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#so it's possible I'm wrong and that is not a normal thing
comradekatara · 2 days
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Can you go a bit more in depth about your post about Sokka in the Burning Rock episode? You said that it was basically his suicide mission, which I agree with. I'd really like to hear more of your thoughts on it.
okay yeah i mean i'm sure i've covered all these points before extensively because i love weaving a tapestry of sokka's fucked up psychological landscape more than anything in the world, but every so often someone will comment on one of my posts and be like "i think you're reaching i think sokka is the paragon of mental health actually" and i'm just like um. did we not all watch the boiling rock. did we just ignore the apotheosis of sokka's entire character arc. like katara's apotheosis in "the southern raiders" is both very overt and impactful and also, arguably, subtler than sokka's, because they don't explicitly spell out the themes every five seconds, but like. if you didn't watch the boiling rock then you cannot understand sokka. and weirdly enough i also believe that zuka shippers are the biggest culprit of this despite this episode being thee zucchini episode because they somehow still have the audacity to characterize sokka as "goofy sunshine who exists to comfort zuko" when like. the entire point is that sokka is legitimately suicidal here and zuko is doing everything in his power to support him thru what is quite literally a mental breakdown. like their relationship is legitimately interesting i don't understand how people have taken that and made it deeply boring.....but i digress.
the boiling rock is quite obviously sokka at his lowest. the worst thing that could ever happen to him – fumbling a mission that was squarely his responsibility, from its conception to its execution, due to not being able to sufficiently compartmentalize his emotions, leading to the mass imprisonment of most of his comrades, including the men of his tribe whom he idolized his entire life and felt immense pressure to live up to, including his father who he is deathly afraid of disappointing (for reasons that have nothing to hakoda being malicious or neglectful in any way, fwiw), and thus being directly implicated in the failure and the harm caused by said failure – happened. sokka is someone who is especially bad at dealing with failure, because a) he is exceptionally talented, and thus has less experience dealing with failure in both minor and major ways, and thus lacks the emotional resilience developed through the process of struggle and growth that normal people (such as, incidentally, zuko) go through and b) to sokka, whose primary desire at all times is to protect and provide for others in any way he possibly can, for someone else to sacrifice themselves for him constitutes a fundamental disruption to the order. there is a perverse wrongness to kya or yue or hakoda or suki making sacrifices on their own volition, because it means that sokka has existentially failed to protect them by martyring himself. like, he somehow feels so guilty about suki being imprisoned that when azula reveals this piece of information to him, it literally distracts him from his own mission. and mind you, there's absolutely no way sokka could have known or been responsible for suki's imprisonment. but he still feels guilty nonetheless. and azula knows that, knows exactly how to twist the knife to make him break, because, well, it's honestly pretty obvious.
sokka obviously cannot retroactively save his mother or his first girlfriend, but he can save his father and his current girlfriend. in "the awakening" aang says he has to restore his honor after the guilt and shame of his failure in ba sing se (aang is also an incurable gifted kid perfectionist, btw, as is azula. posts for another time...) and sokka repeats zuko's line again in this episode, after experiencing the guilt and shame of his failure during the eclipse. the driving motivation of zuko's entire character, feeling like he has failed in some ontological way and must therefore redeem himself or die trying, is reinforced through aang and sokka's respective experiences mirroring that drive. aang goes out in a storm and nearly drowns to redeem himself in some vague, nebulous way, because he isn't thinking rationally. and likewise sokka, who usually always has a plan and always thinks things through, feels that caution and foresight is pointless, because he came up with a genuinely brilliant invasion plan and it didn't work, so clearly there's something wrong with him (just as he always suspected) and no amount of planning even matters, because he's a capital F Failure and always will be. and so he vows to save his father, as he promised him he would when they parted on the day of black sun, or die trying, because if he can't even do that then what is he good for; at least he'll die a martyr, which to him, is basically his ideal situation. because to sokka, dying as a martyr is basically the highest form of fulfilling his purpose (being needed, protecting people) and so if he dies a martyr, then maybe his catastrophic failure (that is entirely his fault and rests squarely on his shoulders btw) can be forgiven. so his plan is basically just to sacrifice himself for his father so that he can die "redeemed." very normal, rational, healthy behavior, i would say.
