[Image description: A digital drawing based on the film Trick or Treat. The most prominent part is a painting of Eddie Weinbauer, who is looking upwards, mouth open slightly and eyes widening. His skin is coloured with mostly pinks, purples and greens, with yellow highlights. However, the right side of his face is lit up in red and orange. His hair is darker, with blues and purples instead. The painting style is a mix of hatching and shapes with blocks of colour. He's outlined with a thick magenta border. The background is a gradient between dark red and orange, though a spot near the top has a soft brown circle which looks like a burn mark. Further down, there's a ring of white fire. Below this is a panel of Sammi Curr's eyes glaring to the left, eyebrows furrowed. The words "trick or treat" is written above all of these elements in a red, messy font. Faded splatters of blood fly off of the letters. There's a dark brown border around the entire piece.]

Inktober - Day 31 (Fire)

Film - Trick or Treat (Charles Martin Smith, 1986)

[Image description: A digital drawing based on the film One Cut of the Dead. It's a close-up of the arms of Ko and Chinatsu as the former approaches her, arms in a raised zombie pose. She clenches an axe which she pushes towards him. Both of them have blood splattered on them. Director Higurashi stands behind the two, hands clutching a camera which is recording, its red tally light standing out. His face is blurred into pixels but it's still clear he's smiling wide. The sketches are not coloured, the background peaking through. They have a dark brown lineart while the background is a sickly yellow that reddens around the edges. In the same red as the tally light, the words "one cut of the dead" are written down the right side of the piece, stacked on one another. The font is irregular and bleeds down. On the other side, there's an larger tally light which also bleeds.]

Inktober - Day 30 (Rush)

Film - One Cut of the Dead (Shinichiro Ueda, 2017)

[Image description: A digital painting based on the film The Deadly Spawn. It depicts a large spawn creature - which is a mix between a slug and an earthworm, with a mouth like a leech - looming over a three storey blue house. The house is sat in a field next to a rocky hill, which the spawn rises out of, more than double its size. Its bottom teeth blend into the hillside. There's an empty road near the hill, which is visually blocked by shadow. Near its end, there's a telephone pole, which is linked by many wires to a more prominent one by the house. All of the house's windows are lit up in warm light. The night sky is light, though stars can be seen. A few clouds litter the sky. The leaves of large trees frame both sides of the pieces. The piece is mostly yellow and green tones, with a few reds for the spawn. The other main colour is blue, which is used mainly for the sky and house.]

Inktober - Day 29 (Massive)

Film - The Deadly Spawn (Douglas McKeown, 1983)

[Image description: A digital painting based on the film Velvet Goldmine. The background is a blurry image of a gradient between gold and blue glitter. Near the top, there's a drawing of Brian Slade's eye with a beauty mark painted near it. It's turned on its side, a circled with a few different coloured shaky lines. Below that, there's a rectangular panel that depicts Curt Wild's eyes from a three-quarter view, his eyebrows slightly furrowed. Further down, there's another panel, showing instead a close up of one of Arthur Stuart's eyes, covered with bold light blue eyeshadow. All of these eyes are making contact with the viewer, and they all have a bright dot in the middle of them. Their borders are highlighted with a light blue. Next to them, there's a panel with the dark blue silhouette of Brian's impassive lips, and the shadow cast by his nose. Further left, there's a silhouette of Brian standing with his legs wide and arms by his side. It's turned upside down, and repeated in the colours of the rainbow. At the top of the piece it says "velvet", and at the bottom "goldmine". They're in a red cursive font that's distorted and outlined in a pale yellow. A bunch of multicoloured stars litter the piece.]

Inktober - Day 28 (Sparkle)

Film - Velvet Goldmine (Todd Haynes, 1998)

[Image description: A digital drawing based on the film Hard Rock Nightmare. It depicts Jimmy, flecks of blood splattered across him, holding out the severed head of a werewolf. The werewolves face is stuck with its fanged mouth and glowing yellow eyes wide open. However, it's neck is human skin, with strings of gore falling off of its bottom. The perspective of the piece brings it closer to the viewer while Jimmy is further away. He's got a stoic expression on his face, with one eye obscured by shadow. In his other hand he holds a similarly bloodied white electric guitar. At the top of the piece, it says "hard rock" in a dark blocky font, which is outline with a bright red. This same red is used at the bottom of the piece to write "nightmare" in a distorted, splattered font. The colours of the piece all lean to red tones, with the background being a dark red. The lineart is a dark black.]

