Tumgik
#some special day
poorly-drawn-mdzs · 7 months
Text
Tumblr media
The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.
(for @frummpets)
5K notes · View notes
tamelee · 2 months
Text
Tumblr media
Happy 3/7day 🥰~! 'One day we'll look back on all these memories and smile about it'
Process + detail:
Tumblr media Tumblr media
1K notes · View notes
skunkes · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
all of february's chibis ^_^
706 notes · View notes
strawberri-draws · 2 months
Text
Tumblr media
"Innocence died screaming, Honey ask me, I should know. I slithered here from Eden; Just to sit outside your door"
-From Eden, Hozier
aka: au where they grow old in the dungeon together in their monster forms.
518 notes · View notes
wield-the-mighty-pen · 7 months
Text
Can we all just think about what this day has been for Adrien?
Imagine you wake up for the day, excited to have your bi-yearly scheduled lunch with your father, only to be told he has canceled on you once again and when you finally get the courage to speak your mind and talk to him, he interrupts you and tells you that you will be moving away from your home and beloved friends (with a person you hate) for an indefinite period of time. Imagine then, that you head to school, where you share a tender moment with someone who is definitely not just a friend and they give you the advice to talk to your father.
You then get home from school, where you are ambushed by your manipulative cousin, who is offering to trade places with you and help you out with your problem, only to discover he is scheming again. Before you can do anything about that, you have to go save the world with your superhero partner, who you've been feeling a little neglected by lately and for some reason, all those negative feelings seem to be manifesting right now during the fight. She then call in some reinforcements, and this new guy, that she keeps fawning over is giving you bad vibes (it's definitely not just jealously guys).
You save the day and head home, this time with the intent of actually confronting your father, only to be stopped by your superhero partner, who for some reason is looking for your civilian counterpart. She claims that she handed you a miraculous and you very quickly realize that your scheming and manipulative cousin, was scheming and manipulative.
You watch as your partner has a panic attack and do your best to calm her down and help her retain some miraculous. You hear her muffled cries through the door and when you go to check on her, she's gone. You find out that the villain you fight has got a hold of the miraculous and you go to find your partner.
You find her and manager to comfort her, all the while sharing a not-at-all platonic moment with her, and you prepare to fight the villain who has re-monikered himself and given himself new powers.
You see the rabbit miraculous and what looks like a future version of yourself show up and you realize that you will have to go through time in a time battle to reclaim the rabbit miraculous. You are given a rabbit miraculous to use and your very concept of space and time are altered as a result. After a lengthy, convoluted battle, you say goodbye to a good friend and decide to head to London to interrogate your aunt. The interrogation leading nowhere, you decide to head home only to be immediately called by your partner asking you to head to the wax museum and pose like a statue (which totally brings back some memories for you...). You finally get rid of that piece of paper in your bell and manage to capture the villain who you've been fighting for so long.
Except, the plan fails. The villain manages to get away with all of the Kwamis and now you have a weight on your conscious. You have just used against a person the power you vowed to use only for good. You are reminded of the significant power that you wield.
You once more arrive home and turn on the TV to try and distract yourself. Only to see that there's once more a problem that needs your help. You get there and see two people who have similar powers to you and your partner, but there's something wrong. Your partner asserts that they aren't akumatized, but you are wary. You learn that they are a version of you from a different universe, or at least a version of your power. You once more, are reminded the of ultimate destruction you have at your fingertips.
You come to understand that these doubles are in fact your partner and yourself from another universe. A universe, where the villain you are fighting is now your ally. Once assuring your friends are safe, you go after your double to fight them. When you meet to speak to them person to person and talk through your shared trauma. You learn that he too lost his precious mother, but he has no one to help him through it. You relive that loss together. You talk him down from making the wish that a part of you wants to make every single day. You begin to realize the version of you isn't bad, he's just hurting.
After ensuring the safety of other universes and giving a hopeful send of to your doubles, you finally, finally this time head home for the night.
Surveying around your room, you are reminded of the morning that feels like forever ago. You remember what your cousin said, what your good friend said. Emboldened by her words, you decide it's time to face your father. You go to his office where he's working and utter the words you never thought you would: I don't want to be a model anymore
Your father passively assents to this, and finally finally you are free.