sidenote, i also see people claim that "the boiling rock" makes sokka look stupid because why wouldn't he take any of the insanely talented benders to a prison in a giant volcano surrounded by a boiling lake, and it's like. sokka literally admits that he's not being rational, that he doesn't think he's going to survive this, that this is not a good idea. it would go against sokka's entire modus operandi if he brought the children who he feels a deep, presiding responsibility to protect on a suicide mission that he's lowkey hoping will fail (because he not so secretly loves courting death. it's like she's the moon or something). he only lets zuko come with him because he doesn't actually care whether zuko lives or dies at this point. sokka has absolutely no faith in zuko whatsoever (and frankly, why would he, zuko has yet to actually prove himself to him. he didn't even kill combustion man; sokka did) so he has no idea that zuko is actually going to be helpful and supportive in a meaningful way. and frankly, if he had known that at the beginning, or even remotely liked zuko as a person, he probably wouldn't have caved so easily when zuko invited himself to join. if he didn't think that zuko was objectively worse than him and basically worthless as a human being, i doubt he would have let himself be so vulnerable with zuko in the first place. meanwhile zuko is eating it up bc he's like "omg he's confiding in me he's letting me help him we're basically besties" because he doesn't actually know sokka well enough to realize that sokka doesn't actually do that shit with people he remotely respects. shit like "my first girlfriend turned into the moon" and "i had a feeling this was going to be a one way trip" are simply not things that sokka would say out loud 98% of the time. the fact that he is admitting something real is not a testament to the trust he places in zuko, but rather the opposite. sokka spilling his guts (you know, for him) to his resident collateral damage, sokka bringing his lovingly crafted space sword on this mission, sokka not even confirming whether or not his father is actually there beforehand – he's simply stopped giving a fuck, he doesn't care whether or not he lives to see another day, because to him, he has nothing left to lose.
but of course, that also isn't true at all. i mean, for one thing, zuko still needs to teach aang firebending, so he does serve a pretty important function to the group, and zuko simply telling him to do hot squats in his absence does not qualify as significant tutelage. but also, even more importantly, sokka is integral to the fabric of the group. when he's gone for a day in "sokka's master" they literally all just shut down and start complaining about how much they miss him (we don't actually see any b-roll of the gaang hanging around the western air temple because the episode is simply too busy for that, so who can say whether the same thing occurs twice). sokka cannot afford to simply die just because his first plan failed, he still has a major responsibility to his friends. fucking idiot. i've said before that sokka has the emotional resilience of like. a pathetic wet newborn kitten caught in the rain. but like, come on man. i mean, as someone who has also suffered from debilitating perfectionist issues and never had to be responsible for a failed military invasion that cost my people their freedom, i do get it, but still. not his best moment. although there is something genuinely admirable about the fact that after he finds suki, he decides that saving suki is enough, and genuinely does want to succeed in his mission going forward. like his love for suki is one of the only things that consistently makes him happy and makes him forget that his greatest dream in life is to be murdered, and that's so beautiful to me.
the entire point of this episode, by the way, is that sokka is wrong. if that isn't obvious. sokka's entire worldview, that he only has value insofar as he exists to provide for others, and if he fails to protect people in any capacity, he has fundamentally failed to uphold the one reason he even exists on this earth, and thus he does not deserve to exist unless he is bearing the weight of everyone's suffering or otherwise proving his worth through sacrificing himself for others, is um. fucking stupid???? and incorrect. and stupid. the thing is, unlike zuko, sokka can't really point to any one person who taught him to see himself this way. he can't just face his father and tell him that his abuse was cruel and wrong, because hakoda is a good father who has never not supported and believed in and encouraged him, done everything in his power to protect him, loved him unconditionally. hakoda has inadvertently damaged sokka's psyche in various ways, of course, but never with any intention to hurt him. like, ozai tried to kill zuko, on multiple occasions. it's a pretty obvious indicator of the primary source of harm in his life. but sokka is equally if not more Unwell, and there's no one single figure he can blame, because his complex lies within a tangled web of what my best friend fanon calls the "massive psychoexistential complex" of the colonized subject. he is being dehumanized not through interpersonal abuse, but through the violent logic of imperialism. sokka's formative traumas inform his psychology as he understands that he only has value insofar as he is protecting the people he loves (namely his sister) from being murdered by imperialists, much like his mother did. and that logic is continually reified through the violence he is being subjected to, until he truly absorbs the belief that his life has no value on its own, that he is genuinely Less than [human] in some fundamental way. which is obviously deeply tragic, but also lowkey kind of comical because he also happens to be the specialest boy in the world, who literally did come up with multiple working escape plans at the world's most secure supermax on the fly, mind you! but whenever anyone tries to point that out, including piandao literally saying "you're the most exceptional and worthy person i've ever met in my life" sokka is just like "um. that is incorrect actually." like NO ONE should depersonalize themselves and feel that their only value lies in their ability to serve and sacrifice themselves for others, but it's especially ironic that sokka literally does not think he has any value as a human being, and yet he is also objectively exceptional. like, do you understand why i adore this character so much. do you.
anyway. the point of this episode isn't that sokka has worth because he's exceptional, either. that's lowkey the point of "sokka's master," but also a) sokka doesn't really internalize it and b) the more important part of the episode lies in how much the gaang just misses his company because they miss their neurotic control freak big brother who makes bad jokes. but even if he couldn't come up with multiple working escape plans on the fly, suki and zuko still stay by his side anyway because they care about him. they are demonstrating that they would risk their safety and possibly even their lives, in the exact way that sokka is always trying to for everyone else, for him. that sokka doesn't need to be the one who always protects everyone else, and that he isn't a failure for letting people who care about him help him and protect him. and sokka has to accept their help, because suki and zuko are simply too stubborn not to force him into letting them support him. they are standing in a literal maximum security prison in the middle of a volcano and they are still choosing to prioritize sokka's mental health and wellbeing, which is honestly crazy, but also exactly what he needs in this moment. suki has known sokka for what, 3 days maximum? yes they're soulmates but like, girl get up. and in zuko's case, "girl get up" is magnified tenfold, because he literally risked his life to go with him to the boiling rock (also largely motivated by the guilt of not being able to stage his own prison break with iroh, but still!) and let himself get imprisoned despite being the fire nation's most wanted criminal, stayed by sokka's side no matter what including getting thrown into a literal torture chamber for him, jumped across a gaping boiling chasm with no guarantee that he'd survive except for the implicit expectation that sokka would catch him on the other side. like zuko is so fucking pussywhipped and sokka didn't even value him as a human being until like halfway through their entire mission. insane.
