple Sams or Deans (73)
genderswap (magic) (72)
so, in general, we prefer to keep the penises around and intact, but just one Sam penis and one Dean penis, please. Here, I'm interested that the volume is much lower than in the top category: maxing out at 84 hard sells compared to 158 bulletproof options means that we're willing to give more of these tropes a chance, even if they're not our faves. How accepting we are!
Squick/no/maybe one exception:
always-another-gender!AU (83)
A/B/O elements (65)
multiple Sams or Deans (51)
strong overlap with the hard sell; and, keeping in mind that people were able to choose multiple options, it's possible that some of those were identical votes. Again, please keep the penises straightforward and only two at a time. A/B/O is interesting here, especially given what we know of how well it does on AO3; while it's a big squick for a lot of people, it also has decently high votes in bulletproof/easy, averaging 82 votes. Mixed bag!
Sexy Tropes Vol. 2, Electric Boogaloo
Bulletproof kink/will read any version:
Possessive/claiming sex (129)
Marking (hickeys/bruising) (116)
Hair pulling (103)
Let's glance back up at the Id winners in the story tropes above, hmm quietly to ourselves, and move on.
Easy sell/you don't have to work hard for me to enjoy:
Marking (hickeys/bruising) (135)
Hair pulling (130)
Possessive/claiming sex (121)
Well, that's boring. So let's expand so as not to be repetitive:
4. Dub-con (116) 5. Dom/sub (113) AND Underage (113) 6. Knifeplay (107)
There we go. Pretty easy to put all of those into one fic, too.
Medium sell/not my fave, but I can see how it appeals:
Blindfolds (128)
Painplay (116)
Shibari/rope play (112)
We're starting to lose interest as accessories come into play. Interesting to compare D/s and its relative success against painplay -- so, tell him what to do, but don't hit him while you're doing it. Fair enough.
Hard sell/this is unbelievable or uninteresting so you have to work hard to get me to enjoy it:
Fucking machines (94)
Vore (80)
Mommy!kink (77)
Entertaining mix here, haha. General feasibility may be rearing its head here. (Also, for my own entertainment: daddy!kink got 67 Hard Sell votes. People generally prefer to keep it as horizontal incest, not vertical incest.)
Squick/no/maybe one exception:
Feederism (164)
Vore (161)
Extreme underage (157)
No surprises here, although some fans of the nibbly variety of wincest may be disappointed by vore's poor placement. Note also that 'extreme' is in the eye of the beholder; we'll leave aside value judgments, as we have for the whole survey, and note that people are not indulging in a version of underage they find to be personally past the line, or at least are not admitting to that.
At a glance, the closest matchup between bulletproof for some and a squick to others is bloodplay, with just 1 vote separating the two categories: 44 bulletproof, 43 squick. Next time someone tries to tell you that 'everyone' likes or doesn't like something, please take it with an entire shaker full of salt.
Dynamic & Position Preferences
I tried to encourage people not to think too hard about this one and just answer on instinct. Who knows if that worked. But here are some overview takes:
Toppy/dominant: Sam takes the lead here, with 69% of respondents being in the 'Love it!' category. Nice. (217 votes)
Dom Dean earned a respectable 52% of 'Love it!' votes (163).
However, I was also interested to check out the inverse --
subby!Sam: 44 'Very no thank' votes (13%) subby!Dean: 27 'Very no thank' votes (8%)
It's interesting to leap way back up and compare that against 'shameless bottom!Dean stuff' doing so well in the rated E categories. Makes you ponder.
Actual sex position: Frequently switching takes the win here, with 61% of the vote (194 votes). Sam always topping edges out if people must choose, with 144 votes; Dean always topping is our lowest choice, with 112.
Service!topping: this is a fairly niche fic type, but it does still exist -- I guess in a world of bottoms someone's got to actually get up and do something, and it is hilariously an almost perfectly even split:
service!top Sam: 50.17% (151 votes) service!top Dean: 51.50% (155 votes)
A healthy percentage of people said they didn't care about these questions either way, and more power to them. However, they were wildly outvoted by those who did.
Multishipping Time
Our final categories are when other people get their grubby hands on Sam or Dean, either canonically(ish) or in our fandom activities.
Canonical relationships for Sam
Jess wins, quelle surprise. :) 161 people Dug It and who can blame them.
Amelia LOSES, shocking no one: 112 people said Fuck That.
Eileen was definitely a mixed bag; her results, in order, were: Meh: 92; Fuck that: 76; Worse than meh: 66; Dug it: 44.
Canonical(ish) relationships for Dean
Note here: it was too unbalanced if we only went with people Dean officially dated. However, the show leaned hard into a few unrequited male relationships for him, which we included here, and no one sent me hate about it so I guess that was fine.
Benny wins the Love It! category with 129 votes, barely edging out Cassie at 122. Benny is best boy, so that fits.
Cas loses with a full 99 Fuck That votes, which is probably what we'd expect from a wincest survey. That said, he also got 93 Dug It votes, so it's a pretty balanced showing.
Poor Lisa sits firmly at Meh with 148 votes. It's not that we hate you, Lisa; we just don't really know what to do with you. Which is pretty much how the relationship went in the show.
Shipping Sam like FedEx
We returned to the S/E/I model for shipping as we did for tropes, because it means something very different to go 'oh sure, I can see how that would be interesting' vs saying 'I want them to fuck rawnasty and I don't care why they're doing it.' Apologies if I left out your favorite side-ship but, shit, there's only so much time in the day.
So, we return to the podiums:
Superego:
Ruby (132)
Rowena (121)
Cas (102)
Ego:
Rowena (121)
Cas (106)
Ruby (90)
Id:
Ruby (125)
John (121)
Rowena (118)
So that was going on sedately until Dad came in like a hammer. Fascinating. On the other hand:
No:
Lisa (234)
Donna (222)
Claire (219)
Interesting to me that these three are ladies that Sam theoretically could have got up in but people are not into it, regardless. This is slightly different to Dean's 'no' category -- spoilers for three inches of screen space!
