thinking about the events of the dsmp hundreds of years later being just a bunch of stories.
In a village nestled between tall pines children play Manberg Vs Pogtopia, the names of nations and reasons for war long forgotten as they hit each other with sticks and tackle their friends to warm summer grass.
When their mothers tuck them in that night they tell them stories of a snowy wasteland, so ancient it still holds the scars of long wars forgotten. They tell them of the wasteland’s inhabitant, the greatest warrior this world has ever seen. His name is lost to history but warriors still pray to him on the eve of battle and tie ravens feathers in their hair in his honor.
If the children misbehaved that day their mothers tell them a different story, one of a masked man who steals bad children and drowns them in the sea.
There’s a crater a few miles east of the village in the middle of the marshlands up by a glittering ocean. The crater is so deep that you can throw rocks off the edge and never hear them hit the bottom. Legend says that once upon a time the goddess of death had a son who walked this earth and when he died in her rage and grief she tore into the city that once stood there with her bare hands and ripped it from the earth leaving nothing but a crater behind.
On long sunny evenings in the inns that dot the coastline bards tell stories of a cursed city of gold and glass buried in the heart of a desert where it snows. They whisper the city is full of riches but nobody who looks for it ever comes back.
On stormy nights the Bards tell a different story, a story of a town that sits over a slumbering god. Strange things happen there. Red vines sport up over night. If you listen closely, the people say you can hear them talk. Everyone there has red eyes and cold cold hands.
If you start at dawn and ride in the opposite direction of the carter you can reach the vault before nightfall. The locals claim it used to hold a faceless god guarded by a king but time has weathered the vault’s defenses and the towns children dare each other inside its walls, running though the tight passages.
An old fairytale says if you follow a small barely visible path from the doors of a vault beyond you’ll reach a forest full of trees so overgrown they block the sun. The fairytale says if you walk to the heart of the forrest there’s a prince sleeping there, nestled in the flowers and weeds. The fairytale says his true love and his knights are long dead. The fairytale says he dreams the whole world in existence. The fairytale says a lot of things but nobody really believes it.
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— 𝐟𝐢𝐯𝐞 𝐦𝐨𝐫𝐞 𝐦𝐢𝐧𝐮𝐭𝐞𝐬.
and the smell of camphor dancing in the wind.
✦ info: he didn't know he'd lose you so soon. (come back, please. even if it is just for five more minutes.)
✦ featuring: alhaitham.
✦ warnings: angst, character death (reader), heartache, 1.2k words, somewhat proof-read.
✦ notes: i cried so goddamn hard writing this. why is my first work after hiatus pain. why did i pick up the angst wip. but!! i'm writing again, so that's good. (more notes at the end.)
he didn’t know that it was your last day together.
he didn’t know that the smile you gave him that afternoon, your eyes sparkling like sunlight upon the serene waves of the ocean, would be the last he’d ever see. that the playful light in your gaze would fade so very soon, slipping through his fingers like sand.
he didn’t know that last night would be the last time he held you close while you drifted off to sleep. he didn’t know that today would be the last time he’d wake up with you.
he didn’t think he’d lose you like this.
he didn’t think he wouldn’t be able to save you from that blow.
“please, please,” he begs, both to you and to whatever force that is just barely holding you together. “just stay with me for five more minutes, please. until i can get you somewhere.”
the rain soaks him to the bone, clothes and hair sticking to his skin. your lips stay motionless, eyes shut.
“wake up, please,” he bargains. “you can have all the five minutes of extra sleep you want later, i promise. just—” his vision blurs, and something shines on the ground before it is gone, swallowed by damp earth, lost amidst drops of falling rain.
desperately, he tears off parts of his traveling cloak to staunch the bleeding. deep inside, he knows it is futile. he knows your wound is too great. he knows what lies ahead. but he cannot help but press the cloths to your wound and pray.
please, please tell me it’ll be okay.
please stay with me, beloved. i’ll read you all the books in the world. i’ll sleep in with you everyday, even if we end up whiling away our time.
please. stay. stay with me. i can’t lose you yet.