in conclusion: "the boiling rock" is a beautiful story of the most mentally ill boy on the planet (he took first place ever since jet died rip jet forever in our hearts), and his two ride or die bitches who he met like yesterday, and also his dad, and a casual homophobe named chit sang, all working together to demonstrate to him why killing yourself is a bad idea in most cases, probably. it's also the story of the most insane dyke drama of all time, but that's for another post (of which i have of course made multiple, most recently, here). i said it's the apotheosis of sokka's arc, and by that i mean it's the most overt acknowledgement of what his fundamental issue is, and the first steps one must take in actually resolving it (namely, accepting help and support from your peers and loved ones). do i think that sokka is magically cured after returning from the boiling rock? no, probably not (in fact, because i'm somewhat sick & twisted myself, i like to imagine that once the war ends, he actually gets worse). but he does seem genuinely happier after they return. and maybe that's just bc kyoshi warrior pussy hits different, but like. he was able to rely on others for help (including mai my best friend mai) who supported him unconditionally and prevented him from simply giving up, and that's so incredibly important. that kind of support is always important, to everyone, of course, but as we've established, it's especially important to sokka specifically, at his lowest (quite possibly ever), in this situation. no one has an obligation to risk their life for someone else, but sokka is something who thinks that his purpose is to risk his life for other people (namely katara), and so for people who really have nothing to gain and everything to lose in standing by and promising not to leave without him, to actually show that they support him unconditionally is huge. if sokka has no fans then i am dead and so is suki zuko hakoda toph aang piandao iroh the mechanist etc etc etc. perfect episode <3
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fluffygiraffe · 1 day
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So, I saw your Puzzlevision Jr. AU and I can say that he's so adorable! What is his story in the Puzzlevision Jr. AU?
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Puzzlevison Junior! Full Lore! CW; Spoilers!
Mr. Puzzles never grew out of Children's TV shows, but accidentally seeing a violent one scared him. That show was why he felt he should cut off his head and put a TV there. He's less violent, nicer, and probably acts more childish. Probably has better intentions, making the world a better place and safer for children of all ages! The shows he'd make the cast would be more story-book, cookie-cutter, happy, and less violent. In the movie, when he realizes Mario has run away, he tries to get him to come back in the nicest way possible, but Mario is really upset with the fact he took his TV time. He'd get his face smashed in, as he realized later he had to let chaos run amok in his channels to actually get good ratings, probably cried (as he didn't want it to be scary). But in the end, he did. Mr. Puzzles would politely try and put them in different shows but get startled when they started being violent in them. When he got the Five Stars, he immediately removed all the scary TV shows, leaving only his channel. The set would be more happy and colorful, think Sesame Street Elmo's World When Mario ruined it, though, he almost began to cry, but he kept his cool and told Mario to "Go into the corner and count to 1000" with a fake parent-like tone. When the cast break out and make their own show, he'd get really upset and whiney, starting to cry as he threw another fit, slamming his foot down over and over as he simply began to complain. In the fight, he'd be dodging the others, trying to be more defensive and he'd try not to hurt anybody. When they get five and a half stars, he'd lose his powers. He'd begin to apologize and cry, mostly about the castle. He "didn't mean for all the bad to happen" and he "promises he'll be good this time." (Note, I'm on the edge of him being redeemed or he just gets kicked away like in the movie.)
All the Movies!
IT'S GOTTA BE PERFECT - Something went wrong. SMG4 was making the best video ever, and the TV had to help him! It's only the nice thing to do! The keyboard would be more pastel, but still, meaty themes that he mostly tried to hide. The meat went awry, and the rest of the movie went normally.
Western Spaghetti - A more cartoony and happy version of a Western place. One-Shot Wren tries to be as evil as the place allows him to be. His downfall was the fact that the world limited his powers, and Meggy was only "knocked out" every time that she should have been killed.
WOTFI 2023 - Mr. Puzzles expected a nice happy lesson about how stealing is wrong, but it went wrong. The episode is the same.
In the end, he looked nervous as he sat down, clutching his knees. He then says "I promise children, next time, it'll be different... Next time will be better."
All the Episodes!