You are filled with gratitude and this odd warmth that you don't spend too much time analyzing. You need to do something to thank the person who's advice got you what you so desperately wanted. You decide to call her up and thank her face-to-face.
You call her on the phone, which gets answered by her best friend, and then finally her and you give her your most sincere expression of gratitude, thanking her for everything she has done for you this past year.
As the warmth inside of your chest grows, you tell her you will do your best to pay it. You end the phone call with a smile on your face and a happy sigh.
Finally, with thoughts of your dear friend roaming around your mind, you fall asleep exhausted but happy.
This was all one day.
945 notes · View notes
mydoctor · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Ted Lasso + Reductress pt 2/???
469 notes · View notes
suntails · 1 year
Photo
Tumblr media
meet me in a dream
1K notes · View notes
rapha-reads · 4 months
Text
No but I gotta talk about Medusa for a minute actually.
It's been. A very long time since I read the PJO books so I don't exactly remember how Uncle Rick presents Medusa in the book. But the way the show introduces her myth? Fascinating. For me as a Greek mythology enthusiast, that is.
The show makes Medusa a victim of Athena. Of course, the show is mainly for kids, so they can't exactly say that, hey, kids, Medusa was Athena's priestess and she was raped by Poseidon, YEP, or protagonist's father, IN Athena's temple, nah, that's neither kid-friendly nor does it endears us to Poseidon. Not that Poseidon is very dear to us viewers/readers at this point, our narrator/protagonist can't stand his own dad.
But still what fascinates me is that even though they twisted the myth to ft the narrative they still managed to evoke Athena's curse as being actually a gift, and Medusa not feeling wretched over her condition but blessed.
Which is not a modern reading of the myth, actually. Saying that Athena couldn't punish Poseidon for his transgression and could only punish Medusa, but did so in a way that would give Medusa weapons to defend herself against whoever and whatever would try to harm her again, is a narrative that exists since Antiquity.
My point is that the re-framing of Medusa's myth, departing from the traditional, non-kid-friendly version while still incorporating both classic and modern elements, is a good frame of reference for the series (book and show)' entire approach to mythology. And I guess I'm saying that mostly for the non-book readers who are discovering this world, many of whom might be Greek mythology fans and might have gone "wait, why is Hades AGAIN presented as the bad guy when he's the chillest, most normal, most stable god in this entire pantheon", because that's a conversation the book fandom has been having (over and over again) for more than a decade.
Anyway, yeah. As a long time book fan and a show appreciative, here's my advice to anyone who knows WAY too much about Greek myths and still want to enjoy the ride without going every five minutes "wait, that's not correct": reframe. Contemporary rewritings, modern audiences and Fantasy genre.
463 notes · View notes
art--harridan · 7 months
Text
Tumblr media
[Image description: A digital painting of Jack Goodman from An American Werewolf in London. It shows his face and the top of his shoulders. He's staring off into the distance with a slight smile. His neck is ripped ragged, comprised solely of exposed viscera. The wounds stretch up onto his face, mostly destroying his left cheek. It travels up in two raw lines across his face. Some of his jacket is torn and bloodied too. Jack is mostly drawn with greens and yellows with reds primarily coming from the gore. There's a light blue shirt shoulder in the bottom left corner. Over it, in a dark yellow, there's silhouettes of Jack and David walking. The shoulder looks like a path behind them. The background is mauve, coloured in with scratchy lines.]
Inktober - Day 3 (Path)
Movie - An American Werewolf in London (John Landis, 1981)
795 notes · View notes
gmaybe666 · 1 year
Text
Tumblr media
who up and genuinely dreading the ending of succession, saw this quote from james cromwell and physically recoiled
1K notes · View notes
clownsuu · 1 year
Note
Your possessive/obsessive Wally reminds me of the song “Smoke and Mirrors” by Jayn! I think he’d gladly kill someone to have Howdy to himself
Tumblr media
Don’t know much obsession/possessive songs, but I do think Mob!Wally would be “the red means I love you”-
as for normal Wally? I feel he’s a lil more “Stalkers Tango” or maybe even a “The tailor shop in Enbizaka” (though it’s a different culture and timeline all together JDHHDHDDHE- vibesl still there)
also Frank screams a lil bit of “my unhealthy obsession”-
cw more obsessive behavior, syringe
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Ai adventures with yours truly: day 90- We are not gunna talk about the “uno reverse” arc, or the “tea shop” arc-
2K notes · View notes
anewp0tat0 · 8 months
Text
I tried but not very hard to see what the anniversary date was, and i decided to just prepare myself for the 16th or the 18th... it was the former. so, as always, but this time truly by accident... happy belated 17th birthday Black Butler!! I truly hope this year is amazing for us.