“— just wake up, beloved.”
by some miracle, your eye flutters. just a bit. just enough to set hope ablaze, just enough for the grip on his heart to loosen a tiny bit. he buries his face in your shoulder, resting his head against your neck, uncaring of the blood that stains his clothes. your blood. on his clothes. his hands. everywhere.
no. no. this can’t be happening.
he feels you strain beneath him, your unwounded arm gently, weakly brushing his back. he jolts upright, eyes trained on your face. you send a frail smile his way. he clasps your face softly as you nuzzle into his palm.
“alhaitham—”
his full name. archons, how long has it been since you called him that?
“— take good care of yourself, okay?” you tell him, chest heaving, your fingertips touching a tear on his cheeks. “i love you. so much.”
those are the last words he hears fall from your lips. he presses a kiss to your forehead, to your eyelids, and to your cheeks and to your lips, over and over and over until he feels your breath slow, hoping they’ll say what he knows he cannot manage to choke out.
i love you.
he stays there next to you for who knows how long, holding you until the rain slows and a faint rainbow smiles in the sky.
until he can’t smell camphor anymore.
—
every person has their curiosities.
they’re just the little traits that set them apart from others, the things that make them tick just a little bit differently, the things that make them, them.
for instance, someone may be obsessed with collecting tiny furniture, while another eats the crusts off their sandwich before actually consuming it. someone may have an affinity for the most niche aspects of linguistics, while another can accurately predict the next raindrop that slides down a window pane.
after all, no two people are exactly alike, are they?
alhaitham knows he’s got his fair share of these curiosities himself. his aversion to soup and all things that resemble it, to name one. and with you, he’d noticed two things.
number one: the scent of camphor that seems to linger on every inch of your person.
he’d caught whiff of it almost immediately the first time you met. you were but one of his juniors in the akademiya, filled with bright-eyed curiosity and anxiety to match. you had tripped over a stair and bumped into his table in the library, bringing the mountain of books in your arms crashing down.
and with subsequent coincidental meetings, he learnt that the subtle scent of camphor dancing in the air meant you weren’t far away.
you were, unfortunately, one of the poor souls who seemed to be cursed with constantly recurring minor illnesses, and almost always walked about with a stuffy nose. and so, you always carried a small disc of camphor in a handkerchief, as well as in your pocket.
you swore up and down, left, right and center that sniffing the vapors helped make breathing easier.
‘it’s my grandmother’s remedy, alhaitham! camphor always works wonders. well, that and eucalyptus oil.”
alhaitham may not know the validity of your claim or the legitimacy of the cure, but he knew to never, ever question a grandmother’s remedy. that, and he’d much rather refrain from starting a back-and-forth about something so small.
and number two: your neverending pleas of different variations of ‘just five more minutes!’
“five more minutes, ‘haitham. please.” you’d whine grumpily when he woke you up to start your day. “let me sleep in for five more minutes.”
“five more minutes, habibi,” you’d ask when he put down the story you’d requested he read out to you before bedtime. “read me the part where she finds the music box?”
“five more minutes, baby,” is what you’d tell him when he asks how much longer you’d take getting ready. “you can’t rush perfection!”
those five more minutes were never five minutes long.
but he’d always, always indulged you and those pleading eyes of yours. as stoic as he appeared to be, you lived in his heart. of course he could never deny you anything under the sun.
—
alhaitham remembers that silly little song you sang over and over, the one you’d learnt from a kid in the bazaar. he’d taken you to see one of nilou’s performances, and, friendly soul that you were, you’d struck up a conversation with some of the eager audience members before the play.
“oh, how i wish i was a bird flying free,
i’d see the world, every mountain and every sea!
oh, how i wish i was a cloud in the sky,
wouldn’t you like to wave to me as i pass by?”
you’d hum that rhyme on every idle afternoon.
loss is inevitable. he knows that, with how logical and rational and straightforward he is. he’d lost his parents, but he was far too young to remember. he’d lost his grandmother, but she passed in her sleep of old age, serene and wise.
but you? he didn’t think you’d leave him this soon. a singular wish sits in his soul, making its home in his bones.
a wish that you’d come back, somehow.
he wishes you gave him five more minutes, just as he always did. but he knows that you could’ve given him five more hours, five more days, five more years and five more decades and it would still not be enough time spent with you.
a blue feathered bird comes to perch on his shoulder, interrupting his musings just as he raises his face to the sky. he sees the heart shaped cloud that floats idly above sumeru city.
he thinks of the rhyme again, and something in him tells him to wave. and so he does. a scent so familiar lingers, faintly brushing his nose in the wind that picks up.