Mario's Mysteries - It's basically the same, except there are no violent themes. Why would there be? Kids shows don't have those! The only time that there are any "adult themes" is when the programming breaks in the TV Time song, in which Mr. Puzzles looks very distressed and worried, though he changes the topic to The Bee Movie. The pipebomb reward was replaced with a kazoo! The Bloo-Skido part was a playground instead, and the rocket launcher was a party popper. When they find out Mario ate the spaghetti, there is a flash of anger in SMG4's eyes, which quickly is replaced with playful cheeriness as the episode ends with SMG4 promising more spaghetti for him.
Once Upon an SMG4 - Practically the same, except for the fact that there is less being mean to the animals. The motives for money are changed to healing the sick animals because we want a good message after all! The SMG4 Witch is less scary, of course, because he doesn't want to scare small children. More cartoony too. The scene where Smg3 meets the fairy godmother goes more like this- The animals still mess up the dress, but while Smg3's eye twitches, he tells the animals they tried their best. Mr. Puzzles comes in with pastel fairy wings and a crown, of course with a tutu. "Hello, dear princess! I'm the fairy godmother and- What in the world are you wearing?" (He sounds more concerned and worried.)
Scooby Mario, Where'd You Go? - Practically the same, doesn't really change much. The robots are less spooky and the atmosphere is colorful. Instead of going to prison for breaking an animatronic, Bob comes out of the bathroom and asks what he missed. Turns out he was in there the whole time! They then get the pizza as the camera moves out, the show having a happier ending!
Mr. Puzzles' Incredible Game Show Spectacular! - Pastel colors! Yay! He doesn't get mad, he gets sad and overwhelmed. Instead of screaming "IN A MINUTE" with a scary face, he simply looks upset with wide eyes. Exasperated, I suppose it's called. He tries to negate fighting, trying to help them settle their differences and try and make up with reasons like "You should always be nice to your friends" and such. Mario ruins everything and Mr. Puzzles has a temper tantrum. It's less "trying to kill everybody" and more "go away! :(" He doesn't actively try to hurt anybody, and the cage he uses for Mario is just a cardboard box. The audience is plushies.
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cripplecharacters · 5 hours
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Hi! This is a sort of weird question, but I’m writing a sci fi /fantasy book with two disabled main characters:
1. Cove is twelve years old and has something along the lines of Williams syndrome (possibly that, possibly Down syndrome—still deciding). He’s mildly intellectually disabled and has low muscle tone + an unspecified heart problem (which is stable but he still gets regular checkups for it). His power is turning into a giant at will. He might have PTSD for reasons that are potentially triggering, so I won’t go into details ^^’ He really likes the ocean and spicy food, and hates people staring at him or judging him
2. Lucas is sixteen and uses a wheelchair full time due to cerebral palsy. His hands tend to shake a lot too. His power is turning into a Sphynx cat. He’s a trans guy. Idk what he would like or dislike yet tbh, but I picture him dressing in black clothes a lot
My question is this—what are some ways these characters’ powers could like interact with their disabilities? So far I have that overusing his giant power could possibly put strain on Cove’s heart. and if Lucas wants to move around independently in his cat form, he’d probably need one of those animal wheelchairs for his back legs?
Also— is there anything else I need to consider while I write this story?
I’m not trying to get you to do all the brainstorming for me btw! I hope it doesn’t seem like that ^^’ I’m just looking for other people’s thoughts and input-
Hi!
I think that the powers you gave them are very cool! Often with disabled superpowered characters there's the trope of always having the ability be fundamentally connected with their disability. Someone shapeshifting into a cat is awesome!
The concept of Cove's transformation putting pressure on his heart is very realistic (if you can say that about shapeshifting, lol)! Both Down and Williams Syndrome come with cardiac problems, so you won't need to change that if you decide to switch the exact disability. I'm thinking that maybe he could try to slowly turn giant, rather than instantaneously? I imagine that turning back to being normal-sized could also cause some issues. I'm unsure if that's a part of your story, but I think that having his family worry about him transforming because of his heart would be realistic as well. Wouldn't really classify it as infantilization because he's twelve, and I know that a lot of parents of children with DS are extremely cautious around the cardiovascular problems (not sure about Williams Syndrome here, but I think it would make sense as well)! You mentioned PTSD, and while I don't see anything wrong here from what you said, I would just urge you to not have some weird "PTSD flashback = turns giant and extremely violent" (violent being the key word here) kind of scene. (If you have PTSD yourself then feel free to do whatever you want of course). But I think that him becoming bigger when he feels threatened as a defense mechanism of sorts would make sense.
For Lucas, I think that the idea of shapeshifting from a wheelchair user to a wheelchair using cat goes incredibly hard. As for the ways that it could interact with his cerebral palsy: if he has issues with his arms then he would use the wheelchair a bit differently. In the kitty wheelchair the whole energy comes from the forelimbs, so if his hands shake then he would be much more wobbly as a cat than as a human. I'm not sure whether cerebral palsy in kitties is a thing, but you can look up cats with cerebellar hypoplasia. It's not the same thing but causes some similar symptoms! For example, the lack of balance that Lucas could have due to shaky limbs.
