So the wildest thing happened where @mactheactor decided to dub over (if that's even the correct terminology) the Chaos Sonic animation I made!!!!

I'm still in utter awe about this like, hands down the coolest thing ever I've been thinking about this non-stop. Hope y'all enjoy it as much as I do!!

HII I love your art so much it's so expressive and it feels like theres so much movement in it! I was wondering if u had any tips or advice to help with that? I practice anatomy and expression so much but it seems like everything I draw on my own is so stiff!! Anyway I hope you have a great week :)) <3

Hi there! Firstly, thank you so much for the kind words, it means a lot that you would take the time to tell me!

Second- my advice is to take everything you've learned about anatomy and THROW IT OUT THE WINDOW!!!!!!!

... For now. Just into the front yard so you can keep an eye on it. But I have seen many artists concentrate chiefly on studying anatomy only to feel like their art ends up too stiff. My own experience has been to treat anatomy as a tool best used to correct an image in the later stages of construction rather than as your driving foundation.

If "correct" anatomy (however you choose to define that) is the priority of your undersketches, I find that you end up with a sort of Skeleton Song approach to drawing - y'know, the knee bone's connected to the thigh bone, etc etc. Whatever energy, emotion, or intent you wanted your drawing to convey is getting lost each time you split it into another anatomical segment. By over-focusing on individual parts, you lose sight of your image as a whole.

The key to conveying dynamic movement in motionless art is to ensure every element of your image agrees on and communicates the same action, the key to which is something called the line of action.

A line of action is simply that - an implied "line" with wich you lead the viewer's eye and communicate movement. Think of it as the core of your figure's action, simplified to its rawest form. By knowing this, you know what to emphasise and what to de-emphasise.

Well, art is a visual medium and I am better explaining with drawings than words or I'd never have picked up a pen in the first place, so:

Images can have multiple lines of action, lines of action can complement and contrast each other, and a line of action isn't always as obvious as something like running. Imagine you're tring to make your art more "aerodynamic" to the eye. Since I draw a lot of One Piece fanart, I assume you're also familiar with it, and you can probably imagine how Oda uses "lines of action" when composing panels of Luffy punching something, Zoro slicing something, Sanji kicking something- etc etc. He's really good at selling the "oomph" of action shots by reducing visual clutter so that the impact of the action is greater.

(The Monster Trio's abilities are all designed in such a way that allow for REALLY striking lines of action... you can tell Oda loves studying manga fight scenes and wanted to create a world where he could push these concepts to the limit, and it's no wonder One Piece caught the eye of animators even before it was serialised by Toei)

You're probably already noticing how line of action also feeds into composition and silhouette when it comes to conveying movement in an image. Basically put, once you've isolated whatever action it is that you want to convey, the more visual clutter you can streamline away from that action, the stronger an impact that will have on the viewer. A firm line of action, an uncomplicated silhouette for your figure, and a readable overall composition of your image/panel are all ways to minimise visual clutter.

You can also use this information to achieve the opposite effect! Sometimes the ideal action you want to convey is not fast, or powerful, or confident, and you can use the same principles.

In fact, you can apply line of action to images that don't have any "action" in them at all. You can make a drawing of someone simply standing there feel more lively by applying these same principles to their body language:

You can develop an eye for how to simplify movement down to its "lines of action" by studying real photos and other people's art. Try simplifying a figure to its silhouette, and then simplify that silhouette further to a stick figure. And honestly, a lot of this could be boiled down to "see your image as a whole and not just a collection of individual pieces". Set anatomy aside during the composition stage and bring it back in when you start building up the sketch.

Moving away from the line of action, my second piece of broad advice is simply to exaggerate more. Lots of artists subconsciously hold themselves back from pushing motion, expression, etc. out of concern that it will look "too much". Well, maybe it will- but you won't know that unless you try! You can always walk it back if you think you took it too far, but I think you'll be surprised by how far you can push your art before you hit that point.

My final piece of advice is to work on line confidence. Even if you follow the rest of this advice, if you have hesitant and scratchy lines, you're undermining the flow and punch of your art. The best way to improve line confidence is simply by practicing! Do a lot of quick, timed studies, and use a permanent medium like a ballpoint pen or marker. Focus on unbroken lines wherever possible even if it makes your studies look like garbo. I find traditional studies are best for improving line confidence, but if you'd really rather stick with digital then just don't let yourself use the eraser tool, and try using a chunky brush with limited pressure sensitivity.