Inktober - Day 27 (Beast)

Film - Hard Rock Nightmare (Dominick Brascia, 1988)

[Image description: A digital drawing based on the film Jeepers Creepers. It depicts Darry Jenner, laying unconcious with his arms splayed out by his sides. He's drawn in black and coloured with yellow. Behind this, there's a drawing of him, in a more realistic style, with his eyes carved out. This is duplicated in a dark mauve, though a lot more transparent. There's a red outline around the first drawing of Darry, and this colour is used to draw a few simple eye shapes around the piece. Around this drawings there's the words "jeepers creepers", the first word is written in a fancy font while the second word is written in a wiggly font. The background is a dark yellow.]

Inktober - Day 26 (Remove)

Film - Jeepers Creepers (Victor Salva, 2001)

[Image description: A digital painting based on the film Bound. It depicts Corky and Violet standing with each other. Violet has a hand over the shoulder of Corky, whose body is facing away from the viewer. Her face, however, looks at the side, expression nonchalant. Violet is looking straight at the viewer, mouth set in a slight smirk. Their bodies are touching. The background is a plain blue-tinted white, with their shadows cast across it. The piece is coloured in scribbles and blocks of a large assortment of colours, mostly cool toned. However there are pops of warm reds and pinks.]

Inktober - Day 25 (Dangerous)

Film - Bound (Lilly Wachowski, Lana Wachowski, 1996)

[Image description: A digital drawing based on the film Shallow Grave. Alex Law is at the centre of the piece, face set in an anxious grin. His eyebrows are furrowed in worry. There's a drill hole in his forehead that's dripping blood, and also a knife in his left shoulder that is also bloody. He's stuck in a vast pile of dirt, which travels up to his waist. One of his hands is slightly submerged while the other is pulling a telephone out of the dirt. The latter one is near some drops of blood on the ground. Further down, there's a pile of money seemingly beneath the dirt. Further up and behind Alex, there's the silhouettes of two graves and a shovel leaning on the second one. The first is very bloody, while the other has less blood splattered on. The night sky is dark and starless, though there is a bright red moon in the sky. The colours for the piece are similarly red-toned.]

Inktober - Day 24 (Shallow)

Film - Shallow Grave (Danny Boyle, 1994)

[Image description: A digital painting based on the film Xtro. It depicts Sam in his alien form, eyes vacant and maw gaping. He's coloured mostly with yellow, brown, and grey tones. Purple peaks through. He has light blue rim lighting. The background resembles a night sky, though the colours are more vibrant. The blues and purples (with some hints of red and grey) are blended together with a scratchy colouring method. There's some light blue stars in the sky. Above that, there's green outlines over the stars which are warped and distorted. At some points in the line, it transitions to a cyan colour. The piece is quite blocky and textured in its colouring.]

Inktober - Day 23 (Celestial)

Film - Xtro (Harry Bromley Davenport, 1982)

[Image description: A digital drawing based on the film Cursed. It depicts the siblings, Ellie and Jimmy. Ellie stands in front of her brother, shielding him with an arm. Her eyes are wide and staring at the viewer. Her mouth is set in a line. She gives off a sort of feral fear. Jimmy's eyes are the same, but his eyebrows are furrowed, making him look more worried. There's a gash running down across his cheek. He's holding up one of his hands below his chin, as if to catch something. They're drawn with a stark black lineart, which is a bit scratchy, and coloured in with a dark blue. The background is a slightly lighter, more desaturated blue. Over the piece, there's three red scratch marks, which go more transparent as they travel over the siblings.]

Inktober - Day 22 (Scratchy)

Film - Cursed (Wes Craven, 2005)

[Image description: A digital drawing based on the film Saw. It shows Adam Faulkner-Stanheight and Lawrence Gordon's hands reaching towards one another, styled after the painting The Creation of Adam by Michelangelo. Adam is in Adam's position, and Lawrence is in God's. Both of the hands are bloodied. A bunch of items surround, each with a red circle around them, and a note written next to that in the same colour. Each item has some blood on it. At the top, there's a short cigarette and a pistol, with the words "the omens". There's also a tape recorder that says "the beginning and the end". Below the hands, there's a very bloody saw next to a length of chains. The chains state "the ties that bind;" while the saw continues "the ones that don't". Near them, there's Lawrence's severed foot, with the note "the leftovers". Adam's hand also has this note, but capitalised. There's a trail of blood between their hands which is noted as "the promise". Lawrence's hand has the continued note "broken". The background for the piece is dark blue, with a faded picture of the bathroom.]