In my opinion your story sounds great! If you have any more questions with more specific details, feel free to send another ask :)
Sorry for the late answer! I hope this helps!
mod Sasza
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frownyalfred · 2 days
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How do you do your writing? Start writing the story and figure out world building aspects after? Or deep dive into world building than write the story? Personally I write the story then take breaks to write down world building as it comes
Was curious, cause your abo au is very thought out with world building
I think it definitely comes easier with the a/b/o AU since there's a lot of pre-established options within the trope, so I'm usually just mixing and matching the ones I like most, or subverting the ones I don't.
My biggest goal when worldbuilding is to avoid the "this is the world I live in and here are the rules" monologue that sometimes pops up in published novels. I only want stuff to come up that's actually being discussed and thought about by the characters in the scene -- and unless it's being used as a device, they're not usually narrating the rules of the world they live in to themselves at any point. (Again, it depends on the book and if it's being used as a literary device)
So Bruce, in a given scene, wouldn't necessarily be thinking about the fact that omegas use scent blockers to conceal their scents, and wouldn't be thinking about how that works (such as application preference, etc) but he would, theoretically, be thinking about how the new scent blocker he just bought isn't working right, and that he might need to use more than normal. So we get some slightly more subtle worldbuilding within the vein of the scene.
People go back and forth on the "show don't tell" advice in writing, and I know it's contentious. But I'm a proponent of showing worldbuilding whenever possible, instead of outright telling. Whenever I find myself writing a thought/piece of dialogue that seems like it would benefit the reader more than the characters, I take a second to check if I'm telling instead of showing.
Sometimes that means not explaining something until it pops up in the story. An example of this would be in my Mandalorian/Star Wars batfamily AU, where we really don't learn a lot about the batkids' positions or the hierarchy of the Wayne compound until Clark has a chance to talk with various family members and learn.
I think there is definitely an instinct to overexplain off the bat, and it's not always wrong. But if our first scene with Bruce was spent with him thinking over the hierarchy of his own compound, that wouldn't make a lot of sense -- he already knows what it is. He's got other things to focus on in that scene.
If it's helpful, I also put together lists sometimes of worldbuilding ideas that don't necessarily make it into the work itself, but help add context while I'm writing. I did this a lot with Borderline, when I was trying to write the Court/LoA into the fic. A lot of those details didn't make it in for the reader to see, but they affected what I wrote.
That's just my take on it, and like I said, there's a lot of conflicting ideas about this. And exceptions, of course.
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justsigma-bsd · 14 hours
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A Blank Page, Torn From A Book Without Name
Well, I ended up trying to put the word salad in my head into actual, coherent words after all.
First of all, everything here is just my take on things. The theories and thoughts I've had on certain things. I don't think any of it is official, but if anything of it is, in fact, confirmed to be true or false, feel free to tell me!
Some of the panels were taken from a YouTube video, which I'll link at the bottom!
TW for: Human trafficking, dehumanization
Ok, so first things first, some of this stuff I've already written down a while back for writing reasons. I found some of my old notes, and noticed that, after rereading the panels, they make more sense than I previously thought.
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Let's start here: what stands out the most to me isn't that he's in the desert, not even the ticket. No, it's the simple »[...] or even who I was«
Because who, indeed, is Sigma? Sigma does not have an identity. He has no history, no nothing. Just the clothes on his back, a ticket that seems to be useless and earrings, for some reason.
Without a name, you don't have an identity and without identity you don't have a name.
Then there is this, too:
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»I gave myself a name. Sigma. A man of the casino«
I don't believe he had a name upon being created. I don't think he had one for a long time, because in the same panel that he mentions giving himself a name, he also mentions the casino- which came much, much later. Sigma existed for three years by the time the series started. However, the timeline is wonky as heck.
Because how long did he stay with the traffickers? How long was he on his own after escaping? How long ago did Fyodor find him? Questions upon questions, but since I've already mentioned the lack of a name and the traffickers, let's get to my thoughts on that, specifically:
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»They captured and enslaved me« along with »And once they knew that I had a skill [...]« makes me wonder: how long did it take for them to find out?
I haven't researched anything about human trafficking, but it's basically slavery, from what I've gathered through the previous things I've heard and read. And he does say so himself, too.
Sigma, three days alive, spent his early life a slave. It's confirmed that he was shackled, seeing that he is wearing them in the panels.
(As a side note, I do believe that he has scars from the shackles around his wrist. He wears a tight, wrist-long turtleneck beneath his coat, and I think it's to hide the scars. Both from others and himself.)
His first human interaction was plain horrible. Did he know and understand that? Did he understand that this wasn't normal? I don't think he knew how wrong this was at first. I don't believe that he understood it immediately. If he didn't know who he was, why would he know that being treated like this is wrong?
I believe that he realized it at some point, but not as soon as it started. I think he lived like that for a while, thinking it was normal, before getting some sort of wake-up call. Perhaps through his ability, or a fellow prisoner. Maybe both, or neither.
He must've gotten whiplash, once people genuinely looked up to him when he was the manager at Sky Casino.
I also think that he, probably, does tend to forget that being treated like that is, in fact, not normal or okay. Our upbringing leaves some sort of mark on all of us, experiences define us, give us habits and a feeling of what's normal and what isn't.