Dean, Shipped by UPS
Superego:
John (129)
Benny (115)
Lisa (99)
Ego:
Benny (134)
John (116)
Lisa (102)
Id:
John (147)
Benny (128)
Crowley (114)
Well. That tells a slightly different story, ahem. Enjoy the various tropes that will be applied, Dean! And then we get:
No:
Amelia (245)
Kevin (223)
Gabriel (217)
Comparing to the Sam 'no' above -- these three are slightly more 'traditional' Sam ships, though the wincest shippers are nevertheless not into them for Sam, either. Dean literally never spoke to or saw Amelia on screen, so it'd be a determined shipper who'd make that happen. Not undoable, though!
Conclusion
Syke: there isn't one to be made. This really shows how diverse the taste is in the wincest community, or at least in the wincest community that a) happened to see this survey over the last five days and b) bothered to take it. This particular group leans slightly toward e.g. toppy Sam, or slightly toward switching, but when you look at raw numbers what you see is that at least one person LOVES every single one of these things, and at least one person fucking HATES every single one of these things, and so -- so what? Write what you want. If you see a niche of something that you love where you feel like not enough people are writing or reading, try to fill it. If you're worried "no one" will like it, well -- you're wrong. Someone will. It just needs to get seen by the right people.
That's where fandom comes in, to spread the love even if something isn't bulletproof for us -- reblogging a post to say, 'hey, my mutual made this thing, look at it!' What a joy it'd be if someone saw it and loved it to absolute shattering bits, and then found their little bulletproof community, and happiness was made. What's the point, if we're not making each other happy.
Thanks for participating if you did, and reading all this if you did. Here's a link to a google sheet (read only) with all the tables of raw data if you're interested. I'll post some of the more entertaining fill-in answers later.
s&d shipping survey results: November 1, 2023 - Google Sheets
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vilnmelling · 6 days
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The Matthews-Goldstein-Lipschitz-McNeils
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While I make some more alignment charts, voilà, here's my rendition of the Jon Matteson family tree!
Gary and Paul are brothers, and they have an older sister who my sister and I definitely didn't name after Jon himself. There's quite a big age difference between the siblings, with twelve years between Joan and Paul (Gary's somewhere undecided between there).
I've seen many people headcanon Gary as Richie and Trevor's dad, but I just canNOT see that man raising children. Plus, the surnames don't match up. Speaking of surnames, though, Gary changed his on his own accord, purely for his lawyer brand. "Gary Matthews" just didn't have the right ring to it.
Joan has three sons: Trevor, Richard ("Richie") and Daniel. Trevor and Richie are twins (Trevor is eleven minutes older, I don't make the rules). Paul used to be saddled with babysitting the trio, and as a result, he's very close with his nephews, even now that they don't need babysitting anymore. He's especially close with Richie. BONUS: Trevor is the reason Paul had to see Godspell at the rec center. Trev was in it, and he also thought it was awful (in a fun way).
Since Black Friday tells us two of Linda's sons aren't Gerald's, and Lauren has confirmed that Linda and Gary have had at least one affair, we put two and two together and now Gary's the biological father of Trent and Seaton. (Seaton was picked at random, and Trent being Gary's child was just obvious). Whether or not Gary knows this is up to interpretation. It's possible Linda's the only one who knows.
Wallace McNeil and Boy Jerry are brothers and the cousins of Joan, Gary and Paul. Wallace got the f*ck out of Hatchetfield the moment he had the possibility to. Girl Jeri converted Boy Jerry into such deep Christianity, but then he took it further than she ever had.
Due to Lauren confirming Linda and Gary's affair/s (whether it was a joke or not, I take that as canon now), Roman Murray and the Monroe family aren't a part of this family in any official, legitimate way (*cough* looking at you, Gary and his illegitimate children *cough*).
For reasons I hope are obvious, Wiggly isn't included either.
Now just imagine the family gatherings. Summer barbecues, where Trevor takes every opportunity to reference the Barbecue Monologues. Christmas celebrations that Boy Jerry is specifically asked not to show up to. He shows up anyway — even the time they didn't tell him at whose house they were celebrating. Birthday parties where no one has any idea what to buy the birthday person. What does Paul get Trevor the theater kid? What would Boy Jerry get Richie the anime nerd? What does anyone get Paul the Normal Man?
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dolls-self-ships · 2 months
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How I think the HH crew takes their coffee
Lucifer orders the most complicated, sugary, step specific drink you could imagine. He is hated by baristas everywhere. Also gets so excited when ordering he changes it at least 3 times halfway through explaining it. Probably gets something different everytime too. He is a regular with no usual. Charlie canonically likes frappaccinos! Like her dad, I can see her having similar tastes, sugar, but also wanting to keep it simple so that she doesn't overwhelm the employees (she's too considerate for her own good). Orders straight from the menu exactly how it is with no alterations, is also the one who probably walks in with a list of orders for her friends, goes as slow as possible for the cashiers sake. Angeldust rolls up to the drivethrough hung over and orders something iced- probably a caramel drink and he asks for it to specifically be drowned in caramel, and an extra shot. Either that or a vanilla iced latte. Vaggie is not a huge fan of coffee, she gets a tea or tea latte instead. Earl grey is her favourite and she likes a lot of milk. Alastor loves a nice extra hot black coffee. He wants that bitch scolding and bitter. Doesn't even drink it, just splashes it in his face. Where that would normally give someone 3rd degree burns, it gives him some 'extra pep' in the morning, as he puts it (god he's a fucking freak) Husk takes his coffee black also, but instead will spike it with his own bourbon he keeps in a flask. Will sometimes get cream and sugar if he's feeling, as he puts it , 'fancy' (bro is so low maintenance) Nifty isn't allowed to have caffeine for obvious reasons Sir Pentious is another non-coffee drinker but drinks exclusively tea. Is a bit of a snob about it too. Needs the leaves to be fresh or he WILL be able to taste the burntness. His favourite is peppermint. Would rather die than bother the barista to remake it though so he normally brews his own with his own needlessly complicated tea making invention of course.  Cherri bomb loooooves caffine, but isn't much of a coffee drinker. More of a monster energy and redbull kinda gal. She needs something she can drink fast and hard. Don't even get me started on those 5 hour energy drinks. Oh boy. Don't let her near them (she will kill u for one) Vox is an avid coffee drinker. Practically lives off of it and can't get through the day without (it's a problem). Definately has one of those 'don't talk to me before I've had my coffee' mugs bc he's an asshole. Drinks like 5-6 cups in a single day. Send help. Velvette gets a coffee once in the morning and then one in the afternoon. Pulls up to the cash register with her sunglasses on and outfit for the day put together, intimidating buisness lady vibes off the charts while she orders between phone calls. Also definately shushes the barista of they try to ask her any questions, can't you see she's on the phone? Her order is LONG and COMPLICATED and she needs it made the way she likes to a T, she also talks fast and no she will NOT repeat herself so you better be a fast writer. Probably gets something vanilla flavoured with 3 shots of espresso in it. Valentino isn't a coffee guy but if he needs it for a long shoot or late night he gets either an Americano or pure espresso shots. No time to waste with the frills and fancy stuff despite the look of him. Also will throw the cup at the barista if the shots come out burnt or expired.