And that's it! Don't stress about it too much though. Loosen up with your art and, like any other skill, you'll improve with practice, time, and analysing what you like about other people's art. Good luck!

grill cheese

warden etho ? pretty please

did you. did you read my mind or something? because i started designing a warden etho for funsies and checked my phone and saw this notification mid way through gathering references

(vote boat boys and ill draw something for you)

those 2011 pics remind me of hard the McLaren race suits used to fuck, I loved the vodafone era suits so much 🥹

YES AGREED!!! I love the Vodafone McLaren livery, literally peak!!!!!

Thank you for sending this ask bcs now I get to talk about 2011 in particular. There were these special Saturday race suits and they're all so pretty!!! Hugo Boss did a design competition to celebrate their partnership with McLaren and different artists made different designs for the Quali days. They're so beautiful 🥹🥹 Why can't they do anything fun like that now???? I digress, I went through all the Qualis and compiled pics of all of them!!

merry christmas @burntwaffle12‼️‼️ this beast is just for you for the @mlsecretsanta gift exchange<3<3

you can read the first chapter of your gift here

happy holidays and i will be back so soon with more<3<3

I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.

It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.

By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.

Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.

takes a bite out of them

Baimawen

hello!! just dropping by to say... Dandy is so cute 🍏

🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺 /pos

Hello augh it's still so crazy that you followed me back! Your traditional work is so captivating like I don't even know how to describe the mood you manage to capture.

I saw you even did art of Stefano Valentini!!!! I LOVE the evil within! The second game being my favorite only because I have a soft spot for the ridiculous villian Stefano! Seeing an artistically driven villian drawn in SUCH a way was such a delight to see!!!!!!!!!

alright, a bit of honesty hour here:

i had spent the last two months desperately trying to plan some sort of fun halloween event, but truth be told, i just... fell short. between classes, work, life - i for the life of me could not figure out an event that did not stress me out and i felt confident in completing. which, sort of bummer, because halloween and the month of october is sort of my thing. (i'm a ghost, for fuck's sake).

THAT BEING SAID. i have several halloween themed one shots i'd like to write (currently working on a steve one), but i still wanna do something fun with y'all because you're all just the sweetest and i adore you.

how would we all feel about a low-stakes request situation? y'all send in anything halloween or autumn related, if it strikes any inspiration, i write us some fun shorter shenanigans with our favorite blurbos? i am traveling and just doing a lot this month, but i just really wanna do something. it could be anything. trick or treating with eddie, creepy song fics that you'd like to see, cute fall activities like pumpkin patches with steve - anything y'all's hearts desire. there's no guarantee i could get to every request (usually when i do events i get... a lot of requests. very grateful! my brain just can't pump out 50+ 1k word requests in the span of a month haha), but... yeah. idk.

thoughts? concerns? should i finally shut up? lemme know.

always always thinking about your post that was like “normal has a very high threshold for being loved that is nearly impossible to meet and he will do *anything* to feel validated” and then today in the discord during the part where willy reveals it could’ve been either normal or scary, will said “willy fucked up normal would burn the entire world down for the tiniest crumb of validation” and just. screaming screaming forever about this boy’s inability to ever feel loved enough, he is every webweaving post about always devouring and never feeling full from love, this boy is RAVENOUS and it’s hard to understand how the oak good-boy morality can even supersede that, he has every trait imaginable to become a villain and it feels like the only thing preventing that is the desire to be good, bc tbh I don’t think he wants to be good more than he wants to be loved

SORRY FOR TAKING ALMOST TWO FUCKING WEEKS TO ANSWER THIS ANON!

Eheh, firstly *thank you* because this message is very sweet and made me extremely happy. The post you’re talking about took a good while to write and came with a lot of anxiety so it’s very nice to hear that you’ve kept fragments of it with you, I really do appreciate that!!! 💜

I’d debated for a bit on answering this privately to be honest with you, as not every fire I’ve sparked is one whose flames I wish to fan, so to speak, but everything you wrote is just so on-point and well-articulated that I couldn’t resist. Otherwise. *Ahem*. I know it's very very silly to respond to a response about an essay with what is essentially another essay, but you see, in thinking of how to answer your message, I got a little caught amongst many other things that have been on my mind... And I've seen some takes that have annoyed me for one reason or another and couldn't decide how to address those and. Well. Ultimately I decided that the stuff I wanted to talk about was connected *enough* to the stuff brought up in your message (as well as in my original post) that I could put it all together, soooooooo if you'll entertain me rambling once more~

Let's start by saying that, I recently saw a take going around stating that “Scary’s internal issues caused her external issues while Normal’s external issues caused his internal issues” (among a number of other statements that I frankly found pretty questionable), and I must say, for reasons that I hope to explain, I disagree with this assertion on both accounts!