Which means that his "normal" is skewed and he expects being used rather than kindness, probably even after learning that some people are genuinely kind. I'm guessing that his mindset is, due to that, a simple "If I'm alive I'm alright".
I don't think he'd complain about being treated wrong and or left behind, or admit when he's injured. Or at the very least attempt to keep it a secret as long as possible- especially from those he sees as authority figures.
However, I also think that he was isolated, as per this panel:
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Not only the text, but also the background paint a picture that causes me to believe that.
I almost skimmed past this panel while making my analysis, before pausing and taking a closer look. I thought this was in Sky Casino at first, until I looked closer and realized three things:
1, the background does not match Sky Casino in the slightest
2, he isn't wearing shoes or his current outfit, but the old clothes he had when wandering the desert
3, the shadows aren't from the light of a window, they're bars from a cell
While I did believe before that the traffickers kept him isolated from others (due to wanting to keep him unaware of the wrongness of his situation as well as to make sure he doesn't learn things he should/other prisoners finding out things that Sigma got to know by accident), this sort of put the final nail in the coffin for me.
But, at some point, he did realize that it was wrong. Perhaps he'd had a bad feeling from the start. Maybe he hated being treated like this. Who knows? Point is, he escaped. This brings us back to this page:
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»No matter how kind someone seemed, they used me and then tried to kill me for knowing too much«
Sigma, after escaping the traffickers, after escaping the life of a slave, probably still didn't know much about living.
And I firmly believe that Sigma is smarter than even he himself thinks. There's just one issue: Sigma is naive (at least in my eyes), and it's not even his own fault. He simply tried his best to survive, and what was the reason the traffickers kept him around? His ability, most likely.
Problem is that his ability truly is something people would love to exploit, and it seems as if they did. Which makes me believe that he has a talent for running into murderers thinking they're nice people, only to get a not-so-nice surprise.
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»The last one to use me [...]«, this specific line is the reason why I believe Sigma to have been used a lot. We don't know how often, exactly, his ability was taken advantage of. But we know the latest person who did.
Fyodor was the last one to use him, which means that, at that point, he was probably used to it. Used to being treated like a pawn, and used to people trying to kill for knowing too much. And I believe that he was, quite plainly, exhausted.
Imagine, your entire life consists of being forced to aid others with crimes, with being shackled. You don't know the difference between working for someone and being used by someone.
If you were offered what you wanted most, wouldn't you accept, too? Even if you know that you're once again being used? I mean... this time around, you gain something for it. Doesn't that make it worth the risk?
It's a gamble Sigma took... and lost.
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This page involves two quotes that give me pause:
»Don't you wish for a home?«
We don't know why or how he knows what a home and a family is, but he does. And he wants it. He says it was never within his reach. But it is perfectly clear to us, while reading the Sky Casino Arc, that he wants it. He wants a home and a family.
He'd rather sacrifice his own life than see Sky Casino fall. »Home« and »Family« are, to him, more important than staying alive. Because it's something he never had, and something he clings to. Simply because he doesn't have anything else.
»I, who was originally 'nothing'[...]«
Is the second line that makes me pause. Because like previously mentioned, Sigma was a slave with no name or identity of his own. We don't know when he found out about being created by the book (and I firmly believe that he found out one way or another), but I believe he didn't see himself as a human before, and this "confirmed" it for him.
Think about it, would traffickers care about their victims? Would they treat them as human beings? Call them by their name? What about a person who has no name to begin with?
He wasn't treated like a human being in the beginning, and thus considered himself nothing. Considered his home and "family" to be worth more than hid own life.
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He was literally created from nothing. His story doesn't have a beginning. He has no memories prior to being created, he had no name nor identity. How his story will end is unknown. We don't know what's written on his page.
I believe this, combined with being with the traffickers, makes him doubt his humanity. Not only because he was created through the book, but also because for the first (months? Year?) of his life, he wasn't treated like a human.
His sense of self-worth is probably down in the dumps.
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»In the end I never did understand what I was born for...«
I don't think he knows the details of his existence. The content of his page, the words that brought him into existence. He doesn't know why he was born/created. He doesn't know what things were predetermined.
He doesn't know what's real and what's just writing on a page.
Sigma, in three years of being alive, went through hell. He was enslaved, his ability was taken advantage of over and over, he was used by multiple people who all ended up trying to kill him and when he thought that he finally found a home? A family? It was taken away from him.
Genuinely, he needs a plate of cookies, a hug and a ton of therapy.
Anyway, I hope you enjoyed my little analysis and theories? I never did something like this before, so criticism is welcome!