this year, I decided to use an idea I had wanted to try for a while but I never thought I would be able to pull off. and I still probably couldn't in the best way.... but regardless, here is a made up last chapter scenario.
you can also see this comic on webtoon here. whatever your fancy, if you please :>
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Tumblr media
700 notes · View notes
hauntedtoybox · 4 months
Text
Tumblr media
2006/2007 pokemon center mew plush (x)
289 notes · View notes
vaguely-concerned · 1 year
Text
merrill dragon age really reverse engineered an eluvian from first principles in a cave with a box of scraps and one single blighted shard. and STILL she gets no respect for it from anyone but potentially hawke, at least in a confused yet well-meaning 'are ya winning son' sort of way on the friendship path. dark days for women in STEM
(really though it seems the equivalent of a person in the middle ages putting together a nokia phone from rocks and sticks (and one coaching session from a spirit, fair enough) and then just not being able to figure out how to turn it on even though it is fully functioning. magically at least merrill is inarguably a genius. the tony stark of kirkwall. well not really that comparison falls apart pretty quickly but you see what I'm saying here lmao)
2K notes · View notes
taee · 10 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
taegi and their reactions to getting paired up with each other (for @kimtaegis ♡ | cr. 1,5: 0613data)
820 notes · View notes
nonsensefromtheabyss · 3 months
Text
Alastor Analysis
(Throwing my hat into the ring because the smiley fucker has me in a headlock. Warning; long and potentially insane. God I hope the cut works.)
I think something significant is gonna go down with Alastor in the next few episodes. I think the man is slipping.
Something that sticks out to me on rewatch is that Husk isn’t worried by the lights flickering or Alastor’s voice changing (the usual signs of him getting vicious.) He doesn’t look scared when the collar appears; his initial order of reactions actually goes ‘surprised’, ‘bitch please’, and then he starts doing damage control. It takes Alastor pulling on the chain to make him stop and actually look at how angry the overlord actually is. It says a lot to me that Husk’s first reaction is to be pissed off. He looks like he’s recognising that his bitchy demon master isn’t going to take any advice and he’s gonna be made to back off—and he’s angry about that. 
To detail, the fact that he approaches Alastor directly with his concerns and not Charlie (you know; the all-powerful, hotel owning, hell princess whose daddy’s in town), and puts the focus on him possibly getting into trouble means that Husk did all this out of a sense of concern or compassion. Husk isn’t acting purely in the interests of the hotel here, he’s trying to protect Alastor. This is a genuine offer of advice being thrown in Husk’s face for no apparent reason beyond arrogance; he has every right to be pissed off, and he is. He’s angry with Alastor and he shows that even as he’s shutting up. Angry, not scared.
Husk bitching about Alastor isn’t unusual. He cares enough to try and help the bastard out. The way he interacts with the conversation initially indicates to me that means he normally feels safe enough to do things like this. He’s comfortable calling his master out. He’s doing his best to stop Alastor making some kind of mistake. He is trusted with the information that Alastor isn’t a free man himself. When the chain appears, he’s frustrated, he cedes ground… but he isn’t scared. 
I don’t think Alastor manifesting Husk’s chains is unheard of in their relationship—Alastor’s a mean bitch who only tolerates a little bit of poking before he snaps—but I do think that the pulling of that chain is usually as bad as it gets. That’s the point where Husk stops talking but hasn’t started looking worried yet. Husk was probably fully expecting that being knocked to the floor would be the end of the matter. 
He’s scared—the most scared we’ve ever seen him—only after Alastor goes Radio Demon on him, and that’s why I think it’s something he’s never had happen before. Husk wasn’t expecting that degree of reaction at all. And I think it’s a sign that Alastor is starting to lose it.