In Scary’s case, this statement completely erases and undermines the trauma of her dad walking out, and what that does not only to her confidence and sense of self-worth, but to her relationship with her mother as well. And the degree of the impact of this external trauma on her internal view towards and treatment of herself is clear as day just by looking at the stark contrast between Terri and Scary. Scary (Terri) is someone who once had confidence in herself and could find validation and motivation internally, most recently evidenced by Terri's words of encouragement to Scary whilst under beacon of hope:

But then her dad leaves, and things get harder at home, and Scary starts to fight with her mom (her mom who she once called her best friend!!!), and she starts to feel worthless and unlovable- something that only gets worse with time as Willy alienates her from the rest of the group, case in point with this revealing exchange:  

No one’s told her they’re proud of her in a long time (sound familiar??),

her teachers at school shut her down when she tries to speak her mind or otherwise dismiss her behavior as “acting out” seemingly without any sort of intervention or attempt to actually check in with her,

[the above teen fact is from episode 31]

Only then, in response to her diminished sense of self-worth does she begin to cut herself off from the rest of the world and from her former self, most importantly quitting soccer (which we know matters a lot to her!),

and those things leave her even more vulnerable and supportless and ashamed. Not to mention all the mixed emotions she must feel when Terry walks into the picture, between actually liking him but not being able to see his love as genuine due to her relationship with her bio dad and all the frustration and shame she must feel as a result.

This is not to claim that Scary’s internal struggles do not inform a lot of what happens to her and the people around her over the run of the season- of course they do! (In fact some of the later things mentioned above are examples of that- I guess I got a bit carried away). But Scary’s major internal struggles that affect her throughout the course of the adventure are preceded by a slew of important external events that negatively affect her psyche and are in many cases out of her control. Scary’s internal struggles did not originate in a vacuum, and I absolutely would not say that they “caused” the bulk of what she has been through.

Unlike Scary, Norm’s excessive dependency on external validation to feel like he’s worth anything begins when he is very young. [Emphasis on “excessive” here, since obviously everyone requires validation from others to some degree, the point being just that this trait is so very pronounced in Normal and, as I argued a bit in the post anon is referring to, usually the most important factor informing his courses of action, superseding (but not implying the absence of) any desire to be good and help those around him. Will’s statement (the one which anon quotes) seems to corroborate this.] We know that things go so far back from Sparrow’s account in episode 17:

It’s important that this is about Normal’s kindergarten experiences too, because it tells us that Normal’s predominant internal issues go back farther than this and hence were not caused in and of themselves by his peers- instead being perhaps more fundamental to who he is as a person.

This is not to say that external events do not exacerbate the state of Normal’s psyche. In his youth most notably, we can infer that he interpreted Hero’s treatment (which of course he did not understand at the time to be her training) as favoritism, and I think it’s pretty clear by this point that his resentment of her is tied to the degradation of self-esteem that he experienced as a result.

Then of course there is the dance. Sparrow’s words to Normal during the dance obviously consist of a very pivotal moment for Norm within the context of the season, but I think it’s important to remember and not erase the fact that Normal’s internal issues with validation do not begin at the dance, as established in the kindergarten case but also further exemplified by Norm’s primary motive in becoming the school’s mascot in the first place (to get everybody to like him). I think it’s important to remember this in part since it informs so much of Normal’s reaction to what his father has to say, immediately afterwards but also throughout the whole rest of the season. No kid wants to hear that their parent isn’t proud of them, but the severity of the response to this sort of statement is going to vary drastically depending on the person, and in Norm’s case, given his natural disposition, it’s devastating. [and I swear there’s a teen talk moment where Will says basically this but I can’t find it for the life of me rn damn it lol maybe I’ll edit in the clip later if I do]