Here's also the link to the video from which I got the screenshots: https://youtu.be/KwsSvFYAKjA?si=R_IvH-S8GYut_hrG
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hi this might be a stupid question. also it feels really weird to be sending such a private thing to some rando on the internet, even if it is anonymous, so. sorry for any awkwardness i guess? i'm praying that the anonymous feature doesn't unexpectedly break.
i am a young adult & a virgin although i've recently started dating someone & i'm excited by the possibility that that might change. i know i feel sexual attraction & desire. i frequently experience arousal (ie. my vagina gets very wet) but i find that usually its triggered by thoughts or daydreams, while physical stimulation just.... doesn't really do anything? i've tried masturbation but i haven't had much luck. after a bit of touching i usually start drying up. this feels a bit backwards to me & i'm scared that i'm not going to enjoy sex as much as i want to or that i won't be able to orgasm... is this normal, or am i completely alone in this?? am i doing something wrong??
hi anon,
it's virtually impossible to masturbate wrong (as long as you're not hurting yourself you're good 👍) and given the sheer number of people in the world, pretty much nobody is completely alone in anything. take heart! you are unlikely to ever be a meaningful statistical outlier.
as for your varying level of lubricant: your body doesn't always cooperate with what your brain wants, dude. that's all there is to it. that's why god invented lube you can buy at the store. buy some, use liberally, have fun.
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reasonsforhope · 15 days
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"The Environmental Protection Agency (EPA) finalized a rule Tuesday [April 9, 2024] that will require 218 chemical plants to reduce toxic and carcinogenic airborne pollutants, aiming to reduce the number of people with elevated cancer risk by 96% nationwide.
The rulings principally address chloroprene: used to make rubber products, and ethylene oxide, used primarily for sterilizing medical supplies. Long-term exposure to these chemicals and their manufacturing have been identified as possible carcinogens, or cancer-causing agents.
According to a report in the Washington Post, this can include lymphoma, leukemia, breast cancer, and liver cancer.
Across a strip of Louisiana and Texas where half of the 218 chemical manufacturing facilities set to be affected by the new regulations are located, cancer rates of these kinds are substantially higher than national averages, leading it to be colloquially called “Cancer Alley.”
EPA Administrator Michael Regan visited Cancer Alley during the open-comment period of the proposed ruling, and said that across the 85 miles dotted with communities, he failed to meet a single person who didn’t know a loved one or friend who had either developed cancer, died of it, or knew someone who had.
Once implemented, the ruling will reduce more than 6,200 tons of toxic air pollution each year, according to the Post."
-via Good News Network, April 15, 2024
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birdmenmanga · 3 months
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I think there's no greater indication that disco elysium is sympathetic towards communism when it literally says "communism is failure" and then the literal gameplay itself rewards trying and failing. The most obvious one being the Shivers check at the FELD mural, which is an Impossible 20 check BUT opens itself up again and again the longer you spend in the world doing things, but even just looking at sheer probabilities, for any given white check, rolling first and THEN putting a point into that skill upon failure is more likely to grant you success than putting a point first and then rolling, but that would require failing first.
Other things too: Precarious world saying you'll 100% fail red checks no matter what (not necessarily a bad thing, btw!! throwing the boule into the sea is a success but like. in some other ways one would want a perfect petanque throw instead. but people wouldn't typically assume that failure is desirable sometimes from the start) persuading you to accept that you'll fail some things that is irrevocable, for a world where everything is just a tiny bit easier.
The faux game over screen when you faint after reading Dora's letter— emulating a sense of failure on the scale of the entire game. When it rolls up most people go "What?? Game over?? No way, what did I do wrong!!" and waking up after that, with no huge or lasting impact on Harry's health or morale really tells the player, "Sometimes things will seem so bad that it all seems like it's coming to an end, but it's not the end, it's really not the end, go drink so water, you can still go on despite this failure"
I'm sure there are other things as well that are eluding me but like. The literal gameplay rewards failing and succeeding far more so than simply succeeding every single time, and I think you get a fuller experience of Elysium that way too
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fisheito · 2 months
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i told myself that yakuei only had one position then i proved myself (sorta) wrong
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my fave face here:
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#technically... if they were boinking in outer space... a lot of these would be the same position#makes a rotate-y gesture with my fingers#what is yakumo's kabedon if not a vertical missionary#so i've half proven myself right AND wrong! i'm net neutral in outer space broskis!!!!!#zizz-asdf if ur reading these tags i'll have u know that u inspired me to Do the Research1#like. 5 garu riding eiden? no. it can't be. does yaku do one specific thing with eiden 5 times? *tries to write it down*#i can't quite... what's the word for that position...uhhhh#ah forget it i'll just draw it out#<- that was the process of creating this. collage? 😆#THE MATRIX OF YAKUEI BOINKINg POSITIONS (under construction)#when u about to be semi-normal and make a spreadsheet but ur sexcabulary is stunted so you resort to visuals instead#legit opening up every intimacy room and skipping thru sections to get as complete a picture as possible#wondering... where are yaku's feet planted in this one. (skips to 8minute mark)#ah! there they are. theyre not supporting his weight in this one *draws it*#while drawing crimson phantom room 2 my brow was furrowed and i was mentally narrating#[and this one i affectionately call.. rectal exam - professional misconduct Grounds for Termination)]#surprised they str8 up havent done classicdoggstyle yet. is it because he's a snake? garu should teach him#also surprised that there's been no Light SSR for yaku yet. come on!! Light mode on the double!#uhhh i think the only repeated positions were freestanding (choco liqueur r2 and dark nova r2)#and standing AGAINST! THE! WALL! (choco liqueur r5 {interior} and shadow lineage r5 {cave})#wait. *throws papers around* i swear they did missionary more than once. was it only ocean breeze???#i know with the intimacy rooms they gotta modify the positions into certain angles to make it...look...better#but seriously? only one missionary out of the lot of them? despite the aesthetic tweaks??? how can that ........#*tosses more papers around with increasing befuddlement* WHERE IS MY PURE 100% VANILLA BEAN ICE CREAM#sighs as all the papers lie scattered on the ground#dude... i don't know anymore..... this is beyond my scope#now that i see how evenly spread out the positions are...#i BET the devs have SOME SORTA CHART tracking yaku's positions. now THAT'S a funky office corkboard!#yakuei