We know the smile is fake. We know it’s a form of self-imposed self-discipline that’s as rigid as it is insane. And we now have it confirmed that Alastor has some pretty aggressive insecurities that are eating away at him behind the facade. Last time he was seen as ‘less than’ he slaughtered hide way to the top of the Pride Ring
Going episode by episode, there’s a subtle pattern of Alastor getting progressively more snubbed, which isn’t really what you expect when you’re introduced to the character in the Pilot. Vaggie describes him as someone of almost mythic power and, even with Angel’s levity and irreverence, that’s the impression that sticks, cemented by the way he takes out Sir Pentious. You get an immediate impression of what Alastor was like at the very top of his game.
You know: before the Seven Year Absence.
In the first episode, there’s the advert. The video advert. It’s all played for jokes (as it should be) but if you look at it as a first domino it makes sense. It’s our reintroduction to Alastor as a character: he’s made a terrible, unhelpful tv commercial and the ‘good’ one (we never get to see) was made with significant help. He clearly loathes having to do it, and he’s clearly got no real skill in it (if he did, he’d be showing off because he’s unbearably vain, you all know this is true.) He’s out of his element and he’s not adjusting quickly enough; people don’t know him from the radio anymore because Vox has the monopoly in entertainment.
Speaking of, in the Second Episode, we get Vox, aka the first and only person who gives a damn where deer boy went. Vox gives this shit by playing dress up and writing a diss track which Alastor immediately co-opts to make him rage quit. The song slaps—Alastor’s part in the song slaps… but it’s worth pointing out that Vox is the only person shown caring that The Radio Demon is back; the other two V’s are mildly entertained because they have renewed lease to absolutely dunk on Vox, and, while the crowds are drawn to the radio, they don’t look… bothered. There’s no big reaction of ‘dear god, it’s him (the deer god)’. Granted, we don’t see their response to the threat, but tbh if any radio threatens you with a return to The Bad Old Days the only honest reaction is to be a little scared, you don’t need to be in Hell for that.
In any case, regardless of how much he sucked at it, Vox still felt confident enough to make his little coping track public in the first place. He felt certain enough about Alastor’s lack of standing to make his own insecurities into a musical. The cultural idea of Alastor and his mythos has degraded enough for people to take potshots and then broadcast those potshots for funnsies. It’s pretty far from where we started in the Pilot with Vaggie not even wanting him past the door.
Third Episode… people of the conference room, please raise your right hand if you care why this staticky twink has been gone for seven years. *cue the deafening silence of no hands being raised*
Alastor is shut down and dismissed entirely in front of every other overlord at once, and it happens without consequence. He can’t do dick. He can’t play up the mystery, or draw them in to his narrative, or do anything to take control of the room. No one asked, no one cares. The meeting (which, if Carmine’s surprise at seeing him there is any indicator, he might not have even been directly invited to) moves on. I’m almost certain that the only reason he played coy with Zestial was because he thought he could have that Moment with everyone there and listening. He wants so desperately to be listened to.
We know that the hierarchies in Hell are less about who could actually make you eat concrete and more a popularity contest. That’s made explicitly clear in the first episode with low level sinners tearing strips off of Charlie, and clearer still in Helluva Boss where Stolas gets disrespected by the whole club for his messy personal business—in song form. And what I’ve not actually seen anyone else talking much about is how Alastor may be a very physically powerful demon but he’s getting no respect from any of his old peers. Sure, maybe the masses are spooked, but it’s not to the point where it’s making anyone else lose their chokehold. The people huddled around his radio still flick their eyes back to Vox’s screens when he talks. The egg boys ask him inane personal questions the same way they would anyone else. His own peers neither respect him nor care that he’s come back. Nobody has shown (positive) interest in the hotel now that it’s his personal enterprise.
We’re told the time skip was five months. We have no idea if things have changed in those five months, but Alastor starts Episode 5 palpably agitated. I’m guessing things didn’t go up for him. I’m guessing that it’s setting in for him that this is the vibe now, and the only person who actually thinks him untouchable is, well, him.
Add Lucifer. Suddenly, his business partner might not actually need him at all, either as help or an emotional connection, because she can replace them with her father, the actual king of Hell, who doesn’t like him; there’s an infinitely more powerful and capable demon in what is functionally Alastor’s home; said powerful demon has no fucking clue who Alastor even is, the role he plays, or the effort he’s invested (regardless of reason) into Charlie’s project, and there is no Alastor Approved way of making any respect happen on that front. As far as he’s concerned, he’s looking at a brick wall with FUCK YOU PERSONALLY graffitied on it.