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Guys. Why is there even a debate here. Some of the games were explicitly written to be connected, some of them weren't. Not everything has to fit into one cohesive timeline. As a matter of fact, they can't. Now, there is some more nuance to it. Read below for my explanation (infodump) plus a more nuanced chart.
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Red and blue lines are canon within the games' text. Ambiguities are filled in with green. I'll get more into that later. Let's first explain the two completely separate mini timelines.
The Four Swords miniseries stands mostly alone. The Master Sword and the Triforce are present in every other game or (mostly--looking at you, Master Sword in LoZ and AoL) have a good reason not to be, but they are not present at all in these three games. Instead, we have the Four Sword and Light Force. The only wrinkle is that Ganondorf shows up in FSA... so I don't know about that one. I don't think anyone does.
As for BotW and TotK. Oh brother. What do we do with these. Skyward Sword is intended to take place seemingly millennia, or at least several centuries before Ocarina. We see the founding of Hyrule with the first monarch and her chosen knight, the cycle of recurring evil and heroism being established, and the forging of the Master Sword
Wait. What about Rauru and Sonia? I thought they were the first rulers of Hyrule. And if the Zonai were around long before Hyrule, where is any of their presence in Skyward Sword? Huh. Alright. We don't know how much time passed between the first Calamity and the second, but from the past era of TotK to its present, we can account for at least 10,105 years of history. We don't even need to get into how Zora and Rito coexist or anything smaller like that. There's just no fucking way these two games fit with any of the others. Fine, that's fine. Moving on.
There's also a little hiccup around the Oracles. Nintendo seems to go back and force on whether the Oracles feature the same Link as in ALttP and LA, but if they do, it probably makes more sense that Oracles happen before LA (the linked Oracle game ends with Link boarding sailing off on a small ship and LA starts with him on one). So like... I guess they fit there?
Either way, let's take a second to look back at where this idea of a timeline split happened. Remember that WW and TP both clearly take place after OoT. That isn't theorizing, that's in the actual text of each game. The thing is, they're mutually exclusive. TP has Ganondorf being executed, as he would have been after the Hero of Time goes back to his original era and warns Zelda that her plan to get to the Triforce first isn't going to work (which is implied to be what happens at the "The End" screen of OoT). WW has Ganondorf coming back by breaking the seal put on him, and the Hero of Time didn't appear to stop him again (as would happen if Link was sent back in time). Fans started theorizing way back in 2006 that OoT created separate timelines, with WW and TP being mutually exclusive sequels to it as the evidence.
Some fans have asserted that Nintendo just "took" the fan theory. But come on, put everything together here. The texts of OoT, WW, and TP HEAVILY imply the timeline split. The only reason we called it a theory is because the writers didn't literally say "And then the timeline split in two". The texts are pretty clear though. It's the only thing that makes sense. That isn't to say that there needs to be a cohesive timeline, and that the split is the only way to fit it together. No, OoT is connected to both WW and TP no matter what. That was the intent. It's just that the explanation for OoT to have mutually exclusive sequels actually fits neatly into the texts of the games.
And now we come to the tricky part. Put yourself back into the 90s real quick. ALttP seems to have been written as a prequel to Zelda 1, showing Hyrule before its period of decline. Alright, let's just accept that because it may as well be true. The lore at that point was so thin that it made enough sense. I kinda slapped Zelda 1 and 2 at the end there to show it, because we do have a cohesive timeline from ALttP to TFH. That's fine, all well and good.
Likewise, OoT seems to be written as a prequel to ALttP. We see conflict over the Triforce, the origin of Ganon, the seven sages, and an earlier iteration of the Master Sword. Back in 1998, we had no reason to not believe it. These are tenuous connections that are not explicit in the games' text, so I've paired them with green lines to show it.
But wait. ALttP is ALSO mutually exclusive to TP and WW. Oh brother. What do we do about this? Even after figuring out the timeline split in 2006, fans didn't know what the fuck to do with the first four games of this franchise. They could go after TP, but that's even messier than putting them right after OoT. Yuck. This doesn't feel good at all. Oh yeah, and then there's the Four Swords games that don't fit anywhere.
Now you can imagine the position the writers of Hyrule Historia found themselves in when they were tasked with creating an official timeline. Some of the games have certain explicit connections, as detailed in my first chart. But they had to cram everything into one timeline. Well. They knew they had a timeline split in OoT, because that's what the texts of OoT, WW, and TP collectively say. The lore of ALttP also mentions seven sages (or wise men, but let's call them sages), but not a legendary hero. So... if you really stretch your brain out here... it kinda makes sense that there's a timeline where the Hero of Time died fighting Ganon. Maybe. Kinda. Not really, but kinda. And then there's the Four Swords miniseries. Fuck it, throw them in randomly.