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ineed-to-sleep · 6 months
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I wanted to say, bc I saw someone mention Geralt as an example of a predetermined character in an rpg that works, that yeah, I fully agree it can work! But in Geralt's case, for example, he's a well established character who's fully written before you start the game. He has his own traits, his flaws and shortcomings, history, relationships, etc. He's just as well written as any other character in the story, and the only things you have power over are his choices and a bit of his fighting style(sometimes his hair as well), but everything is made to fit with who this character is as established before the game even starts. Think of the origin characters in Baldur's Gate 3, it's the same thing- they're not customizable, they're established before you even start, and the only control you have is over their journey. None of these are ever meant to be a blank slate, and they're written as such.
With this Phyre character it's like they're trying so so hard to tread the line between "this is a character that stands on their own" and "this is a blank slate you can fully customize". What you end up with is a very "meh" sort of character, who's not one or the other, without enough wiggle room to make your own story however you want and not enough to get attached to them as they are. We get attached to Geralt bc he's a fully written character in the game, you just control his actions. The problem with Phyre is that they're neither a fully written character nor fully yours to write.
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forestgreenlesbian · 2 months
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charlotterenaissance · 6 months
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having an almost comically bad couple days so i'm microdosing on all my fixations by alternating episodes of kids in the hall, night court, h2o just add water, and conan o'brien remotes. just having a normal one
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byanyan · 2 months
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byan getting angry, sometimes to the point of violence, when someone tries to diagnose them in any capacity.
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cold-neon-ocean · 10 months
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short-ish vent/explanation as to why things have been so slow sobs
I don’t really feel the passage of time anymore but it’s crazy how much time I’ve lost just since February to just one after another dealing with the house pets. First our puppy’s neuter, then my sister bringing her cats into the house, her cats tearing things up and needing to be watched constantly (by me of course bc I’m the only one here), her cats then giving everyone ringworm which was a nearly 2 month ordeal that we’re still recovering from physically and financially, and now both puppies (one has seemed to recover now) are having some sort of intestinal issue the vets don’t know the cause of, but I’m just cleaning bloody diarrhea (its not parvo, the vet tested) and doing laundry all day.
I never really got the chance to recover from the introduction of the puppies back in September last year. I feel like my life has been overtaken by all these animals completely against my will and out of my control. Mom is just hemorrhaging money from all these obligations and vet bills she never planned/asked for, and I’m trying to help (despite none of these pets being mine) while also barely having the time to work that I used to. I used to be able to sit at my desk nearly all day without being interrupted but now dealing with all these animals by the time I get to sit at my desk I’m exhausted and it’s like 7pm but I gotta get up at 6am to give out medications and make breakfast for 5 pets.
Its starting to calm down but I’m just really upset over how all this affected my ability to work since these extended wait times reflects on my business very poorly and it’s just been killing me because this is not how I normally conduct things but I just had the rug completely snatched from under me and haven’t really been able to get back up. 
I also want to make clear that none of these animals are mine, nor did I have anything to do with the decision making to get them. I was told by my fam that it was expressly kept secret from me- literally until the animals came through the front door, because they knew I’d be upset because I’d have to watch them since I’m the only one home. The only pet that belongs to me is my leopard gecko who is a perfect angel boy who I’ve had not one issue with since getting him (he just turned 2 last month). 
Things are (hopefully) starting to stabilize, I’m praying that we can have just a little time without an animal having some sort of health crisis. I’m really sorry this has been such a long running thing, I never could have anticipated for any of it. I’m so grateful for the patience of my commissioners and am especially sorry to them, this isn’t normally how my business handles and I’m really ashamed of it.
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47-protons · 6 months
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I love blorbo bingus from my brain. I'm going to put him through a pasta maker. Hes going to be like flat stanely by the time i'm done with him <3
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lilly-white · 1 year
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me writing my “historical notes” in my book’s backmatter: /extremely detailed stuff about my choice of place-names, with rambles about Gaelic vs Brittonic vs Anglo-Saxon etymology
me: ............ wait. The public is mainly American and they don’t actually know what “Briton” even means, beyond the modern “British person” which is a total false equivalence that pisses me off
me: /rewriting the entire thing to “Who were the Britons, really: a rant”
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