Regarding the songs with Alastor in them, both of them are serving two purposes; the first is to piss off someone who slighted him, but I think the second is to reassert to everyone present his importance specifically after an instance of them forgetting. With Vox the primary objective is roasting the other overlord into shut down and the secondary is warning everyone listening that he’s still a viable threat despite what they just heard. With Lucifer, the first goal is to piss harder than the devil, but the second is reminding Charlie that he’s important and he has a place with them. Little as he’d like to admit it, it’s two cases of Alastor demanding a return to the way things usedto be. He wants to be the most terrifying thing on the wavelengths by default, and is willing to short out the power supply to all Hell to get that; he wants to be valued so much by the people around him that the most important man in Hell can’t just supplant him by being there. Obviously it doesn’t work out like that, but a self-absorbed nightmare man can dream.
And then Husk brings up the idea that he might be vulnerable on top of All That. It’s the final straw. He has spent the last few episodes very subtly scrabbling for a shred of acknowledgement and his bitch ass is getting none. 
Mimzy, if I’m allowed to speculate a little, is deliberately thrown into the mix at this juncture because of how she relates to Alastor in juxtaposition to the damage his seven year absence and unspecified deal has done to his reputation; she wants to hide behind his coattails because he’s the big, scary Radio Demon who can protect her from anything, because who in their right mind would cross him? She’s literally a part of his old life. She’s reacting to him the way everyone did seven years ago—with complete and total faith in his ability to be an unholy monster at a moment’s notice.
Being told ‘hey, maybe she’s in deeper shit than you can shovel because someone’s tying your hands’ is, to Alastor, just another snub in a long, illustrious line, and this time it’s personal because it’s coming from Husk. It’s not just a newly popular medium he’s no good with, or Vox with his haterection, or a meeting he can’t derail with his personal life, or a boardroom full of equals he newly means nothing to—it’s his own people thinking he’s not capable anymore. And Husk is happy to say that with literally the most powerful man in Hell right there for comparisons in inadequacy. Going full dial eyes on him isn’t just an over-vicious retaliation, it’s a demonstration and reminder of what Alastor is capable of… and it’s probably done for himself as much as it’s about putting Husk back in his place. 
Because that’s what Alastor used to be able to do; make all the other overlords cower on their knees at his feet while he regaled them with all the ways in which they could fuck off. 
Seven years of possibly not entirely voluntary absence… and this is the closest to that he can get. A guy whose soul he owns, who will be back to snarking in a few days time, having to be dragged into prostrating himself on the carpet. One of the few people who inexplicably give a shit about him promising to shut up only on pain of death.
And at the end of the episode everything he’s done means nothing and he has to tell Mimzy to leave anyway… and he’s subdued and uncomfortable about it. She’s his friend, one of the few people willing to tolerate him, and apparently one of the last people to share the perception he has of himself… and he has to tell her to go because the reality is that he, for whatever reason, is not making choices which are entirely his own. The reality is that Husk may be right; Alastor’s grip on everything and everyone around him is, for a variety of reasons, not as strong as it used to be. The guy is unravelling behind the mask; he’s insufferably proud and it’s starting to strangle him.
The point of all this is, there’s a pattern of escalation here. I think Alastor is out of his depth and it’s going to start showing. I think he’s going to make some sort of desperate bid for control to get his standing back. I think he’s going to have to reckon with his own disappearance. And… I don’t think it’s gonna be pretty.
TLDR: My Beloved is a time bomb and him dominating Husk was just the alarm going off. I believe this with my whole heart because of Reasons.
(Side note: I think it’s been sidelined and/or cut due to season constraints and the show being rushed to shit by production, but I do believe Charlie and Al must have some kind of bond. It’s been five months of living together and she doesn’t turn around and refute his claims or even look surprised by them, which implies to me that the events are true if not the presentation. Obviously the girl’s got daddy issues and Al doesn’t actually see her as a daughter, but I really don’t think that equals ‘there’s no fond feelings here at all.’ Plus everyone else is there watching their nonsense; while Alastor has 0% shame, I’m pretty sure someone else (Vaggie) would have something to say if him claiming affection for Charlie was as left field for them as it was for us. Really wish we had more time for relaxed character interactions to let dynamics breathe, there was such potential in HH’s concepts but I feel like we’re skipping whole chunks. I want the dumb beach episode, you know?) 
345 notes · View notes