The two-way split doesn't disagree with OoT's text at all, which said that Link won. The three-way split does disagree with it by asserting that Link lost. But if we're really trying to fit everything into one timeline, that is the cleanest place to put them. Some people really hate this, but it does seem that those are the same people that demanded that there be an official timeline in the first place. ie the same people who were gonna be pissed off with anything Nintendo gave them that wasn't exactly their own theory being confirmed.
Alright, real talk. The producers of the Zelda series have said time and time again that they think of what would make a fun game then write a story that fits around it. The Wind Waker devs wanted you to sail around the ocean. Then the writers decided "oh, we could put this after Ocarina! After all, weren't they left without a hero? What if Ganon came back with no one to stop him? How would that problem resolve itself? What if the gods just flooded the world?" Then the Twilight Princess devs wanted a spiritual successor to Ocarina, with an epic adventure on horseback across the traditional Zelda kingdom setting. So the writers went "hey, in Ocarina, Link warned Zelda about Ganon, right? What if he was executed then, and then the world was never flooded?"
We have to realize that trying to put games with this design philosophy into a neat little timeline is a futile effort. It's never gonna work because it wasn't designed to. More so than any other storytelling medium, video games take so many approaches to continuity. The Halo games were all meant to be sequential and fit neatly into a strict timeline. Pokemon is all canon within itself but the ties between games are less important than the stories of each game. Mario essentially has no canon except for recurring characters and settings. Zelda is gameplay first, canon second. That's why the two most recent mainline games don't even try to fit in the canon of the previous eighteen. That's just how it works and we're gonna have to accept that.
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avelera · 10 months
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Headcanon: ADHD Hob and Rejection Sensitivity Dysphoria
So I went down the rabbithole on ADHD and rejection sensitivity dysphoria (and found this lecture that legit made me tear up if you have or think you have ADHD, go listen to it here) and it got me thinking, as everything is wont to do, about Hob Gadling and how if he had ADHD, which I think there's lots of fun in-text hints at that at least allow that interpretation, what are some other ways that could manifest besides his ebullient and never-ending love of life in all its endless variety?
So as sufferers of ADHD know, it's not all fun and games. The flip side of living with a dopamine-starved brain that's always seeking out new experiences and seeing the world through that lens is that other emotions slam us hard too, like rejection sensitivity dysphoria aka, "the most minor criticism can feel like an actual knife in the chest, no I don't mean mildly bummed out, I mean full on fight-or-flight brain meltdown because someone told you a comma is in the wrong place in your manuscript (not that I'm speaking from personal experience yes it's that dumb)".
ANYWAY, so I'm thinking about Hob and RSD and specifically 1789.
Specifically the line, "It's just how it's done," referring to horrific practice of human trafficking and how Hob basically shrugs while, to his minor credit, looking suddenly uncomfortable and guilty, about the fact he actively profits from this industry, and the way he cringes in on himself when called out kinda seems to indicate that he knows it's a vile practice and isn't super comfortable with being reminded of his fact by someone he respects, like Dream.
A couple notes on that little exchange between Hob and Dream:
1 ) The face Ferdinand Kingsley-as-Hob makes in that moment is absolute textbook adult ADHD rejection sensitivity dysphoria. Namely, the point where you know criticism hits you like a knife in the heart, particularly from people you respect, and you just have to cover that flinch of literal physical pain with a careful poker face.
The way Hob's tone suddenly goes cold and with his very genteel, received-pronunciation manners he levels Dream with perhaps the closest he's ever come at this point to lashing out, "You're giving me advice...?"
I'm not saying that canonically it's RSD, or that neurotypical people don't suffer pain and disappointment when receiving disapproval, but to my eyes at least, Ferdie Hob takes Dream's comment very seriously, much more so than the comic counterpart did (who needed multiple nudges before he even realized what Dream was trying to tell him about getting out of the shipping business and still seemed a bit clueless about why Dream would want that or care by the end).
2 ) Going into proper headcanon territory, I personally chart Hob's journey from destitute to wealthy slave trader as the product of someone who stopped giving a shit about others after everything he suffered in the 1600s. To be perfectly clear, this is not a fucking excuse for it, it's an examination of motives.
Because technically, after everything Hob suffered in the 1600s, he could have emerged with more empathy for the plight of others. But clearly that didn't happen. From an entirely human motivation level, that leads me personally to the conclusion that since no one helped Hob when he was at his lowest (not even Dream, though I dearly wish it was otherwise and wrote extensively on what would have happened if he had) that led him to the belief, put simply, that fuck the world so long as he got his. Why should he care about anyone else if no one cared about him?
But to go back to the topic of this essay, RSD, there's an additional element to that theory on why and how Hob leaned into not giving a shit about others, and that missing factor from what's described above is the element of everyone is doing it. Specifically worded as, "It's just how it's done."
Another really fascinating lecture I listened to on ADHD talked about how the most common trauma reaction ADHDers have to their sense of rejection, shame, and guilt that comes the way our brains react to the world is by hiding. And that also got me thinking about 1789 Hob in this context.
Because Hob as we see him in 1589 is loud in his happiness. He's sitting there, bold as brass in the middle of the White Horse, showing off his wealth with a banquet, loudly declaiming about how he pretended to be his own son twice, worked in the Tudor shipyards (what would have been 50+ years before) and just how he spent the last 100 years working his way up to his knighthood. The man does not have an ounce of caution in him. But, he is also by far the happiest we ever see Hob (up until Dream ditches him in the middle of their date).
This is important because to my eyes, Hob is living openly and unashamed and with only the barest hint of caution typified by pretending to be his own son every couple decades. The way he describes his last 100 years sounds like an ADHD dream, basically getting a boat load of money from Caxton's printing press (basically the first tech startup unicorn of the modern era) and then running around wherever his interests took him where he also made money hand over fist, kept climbing, and eventually reached the point where he could purchase the acclaim and regard of a member of the (albeit minor) nobility. All of this after being born a peasant. That's just validation and money and prestige and getting to pursue your special interest and live as your authentic self all over the place. And I do mean authentic, Hob doesn't even seem particularly worried about talking openly in the White Horse about being 200+ years old, a strong case could be made that he's not that careful in his personal life either.