“alhaitham, it's time to go.” kaveh calls his name softly.
alhaitham doesn't move. “five more minutes,” he says, echoing your favorite phrase. “i smell camphor in the breeze.”
✦ extra notes: my alhaitham characterization for this fic stems from how i believe that when alhaitham is attached, he's attached. so i focused more on that, and less of all that rationality and whatnot. this one loves deeply, yk?
that camphor thing is a real grandma remedy in our household (my mom would tie some in a hanky and put some under my pillow and still to this day reminds me to do it when i'm sick) which is what originally sparked the idea for this
when i'd initially started this wip, i didn't expect it go this way. usually i write with my brain, but i think i wrote this one with my fingers working faster than i can think hsjhsj so sorry if it's kinda out of place lmao but yk what? i'm happy with it still even though i feel like it doesn't have my usual quality.
thanks for reading.
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i. about 2 weeks ago, i was told there's a good chance that in 5 or so years, i'll need a wheelchair.
ii. okay. i loved harry potter as a kid. i have a hypothesis about this to be honest - why people still kind of like it. it's that she got very lucky. she managed to make a cross-generational hit. it was something shared for both parents and kids. it was right at the start of a huge cultural shift from pre to post-internet. i genuinely think many people were just seeking community; not her writing. it was a nice shorthand to create connection. which is a long way of saying - she didn't build this legacy, we built it for her. she got lucky, just once. that's all.
iii. to be real with you, i still struggle with identifying as someone with a disability, which is wild, especially given the ways my life has changed. i always come up against internalized ableism and shame - convinced even right now that i'm faking it for attention. i passed out in a grocery store recently. i hit my head on the shelves while i went down.
iv. he raises his eyebrows while he sends me a look. her most recent new book has POTS featured in it. okay, i say. i already don't like where this is going. we both take another bite of ramen. it is a trait of the villain, he says. we both roll our eyes about it.
v. so one of the things about being nonbinary but previously super into harry potter is that i super hate jk rowling. but it is also not good for my mental health to regret any form of joy i engaged with as a kid. i can't punish my young self for being so into the books - it was a passion, and it was how i made most of my friends. everyone knew about it. i felt like everyone had my same joy, my same fixation. as a "weird kid", this sense of belonging resonated with me so loudly that i would have done anything to protect it.
vi. as a present, my parents once took me out of school to go see the second movie. it is an incredibly precious memory: my mom straight-up lying about a dentist appointment. us snickering and sneaking into the weekday matinee. within seven years of this experience, the internet would be a necessity to get my homework finished. the world had permanently changed. harry potter was a relic, a way any of us could hold onto something of the analog.
vii. by sheer luck, the year that i started figuring out the whole gender fluid thing was also the first year people started to point out that she might have some internalized biases. i remember tumblr before that; how often her name was treated as godhood. how harry potter was kind of a word synonymous for "nerdy but cool." i would walk out of that year tasting he/him and they/them; she would walk out snarling and snapping about it.
viii. when i teach older kids creative writing, i usually tell them - so, she did change the face of young adult fiction, there's no denying that. she had a lot more opportunities than many of us will - there were more publishing houses, less push for "virally" popular content creators. but beyond reading another book, we need to write more books. we need to uplift the voices of those who remain unrepresented. we need to push for an exposure to the bigotry baked into the publishing system. and i promise you: you can write better than she ever did. nothing she did was what was magical - it was the way that the community responded to it.
ix. i get home from ramen. three other people have screenshotted the POTS thing and sent it to me. can you fucking believe we're still hearing this shit from her when it's almost twenty-fucking-twenty-three. the villain is notably also popular on tumblr. i just think that's funny. this woman is a billionaire and she's mad that she can't control the opinions of some people on a dying blue site that makes no money. lady, and i mean this - get a fucking life.
x. i am sorry to the kid i was. maybe the kid you were too. none of us deserved to see something like this ruined. that thing used to be precious to me. and now - all those good times; measured into dust.
/// 9.6.2022 // FUCKING AGAIN, JK? Are you fucking kidding me?
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