Of course in this specific case, one can still mostly say that the problem stems from outside of Normal, and that his preexisting issues exacerbate his response but are definitely not the cause of it. Outside of this instance, however, this is not always true! In fact, Normal’s excessive dependency on external validation and related rejection sensitivity (negatively) inform a large amount of his interactions with those around him, particularly Lincoln and Taylor (imagine me underlining “Taylor” several times as I say this). Truthfully that’s a whole ramble on its own, but with respect to more recent events, I have to admit that I was genuinely quite irked to find a lot of people blaming Taylor and Lincoln for Norm’s response to their uh. mech shenanigans in episode 37, choosing to frame this as an act of moral failing or even malice on their part, rather than a reflection of Normal’s own issues and room for growth. Lincoln and Taylor were simply focused on the mission at hand, and there was no good reason realistically speaking to have expected them to be aware of Normal’s emotional state at that point in time (or in general, to be aware of the jealousy their bonding moments evoke within Norm- particularly when Normal consistently fails to communicate and address those emotions with them in a manner that is direct and not passive-aggressive). Lincoln in particular is very clearly stated as not even having fun in that moment, very understandably being focused instead on the fact that his friend Scary is around his father, who he just witnessed, you know, murder someone. This is not an instance of the world going against Norm for no good reason other than to put him through it, this is a very clear example of Normal’s internal issues affecting the way he perceives external events in a manner that is not actually very reflective of the reality of the situation, and which of course feeds in further to his cycle of self-loathing (and I won’t go into it here since I sort of did in the post anon is responding to- but Normal’s negative reaction to Lincoln breaking the pick to gain Scary’s trust is another important example of this [tbh all the more so now coupled with the hypocrisy of how he handles the anchor in Goofs but that’s a tangent]). As aforementioned, Norm also struggles a good chunk of the time to actually explain his feelings in a manner that is direct and does not rely on blaming others for not picking up on his dejection, as exemplified in how this discussion goes with Lincoln in the most recent episode:

The treatment from fandom of this whole instance being reflective of a reoccurring issue I tend to have with a large chunk of the fandom, wherein the collective memory of canon tends towards getting warped to account for Norm’s mental state. Sometimes that’s hailing him as some morally-perfect, emotional reincarnate of Henry (as though the pride layer didn’t happen, as though Goofs didn’t happen, as though all of Norm’s relationship with Taylor isn’t what it is- …I feel like I should stop implying stuff about the significance Taylor and Norm’s relationship and not elaborating but it really is an essay in and of itself LOL), other times it’s just downright turning everyone around Normal into a villain, a persistent phenomenon which I sort of illustrated in the above example but also touched upon in an earlier essay (arguing that despite the fandom’s quick jump to villainize him- Lincoln breaking the guitar pick would prove to be an act of love). Sparrow also takes a good brunt of the damage from this. Sparrow saying he’s not proud of Normal gets turned into Sparrow not loving Normal (despite an abundance of proof in canon to the contrary), his apology for what he said and the support he shows for Norm in light of his alternative plan on dealing with the Doodler are completely ignored by most of the fandom, as are any other demonstrations of emotional availability and shows of growth that he displays throughout the course of the season, and the true motives behind Sparrow’s insistence on Normal living a “normal” life- to protect him from the childhood that he but also that Hero had to undergo- is somehow framed as Sparrow actually holding some kind of favoritism for Hero. It’s as though there is a complete inability on a larger scale within the fandom to see Sparrow as separate character outside of the filter of Norm’s emotions, and the other teens (including Hermie) get a similar if less pronounced treatment.

[Actually, I would argue that to some degree all of the kiddads except Terry (and Lark since he’s not officially a dad) tend to be perceived and criticized predominantly through the noise of their respective child’s emotions/behavior. In Grant’s case, Lincoln 1. spends a good part of the earlier half of the season asserting that his dads are the best dads in the world despite everything going on and 2. has a very unfortunate tendency to compartmentalize and push down his negative emotions as much as possible- in typical Wilson fashion- so the complexity and severity of Lincoln’s issues with his dad generally go understated, and only now that Lincoln has begun to be more vocal and upfront about his issues has some of Grant’s parenting finally begun to come under fire, and even then mostly only his more recent transgressions. In Taylor’s case, Taylor’s emotional security/stability and general fondness for his dad mean that Nicky is being hailed by many people as “the best dad” where in fact Nicky- while certainly helping the teens out in many ways and perhaps even acting as a friend to them- has done just about jack shit for Taylor as a *father*, and really if Taylor has anyone to thank for being as well-adjusted as he is now, it’s definitely his mom! But I digress.]

Normal and Scary are very similar, but the way fandom treats them is very different. People (mostly) seem to be able to acknowledge that Scary, in spite of her mistakes and flaws, is a scared, tired kid with a good heart who is capable and deserving of love. In Normal’s case, I just can’t seem to shake the impression that the fandom (in general) would rather strip Norm of all the things that make his character complex, and nuanced, and flawed, reducing him to an utterly uninteresting husk of a character before depicting him as anything other than a perfect goody-two-shoes who has never hurt anybody in his entire life or daring to acknowledge the fact that “Normal has been through a lot, is hurt, and deserves a good support system and emotional validation” and “Normal can at many times be his own worst enemy, sometimes makes mistakes that affect those around him, and has room to grow emotionally” are notions that can and should coexist. Or at least, that's my two cents on the matter.