So anyway, Hob has this amazing century literally followed by the worst century imaginable, filled with the sort of horrors that can tear a man's soul asunder. Losing his family, his beloved wife in childbirth with their new baby, his adult son, his home, his money, everything he spent a century building. His title and name are gone too because of the nature of how he lost it with the accusation of witch craft, which also means he can't just fake being his own son again to get it all back because they're explicitly going to notice that this time.
And how did this all happen? Because Hob got noticed. He lived there 40 years, overconfident is his own words. Which is a wild thing to say about a bunch of witch hunters showing up at his door! He blames himself for being drowned as a witch. On the one hand, I imagine he has to think that way because otherwise he has to admit to the sheer brutal randomness of life, so in a way he's trying to take control of the narrative by blaming himself.
But it also smacks of ADHD again because ADHDers very commonly shift the blame onto themselves after years of their unique nervous system response making them a round peg in a square hole of wider society. We learn over and over that the mistakes we make are our fault, because of "laziness" or "apathy" which isn't apathy at all but deep agony over our inability to accomplish tasks in a neurotypical way without the support we need, but I digress. But it sure sounds like Hob may have been paralyzed by grief for literal decades and then blamed himself for not getting the mental spoons together in that context to move on and reinvent his life after losing his wife and child. Which would be a very ADHD thing to do.
So after this absolutely brutal smackdown by reality for living too openly, too loud, too ADHD, getting paralyzed by the powerful emotions he felt (if we follow the headcanon) over the grief and loss in his life, what is Hob's next step?
Hiding.
Blending in.
Not rocking the boat.
And again, not excusing it, there's plenty of other industries he could have gone into to blend in that didn't involve human trafficking. That said, if he went to sea, which we know Hob did on many occasions from the comic, it would be seen by his peers there at sea as a normal way to make one's fortune, and then.... well, we have as evidence that this is his current peer-group the sort-of pride with which Hob announces how he's making his fortune these days in the "shipping business", as if he's expecting Dream's approval.
That to me, reads a bit like the people pleaser/social chameleon aspect of ADHD. Hob is expecting to be praised for being successful by Dream the way he would likely be praised by his peers in the shipping business or among the wealthy privileged men of England. He's so steeped in that world now that he's clearly taken aback when Dream takes the (at the time more radical but not uncommon) stance of, "This is wrong."
And Hob knew it. But he was blending in. He was going along with how things are done. He wasn't rocking the boat. He has other hints at trauma responses too, "salting money around the world" in case there's political upheaval, for example. This is not the loud, boisterous Sir Robert Gadlen untouched by loss or trauma. He has been humbled and tempered and, indeed, made afraid by what happened to him.
This sort of wild swing towards protectiveness? Again, also ADHD. As the lecturer I linked first noted, ADHDers are textbook defenders. They are always defending themselves from the world that can suddenly, unexpectedly, plant a knife in their heart because of a perceived rejection. From a world that wants their brain to work in a way it doesn't, so they have to come up with myriad painful coping mechanisms to fit in, blend in, mask, and function. Hob was forced to protect himself after the 1600s, so he did, with money, and with not caring about other people, and with insulating himself from privilege, and becoming a social chameleon.
1589 Hob tries to earn back Dream's interest, but he doesn't fawn. Dream shows interest in Shaxberd and Hob, already starting to get irritated, tells him no, Shaxberd is crap.
And you can tell in 1789 that Hob is thinking about that day again when he gets Dream's disapproval, because who does he reference? That lad, Will Shaxberd. He's fearing rejection and abandonment again, or at least it's crossed his mind after Dream's admonishment. But this time, Hob is fawning more, very nearly flirting. He's trying to play the game better this time, trying to keep Dream's interest, social chameleoning the subject onto safer topics, things he thinks will interest Dream, as Shaxberd so clearly did, so let's talk about him if that's what you care about. Again, another ADHD social chameleon, people pleaser aspect. We are nervous empaths, we are constantly picking up a bazillion signals both real and imagined. And we're so fucking terrified of that RSD knife in the heart, we become people pleasers to avoid it. After the shipping business brag fell through, Hob pivots to talking about Dream and what, in his experience, Dream seems to like and talk about favorably.
So anyway, many many ADHD-esque rambling words later, there's a few more little details I'd add to the list of "possible ADHD behavior, not just the fun parts" for Hob Gadling. Is it canon? Maybe not. But it does make for a great headcanon, in my opinion.
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Now that submissions are closed, we can talk stats. There were 881 valid, unique submissions for 474 characters! Woof, women have it rough out there!
The most submitted characters, with a relevant propaganda snippet included, are:
1. Sakura Haruno (Naruto): 28 [where do i even fucking begin]
2. Cordelia Chase (Buffy the Vampire Slayer/Angel): 21 [OH SO MANY THINGS]
3. Misa Amane (Death Note): 20 [The author of Death Note invented new forms of misogyny just to apply them to Misa.]
4. Kaede Akamatsu (Danganronpa V3): 15 [Oh, you thought we would have a female main character in one of our mainline games? With a cool defining talent, no less? That's stupid of you]
5. TIE: Kairi (Kingdom Hearts): 14 [I'm so mad. I think she deserves a gun.]
5. TIE: Stephanie Brown (DC Comics): 14 [She does eventually get retconned as surviving the event and hiding out in Africa (don't ask, it does not make more sense in context)]
The canons with the most submissions, with a relevant propaganda snippet included, are:
1. DC Comics: 61 [DC has SO MUCH sexism it's laughable]
2. Buffy the Vampire Slayer/Angel: 35 [Fuck Joss Whedon, man.]
3. Naruto: 33 [because Kishimoto hates women]
4. Warrior Cats: 26 [Warriors is one of the most misogynistic children's series I've ever seen]
5. Danganronpa: 25 [I honestly had to think about it just to decide which woman is treated the worst because this series hates them so much]
The canons with the most characters submitted, with a relevant propaganda snippet for a specific character included, are:
1. DC Comics: 21 [Free her from the huge tits back breaking pose.]
2. Buffy the Vampire Slayer/Angel: 12 [Anyways she was so hot and for what. 10/10 my lesbian awakening.]
3. Supernatural: 11 [Yeah, she got randomly killed off-screen for shock value and manpain, but she sent an email right before she died so at least her death wasn't in vain, right?]