Inktober - Day 21 (Chains)

Film - Saw (James Wan, 2004)

[Image description: A digital painting based on the film Black Christmas. Focusing on her face, it shows Clare's corpse. She has a transparent plastic bag stretched over her face, which is still stuck in her final expression. It's as if she's stuck between screaming and gulping for air. She's staring upwards. Her skin and her clothes are drawn with more muted, warmer tones, while the plastic bag is bright and cold, making it stand out starkly against her skin. The rest of the piece is obscured in darkness.]

Inktober - Day 20 (Frost)

Film - Black Christmas (Bob Clark, 1974)

[Image description: A digital drawing based on the film Saved!. It depicts Mary Cummings posed as if she's The Virgin Mary, arms outstretched and palms facing outwards. She's also wearing the robes. Underneath that, however, she's wearing her uniform alongside Patrick's shirt, which says "jesus" in a metal font. She's wearing neon green alien eye sunglasses, and has a bemused smirk on her face. Above her head, in red, there's hastily scribbled devil horns. The lineart for the piece is a dark green. The background is a college of images from the movie and its posters, primarily using the blue sky as a backdrop. The other most prominent elements are cross shapes, the censored word "fuck", and the title "saved!" in red lettering above her.]

Inktober - Day 19 (Plump)

Film - Saved! (Brian Dannelley, 2004)

[Image description: A digital drawing based on the film Nope. It depicts OJ Haywood standing next to Lucky. OJ turns away from the horse, eyes turned downwards. He's in the clothes from his brief time on the movie set. His cap casts the front of his face in partial shadow. His face is void of expression. Two horses being ridden float above the pair. They're drawn stills from Eadweard Muybridge's short film "The Horse in Motion". These drawings have dark brown lineart and are coloured orange. The background is a bright green, with orange flowers littered around it. It resembles a green screen, though it has a gritty texture to it. It also leaves a gap around the drawings. The drawings have a faded, unaligned copy of them behind them, which also gets the gap. The orange peaks through here too.]

Inktober - Day 18 (Saddle)

Film - Nope (Jordan Peele, 2022)

[Image description: A digital drawing of Angela and Suzanne from Night of the Demons. They're standing next to each other in their Halloween costumes, though they are possessed by demons. There's a lot of contrast between their looks as Angela is dressed in an all black edgier look while Suzanne's outfits is all pink and bouncy. Angela stands slightly hunched, clawed hands hanging by her side. Her feet are turned inwards. Her face is twisted in a large bloody smile, while her bright yellow and red eyes look to the side, though without a pupil. There's also a smattering of blood on a few of her fingers. Angela kicks one of her legs up behind her, which connects the two girls. One arm hangs behind her back while the other drops a messy tube of lipstick. Her clawed hand has a red substance on it. There's a large heart shape on her face drawn with blood-coloured lipstick, which drips down to her unbuttoned shirt. Her eyes, coloured the same as Angela's, glare at the viewer, wide. The pupils are piercing. She has a huge, closed mouth grin. There's a green outline around the girls, which makes them stand out against the deep red background. The colour of the blood and lipstick is, however, a bright red.]

Inktober - Day 17 (Demon)

Film - Night of the Demons (Kevin Tenney, 1988)

[Image description: A digital painting of Neil and Brian from the film Mysterious Skin. It depicts the ending scene on the couch, but from their shoulders up. Brian leans his head on Neil's shoulder, turning inwards to him. He's looking off into the distance, mouth slightly open, and eyes seeming empty. Neil has a similarly distant look in his eyes, though he's looking down past Brian. Their skin is coloured with warm tones while their clothes are coloured with colder ones, specifically blue and dark purple. The background is a messy blue wash, with a lighter outline around the boys which makes it seem like they're glowing. In the same colour, floating above their heads, is the sentence "rise like two angels in the night".]

Inktober - Day 16 (Angel)

Film - Mysterious Skin (Gregg Araki, 2004)

[Image description: A digital painting of Juliet Capulet from the film Romeo + Juliet. She's looking upwards while pointing the "dagger" pistol towards her head. Her eyes and cheeks are wet with tears. Her mouth is set in a line. Below her, over a panel of red, it says "o' happy dagger!" in a white font. The colours used for the piece are quite warm, giving the piece a sunny feel. The painting is comprised of colour blocking and hatching.]

Inktober - Day 15 (Dagger)

Film - Romeo + Juliet (Baz Luhrmann, 1996)