A little surprise gift for @oya-oya-okay! <3

I love how cheerful you always are, you always bring my mood up! I hope you've had a great day ^v^

[Image Description: A digital painting depicting Feldspar standing to the right of a campfire, facing away from the viewer and upwards. They are holding an arm outstretched above them and the other gesticulates as if they were telling a story. Several fireflies surround them and their shadow falls to their right. Wreathed in the smoke of the campfire is a scene of their campsite in Dark Bramble. Three large twisting brambles, the anglerfish fossil’s teeth, and three pine trees are suspended upside down, stretching downwards toward Feldspar and the campfire. A plume of stylized curling smoke stretches across the top of the scene from Feldspar’s ship in the top right corner. The ship is sparking with electrical failure. End Image Description.]

my piece for the @travelers-encore-zine !!!  I think this came out a bit more conceptual than I wanted but I still like it!

Thank you to the mods for making this happen, putting everything together and being an amazing support team!!! Thank you to my fellow contributors for being so lovely and making such amazing things and sharing this project with me, I'm really happy I got to be a part of it!!

please take as much time as you need to rest and recover. burn out is so hard and takes so much to heal from. your art and your supporters will still be here when you get back :) take care <3

Thank you very much

Unfortunately, my situation doesn't really allow me to take the time I need. I've got a ~two month hiatus scheduled for my midseason, but much like my first hiatus I'll most likely be working double time during it...

It's unfortunate because I could really really use a bigger break!

Having the time and flexibility to work on other projects really fires me up and keeps me going, and being able to take a guilt free day off for family and friends is necessary to my mental health, and I've been having to turn people down lately...

This is a very kind message, and I'm sorry to vent in response! But I just feel transparency about the pressure I'm under is necessary and important. I'd love to take the time I really need, but due to deadlines and that pesky "needing money to live" I can't.

But, once the series is over I intend to take a pretty big break before I start whatever I'm doing next! I've got so many short stories and projects planned that I want so badly to get to, I can't wait to really get to truly dive in to them!

I'm so looking forward to iroh and zuko properly talking and seeing irohs reaction to zuko being gay.

Like we all know he doesn't agree with the fire nation rn but how will he react?

Will he not support him cause sokkas a guy? Will he not support him because it's SOKKA? Will he accept him? Will he reveal he's known for years zuko was gay?

Especially with everything that happened with zhao, regarding to what jee said to bato on their date. (Which is a very understandable perspective, zuko just got out of this very sexually traumatising situation and almost immediately starts a relationship (his first relationship) with sokka, but then again it is a very unique situation)

One thing I love about some atla fics is how they portray the FNs thoughts on queerness, cause on one hand they were one of the only country's (I think) that treated men and women the same but then again it's also the fucking fire nation.

And I also think zukos whole canon arc can be very comparative to queerness,

His dads an asshole and after speaking out against him he throws him out, and zuko try's for 3 years to regain his father's love and acceptance, and then faced with the opportunity of regaining it takes it immediately regardless of who or what he may hurt (iroh, his own morals etc) but once he makes it back home realises how fucked up everything is and eventually confronts his dad and openly tells him he doesn't agree with him then runs aways.

I also wonder if iroh secretly knows jee is queer it doesn't seem that likely to me but it also is iroh so who knows.

<3

I do think Iroh’s reaction will be a big moment for not only the story but for Zuko’s character development. Right now, Zuko’s technically still a prisoner, holding himself there by assuming Iroh will not understand or judge him when in reality he’ll never know what his uncle is thinking until they TALK ABOUT IT. (Which the FN royal family is just sooo good at healthy communication I don’t understand why this is so hard for them lol?!)

I do agree that the suddenness of the relationship combined with the intensity from both zuko and Sokka is very alarming for people looking at it from the outside (I mean we all totally get it cause we were there but others are like uhhhh hmmmm ok this might be concerning) so I get them gossiping and wondering if this is truly real or what the fucks going on with those boys.

I love Zukos canon arc because there’s just so much about zukos story that can be relatable no matter who you are and I think that’s why he is a fan favorite (it doesn’t explain why we torture him the way we do but ehhhh it’s fine haha)

Hmmmmmm does iroh know Jees gay? Depends on how saucy those music nights got ;)