4. TIE: Star Trek: 9 [She literally gets teleported out of her clothes in one episode.]
4. TIE: Yu-Gi-Oh!: 9 [One loss is particularly brutal as she falls from a large height directly onto her head and goes into a coma (again. yes this was the second time).]
5. TIE: Warrior Cats: 8 [I'm sure she'll get submitted again just ask any reasonable fan they'll tell you about her and her sister]
5. TIE: Attack on Titan: 8 [As a child soldier, she does commit some war crimes]
And here are some charts to show how some of these entries fucked the scale on my charts:
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Look at Sakura, fucking up my chart with her numbers.
On a similar note...
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Good god, DC, I know what you did, but add fucking up my charts to your list of crimes.
And now, enjoy some rankings of my favorite things:
My favorite universal sentiment quotes from propaganda are:
She lived she served cunt and then she got killed off super early so that the male characters could experience man pain and also because I guess she would have been too powerful if left alive. [Wen Qing (Mo Dao Zu Shi)]
That design. Dear god. I don't want to live on this planet anymore. [Mitzi (The Queen's Corgi)]
In the end she may have girlbossed too close to the sun, but I support her anger. [Ling Wen (Heaven Official's Blessing)]
the victim of “writer doesn���t understand women and also hates them” disease. [Naomi Misora (Death Note)]
She could 100% kill somebody but nobody ever effing lets her. Rip queen. [Kairi (Kingdom Hearts)]
My favorite raging at a writer quotes from propaganda are:
1. You took every single protagonist to weird lion heaven, Clive, but suddenly Susan isn't good enough. [Susan Pevensie (The Chronicles of Narnia)]
2. Being a woman written by Joss Whedon should automatically entitle her to financial compensation tbh. [River Tam (Firefly)]
3. A lot can be summed up in a couple words, namely, "Furman, why?" [Arcee (Transformers)]
4. Can you tell respect women juice ran in Tolstoy's veins. [Lise Bolkonskaya (War and Peace)]
5. TIE: (specifically a guy called Dan Didio, who we all hate) [Stephanie Brown (DC Comics)]
5. TIE: until Geoff motherfucking Johns comes into the picture [Pantha (DC Comics)]
My favorite quotes from propaganda that have nothing to do with misogyny, y'all are just funny:
I wish I could use bold here, because there's no such thing as uppercase numbers. [Arcee (Transformers)]
the most convoluted and lore dense piece of media this side of the afton criticality. [Jane Crocker (Homestuck)]
ended up starting a gang war by accident [Stephanie Brown (DC Comics)]
Ashfur, who later turns out to be a murderous incel [Squirrelflight (Warrior Cats)]
Hawkfrost is actively seeing Brambleclaw and his evil father in cat hell. [Squirrelflight (Warrior Cats)]
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beanghostprincess · 4 months
Note
I saw the strawhats chronic pain asks and had a moment of CROSS GUILD CHRONIC PAIN-
Crocodile is an amputee. Like. Canonically. Phantom pains.
Mihawk has HELLA light sensitivity vibes ((I Gift him,,,,, my migraines))
And Buggy? Oh my favorite little punching bag, I bet the spatial awareness necessary for his DF must he OFF THE CHARTS, not to mention bomb making, harmful chemicals, etc, I feel it in my bones that he has an autoimmune disorder of some kind and also migraines bc the highest flattery I can give is projection.
Ignore this if you wanna, t'was just a Thought, love your blog, Bean!!!!!! ♡♡♡♡♡♡
YAY CROSS GUILD ASK I AM IN SUCH A CROSS GUILD MOOD LATELY YESYESYESYES!!!!!!!! And I'm making this romantic because if I don't make cross guild gay I might die. Thank you.
Okay, so what I'm hearing here is that they keep their lights real low on their shared tent, and whenever they have meetings: At the start of their business relationship, they're still learning how to get used to being together. Buggy is used to stage lights but only for a while and he doesn't want these two to know another weak spot of him (also the pain around his whole body is killing him sometimes), so he tries to deal with the migraines and being uncomfortable because he knows that complaining will only lead to these two using him as a punching bag. But lucky for him, Mihawk does mention one day that he hates brightness (because edgy vampire can't say 'my head fucking hurts' like a functional human) and so he says something about candles. Buggy is afraid they might set the tent on fire but he prefers this over the headaches. Crocodile doesn't give a fuck about this, honestly. Then, they start growing closer and y'know, I'll just skip to them dating- They're dating. They share a tent there at Karai Bari. And now it's something to do instinctively? Like they just keep the lights low or light up some candles and they just live like that. Whenever they're on a ship they do this too.
Following what I just said, they're affectionate but like, in a weird way. Because, y'know, look at them. Buggy ends up crying and complaining about his headaches and also when his body won't stop hurting. He's a drama queen, of course, a diva. He lives flashily. Cries flashily, too. He always curls up beside Crocodile so the big big comfy man can provide him some comfort and warmth and pats on the head or something. Crocodile just runs his hook through his hair softly and lets him be annoying for a while until he falls asleep on top of him. If he has to do something he just??? Won't do it??? He's a pirate but he isn't a fucking monster. One day Mihawk catches them and they share that look of understanding that only cat owners understand, because God (Nika is the only one I believe in, something something amen) is watching and if you dare to move when a cat's in your lap, you go instantly to hell. On the other hand, when Buggy cries and Mihawk is the one around, he gives him some painkillers and turns off the lights completely to then read Buggy one of his books. He does this without saying a word and the first time this weird, silent sign of affection happens, Buggy is speechless. And also, yes, Mihawk can read in the dark perfectly well because he's a cat. He sees in the dark. I even think Buggy can see his gold eyes staring at him. They're like the headlights of a car. Oh, and Mihawk deals with his migraines in perfect silence but when it's a bad day he gets into a very irritable and irascible mood. Most people would be complaining about it but at least this way he's more talkative? Somehow? He's a bitch to Buggy for a while and then they just talk shit about other people together while Crocodile makes a comment like "If you're well enough to complain, you're well enough to continue worki-" and it's, like, the and only time Buggy instinctively throws a pillow at him to shut him up. Never again, though. Scary mafioso-looking boyfriend.
Now that we're talking about Crocodile, the phantom pains: They stress the fuck out of him. They're painful and uncomfortable and he wants to strangle somebody. On a good day, that somebody isn't Buggy. And on a bad day, Buggy really tries to be the sweetest fucking thing on earth by making everything comfortable for him and disappearing right away. Maybe he starts an argument with Mihawk for something stupid but they make up later, it's fine. But, you know what? Sometimes he needs comfort and somebody to distract him too, so one day (when Buggy is about to disappear for hours so he doesn't end up suffering the consequences of staying too long with him) he tells Buggy to stay. The clown is frightened, but he does what he's told and- And it's surprisingly sweet? Crocodile just tells him to talk to him. Explain something. Anything. Complain about the fucking weather or tell a joke. Anything. And Buggy is genuinely surprised but ends up either talking shit about people or telling him anecdotes or just reading him the paper. And Crocodile seems to like it??? A surprise for both, really, but the man actually likes having the clown around because it is working really well as a distraction and when Buggy is not being annoying Crocodile realizes why he loves him. He loves him when he's annoying too, though, he bullies him out of love. Sometimes he just tells Buggy to come sit on his lap and stay there and Crocodile is still in pain but somehow being with the clown makes him feel better. Mihawk tries to be comforting on these days too but it's more of a "you ought to rest, otherwise you'll be irritable all afternoon and you cannot keep frightening the subordinates" type of silent care than anything.
Also, I want to add Crocodile almost murdering a man one day because they were doing business with him on his ship and he had a lot of lights on (when he was asked not to) and both Mihawk and Buggy were visibly uncomfortable the second they entered the room. I love protective Crocodile. He looks like he'd just murder men without any remorse for talking shit about the other two. I like it.
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msmargarita · 10 months
Text
✨🤓Johnathon/🕳️ Spot Headcanons✨
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These are some headcanons I wrote for my two fics:
i'm not going to turn into a cosmic anomaly and leave you forever
and
i'm really serious this time, baby
It has !!spoilers!! for both of those fics!
It's basically an AU unless I somehow foresaw the future and guessed what happens in BTSV!
Beware the keep reading button. This is HUGE.
🤓 Johnathon HCs!
HE IS A GEMINI. Like come on. Talks a lot, nerdy, silly guy. He is a canonically silly guy! In his first fight with Miles he pretends to have hurt his nose (he doesn’t have one) to trick him. So silly! I would bet there's Capricorn somewhere in there too. And Pisces. I’ll make this man’s whole birth chart if you dare me. Just dare me. I’m insane.
Jason Schwartzman used to be in a band in the 00s. I think it would be cool if Johnathon also had some sort of interest in music. I think he would have tried to learn guitar in college but only got a few chords in before life got too chaotic and every now and then he thinks of picking it back up. 
He is also one of those guys who fanboys over old ass music, especially from the 60s and 70s. Loves Jazz, Funk and Prog Rock. Look at this man and tell me he is not a prog rock guy. He is a nerd, he might even be *shudders* a math rock guy. I also think he would have one completely random favorite artist that has nothing to do with the things listed above, like, idk Lizzo. Or Princess Nokia. He just looks like the type.
I think everyone agrees Johnathon is at least in his thirties, but I put him down as thirty-three in the end. I did that because Olivia is thirty-five tops in ITSV (according to Peter) and since he was her subordinate it makes sense that he would be just a little bit younger than her. 
“But hey! That's too young to get a PhD!” you might say, but I think Johnny is an overachiever. I think he was one of those super genius kids that got in early in college and lived for academia. A teacher's pet even.
He is a workaholic, so when he quits his job he gets really lost and doesn't know what to do with himself. He might have a new job soon doing what he loves, so you’re going to need to be on his ass so he doesn’t fall back into his old habit of overworking. 
I like to think that Miles would get an internship under Johnathon a few years in the future and they would learn a lot together. Jonathan would probably take a week to figure out he is Spider-Man and would cover for him when the boy needs to disappear. This actually sounds like a fun drabble to write about.
Johnathon may be a genius, but like he said, he is not too familiar with relationships. I think he might've had one or two in the past, but everything slowed down when he started working at Alchemax. “I’ve been told” is referring to those past relationships, in which he was probably told that he works too much and never has time to spend with his partners. He’s not been with anyone for a long time and his game consists of buying the first comic book he saw on a shelf in order to ask you out.
But that doesn't mean he is cold. Quite the opposite really, Johnathon is very touchy-feely. He hasn't been with anyone for a while and misses touching and being touched. He is most comfortable when being at least 70% curled around you. 
He smokes Dunhill Carltons (he likes to feel fancy), but less now that he isn't as stressed from work. Like he said, he used to go on walks to smoke and pass by the comic book store you work at before you guys had even met. I like to think he developed a little crush back then.
Had his tattoos done in college, so they are very faded now. He doesn’t think of redoing them because the mere thought of having to stay seated for hours in the same place feeling pain stresses him out. He was a lot more easygoing when he had them done.
He did have a superhero phase when he was a kid. He would fantasize a lot about having superpowers and flying away when the bullies showed up. Never thought about fighting back. Before becoming the Spot, he wasn't the confrontational type. The hero thing fizzled out as he grew older, but he would always dream about being stronger. Being a better version of himself in a kinda superficial, but understandable way.
He still has a bunch of action figures, he thinks they look cool. If you give him one, he won't even care if he knows the character or not, he just likes them.
Even though Johanthon says he is “good-looking”, he does add “for a scientist” in the end. I think he tries to mask his insecurities with humor, always putting himself down with a joke, always saying he’s too old, too corny, too nerdy. In the back of his head he knows the hair and the glasses are kind of a look, but he doesn’t feel handsome. You help as much as you can, but that’s an obstacle for him to overcome by himself. I think after i’m really serious this time, baby he gets better at this.
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🕳️ The Spot HCs!
For clarification: the story of i’m not gonna turn into a cosmic anomaly and leave you forever stretches the plot of ATSV to a few weeks instead of a day. Just think of it like Spot taking a little longer to power up instead of a few hours.
Since he was forced to do crime to survive, I think he would've thought to himself: "Well, since I have to go rob a store anyway, might as well be that one where that cute cashier works at." 
Yes, Spot starts tracking and following you after you two meet. He uses his computer nerd powers for evil. A very unhealthy way of dealing with a crush, I think.
Spot can eat but he doesn't get any nutritional value from food. When you drink wine together or when he burns his tongue (?) from tea it's just a placebo effect. I like to think that Johnathon's mind is still inside The Spot's body, so he eats just for habit. He says he gets hungry all the time, but it's actually a deep need to consume everything around him. The little rascal.
As he powers up, Spot gets more confident in himself. He thinks the stronger he gets the further away he gets from Johnathon, his old self. Which, in the end, turns out to be true.
I think at first you don't really believe Spot is an actual supervillain which is why when you see him after the fight in Mumbattan it's such a shock. In a way, you did the same thing Miles did when he underestimated him, even if for whole different reasons. I think even though he knows you care about him, Spot knows you don't see him as a threat and that makes him want to impress you more. 
Spot knows that the reason you keep getting new jobs is because his own crazy supervillain life keeps interfering with yours, so he tries to keep it as much hidden from you as possible. He thinks what you don’t know can’t hurt you! As Johnathon, he feels guilty at first that you’re changing your whole life to go with him to New Jersey, BUT this time it was your choice! Not because of supervillain shenanigans!
He does love you (even if it was too early to know) and wants to be with you, but his head is so lost in the supervillain game, he thinks he can’t stop now. You never really realized how serious he was about “being stronger”. Which is why you never tried to stop him.
I chose I’d Rather Be With You as a theme song because I think it’s a song Johnathon/Spot would enjoy. But I also like how the lyrics match both their feelings towards you, in both fics. He wants to fly away with you once he gets all powered up, he loves your smile, etc. He does want to be your friend until the end as the Spot, but as Johanthon he is really committed to work on his bad habits in order to be with you. We gon' make it this time, baby! I cry, damnit. 
It’s also a surprisingly gender-neutral song, with no physical descriptions in it! Anyone can put themselves in the lover's place. Bootsy Collins is cool like that.
I like to think that, in the end, Spot didn't erase himself from the timeline. He just reloaded an old save. Does that make sense? Like you said, your relationship will always have happened, just in an old, non existent dimension. And since Johnathon and you still get dreams and deja vu about the whole thing (think of it as dimensional residue or whatever), you do have all the EXP of the old save. Johnathon, after going through the literal end of all existence and then forgetting about it, feels something compelling him to finally take a chance and enter the comic book store. It’s like when your body goes through something and it remembers later, even if your mind doesn't. Here's a (hopefully) comprehensive timeline:
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the end.
Thank you for taking an interest in my weird AU! I would kill for you 💖
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theminecraftbee · 9 months
Note
hello! solving counting sheep question: do you imagine the life series would happen in the universe? if so, how would that go about happening?
YES THIS IS ANOTHER THING I'VE TALKED ABOUT WITH @strifetxt IN OUR DMS.
once again, like anything post-canon of scs: this is not canon, my word is not gospel, if you have your own headcanons on this one they're valid because the canon divergence is off the charts at this point.
so there are two answers here, the angstier version and the funnier version. okay no there are three answers. the first answer is that three isn't that kind of watcher and if you take the life series as a watcher trap, ala martyn's lore, three (and also even martyn and jimmy) is just... not easy to box into it. we have a group of people who are now relatively experienced killing watchers like. the odds of that one happening are Not Very High.
but if you WANT the series to be a watcher trap and WANT it to happen, martyn at the end of scs is, like in canon, kind of vulnerable. we at one point spitballed "what if life series happens because martyn gets ambushed and used as bait to catch the others in the game". this only half works, though, because if three is trapped into the life series it's not like three would play along unless forced. the name of the game would be combination "convincing three that murdering everyone to get it over with faster is not the good solution it looks like it is when you're a little desperate" and "how do you stop a cast that includes martyn, experienced listener agent, jimmy, actual listener for all he's not all the way one, three, superweapon, and pearl, experienced at deterring watchers on her own, from just... breaking out of the games and wreaking havoc".
the FUNNY option, however, is that. okay so three is with the hermits and jimmy is with the x life cast. the hermits notice that three really likes structured play and also is good at killing things. the x life cast notices jimmy misses his friends and also they're playing x life its not that dissimilar from third life specifically. impulse, known for going overboard, goes "hey three you know what i bet would cheer you up?" and then contacts scott. scott, who thanks to x life sort of assumes this death game premise will be a fun survival multiplayer experience with occasional goofy drama and not a death game (which i'll note WAS what everyone assumed at the start of third life) agrees to get players. three makes a bunch of the rules after being coaxed into it because it's not as good at setting these things up but it DOES have strong opinions about rules. a very canon divergent third life then happens and then because the life series cast is like that they go "oh that's fun lets do it again".
you could also combine these: everyone BUT martyn is there for a fun time, martyn is just being tormented. this then brings up "three will kill people for martyn" however so i can't say how LONG he's tormented.
that's what we've mostly talked about. we've also joked about "what if instead we just... swapped three and canon grian in the middle of double life." lei said they think three would immediately put scar in an obsidian box to protect him as the only solution. it'd go great.
either way, i'll note the funniest thing about throwing three into a life series game: jimmy probably doesn't die first anymore because he now has a very protective albatross with a sword hovering over him every time he gets close.
so... yes you might say i've thought about this one,
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